Browse content similar to 09/06/2016. Check below for episodes and series from the same categories and more!
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Thanks, and part-time, what shall we say? Today, my husband's PA. It is | :00:16. | :00:32. | |
Alex Jones. Our guest tonight has been | :00:33. | :00:34. | |
on a full-time mission to find And he's been in | :00:35. | :00:36. | |
a few bands himself. It is nice to see you. You cannot | :00:37. | :01:19. | |
help but sing along. Even now, you keep doing it. I was cringing. I was | :01:20. | :01:26. | |
not singing along. We enjoyed every note. Music has been in the | :01:27. | :01:28. | |
headlines today. Ed Sheeran's being sued | :01:29. | :01:29. | |
for $20 million by two songwriters | :01:30. | :01:31. | |
who claim his song Photograph See what you think. This is Ed | :01:32. | :01:33. | |
Sheeran. And here's Matt Cardle's version | :01:34. | :01:41. | |
of the song in question - Amazing. # Came out of nowhere. | :01:42. | :02:11. | |
# It's kind of amazing how you found me. | :02:12. | :02:17. | |
Well. We cannot really comment. We will ask Midge! From a songwriter's | :02:18. | :02:25. | |
perspective, what you think? Is it to create a song like that and not | :02:26. | :02:32. | |
copy at? Absolutely. We take things in, we hear things all the time. It | :02:33. | :02:39. | |
is possible he may be heard it somewhere in the background. There | :02:40. | :02:42. | |
are only so many notes to write a song with. They have the same chord | :02:43. | :02:50. | |
structure. It is an obvious melody to sing over the top of. He could | :02:51. | :02:54. | |
have heard it subliminally. Ed Sheeran does not have to plagiarise | :02:55. | :03:00. | |
someone else's song. That is what I said. When you look at the chords, | :03:01. | :03:14. | |
and we have done closely. The chord progression, it is logical. It is | :03:15. | :03:20. | |
very natural. We will be talking about Midge's search for the UK's | :03:21. | :03:26. | |
best part-time band but right now we want to find Britain's best band | :03:27. | :03:33. | |
name. If you are in a band with a quirky, creative name, get in touch | :03:34. | :03:37. | |
with the photograph and Midge will choose his favourites. | :03:38. | :03:39. | |
If somebody told you about a scheme that could give you all of your | :03:40. | :03:42. | |
electricity for free, you might think there | :03:43. | :03:44. | |
As Joe has found out - in this case - it was a catch that | :03:45. | :03:48. | |
Cost one family tens of thousands of pounds. | :03:49. | :03:55. | |
Leigh Park, in Portsmouth. Built after the Second World War, it was | :03:56. | :04:02. | |
one of your's largest council estates. There are two things you | :04:03. | :04:06. | |
get around here when the sun is shining and this is one of them and | :04:07. | :04:12. | |
the other is free electricity from the solar panels. Until subsidised | :04:13. | :04:16. | |
tariffs were cut last year, solar panels offered lower bills and | :04:17. | :04:21. | |
lucrative government incentives. As not everybody could afford to buy | :04:22. | :04:25. | |
them, some firms offered to put their panels on your roof. Called | :04:26. | :04:31. | |
the rent a roof scheme, the company kept the feed in tariff payments | :04:32. | :04:36. | |
while the homeowner like 83-year-old Jean benefited from lower bills. You | :04:37. | :04:40. | |
liked it because it was free electricity? Of course, on a | :04:41. | :04:45. | |
pension, you try to save on your bills. But, you are leasing your | :04:46. | :04:51. | |
roof for up to 25 years. What did you know you were signing up to? | :04:52. | :04:56. | |
Basically, to get the government scheme. I did not realise there was | :04:57. | :05:02. | |
25 years on it. You did not know they were releasing your roof? | :05:03. | :05:08. | |
Evidently not. I did get told off afterwards. Who told you off? My | :05:09. | :05:12. | |
daughters. Next door, her neighbour Pat Chandler was 95 when she signed | :05:13. | :05:18. | |
up and her son Gerry knew nothing about it. Jerry. Hello, this is | :05:19. | :05:26. | |
