Browse content similar to 07/05/2014. Check below for episodes and series from the same categories and more!
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Brotherhood of Man are preparing for their performance on tonight's | :00:12. | :00:17. | |
edition of The One Show. They have now been joined by members of Bucks | :00:18. | :00:24. | |
Fizz, who also won Eurovision. What are you doing here? We are doing The | :00:25. | :00:30. | |
One Show. No, we are on The One Show. What are we going to do about | :00:31. | :00:34. | |
that? We'll sort something out! Hello, welcome to The One Show with | :00:35. | :00:51. | |
Matt Baker and Alex Jones. In Eurovision week we have two British | :00:52. | :00:56. | |
winners with us tonight. And we have worked it all out. Inspired by McFly | :00:57. | :01:01. | |
and Busted, who recently joined together to create McBusted, we are | :01:02. | :01:06. | |
joining former members of Bucks Fizz with Rutherford of man to create... | :01:07. | :01:13. | |
Brotherhood of Fizz! It looks like an album cover. They are going to be | :01:14. | :01:19. | |
performing live later. Our the skirts coming off? What about the | :01:20. | :01:31. | |
trousers? We've also got some massive military machinery to keep | :01:32. | :01:34. | |
the peace between the two bands. We'll be telling you more about | :01:35. | :01:39. | |
those machines later. Continuing the Eurovision theme, we are joined by | :01:40. | :01:41. | |
disco diva, behind hits like this. # Do it | :01:42. | :01:57. | |
Take your mama out all night # So she'll have no doubt | :01:58. | :01:59. | |
That we're doing the best we can And Chris Packham is here, looking | :02:00. | :02:13. | |
very dapper. And a little birdie tells me that we are going to be | :02:14. | :02:17. | |
exclusively revealing the location of this year's Springwatch? At the | :02:18. | :02:23. | |
moment, my lips are sealed, you'll have to wait. After all of that, | :02:24. | :02:28. | |
we'll need some time to relax and enjoy the flowers. Thank goodness, | :02:29. | :02:31. | |
we have two host is of the BBC Chelsea Flower Show coverage. It | :02:32. | :02:40. | |
is... Sophie Raworth and Joe Smith! Good to see you both. Good to see | :02:41. | :02:47. | |
you. Nice flowers. Did you bring those in? I grew them myself! Let's | :02:48. | :02:53. | |
talk about your running. Congratulations! Not only the London | :02:54. | :03:00. | |
Marathon, a few days later you did the Boston Marathon? I've done the | :03:01. | :03:06. | |
London Marathon a few years in the deliberate co-pay row, and then I | :03:07. | :03:09. | |
actually qualified for something for the first time. I decided to do | :03:10. | :03:14. | |
Boston as well. I ran eight days after London. The woman I am | :03:15. | :03:18. | |
standing with is called Jackie, 61 years old. Everybody kept saying, | :03:19. | :03:23. | |
you did two back-to-back! She does one every single weekend and she had | :03:24. | :03:26. | |
to wait for me at the end of Boston. I was in bits. We've got a | :03:27. | :03:35. | |
Eurovision theme. Being a flower man, do you like the campness and | :03:36. | :03:44. | |
colour? It sort of went downhill after Bucks Fizz. Those were the big | :03:45. | :03:49. | |
days. We look forward to seeing you joining in later on. Now, is your | :03:50. | :03:57. | |
life constantly on charge? Do you have an array of phones, cameras, | :03:58. | :04:00. | |
shavers and toothbrushes plugged into the wall, displaying more | :04:01. | :04:05. | |
linking lights and the bridge of the Starship Enterprise? If so, you are | :04:06. | :04:09. | |
not alone. Before you spend money on replacement chargers, just he'd Dan | :04:10. | :04:17. | |
Donnelly's advice. Or you could end this is the moment and our chronic | :04:18. | :04:25. | |
cigarette left charging behind a pub bar explodes into flames. It may be | :04:26. | :04:29. | |
rare, but it's far from the only such incident to have happened. What | :04:30. | :04:34. | |
is going on? In many cases, it wasn't just the e-cigarette to | :04:35. | :04:39. | |
blame, but one of these. A fake charger that is not safe to use. | :04:40. | :04:44. | |
Millions of chargers were left five devices are bought every year online | :04:45. | :04:48. | |
and in markets and shops. Hundreds of thousands of them are cheap | :04:49. | :04:52. | |
imitations that contain hidden dangers. I've come to the burn Hall | :04:53. | :04:58. | |
at the building research Establishment, near Watford, to find | :04:59. | :05:02. | |
out what the dangers are. A team of fire investigators are rigging up | :05:03. | :05:08. | |
and e-cigarette to replicate what can happen when a dodgy charger is | :05:09. | :05:12. | |
used. In less than 30 minutes, the risks become clear. Some smoke | :05:13. | :05:19. | |
coming out of the end. Flames, as well. So, how has the charger done | :05:20. | :05:26. | |
that? What we have done is replicated them without the normal | :05:27. | :05:28. | |
protection you would hope would be in the correct equipment. What has | :05:29. | :05:33. | |
happened is it has charged the battery and continued to keep trying | :05:34. | :05:36. | |
to charge it, whereas normally you would expect it to cut off. It is | :05:37. | :05:41. | |
not just e-cigarettes? It is everything else, you need to make | :05:42. | :05:46. | |
sure you are charging the device with something compatible, ideally | :05:47. | :05:50. | |
the one that came with it. The problem comes when people replace | :05:51. | :05:53. | |
the chargers, because there are so many cheap imitations out there. In | :05:54. | :06:00. | |
one period, trading standards officers in Buckinghamshire seized | :06:01. | :06:05. | |
nearly 3600 chargers. They are almost indistinguishable from the | :06:06. | :06:08. | |
real thing. On the outside, at least. If you open it, you can see | :06:09. | :06:14. | |
how cheap it is. The wait is very light. All that is holding is small | :06:15. | :06:25. | |
wires in place is a ball of soldering. People think there is a | :06:26. | :06:30. | |
minimum standard and it is safe. They don't understand it is so much | :06:31. | :06:33. | |
cheaper because the safety has been compromise. To think you could pull | :06:34. | :06:39. | |
it out of the wall and be greeted with 240 volts, it is scary. Why are | :06:40. | :06:45. | |
people buying them, then? It comes down to money. A real charger might | :06:46. | :06:50. | |
cost ?20. Bought online, this fake charger is just ?3. But do people | :06:51. | :06:56. | |
realise they could be putting there lives at risk. Would you buy a cheap | :06:57. | :07:02. | |
