10/02/2012 The One Show


10/02/2012

Similar Content

Browse content similar to 10/02/2012. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Hello, friends, and welcome to your cosy, warm, television fire in the

:00:20.:00:24.

corner of the room that is the One Show with Alex Jones and Chris

:00:24.:00:28.

Evans. Forgive me, here is a warning. I will be smug later

:00:28.:00:32.

because this week I found out I am a miles better than Chris at

:00:32.:00:38.

something. What's more, it is to do with cars, and he is gutted.

:00:38.:00:44.

there is a reason that she beat me, OK! Anyway... More of that later,

:00:44.:00:48.

but let's get on to their guests. We are very lucky that the one

:00:48.:00:52.

shows studio is on the first floor because Lady Agnes Holland does not

:00:52.:00:58.

do downstairs. Let's hear it for the star of Upstairs Downstairs,

:00:58.:01:06.

Keeley Hawes. Good evening. She is very beautiful, isn't she? Thank

:01:06.:01:12.

you. What is better, upstairs or downstairs? Where would you prefer

:01:12.:01:21.

to be? Now you are asking. Where would you prefer to be? Upstairs, I

:01:21.:01:29.

think. That is the safe answer at 7:00pm! Also, never mind the BAFTAs

:01:29.:01:35.

on Sunday, he has just been awarded a LAFTA prize for best joke of 2012.

:01:35.:01:42.

Do you want to hear it? Take it away, Tim Vine. Conjunctivitis .com,

:01:42.:01:50.

a sight for sore eyes! He once broke the record for one-liners in

:01:50.:01:57.

an hour, 499. He knows so many jokes he could go on all night.

:01:57.:02:01.

on the butlers, they can take it but cannot dish it out. I have a

:02:01.:02:06.

friend to as a butler and his left arm is missing. Serves him right.

:02:06.:02:11.

Black beauty, he is a dark horse. Exit signs, they are on the way out.

:02:11.:02:16.

I went to Alcoholics Anonymous and he said, you want gamblers

:02:16.:02:22.

Anonymous. I said, you are probably right, I never know where I am.

:02:22.:02:25.

have to stop him, because we would get the biggest ratings ever and we

:02:25.:02:30.

would be out of the job. And yet another special guest. Cumin,

:02:30.:02:38.

special guest number three. Welcome to the programme. Sit down. You

:02:38.:02:46.

look lovely as well. Thank you. What is your name? Bronwyn Taylor.

:02:46.:02:55.

Where are you from? Inverness. I am 16. What are you studying?

:02:55.:03:00.

Hairdressing. Why do you think she is here? We will give you another

:03:00.:03:04.

clue. There is a shiny van parked outside, and she will be giving us

:03:04.:03:10.

a lift in it later, but she will not be driving it could. Bath --

:03:10.:03:18.

she will not be driving it. That was dramatic. The big freeze has us

:03:18.:03:22.

in its clutches and it looks like it will be here for a while.

:03:22.:03:26.

latest tactic is through -- freezing rain. We are slipping in

:03:26.:03:30.

all of the wrong directions. Yesterday, we put pedal to the

:03:30.:03:34.

metal to find out there who was the best in the pilot for our brand new

:03:34.:03:42.

hit show, driving on ice. I love driving. Skidding on ice, I am not

:03:42.:03:47.

sure about that. We are in the perfect place to practise. Is it a

:03:47.:03:53.

good idea to drive on this? Most of it is about what goes on under here.

:03:53.:03:56.

This is an environmental testing facility, where manufacturers' test

:03:56.:04:00.

vehicles. I am here to find out exactly what you should remember

:04:00.:04:05.

before you even start your car. This is a real car. This is real

:04:06.:04:10.

ice. How come? Because it is absolutely freezing in here. In

:04:10.:04:16.

fact, it is below freezing. A quick guide. Give us three tips for cold

:04:16.:04:21.

starting. You need to give your battery charged. Second, anti-

:04:21.:04:25.

freeze. Make sure your anti-freeze is up to the right level. Third,

:04:25.:04:31.

screen wash, make sure it does not freeze when you squirt it on.

:04:31.:04:35.

freeze is very important. We have four containers with different

:04:35.:04:40.

levels of anti-freeze. This one is 50%, which will keep your engine

:04:40.:04:46.

caul. This end, it is frozen solid, only 5%. We like these, but not

:04:47.:04:52.

these. On a cold day, your engine can still overheat. If you do not

:04:52.:04:57.

have coolant going around, you will overheat the engine and break it.

:04:57.:05:02.

Check your levels. Engine, sorted. Next, how to keep your cool while

:05:02.:05:09.

driving on ice. What are we doing here? Imagine your journey to work.

:05:09.:05:12.

We will go round some Benz and round a roundabout and see how you

:05:12.:05:18.

get on. Is it a competition? will time it, but it is about

:05:19.:05:25.

safety, so you will be fined for knocking over cones. Not that your

:05:25.:05:30.

competitive! Come on, Wales, England. Luckily, I have an

:05:30.:05:36.

advantage, winter tyres. Once the temperature gets below seven

:05:36.:05:40.

degrees centigrade, normal rubber starts to be less pliable. Imagine

:05:40.:05:44.

this was a normal day. You would give it some gas as you pull away,

:05:44.:05:50.

and feel what happens. Can you feel it slipping? Now, move away with no

:05:50.:05:56.

gas, and it has found the grip. is giving the car a chance to grip

:05:56.:06:03.

the road. Bring the wheel round quite hard. Did you feel it going?

:06:03.:06:10.

Yes. What you did, as it skidded, you turn a bit tighter. As it skids,

:06:11.:06:16.

bring the steering off and then tried turning. Come in here. Hard

:06:16.:06:20.

steel left. And now bring the wheel back slightly. And then back on

:06:20.:06:28.

again. When you bring you back, it will get a grip. Lets go. Put the

:06:28.:06:36.

time on it. Let's go. How is my driving? Pretty good, actually,

:06:36.:06:45.

Alex. I feel quite safe. I have stopped the clock. Many of the One

:06:45.:06:49.

Show viewers have opinions about what to do while driving in the ice.

