Browse content similar to 08/01/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the programme. The night, there is all sorts | :00:19. | :00:26. | |
happening. We are going to be going up in a plane with Liz Bonnin on a | :00:27. | :00:31. | |
search for the northern lights. And we will be coming down with One Show | :00:32. | :00:36. | |
action man Andy Torbett, as he drops in for a chat. And we will be | :00:37. | :00:40. | |
hearing from three soldiers about to make the emotional trip home from | :00:41. | :00:48. | |
Afghanistan. And that is not all. Thank you very much. It would have | :00:49. | :00:54. | |
been Elvis's birthday today, isn't that right?! The lads are in. It is | :00:55. | :01:05. | |
-- it would have been Elvis's 79th birthday, and we are joined to | :01:06. | :01:11. | |
celebrate that day by 14 Elvii. And one of our guests has been known to | :01:12. | :01:23. | |
have a bit of a singsong himself. # Las Vegas! A spot that deserves | :01:24. | :01:32. | |
applause, but who is it?! And so that he is not lonesome tonight, he | :01:33. | :01:36. | |
is joined by someone who has always had the upper hand. It is Honor | :01:37. | :01:44. | |
Blackman, and alongside Honor is Vernon Kay! I enjoyed that. That was | :01:45. | :01:52. | |
for a show which I did with several of the guys that are here. It is the | :01:53. | :01:58. | |
world's best Elvis tribute artists. We went to Las Vegas and I married a | :01:59. | :02:02. | |
couple from leads, I think they were, dressed as Elvis. You have | :02:03. | :02:09. | |
grown to appreciate Elvis more and more, haven't you? Yes. Of course. | :02:10. | :02:21. | |
There is a bit of acting, a bit of singing. And they are going to sing | :02:22. | :02:33. | |
for us. Tell us, Vernon, the story about Elvis's first recording | :02:34. | :02:42. | |
contract. I think he bought him shove a horseshoe pinky ring. Wrong. | :02:43. | :02:52. | |
What do they know?! Basically he wore it for most of his life, and | :02:53. | :02:57. | |
for one of our anniversaries, we had a replica pinky ring. So, where is | :02:58. | :03:10. | |
it today? It is at home. Well, our 14 Elvii will be performing at the | :03:11. | :03:16. | |
end of the show. And Vernon is also going to be talking about Splash!. | :03:17. | :03:22. | |
But that is not the only show with amazing dives. Have a look at this. | :03:23. | :03:28. | |
This is seven-year-old Christopher, back in Florida, in 1987. That was | :03:29. | :03:38. | |
quality! And we have got lots of dives from our viewers are still to | :03:39. | :03:42. | |
come. One of the Government's big plans for 2014 is the pledge to pull | :03:43. | :03:46. | |
combat forces out of Afghanistan by the end of the year. On Monday, we | :03:47. | :03:50. | |
showed you some of the logistical challenges involved in the move, but | :03:51. | :03:55. | |
tonight, three soldiers give us a personal insight into life in | :03:56. | :03:57. | |
Helmand Province, and what it means for them to come back home. The | :03:58. | :04:02. | |
British combat mission in Afghanistan is Troy in to a close. | :04:03. | :04:07. | |
By the end of 2014, the final fighting personnel will be home in | :04:08. | :04:11. | |
the UK, but not until they have helped the Afghan national forces | :04:12. | :04:16. | |
take the lead in securing their own country. We have been given | :04:17. | :04:19. | |
exclusive access to three soldiers preparing for their return home. | :04:20. | :04:23. | |
Corporal Les Wareham, staff Sergeant Gavin Waugh, and Sergeant Shaun | :04:24. | :04:31. | |
Woodward. They are members of the 2nd Royal Tank Regiment, based at | :04:32. | :04:35. | |
Camp Bastion. They are wrapping up operations after the 12 year fight | :04:36. | :04:39. | |
against the Taliban. We have been in a few scrapes. We have had a couple | :04:40. | :04:45. | |
of Impex strikes as well. 29-year-old Les is the commander of | :04:46. | :04:49. | |
an armoured fighting vehicle. We started getting shot at, but without | :04:50. | :04:54. | |
even to having sale word, my boys around me were getting their kit on, | :04:55. | :04:57. | |
manning the guns, responding to the threat. Les and the two Sergeants | :04:58. | :05:05. | |
worked closely to keep the squadron of over 100 soldiers running | :05:06. | :05:08. | |
smoothly. The quartermaster of the squadron is Gav, who makes she sure | :05:09. | :05:16. | |
the guys want for nothing. You have got your major vehicle components | :05:17. | :05:19. | |
which need to be sent out, and then you have got guys who have had their | :05:20. | :05:23. | |
boots disintegrated. Water, sun cream, you name it. Sajid Woodward | :05:24. | :05:35. | |
leads the fight out on the ground. -- Sergeant Woodward. We are still | :05:36. | :05:42. | |
getting heavily contacted at times, and that can last half a day, a | :05:43. | :05:46. | |
full-day, two days. And then the next day could be in the same area, | :05:47. | :05:51. | |
absolutely nothing. Back home, the wives of Gav and Woody have their | :05:52. | :05:59. | |
own ways of coping. There have been some hairy times, when you think, I | :06:00. | :06:03. | |
want him home, but you cannot think of it like that. You could worry all | :06:04. | :06:08. | |
day, every day about it, but I have got to children who do not want to | :06:09. | :06:12. | |
worry about it. They do not know he is in a dangerous place. They just | :06:13. | :06:16. | |
think he is working, driving a tank. He would be annoyed if I said | :06:17. | :06:20. | |
that. In the last six months, the British presence in Helmand Province | :06:21. | :06:25. | |
has been reduced from 11th bases to five. A veteran of three tours in | :06:26. | :06:31. | |
Afghanistan, Les is well placed to judge how things have developed | :06:32. | :06:41. | |
groggy when we came to Afghanistan, on Operation Herrick, it was very | :06:42. | :06:44. | |
much about going out to take the fight to them. Going back to some of | :06:45. | :06:55. | |
the same areas, you Seem to be doing much better now. Woody and Les will | :06:56. | :07:01. | |
be out for 16 days on their latest expedition out of the base. You are | :07:02. | :07:06. | |
covered head to toe in dust. You have got to keep the security up at | :07:07. | :07:10. | |
night. And then you do the whole thing again. It does where people | :07:11. | :07:16. | |
down. I try and keep morale up when they are out for a long time. If I | :07:17. | :07:20. | |
am sending a parcel out, I try to drop things in it for them. I see if | :07:21. | :07:25. | |
the chef can give me some nice bits and pieces to send out. It is | :07:26. | :07:28. | |
difficult, I would rather be out with the guys, but it is a | :07:29. | :07:32. | |
supporting role which has got to be done. The guys need some fresh kit, | :07:33. | :07:36. | |
and underneath it, there is a packet of doughnuts! It is a nice surprise. | :07:37. | :07:42. | |