mum's house. Pat had lived here happily for 30 years. It was how she | :05:27. | :05:33. | |
was fond of? Very fond of it. A good-sized garden. Pat took pride in | :05:34. | :05:37. | |
their home with new windows and doors and enjoyed gardening right up | :05:38. | :05:42. | |
until she died at the age of 97. She left a legacy the family was not | :05:43. | :05:47. | |
quite expecting. Pat had agreed to local businessmen Carl Hughes to | :05:48. | :05:53. | |
putting solar panels on her roof. To get and 95-year-old woman to sign a | :05:54. | :06:00. | |
contract for 25 years is not on. She did not consult anybody. As Mr | :06:01. | :06:03. | |
Hughes paid for the panels he would get feed in tariff payment worth | :06:04. | :06:08. | |
tens of thousands of pounds over the course of disease. What does an like | :06:09. | :06:17. | |
Alex -- Alistair McKinlay think of the 25 year lease? Someone of that | :06:18. | :06:22. | |
age, it is someone who is potentially vulnerable and in those | :06:23. | :06:26. | |
circumstances they ought to be given the opportunity to speak to friends | :06:27. | :06:32. | |
and family or take legal advice. As regards the installation code, it | :06:33. | :06:35. | |
says vulnerable clients should be given consideration. What do you | :06:36. | :06:39. | |
think of this document? It makes me angry because I feel advantage has | :06:40. | :06:43. | |
been taken of somebody, the circumstances feel wrong. Carl | :06:44. | :06:48. | |
Hughes would not be interviewed but said there was no evidence Mrs | :06:49. | :06:51. | |
Chandler was vulnerable and all steps were taken to ensure she | :06:52. | :06:56. | |
understood the deal. He says her age was irrelevant because the solar | :06:57. | :07:00. | |
panel benefits could pass to any new owner of the house. 18 months after | :07:01. | :07:06. | |
signing the 25 year lease, Pat died and her family inherited her home | :07:07. | :07:11. | |
with the rooftop tenant. We went to an estate agent to put the house on | :07:12. | :07:15. | |
the market. Within days he had a buyer. After four weeks, the sale | :07:16. | :07:23. | |
fell through. It turns out the solar panels stopped getting a mortgage. | :07:24. | :07:29. | |
After three more sales collapsed, the family asked Mr Hughes to remove | :07:30. | :07:34. | |
these solar panels. He agreed, but only if they paid him ?13,000. In | :07:35. | :07:40. | |
the end, the family had the panels removed themselves and returned them | :07:41. | :07:44. | |
to him. Carl Hughes says the family had no right to remove the panels | :07:45. | :07:49. | |
and say they are in breach of the contract signed by 95-year-old Pat. | :07:50. | :07:55. | |
He put in a court claims of the money he said he would have earned | :07:56. | :07:58. | |
over 25 years of sunshine pouring down onto her roof. The claim was | :07:59. | :08:08. | |
for ?50,214. Oh, and 67p. The family settled out of court and paid Mr | :08:09. | :08:15. | |
Hughes ?22,500. That meant he got a large share of the estate. He got | :08:16. | :08:20. | |
more than what any of us got. She would have been so upset. Mum and | :08:21. | :08:25. | |
dad worked hard all their lives to give us all something. Not Carl | :08:26. | :08:31. | |
Hughes. Over the garden fence, June's agreement was not with Mr | :08:32. | :08:35. | |
Hughes but the Chandler family's tale has given her sleepless nights. | :08:36. | :08:40. | |
25 years is a long time and I will not be around at the end of that and | :08:41. | :08:43. | |
will my family have the same problems? Anybody who is thinking | :08:44. | :08:51. | |
about going solar needs to be careful about what they sign up to, | :08:52. | :08:55. | |
but also with the government incentives being cut, is it worth it | :08:56. | :08:59. | |
any more? That is a question, certainly for companies you saw in | :09:00. | :09:04. | |
the film, making the money from feed in tariffs, it is probably hard to | :09:05. | :09:09. | |
make money now because the tariffs were an incentive for people to have | :09:10. | :09:12. | |