one? Why not, if it does the same as an expensive one? I would, | :07:03. | :07:06. | |
definitely, I have. Would the safety borrow it? Yes, I saw one go up in | :07:07. | :07:14. | |
flames. I'll show you what can happen. Would you buy one now? No. | :07:15. | :07:19. | |
You said you were happy to buy a cheap one. Maybe not any more, | :07:20. | :07:25. | |
that's crazy! If that wasn't enough to make the point, back in the | :07:26. | :07:29. | |
burning Hall, our fire investigators have set up one more test. This is a | :07:30. | :07:35. | |
laptop battery, normally very safe. In extreme circumstances, the wrong | :07:36. | :07:42. | |
charger, dodgy battery, it could be dangerous? Normally perfectly safe, | :07:43. | :07:47. | |
there are a lot of fail-safe syn laptops nowadays. You would not | :07:48. | :07:49. | |
expect any problems. But there could be damage, a different charging | :07:50. | :07:55. | |
unit, we would hope not to seek it going, but it is possible. It is | :07:56. | :07:59. | |
extremely rare, but the combination of a damaged battery and a wrong or | :08:00. | :08:02. | |
fake charger could result in this. You would have to be crazy to risk | :08:03. | :08:19. | |
something like that for the sake of saving a few quid? Clearly, it would | :08:20. | :08:23. | |
have ignited anything else in the area. The wary of dying devices that | :08:24. | :08:27. | |
might seem cheap at the time, but could cause a problem in the long | :08:28. | :08:32. | |
run. Everything I've seen to date shows you would have to be nuts to | :08:33. | :08:35. | |
buy one of these. They might be cheap, but it could be the most | :08:36. | :08:37. | |
dangerous thing you ever buy. I could hear plugs being pulled out | :08:38. | :08:49. | |
of sockets! Don't pull the television out, though. You need is | :08:50. | :08:54. | |
until eight o'clock. Tony is here. We saw clearly the effect of a cheap | :08:55. | :08:57. | |
charger. But it's not just cheap chargers? It's quite scary, isn't | :08:58. | :09:04. | |
it? The problem with e-cigarette is that their batteries need a lot less | :09:05. | :09:08. | |
voltage. If you start swapping chargers, if you put a phone charger | :09:09. | :09:13. | |
into it, it gives off a higher current. The best advice is to | :09:14. | :09:17. | |
follow what the manufacturers recommend, or stick to what they | :09:18. | :09:21. | |
give you. The other issue is that we mix and match, but one of those into | :09:22. | :09:26. | |
the wall, and then plug... If it fits, you just hugged in. You think, | :09:27. | :09:35. | |
the light is on, it's fine. My kids always take mine of me. You have to | :09:36. | :09:40. | |
make sure that the voltage map choose. If there is nothing on the | :09:41. | :09:44. | |
plug, you have to go with the manufacturer's advice. The use of | :09:45. | :09:50. | |
e-cigarettes was banned in New York, what is the situation in UK? Around | :09:51. | :09:58. | |
the UK, it's interesting. Public-health England, they are | :09:59. | :10:02. | |
considering banning them. In Wales, there is a consultation. In | :10:03. | :10:09. | |
Scotland, it is called the Royal Environmental Health Institute For | :10:10. | :10:17. | |
Scotland's Gps, and in Northern Ireland a leading health charity has | :10:18. | :10:25. | |
called for a ban. Suber. Now for a lady who has been doing a | :10:26. | :10:28. | |
first-class job for her community for as long as the Queen has been on | :10:29. | :10:32. | |
the throne. We would like you to meet Esther, the Highland | :10:33. | :10:36. | |
postmistress finally coming out from behind a desk after six dedicated | :10:37. | :10:37. | |
decades. The remote and beautiful Highland | :10:38. | :10:52. | |
village of Kylesku is home to the longest serving postmistress in | :10:53. | :10:58. | |
Britain. And I'm here to meet her. After 61 years, she has finally | :10:59. | :11:01. | |
decided to retire. Pleased to meet you! So, this is tiny. Tell me, what | :11:02. | :11:14. | |
is the size of it? 6-foot by eight foot. And you pack a lot in here? | :11:15. | :11:18. | |
This makes the post office one of the smallest in Britain. On a busy | :11:19. | :11:25. | |
day, how many letters do you post? It varies. Sometimes it is seven, | :11:26. | :11:33. | |
sometimes 12. Other days, two three. It's a good job you are not | :11:34. | :11:38. | |
claustrophobic! Shall we get outside and have a chat? When she started as | :11:39. | :11:42. | |
postmistress in 1953, she was only 22. How were things different? We | :11:43. | :11:49. | |
were doing everything with pen and paper then, we didn't have | :11:50. | :11:58. | |
computers. Kylesku is quite small, very remote. Completely different to | :11:59. | :12:02. | |
in the city. But we are very happy. How did the locals feel about you | :12:03. | :12:07. | |
retiring? I don't think they are very pleased, they would like to | :12:08. | :12:12. | |
keep the post office. I have been around a few people and asked if | :12:13. | :12:15. | |
they would take it over. They said no. But maybe they will change their | :12:16. | :12:21. | |
minds. I hope so. Are you looking forward to retirement? I'm going to | :12:22. | :12:27. | |
miss it. On the other hand, my husband and myself will probably | :12:28. | :12:32. | |
travel a bit. Everybody in the area knows Esther and her post office. | :12:33. | :12:36. | |
I've worked with Esther for 15 of those 61 years and it has been a | :12:37. | :12:40. | |
pleasure to work with such a lady. She is an absolute diamond. We are | :12:41. | :12:43. | |
fully omitted to retaining the service, but clearly Esther is | :12:44. | :12:49. | |
irreplaceable. An absolute legend, you would never get out of there | :12:50. | :12:53. | |
without a cup of Tay and a cake. Always there when you need help. | :12:54. | :12:58. | |
She's not leaving us, she is still in the village, so we can still have | :12:59. | :13:02. | |
cups of tea and a chat. IQ so much to Esther for showing us around. We | :13:03. | :13:06. | |
are not going to leave it there. -- thank you. We want to make her final | :13:07. | :13:10. | |
week very special and very busy indeed. We would like you to send | :13:11. | :13:17. | |
Esther a good luck card. We are sending them to a local hotel so we | :13:18. | :13:21. | |
can surprise her, as long as she is not watching now! Sophie and Joe, | :13:22. | :13:25. | |
could you tell us the address? Brilliant, thank you very much. All | :13:26. | :13:42. | |
of the guests in the studio have got cards that they are signing for her. | :13:43. | :13:49. | |
