Browse content similar to 09/12/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. | :00:18. | :00:25. | |
Just as the weather turns unseasonably mild, we have gone for | :00:26. | :00:31. | |
the full deepfreeze look. We have got penguins and robins all over the | :00:32. | :00:37. | |
place. And a bare behind. It is cold for a bare behind but we have got | :00:38. | :00:41. | |
one. Would you be surprised if we told you that a peer of the realm | :00:42. | :00:46. | |
has been involved in a major political scandal? Thankfully, this | :00:47. | :00:51. | |
one has only written a musical about it. Please welcome Lord Andrew Lloyd | :00:52. | :00:58. | |
Webber. Alex and I have had a easy weekend. How does this compare? It | :00:59. | :01:04. | |
is freezing in here. Are these things ice? They will not catch fire | :01:05. | :01:08. | |
well they? It has to be a constant -6 in here. Well let's get the show | :01:09. | :01:16. | |
going. What is the Andrew Webber grotto like? Is your tree up? What | :01:17. | :01:25. | |
colour scheme do you have? I always love a tree because the family love | :01:26. | :01:29. | |
a big Christmas tree but we do decorations with cards. We turn the | :01:30. | :01:37. | |
Christmas cards into something. Just cards hanging? People will be | :01:38. | :01:43. | |
sending them in in their droves. And you have got a brand-new musical | :01:44. | :01:49. | |
out, talking about the Profumo scandal but rocked Britain 50 years | :01:50. | :01:52. | |
ago which we will talk about later in the show. First there is a new | :01:53. | :01:57. | |
supermarket being opened on high Street with some ten think bargains. | :01:58. | :02:04. | |
350 grams of orange cream chocolates which were part of the cancelled | :02:05. | :02:09. | |
order should be ?4 but will be yours for just ?1 19. 200 grams of stem | :02:10. | :02:16. | |
ginger cookies, the recommended retail price is ?1 69, yours for | :02:17. | :02:24. | |
29p. That is an 83% discount. Bargain. But there is a catch. The | :02:25. | :02:28. | |
shop is only open to a select group of 500 people. Tony Livesey has been | :02:29. | :02:35. | |
to find out why. Meet Brian, Sue and John. | :02:36. | :02:38. | |
They have three things in common. They are from South Yorkshire. They | :02:39. | :02:42. | |
all live on benefits. And once they have paid their bills, they each | :02:43. | :02:50. | |
have about ?30 a week to live on. It gets a bit touch and go. I would | :02:51. | :02:56. | |
love to shop at Iceland but we have not got that opportunity round here. | :02:57. | :03:02. | |
I was fined at the beginning of the second week of my benefits it is | :03:03. | :03:07. | |
running down very fast. That is about to change. The UK's first | :03:08. | :03:13. | |
social supermarket is opening. 500 people who are living on benefits | :03:14. | :03:16. | |
and already registered for this scheme will be able to come here and | :03:17. | :03:20. | |
buy supermarket brands at heavily discounted prices. The products on | :03:21. | :03:25. | |
the shelves are here because they cannot be sold to the main | :03:26. | :03:28. | |
supermarkets, either because they are out of season, in perfect or | :03:29. | :03:33. | |
they simply had too much of them. But they will not be out of date. | :03:34. | :03:38. | |
They are perfectly fit for consumption. This one, when it went | :03:39. | :03:42. | |
through the manufacturing process, it got weighed and it does not wait | :03:43. | :03:48. | |
quite the right amount. This has gone on for years and factories | :03:49. | :03:51. | |
where workers have been able to buy cheap goods from the shop floor for | :03:52. | :03:54. | |
similar reasons. The company which operates many of these factory shops | :03:55. | :03:58. | |
is trying to broaden that out for shoppers who are short of cash. It | :03:59. | :04:04. | |
is called company shop and it has given Sarah Dunwell the chance of | :04:05. | :04:09. | |
