Browse content similar to 08/10/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker and Alex Jones. | :00:20. | :00:28. | |
Tonight we are joined by a terribly interesting fellow. He has won a | :00:28. | :00:34. | |
pile of awards, so he is clearly clever. And as he is the Lord of | :00:34. | :00:42. | |
West Stafford, he is a classy fella. The 80s Julian Fellowes. We got | :00:42. | :00:51. | |
there in the end. Your whole new role has been to adapt | :00:51. | :00:54. | |
Shakespeare's play, Romeo and Juliet, for the big screen. Romeo | :00:54. | :01:01. | |
meets Juliet, he falls in love with her and asks her to marry him | :01:01. | :01:04. | |
within minutes and it is almost like your story. To get it is true | :01:04. | :01:11. | |
I met my wife Emma and I instantly knew she was the one I was going to | :01:11. | :01:18. | |
marry. Why? It is my only psychic moment in my lifetime of being as | :01:18. | :01:25. | |
psychic as a door. A thing went off in my brain and 20 minutes later I | :01:25. | :01:31. | |
did propose. That is only because it took me 90 minutes to get up the | :01:31. | :01:37. | |
nerve. I looked at her and I knew it was her. She did not think I was | :01:37. | :01:43. | |
though one, she thought I was mad. I have been waiting two-and-a-half | :01:43. | :01:49. | |
years! It is recognition at first sight. You recognise your | :01:49. | :01:54. | |
lifetime's partner. If someone is making an equation between us and | :01:54. | :02:01. | |
Romeo and Juliet, you know that we are not identical. How do you ask | :02:01. | :02:07. | |
someone to marry you after just 20 minutes? Did you get down on one | :02:07. | :02:13. | |
knee? I think I said something like, it will you marry me? Just a matter | :02:14. | :02:19. | |
of fact. There is no point in not cut into the chase. She would not | :02:19. | :02:25. | |
even give me her telephone number. Playing hard to get. She wanted to | :02:25. | :02:29. | |
even give me her telephone number. get out of the room. We will be | :02:29. | :02:33. | |
talking to Julian about his new adaptation of Romeo and Juliet | :02:33. | :02:42. | |
later. And Downton Abbey as well. First, Tony Livesey meets a two | :02:42. | :02:47. | |
young adults with autism whose lives have been transformed by | :02:47. | :02:51. | |
having the opportunity to work. It is bright and early on Monday and | :02:52. | :02:56. | |
having the opportunity to work. It 17 year old Zaid is getting ready | :02:56. | :03:00. | |
for work. Getting ready for work in the morning is something many of a | :03:00. | :03:04. | |
struggle with, but Zaid has an added difficulty, he is autistic. | :03:04. | :03:11. | |
It is incredible that he has a job. 700,000 people in the UK have | :03:11. | :03:16. | |
autism and a staggering 85% are out of work. Before he started his job, | :03:16. | :03:21. | |
he had never been out on his own and relied on his parents to take | :03:21. | :03:27. | |
him everywhere. Hello, we are off to work. How are we going to get | :03:27. | :03:33. | |
there? On the bus. What time does it come? It will come around eight. | :03:33. | :03:42. | |
You carry on eating. Before he got this job, how was his life? Is it | :03:42. | :03:50. | |
was quite tough. He feels he can do a lot more than this and socialise | :03:50. | :03:58. | |
as well. It is not only the job, he goes two different clubs now and it | :03:58. | :04:03. | |
has improved his independence. Because Zaid's brain is different | :04:03. | :04:07. | |
he needed help to get to work and was taught to memorise landmarks. | :04:07. | :04:14. | |
The programme is also responsible for finding him his job at | :04:14. | :04:19. | |
Nottingham City Hospital. What have you got on today? First I am going | :04:19. | :04:27. | |
to sort out the files. Is it easy? It is easy, but all the files get | :04:27. | :04:32. | |
mixed up and it is annoying. People do not put them back in order. His | :04:32. | :04:38. | |