Come on, viewers, schools, fellow postal workers, get a card in the | :13:50. | :13:52. | |
post. We know you will not let her down. That will be lovely for her. | :13:53. | :13:58. | |
And we want her to receive them before Wednesday of next week. So | :13:59. | :14:01. | |
get them in the post as quickly as you can. It would be lovely if | :14:02. | :14:08. | |
somebody wanted to send a bouquet of flowers. Which flowers travel best? | :14:09. | :14:17. | |
Maybe something that is UK grown would be nice. Maybe Alis. I am | :14:18. | :14:28. | |
having problems with mine at the moment! All send some seeds may be. | :14:29. | :14:37. | |
So, you are both hosting coverage of this year's BBC Chelsea Flower Show. | :14:38. | :14:43. | |
We are very excited. Sophie, we know about your impeccable news | :14:44. | :14:46. | |
credentials but what about gardening? I actually come from a | :14:47. | :14:51. | |
family of pretty serious gardeners. Both sets of grandparents have | :14:52. | :14:55. | |
opened their garden to the public. My parents have a garden in | :14:56. | :14:59. | |
Twickenham where I grew up which is open every year to the public. My | :15:00. | :15:04. | |
mother was a florist and has written numerous books about flowers. I | :15:05. | :15:09. | |
basically spent my childhood surrounded by oasis which they use | :15:10. | :15:13. | |
for flower arranging and being carted around London to water | :15:14. | :15:18. | |
flowers. I have grown-up with it. It is something which is very much in | :15:19. | :15:23. | |
the family. It is wonderful to be able to continue it in this way. And | :15:24. | :15:28. | |
we have the proof that you did grow up in the middle of a garden! We | :15:29. | :15:37. | |
think this might be you. I looked at my bees | :15:38. | :15:46. | |
think this might be you. I looked at special treat. That is lovely. It is | :15:47. | :15:49. | |
a really good comb. I can tell by the weight of it, it is sealed | :15:50. | :15:55. | |
honey. When was the last time you saw that? I have not seen it for a | :15:56. | :16:01. | |
long time. That was my mum cos we kept bees. It was a family industry. | :16:02. | :16:07. | |
I was very proud of my sweater. I said years later, how did you let me | :16:08. | :16:13. | |
look like that? You have mentioned you have been down to the Chelsea | :16:14. | :16:24. | |
Flower Show. I have been filming Countdown To Chelsea. Normally we | :16:25. | :16:27. | |
see the amazing gardens but there is an incredible amount of work that | :16:28. | :16:32. | |
goes into it. Years goes into the planning. How many people are there | :16:33. | :16:40. | |
with wheelbarrows? Hundreds. Machinery, reversing vehicles, | :16:41. | :16:44. | |
health and is a, high visibility jackets, steel boots. Which gardens | :16:45. | :16:51. | |
are you most excited about seeing? There are lots of really interesting | :16:52. | :16:56. | |
ones. A good friend of mine has about 25 gold medals already so he | :16:57. | :17:02. | |
will have a great garden and another guy who always does something really | :17:03. | :17:05. | |
classy. But it is re-hard to say which will get cold or Best in show. | :17:06. | :17:12. | |
-- it is very hard to say. There is also the First World War theme | :17:13. | :17:18. | |
coming through very strongly because it is the centenary. There are two | :17:19. | :17:26. | |
in there. There is No Man's Land by well-known garden designer. It is | :17:27. | :17:33. | |
her first one at Chelsea said that is big pressure. She's a first-time | :17:34. | :17:42. | |
designer. There is a focus on first-time young designers. There | :17:43. | :17:46. | |
are four or five who are literally 28, 29, 30, first time at Chelsea. | :17:47. | :17:52. | |
Huge pressure. You are on the world stage. There are some uncalled | :17:53. | :17:56. | |
Matthew Keatley doing the Help for Heroes garden. I have followed his | :17:57. | :18:00. | |
progress for the last few months and the amount of effort and work that | :18:01. | :18:05. | |
goes into designing those gardens. And today, they have to see if | :18:06. | :18:11. | |
things fit all if they should come together as they should. It is | :18:12. | :18:15. | |
incredibly stressful getting of on-site to build and create a garden | :18:16. | :18:20. | |
and make it look stunning. There we are, a week on Monday we will be | :18:21. | :18:24. | |
there. We will try and bring together your gardening knowledge. | :18:25. | :18:30. | |
We want you to guess the famous garden. Let's have the first one. | :18:31. | :18:37. | |
Any idea where this is? It has been on the news. Buckingham Palace? | :18:38. | :18:45. | |
Downing Street? It is Downing Street! Let's go to the next one. | :18:46. | :18:58. | |
That is one out of the way. It is a bit further afield. The White House. | :18:59. | :19:04. | |
The White House, it is. Do you know this one? It has been in the news | :19:05. | :19:09. | |
very recently. It is quite a sad story. Today this was in the news. | :19:10. | :19:20. | |
You were not on the news today. This is Colin and Kath's grass verge. | :19:21. | :19:26. | |
There have been looking after this flower bed for 15 years and they | :19:27. | :19:30. | |
have been fined ?50 and have been asked by the council to dig it up. | :19:31. | :19:34. | |
Jelena Cribb they are criminally damaging the hard way. It is | :19:35. | :19:40. | |
ridiculous, guerrilla gardening, that is what it is about. The | :19:41. | :19:48. | |
Countdown To Chelsea is at three o'clock next Monday and the BBC | :19:49. | :19:52. | |
coverage of Chelsea Flower Show starts on Sunday 18th of May. Now, | :19:53. | :19:58. | |
tonight, we are making Eurovision history. The two British Eurovision | :19:59. | :20:02. | |
winners with us who are coming together for a very special | :20:03. | :20:05. | |
supergroup performance. We will be talking to members of Bucks Fizz | :20:06. | :20:09. | |
later on but first off, it is Brotherhood of Man who won the | :20:10. | :20:14. | |
contest in 1976 with Save All Your Kisses For Me and this is what they | :20:15. | :20:23. | |
looked like back then. # bye-bye, baby, bye-bye... This is | :20:24. | :20:31. | |
what they looked like now! Welcome, welcome. Lee, we will start with | :20:32. | :20:38. | |
you, Save All Your Kisses For Me, it is the biggest selling Eurovision | :20:39. | :20:43. | |
winning song ever. What is the key to that because you wrote it? We | :20:44. | :20:47. | |
did. We wanted something that everyone would remember so it had to | :20:48. | :20:52. | |
be a simple melody and we wanted international words so that is the | :20:53. | :20:56. | |
