Browse content similar to 10/08/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Alex Jones and Matt Baker. | :00:22. | :00:26. | |
After a fourth night of vandalism and looting in England we are | :00:26. | :00:30. | |
mooting some of those standing up to the thugs threatening their | :00:30. | :00:36. | |
businesses. And we'll be meeting a familiar face who rugby tackled one | :00:36. | :00:40. | |
of the youths on the doorstop. Our guest tonight has plenty to say on | :00:40. | :00:46. | |
the riots as well. From taking on Simon Cowell in Pop Idol to | :00:46. | :00:51. | |
politicians in Question Time. It is Will Young. Nice to see you. You've | :00:51. | :00:56. | |
done a lot of work with youth haven't new It wasn't me who did | :00:56. | :01:03. | |
the rugby tackle. I have mixed views on what's going on. I work | :01:03. | :01:06. | |
with Catch-22. I feel worried that young people will be tarred with | :01:06. | :01:13. | |
the same brush. It is a minority of people who've been doing these acts. | :01:13. | :01:19. | |
It is a minority but it has spread. I feel that society and Government | :01:19. | :01:26. | |
over the last 15 years have let people down. There's been a | :01:26. | :01:30. | |
breakdown. Teachers can't comfort a child. They are not the stable | :01:30. | :01:35. | |
bases that young people need. So they are lost. I think this is | :01:35. | :01:40. | |
possibly a culmination of what Government has been taking away | :01:40. | :01:44. | |
from people. People don't feel socially responsible to anyone. I | :01:44. | :01:49. | |
really worry, the work that I do with Catch-22, young people need | :01:49. | :01:53. | |
very little to change their life around. I really worry there is | :01:53. | :01:57. | |
going to be this pigeon holing that young people in this country are | :01:57. | :02:01. | |
just evil and wrong and feral. That's not the case. Something does | :02:01. | :02:05. | |
need to be done. You are right to point out that it is a group of | :02:05. | :02:10. | |
people, not youth in general. Well, while London was swamped with | :02:10. | :02:13. | |
police last night there was more trouble elsewhere in England. | :02:13. | :02:18. | |
Manchester was one of the worst-hit cities. A local boy, Terry | :02:18. | :02:28. | |
:02:28. | :02:37. | ||
30 years ago enI was a teenager in Manchester, only a quarter of a | :02:37. | :02:41. | |
mile from my house there were three nights of rioting in Moss Side. | :02:41. | :02:47. | |
Then as now there was disgust at the levels of rioting and looting. | :02:47. | :02:53. | |
But then there were underlying causes - racial relations, the | :02:53. | :02:57. | |
police's stop and searches, and people argued that that is why | :02:57. | :03:01. | |
those riots happened. We have some the same issues in this country at | :03:01. | :03:05. | |
the moment, but judging from the mess this morning, last night's | :03:06. | :03:13. | |
events seemed less protest and more a glorified shoplifting and | :03:13. | :03:17. | |
vandalism spree. Dawson's music shop was at the heart of the | :03:18. | :03:23. | |
rioting. It looks like disorganised looting or shopping spree. We don't | :03:23. | :03:27. | |
know what is behind it and what caused them to do it. The sort of | :03:27. | :03:31. | |
stuff that's been nicked. If we can have a look. It is all your | :03:31. | :03:34. | |
keyboards isn't it? They potentially see it as some fun. | :03:34. | :03:40. | |
Some of the mid to late teenagers that were being interviewed were | :03:40. | :03:44. | |
basic saying it is a bit of fun, almost a laugh. Since when was | :03:44. | :03:48. | |
having a laugh an excuse for creating such destruction? This | :03:48. | :03:53. | |
plaque commemorates 200 years ago the Peter loo massacre, when 15 | :03:53. | :03:57. | |
people were killed in a protest about political reform and economic | :03:57. | :04:01. | |
conditions. That radical tradition, with the trade union movement and | :04:01. | :04:05. | |
the suffragettes, is part of this city's rich heritage. Along with | :04:05. | :04:13. | |
the rain! In 1981 the police went in hard on the final night of | :04:13. | :04:19. | |