These small comforts were never more needed than as they returned back to | :07:43. | :07:48. | |
base, they heard the news that one of their soldiers, who was still out | :07:49. | :07:52. | |
fighting, had been shot in the head. It does not even need to be | :07:53. | :07:57. | |
one of your mates, he is still one of ours. Everyone across the | :07:58. | :08:01. | |
squadron will feel it. You cannot get too roped up in it. You have got | :08:02. | :08:05. | |
to put your emotions to one side, and then you have got to think about | :08:06. | :08:09. | |
the mission and make sure that everything else can still function | :08:10. | :08:12. | |
out there. I came here with one plan, and that was simply to get all | :08:13. | :08:17. | |
my boys back safe. When you have heard that somebody has been shot, | :08:18. | :08:21. | |
it is a head wound, the helicopter is on its way, I think to myself, I | :08:22. | :08:27. | |
have failed, because my original intent was to get these guys safely | :08:28. | :08:32. | |
back. Miraculously, the soldier survived his head wound, but with | :08:33. | :08:38. | |
only 56 days to go, one of our group would also suffer at the hands of | :08:39. | :08:45. | |
the enemy. Yes, as Dan just said, one of the three lads does get | :08:46. | :08:48. | |
injured, but thankfully, not seriously. Dan Snow is here now. | :08:49. | :08:55. | |
Happy New Year. Nice to see you. We checked our wardrobes. Yes, apart | :08:56. | :09:02. | |
from Matt. Now, Christmas just gone was the last Christmas for some of | :09:03. | :09:07. | |
the British combat troops, but some are staying out there in different | :09:08. | :09:11. | |
roles, is that right? Yes, this time last year, there were about 9000 | :09:12. | :09:16. | |
combat troops. Now, it is about 5000. By this time next year, there | :09:17. | :09:20. | |
should not be any combat guys left, it is going to be mainly a training | :09:21. | :09:25. | |
role. What about other foreign troops? The Canadians and | :09:26. | :09:28. | |
Australians have left, the Germans are leaving this year, like the | :09:29. | :09:32. | |
Brits, hopefully, and the Americans are going to stay, because for the | :09:33. | :09:35. | |
moment, they have not negotiated their exit strategy. David Cameron | :09:36. | :09:40. | |
said that we have achieved what we set out to do, but what exactly have | :09:41. | :09:44. | |
we accomplished in the last 12 years? We went in initially to make | :09:45. | :09:50. | |
sure that Al-Qaeda did not take over Afghanistan. So, they were kicked | :09:51. | :09:55. | |
out. Then we wanted to try to make life better for the Afghans, and | :09:56. | :09:58. | |
that has been a mixed picture. There has been better security in some | :09:59. | :10:02. | |
parts, but not in others. One thing which is interesting is that where | :10:03. | :10:06. | |
we went in, there were only about 1 million kids in school. It is now | :10:07. | :10:10. | |
more than 8 million. About 40% of those are girls. The figure of girls | :10:11. | :10:15. | |
in school has gone up by seven times, which is extraordinary. We | :10:16. | :10:23. | |
saw that in that film, but as Sean said, they are still being shot at, | :10:24. | :10:27. | |
and elections are coming up. Yes, the elections, in April, will be | :10:28. | :10:32. | |
very difficult. The Chief of Defence Staff, who has just left, is very | :10:33. | :10:38. | |
worried about security. He says the elections could see a real upsurge | :10:39. | :10:41. | |
in fighting, and that it is not a done deal. It could still kicked | :10:42. | :10:50. | |
off. Absolutely. Now, there may not be many advantages to these long, | :10:51. | :10:53. | |
dark nights, but this week, astronomers are out in force hoping | :10:54. | :10:59. | |
to change your lives by shedding new light on the night sky, in | :11:00. | :11:04. | |
Stargazing Live. Tonight, they are planning a world first, and it is | :11:05. | :11:08. | |
all happening in Norway. We have come to Tromso, on the hunt for the | :11:09. | :11:15. | |
northern lights, the aurora borealis, which takes place high up | :11:16. | :11:20. | |
in our atmosphere. The best place to see it is close to the magnetic | :11:21. | :11:25. | |
north pole. We are 200 miles inside the Arctic Circle here. And the sun | :11:26. | :11:30. | |
is in a very active part of its 11 year cycle, so we have got a good | :11:31. | :11:33. | |
chance of seeing them. Normally the footage you see of the aurora | :11:34. | :11:37. | |
borealis on television is obtained from time-lapse photography. But | :11:38. | :11:42. | |
tonight, on Stargazing Live, we are attempting a world first, we are | :11:43. | :11:45. | |
going to try and filmed them live from this specially kitted out | :11:46. | :11:49. | |
aircraft. We are going to try to give you a little sneak peek of the | :11:50. | :11:56. | |
lights later on. Wish us luck! That should be in about half an hour, if | :11:57. | :12:00. | |
it happens! It would be great if we can see them. Recently, there was a | :12:01. | :12:06. | |
meteor storm, I think it was in November, and we stood on the patio, | :12:07. | :12:11. | |
me and Tess, and we saw the International Space Station, and | :12:12. | :12:15. | |
several shooting stars. I do actually own a pair of night-vision | :12:16. | :12:21. | |
goggles, it is amazing. How often do you wear them? Not very often, I | :12:22. | :12:26. | |
will be I would love to see you in your night-vision goggles. Let me | :12:27. | :12:32. | |
clear something up... Reason why I bought them was because my golf | :12:33. | :12:37. | |
balls in the back garden were being stolen, so I put them on and | :12:38. | :12:40. | |
discovered that they were being stolen by a fox in the night. That | :12:41. | :12:47. | |
sounds like a Mike Dilger film. So, do you play golf in your garden? A | :12:48. | :12:59. | |
little bit, yes. Have you ever seen the aurora borealis? No, I haven't. | :13:00. | :13:09. | |
So, you are going back on tour with your one-woman shoe -- with your | :13:10. | :13:15. | |
one-woman show, Honor Blackman As Herself. Apart from the obvious, | :13:16. | :13:20. | |
what can people expect when they come to see you? My childhood, which | :13:21. | :13:25. | |
is quite interesting, my first marriage, which is more interesting. | :13:26. | :13:34. | |
And the build-up to how I ever got into the profession, because I am | :13:35. | :13:38. | |
not one of those kids that thought, I want to be an actress, from the | :13:39. | :13:43. | |
age of six. So, what did you want to be? I don't know. Well, I do, | :13:44. | :13:54. | |
vaguely. I wanted to be a hairdresser. And I got elocution | :13:55. | :13:57. | |
lessons because my father thought, quite rightly, that you make better | :13:58. | :14:02. | |
progress in life, back then particularly, if you can speak well. | :14:03. | :14:06. | |
And then I had a wonderful teacher who introduced me to play 's, | :14:07. | :14:13. | |