bye-bye, baby, said people overseas would catch on to that. And we had | :20:57. | :21:00. | |
our little dance to keep it all going and then we had what we call | :21:01. | :21:10. | |
the R factor at the end. Sandra, your overriding memory back then of | :21:11. | :21:14. | |
the Netherlands, is it very vivid to you? It was wonderful. Our agency, a | :21:15. | :21:21. | |
whole group from Manchester were all waving the flag is, it was | :21:22. | :21:26. | |
fantastic. A great orchestra, lovely people to work with and of course, | :21:27. | :21:31. | |
we were number one when we actually stepped out on that stage. Britain | :21:32. | :21:35. | |
had put us to number one and we were first out which was a bit nerve | :21:36. | :21:41. | |
wracking. But that was great. It will be like old times tonight, let | :21:42. | :21:46. | |
me tell you! We are going to give you a bit of a challenge here. We | :21:47. | :21:50. | |
want to play your clip and you have got to tell us what happened next. | :21:51. | :21:58. | |
You have three choices. You can choose which one would you like? | :21:59. | :22:06. | |
1985. Had you got a memory as good as that? ! Jelena Creer have already | :22:07. | :22:19. | |
chosen, my friend, it is 1985! You have already chosen, my friend. I | :22:20. | :22:33. | |
have got it, she has got another dress on underneath and she pulls it | :22:34. | :22:42. | |
down. Totally. We will be doing the same with Bucks Fizz shortly. It was | :22:43. | :22:50. | |
all set up. How fantastic. Yes, indeed. | :22:51. | :23:03. | |
What a great outfit! Chris Pack is here and soon, he will reveal where | :23:04. | :23:07. | |
he and the rest of the Springwatch team will be setting up camp. But | :23:08. | :23:12. | |
before that we have set up to wildlife cameraman a spring | :23:13. | :23:17. | |
challenge of our own. My name is Lindsay McRae and I have been | :23:18. | :23:20. | |
filming wildlife since I was 12 years old. What I am mad keen on is | :23:21. | :23:24. | |
seeing those bits of behaviour that we do not often see. My name is | :23:25. | :23:32. | |
Richard Taylor Jones. I enjoy seeing everyday animals in extraordinary | :23:33. | :23:36. | |
ways and Wales are like showing rare animals that people may be do not | :23:37. | :23:40. | |
get to see. We have been challenged to film the perfect shot which says | :23:41. | :23:44. | |
spring is here. We both have different ideas about what that shot | :23:45. | :23:51. | |
should be. To my mind is when one of the -- one of the greatest spring | :23:52. | :23:57. | |
spectacles is when our woodlands are full of loopholes. Lindsay has other | :23:58. | :24:04. | |
ideas. I have chosen to try and film the mating and courtship dance of | :24:05. | :24:08. | |
the great crested greed. It is a long shot because I have only ever | :24:09. | :24:12. | |
seen it once in awhile before but if I get it, it will definitely be a | :24:13. | :24:32. | |
winner. I am heading to Wigan. This nature reserve is home to ten pairs | :24:33. | :24:35. | |
of great crested grebes. It has just gone six o'clock in the | :24:36. | :24:51. | |
morning. It rained overnight. There are some mist around so conditions | :24:52. | :24:56. | |
are perfect. From what I know, they do tend to do it in the first few | :24:57. | :25:03. | |
hours. I can only see a few birds. I had better start getting my camera | :25:04. | :25:08. | |
gear set up. Down in Kent I have had to get up early as well. The best | :25:09. | :25:13. | |
light for filming is dawn and dusk and I would like to capture that | :25:14. | :25:22. | |
crisp sunlight above one of our great spectacles, bluebells. It is | :25:23. | :25:25. | |
hard to work out where I want to film in the dark. But I have made a | :25:26. | :25:31. | |
best guess based on where the sun will come up because I want to -- | :25:32. | :25:41. | |
the sun to come up. To get the best shot, and using a motorised slider | :25:42. | :25:46. | |
and I'm using a lens which has a narrow depth of field which allows | :25:47. | :25:50. | |
the bluebells to drift in and out of focus. I want to be able to shoot | :25:51. | :25:56. | |
through the bluebells. It should be a really lovely serial shot of just | :25:57. | :26:01. | |
drifting along with the dawn light breaking behind. -- serial... In | :26:02. | :26:15. | |
Wigan I am having a bit of luck. I have got a really long lens on the | :26:16. | :26:19. | |
front which enables me to get as close as I possibly could. The | :26:20. | :26:24. | |
really small tripod so I can get as low to the water as possible. It | :26:25. | :26:28. | |
just looks a lot nicer if you are filming across the water rather than | :26:29. | :26:32. | |
looking down on it. What I'm hoping to film it is the various stages | :26:33. | :26:40. | |
which make up the grebes mating ritual. They bobbed their heads and | :26:41. | :26:46. | |
dive under the water with a gift of weed. In extraordinary cases, when | :26:47. | :26:51. | |
they both come together they almost rise up out of the water, paddling | :26:52. | :26:55. | |
on their feet. I hope that will happen. At the moment I have not | :26:56. | :27:02. | |
even seen stage one. So I think I am in for a long, cold, damp weight. | :27:03. | :27:08. | |
Time is something I have not got. I have got a problem. Look how loose | :27:09. | :27:15. | |
that is. It was not a minute ago. If it is loose, you end up with a lot | :27:16. | :27:20. | |
of warble on your shot. Little things like that can make all the | :27:21. | :27:24. | |
difference and completely ruin the shot. With Sunrise almost upon me | :27:25. | :27:29. | |
and no sign of Lindsay Posner lovebirds performing, it is hard to | :27:30. | :27:33. | |
see if either of us will get our definitive spring shot. | :27:34. | :27:40. | |
APPLAUSE Chris Packham is with us. You will | :27:41. | :27:44. | |
be hoping to see some more Chris Packham is with us. You will | :27:45. | :27:52. | |
Springwatch is back soon and you will reveal the secret location of | :27:53. | :27:57. | |
this year's series. Can we have a drum roll? We are going to | :27:58. | :28:09. | |
Minsmere. Why have you chosen that? Minsmere is fantastic. It is | :28:10. | :28:13. | |
brilliant. It is a sculptured landscape that the RSPB have made | :28:14. | :28:17. | |
since the end of the war. It has great habitats, C, sure, marshlands | :28:18. | :28:24. | |
and reads. It will capture an area which says a | :28:25. | :28:27. | |
and reads. It will capture an area Britain all over. And it has got a | :28:28. | :28:35. | |