condition means he gets frustrated when things are not in order and he | :04:38. | :04:45. | |
likes consistency. He works in the outpatients Administration | :04:45. | :04:49. | |
Department, sorting out the files. Andy is one of the project leaders | :04:49. | :04:54. | |
and he works closely with Zaid during the internship. What issues | :04:54. | :04:59. | |
do you have dealing with somebody like Zaid? It is not particularly | :04:59. | :05:06. | |
his issues, it is more around employers adapting to the needs | :05:06. | :05:10. | |
that he requires in the job. He is very good with figures and numbers. | :05:10. | :05:16. | |
If we can understand his skills, we can better place him. Her did you | :05:16. | :05:22. | |
feel when you first started? I felt more responsible. Now I am getting | :05:22. | :05:30. | |
really good at this. A as well as work experience, at the project | :05:30. | :05:34. | |
gives interns lessons in how to cope with their conditions. It is | :05:34. | :05:40. | |
not in Zaid's nature to join in the office chit-chat. It would not | :05:40. | :05:41. | |
occur to his brain to do that. But office chit-chat. It would not | :05:41. | :05:46. | |
with the help of Joanne, that hopefully it will change. Four | :05:47. | :05:52. | |
years ago the Government passed the autism Act. However, there are | :05:52. | :05:56. | |
still only a handful of schemes like this across the country. The | :05:56. | :06:00. | |
project in Nottingham started 18 months ago and one of the success | :06:00. | :06:07. | |
stories is Ryan. He has dyslexia and Asperger's syndrome. After | :06:07. | :06:11. | |
completing his internship, he got a job at the hospital. I never | :06:11. | :06:16. | |
thought I would be fit for this kind of role. I thought I would be | :06:16. | :06:22. | |
back stage IT. But they have put me on frontline support and that | :06:22. | :06:28. | |
shocked me. I had that in me to do it. What is it like having him | :06:28. | :06:33. | |
around in the office? He has got a massive passion for IT. He came in | :06:33. | :06:40. | |
with more understanding of I T than anybody expected. I believe that is | :06:40. | :06:45. | |
the printer. That has helped him get to where he is now. So I was | :06:46. | :06:51. | |
all over the place before the project came in. With Ryan and Zaid | :06:51. | :06:58. | |
both at the hospital they can share their experiences. I make eye | :06:58. | :07:03. | |
contact a lot more that I did at the start. I did it at first in | :07:03. | :07:09. | |
ten-second bursts. As time has gone on, that has got a lot better. What | :07:09. | :07:17. | |
would you say to Zaid? Get to know people and talk to as many people | :07:17. | :07:24. | |
as you can. It is good advice. A It is good advice. His it all going | :07:24. | :07:31. | |
in? It is going in the straight to my memory. I find myself at the | :07:31. | :07:37. | |
centre of a genuine good-news story today. Zaid is getting out and | :07:37. | :07:42. | |
about for the first time in his life, Ryan is interacting with his | :07:42. | :07:46. | |
workmates and they have organised his 18th birthday party. These | :07:46. | :07:50. | |
young people have not just found work, they are finding their places | :07:50. | :07:55. | |
in the world as well. And good luck to Zaid with his new | :07:55. | :08:00. | |
job. We need your help. Do you or your partner run a local shop? It | :08:00. | :08:06. | |
might have been in your family for generations or a business you set | :08:06. | :08:11. | |
up yourself. Are you open all hours like Arkwright and Granville. You | :08:11. | :08:17. | |
did not do the impression. He did in the rehearsals. Go to our e-mail | :08:17. | :08:24. | |
address and let us know. The adaptation of Romeo and Juliet. We | :08:24. | :08:30. | |
so thoroughly enjoyed it. It is very accessible and you have | :08:30. | :08:35. | |
changed a bit. But it is a weight on somebody's shoulders to adapt | :08:35. | :08:41. | |
Shakespeare's work. You cannot think in those terms or you never | :08:41. | :08:46. | |