rioting in full riot regalia and they put a stop to the unrest. At | :04:20. | :04:22. | |
the expense, unfortunately, to relations with the local community | :04:22. | :04:27. | |
and the area's reputation. Look at that, boarded up and as ugly as the | :04:27. | :04:30. | |
scenes last night. There are some people in Manchester who seem to | :04:30. | :04:37. | |
revel in criminality. Their role models are drug dealers and | :04:37. | :04:43. | |
gangsters. They've left a stain on the le si of this city. It has left | :04:43. | :04:47. | |
proud Mancunians like myself absolutely fuming. I'm 66 and I'm | :04:47. | :04:52. | |
still working and you've got kids like that causing that mayhem? It | :04:52. | :04:55. | |
is disgraceful. It is devastating. People here are distraught. I love | :04:55. | :04:58. | |
this city and I think it is absolutely horrific to see what | :04:58. | :05:01. | |
they are doing. Especially because they don't even seem to know why | :05:01. | :05:07. | |
they are doing it. Like in 1981, the police are having to defend | :05:07. | :05:11. | |
their tactics, but can they see any parallels? I think it is a very | :05:11. | :05:14. | |
different character really. In 1981 it was often about attacking the | :05:14. | :05:17. | |
establishment, attacking the police. That really wasn't what yesterday | :05:17. | :05:23. | |
was about it. It started off about burglary and thuggery and thieving. | :05:23. | :05:27. | |
Clearly, if we then tried to sper veen sometimes our officers were | :05:27. | :05:32. | |
attacked, particularly in Salford. It felt like a different nature, it | :05:33. | :05:36. | |
was people involved in criminality. I find it hard to feel anything for | :05:36. | :05:41. | |
these so-called rioters. I'm racking my brains and trying to | :05:41. | :05:47. | |
find an excuse for them but I can't find one. Maybe we've produced a | :05:47. | :05:51. | |
generation of consumer monsters who feel the world owes them a living. | :05:51. | :05:54. | |
This sort of thing doesn't do anything for Manchester. When I | :05:54. | :05:59. | |
think of the rich heritage we had, our radical tradition of fair trot, | :05:59. | :06:06. | |
I do wonder what we'll end up -- fair protest, I do wonder what | :06:06. | :06:15. | |
we'll end up with in 30 years. Anita Rani has been in Southall. Dr | :06:15. | :06:20. | |
Garcha, there were 1,000 members of your community outside the temple | :06:20. | :06:26. | |
in the last few days. Why has it come to this, in you're mind? | :06:26. | :06:29. | |
can't answer, that but what we noticed and realise there had may | :06:29. | :06:34. | |
be a potential problem there, and some members of the congregation | :06:34. | :06:40. | |
realised that on Monday. Yesterday we gathered members of the other | :06:40. | :06:43. | |
communities. Southall is lucky in that we have very good community | :06:43. | :06:48. | |
relations, so members of the Sikh, Hindu, the Muslim and Christian | :06:48. | :06:50. | |
communities came together with the police and said it is very | :06:50. | :06:55. | |
important for us to show a sense of community, and gathered together at | :06:55. | :07:00. | |
our places of worship. They are for us very central to us and to the | :07:00. | :07:03. | |
businesss. Some local business leaders were there with us as well. | :07:03. | :07:09. | |
We wanted to show that these are ours. This is note our businesses | :07:09. | :07:13. | |
or properties, our gurdwara, our temple, is our house. We want to | :07:13. | :07:19. | |
show that off to people. It is very welcoming. We welcome all peoples, | :07:19. | :07:23. | |
all creeds to worship with us. That's what we wanted to do. It is | :07:23. | :07:28. | |
an incredibly brave thing to do. How long are you prepared, Daljit, | :07:28. | :07:32. | |
to stand outside the temple? What lengths will you go to to protect | :07:32. | :07:37. | |
what you call your house? We are willing to go to whatever length it | :07:37. | :07:43. | |
takes. We had 1,000 brothers out there last night. I think there'll | :07:43. | :07:49. | |