great cafe! That is what you need! What are you hoping to see? We are | :28:36. | :28:42. | |
looking at specialists to start with. The reed bed birds. The bid | :28:43. | :28:52. | |
turned very shy. And there are Marsh Harriers. I first went in 1976 | :28:53. | :28:58. | |
because was where the last Marsh Harriers were hanging on. They | :28:59. | :29:06. | |
bounced back. There are 350 pairs. Also the stone curlew, a feast of | :29:07. | :29:11. | |
birds, we will be completely spoiled. And it is not just birds? | :29:12. | :29:17. | |
No, there will be badges and otters. We have seen otters in other | :29:18. | :29:21. | |
places but this is a different environment. It will be interesting | :29:22. | :29:25. | |
to see how willing they are to perform in front of our cameras. It | :29:26. | :29:28. | |
is all very well to say they are there but these guys have got to go | :29:29. | :29:34. | |
and capture them on camera for us. That is the thing about Springwatch, | :29:35. | :29:39. | |
you never know! You need something to talk about otherwise I will be | :29:40. | :29:42. | |
digging a woodlouse out from underneath the table! | :29:43. | :29:49. | |
You are giving somebody the most remarkable hearing experience for | :29:50. | :29:55. | |
the first time? Joe Milne was a lady that could not hear and was given a | :29:56. | :29:58. | |
cochlear implants. Many viewers might have seen her on YouTube, or | :29:59. | :30:04. | |
BBC News, when she could hear for the first time. Chris Watson, one of | :30:05. | :30:10. | |
our sound men, has taken her out so she could hear the dawn chorus. | :30:11. | :30:18. | |
What a thing to hear for the first time. We take that for granted. All | :30:19. | :30:43. | |
across the country, if people put their head out of the window, they | :30:44. | :30:47. | |
could hear a blackbird singing. Most nights of the year they would not | :30:48. | :30:51. | |
hear that in the background sounds of their life. But seeing that lady | :30:52. | :30:55. | |
enjoyed for the first time, it's the poignancy of just how lucky we are | :30:56. | :30:59. | |
to have these birds around us and enjoy them. We are trying to bring | :31:00. | :31:03. | |
very simple things like that, sometimes dress them up with some | :31:04. | :31:06. | |
new science if we have found out anything new, and tell the audience. | :31:07. | :31:10. | |
It's not about rarities, it's about back garden birds and enjoying it | :31:11. | :31:15. | |
more. It's a special year, you are celebrating ten years this year, | :31:16. | :31:19. | |
with the return of Bill Oddie? No less! Obviously is Springwatch would | :31:20. | :31:28. | |
not be here without Bill and Kate. They left a great legacy. I took | :31:29. | :31:33. | |
over from Bill, difficult shoes to fill. He's coming back to the | :31:34. | :31:36. | |
programme, I can't wait. We are great mates and have a great passion | :31:37. | :31:40. | |
for birds. We are going to be looking back over the last ten | :31:41. | :31:43. | |
years. We hope it will go on for another ten, not necessarily with | :31:44. | :31:47. | |
myself and Bill, but with other enthusiasts. To reinvent what we are | :31:48. | :31:53. | |
able to offer, using British wildlife. From my point of view, and | :31:54. | :31:56. | |
most of our viewers, there is still a lot to do and say about it. We | :31:57. | :32:01. | |
look forward to it, Springwatch start on Monday the 26th of May. You | :32:02. | :32:07. | |
will know, what do you call a collective noun of wrens? There are | :32:08. | :32:16. | |
a lot, and murder of crows, Parliament of owls. It is a chime. | :32:17. | :32:20. | |
But they don't really chime, they chatter. Whoever thought that up, I | :32:21. | :32:26. | |
think we need a 20th-century rethink. If you have any ideas, send | :32:27. | :32:32. | |
them in. This time, it is a reunion of wrens. Ruth Goodman has reunited | :32:33. | :32:36. | |
a remarkable group of women, trusted with some of the biggest secrets of | :32:37. | :32:41. | |
World War II. This is Bletchley Park. 70 years | :32:42. | :32:49. | |
ago, it was Station X, a place of such importance that people working | :32:50. | :32:52. | |
here were sworn to lifelong secrecy. All the more remarkable that this | :32:53. | :33:00. | |
photograph was ever taken. Tiny, but hugely significant. These were the | :33:01. | :33:11. | |
women who worked on Colossus, built to crack secret messages from Hitler | :33:12. | :33:14. | |
to his high command. They did it in this unremarkable building, now a | :33:15. | :33:19. | |
national museum of computing. Seven decades later, the owner of that | :33:20. | :33:23. | |
photo, Joanna Chorley, seen on the right, is here. How on earth did a | :33:24. | :33:28. | |
photograph like this get to be taken during the war? I think this was | :33:29. | :33:33. | |
after the war and we were all about to be sent to other places. I think | :33:34. | :33:37. | |
that is the only reason it would have been there. All of these people | :33:38. | :33:44. | |
were sea watch, most of them workers on Colossus. With a little bit of | :33:45. | :33:48. | |
help, programmer Crowe has managed to find some of the last surviving | :33:49. | :33:56. | |
Wrens in the photo. Now in their 80s, this is the first time they | :33:57. | :34:06. | |
have been together since the war. There she is, with her legs up. | :34:07. | :34:13. | |
She's just arrived! We need your memory. The Wrens came to Bletchley | :34:14. | :34:21. | |
with no idea of what was ahead. We were going to do a job, which they | :34:22. | :34:26. | |
could not tell us about because they didn't know. They couldn't even tell | :34:27. | :34:30. | |
us where it was. Very frighteningly, they said, once you get there, you | :34:31. | :34:34. | |
will not be able to go anywhere else until the war ends. In those days, | :34:35. | :34:41. | |
the Official Secrets Act meant official secrets. You didn't sign it | :34:42. | :34:44. | |
and then go to the press with a copy of what they were doing. I think | :34:45. | :34:48. | |
there was a girl on the table, as a kind of mute -- going on a table, as | :34:49. | :34:54. | |
a kind of mute warning not to say anything. Nobody talked. Hitler was | :34:55. | :35:02. | |
using code to scramble messages to his offices. This machine was how he | :35:03. | :35:07. | |
did it. Without ever seeing it, the team worked out how the code was | :35:08. | :35:13. | |
created. But it was taking weeks to decipher by hand. So, Post Office | :35:14. | :35:18. | |
engineer Tommy Flowers came up with the Colossus, so named because it is | :35:19. | :35:25. | |