poetry, and it was just fantastic. I didn't get much education, because I | :14:14. | :14:19. | |
was evacuated. You know, the emphasis then was not on your | :14:20. | :14:26. | |
education, it was more on keeping you happy away from home. Well, you | :14:27. | :14:31. | |
have had a very colourful life. How do you go about condensing... | :14:32. | :14:38. | |
Colourful is an interesting word! How do you go about condensing that | :14:39. | :14:43. | |
into a 90 minute play? Well, of course there is a lot that isn't | :14:44. | :14:48. | |
there. And I hope, I believe, that the most interesting stuff is there. | :14:49. | :14:52. | |
There are some bits, obviously, that aren't. Go on, Honor! No, no, no. | :14:53. | :15:03. | |
There is a reason they are not in there, she's not going to mention it | :15:04. | :15:08. | |
on live television. Which stories do you most enjoy telling during the | :15:09. | :15:16. | |
show? I like playing Marlena at the end. We understand you do a mean | :15:17. | :15:30. | |
impression of Marlene Dietrich. I'm not trying that hard to do an | :15:31. | :15:33. | |
impression of her, but she had a mean sense of humour. There was a | :15:34. | :15:37. | |
piece she wrote about how she entertained the troops. Can you do a | :15:38. | :15:52. | |
bit of the voice? Yes. Let's think. My role is entertainer of the | :15:53. | :15:57. | |
troops. It was the best I ever had. I loved the Army. Brilliant. | :15:58. | :16:03. | |
We have peaked too early. You definitely have to come and test the | :16:04. | :16:12. | |
night-vision goggles! The best line is, when AGI looked at me, it wasn't | :16:13. | :16:20. | |
hard to read his mind. Vernon is a mess next to you. It's quite an | :16:21. | :16:24. | |
interesting concept, you sit down with a director and he kind of talks | :16:25. | :16:28. | |
you through, it is a conversation as you go. You reveal that there is a | :16:29. | :16:34. | |
practical reason why you ended up wearing that catsuit in The | :16:35. | :16:38. | |
Avengers? Everybody thinks it was a catsuit, it was two separate pieces. | :16:39. | :16:43. | |
Because you cannot do judo in something, you would be split up the | :16:44. | :16:47. | |
middle, if you know what I mean, with some of the things that I did. | :16:48. | :16:51. | |
There is a lot of tittering going on. Ignore them over there! I think | :16:52. | :16:58. | |
it was about the third episode, I split my trousers with my backside | :16:59. | :17:05. | |
to the camera. They said, this can't happen again! There was a great | :17:06. | :17:09. | |
discussion about tougher material. We finished up with letter, solely | :17:10. | :17:15. | |
for that reason, not because it was a sexy or anything. And it became | :17:16. | :17:21. | |
such an iconic leather catsuit? I didn't know. It became iconic, you | :17:22. | :17:31. | |
wearing it? Yes, but it was not a catsuit, it was two pieces. Thanks | :17:32. | :17:36. | |
for clearing that one up. All week we have been asking for your family | :17:37. | :17:42. | |
photos to make up our One Show picture mosaic. We are going to | :17:43. | :17:45. | |
decorate our new home with it. Congratulations to the Craig family, | :17:46. | :17:50. | |
you have become a freckle on Alex's cheek. That went on to your | :17:51. | :18:02. | |
forehead, I think. The Kavanagh family, you are now... Let's find | :18:03. | :18:06. | |
out before you mention it... A freckle on your cheek! That went | :18:07. | :18:07. | |
well, didn't it and veg? No, I'm not very good at | :18:08. | :18:44. | |
it. I don't eat a lot of puddings. I don't eat a lot of chocolate. I'm | :18:45. | :18:54. | |
sensible. But I do Pilates. Because I have the most wonderful teacher at | :18:55. | :19:00. | |
the moment. Well, for ever, I hope. I have a scoliosis, a curvature of | :19:01. | :19:10. | |
the spine. Richard III and I have something in common. He is trying to | :19:11. | :19:14. | |
straighten me out. It's fascinating that I am winning to a certain | :19:15. | :19:20. | |
extent. He is determined I will be upright, always. The Alexander | :19:21. | :19:25. | |
technique is another good one. We could go on about this for hours. | :19:26. | :19:31. | |
Pilates is brilliant, but you need your fruit and veg as well. | :19:32. | :19:36. | |
Buy British. Well, in an ideal world, we would. But the choice of | :19:37. | :19:41. | |
what we buy can be restricted by what we see on the supermarket | :19:42. | :19:44. | |
shelves. The Environment Secretary Owen Paterson and the National | :19:45. | :19:47. | |
farmers union are calling on others to buy more seasonal, British fresh | :19:48. | :19:52. | |
fruit and veg and shown on imported produce. How much on the shelves is | :19:53. | :19:56. | |
actually British? Let's take a look. This is UK, the baby parsnips are | :19:57. | :20:02. | |
Kenya. Guatemala. We have Gambia, Thailand, India. The roof. -- Peru. | :20:03. | :20:14. | |
And a little bit of the UK, Lincolnshire, in between. The | :20:15. | :20:17. | |
produce here is predominantly imported. Why is it that in the UK | :20:18. | :20:25. | |
we import so much food? We actually buy British wherever we can. In | :20:26. | :20:28. | |
fact, customers absolutely love British. There are times when we are | :20:29. | :20:32. | |
at the mercy of the weather, there might be a good harvest one year and | :20:33. | :20:36. | |
not another. When customers come in, they want to buy what they want, | :20:37. | :20:41. | |
when they want. If people want to buy British, what should they look | :20:42. | :20:45. | |
out for? They should look for the signs in the store and the flag on | :20:46. | :20:49. | |
the packaging. When the produce is loose, we have the label here. Is it | :20:50. | :20:56. | |
that it is a lot cheaper to buy fruit and veg from poorer countries | :20:57. | :21:00. | |
than invest in the UK? It is about provenance, knowing where your food | :21:01. | :21:03. | |
comes from and giving customers what they want. We buy British whenever | :21:04. | :21:09. | |
we can. Is it in your interests to buy British? Not necessarily, I go | :21:10. | :21:13. | |
for whatever I am going for, usually based on price. Would you be | :21:14. | :21:18. | |
influenced by the union Jack? I would be, I am going to get some | :21:19. | :21:23. | |
apples and they definitely have to be British. They are grown here, | :21:24. | :21:26. | |
they are seasonal and much better for you. These are from the UK as | :21:27. | :21:33. | |
well? British Brown onions. What a patriotic shopper you are. Two bits | :21:34. | :21:36. | |
broccoli, one from Spain, from the UK, it doesn't matter which, it goes | :21:37. | :21:42. | |
on price? They both look good, I would go on price. How would you | :21:43. | :21:51. | |
decide? Size, value for money. Do we have a duty to support British | :21:52. | :21:54. | |
produce, or is it just value for money? You are making me feel bad | :21:55. | :22:02. | |