solar panels and create electricity and when it started in 2010, it was | :09:13. | :09:18. | |
40p per megawatt hour, which does not sound a lot but it added up to | :09:19. | :09:23. | |
big sums of money. Today it is more like 4.5 pence per megawatt hour. | :09:24. | :09:33. | |
Just this year, it was cut by 65%, so it is hard to companies who lease | :09:34. | :09:37. | |
roofs to make that money out of tariffs. Solar power reached a | :09:38. | :09:43. | |
milestone last month. This is a fantastic fact for solar fans! In | :09:44. | :09:49. | |
the calendar month of May, we in the UK generated more solar power than | :09:50. | :09:56. | |
through burning coal. And much more, 50% more electricity from solar than | :09:57. | :10:00. | |
burning coal, in May. A word of warning on that, it tells us about | :10:01. | :10:05. | |
the state of coal-fired power stations. We are trying to phase out | :10:06. | :10:12. | |
coal by 2025 and there were closures of coal-fired power stations in | :10:13. | :10:16. | |
Yorkshire. Cold is not used in the way it once was. Solar accounted for | :10:17. | :10:23. | |
6% of energy generation but even so a milestone and a signpost of where | :10:24. | :10:28. | |
we are going. Portugal went one step better. They managed to go over four | :10:29. | :10:35. | |
days, 107 hours, on clean renewable energy, hydro, solar and wind. A lot | :10:36. | :10:41. | |
of sunny days. Everybody was at the beach! | :10:42. | :10:44. | |
From tomorrow night, it's all eyes on France as the host | :10:45. | :10:47. | |
nation kicks off Euro 2016 with their first group | :10:48. | :10:49. | |
We have had all of the home nations sinking their euros anthems on the | :10:50. | :11:01. | |
show, some better than others. Now it is time to catch up with English, | :11:02. | :11:05. | |
Welsh and Northern Irish fans as they prepare to cross the channel. | :11:06. | :11:15. | |
# All the way to Paris! I am trying to the Euros with my friend Mark in | :11:16. | :11:20. | |
this green van. It is the first time we have had a chance to see Northern | :11:21. | :11:24. | |
Ireland at a major tournament and the last time was in 86 before we | :11:25. | :11:30. | |
were born. We thought this was our chance to go. We came up with this | :11:31. | :11:35. | |
minibus idea. We took the seats out of the back and put bunk beds and | :11:36. | :11:42. | |
electrics to make it home. It will be 26 hours of travelling. We are | :11:43. | :11:47. | |
going to and a half weeks, which was pushing it with our bosses, and then | :11:48. | :11:51. | |
unfortunately we will have to come home. Mark likes to sing. We have | :11:52. | :12:01. | |
been away a few times before. Not too many fallouts. We will not take | :12:02. | :12:06. | |
too much, some Northern Ireland shirts, shorts and flip-flops. I | :12:07. | :12:11. | |
think we can get out of the group and after that anything can happen. | :12:12. | :12:14. | |
I hope we are not knocked out too early. I am Steve Scott and this is | :12:15. | :12:25. | |
Gary, this is Dave. We are from Radcliffe and we are off to France | :12:26. | :12:29. | |
to watch England in the euros. The first time I went was in Ukraine. | :12:30. | :12:35. | |
The guys behind me have watched them in France in 98, in Africa and watch | :12:36. | :12:42. | |
them in Germany. It is the camaraderie, we have a good laugh | :12:43. | :12:44. | |
and drink and knees up and the icing on the cake is watching England. We | :12:45. | :12:49. | |
have found going to tournaments dressed up you have banter with the | :12:50. | :12:53. | |
locals and it adds to the fun. We copied the idea from Germans we met | :12:54. | :13:00. | |
in South Africa. It is a nice occasion and brings people together | :13:01. | :13:03. | |
and other nations come over and want to have a drink and photograph with | :13:04. | :13:07. | |
you and it bodes well for a friendly environment. I live on the other | :13:08. | :13:12. | |
side of the world. I catch up with my mates. The banter is fantastic on | :13:13. | :13:18. | |