so huge. It was the first electronic computer, powered by thousands of | :35:26. | :35:39. | |
Station X, but it still needed to be programmed by hand, by our Wrens. | :35:40. | :35:42. | |
You had to bring the tapes over here? They answered the letters and | :35:43. | :35:50. | |
it came up on the screen. It would be printed out in German if it was | :35:51. | :35:54. | |
the right setting, if it was the wrong setting it would print out | :35:55. | :35:59. | |
rubbish letters. Be decoded information helped bring | :36:00. | :36:05. | |
the war to the end. The Wrens left Colossus intending to keep their | :36:06. | :36:10. | |
silence forever. In the 70s, information was declassified and the | :36:11. | :36:13. | |
secrets were coming out. I was horrified, looking at the television | :36:14. | :36:18. | |
and suddenly seeing Bletchley being talked about. I was very nearly | :36:19. | :36:23. | |
sick. However shockingly early revelations were, at least now the | :36:24. | :36:29. | |
Wrens know how important their work really was. I think one can feel | :36:30. | :36:35. | |
justifiably a bit proud of having been a tiny cog in the wheel. Every | :36:36. | :36:45. | |
time you lose your phone, or your have your computer in your hand, you | :36:46. | :36:49. | |
are using the same things as part of Colossus. It is still an amazing | :36:50. | :36:55. | |
thing. The ground-breaking work of yesteryear may be over, but this is | :36:56. | :37:00. | |
a moment to celebrate. The Wrens who worked so patiently, hour after | :37:01. | :37:03. | |
hour, to undo the high German command, gathered together once | :37:04. | :37:08. | |
more. I think that's worth a smile, ladies. | :37:09. | :37:15. | |
What a story. Thanks to all of the Bletchley Park Wrens. Colossus might | :37:16. | :37:20. | |
be a remarkable machine, but it's a different type of hardware that we | :37:21. | :37:27. | |
are interested in here. You are buying and selling, you got your own | :37:28. | :37:30. | |
museum? buying and selling, you got your own | :37:31. | :37:33. | |
museum It's boys toys. We all start with action men, a Tommy gun, I | :37:34. | :37:35. | |
museum It's boys toys. We all start it further than most people. It has | :37:36. | :37:40. | |
got a bit out of hand. It started purely as a hobby. There is a world | :37:41. | :37:48. | |
interest in it, the restoration is incredible. Obviously, this is | :37:49. | :37:52. | |
interest in it, the restoration is really wanted for films, the stuff | :37:53. | :37:56. | |
you see here, it has been in all the Hollywood block dusters of recent | :37:57. | :37:59. | |
years. There is a lot more that we keep in Suffolk. You have a whole | :38:00. | :38:06. | |
new series, called combat dealers, conquest. It shows you locating, | :38:07. | :38:08. | |
This time, I headed to the old doing them up and selling them on. | :38:09. | :38:15. | |
This time, I headed to the old Eastern Bloc. I'm on a World War II | :38:16. | :38:18. | |
shopping spree. Eastern Bloc. I'm on a World War II | :38:19. | :38:29. | |
head! The Twins turn rust into gold as they make 70 old tank parts as | :38:30. | :38:33. | |
good as new. And I'm bringing out the big guns, as I attempt to drum | :38:34. | :38:38. | |
up business with a mega rich Russian. They don't just sit there, | :38:39. | :38:41. | |
they move. Everything you see Russian. They don't just sit there, | :38:42. | :38:49. | |
has been restored to 100% how they were built. There is the historical | :38:50. | :38:53. | |
side, which is a big passion for me. But finding these things, is the | :38:54. | :38:59. | |
research. It's a bit like CSI. We will find something in Eastern | :39:00. | :39:02. | |
Europe and follow it through, back to its former glory. Your machines | :39:03. | :39:06. | |
are impeccable. I was inside the tank, it was immaculate. But they | :39:07. | :39:12. | |
are big boys toys. Does your wife share your passion? I'm a very lucky | :39:13. | :39:20. | |
man. We were school sweethearts. Fortunately, she can drive them. If | :39:21. | :39:25. | |
I'm not there to unload, she can hop in. She can drive all of these, as | :39:26. | :39:29. | |
can my son and by daughters. I'm very lucky, in that respect. How did | :39:30. | :39:36. | |
this start? When I was a young lad, I didn't get on well at school. For | :39:37. | :39:42. | |
years and years I used to walk past this guy's greenhouse. He had a | :39:43. | :39:45. | |
German helmet in the greenhouse with this guy's greenhouse. He had a | :39:46. | :39:49. | |
daffodils in. The last day of school, I said, I will pluck up | :39:50. | :39:53. | |
courage, I'll go and knock on his door. I said, do you want to sell | :39:54. | :39:59. | |
that? He went, what? The German helmet! He went, there you go, that | :40:00. | :40:04. | |
was it. I've still got that today. That started this. I quite fancy a | :40:05. | :40:12. | |
convertible, how much? About ?50,000. What about the tank? It is | :40:13. | :40:21. | |
the only original, early war running Hector tank still left running. | :40:22. | :40:29. | |
About ?500,000. Very spacious inside! You have one end of the | :40:30. | :40:34. | |
scale to the other, because a lot of people that cannot be looking at | :40:35. | :40:37. | |
that kind of thing can afford this kind of thing. They have a lot of | :40:38. | :40:42. | |
fun with it. Passion for the things. You know, an absolute passion and | :40:43. | :40:48. | |
enjoy it. Thanks for bringing this in. We were going to bring the, but | :40:49. | :40:55. | |
apparently it would collapse? That's only because I was going to be in | :40:56. | :41:00. | |
it! That continues tonight at ten o'clock tonight on Quest. | :41:01. | :41:05. | |
When it comes to Eurovision, the rest of Europe tends to take it very | :41:06. | :41:11. | |
seriously. We, on the other hand, not so much. Could it be because of | :41:12. | :41:17. | |
moments like this? Eight points goes to... Iceland. | :41:18. | :41:26. | |
Difficulty speaking. Ten points goes to... It's not easy, this. | :41:27. | :41:41. | |
Bosnia... You have to lose your lips, it's not easy. Are you related | :41:42. | :41:47. | |
to the director-general of Swedish television? Terry Wogan was a master | :41:48. | :41:54. | |
of the Eurovision sarcastic remark. But what is the secret to the old | :41:55. | :42:00. | |
sarcasm? Well, we are going to see another one of Giles's really | :42:01. | :42:05. | |
interesting films now. What? I mean it! | :42:06. | :42:16. | |
For years, are our TV screens, we have marvelled at the professionals | :42:17. | :42:21. | |