making this work. Social supermarkets are common across the | :04:10. | :04:12. | |
rest of Europe. If you work in a factory, it has always been | :04:13. | :04:17. | |
practised that you can buy that product. We want to take that out | :04:18. | :04:21. | |
onto the high Street and instead of selling it to in factories, sell it | :04:22. | :04:27. | |
to people in food poverty. How'd you set your prices? We aim for a third | :04:28. | :04:33. | |
of retail prices. We keep a focus on household essentials so people can | :04:34. | :04:37. | |
start to build up a store cupboard of things which you and I take for | :04:38. | :04:41. | |
granted. But not everyone is happy about the idea of this cheap food | :04:42. | :04:44. | |
only being available to people on benefits. The local Salvation Army | :04:45. | :04:51. | |
say they have seen a 500% increase in food parcel distribution compared | :04:52. | :04:55. | |
to this time last year, to people from all kinds of backgrounds. We | :04:56. | :05:00. | |
are getting more and more people who are literate, educated, working | :05:01. | :05:06. | |
really hard part time but what they receive with benefits and part-time | :05:07. | :05:09. | |
workers not enough to feed their families. I am concerned because I | :05:10. | :05:13. | |
am not sure whether the community shop will cater for those type of | :05:14. | :05:19. | |
people. It is something which we knew would be challenging. Everybody | :05:20. | :05:22. | |
in Goldthorpe would like to have a card. This is a pilot so we do not | :05:23. | :05:29. | |
know what the answers yet. This trial paves the way for another 20 | :05:30. | :05:32. | |
social supermarkets across the country. For now, if you are not one | :05:33. | :05:36. | |
of the few allowed to do your shopping here at these knock-down | :05:37. | :05:40. | |
prices, you might be forgiven for feeling a bit envious. | :05:41. | :05:49. | |
How much have you spent today? About ?4. On two big bag. On that is good. | :05:50. | :06:01. | |
I feel happier, less stress and less worried and I can have a little bit | :06:02. | :06:06. | |
of what I fancy. What kind of savings do you think you will make? | :06:07. | :06:12. | |
About 30 to ?40 a week on what we generally spend. That is a big | :06:13. | :06:17. | |
difference? Yes. If I had been allowed I could have walked out of | :06:18. | :06:20. | |
there with some nice treats and a big family shop. At least, 500 | :06:21. | :06:29. | |
families are going to be able to do something they have not done before, | :06:30. | :06:34. | |
fill a basket and do what many of us take for granted. | :06:35. | :06:38. | |
On the face of it, it does seem like a win-win situation but as you | :06:39. | :06:42. | |
alluded to at the end of the film it has divided the community? Yes, | :06:43. | :06:49. | |
there are people in work who say they should be allowed to shop | :06:50. | :06:52. | |
there, why should people on benefits get another benefit? And a lot of | :06:53. | :06:56. | |
will on benefits who are outside the geographical area said they wanted | :06:57. | :07:01. | |
in Oz well. They did not want to be on camera. But that is good news to | :07:02. | :07:08. | |
have people who want to shop there? They have had to limit it to 500 | :07:09. | :07:14. | |
because it is a pilot and they have an educational hub above the | :07:15. | :07:17. | |
supermarket, teaching people cookery and dealing with interviews because | :07:18. | :07:20. | |
their aim is to get deeper into work and off benefits. The people who | :07:21. | :07:26. | |
have the cards, if their circumstances change, do they have | :07:27. | :07:31. | |
to give the card back Esmat yes, they are reassessed in six months | :07:32. | :07:36. | |
and of their supermarkets change day have to give the card back and that | :07:37. | :07:39. | |
will free up a place for someone else. It is a commercial company | :07:40. | :07:47. | |