leave your bed. We had a strong agenda. We wanted to make a new | :08:46. | :08:51. | |
version for this generation that was very romantic and was shot in | :08:51. | :08:56. | |
Italy against wonderful castles and palaces and so on, with wonderful | :08:56. | :09:05. | |
costumes. There have been good versions, particularly Baz | :09:05. | :09:07. | |
Luhrman's 1. That was the Last versions, particularly Baz | :09:07. | :09:15. | |
Romantic one and we felt it was time somebody else did that. Beyond | :09:15. | :09:22. | |
that we wanted it to reach over its the scholar level and bring the | :09:22. | :09:26. | |
story to people who would not necessarily think they would enjoy | :09:27. | :09:32. | |
Shakespeare. They would think it was OK at school, or whatever. | :09:32. | :09:37. | |
There have been people saying, you must not a fiddle with it. But if | :09:37. | :09:42. | |
we had made the fall three-and-a- half hour original play, we would | :09:42. | :09:46. | |
not have got to them and that is what we are trying to do. It is | :09:46. | :09:52. | |
still 80% Shakespeare. We have tried to keep in all the memorable | :09:52. | :09:58. | |
speeches and phrases and exchanges all the way through. Nevertheless, | :09:58. | :10:04. | |
none of it is opaque. Every part of the story is accessible and | :10:04. | :10:10. | |
understandable. It is also quite relentless. We have taken a three- | :10:10. | :10:15. | |
and-a-half hour play and it is in 90 minutes. This young pair of | :10:15. | :10:19. | |
lovers are caught up in this thing and they cannot pull out, they | :10:19. | :10:25. | |
hurtle towards their doom. It is almost as if it is on a stage in | :10:25. | :10:29. | |
parts where you have got people coming on. Let's put your words | :10:29. | :10:42. | |
into pictures. Never was a story more mournful than theirs, of | :10:42. | :10:52. | |
Juliet and Romeo. I never saw a True Beauty Until this night. It is | :10:52. | :10:58. | |
Romeo, the only son of our great enemy. Come battle with me, boy. | :10:58. | :11:09. | |
Take this and drink until the last drop and there will be no sign of | :11:09. | :11:23. | |
life. It is beautifully filmed. You have studied Romeo and Juliet at | :11:23. | :11:27. | |
Cambridge. Did you know exactly what you wanted to do with it? I am | :11:27. | :11:34. | |
thrilled with the movie, but I went through a very good school and I | :11:34. | :11:38. | |
studied literature at Cambridge, but not everyone has done that. | :11:38. | :11:43. | |
There are plenty of intelligent men and women out there who have not | :11:44. | :11:48. | |
been given that equipment. I feel it is a shame to cheat them of the | :11:48. | :11:50. | |
pleasure of Shakespeare's reverse it is a shame to cheat them of the | :11:50. | :11:57. | |
by befuddling them. Lyndsay Johns spoke out in the Conservative Party | :11:57. | :12:01. | |
conference last week and said there was too much dumbing-down of | :12:01. | :12:05. | |
Shakespeare. Is it not better to entice a new audience to understand | :12:05. | :12:11. | |
it? I do not want to sound as if he does not have the right to his | :12:11. | :12:15. | |
opinion, because he does. Shakespeare scholars will be | :12:15. | :12:18. | |
shocked we have tampered with anything. I believe people have a | :12:18. | :12:24. | |
right to see it and enjoy it. The one thing I do not understand his | :12:24. | :12:30. | |
right to see it and enjoy it. The or less since | :12:30. | :13:03. | |
You know the ending, but you are still crying. The whole love of | :13:03. | :13:16. | |
Romeo and the surrogate father role in the lives of the friar is all | :13:16. | :13:20. | |
Shakespeare, but the actor has put that story into it, which makes it | :13:20. | :13:23. | |
Shakespeare, but the actor has put very moving at the end and adds | :13:23. | :13:28. | |
another layer to it. It is in cinemas from next Friday. So some | :13:28. | :13:34. | |