:06:49.:06:53.

Don't use the brakes, use your ears to slow down, keep the car pointing

:06:53.:07:00.

in the right direction. Are they right? There is nothing wrong with

:07:00.:07:05.

using the brakes, but yanking on the brakes will give you a problem.

:07:05.:07:13.

It is not going anywhere, is it? That is just slipping away. It is

:07:13.:07:17.

the slowest thing you have ever seen. He is like an old man. My

:07:17.:07:27.

grandfather could go round quicker. Come on! It is not going very well.

:07:27.:07:32.

That is a penalty for the cones. did not knock it over, I just hit

:07:32.:07:42.
:07:42.:07:46.

it a bit. Beat that, winter tyres. What? Shall we have the Times.

:07:46.:07:56.
:07:56.:08:02.

Chris, your lap was... 34 seconds. Shall we have mine? 25 seconds.

:08:02.:08:06.

am sorry. You lose, because the sound effects of the cheering was

:08:06.:08:12.

played in before you gave out your winning time. OK. You did have the

:08:12.:08:18.

winter tyres. I am just saying. Not that it bothers me at all, but she

:08:18.:08:26.

did. Do you drive in the ice? love driving. Who is better, you or

:08:26.:08:36.

your husband? Me. I think he would agree. Do you have winter tyres?

:08:36.:08:41.

After yesterday, I would strongly suggest a winter tyre. Thank you,

:08:41.:08:48.

motoring expert, Alex Jones. Let's move on to Upstairs Downstairs.

:08:48.:08:55.

Spooks was a long time ago, action, fun-filled. Did you do any stunts?

:08:55.:09:05.

I did some driving on Ashes to Ashes. But not so much on Spooks.

:09:05.:09:08.

We will go on to Upstairs Downstairs now. It is back a week

:09:08.:09:16.

on Sunday, 9:30pm, a slightly changed time. I believe so.

:09:16.:09:19.

last time was not last Christmas but a year ago to Christmas but it

:09:19.:09:24.

was only three episodes. It is back with a proper series. Six episodes,

:09:24.:09:28.

which has given us a chance to get our teeth into it and get to know

:09:28.:09:34.

the characters a lot better. What is the plot this time? What goes

:09:34.:09:42.

on? Much the same as went on in the first three. Do not say that! Give

:09:42.:09:50.

it a chance! It has moved on a couple of years. Les see a bit.

:09:50.:09:59.

This is key in action. Would you ignore this lady? -- key. Will fit

:09:59.:10:02.

into this household in a different way. We come and go through

:10:02.:10:09.

different doors, eat at separate tables, but we all give 165 Eton

:10:09.:10:14.

place as our address. And that means we're on the same side. From

:10:15.:10:20.

now on, I expect your behaviour to reflect that, or how else will be

:10:20.:10:29.

survival war? She is who you want in your Cabinet. We all loved

:10:29.:10:34.

Downton Abbey. I think it is a great programme. But we have seen

:10:34.:10:37.

the first episode of Upstairs Downstairs this afternoon, and I

:10:37.:10:42.

just think that more happens in Upstairs Downstairs. I have never

:10:42.:10:49.

seen Downton Abbey. I am that person. I have never seen it.

:10:49.:10:57.

Well, not as much happens. Maybe that is good. This is building up

:10:57.:11:02.

to World War II. My character, Lady Agnes, comes back and her and Sir

:11:03.:11:08.

Hallam have had another child in the interim. And he has been very

:11:08.:11:16.

busy with work, and he starts to go down a different road, as it were.

:11:16.:11:26.
:11:26.:11:27.

With whom? With another bird? might be another bird involved.

:11:27.:11:30.

Actually, their marriage is the little bit on the rocks. They are

:11:30.:11:34.

coping with a lot between them. This is good promotional

:11:34.:11:39.

conversation but Alex is this but ask about a monkey. The one thing

:11:39.:11:44.

that you have that Downton Abbey does not have is a monkey. So, is

:11:44.:11:48.

the monkey back? I was taken by the monkey last time. How do you cope

:11:48.:11:51.

with filming with the monkey, because it is apparently quite

:11:51.:11:57.

nasty? There are three of them, like children, you have to swap

:11:57.:12:01.

them around because of their hours. Everyone is furious with them

:12:01.:12:05.

because they earn more than the actors. They have a better union.

:12:06.:12:12.

You cannot look them in the eye. Like Madonna. We have to ask about

:12:12.:12:16.

Jean Marsh, the co-creator of the show, who has not been very well.

:12:16.:12:21.

How is she? She is much better. She came in and we shot some scenes

:12:21.:12:28.

together. She is on the right track. Your rounded vowels made to seem

:12:28.:12:33.

perfectly at home at 165 Eton Square, but this accent was not

:12:33.:12:38.

natural. You have had 10 years of elocution lessons in the past.

:12:38.:12:43.

went to drama school, saw the young, so I had voice lessons. I come from

:12:43.:12:48.

London and my dad is a London cabbie. I was never cockney, but I

:12:48.:12:56.

was ironed out a bit. We have never had some. Incredibly. Never too

:12:56.:13:02.

late. It is great for everyone to have their own accent. Can you give

:13:02.:13:09.

us some tips? One of the things that we used to do, for your vowel

:13:09.:13:16.

sounds it is good to practise with a pencil in your mouth. Maybe you

:13:16.:13:24.

could have one each. Thank you, Miss. You have to say your vowels

:13:24.:13:34.
:13:34.:13:35.

whilst keeping it in your mouth. That is not bad. Did you ever do

:13:35.:13:42.

the Jaguar one? My father's car is a Jaguar and I drive it rather fast.

:13:42.:13:48.