behind this venture but they say every penny will go back into the | :07:48. | :07:53. | |
community. It seems to be a win-win situation. Our supermarkets going to | :07:54. | :07:58. | |
pop up in other parts of the country? The plan is to open up | :07:59. | :08:03. | |
another 20. In London, Boris Johnson is interested. And they hope to open | :08:04. | :08:09. | |
some more in South Yorkshire, maybe that Paul and Hull and areas of | :08:10. | :08:18. | |
desperation. -- Blackpool. What do you think, Andrew? It is a bit like | :08:19. | :08:24. | |
prepped do when they give away sandwiches to the homeless. If this | :08:25. | :08:29. | |
was not going to the supermarket most of these products would be | :08:30. | :08:37. | |
burned. As far as the price of food is concerned, supermarkets have come | :08:38. | :08:40. | |
up with some big news saying if Scotland vote yes for | :08:41. | :08:46. | |
independence... They have said the price of groceries will go up in | :08:47. | :08:51. | |
Scotland. At the moment Morrisons subsidise the price in Scotland | :08:52. | :08:58. | |
because of the rest of the UK supermarkets and because of the | :08:59. | :09:03. | |
levies on alcohol and cigarettes. Andrew, can you help us out? What is | :09:04. | :09:10. | |
the connection between you and this classic TV show from the 1950s both | :09:11. | :09:17. | |
Mac oh, no! That is not you. How did you know? When I was a little boy, I | :09:18. | :09:28. | |
have to say I do not ride but I was auditioned to be the little boy at | :09:29. | :09:31. | |
the front of Ivanhoe was said, Ivanhoe! Thank goodness I could | :09:32. | :09:40. | |
not. Could you imagine that every single TV show I would come on, you | :09:41. | :09:45. | |
would be putting me on that little horse. The other one I lucked out on | :09:46. | :09:53. | |
was I was asked if I would play the role of Mozart in Amadeus. But I | :09:54. | :09:58. | |
said I am not doing that. The more I kept saying no, the more they said | :09:59. | :10:05. | |
it must be about money. I said no, I do not want to play this role. They | :10:06. | :10:10. | |
often say the key to success is what you turn down. Well done! Back to | :10:11. | :10:15. | |
Ivanhoe. It was based on the works of celebrated Scottish novelist Sir | :10:16. | :10:20. | |
Walter Scott and Arthur Smith has spent the night in the little castle | :10:21. | :10:24. | |
he called home. Built on the banks of the River | :10:25. | :10:28. | |
Tweed, this Scottish baronial house was created and designed by Sir | :10:29. | :10:34. | |
Walter Scott. When Scott lived here in the early 19th century, he was | :10:35. | :10:39. | |
the most famous novelist in the world, and arguably, the most famous | :10:40. | :10:44. | |
man in the world. He built the house for his wife Charlotte and their | :10:45. | :10:47. | |
four children but they had to share it. With hundreds of ancient relics, | :10:48. | :10:53. | |
the skull of Robert the Bruce, swords, sporrans and armours owned | :10:54. | :11:00. | |
by Scots historical heroes Rob Roy and Ivanhoe, stories which became | :11:01. | :11:04. | |
international vest sellers. Everything he earned was spent on | :11:05. | :11:10. | |
Abbotsford. Scott wrote it was a type of conundrum castle are no | :11:11. | :11:14. | |
castle was complete without Haaretz. The landscape of the Scottish | :11:15. | :11:18. | |
Borders had inspired him since childhood. He collected local tales | :11:19. | :11:23. | |
and poems and published them. His reputation was made. What do think | :11:24. | :11:29. | |
it was about his work which made him hugely international and successful? | :11:30. | :11:34. | |
I just think they are cracking good stories. They are rip-roaring | :11:35. | :11:39. | |
adventures. The characters cut right across society. We have peasants and | :11:40. | :11:45. | |
the aristocracy. It is almost a measure of a great writer what | :11:46. | :11:48. | |