now! Peter Kendall is President of the National Farmers Union. So, what | :22:03. | :22:07. | |
is the Environment Secretary saying? He is saying what crops are grown in | :22:08. | :22:11. | |
the UK, and where we are falling short. When we have vegetables like | :22:12. | :22:16. | |
cauliflowers, peas or beans, we are only growing about 76% of what we | :22:17. | :22:20. | |
can grow here that is being consumed. We think it is a great | :22:21. | :22:23. | |
opportunity for British farmers to produce more because, when we survey | :22:24. | :22:27. | |
consumers, they say they want to buy more British. Supermarkets might say | :22:28. | :22:33. | |
they just get what is cheap, if people really want stuff from UK | :22:34. | :22:38. | |
farms, they will go to farmers markets? Surely that fills the gap? | :22:39. | :22:41. | |
That is great, but we know that most consumers live dizzy lives. Farmers | :22:42. | :22:46. | |
markets are tremendous, a great connection with the community, but | :22:47. | :22:53. | |
it is a small percentage of sales. Joe came straight from the shops to | :22:54. | :22:59. | |
The One Show Sauber. Is the problem that our tastes have become so | :23:00. | :23:05. | |
exotic? Tastes are always changing, they always have been. If you go | :23:06. | :23:12. | |
back to 1600s, French cuisine introduced us to capers and anchovy | :23:13. | :23:19. | |
is, the first banana sale was 1633, that is one for the pub quiz. Going | :23:20. | :23:23. | |
forwards, our exotic fruit tastes, we used to like mangoes, pineapples | :23:24. | :23:30. | |
and Kiwis. They have declined by 76%. Something else has been | :23:31. | :23:34. | |
selling, it has doubled sales. Anyone know? Persimmon or Sharon | :23:35. | :23:44. | |
fruit. It is funny how tastes change. I don't think I've ever | :23:45. | :23:51. | |
tasted it. You were watching with great interest, because you are a | :23:52. | :23:58. | |
key in grocery shop? You look at what you are eating and the | :23:59. | :24:01. | |
nutritional value. I think all of the cooking shows on television do | :24:02. | :24:04. | |
not mention nutritional value of food, they say it tastes great, the | :24:05. | :24:08. | |
most successful cooking show on television is Great British Bake | :24:09. | :24:16. | |
Off, all sugar and cream. Most shows don't say there is so much protein, | :24:17. | :24:22. | |
some in this meal. It is seasonal, that is the key. The agricultural | :24:23. | :24:26. | |
Minister's announcement, it is good news for British fruit growers, but | :24:27. | :24:30. | |
they need support. Let's have a look at how much of what we consume is | :24:31. | :24:35. | |
produced here. Unfortunately, the amount of it that is British has | :24:36. | :24:38. | |
been going down. Some notable ones, the cucumber, whacking 2000, 50 5% | :24:39. | :24:43. | |
of the cucumbers we ate were British. Now it is only 30%. We used | :24:44. | :24:49. | |
to eat 62% of spring onions that were British, now it is only 22%. We | :24:50. | :24:55. | |
eat millions of tomatoes and 29% used to be British. It is only 17% | :24:56. | :24:59. | |
now. We get them from all over the world. Tomatoes, Spain. Cucumbers, | :25:00. | :25:06. | |
it is places like Israel. The key is, it is awareness. People might go | :25:07. | :25:10. | |
to the shops after watching this with a different frame of mind. And | :25:11. | :25:15. | |
the labels are clear? If you look for it, it is labelled. But if you | :25:16. | :25:21. | |
go online, it is not as clear. That is something supermarkets can do. | :25:22. | :25:25. | |
The success of Vernon's show Splash is not the first time the British | :25:26. | :25:28. | |
public have been gripped by the jeopardy of high diving. | :25:29. | :25:33. | |
Long before the days of colour television, the sport of diving was | :25:34. | :25:38. | |
amazing crowds of people. In the 1950s, if he wanted to watch brave | :25:39. | :25:41. | |
people tackling the high boards, you have to head to the seaside. Back in | :25:42. | :25:51. | |
1946, a police officer called George Baines helped to pioneer a new type | :25:52. | :25:57. | |
of entertainment. My father was very ambitious. When he started, the late | :25:58. | :26:01. | |
40s, there was very little entertainment. Britain was in the | :26:02. | :26:10. | |
doldrums, wasn't it? The holiday-makers came along in their | :26:11. | :26:12. | |
droves on trains, the to the seaside resorts. | :26:13. | :26:20. | |
What makes diving amazing to watch is the element of danger. George | :26:21. | :26:27. | |
hoped that danger, mixed with comedy, would be a crowd Apollo. He | :26:28. | :26:35. | |
liked to try new things. This was the idea. We are going to tour | :26:36. | :26:39. | |
around the country and do a diving show. He put it to my mother, you | :26:40. | :26:44. | |
can be the compere. They were in love, I suppose. But George's wife | :26:45. | :26:49. | |
did not realise how much she would end up trusting him. It was a | :26:50. | :26:56. | |
back-to-back dive. A ten metre high platform. My mother was terrified. | :26:57. | :27:04. | |
She was not a diver. She was a beauty. My dad would pick her up and | :27:05. | :27:08. | |
hold her feet here. He would dive headfirst and she would cling around | :27:09. | :27:12. | |
his waist. They would stay together when they entered the water. They | :27:13. | :27:16. | |
should really have split, because it is safer, just to split slightly. | :27:17. | :27:23. | |
But she never dared let go of him. As the show 's got to get, George | :27:24. | :27:27. | |
Baines was always on the lookout for talent and spotted former Olympian | :27:28. | :27:31. | |
and Rory Walsh, who represented great written in the 1956 Olympics | :27:32. | :27:40. | |
in Melbourne. He didn't have any old dive, used to get the best that | :27:41. | :27:46. | |
there was at the time. He used to go up on scooters and stuff like that. | :27:47. | :27:52. | |
You were queueing up at Bournemouth outside, because it was a really | :27:53. | :28:00. | |
good show. It only cost a couple of bob to go in. The one that he will | :28:01. | :28:04. | |
never forget what his first of the ten metre board. When you were at | :28:05. | :28:10. | |
school, 4015, people used to say, somebody went off the ten metre | :28:11. | :28:17. | |
board last night. You know? I went up and the attendant blows a | :28:18. | :28:23. | |
whistle. Come on! I looked down and I thought, God. And you can see the | :28:24. | :28:29. | |
bottom of the pool. It makes it look higher, you know? I lifted up like | :28:30. | :28:36. | |
that and just rolled over. I went... And I could hear the wind. I | :28:37. | :28:42. | |
hit the water, my arms were down here. I came up and went, yes! I | :28:43. | :28:49. | |
couldn't wait to go to school, I've been off the ten metre board! Aqua | :28:50. | :28:55. | |
shows enjoyed success until the early 80s. As package holidays took | :28:56. | :29:01. | |