Take it out for this one. My father's car is a Jaguar and I

:13:48.:13:55.

drive it rather fast. You wouldn't. You are the slowest driver in the

:13:55.:14:00.

world! The slowest driver in the world. A school in Essex has called

:14:00.:14:03.

on an elocution expert, but not in an attempt to get rid of the

:14:04.:14:13.

estuary twang, but to try to open In Great Britain we have many

:14:13.:14:19.

different ways of saying the same thing. For instance the way Bath is

:14:19.:14:25.

pronounced can be different. In a region with a distinctive accent,

:14:25.:14:31.

for some the only way is Essex. want people to say some words in

:14:31.:14:36.

their best Essex accent. Then we can get a real sense of it. Do you

:14:36.:14:42.

know what I mean? What are you like? Shut up, I am on a computer,

:14:42.:14:46.

all right? Worryingly, the next generation are not just speaking

:14:46.:14:51.

like that. They are spelling like that, too, and in Basildon they are

:14:51.:14:55.

doing something about it. This teacher came up with a novel

:14:55.:14:59.

solution. She decided to bring in a private tutor to give the children

:14:59.:15:04.

elocution lessons. It was obvious that the way they were spelling

:15:04.:15:07.

words and writing sentences was indicative of the way that they

:15:07.:15:12.

spoke. For example the word sport, because of the way they say it,

:15:12.:15:22.
:15:22.:15:24.

they were spelling it with the letter B. And other offenders? Some

:15:25.:15:28.

more tongue twisters now. The rain in Spain it stays mainly on the

:15:28.:15:38.
:15:38.:15:38.

plane. The rain in Spain falls mainly on the plane. Well done.

:15:38.:15:43.

This elocution teacher works with the children once a week. One more

:15:43.:15:50.

time. We work a lot with exercises which

:15:50.:15:58.

originate from speech therapy. If you take the word thought, and we

:15:58.:16:01.

work on the initial sound. It is teaching them the tongue movements.

:16:01.:16:08.

We have worked on lots of sounds that help them with their spelling.

:16:08.:16:11.

I am learning some interesting techniques. Perhaps I can teach the

:16:11.:16:21.
:16:21.:16:30.

children something. Can you do the letter a sound? That was very good.

:16:30.:16:36.

And now try hay up. That is right. That is how you say it in

:16:36.:16:46.

Yorkshire! Vowel wants to put your coat on. It means that it is cold

:16:46.:16:56.
:16:56.:17:02.

outside. Thou wants to put pie coat on. I feel like I am back home!

:17:02.:17:12.
:17:12.:17:13.

are rolling all our hard work! -- ruining. Lovely! Tim has joined us

:17:13.:17:18.

now. Where do you stand on elocution? I went to the elocution

:17:18.:17:22.

class and this guy strapped me to the chair and put 4000 volts

:17:22.:17:27.

through me. I said that I had come for elocution and is said that is

:17:27.:17:37.
:17:37.:17:37.

not his vaults of! We were talking about this beforehand. We were not,

:17:37.:17:42.

but let's pretend that we were! It is all to do with text messages.

:17:42.:17:48.

They think that is why they cannot spell. And speak. You don't have a

:17:48.:17:52.

machine gun one-liners for two hours. Not quite that long. That

:17:52.:17:57.

might feel like that. It is 20 minutes. Our research has said two

:17:57.:18:03.

hours! But you have done 500 jokes and power, is that right? I did do

:18:03.:18:11.

that once. -- per hour. But normally I sing songs to break it

:18:11.:18:21.
:18:21.:18:24.

up. How do you remember it? Well, I learned it! How do I learned?

:18:24.:18:31.

- some comedians can be OK if they get it wrong but yours are precise.

:18:31.:18:36.

Yes, I lose my place quite a lot but people cannot tell. You deliver

:18:36.:18:41.

scattergun, but your tour is called the Chat Show. It is a break from

:18:41.:18:48.

what I have done in the past. I chat to the audience. It is there a

:18:48.:18:55.

desk? The car is not big enough for a desk! I am on tour. We have two

:18:55.:19:00.

chairs, and I bring people out, and I asked you if you are a maths

:19:00.:19:05.

teacher, and if you are then I do a joke about it. My maths teacher

:19:05.:19:12.

told me to draw a square, but I drew a circle and he made me stand

:19:12.:19:18.

in the corner, but I said where was that?! You are like Jeremy Kyle,

:19:18.:19:26.

then? Hopefully a bit more friendly. Jeremy Kyle shouts at people.

:19:26.:19:29.

are you going on this tour? round the country. I think we start

:19:29.:19:38.

in Burnley and the end in Torquay. You are the brother of Jeremy Vine

:19:38.:19:43.

and to get on very well. Can you dish the dirt on him because I work

:19:43.:19:49.

with him? I cannot think of any. There must be some! He is such a

:19:49.:19:54.

hard worker. Does he still run to work every day? I think once in a

:19:54.:20:00.

while. He cycles one day, runs another, walks another, goes hang-

:20:00.:20:06.

gliding on the 4th... OK, we have a challenge for you! Can you make it

:20:07.:20:11.

bigger, longer, can you get more out of your act? Take a joke and

:20:11.:20:18.

make it bigger. I can try. This is probably a perfect example of why I

:20:18.:20:26.

shouldn't do this. Velcro, what a rip-off. That sort of thing. Yes,

:20:26.:20:31.

other comedians get half an hour out of that. Have you noticed

:20:31.:20:34.

Velcro in the shops? It is extraordinary. Terribly highly

:20:34.:20:39.

priced. Personally, whenever I see it at extortionate prices, I think

:20:39.:20:44.

to myself, that will not do. That will not do. In fact I put it even

:20:44.:20:48.

more succinctly than that. I think, but Crowe, what an absolute, and

:20:48.:20:58.
:20:58.:20:58.

let me make this clear, what an absolute rip-off! -- Velcro. Tell

:20:58.:21:03.

us the car park joke from last year. Was it last year? It was the one

:21:03.:21:08.

before that. The best joke at the Edinburgh Festival. I have just

:21:08.:21:11.

been on a once-in-a-lifetime holiday. I tell you what, never

:21:11.:21:17.

again. What is the car park one? Crime in multi-storey car parks?

:21:17.:21:23.

That is wrong on so many levels. Brilliant! If you have got a one-

:21:23.:21:32.

liner, police said it in and we can read them out. -- please send it in.

:21:32.:21:38.

I cannot help feeling that we are being watched. Are you paranoid?