of the world's most distinctive and controversial airports, train | :13:34. | :13:38. | |
stations and skyscrapers have been designed by Lord Richard Rogers. | :13:38. | :13:43. | |
Arthur Smith has been to meet the man who is it in his 85th here and | :13:43. | :13:47. | |
is still coming out with jaw- dropping architecture. | :13:47. | :13:59. | |
Richard Rogers, Lord Rogers, has just had his 80th birthday and he is | :13:59. | :14:07. | |
still hard at work, proving again and again that he is one of the most | :14:07. | :14:10. | |
influential architects in the world. Some iconic work, the millennium | :14:10. | :14:13. | |
Dome, Lloyds in the city, terminal Some iconic work, the millennium | :14:13. | :14:19. | |
five at Heathrow. He is a campaigner, too. Look at this, a | :14:19. | :14:24. | |
low-cost, flat pack house you can put up in 48 hours, an idea for | :14:24. | :14:29. | |
tackling the current housing shortage. And the Royal Academy are | :14:29. | :14:35. | |
putting on a special exhibition to celebrate his birthday. Today he is | :14:35. | :14:39. | |
showing his wife around. She is an award-winning, too, with a Michelin | :14:39. | :14:45. | |
starred restaurant. I don't think one realises what 1's age is. People | :14:45. | :14:50. | |
say, when are you going to retire but I say, I enjoy what I do. There | :14:50. | :15:00. | |
is one thing he says that is more important than designing. Passionate | :15:00. | :15:07. | |
about a large family, 12 grandchildren, five sons and so on. | :15:07. | :15:11. | |
That keeps me young and I have a very young wife, that keeps me | :15:11. | :15:15. | |
young! Richard did not do well at school, the teachers thought him | :15:16. | :15:19. | |
stupid. Years later he found out the problem was severe dyslexia. Now I | :15:19. | :15:25. | |
had something that I could hang my hat on, it did not make any | :15:26. | :15:28. | |
difference but it was good to know what it was called. It might explain | :15:28. | :15:34. | |
this report, he lacks the equipment to translate feelings into sound | :15:34. | :15:38. | |
building, his designs will continue to suffer while his drawing is so | :15:38. | :15:42. | |
bad. I have a team of people who can do things like Ike -- that I can't | :15:42. | :15:49. | |
do, like spell. Lord Rogers' first landmark was the Pompidou Centre in | :15:49. | :15:54. | |
Paris in the 1970s. It wears its insides, like escalators and pipes, | :15:54. | :15:58. | |
on the outside. It was radical, you love it or you loathe it. When the | :15:58. | :16:04. | |
building was completed, I remember sheltering on a rainy day. A woman | :16:04. | :16:08. | |
said, do you want to come under my umbrella? I said, thank you. She | :16:08. | :16:12. | |
said, what do you think of this building? Stupidly, I said I am the | :16:12. | :16:16. | |
architect and she hit me on the head with the umbrella. Among his regrets | :16:16. | :16:20. | |
architect and she hit me on the head is the number of commissions he lost | :16:20. | :16:23. | |
after the Prince of Wales called them carbuncles. I think all great | :16:23. | :16:29. | |
architecture and all great art is modern in its time. Christopher Wren | :16:29. | :16:36. | |
spent 40 years building Saint Pauls and the buildings kept on being | :16:36. | :16:42. | |
turned down. He got so fed up with the last one and he was in his 70s, | :16:42. | :16:47. | |
he built a fence so that nobody could see it until it was built. | :16:47. | :16:51. | |
This is nothing new and Christopher Wren was modern in his times. How | :16:51. | :16:57. | |
does he keep going? We stop, we are really good at stopping. We both | :16:57. | :17:01. | |
work really hard but we know when to stop. We have been in Italy and | :17:01. | :17:08. | |
France and Greece, we stop and come back and can't wait to start working | :17:08. | :17:14. | |
again. He looks pretty fit. He is really fit, he walks come he swims | :17:14. | :17:16. | |
again. He looks pretty fit. He is comedy bikes to the office every | :17:16. | :17:21. | |