these occasions. We have got a bit older and a lot wiser. We have added | :13:19. | :13:24. | |
to the berries and some of us have lost our hair, as well. -- belly. I | :13:25. | :13:36. | |
am Tony, Cardiff City fan, and I am following Wales to the euros. There | :13:37. | :13:42. | |
are eight men and four women ranging from 19 to 68 years old. Myself, my | :13:43. | :13:49. | |
wife, my son and mother, who is 68. She has never been to a football | :13:50. | :13:54. | |
match, never mind a tournament. She is probably more excited than any of | :13:55. | :13:59. | |
us. The characters amongst us most likely to get drunk is probably | :14:00. | :14:03. | |
myself. The one who could be arrested could be my sombre | :14:04. | :14:08. | |
policemen, only joking! The biggest crybaby, my wife. She gets emotional | :14:09. | :14:14. | |
football. We are quite vocal and will be their for Wales. The big kid | :14:15. | :14:19. | |
in me cannot help myself on the trip and I have put together surprises, | :14:20. | :14:25. | |
including a child's party bag with a red beret, Welsh bracelet and pin | :14:26. | :14:29. | |
badge which has been specially produced. Coming to the euros as a | :14:30. | :14:33. | |
group, especially with my family, will make it more memorable. It is | :14:34. | :14:38. | |
all about memories. These events come along very few and far between, | :14:39. | :14:43. | |
especially being a Wales fan. Tremendous. He has made party bags! | :14:44. | :14:59. | |
With those songs, some of them need the same lawyer as Ed Sheeran. Move | :15:00. | :15:09. | |
on! So, the reason you are here is that you, alongside Rhod Gilbert, | :15:10. | :15:13. | |
trying to find the UK's best part-time band. Bring us up to date. | :15:14. | :15:19. | |
It is fantastic. We spent a few weeks together. I went to Scotland | :15:20. | :15:25. | |
and Northern Ireland and Wales. And we saw bands who have not made the | :15:26. | :15:30. | |
transition from being part-time musicians to full-time musicians for | :15:31. | :15:33. | |
a variety of reasons, for obvious reasons. But they are still | :15:34. | :15:39. | |
passionate about making music. I am sick to death of people coming to me | :15:40. | :15:44. | |
and saying, I used to play. What does that mean? Why don't you play | :15:45. | :15:48. | |
now? You might not have chosen it as a career but you play for the joy of | :15:49. | :15:53. | |
doing it. This programme is about that, real musicians doing it for | :15:54. | :15:59. | |
the love of it. Rhod takes you on a 700 miles tour in his white van, | :16:00. | :16:04. | |
call -- calling you the Prince of top lip hair, which is not kind. You | :16:05. | :16:10. | |
whittle it down to five favourites and then down to two. Let's have a | :16:11. | :16:12. | |
look at one you liked in Scotland. Fantastic. How many are you? You are | :16:13. | :16:31. | |
obviously a band that don't want to make money. I loved that, amazing. | :16:32. | :16:39. | |
Really good vibes. That does not come overnight. You can see it when | :16:40. | :16:44. | |
you are playing, that you would do this for nothing. We do! | :16:45. | :16:51. | |
There is no prize for winning. That is important to you. It is the | :16:52. | :16:57. | |
antithesis of the regular Saturday night talent show. There is no | :16:58. | :17:00. | |
prize, no recording contract, no week in a studio. Being on the | :17:01. | :17:05. | |
programme is the prize, the platform for these musicians to be seen. | :17:06. | :17:10. | |
Bands like that are playing in your local pub, your local club, | :17:11. | :17:16. | |
whatever. They need supporting. The industry does not exist to support | :17:17. | :17:20. | |
that kind of band, things that are not straightforward chart-topping | :17:21. | :17:28. | |
staff. But our industry was ill on the interesting oddities, and they | :17:29. | :17:33. | |
are not being signed. So it is a great platform for the music. -- it | :17:34. | :17:38. | |
was built on the interesting oddities. What about your transition | :17:39. | :17:42. | |