:21:38.:21:45.

Don't be. It is probably the spy drone that has been watching.

:21:45.:21:55.

Everybody waves. That is incredible. If there were some cheeseburgers

:21:55.:22:01.

that would be brilliant. We can try that later! But what about drones

:22:01.:22:07.

nowadays? We have learned to live with CCTV.

:22:07.:22:11.

We know we are being watched. Some estimates say that we are caught on

:22:12.:22:18.

camera 70 times a day. As a nation, we seem generally to accept that

:22:18.:22:23.

cameras are everywhere. There are 30,000 run by councils and well

:22:23.:22:27.

over 1 million private ones. Many would say it is a small price to

:22:27.:22:31.

pay if it catches criminals. But would we be so relaxed if these

:22:31.:22:40.

things became widespread? They are highs in the sky, unmanned aerial

:22:40.:22:44.

vehicles, and already one police force is using them and others have

:22:44.:22:49.

tested them. Many experts predict that their use will only increase.

:22:49.:22:53.

This one is called a scout, and it is a vertical take-off and landing

:22:53.:22:58.

machine. You can put high- definition video cameras on board,

:22:58.:23:03.

thermal imaging, for example. could be an answer for shrinking

:23:03.:23:06.

police budgets. There are plans to cut the police helicopter numbers

:23:06.:23:10.

by one third. This is stuff when you normally use a helicopter but

:23:10.:23:15.

the cost of this is much lower, presumably? Significantly. A police

:23:15.:23:22.

helicopter is anywhere from �1,000- �15,000 an hour. It is only a few

:23:22.:23:27.

pounds an hour to deploy this. Plus the wages of the operator. It is

:23:27.:23:32.

easy to operate. You touch the screen and it will go to that point

:23:32.:23:39.

on the map, easy as that. Satellite holds it in position. There are

:23:39.:23:45.

some heavy winds, but that is not a problem. These can fly to 4000 ft,

:23:45.:23:51.

with a range of three miles from the operator. In theory they are

:23:51.:23:56.

technically capable of tracking you without you knowing it. I can bring

:23:56.:24:02.

it in to land by itself. Surveillance drones have a longer

:24:03.:24:06.

history than you might think. Unmanned vehicles were first used

:24:06.:24:08.

during the Vietnam war to take photographs and films of enemy

:24:08.:24:13.

targets. They are now mostly used by the military for reconnaissance

:24:13.:24:16.

missions to hostile and dangerous places where it would not be safe

:24:16.:24:21.

to send human pilots. The military have been using them for while, but

:24:21.:24:28.

is it something that the rest of us will have to get used to? There are

:24:28.:24:31.

only about seven drones in the country at the moment but there is

:24:31.:24:35.

a Home Office strategy document in which they talked about expansion.

:24:35.:24:38.

It is only the Civil Aviation Authority holding it back for

:24:39.:24:42.

safety reasons. They have to prove they really are safe and will not

:24:42.:24:47.

fall out of the sky and crush somebody. It is likely to get safe

:24:47.:24:51.

in the next few years and then they will relax about it. How realistic

:24:51.:24:55.

is it that we will see them in our skies in a few years? I think they

:24:55.:25:01.

will be used a lot. The motivator at the moment is the Olympics and

:25:01.:25:04.

security services. If these things take off, campaign groups worry

:25:04.:25:09.

about what they call function creep. Once introduced for the most

:25:09.:25:14.

serious uses, but technology then extends to tackle the trivial.

:25:14.:25:18.

lots of things, they are introduced for a small and reasonable task,

:25:18.:25:22.

then very quickly they are used for a range of other things. Before you

:25:22.:25:26.

know it, there are drones in the sky to see if your dog is in the

:25:26.:25:30.

street. We want to see proper regulation put in place before they

:25:30.:25:34.

are flying around. If they are used to keep the public say from

:25:34.:25:38.

terrorism, I am sure the public would support that reasonable use.

:25:38.:25:42.

These have not been taken up widely so far because of their space

:25:43.:25:48.

regulations and the high cost of training. -- air space regulations.

:25:48.:25:52.

But this is just the start. As they become more technologically

:25:52.:25:56.

advanced, the chances are that we will be seeing them in the skies

:25:56.:26:01.

above was. For the moment, we are safe. This one has run out of

:26:01.:26:06.

batteries! Matt Allwright is with us this

:26:06.:26:10.

evening. Our friendly drone is still picking us up. Civil

:26:10.:26:15.

liberties. This is an issue. What is going on? Supporters of these

:26:15.:26:19.

things say that they only do what police helicopters do, but much

:26:19.:26:22.

more cheaply. They say if you have not done anything wrong, then you

:26:22.:26:27.

have nothing to worry about. What other police doing to make them

:26:27.:26:33.

appear less like spies? At the moment there is only one police

:26:33.:26:37.

force using them at the moment. And the people that make them are

:26:37.:26:41.

saying that they do not need to look like stealth monsters. They

:26:41.:26:45.

can be brightly coloured, obvious, at so not secret spies, but

:26:45.:26:50.

something we can welcome and used positively. It is like James Bond

:26:50.:26:55.

for some people. They look like children's helicopters. Yes, but

:26:55.:26:59.

that looks scary. It is pretty much the same technology, but it has

:26:59.:27:03.

been developed so you can use it in a different way. The uses they are

:27:03.:27:09.

coming up with are incredible. It is not just to violence. Farmers

:27:09.:27:17.

are checking out where fertiliser needs to be used. And lost sheep?

:27:17.:27:27.
:27:27.:27:29.

Yes. You could Shia the sheep as well! Fits some blades! And with

:27:29.:27:34.

thermal imaging they can be used to keep firefighters say. Merseyside

:27:34.:27:40.

police did not work out so well. They were trialing one, �13,000

:27:40.:27:44.

worth, up it went, the battery went flat, it landed in the Mersey, and

:27:44.:27:49.

never seen again! But it could have landed on somebody's head. Yes, we

:27:49.:27:55.

must be thankful for that. What else can the quadrocopters do?