phrases they introduced into a language and Scott was responsible | :11:49. | :11:53. | |
for a few, wasn't the? Yes, like Lock, stock and barrel. It is | :11:54. | :11:57. | |
interesting how people will often use his words without knowing it. It | :11:58. | :12:03. | |
is thanks to Scott that tartan became the Scottish National Party | :12:04. | :12:06. | |
after he got his mate King George IV to wear it to a grand pageant, | :12:07. | :12:11. | |
although Sir Walter was not one to follow suit. He was essentially a | :12:12. | :12:16. | |
modest man. No tartan for him. Around the house he always wore his | :12:17. | :12:21. | |
shepherd's plaid trousers. Scott's day started at 5am. While the | :12:22. | :12:29. | |
household slept he was at his desk writing. At nine o'clock he would | :12:30. | :12:35. | |
rise the crew ride five miles to his day job as the court sheriff. But he | :12:36. | :12:42. | |
was not very good at his job. He made one man his gamekeeper. | :12:43. | :12:46. | |
Servants were his friends but Abbotsford was about living the life | :12:47. | :12:53. | |
of a baronial laird. Birthdays, Hogmanay and Christmas were all | :12:54. | :12:59. | |
celebrated in style. In life, as in his verse, the hall was dressed with | :13:00. | :13:03. | |
Holly Green, out to the would be merry men went to gather mistletoe. | :13:04. | :13:12. | |
Wordsworth, Turner and Disraeli all dined at this table. There must have | :13:13. | :13:18. | |
been some good hard to hear? Yes, Scott enjoyed a good party. He had | :13:19. | :13:23. | |
plenty of visitors. His nickname was Colonel grog and that stayed with | :13:24. | :13:30. | |
him. Scott complained his guests deal his time by teaspoon. But he | :13:31. | :13:35. | |
could not turn them away. Instead, he made use of secret escape routes. | :13:36. | :13:40. | |
This was a short cut to his bedroom. A tiny spiral staircase | :13:41. | :13:45. | |
connects his study to a of rooms. I shall be paying homage to sub Walter | :13:46. | :13:52. | |
by sleeping here in his dressing room. Humble but grand, Scott was a | :13:53. | :13:57. | |
conundrum like his castle. He was also a force of nature. Sound the | :13:58. | :14:11. | |
Clarion. Having spent the night here, surrounded by all the strange | :14:12. | :14:21. | |
artefacts of Abbotsford, I realise Scott had created a kind of theme | :14:22. | :14:25. | |
park just for himself, which he could use as an inspiration to write | :14:26. | :14:31. | |
all his novels and poems. The house did overstretch Scott but it was his | :14:32. | :14:36. | |
business links with his bankrupt publisher which ruined him in 1826. | :14:37. | :14:41. | |
He vowed my own right hand will pay the debt. But the increased workload | :14:42. | :14:47. | |
ruined his health and he died six years later. Here, in one of the | :14:48. | :14:52. | |
great houses of European Romanticism, he turned marauding | :14:53. | :14:57. | |
highlanders into heroes, made tartan the national dress and reimagined | :14:58. | :15:00. | |
the history of his own country. It seems somehow appropriate that the | :15:01. | :15:10. | |
country in question is Scott land. Thank you, Arthur. Andrew, you have | :15:11. | :15:15. | |
been busy writing as well. Your first musical since 2010 is about to | :15:16. | :15:20. | |
open to the public. It centres around the infamous Profumo affair | :15:21. | :15:25. | |
that brought down the Macmillan government in 1963. It starts in a | :15:26. | :15:31. | |
waxwork museum. Why is that? Cousin Stephen Ward ended up as an | :15:32. | :15:35. | |
exhibitor in the chamber of horrors. -- because. It really intrigued me. | :15:36. | :15:41. | |
How could it be that this man, who was the most popular man in London, | :15:42. | :15:51. | |
and easily so. How could he, a great friend of Prince Philip and other | :15:52. | :15:56. | |
famous people, end up in the chamber of horrors? I began to research the | :15:57. | :16:01. | |