off, the shows began to die out. That was until the TV show Splash | :29:02. | :29:06. | |
came along. I wish my father was here, he would absolutely love this. | :29:07. | :29:10. | |
That is what he would have said. Yes, bring it back! Diving from | :29:11. | :29:20. | |
masts, that is the next one. We are hearing that we think Liz Bonnin may | :29:21. | :29:26. | |
have found the northern lights. So we could eat in with a chance of | :29:27. | :29:41. | |
before we get stuck into our Splash! Chat, let's have a look at a dive | :29:42. | :29:46. | |
which has been sent in from a viewer. The last time you were on, | :29:47. | :29:53. | |
Vernon, you said you were going to have a crack at the ten metre board. | :29:54. | :29:58. | |
What happened to that? Well, the ten metre board is still there. I will | :29:59. | :30:04. | |
be honest with you, just asked me, have you tried it? I have been | :30:05. | :30:11. | |
taking lessons in a dry it, which is basically a pool full of foam, about | :30:12. | :30:17. | |
seven metres high. It is really difficult, it is very scary. Will | :30:18. | :30:22. | |
you do it before the end of this series? There is talk. Only taught | :30:23. | :30:29. | |
at the moment. A yes or they might have to change the terms of the | :30:30. | :30:38. | |
contract, but you never know! This one is basically just a backward | :30:39. | :30:41. | |
somersault, but it is quite something. Here we go. That was the | :30:42. | :30:52. | |
best one he had done all day. So, he has already been touted as a | :30:53. | :30:55. | |
potential winner, but who have you got coming up? Well, we have got | :30:56. | :31:03. | |
Keith Duffy from Boyzone. He is doing lots of triathlons, so he is | :31:04. | :31:08. | |
fit as a fiddle. Austin Healey, he is doing a double at the moment, but | :31:09. | :31:13. | |
he is not landing it. So there is some doubt as to whether he will | :31:14. | :31:18. | |
complete that. But also, we have got a former gymnast she is quite good | :31:19. | :31:25. | |
as well. As well as the height, it is that mental thing of what it is | :31:26. | :31:28. | |
going to do to you if you get it wrong, and you'll end on your back. | :31:29. | :31:35. | |
Stings unbelievably. We saw the bruises on Gemma Collins. Brace | :31:36. | :31:36. | |
yourself for this. Look at that. Has there been quite a few injuries | :31:37. | :31:49. | |
in training? We have had lots. Mainly tendons in the ankles, and | :31:50. | :31:55. | |
the calf muscle, from the impact. If you do not enter the water right. | :31:56. | :32:01. | |
Shoulders as well. The surface tension is really high. Doublet, | :32:02. | :32:08. | |
that is one of the main thing is, overcoming the fear of diving. | :32:09. | :32:11. | |
Because you are so high, if you get it wrong, it is going to hurt. It is | :32:12. | :32:17. | |
such an alien concept, to launch yourself off a platform. It really | :32:18. | :32:24. | |
is, but it is such we have celebrities in very little clothing. | :32:25. | :32:29. | |
To get over wearing a swimsuit on telly is something in itself, isn't | :32:30. | :32:34. | |
it? Exactly. That is why I was so happy for Gemma when she did it. And | :32:35. | :32:38. | |
she was brilliant, she presented so well on top but you ditched the | :32:39. | :32:47. | |
shots. I I get grief for wearing them, and grief for not wearing | :32:48. | :32:53. | |
them. Shorts or trousers for Vernon, for Splash!? The shortest possible! | :32:54. | :33:03. | |
It is a trade, night-vision goggles for shorts. We have got a sneaky | :33:04. | :33:13. | |
peek. This is from this week. Toyota really impressed me. She is one of | :33:14. | :33:17. | |
the oldest contestants in the group, and one of the better ones. I am so | :33:18. | :33:22. | |
excited about having Tom as my mentor. I am old enough to be his | :33:23. | :33:30. | |
grandmother, and I am thinking, phwor! But was an exclusive for me, | :33:31. | :33:38. | |
she went backwards of a springboard, which is quite difficult, because it | :33:39. | :33:43. | |
throws you up into the. Tom is great, though, isn't he? He is, he | :33:44. | :33:49. | |
nurtures all of the contestants, he brings them into his world. He has | :33:50. | :33:53. | |
been doing it since he was a little boy. It is difficult for outsiders | :33:54. | :33:56. | |
to step into that world, but Tom makes it so easy. Lets see another | :33:57. | :34:04. | |
video this is a four-year-old who performed her first dive while on | :34:05. | :34:07. | |
holiday in South Africa this Christmas. Here she goes. I enjoyed | :34:08. | :34:17. | |
dad doing the Tom Daley in the background. You can see more Splash! | :34:18. | :34:23. | |
This Saturday evening on ITV. Every night this week we have had 14 of | :34:24. | :34:29. | |
everything. Last night, composer Richard Mainwaring was conducting 40 | :34:30. | :34:33. | |
pianists, and tonight, he is doing a song with 14 Elvii. Vernon, we were | :34:34. | :34:41. | |
hoping you would be Elvis number 14. What do you reckon? I will give it a | :34:42. | :34:51. | |
go. I do not know if you want this, but this is some kind of plaster of | :34:52. | :34:56. | |
Paris head. We know you are into this. Every Elvis fan should have an | :34:57. | :35:04. | |
Alvis bust. We know you are into it because we have seen you rehearsing. | :35:05. | :35:10. | |
Have a look. # I am making up the words! I'm in | :35:11. | :35:22. | |
love, I am all Shook up... There we are! Are you going to do it? I will | :35:23. | :35:28. | |
do it! Andy Vernon, we have got Richard over there at the end, who | :35:29. | :35:33. | |
will look after you. There he is. And it has been a busy week for | :35:34. | :35:37. | |
Richard, because he has also given The One Show theme a bit of a lift. | :35:38. | :35:46. | |
The soothing sound of musak. You will have heard it in shopping | :35:47. | :35:50. | |
centres, shopping centres, maybe even your headdresses. It was played | :35:51. | :35:56. | |
in the lifts of early skyscrapers to suit the nerves of those inside. | :35:57. | :36:02. | |
When you think of musak, you may think of a guitar, or a jazz flute, | :36:03. | :36:06. | |
but it is not a genre, it is a brand, and it has been around for | :36:07. | :36:10. | |
the best part of a century. Invented in New York in 1922, a concept of | :36:11. | :36:16. | |
transporting, or piping music, down electrical wires, was at the time | :36:17. | :36:22. | |
revolutionaries. The primary aim of musak is to create a mood but not to | :36:23. | :36:27. | |
become a distraction. So, the company modified popular songs to | :36:28. | :36:30. | |
create unobtrusive and inoffensive instrumental. By the 1960s, piped | :36:31. | :36:36. | |
music had moved into shopping centres, restaurants and offices. It | :36:37. | :36:40. | |
is even rumoured to be played in the White House, and even on the Apollo | :36:41. | :36:45. | |