who perfected this linguistic art. My sister said to me, don't tell no | :42:22. | :42:34. | |
one you saw me, yeah? I've got people after me. I've got people | :42:35. | :42:38. | |
after me. Yes, Ealing library. What is sarcasm? It's a cultural thing. | :42:39. | :42:47. | |
British are very polite to one another, ordinarily. It becomes a | :42:48. | :42:51. | |
way of coming impolite, remaining in the social boundaries of light this. | :42:52. | :42:58. | |
Here's a moment from Keeping Up Appearances. Why are you collecting | :42:59. | :43:05. | |
deadliness? I'm going to corner the market, the entire world market. For | :43:06. | :43:08. | |
old, dead leaves. Sarcasm, as a respite from somebody | :43:09. | :43:18. | |
that is completely intolerable. It is Richard's way out. And to protect | :43:19. | :43:26. | |
himself? For him, it was a holiday in his head. I have always had these | :43:27. | :43:37. | |
feet. A very good cropper this, very quick. To them while you wait? Or do | :43:38. | :43:43. | |
you leave them there, and say it will be ready Thursday? It's those | :43:44. | :43:48. | |
words, the timing, the absolute authority in which he uses them. He | :43:49. | :43:55. | |
really remains in the moment, he doesn't crack. Timing, tone, | :43:56. | :44:02. | |
context? I'm a big fan of sarcasm than I knew before we have this | :44:03. | :44:08. | |
chat. Is that for real? Just checking! It's a fine art, but also | :44:09. | :44:12. | |
a learned cultural defence mechanism that we employ to help us cope with | :44:13. | :44:16. | |
tricky situations and irritating people. President Obama is also | :44:17. | :44:21. | |
skilled in the art of sarcasm. And he is cleverly self-deprecating. | :44:22. | :44:33. | |
After 2013, what could I possibly talk about? Sarcasm has seen from | :44:34. | :44:38. | |
all manager chose a Mourinho charged by the FA for using insulting words. | :44:39. | :44:43. | |
On paper, those words, about a referee who awarded a penalty | :44:44. | :44:52. | |
against his team were pure. His meaning was the opposite. But can | :44:53. | :44:56. | |
anybody prove it? World authority on sarcasm, what did you make of the | :44:57. | :45:01. | |
remarks? When he congratulated the referee, the problem is that you | :45:02. | :45:05. | |
would not expect that at all. That looks like sarcasm. So it crops up | :45:06. | :45:10. | |
in different ways, different cultures? The Weakest Link has been | :45:11. | :45:17. | |
franchised across the world but has been less successful in some | :45:18. | :45:22. | |
cultures. You are pretty old, aren't you? You don't know the difference | :45:23. | :45:27. | |
between Madonna and Kylie Minogue. I don't know pop music. What is the | :45:28. | :45:35. | |
point of you being here? Honeyed poison is a good way of thinking of | :45:36. | :45:41. | |
sarcasm. I like that! You must be fun to sit next to at dinner. So, | :45:42. | :45:48. | |
sarcasm. Is it mock politeness, honeyed poison or downright rude? | :45:49. | :45:54. | |
The choice is yours. It's been a interesting report, hasn't it? | :45:55. | :46:04. | |
Thank you, Gyles. And unbeknownst to us, Joe's dad, Clive Swift, appeared | :46:05. | :46:12. | |
in that last film. There he is. You can see the resemblance. People | :46:13. | :46:20. | |
think I am his brother. Is your brother in that show? Hears in his | :46:21. | :46:24. | |
70s now. He shot it in his 50s I'm getting a bit... Easy into | :46:25. | :46:34. | |
gardening? No, he lives in a flat and runs a mile if you see is a | :46:35. | :46:40. | |
spider. For the first time, the BBC is launching a radio station | :46:41. | :46:47. | |
dedicated to the Eurovision Song contest. And Ana Matronic is here. | :46:48. | :46:55. | |
You are presenting. Where you working on the semifinal? I was. I | :46:56. | :46:59. | |
thought things were a little austere this year. They were booing, won't | :47:00. | :47:07. | |
they? There was some building for Russia when they went through to the | :47:08. | :47:11. | |
final. I am not sure that is based on the show or for political reasons | :47:12. | :47:18. | |
but it was fantastic, the show, my commentary goes out tomorrow. It is | :47:19. | :47:23. | |
right before the second semifinal which I'm very excited for. Armenia | :47:24. | :47:30. | |
were on last night and they are the favourites? They are the bookies' | :47:31. | :47:34. | |
favourite and I have learned to trust them because they were right | :47:35. | :47:40. | |
last year. It looks like that charge a film week put out earlier on with | :47:41. | :47:46. | |
the explosions! You just filmed one of those explosions! And one of the | :47:47. | :47:52. | |
more novel ones, shall we say, was Ukraine, because they had a sort of | :47:53. | :47:57. | |
man in a hamster wheel. It was a man in a hamster wheel. Other than that, | :47:58. | :48:05. | |
quite sparse, very simple. There was just him and the dancer on the | :48:06. | :48:10. | |
hamster wheel. Quite nice and I love to dress. I thought she was the best | :48:11. | :48:16. | |
dressed lady of the evening. Ukraine typically do very well in the | :48:17. | :48:20. | |
competition. Looking forward to the rest of the competition, apart from | :48:21. | :48:24. | |
Armenia, do you think there are other contenders? I think the UK has | :48:25. | :48:29. | |
a great chance with our dear Molly. I think the song is great, I think | :48:30. | :48:35. | |
she's great. I had the opportunity to meet her at a party and she was | :48:36. | :48:40. | |
lovely. She was so excited to be going through this whole experience. | :48:41. | :48:45. | |
She is freshfaced and wide-eyed and full of wonder. I wish her the best. | :48:46. | :48:52. | |
I think it is a great song. It is definitely a Eurovision song. It has | :48:53. | :48:57. | |
those great elements. And thoughts on Austria and can cheat a worst. | :48:58. | :49:04. | |
Rise Like A Phoenix. -- Conchita Wurst. This person has been getting | :49:05. | :49:10. | |
a lot of attention. He is actually called Tom Neuwirth. I think it is a | :49:11. | :49:20. | |
great song. I think if Conchita were presenting fully as a woman or fully | :49:21. | :49:23. | |
as a man and was not confusing people in the way that she does, | :49:24. | :49:28. | |
then this would be one of the frontrunners. I definitely think so. | :49:29. | :49:33. | |
It is a Bond theme. It is an interesting style. We did wonder how | :49:34. | :49:41. | |
that style would suit Sophie. Did you? ! Here we are. No, I don't | :49:42. | :50:01. | |
think so! I think you look rugged and handsome. I definitely look | :50:02. | :50:08. | |