day, he bikes everywhere -- he swims, he bikes. Lord Rogers has | :17:21. | :17:26. | |
made and continues to make his distinctive mark on Britain. This is | :17:26. | :17:31. | |
Lloyds, again hated at first but now at the heart of the city. And listed | :17:31. | :17:36. | |
grade one, an accolade he shares with the works of Christopher Wren. | :17:36. | :17:43. | |
Over the road, Lord Rogers' latest baby, the Leadenhall building. It | :17:43. | :17:47. | |
has already been nicknamed the cheese grater because of its wedge | :17:47. | :17:52. | |
shape. And around it, a hoarding, maybe not unlike the one that | :17:52. | :17:55. | |
Christopher Wren put around Saint polls. 80 years old -- around St | :17:55. | :18:03. | |
Paul's. 80 years old, he remains focused on the bigger picture. As | :18:03. | :18:10. | |
the ancient ode says, I hope to leave the city more beautiful than I | :18:10. | :18:15. | |
arrive. That is at the heart of what I hope to do. Just as well he is | :18:15. | :18:23. | |
still working with 12 grandchildren! It is not just Lord Rogers who has | :18:23. | :18:27. | |
saved negative reviews. -- who has received. Absolutely not, most of | :18:27. | :18:33. | |
our famous buildings have been savagely received. Take the Eiffel | :18:33. | :18:39. | |
Tower, built in 1889 as a celebration, a commemoration of the | :18:39. | :18:44. | |
French Revolution. Above 900 feet, it was the tallest structure in the | :18:45. | :18:49. | |
world. And people reacted with horror. Local residents took out | :18:49. | :18:53. | |
lawsuits against Gustave Eiffel, because they thought it was going to | :18:53. | :18:57. | |
topple over or attract lightning. It has been hit by lightning, to be | :18:57. | :19:03. | |
fair. A whole group of famous musicians got together to announce | :19:03. | :19:09. | |
it a useless and monstrous tower. Arguably he happy last laugh because | :19:09. | :19:15. | |
it attracts over a year. I don't look at it and think it is | :19:15. | :19:20. | |
beautiful. I am impressed by it. I love the Eiffel Tower but you have | :19:20. | :19:28. | |
to remember that the area is entirely dominated by the Eiffel | :19:28. | :19:32. | |
Tower. You can imagine if you lived in Belgrave Square and somebody put | :19:32. | :19:35. | |
the Eiffel Tower in the middle, you would be a bit ratty. What about | :19:35. | :19:37. | |
Barcelona? The Sagrada Familia is would be a bit ratty. What about | :19:37. | :19:45. | |
often called Gaudi's church but he was actually the second architect to | :19:45. | :19:51. | |
work on it. Picasso absolutely hated it. George Ola said it was one of | :19:51. | :19:57. | |
the most hideous buildings in the world and suggested it should have | :19:57. | :20:00. | |
been blown up in the Spanish civil war -- George Orwell said. We should | :20:00. | :20:06. | |
bear in mind it is still not finished, it should be finished in | :20:06. | :20:08. | |
bear in mind it is still not 2026 in time for the Saint Nery of | :20:08. | :20:15. | |
Gaudi's death. I always remember somebody said, lie heavy on him and | :20:15. | :20:17. | |
Gaudi's death. I always remember earth for he laid many a heavy load | :20:17. | :20:22. | |
on the. I don't think anyone gets away scot free. Certainly not the | :20:22. | :20:28. | |
National Theatre watch was built in 1976, which still raises blood | :20:28. | :20:35. | |
pressure. They made a mistake at the time in thinking concrete had life | :20:35. | :20:39. | |
in a building material, it had no life, it doesn't mature into | :20:39. | :20:44. | |
anything. It is built of dirty old concrete. Who would have thought it? | :20:44. | :20:53. | |
Thank you. Next night, Mike Dilger is on the hunt for Britain's biggest | :20:53. | :21:00. | |
fish. Instead of packing his fishing rod and tackle, he packs one of | :21:00. | :21:07. | |
these and a pan scourer. The Isle of Man is a hotspot for the | :21:07. | :21:10. | |