11 should. Following the golden years of the 1950s and 1960s, musak | :36:46. | :36:53. | |
began to move out of favour. By the 1980s, it was deemed unfashionable, | :36:54. | :36:59. | |
but William orbit, famous producer, takes a different view. The | :37:00. | :37:06. | |
consensus now is, it is whereas, I do not know about you, but I feel | :37:07. | :37:10. | |
there is a lot of skill in it. They would have been the best musicians, | :37:11. | :37:14. | |
they would have been recorded and arranged to perfection. I think | :37:15. | :37:22. | |
there is great skill in turning a popular yes, if you think about it, | :37:23. | :37:26. | |
the tune of a pop song is carried by the charismatic artist. It has to be | :37:27. | :37:31. | |
good for them to turn it into a load of strings playing it. How has it | :37:32. | :37:35. | |
influenced your music? Definitely, arrangements, with the vibraphone | :37:36. | :37:41. | |
and flutes and things like that. Not being able to hide things. Actually, | :37:42. | :37:45. | |
you have got all of these buried melodies and structure. You want it | :37:46. | :37:50. | |
to work on people without them knowing it. I think that is | :37:51. | :37:54. | |
something about musak. There is a wonderful sound to it, and it cannot | :37:55. | :37:59. | |
be replicated, I do not think. These days, it is hard to find music in | :38:00. | :38:05. | |
lifts, but our restaurants and shops have not fallen silent. Today, | :38:06. | :38:08. | |
companies provide playlists of original artists, tailored for each | :38:09. | :38:12. | |
individual business. Why is music important, why not have silence? | :38:13. | :38:17. | |
Music unifies everything which is going on within the store. | :38:18. | :38:20. | |
Everything from the lighting to the displays, to the clothing | :38:21. | :38:23. | |
collections. If music were taken away from that environment, it would | :38:24. | :38:29. | |
be soulless. I want to bring back elevator music, and where better to | :38:30. | :38:33. | |
do it than the Grosvenor Hotel, the first-ever building in London to | :38:34. | :38:40. | |
have a lift, back in 1861? I have adopted some modern-day classics, | :38:41. | :38:42. | |
with quintessential bossa nova arrangements. I have decided on | :38:43. | :38:47. | |
Poker-faced by Lady Gaga, a song by Jay Z and Alicia Keys, and, to | :38:48. | :38:56. | |
finish, a musak take on The One Show theme. They might not know it, but | :38:57. | :39:00. | |
it will hopefully be just what the Hotel guests are looking for. Oh, I | :39:01. | :39:09. | |
goodness! Good morning, how are you? Are you a fan of lift music? Do | :39:10. | :39:16. | |
you like recorded versions or live versions? I like the live versions | :39:17. | :39:21. | |
best. You like a bit of music in the lift? I love it. Good morning. That | :39:22. | :39:38. | |
is good, that's nice. Sixth floor, please. Good morning, come on in. | :39:39. | :39:45. | |
You will never forget this lift ride, will you? Nice to so, have a | :39:46. | :39:56. | |
listen to the next time you are in a shop, the music you are hearing | :39:57. | :40:01. | |
might not have been chosen at random, it might have been chosen | :40:02. | :40:02. | |
especially for you. I quite like that music. We should | :40:03. | :40:13. | |
have that as our theme June! If we have got a very stressful show, just | :40:14. | :40:18. | |
play that. Anyway, we have got One Show lift enthusiasts Justin with us | :40:19. | :40:26. | |
now. Not just one left, several in the City of London, here in | :40:27. | :40:29. | |
Britain, the largest single multicar lift in the world. This is how it | :40:30. | :40:36. | |
works. You have got four shafts, with a total of eight lifts. The | :40:37. | :40:43. | |
idea is that what you do, it is like having an express lift. It will take | :40:44. | :40:48. | |
you from the first floor, up to the 49th floor. This is a way of making | :40:49. | :40:54. | |
the same lift, bringing more capacity. You could have a race as | :40:55. | :41:00. | |
well. That is me being childish. Let's move on. The tallest holding | :41:01. | :41:06. | |
in the world. That was about increasing the capacity. This is the | :41:07. | :41:11. | |
biggest building in the world, this has the largest lift shaft in the | :41:12. | :41:17. | |
world, at 504 metres. And also, a very fast lift, 32mph. This is it, | :41:18. | :41:24. | |
it is a double story left, up to 14 people in there. Going up, that is | :41:25. | :41:29. | |
pretty quick. How long have you loved lifts, just in? When you start | :41:30. | :41:37. | |
thinking about it, the mind boggles. The length of these cables, there | :41:38. | :41:46. | |
must be a limit. You would think so, but technology has addressed that | :41:47. | :41:49. | |
problem. Saudi Arabia is now looking to build the Kingdom Tower, which | :41:50. | :41:55. | |
will be more than one kilometre high. The challenge was, how to get | :41:56. | :41:59. | |
a lift in there. It was the heavy steel cables which made it difficult | :42:00. | :42:04. | |
so instead they have put in carbon fibre cables, which are lighter. And | :42:05. | :42:08. | |
that allows them to lift it all the way up to the top. So much | :42:09. | :42:14. | |
knowledge. How interesting is this? This is in Taiwan are the fastest | :42:15. | :42:18. | |
lift in the world, in the Taipaei 101 Tower. 37mph. It is so fast, | :42:19. | :42:24. | |
they have actually got pressurised air. How long to get from the bottom | :42:25. | :42:29. | |
to the top? How long do you think? Fast. 37 seconds. I am a lift | :42:30. | :42:41. | |
enthusiast as well, Justin! Let me bring you onto another British | :42:42. | :42:49. | |
first. This is Britain's first incline lift. It is next to an | :42:50. | :42:54. | |
escalator, but it is actually a lift. And there you are, the first | :42:55. | :42:59. | |
of its kind, giving step three access to a station. Britain's first | :43:00. | :43:07. | |
incline lift. Are you going to be there on the opening day? I will be | :43:08. | :43:12. | |
there. I will be the first in line. The bad news is, we are on the | :43:13. | :43:14. | |
ground floor here, so no lifts! In our new building, the lifts can | :43:15. | :43:26. | |
take a while. Andy has taken a shorter way down and is going to be | :43:27. | :43:29. | |
joining us for a chat. How is he going to get down? Early on we met | :43:30. | :43:34. | |
three soldiers on their final tour of Afghanistan. Inevitably for the | :43:35. | :43:41. | |
families of Les, Gav and Sean, having a loved one on the front line | :43:42. | :43:47. | |
comes with a fear they might get injured. In one case, that became a | :43:48. | :43:50. | |
reality. With only a few weeks of their tour | :43:51. | :43:55. | |
at go, thoughts of Badger Squadron are turning to home. Staff Sergeant | :43:56. | :44:04. | |
Gav, on his second tour in Helmand province, has a wife and two | :44:05. | :44:10. | |