:27:55.:28:00.

exciting bit, or the scary but, depending on how you look at it, is

:28:00.:28:06.

that they are becoming autonomous. We have the quadrocopters from the

:28:06.:28:09.

Swiss Federal Institute of Technology. They are not being

:28:09.:28:13.

controlled by human beings. They are tracking that ball, working out

:28:13.:28:17.

where they should be to play ping- pong with each other, without any

:28:17.:28:23.

intervention from us. I don't know how you feel about that. You could

:28:23.:28:27.

think it is amazing or scary. ground-breaking technology has

:28:27.:28:34.

always been hijacked for bad in the end. Everything, any tall that you

:28:34.:28:38.

use is down to whose hands it is in. That is why people but are

:28:38.:28:40.

concerned about this are saying there needs to be legislation first

:28:40.:28:44.

to make sure that the right people use it for the right reasons.

:28:44.:28:49.

all technology. That think they make for 99 ice-creams, that has

:28:49.:28:53.

never been used for bad. That was a suspected weapon of mass

:28:53.:29:03.
:29:03.:29:07.

destruction! There is also this. Commercially available? Yes, �300.

:29:07.:29:15.

It is called the Parrot and you can fly it using a tablet computer or

:29:15.:29:20.

smartphone. That has got a camera fitted to it. It has got a camera

:29:20.:29:29.

as well! They you are. Move the cable because it is not working.

:29:29.:29:39.
:29:39.:29:40.

There we go. This is �300. Hold on, let me get it away from expensive

:29:40.:29:50.
:29:50.:29:53.

presenters! I am going to land it If you go on to do call Earth, you

:29:53.:29:59.

can look at somebody's house to steal from it. -- do call Earth.

:29:59.:30:03.

That is why it they need laws and regulations. You have something

:30:03.:30:06.

here that could be used for good or bad, and maybe it needs a look to

:30:06.:30:11.

make sure it is being used in the right way. The drone has been

:30:11.:30:17.

killed, for now. It is time to reveal what makes our special guest

:30:17.:30:22.

so special. There is Bronwyn, in her natural environment. Shall we

:30:22.:30:30.

go and see her? Your natural environment. Why? I am being called

:30:30.:30:37.

Britain's strongest teenager. qualifications do you have? Three

:30:37.:30:40.

British Under 18 records of bench press, did lift and total weight

:30:41.:30:50.
:30:51.:30:51.

lifted. I got four gold medals. -- dead lift. How much can you bench?

:30:51.:30:58.

At the Commonwealth Championships, I've bench pressed 50 kilos.

:30:58.:31:08.
:31:08.:31:08.

are only 16. And your brother is here. He is sporting for you.

:31:08.:31:16.

is your goal? Where do you want to take the power lifting? I would

:31:16.:31:20.

like to continue with the power lifting but I would like the

:31:20.:31:24.

opportunity to compete at the 2016 Olympics in Rio. I am not sure what

:31:24.:31:29.

for, but I would like to keep the doors open. It is interesting how

:31:29.:31:33.

this happened, because you just went along to the gym, training.

:31:33.:31:38.

Tell us the story. My dad used to come home from the gym and Tommy

:31:38.:31:43.

how great he felt and the great results he was seeing, so I asked

:31:43.:31:49.

if I could join the gym. He said, yeah, why not. He spoke to the gym

:31:49.:31:52.

owner who was happy to let the train as long as I was under

:31:52.:31:57.

supervision at all times because I was under 16. And then you discover

:31:57.:32:05.

you were naturally very strong. realised I had a natural strength.

:32:05.:32:12.

Arms, legs? Everything. So you have a choice of what to aim for at the

:32:12.:32:18.

Olympics. Have you seen your body changing? Are you begin your arms?

:32:18.:32:27.

I have put on a bit of muscle. that bother you? No. That is the

:32:27.:32:32.

impressive thing, doing all of this and keeping your nails like that.

:32:32.:32:36.

You have a big competition tomorrow but you are going to do some bench

:32:36.:32:40.

pressing for us. And in between the bench pressing and tomorrow, you

:32:40.:32:46.

are going to tow us in a van. She is going to be pulling us in a van.

:32:46.:32:52.

Even Jay is going to be in it! you want to lie-down? How much are

:32:52.:33:02.
:33:02.:33:07.

you going to be lifting. 50 kilos, This is about your weight. A bit

:33:07.:33:17.
:33:17.:33:34.

In action tomorrow. Before the end of this programme, Bronwyn will be

:33:34.:33:40.

pulling us, just for a giggle. How many people can we put in the van?

:33:40.:33:49.

5. And you're going to pull it and ask? Do you always have put one of

:33:49.:33:56.

the cinema. Jay has found a cinema that is taking it further.

:33:56.:34:00.

The classic Friday-night, relaxing with a movie and a pile of cinema

:34:00.:34:05.

snacks. Popcorn, hot dogs, sweets, candy floss, fizzy drinks and

:34:05.:34:10.

nachos. Hardly a magnificent seven of a menu. In fact, where

:34:10.:34:14.

traditional cinema food offerings are concerned, it is the good, the

:34:14.:34:20.

Bad And the ugly. In the early days there was no food in cinemas. It

:34:20.:34:24.

was only in the 1930s Great Depression when American cinema

:34:24.:34:28.

owners realised the potentially Moster profit from the King Kong of

:34:28.:34:35.

Cinema food, popcorn. But Rowley is a top chef on a mission to deliver

:34:35.:34:39.

a blockbuster meals to film lovers. A major cinema chain has recently

:34:39.:34:45.

begun serving his restaurant meals to audiences during the movie.

:34:45.:34:49.