largest fish to visit British waters. Weighing up to eight tonnes | :21:10. | :21:20. | |
and as much as ten metres in length, the basking shark can reach the size | :21:20. | :21:26. | |
and weight of a double-decker bus. Armed with its window cleaning -- | :21:26. | :21:29. | |
this window cleaning pole and a pan scourer, I am going to be helping | :21:29. | :21:36. | |
marine biologists with their research work into this endangered | :21:36. | :21:40. | |
and often misunderstood shark. I am off out onto the Irish Sea with | :21:40. | :21:46. | |
members of the Manx basking shark watch. Basking sharks have been in | :21:47. | :21:51. | |
long-term decline so finding out population levels is essential. Our | :21:51. | :21:56. | |
best guess, looking at genetic data, is that there are between 6000 and | :21:56. | :22:01. | |
8000 left worldwide and that is all. We are trying to find out as much as | :22:01. | :22:05. | |
we can scientifically about the animal. If you don't know what you | :22:05. | :22:08. | |
have got, you don't know what you will lose, you don't know how | :22:08. | :22:13. | |
precious this is. We are tagging them, doing individual passports for | :22:13. | :22:17. | |
individual animals. Basking shark passports, that sounds intriguing. | :22:17. | :22:23. | |
It is so we can identify the individual animal again. They start | :22:23. | :22:29. | |
by taking photographs of dorsal fins to recognise individual animals, but | :22:29. | :22:33. | |
they are also collecting DNA samples. They do that in a bizarre | :22:33. | :22:40. | |
way. Remember the window cleaning pole and pan scourer? This is a | :22:40. | :22:45. | |
vital tool for the next stage of the basking shark's passport. You are | :22:45. | :22:49. | |
going to have to explain. Some years ago, a colleague in Ireland was | :22:49. | :22:55. | |
close to a basking shark and the tail caught the boat. He noticed | :22:55. | :22:58. | |
this black slime on one of the ropes. Being a clever guy coming he | :22:58. | :23:04. | |
scraped it hampered it in a jar and sent it to the University. Sometime | :23:04. | :23:10. | |
later they discover that this had DNA in it. The boat is allowed to | :23:10. | :23:17. | |
pass close to the sharks as part of a scientific license. Even though | :23:17. | :23:21. | |
the sharks travel at three miles an hour, getting alongside them is | :23:21. | :23:25. | |
tricky as they are constantly feeding on the moving plankton, so | :23:25. | :23:29. | |
it is anyone's guess where they will appear. There it goes, 200 metres | :23:29. | :23:37. | |
away. Oh! There are two there, look at the size of that! | :23:37. | :23:43. | |
Just seeing one basking shark is marvellous but two together is | :23:43. | :23:45. | |
Just seeing one basking shark is pretty amazing. Look at that! Oh! | :23:45. | :23:55. | |
Now it is down to me to see if I can get a DNA sample from at least one | :23:55. | :24:00. | |
of them. Just missed. If the huge tail flips | :24:00. | :24:06. | |
out of the water, I could be swept off the boat. Don't go down, don't | :24:06. | :24:20. | |
go down. I think I have got a swab. I got DNA! Thank you very much! Not | :24:20. | :24:30. | |
a huge amount, but I got some! See that slime on there, that is DNA | :24:30. | :24:34. | |
from a basking shark which I have just managed to get. Absolutely | :24:34. | :24:41. | |
chuffed to bits. These hard-won samples are sent to | :24:41. | :24:44. | |
the University of Aberdeen for analysis, in the hope it is going to | :24:44. | :24:47. | |
give Jackie further information about these individuals. We are | :24:47. | :24:52. | |
hoping to find out whether our sharks that we have got here are the | :24:52. | :24:56. | |
same as the ones in north-west Scotland and Ireland and France, or | :24:57. | :25:03. | |
whether they are slightly different. Early results back are showing that | :25:03. | :25:07. | |
it looks like these basking sharks are distinctly different to others | :25:07. | :25:11. | |