story. It was almost unbelievable. If I really told the story now to | :16:02. | :16:06. | |
you, you wouldn't believe it. You would say that it wouldn't remotely | :16:07. | :16:10. | |
fly as a musical because it seems so incredible, yet it happened. What I | :16:11. | :16:17. | |
find really, really fascinating now, as we have played five shows before, | :16:18. | :16:25. | |
is the entreaty reaction of the audience. We are getting teenagers, | :16:26. | :16:29. | |
who didn't know anything about the story, saying, could this have | :16:30. | :16:33. | |
happened? There are so many parallels with what is going on with | :16:34. | :16:38. | |
the press and the police today. And you are getting older people who | :16:39. | :16:42. | |
really remember it. One woman came up to me after the first preview and | :16:43. | :16:47. | |
said, I was dreading this. I used to work for Jack Profumo when he was | :16:48. | :16:52. | |
doing his charity work. As you know, because he ended up resigning, | :16:53. | :16:57. | |
he did charity work for the rest of his life. This woman said, you have | :16:58. | :17:02. | |
got it completely as it happened. I can't tell you about this one, but | :17:03. | :17:08. | |
what I can say is it is very funny. It is very witty. It is a great | :17:09. | :17:12. | |
history lesson. Let's have a little look at it now. This is John | :17:13. | :17:18. | |
Profumo's wife, Valerie, paid by Joanna Riding, singing about her | :17:19. | :17:25. | |
disgraced husband. Start somewhere you can't stay with him, that's what | :17:26. | :17:44. | |
they'll say. Starts # And hopeless when it comes to you. | :17:45. | :17:55. | |
#. You have been working closely with Mandy Rice-Davies, who was at | :17:56. | :17:59. | |
the heart of the scandal. What do you want people to take away from | :18:00. | :18:04. | |
it? She has given me a lot of advice. Of course I want people to | :18:05. | :18:09. | |
say that it has been a great entertainment and they have enjoyed | :18:10. | :18:12. | |
themselves, but hopefully, I want them to take away a little bit more. | :18:13. | :18:17. | |
I want them to be moved by it, and to question how on earth something | :18:18. | :18:22. | |
like this happen. Having Mandy tell me exactly what happened, really | :18:23. | :18:26. | |
what went on in terms of the manipulation, that is the word - | :18:27. | :18:32. | |
manipulation. Of everybody. The girls were made to give evidence | :18:33. | :18:36. | |
against Stephen Ward in court and the like. It has been unbelievably | :18:37. | :18:44. | |
valuably. And those papers are still remember -- and those papers still | :18:45. | :18:48. | |
remain under lock and key. Simek exactly. Stephen Ward starts at the | :18:49. | :18:58. | |
Aldwych Theatre in London. Thousands of Romanian and Bulgarian migrants | :18:59. | :19:05. | |
have landed in the UK without any controversy whatsoever. What is | :19:06. | :19:08. | |
amazing is the fact they got here at all. We went to find out how. | :19:09. | :19:15. | |
I have just flown from the UK to Iceland. To make the 1000 mile | :19:16. | :19:19. | |
journey possible, the captain has been using a huge array of | :19:20. | :19:24. | |
instruments to help him. An alternator to work out how high they | :19:25. | :19:30. | |
are. GPS to work out exactly where they are. And preloaded flight | :19:31. | :19:34. | |
information to calculate the exact route. Just how do thousands of | :19:35. | :19:41. | |
birds manage the same journey? And how do they do it without any of | :19:42. | :19:47. | |
this technical assistance? 35 species have been here in Iceland | :19:48. | :19:52. | |
reading over the summer. Here is a nice line Dick -- and Icelandic bird | :19:53. | :20:05. | |
expert. We have very few predators. They have plenty of time to have | :20:06. | :20:12. | |
their young and raise them, and prepare them for the autumn | :20:13. | :20:18. | |