from part-time to full-time. I suppose you used to play in dark and | :17:43. | :17:45. | |
dingy garages and then played for thousands. I have played music since | :17:46. | :17:54. | |
I was a teenager, 13, 14. My father was a van driver and instilled in my | :17:55. | :18:00. | |
brother and I that we should get a trade. I got an apprenticeship as an | :18:01. | :18:04. | |
engineer. Halfway through, I was still playing in bands and I was | :18:05. | :18:09. | |
offered the job of being in a Scottish full-time band. I let my | :18:10. | :18:15. | |
parents decide for me. What did they say? Luckily, my mother said follow | :18:16. | :18:20. | |
your heart. It was difficult, because I have the job of their | :18:21. | :18:24. | |
dreams, so they could see I was passionate and they just said go for | :18:25. | :18:29. | |
it, and I did. The UK's Best Part-Time Band continues tomorrow | :18:30. | :18:33. | |
night at 9pm on BBC Four. You can catch up on Midge's episode on the | :18:34. | :18:36. | |
iPlayer. It has a wonderful vibe. 20 years ago, when designer | :18:37. | :18:39. | |
Wayne Hemmingway was bringing his fashion to the high street, | :18:40. | :18:41. | |
one of his shops in Manchester was caught up in an explosion that | :18:42. | :18:44. | |
destroyed the city centre. Now Wayne has been to meet someone | :18:45. | :18:47. | |
who thinks that the events of that day allowed a better Manchester | :18:48. | :18:50. | |
to rise out of the rubble. Greater Manchester Police are | :18:51. | :19:02. | |
advising people to stay out of Manchester City centre because of a | :19:03. | :19:12. | |
security alert. I will never forget that sunny | :19:13. | :19:17. | |
Saturday morning in June in 1996 when a massive IRA bomb devastated | :19:18. | :19:22. | |
Manchester City centre. The police had been given a coded warning and | :19:23. | :19:27. | |
managed to evacuate most people from the city centre before the bomb | :19:28. | :19:31. | |
exploded. Even so, over 200 people were injured and the bomb caused | :19:32. | :19:35. | |
nearly ?1.3 billion of damage at today's prices. 20 years ago when | :19:36. | :19:42. | |
the bomb went off, we had a shop in the Royal exchange here and I could | :19:43. | :19:45. | |
not believe what was going on. The first thing we were thinking was, | :19:46. | :19:51. | |
are our staff all right? Is the guy running the shop OK? You never think | :19:52. | :19:54. | |
something like this could happen so close to home. Some have argued that | :19:55. | :20:01. | |
it was a catalyst for the major redevelopment that transformed the | :20:02. | :20:06. | |
landscape of the city. Nearly ?600 million of public and private sector | :20:07. | :20:10. | |
cash rolled into fund the reconstruction, and the bomb site | :20:11. | :20:14. | |
took on an ultramodern architectural appearance, full of glass buildings | :20:15. | :20:21. | |
and designer shops. But opinion is split over whether it helped to | :20:22. | :20:26. | |
drive a Manchester revival. The Beetham Tower is a symbol of the | :20:27. | :20:31. | |
regeneration. It was designed by architect Ian Simpson, whose vision | :20:32. | :20:36. | |
helped to reshape the city centre. Standing at 169 metres, it is one of | :20:37. | :20:39. | |
the tallest residential buildings in Europe. Ian lives on the top two | :20:40. | :20:47. | |
floors. I am from just north of Manchester, over in the distance | :20:48. | :20:52. | |
there. So this has always been my home city. Until the truly before | :20:53. | :20:57. | |
the bomb it was a very dour city, with very few people living in the | :20:58. | :21:04. | |
city centre. Before 1996, the centre of the city was predominantly | :21:05. | :21:07. | |
office, retail and industrial space with very few residential areas. How | :21:08. | :21:11. | |
did the architecture and planning committee respond? The vision was | :21:12. | :21:16. | |
very much about breaking the barrier between the wealthy south and the | :21:17. | :21:20. | |
poor north, which existed along market Street. The fact that the | :21:21. | :21:23. | |