There is no reason why kids coming to the cinema should have to eat

:34:49.:34:54.

junk. Why can't they need something reasonably civilised. So I sit in

:34:54.:35:00.

my seat, pick up the menu and what do I do? You press the button and

:35:00.:35:04.

the steward will come and ask what you would like. You tell them what

:35:04.:35:09.

you would like to start, and then what else you would like, and that

:35:09.:35:17.

is it. It comes very quietly, flowing, nicely. To avoid spoiling

:35:17.:35:21.

the enjoyment of others, the food is served from the back of the

:35:21.:35:24.

cinema by waiters dressed in black, one black plates, and placed on to

:35:25.:35:28.

rubber coated tables to minimise the noise. And that is before

:35:28.:35:32.

thinking about the food, which has to be suitable for eating in the

:35:32.:35:37.

dark. Visual elements are less important. Texture and flavour has

:35:37.:35:42.

to be more important. You have to accentuate the flavour. And you

:35:42.:35:45.

also have to think about what is going to work. Chicken noodle soup

:35:45.:35:50.

is not going to work. But I have questions about eating restaurant

:35:50.:35:55.

food in a cinema. If the film is too good, will it put me off the

:35:55.:36:01.

food. If the food is too good, will it put me off the film? And could I

:36:01.:36:05.

stomach the Texas chainsaw Massacre accompanied by a hope of steak? Do

:36:05.:36:08.

you have to think carefully about the films that you can scream with

:36:08.:36:16.

food? If it is a horror movie in 3D, that may be a challenge to people's

:36:16.:36:21.

willingness to eat food while they saw Sabahs -- buzzing and the limbs

:36:21.:36:29.

are flying. Is their willingness to pay �30 or more for a night out in

:36:29.:36:34.

the cinema? The tickets for the evening show is �18, but, yes,

:36:34.:36:40.

people are now spending �12 on average on food and drink. People

:36:40.:36:43.

combine entertainment with eating for an evening, and actually it

:36:44.:36:50.

works out at pretty good value. may be coming to a cinema near you.

:36:50.:36:54.

If it does well, there are plans to roll it out nationwide, but how

:36:54.:36:59.

willing are we to swap popcorn for a gourmet meal? The cinema is dark,

:36:59.:37:04.

so how would you see what you're eating? It sounds good, I would

:37:04.:37:09.

like that. If you wanted food, you should have done it before, or

:37:09.:37:18.

after. How about my first time as a foodie film critic? Believe me,

:37:18.:37:23.

this is nothing like a box of popcorn or a hot dog with yellow

:37:23.:37:27.

sauce. Little fritters, Italian pork sandwich with fennel and

:37:27.:37:32.

garlic. It is a little odd eating good quality food in front of a

:37:32.:37:36.

cinema screen but I could get used to it. I wonder if I can fit in

:37:36.:37:43.

desert before the end credits. do we think? Are you a fan of

:37:43.:37:50.

eating in the cinema? No. I went recently and four people came in

:37:50.:37:55.

and they brought fish and chips with them and knives and forks. It

:37:55.:37:59.

is just wrong. Did they know they were in the cinema? Who takes

:37:59.:38:06.

knives and forks with them? smell might put you off. They serve

:38:06.:38:11.

a fish and chips at this place that I have just made a film about.

:38:11.:38:19.

take quiet food to the cinema, me and my wife. I went to the cinema

:38:19.:38:23.

the other day and a blog behind me started wailing. I got hit in the

:38:24.:38:32.

head with a harpoon. We have a quiz. We will show film posters and ask

:38:32.:38:38.

you to identify the food associated with the film. Here is the first

:38:38.:38:48.
:38:48.:38:48.

one. Which food applies to that film? When Harry Met Sally. I am

:38:48.:38:55.

going for the pastrami sandwich. Obviously, the pastrami sandwich

:38:55.:39:00.

was an important scene in the deli in New York, when Meg Ryan's

:39:00.:39:03.

simulated having pleasure and the great line was the woman saying, I

:39:03.:39:08.

will have what she is having. Pastrami has caught on, but we have

:39:08.:39:13.

been served the bad stuff in this country. It is dry and thin. But

:39:13.:39:19.

they are couple of places where you can get proper pastrami. You have

:39:19.:39:24.

been to the place where it happened. There is a big sign they're saying,

:39:24.:39:34.
:39:34.:39:34.

will you have what she had? No. Two. Alex. Which food? We like a bit of

:39:34.:39:40.

Pretty Woman. It is the snails, of course. Yes, that scene when she is

:39:40.:39:44.

trying to hold onto them with the tongues. Have you had this

:39:44.:39:53.

experience? You squeeze them and they flick out. Do you know what

:39:53.:40:03.
:40:03.:40:05.

slugs call snails - gypsies. Blazing saddles, which food. Baked

:40:05.:40:15.
:40:15.:40:17.

beans. Are we allowed to say farting. The great farting scene,

:40:17.:40:21.

we did think this was the first farting scene in cinema but it was

:40:21.:40:28.

not. Her 1932 Japanese silent film included a farting scene.

:40:28.:40:32.

thought it could be confused with this new silent film that is up for

:40:32.:40:42.
:40:42.:40:48.

all of the Oscars. Tim, Forrest Gump. You are only left with one

:40:48.:40:56.

thing. A bunch of grapes. A box of chocolates. The question, his life

:40:56.:41:01.

like a box of chocolates? I don't think it is. This chocolate went

:41:01.:41:08.

past me the other day. It was a Ferrari. There is no point going

:41:08.:41:14.

anywhere else! All about Hollywood. Are you a big fan, Keeley? I like

:41:14.:41:19.

it. I would not love to live there. I like it here. I would not mind

:41:19.:41:29.
:41:29.:41:33.

working there. Are you going for the pilot season? Maybe. You are

:41:33.:41:42.

not to averse to Hollywood!. Jay, the competition. We want the best

:41:42.:41:49.

One Show savoury pies. What makes yours the best. Include a picture,

:41:49.:41:57.

details on how to enter on the website with terms and conditions.

:41:57.:42:07.

We have a treat for you, because you have come here on your birthday.

:42:07.:42:12.

# Happy birthday to You # Happy birthday to use

:42:12.:42:22.
:42:22.:42:28.

# Happy birthday, dear Keeley I am going upstairs. It is a

:42:28.:42:32.

beautiful cake and we will share it with you later. Thank you for

:42:32.:42:37.

coming on your birthday. I always thought you could not sing that

:42:37.:42:45.

song because it was copyrighted by Disney. Now, from a noise in

:42:45.:42:54.

cinemas that you do not want, to one that you do. Sound effects.