migration. I want to track down the Hooper Swans, a British species to | :20:19. | :20:22. | |
us, but after hatching here in Iceland, they will also spend this | :20:23. | :20:28. | |
spring and summer here. Right now, they are preparing for their | :20:29. | :20:33. | |
migration to Britain for summer. -- for the winter. And we are lucky to | :20:34. | :20:37. | |
find a whole flock of them here. That is the largest flock of Hooper | :20:38. | :20:42. | |
Swans I have ever seen. They really are beautiful birds. It is an | :20:43. | :20:49. | |
amazing spectacle, seeing this many. Why don't they spend the whole | :20:50. | :20:54. | |
winter here? Soon it will freeze over, and we will have snow covering | :20:55. | :21:01. | |
the ground. For the Hooper Swans who choose the British Isles for their | :21:02. | :21:05. | |
winter destination, it is almost 1000 miles from here in Iceland. | :21:06. | :21:11. | |
October is the main southerly migration for hundreds of species | :21:12. | :21:15. | |
making their own journeys to their wintering grounds, some covering | :21:16. | :21:23. | |
staggering distances. These birds navigate an incredible 19,000 | :21:24. | :21:28. | |
miles, from Siberia to central Africa. The Arctic turn is the only | :21:29. | :21:34. | |
bird to fly from pole to pole. How do birds manage these navigational | :21:35. | :21:39. | |
miracles with no technology insight? Holly Kirk is a bird navigation | :21:40. | :21:45. | |
expert. The understanding is, when they are first-born they are using | :21:46. | :21:51. | |
things the stars, the moon and the sun to orient themselves. When they | :21:52. | :21:55. | |
are younger, they start to develop their magnetic sense, something we | :21:56. | :22:00. | |
don't have. They are able to tell which way is north or south, and | :22:01. | :22:04. | |
they can work out where they are by sensing changes in the Earth's | :22:05. | :22:10. | |
magnetic field. What other queues today use? Once they have actually | :22:11. | :22:16. | |
flown to a place a few times, they start to recognise landmarks on the | :22:17. | :22:20. | |
way. They will be able to say, I have passed this mountain range or | :22:21. | :22:25. | |
this lake. Some birds use their sense of smell, the same way you | :22:26. | :22:30. | |
would use it to find the bakery in a supermarket. You follow your nose. | :22:31. | :22:35. | |
Often, they will use more than one at the same time, so they integrate | :22:36. | :22:38. | |
this information and bring it together. Although each of these | :22:39. | :22:44. | |
senses must play a big part in how birds find their way from one place | :22:45. | :22:47. | |
to be other, what gets them moving in the first place is something | :22:48. | :22:52. | |
else. That is in strict. -- instinct. The Hooper Swans need a | :22:53. | :22:58. | |
combination of environmental changes to occur before they will leave. | :22:59. | :23:04. | |
Temperatures need to drop. Daylight hours need to shorten. The wind | :23:05. | :23:08. | |
needs to be blowing in the right direction. Once all these changes | :23:09. | :23:12. | |
coincide, the birds instinctively know it is time to get going. I | :23:13. | :23:17. | |
November, most of them will have left Iceland. Flying about 20 metres | :23:18. | :23:25. | |
above sea level, it will be a battle against autumnal weather to find | :23:26. | :23:30. | |
their way to the British Isles. My flight will take around four hours | :23:31. | :23:36. | |
to get back. For this one is, if they hit the wrong wind direction, | :23:37. | :23:40. | |
it could take up to five days. The Swans might take a break on the | :23:41. | :23:44. | |
water, but they will not have any food along the way. When they | :23:45. | :23:48. | |
finally arrive, I will be there to meet them, and find out what told | :23:49. | :23:53. | |
this epic journey has had on their bodies. | :23:54. | :23:56. | |
These penguins were glued to the film! This little fella cannot wait | :23:57. | :24:02. | |