damage had occurred on those buildings that were forming barriers | :21:24. | :21:26. | |
in the city, the opportunity occurred to open the city up a | :21:27. | :21:30. | |
little bit. The change has been rapid. You get people saying, would | :21:31. | :21:36. | |
it have happened that quickly without the IRA bomb? There is no | :21:37. | :21:39. | |
question it would have happened but maybe 25 years later. It was a | :21:40. | :21:44. | |
catalyst for speeding up the opportunity of change and | :21:45. | :21:49. | |
reconfiguring the city. It is about presenting the city outwards, | :21:50. | :21:52. | |
internationally, to places like New York, Frankfurt, or whoever wants to | :21:53. | :21:57. | |
invest in Manchester. If we create opportunities for the citizens of | :21:58. | :22:06. | |
Manchester, then that as a result. But Pat Carney, city councillor here | :22:07. | :22:12. | |
since 1979, disagrees about what sparked Manchester's regeneration. | :22:13. | :22:15. | |
What do you say to those that say it gave council leaders a reason to | :22:16. | :22:21. | |
accelerate the change? It is a fair question and I have heard it from a | :22:22. | :22:24. | |
large number of Mancunians over the years but I have rejected it from | :22:25. | :22:29. | |
day one. He believes Manchester's bid to host the Olympics was a more | :22:30. | :22:36. | |
significant driver. When we bid in 1996, we brought the city together. | :22:37. | :22:40. | |
From then on, everybody had a role to play in making modern Manchester, | :22:41. | :22:44. | |
and that partnership is what has seen Manchester through the last 20 | :22:45. | :22:47. | |
years, not so much the Manchester bomb. | :22:48. | :22:54. | |
Whether the devastation of June 1996 benefit of the city or not is a | :22:55. | :22:58. | |
matter of personal opinion and we should not celebrate people getting | :22:59. | :23:02. | |
injured, for sure. But just look at the city now. You have the beautiful | :23:03. | :23:06. | |
old Manchester and now thrusting new Manchester. It feels like a dynamic, | :23:07. | :23:12. | |
vibrant city. The tower that we saw, Beetham | :23:13. | :23:16. | |
Tower, as a quirk. It makes an eerie sound. Listen. | :23:17. | :23:24. | |
the architect has apologised for that sound. I don't know why he has | :23:25. | :23:38. | |
apologised because he could start a band with you, because we heard that | :23:39. | :23:42. | |
note and we thought, that is familiar. Listen to this. | :23:43. | :23:50. | |
# Means nothing to me # Means nothing to me and | :23:51. | :24:02. | |
# It is there. Can I sue him? You are going back on tour. All the | :24:03. | :24:10. | |
time. Crowd always the old classics and artists do not enjoy playing | :24:11. | :24:15. | |
them much, but you have found a way of pleasing everybody. You have to | :24:16. | :24:20. | |
understand it. For an artist, 50% of the audience do not want to be there | :24:21. | :24:23. | |
because a significant other half has brought them. That 50% just want to | :24:24. | :24:30. | |
hear the hits, most of them. You have to play them, but I reinvent | :24:31. | :24:34. | |
them. I rearrange them, do them in different ways that keeps me | :24:35. | :24:37. | |
interested in playing them and getting the balance between the old | :24:38. | :24:42. | |
and new stuff is important. We want to hear from these bands. You have | :24:43. | :24:48. | |
been sending in band names. A band of surgeons call the fine toothed | :24:49. | :24:51. | |
forceps. Coming to a conservatory near you. This is from Joe, the blue | :24:52. | :25:01. | |
room baboons. Pineapple grapple. And man flu. The | :25:02. | :25:07. | |
invisible Martini experience. Who is your winner? Man flu. You can't get | :25:08. | :25:17. | |
rid of them. Next, a film about dead man's fingers. Is it a punk band | :25:18. | :25:23. | |
from Bristol? A challenge in the Bake Off special? Or a species of | :25:24. | :25:27. | |
soft coral in the North Atlantic? I would say it is coral. Let's find | :25:28. | :25:33. | |
out. Over the years, we have filmed many | :25:34. | :25:37. | |