rugged! It is a six o'clock shadow, Sophie. Everyone will want to know, | :50:09. | :50:17. | |
any more plans for scissors sisters? Of course. When will you be | :50:18. | :50:23. | |
back? I cannot say when but we definitely will be. Radio 2 | :50:24. | :50:29. | |
Eurovision will be available from tomorrow, on the UK radio player and | :50:30. | :50:38. | |
the iPlayer radio app. Nearly time for our special Eurovision treat. We | :50:39. | :50:46. | |
have a brand-new super grip, brotherhood of those. It will be | :50:47. | :50:55. | |
amazing. -- a brand-new super group brotherhood of thieves. And here are | :50:56. | :51:07. | |
Bucks Fizz with Making Your Mind Up. We have not got it! Here we are. So | :51:08. | :51:15. | |
we have got Sheryl, Mike and Jay. Lovely to see you. You are looking | :51:16. | :51:21. | |
absolutely gorgeous. Do the skirts come off? Of course! We have to say | :51:22. | :51:34. | |
a special thank you to Cheryl. You are in Happy Days the musical. It | :51:35. | :51:42. | |
will be worth it when you see you later on. On the night, the vote was | :51:43. | :51:48. | |
really close back in 1981. Can you remember when the votes were coming | :51:49. | :51:53. | |
in how you felt? Yes, I can remember everything about that. We needed | :51:54. | :51:59. | |
four points to draw level and five points to win. Once we got past the | :52:00. | :52:03. | |
fall, I thought it is a possibility we will not get any points and when | :52:04. | :52:09. | |
we got the eight I remember we lost it completely. It was so brilliant, | :52:10. | :52:17. | |
I remember it like yesterday. Jay, the recording and music has not | :52:18. | :52:22. | |
stopped for you? I have a new single called True Love. It is doing really | :52:23. | :52:26. | |
well and I am just recording my third album. It is great. Mike is | :52:27. | :52:32. | |
doing his album. You have got to do one next, Cheryl. Would you do | :52:33. | :52:41. | |
Eurovision again? No. But you will perform tonight for one-time only on | :52:42. | :52:47. | |
The One Show. It could be the start of a new career for us all! When it | :52:48. | :52:52. | |
gets in your head, you cannot get it out. Earlier, we sent wildlife | :52:53. | :52:58. | |
cameramen Richard Taylor Jones and Lindsay McRae head-to-head challenge | :52:59. | :53:02. | |
to get the best shots of spring. Here is what happened next. | :53:03. | :53:08. | |
Here in Kent, I have managed to sort out the problematic slider and my | :53:09. | :53:12. | |
bluebell track shot is coming together. The sun is about to rise | :53:13. | :53:17. | |
through the flowers so it is time to press record and see what will | :53:18. | :53:22. | |
happen. Look at that, with the sun in the background. | :53:23. | :53:32. | |
I am really happy with that shot and with the sun higher in the sky, I | :53:33. | :53:39. | |
will try something different. This place is covered. We need a big | :53:40. | :53:47. | |
picture now. In Wigan, I'm trying to film the courtship dance of the | :53:48. | :53:52. | |
great crested grebe. After hours of waiting the birds are becoming more | :53:53. | :53:58. | |
active. That one is fishing and has come up with a half decent sized | :53:59. | :54:06. | |
fish. It gave of swallowing. It is not quite the shot I am after but it | :54:07. | :54:09. | |
is great to see some behaviour from them. Back in Kent I'm getting a | :54:10. | :54:18. | |
great toy out. This thing is called an aerial dolly. What I want to do | :54:19. | :54:23. | |
is create a shot which flies across the sea of bluebells. It could | :54:24. | :54:28. | |
perhaps be the point of view of a bumblebee looking for some nectar. I | :54:29. | :54:34. | |
am using a normal SLR camera set to video setting but the trick is to | :54:35. | :54:38. | |
record at 50 frames second which should give the end result a lovely | :54:39. | :54:43. | |
smooth feel. And here we are, we are off. It is not working. The camera | :54:44. | :54:52. | |
is heavier than I thought so I will tighten the rape and try again. For | :54:53. | :55:01. | |
me, there will not be a second chance is seeing all of the mating | :55:02. | :55:05. | |
ritual is very rare but the birds I have been following this morning are | :55:06. | :55:12. | |
a lot more active. They are doing this headshaking thing. That is | :55:13. | :55:23. | |
stage one of the display. Stage two has just happened. | :55:24. | :55:29. | |
There is one with a mouth of weed. No way! They are practically out of | :55:30. | :55:39. | |
the water presenting weed to each other. I do not believe this! And it | :55:40. | :55:50. | |
is over. I never thought that we would actually get that today. To | :55:51. | :55:54. | |
actually get the full lot of them diving down and presenting weed to | :55:55. | :56:00. | |
each other, as you can see there, it only lasted three or four seconds. | :56:01. | :56:06. | |
To see it and film it, I am really chuffed. I have to say I was a bit | :56:07. | :56:10. | |
worried that flowers, they are not a big fairy mammal but I thought, get | :56:11. | :56:17. | |
all the kit, threw everything at it and I might be in with a chance to | :56:18. | :56:20. | |
do something special. With a day like today, the flowers as they | :56:21. | :56:21. | |
are, I hope I have done all right. Chris could not decide because they | :56:22. | :56:32. | |
are equally lovely. Now it is the moment we have all been waiting | :56:33. | :56:36. | |
for. See you tomorrow. # Although it hurts to go away | :56:37. | :56:40. | |
it's impossible to stay. # But there's one thing | :56:41. | :56:43. | |
I must say before I go. # I love you - I love you - | :56:44. | :56:47. | |
you know. # I'll be thinking of you | :56:48. | :56:52. | |
in most everything I do. # Kisses for me, | :56:53. | :56:59. | |
save all your kisses for me. # Going to walk out this door | :57:00. | :57:04. | |
but I'll soon be back for more. # 'cos if you believe that | :57:05. | :57:23. | |
a love can hit the top. # Don't let your indecision, | :57:24. | :57:32. | |
take you from behind. # Trust your inner vision, | :57:33. | :57:45. | |
don't let others change your mind. # Kisses for me, | :57:46. | :57:56. | |
save all your kisses for me. # Going to walk out this door | :57:57. | :58:01. | |
but I'll soon be back for more. # Kisses for me, | :58:02. | :58:15. | |
save all your kisses for me. # And try to look as | :58:16. | :58:26. | |
if you don't care less. # Will let you find | :58:27. | :58:29. | |
the one you're looking for. # And then you can show | :58:30. | :58:36. | |
that you think you know. | :58:37. | :58:40. |