:42:54.:42:58.

A film's soundscape is often overlooked as an element of your

:42:58.:43:03.

viewing experience but it is vital, allowing you to immerse yourself in

:43:03.:43:06.

the emotion, tension and scares, often adding huge lead to the

:43:06.:43:11.

experience. You might be surprised to know that most of what you hear

:43:11.:43:16.

in film and television is added to the soundtrack in post-production.

:43:16.:43:20.

Sounds that the microphones could not pick up, like the rustle of

:43:20.:43:27.

clothing, are we created later. out of their at once. You will

:43:27.:43:33.

market with your shoes. Shepperton Studios is home to world-class

:43:33.:43:36.

audio post-production facilities that have attracted everything from

:43:36.:43:43.

James Bond to Harry Potter. Peter and Glen have worked together to

:43:43.:43:50.

help to create many of the soundscapes for these films. I

:43:50.:43:56.

think we should start with a bang. What sort of sound could we make?

:43:56.:44:06.
:44:06.:44:09.

Why don't we try the explosion from I think the first thing we will go

:44:09.:44:15.

for is the flame effect, the fireballs exploding. Of all things,

:44:15.:44:21.

we will need a plastic bag. Is this going to make me jump? No. There is

:44:21.:44:25.

air trapped in there. I am not going to poppet. When I hit it, it

:44:25.:44:31.

will buffer against the microphone. The explosions would go like this.

:44:31.:44:35.

And then you have the sound of flames flickering at the end.

:44:35.:44:42.

Genius. It is just practice. You go through life listening to things.

:44:42.:44:45.

People underestimate how important the sound is in a film, and the

:44:45.:44:50.

time that goes into it. People just see it on the screen and they

:44:50.:44:59.

As well as the fireball, which I have just done, I get my trusty

:44:59.:45:06.

mallet and in sync with what is happening on the screen, I do that.

:45:06.:45:12.

This is just a normal roller blind. And she used that to make sound for

:45:12.:45:22.
:45:22.:45:22.

a film? Why on earth have you got that? That is the sound of the

:45:22.:45:32.
:45:32.:45:46.

winds. It is just cloth. Glenn's role is to layer and

:45:46.:45:50.

enhance the sounds to create the audio effect. For the Harry Potter

:45:50.:45:54.

movies there are magic creatures, which are not really there,

:45:54.:46:00.

computer-generated. We have to do the noises for those as well.

:46:00.:46:07.

will not save you now, Harry Potter. It only obeys me. As you can see,

:46:07.:46:12.

there are lots of layers. Splashing water and footsteps, but if we

:46:12.:46:20.

concentrate on the basilisk, he goes through water. We dive him

:46:20.:46:27.

into water first. We have already made a mess on the floor, so we

:46:27.:46:32.

might as well do his belly running along the floor. More water down.

:46:32.:46:42.
:46:42.:46:50.

More sand, maybe, to make that pretty sound. -- sound of grit.

:46:50.:46:55.

is simple but so effective. It is an audio pollution. I am making a

:46:55.:47:02.

sound which suggests a snake to people. Next time you are jumping

:47:02.:47:08.

out of your cinema seat, remember that it is probably thanks to the

:47:08.:47:10.

skill of people like this, and their creative use of surprising

:47:11.:47:15.

props. Angellica is here for the first

:47:15.:47:20.

time since giving birth to her beautiful baby boy. Congratulations.

:47:20.:47:25.

How are you feeling? Really good. new look very well. I am wearing

:47:25.:47:30.

black to hide a multitude of sins. You look gorgeous. Hello to Michael

:47:30.:47:36.

as well. Is he watching? Yes, and he is watching with the baby, who

:47:36.:47:41.

should be in bed! We are talking about sound effects in films. Like

:47:41.:47:47.

the dinosaurs, these Foley, are they an endangered species with the

:47:47.:47:54.

gimmicky technology? Most films have a library of sound effects

:47:54.:48:01.

that they can use but sounds cannot always be recreating it. Foley

:48:01.:48:11.
:48:11.:48:11.

artists will be around for while and they are indispensable. The

:48:11.:48:16.

dinosaur eggs hatching in Jurassic Park was made by squelching melons

:48:16.:48:20.

and ice cream cones. They go through and think about what can be

:48:20.:48:26.

used and what cannot. They are very good. And on the theme of the

:48:26.:48:30.

weather, you have some examples of creating crunching ice and snow.

:48:30.:48:35.

Can you hold the microphone, Tim? Recreate the sound of walking on

:48:35.:48:45.
:48:45.:48:46.

snow. Foley artists use cornflour. CRUNCHING.

:48:46.:48:53.

That does sound like walking on snow! I don't want to make a mess.

:48:53.:49:03.
:49:03.:49:04.

She is very tidy. She is a mum now! And now ice braking. Close your

:49:04.:49:14.
:49:14.:49:14.

eyes. Does that sound like ice breaking? They have to turn it up.

:49:15.:49:20.

The kids are loving it! They use lots of creative things. Are you up

:49:20.:49:27.

for a challenge, Tim? Certainly am. You should be quite good at this,

:49:27.:49:33.

Angellica, because you have been with the experts. Oh, no! This is

:49:33.:49:38.

just a game! Keeley, you are in the film business, can you judge them?

:49:38.:49:48.

Go over there and joined Jay. front of Jay, Angellica and Tim,

:49:48.:49:52.

some props. We have taken some scenes from Upstairs Downstairs and

:49:52.:49:56.

removed the sound. They have to recreate the sound using whichever

:49:56.:50:03.

prop they think fits best. This is your scene, Jay. Watch for the

:50:03.:50:07.

perfume and collect your prop. won this in her Ladyship's bed, 18

:50:07.:50:17.
:50:17.:50:18.

inches from the bottom, slightly to the left. What is that? She went

:50:18.:50:23.

off Shalom off. We have taken out the sound of the dirty nappies

:50:23.:50:33.
:50:33.:50:34.

falling into the sink in this one. Take the nappies alt. -- out. I am

:50:34.:50:43.

getting used to it already. Tim, your go. This scene comes from an

:50:43.:50:50.

intense dinner dance downstairs and the soundtrack adds to the tension.