daughters waiting for him. We saw some rabbits! With a baby rabbits? | :44:11. | :44:16. | |
This is the first two I have done with children. Before, I just have | :44:17. | :44:21. | |
my wife. It was straightforward. Missing the kids growing up, it is a | :44:22. | :44:31. | |
different kettle of fish. One of them is two and a half. I managed to | :44:32. | :44:37. | |
talk to them quite regularly on the internet. My youngest one has | :44:38. | :44:40. | |
developed the most, she has started talking. When you come out to | :44:41. | :44:46. | |
something like this, your family is always at the front of your mind. | :44:47. | :44:49. | |
When you have been given a task to do, you are thinking about the guys | :44:50. | :44:53. | |
that you are stood next to. They are the people you need to work with to | :44:54. | :44:57. | |
be able to get home to your family. For Emma, running a cafe for Army | :44:58. | :45:05. | |
families is part of a busy life that makes Gav's absence easier to | :45:06. | :45:09. | |
manage. I don't have time to be upset and crying. It's not fair on | :45:10. | :45:15. | |
the children. I try to keep it normal for them, it feels normal to | :45:16. | :45:19. | |
me, I have a job, I've got to look after the children, you've got to | :45:20. | :45:22. | |
get on with life and know that he will come home. Woody has been away | :45:23. | :45:29. | |
from his wife and family before, but never to Afghanistan. My boy has | :45:30. | :45:35. | |
turned sex and he is a real warrior. Whenever I -- he has just turned six | :45:36. | :45:48. | |
and he is a real worrier. He asks if I've seen any bad guys, and I tell | :45:49. | :45:54. | |
him no. We've just got to make it a better place for the children to | :45:55. | :45:59. | |
live in. But I don't think of it that way, because I think it would | :46:00. | :46:07. | |
drive you mad. The two wives are good friends, providing support for | :46:08. | :46:10. | |
each other at home. The same can be said of the soldiers at Camp | :46:11. | :46:14. | |
Bastion. You learn to read each other. It's really helpful. It's a | :46:15. | :46:18. | |
really good relationship. We all give each other the space as well. | :46:19. | :46:23. | |
It can be pretty cramped at times. But we do the best, we might have a | :46:24. | :46:27. | |
movie night, when we get together and watch a film, whatever it might | :46:28. | :46:34. | |
be. Whatever distractions the soldiers make for themselves, there | :46:35. | :46:37. | |
is no replacement for home. For the younger members of the squadron and | :46:38. | :46:41. | |
those without children, this is just as true. My fiance is waiting for | :46:42. | :46:48. | |
me. My two dogs. I've got two Jack Russells, Bobby and Dolly. They are | :46:49. | :46:53. | |
brother and sister. I don't know what it is with them. I can be in | :46:54. | :46:57. | |
the foulest mood, upset as anything, and then Bobby will come in and | :46:58. | :47:04. | |
within two seconds I've got a smile on my face. I do miss them. But | :47:05. | :47:10. | |
Les's return home would come sooner than the others. On another | :47:11. | :47:13. | |
mission, while exposed in the gun turret of his vehicle, disaster | :47:14. | :47:22. | |
struck. I was the third vehicle in the convoy. The others had been over | :47:23. | :47:28. | |
it first. Unfortunately, I was the one that hit it. As I went up, I | :47:29. | :47:35. | |
cracked my legs off the top of the territory. As I came down, the shock | :47:36. | :47:40. | |
wave was coming up and it met on my knee. He suffered seriously dumb and | :47:41. | :47:51. | |
damage and his tour was over. He rang me, which was quite good, | :47:52. | :47:54. | |
because you know he is all right then. It is when other people renew | :47:55. | :48:00. | |
that you are really worried. When the bank goes off, it happens so | :48:01. | :48:04. | |
quickly, but for me it slowed down. You do that silent nod at each | :48:05. | :48:08. | |
other. You are grateful that everybody is all right. | :48:09. | :48:18. | |
Unfortunately, the doctors need to do rehab and physio, so they send | :48:19. | :48:21. | |
you back to the UK. It's mixed emotions. On the plane you start to | :48:22. | :48:24. | |
think, I'm out of there. Nothing can happen to me now, I'm going back | :48:25. | :48:27. | |
home. Wasn't it awful, seeing the | :48:28. | :48:36. | |
explosion going off? Wonderful films. On Friday we will be joined | :48:37. | :48:41. | |
by some of the soldiers and their families in the studio. | :48:42. | :48:49. | |
Earlier on, Stargazing Live's Liz Bonnin unveiled a challenge to | :48:50. | :48:55. | |
correct the aurora borealis from the air. Can it be done? We can join her | :48:56. | :48:59. | |
from Tromso in Norway. You are hoping for the seat belt lights to | :49:00. | :49:04. | |
go out and the Northern lights to come out? How is it going? Pretty | :49:05. | :49:09. | |
well so far. We are cruising at 28,000 feet, getting ready for a | :49:10. | :49:14. | |
night of live Northern Lights hunting. We are well above the light | :49:15. | :49:19. | |
pollution that can obscure our view on the ground. If you look at the | :49:20. | :49:22. | |
plane, it is full of equipment. We are double-checking our specialist | :49:23. | :49:27. | |
lowlights cameras, and our transmission technology, all of that | :49:28. | :49:32. | |
which will allow us to transmit pictures live, in real-time. If you | :49:33. | :49:38. | |
look outside of the little windows, take a look at this. It's quite | :49:39. | :49:47. | |
special, the unmistakable green hue of the aurora borealis. They are | :49:48. | :49:55. | |
extremely unpredictable, they appear and disappear within seconds. Who | :49:56. | :49:58. | |
knows what is going to happen in the next few hours. Join us at eight | :49:59. | :50:01. | |
o'clock on Stargazing Live. We are going to do our utmost to bring you | :50:02. | :50:05. | |
the best possible view of the Northern Lights and bring them live | :50:06. | :50:06. | |
into your living rooms. Thanks ever so much. You can see | :50:07. | :50:17. | |
Stargazing Live on BBC Two straight after us at eight o'clock. Before | :50:18. | :50:20. | |
that, we have got our very own dazzling display, 14 Elvii | :50:21. | :50:28. | |
performing a medley of Elvis hits. Hurry up! Look at this, at the back. | :50:29. | :50:39. | |
Keep going. They have left the building. | :50:40. | :50:43. | |
Joining us outside is The One Show daredevil reporter Andy Torbett. We | :50:44. | :50:49. | |
did ask him to drop in for a chat. There he is, waving now. We will put | :50:50. | :50:53. | |
your film on and then have a chat. Cool! | :50:54. | :50:59. | |
Limestone is among the most romantic of all rock types in Britain. It is | :51:00. | :51:06. | |
often carved into sculptural, spectacular shapes by the wind and | :51:07. | :51:12. | |
weather. But, most of all, by water. The steep sided wooded valley in | :51:13. | :51:17. | |