found around the Irish Sea, and they could be returning to this spot year | :25:11. | :25:17. | |
after year. I never knew that taking DNA samples of basking sharks could | :25:17. | :25:21. | |
be so exciting. Let's hope these passports continue to ensure that | :25:21. | :25:26. | |
these gentle giants graced the seas around the Isle of Man the | :25:26. | :25:31. | |
generations to come. I would have loved to have done | :25:32. | :25:36. | |
that. It was fantastic, congratulations. Onto Downton... | :25:36. | :25:44. | |
People were up in arms on Sunday because one of the most favourite | :25:44. | :25:47. | |
characters, Anna, was assaulted. Quite a dark storyline. Of course it | :25:47. | :25:54. | |
is dark and it is very serious. It is more reflective when you love the | :25:54. | :25:59. | |
character who is attacked. I feel it is legitimate within the Downton | :25:59. | :26:03. | |
way, you don't see much but what we examine are the results of this | :26:03. | :26:07. | |
attack and that is an's story for the rest of the series. A great cast | :26:07. | :26:15. | |
and a great choice. A very attractive, nice man. I wasn't going | :26:15. | :26:24. | |
to say that at it does help. It makes the danger clearer. You think | :26:24. | :26:28. | |
you are going to be able to identify someone who will attack you, but of | :26:28. | :26:33. | |
course you are not. The show is a global success, especially in the US | :26:33. | :26:36. | |
where they are eagerly awaiting the next series. Did you know there is | :26:36. | :26:41. | |
actually a whole course that you can do at a college in America, all | :26:41. | :26:46. | |
about Downton Abbey? Are you serious? Camden County College in | :26:46. | :26:52. | |
New Jersey has launched a new course, it is called Downton Abbey: | :26:52. | :26:57. | |
Life In A Country House. Why haven't I been given an honorary degree? You | :26:57. | :27:04. | |
can ask that question because the course director, Professor Ellen | :27:04. | :27:07. | |
Hernandez says they have such a good response with approximately 60 | :27:08. | :27:12. | |
people signing up, it is more successful than ever, she joins us | :27:12. | :27:17. | |
live from New Jersey. I am so excited. We know that the course has | :27:17. | :27:22. | |
gone incredibly well but there are a few questions that your students | :27:22. | :27:28. | |
need answered. Yes, hello. Hello, Julien. I am here with some of my | :27:28. | :27:33. | |
students. The class is going great. We had some questions that came up | :27:33. | :27:38. | |
and I would like to pose them. I would like to ask, within a house | :27:38. | :27:45. | |
like Downton Abbey, what would be the difference between a cook and a | :27:45. | :27:52. | |
chef, and why different titles? A chef would be male in those days. | :27:52. | :27:57. | |
Some houses did have chefs, but not all of them. Some houses had chefs | :27:57. | :28:04. | |
and under chefs. When you are writing a show like Downton Abbey, | :28:04. | :28:07. | |
you have to limit the number of people you are trying to service in | :28:07. | :28:11. | |
a narrative sense. There would have been six or eight footmen but we | :28:11. | :28:15. | |
couldn't find stuff for eight, so we have limited it to two and we have | :28:15. | :28:22. | |
one cook. Let us squeeze in one more question, please. We wanted to know | :28:22. | :28:28. | |
if it was purposeful for you to make the two conniving servants, Thomas | :28:28. | :28:35. | |
and O'Brien, smokers? No, I think they made them smokers. I just made | :28:35. | :28:41. | |
them nasty. There is no link between conniving and smoking? We will have | :28:41. | :28:46. | |
to leave the transatlantic lecture. All the best, thanks for joining us. | :28:46. | :28:48. | |
Thank you to Julien Fellowes, Romeo All the best, thanks for joining us. | :28:48. | :28:56. | |
and Juliet is out on Friday. Tomorrow, Helen Fielding joins us | :28:56. | :29:02. | |
along with Graham Norton. CU just before 7:00pm. | :29:02. | :29:02. |