to tune in tomorrow and find out what happened. Now for Cats. There | :24:03. | :24:11. | |
is talk that it may become a film. Is that true? It has been in the air | :24:12. | :24:17. | |
for years. The success of the movie of lame is has meant that everybody | :24:18. | :24:23. | |
is looking at old musicals, and looking at the possibility of making | :24:24. | :24:28. | |
them again. -- the success of Les Miserables. Joseph and the | :24:29. | :24:35. | |
Technicolor Dreamcoat is definitely happening. Is that an exclusive? It | :24:36. | :24:40. | |
is! That has been signed on the dotted line. Congratulations. We | :24:41. | :24:47. | |
know that you are working on School Of Rock at the minute. What could be | :24:48. | :24:53. | |
better than a Christmas song from a fantastic Rock Choir? With a very | :24:54. | :25:04. | |
nice, neat haircut. Listen to that. The sound of | :25:05. | :25:11. | |
Christmas. This is the local branch of the Rock Choir, and I am joining | :25:12. | :25:16. | |
them for the day. First there are some faintly bizarre warm-up | :25:17. | :25:23. | |
sessions. This is Nick, and he seems to be the leader of this band. Is | :25:24. | :25:29. | |
that the case? Choir leader is my job title. The feeling you get from | :25:30. | :25:34. | |
singing with a group of people is quite unique. Yes. The only thing | :25:35. | :25:40. | |
that stops people from singing is their preconceptions of what other | :25:41. | :25:44. | |
people think of them. Is there an audition process? No. It is about | :25:45. | :25:49. | |
having some fun, getting them warmed up, and then starting to teach | :25:50. | :25:54. | |
them. It is like building wick by brick, sing after me, learn the | :25:55. | :25:59. | |
parts, and get them going. Then people can go away and practice in | :26:00. | :26:04. | |
their own time. How many people belong to a Rock Choir around | :26:05. | :26:10. | |
Britain? About 17,000. We have 300 towns around the country that are | :26:11. | :26:16. | |
rehearsing every week. Take a look. What do you think? Brilliant. Are | :26:17. | :26:24. | |
you happy? More than happy. Brilliant. The choir rehearsed once | :26:25. | :26:37. | |
a week, and it costs members ?25 a month to take part. This is the | :26:38. | :26:52. | |
lovely Shelley. She is a Sopranos. Have you sung before? Not really. | :26:53. | :26:59. | |
Only at home. In the shower, doing the dishes! There is something very | :27:00. | :27:04. | |
joyous about it. It is an uplifting thing to do. It is. You have a | :27:05. | :27:08. | |
rotten day at work, and you come along here and rehearse, and you | :27:09. | :27:15. | |
feel so different. Have a look. That is really lovely. They play all | :27:16. | :27:22. | |
sorts of venues. Today, it is a shopping centre in the middle of | :27:23. | :27:27. | |
Leeds. This is the lovely Trish. What do you do in the choir? Icing | :27:28. | :27:39. | |
altos. -- icing alto. I think I probably would sing alto. Why did | :27:40. | :27:46. | |
you get involved in this? I went along to a taster session. I said, | :27:47. | :27:50. | |
I've been looking for something for ages and I didn't know what, and | :27:51. | :27:56. | |
this is it. There is an amazing family feel. In the last year we | :27:57. | :28:04. | |
have done Living On A Prayer. And this is an opportunity to let that | :28:05. | :28:09. | |
in a rock star out. Is there anything more Christmassy than | :28:10. | :28:16. | |
singing Christmas songs? No. # MoJ me of a white Christmas. #. | :28:17. | :28:37. | |
How is that? That is awesome. Christmas songs just make you feel | :28:38. | :28:39. | |
good. That is all we've got time for | :28:40. | :28:58. | |
tonight. Thank you to Andrew and good luck with the Stephen Ward at | :28:59. | :29:04. | |
the Aldwych Theatre. Tomorrow, the Queen of Walford, Dot Cotton - aka | :29:05. | :29:07. | |
actress June Brown - will be here. Goodbye. | :29:08. | :29:10. |