Dovedale, Staffordshire, contains some of the best examples. Stacks | :51:18. | :51:23. | |
and pinnacles coming up from the Valley floor with island rock, the | :51:24. | :51:33. | |
most famous, Ilam Rock. It is right out over the river, dramatic and | :51:34. | :51:37. | |
dangerous, exactly the sort of challenge that climbers love. I'm | :51:38. | :51:41. | |
going to the top. These pinnacles are among the most unusual rock | :51:42. | :51:45. | |
formations in the country. The client will test me. I am a decent | :51:46. | :51:52. | |
climber, but the porous and unstable limestone can catch you out. It is a | :51:53. | :51:57. | |
soft rock, soluble in water. The stacks are all that is left after | :51:58. | :52:00. | |
millions of years of erosion has taken its toll on what was once a | :52:01. | :52:06. | |
massive slab. How is that still standing? Basically, it is luck. The | :52:07. | :52:13. | |
river has cut down the side, giving a snapshot in time. Eventually, it | :52:14. | :52:17. | |
will wear away further and it might just topple entirely. Professional | :52:18. | :52:21. | |
climber Katie Whitaker is planning the route. She will summit first and | :52:22. | :52:27. | |
lower the safety rope that will protect me if I fall. She knows Ilam | :52:28. | :52:33. | |
Rock and its reputation well. That could be a tricky bit, where the | :52:34. | :52:36. | |
tree is, it doesn't look like there are many features to hold onto. | :52:37. | :52:40. | |
Straight up the corner, through the overhang at the top. It might be a | :52:41. | :52:44. | |
little bit loose. It looks loose at the top. It is good that it gets | :52:45. | :52:49. | |
steep, just when you are tired at the end? Yes, when you're arms are | :52:50. | :53:00. | |
tired. Lactic acid creates the burning sensation, a familiar | :53:01. | :53:04. | |
feeling to athletes. It robs your strength. Quite loose. Bits falling | :53:05. | :53:12. | |
off? Yes. Good news, what you want to hear(!) As Katie reaches the | :53:13. | :53:16. | |
hardest part, it becomes obvious that this is going to be a tough | :53:17. | :53:23. | |
climb. This is scary. You get to the last bit, when your arms are tired, | :53:24. | :53:27. | |
it goes from vertical to this overhang and it becomes so much | :53:28. | :53:31. | |
harder to hang on. It is pretty small appear. I think it has been | :53:32. | :53:35. | |
more of a struggle than I expected. I can see the rock here is so | :53:36. | :53:41. | |
loose, the vegetation is breaking it up and it is quite wet. You know how | :53:42. | :53:46. | |
soft and loose this stuff is when you get trees growing out of it. | :53:47. | :53:50. | |
Halfway up, I make a bad decision. Katie went left, I go right. Whoa. | :53:51. | :54:07. | |
That is pretty loose. Well, that big flake of rock just there is | :54:08. | :54:10. | |
basically entirely loose. I pulled on it and the whole thing shifted, | :54:11. | :54:15. | |
like I could jump off it, I was going to pull it down on my face. It | :54:16. | :54:19. | |
doesn't matter how good a climate you are, if the holes you are | :54:20. | :54:22. | |
hanging off crumble underneath you, you are only going to go one way. | :54:23. | :54:27. | |
Heart in my mouth moment, there. Wright, a little moment to recover | :54:28. | :54:30. | |
and we will carry on and finish that off. That was scary! Now for the | :54:31. | :54:36. | |
last critical section, which is going to be made more difficult as | :54:37. | :54:40. | |
my hands are cold. The rock is freezing. Freezing fingers, here. | :54:41. | :54:48. | |
Lots of lactic acid in my hands. I'm trying to hang on. Really tired | :54:49. | :54:55. | |
muscles. How is it going? Not so well. Man, this is hard. | :54:56. | :55:03. | |
That was hard work. I was just in agony, all of the way up. That was | :55:04. | :55:13. | |
incredibly hard, much more so than I thought it would be. But it was | :55:14. | :55:17. | |
worth it to get here and stand here. I saw a photograph of Katie stood | :55:18. | :55:22. | |
here and I wanted one of my own. This is it, top of the world. | :55:23. | :55:26. | |
Super scary stuff. Even as scary is burning in his Elvis costume. | :55:27. | :55:35. | |
Actually, you look good. Thank you very much. Where is your wake? I | :55:36. | :55:45. | |
feel naked without it. We have a helper on top of the building. Come | :55:46. | :55:51. | |
on, Andy. Good lad. He is like James Bond. I hope the rope is long | :55:52. | :55:58. | |
enough. Here he is, come on, everybody. Let's get him there. Good | :55:59. | :56:08. | |
lad, and the! And he and clips himself. Look what he has got on | :56:09. | :56:15. | |
board. Thank you, Andy. Put that on and join the boys. Perfect. A bit | :56:16. | :56:24. | |
wonky. Good luck. That was a way to make an entrance? Good fun. Enjoyed | :56:25. | :56:29. | |
that climbing film, what else can we look forward to? Caving, more diving | :56:30. | :56:35. | |
stuff, more wrecks we have found in the channel, ice diving when winter | :56:36. | :56:40. | |
arrives, finally. Hopefully I will convince the powers that be that we | :56:41. | :56:46. | |
can do some skydiving. We will put a word in for you. Get your kit sorted | :56:47. | :56:50. | |
out and come over here. A big thank you to our guests tonight, Honor | :56:51. | :56:56. | |
Blackman and Vernon Kay. You can see Vernon on Splash at 7pm on ITV. | :56:57. | :57:06. | |
Honor's to -- tour finishes on the 12th of May in Newcastle underline. | :57:07. | :57:11. | |
All week we are celebrating 2014. On Monday, we had 14 Japanese drums. | :57:12. | :57:21. | |
So good, as well. Tomorrow we are joined by the cast of Strictly Come | :57:22. | :57:39. | |
Dancing. 14 of them will be doing a group dance. Tonight we have 14 | :57:40. | :57:44. | |
Elvii. Kicking them off is the European Elvis champion, Johnny Lee | :57:45. | :57:53. | |
Memphis. Look out for Vernon. Are you ready? Take it away! | :57:54. | :58:00. | |
# Once threw a party in the county jail | :58:01. | :58:07. | |
# The prisoners began to wail # That's all right, if that's OK | :58:08. | :58:13. | |
with Euler Ed ain't nothing but a hound dog, crying all the time. | :58:14. | :58:23. | |
# I can't help falling in Love with you | :58:24. | :58:24. | |
# Viva Las Vegas! # Viva Las Vegas! | :58:25. | :58:29. | |
# Since my baby left me, I found a new place to do well, at heartbreak | :58:30. | :58:35. | |
hotel # Return to Sender, address unknown | :58:36. | :58:39. | |
# Always on my mind # You are always on my mind | :58:40. | :58:45. | |
# Go, Capco # Are you Lonesome tonight? Do you | :58:46. | :58:53. | |
miss me tonight? # It's now or never, come hold me | :58:54. | :58:55. | |
tight # Kiss me | :58:56. | :59:01. | |
# We're caught in a trap. # I love you too much baby | :59:02. | :59:08. | |
# Never let me go! # I'm all shook up | :59:09. | :59:19. | |
# Uh-huh, uh-huh I'm all shook up! # Uh-huh, uh-huh I'm all shook up! # | :59:20. | :59:25. |