treasures in British waters, from blue sharks, to a living reef of | :25:38. | :25:44. | |
tube worms. That is really beautiful. The colours are | :25:45. | :25:50. | |
exquisite. And the bizarre and wonderful flame | :25:51. | :26:00. | |
shell. Oh, my God! For our latest challenge, we wanted a closer look | :26:01. | :26:05. | |
at one of our strangest underwater animals. Dead man's fingers. So we | :26:06. | :26:09. | |
turned to Andy Jackson, who specialises in filming our most | :26:10. | :26:15. | |
unusual marine life. If I was on land, I would have to go halfway | :26:16. | :26:21. | |
across the world to find stories. In UK waters, there are lots of news | :26:22. | :26:23. | |
stories and lots of exciting wildlife. For this project he has | :26:24. | :26:28. | |
been filming on the north-west cost -- coast of Scotland. This lock is | :26:29. | :26:36. | |
absolutely stunning. We have flame shell reef, dead man's fingers, and | :26:37. | :26:45. | |
other things. The key stretches called The Narrows, where nutrient | :26:46. | :26:50. | |
rich water is channelled by strong tidal currents, making it very hard | :26:51. | :26:54. | |
to dive. Divers have to enter at slack water, when the currents are | :26:55. | :26:59. | |
at their weakest. That only gives one hour for a dive, but a lot can | :27:00. | :27:04. | |
be seen in one hour, because the rich water means the sea floor is | :27:05. | :27:08. | |
covered in a fantastic array of life. Including large yellow | :27:09. | :27:12. | |
clusters of the animal that Andy is looking for. Dead man's fingers are | :27:13. | :27:19. | |
fascinating. They are a soft coral, so you have a fleshy body that holds | :27:20. | :27:25. | |
a colony of polyps together. The polyps are individual but they can | :27:26. | :27:32. | |
act together as well. Andy has used special lenses to film the polyps, | :27:33. | :27:36. | |
just a few millimetres long, as they capture planktonic from the water. I | :27:37. | :27:41. | |
think when you see the polyps on dead man's fingers in close-up, they | :27:42. | :27:49. | |
are stunning. But over the course of numerous dives, he has found that | :27:50. | :27:53. | |
the dead man's fingers have a predator. A sea slug. You see them | :27:54. | :28:02. | |
approaching a dead man's fingers, and the dead man's finger actually | :28:03. | :28:07. | |
senses the danger coming and it pulls all the polyps in some time | :28:08. | :28:12. | |
asleep. So the whole thing retracts and tries to protect itself. But the | :28:13. | :28:20. | |
most exciting discovery was hidden within the polyps, where something | :28:21. | :28:23. | |
barely visible to the naked eye was moving. I saw this tiny little | :28:24. | :28:30. | |
creature, a shrimp like creature, so small you could not see any detail. | :28:31. | :28:37. | |
I wondered what it was doing. Using his special lenses, Andy discovered | :28:38. | :28:42. | |
something remarkable. As far as I can make out, it is pinching food | :28:43. | :28:46. | |
off the polyps, which I don't think has been seen before, so it is a | :28:47. | :28:50. | |
prime example of photography asking questions of science, really. | :28:51. | :28:58. | |
Through his persistence and skill, Andy has filmed a microscopic world | :28:59. | :29:04. | |
that has never been seen before. There is a perception that our | :29:05. | :29:09. | |
coastal waters are mucky and the wildlife is not very colourful and | :29:10. | :29:13. | |
everything is drab. That is just not the case. It is a bit of a quest to | :29:14. | :29:19. | |
go out there and convince people that what we have got is worth | :29:20. | :29:27. | |
protecting. On that calm and restful note, we will say good night. | :29:28. | :29:33. | |
The UK's Best Part-Time Band continues tomorrow | :29:34. | :29:35. | |
and you can see him on tour later in the year. | :29:36. | :29:39. | |
Helping me keep order tomorrow will be guest host Jerry Springer. | :29:40. | :29:43. | |
And we'll have Beverley Knight and Nadiya Hussain on the sofa. | :29:44. | :29:57. |