:50:50.:51:00.
:51:00.:51:13.

I wonder whether you might pass the Are you ready? Have you selected

:51:13.:51:23.
:51:23.:51:33.

your prop? You only get one take. I want this in her Ladyship's about

:51:33.:51:42.

18 inches from the bottom placed slightly to the left.

:51:42.:51:52.
:51:52.:51:55.

BLOWING. You need to take the nappies out.

:51:55.:51:59.

SLOSHING. I wonder whether you might pass the

:51:59.:52:09.
:52:09.:52:20.

salt? BUMP, BUMP.

:52:20.:52:27.

What do you think? It has got to be Angellica! The nappies. They will

:52:27.:52:33.

be hearing that sand for a long time to come. So tasty years ago

:52:33.:52:36.

today anybody heading into Bristol city centre would have seen

:52:36.:52:42.

something strange. -- 60 years ago. World War Two was over, and Dan

:52:42.:52:48.

Snow, who I love, has been meeting the people prepared to deal with it.

:52:48.:52:50.

This is post-war Britain. The streets are littered with

:52:50.:52:54.

casualties. The rescue services are stretched to the limit as they deal

:52:54.:52:59.

with the horror of an atomic bomb. But this was just a marks a narrow

:52:59.:53:09.
:53:09.:53:18.

and it was called Exercise Medusa. -- this was just a mop up. By 1961

:53:18.:53:23.

there was a more devastating threat than the Blitz. Nuclear warfare.

:53:23.:53:27.

The scenes witnessed at Hiroshima, when the Government knew they were

:53:27.:53:32.

unprepared and something had to be done. Bristol became the very first

:53:32.:53:38.

city to try to construct the potential devastation that would

:53:38.:53:42.

follow an atomic attack. Exercise Medusa outlined how Bristol would

:53:42.:53:46.

deal with the aftermath. The two- day event would bring together

:53:46.:53:50.

Britain's armed forces with ordinary members of the public who

:53:50.:53:53.

joined the Civil Defence Corps. They were trained to do crucial job

:53:53.:53:56.

site first date, fired events and rescue work. They were ready to do

:53:56.:54:06.
:54:06.:54:06.

their bit. -- like first aid, fire events. We found this footage of a

:54:06.:54:13.

gene working on the day. What was your role? I was a fake a casualty.

:54:13.:54:20.

I had glass in my face and blood running down. We picked spots in

:54:20.:54:26.

the rubble and waited to be rescued. Unfortunately I was never found. I

:54:26.:54:32.

would still be there to this day if it had been real! Was it exciting?

:54:32.:54:40.

In a way it was fun. Although the training was taken seriously.

:54:40.:54:45.

this time a shop snowstorm had added an extra trial, giving it the

:54:45.:54:53.

grimly realistic atmosphere. Did it feel important at the time? It was

:54:53.:54:56.

important to know that perhaps we were ready if something drastic

:54:56.:55:00.

happened. One of the crucial job that volunteers were trained to do

:55:00.:55:07.

was to detect radiation. If the nuclear bomb had gone off, you

:55:07.:55:12.

would have been walking around with the Geiger counter? Yes. If it was

:55:12.:55:19.

too much, we had to back away. That was what the counter was for.

:55:19.:55:23.

Hiroshima had been destroyed by a nuclear bomb just six years before,

:55:23.:55:27.

so everybody had a clear idea of the devastating consequences of an

:55:27.:55:33.

atomic attack. Was it just propaganda, what was happening in

:55:34.:55:39.

Bristol? Exercises like this were creating the impression of an

:55:39.:55:42.

atomic war which could be survived and managed. At the same time they

:55:42.:55:46.

genuinely believed that training like this would save lives in an

:55:46.:55:49.

atomic war. Surely there is not much you can do if a nuclear bomb

:55:50.:55:54.

goes off? There was not in the 1950s. The atomic bomb is an

:55:54.:55:57.

enormous weapon, but within one mile of the epicentre there would

:55:57.:56:01.

have been enormous numbers of people who would have survived.

:56:01.:56:05.

volunteers in Bristol, the threat of an attack was very real and they

:56:05.:56:15.
:56:15.:56:15.

wanted to be ready. Why did you join the defence corps? With the

:56:15.:56:19.

Cold War, I thought it was very useful to help people. When you

:56:19.:56:22.

went to the pictures, did you see her Russian on the news reels?

:56:22.:56:29.

was sickening. -- Hiroshima. you think you're making a

:56:29.:56:36.

difference? Yes, I wanted to help the people that were alive. With

:56:36.:56:40.

hindsight, would it have helped if a nuclear bomb had gone out?

:56:40.:56:44.

this had really been a nuclear explosion, I don't think we could

:56:44.:56:50.

have gone in there because life would have been finished. Just four

:56:50.:56:55.

years after operation Medusa, a top-secret Government document

:56:55.:56:59.

revealed the true devastation that the new hydrogen bomb could cause.

:56:59.:57:04.

The focus moved to deterrent. The Defence Corps continued until 1968

:57:04.:57:08.

but its role became more about reassuring the public. Their

:57:08.:57:12.

efforts may seem naive now, but in fact they are testament to the

:57:12.:57:16.

lengths to which ordinary people, like the volunteers in Bristol,

:57:16.:57:20.

were prepared to go, to protect their cities in the face of a

:57:20.:57:25.

terrifying threat. Thank you. We are outside and

:57:25.:57:31.

Bronwyn is in her vest. Very brave. She is also strapped to the harness

:57:31.:57:36.

attached to the van that she is attempting to pull. Keeley and Tim,

:57:36.:57:44.

go to the finish line with the ribbon. Is that OK? Yes. Matt, get

:57:44.:57:52.

in the van, please. Keeley's mum, in the van. Which do you want to

:57:52.:58:00.

pull? Both of them! Double jeopardy failed. She is up for it! You are

:58:01.:58:05.

going to pull and then we are done. It is about three tonnes. Off you

:58:05.:58:15.
:58:15.:58:33.

Download Subtitles

SRT

ASS