be more tonight. Maybe more the day after. Whatever it takes, the Sikhs | :07:49. | :07:54. | |
are very committed to standing together and working for a cause | :07:54. | :08:00. | |
which will be beneficial for our town. OK. Anita, the riots have | :08:00. | :08:04. | |
spread throughout England. Have you got an update for us? It is the | :08:04. | :08:11. | |
extreme end of what can happen if you do decide to take actions. | :08:11. | :08:18. | |
Three chaps in Birmingham were mown down by a car and killed. A 32- | :08:18. | :08:22. | |
year-old man has been arrested on murder charges. That's a prav thing | :08:22. | :08:25. | |
to do but the consequences in that case... We are hearing more and | :08:25. | :08:29. | |
more about these case where people are coming out to protect their own | :08:29. | :08:33. | |
homes and communities. Absolutely. First of all, sales of these have | :08:33. | :08:37. | |
gone through the roof. That is meant to be a baseball bat, I would | :08:37. | :08:41. | |
argue it is a rounders bat. It is there to make a point. Communities | :08:42. | :08:47. | |
in Enfield have come out to protect their area. The Turkish community | :08:47. | :08:52. | |
in Dalston have come out to defend their businesses. I was in Dalston. | :08:52. | :08:57. | |
People are on the streets to clean up their own streets. I got a real | :08:57. | :09:02. | |
sense of solidarity. People going, hang on a minute, we are out here | :09:02. | :09:07. | |
to protect. It has brought the communities together. From | :09:07. | :09:10. | |
something so terrible, something quite fantastic has come out of it. | :09:10. | :09:17. | |
Last night I put on my old judo outfit just in case. I just sat in | :09:17. | :09:22. | |
my flat, ready. In all seriousness, it does come to something when | :09:22. | :09:27. | |
people are buying baseball bats. People just don't want to rely on | :09:27. | :09:30. | |
the police. Maybe they just want to play baseball. More images have | :09:31. | :09:34. | |
play baseball. More images have come to light. The police have | :09:34. | :09:38. | |
released photos of people they would like to speak to in relation | :09:38. | :09:48. | |
:09:48. | :09:59. | ||
to the rioting and looting. If you And Greenwich Council are doing | :09:59. | :10:03. | |
something pretty extreme to these looters? They've made a statement | :10:03. | :10:07. | |
saying if anybody who is a council tenant is caught having done any | :10:07. | :10:11. | |
criminal acts, they could be evicted from their properties. | :10:11. | :10:17. | |
Anita, thank you. Daljit, Dr Garcha, thank you. | :10:17. | :10:23. | |
One of those who has refused to take things lying down is our own | :10:23. | :10:27. | |
history guy, or as we are calling him, Macho Guy. It was an | :10:27. | :10:32. | |
extraordinary night. I was sitting at home watching the TV, my street | :10:32. | :10:41. | |
was quiet and suddenly it erupted. Mopeds were knocked over, the glass | :10:41. | :10:46. | |
broke in the pub next to me. I went out to look. I was quite inspired | :10:46. | :10:51. | |
by what I saw, a group of young people protecting the owner of an | :10:51. | :10:56. | |
off-licence, whose head was running in blood. They were trying to | :10:56. | :11:03. | |
protect him and what was left of his shop. I ran after the rioters. | :11:03. | :11:09. | |
I found them. Luckily they were in an aggressive mood. One of them | :11:09. | :11:13. | |
came out and I grabbed him but he twisted away. Another came out with | :11:13. | :11:18. | |
his arm full of shoes, looking the other way, where the police were | :11:18. | :11:23. | |
coming up. He ran into my arms, I knocked him over and pinned him to | :11:23. | :11:27. | |
the ground with my knees. The police were flat out all night. I | :11:27. | :11:31. | |
know people think they weren't there, but they were racing around | :11:31. | :11:37. | |
town. I have nothing but respect for them. Talking of rioting, | :11:37. | :11:43. | |
tonight I'm with a bunch of riotous people here at Dover Castle | :11:43. | :11:49. | |
CHEERING Who better to help they with the history of this shan Sian | :11:49. | :11:59. | |
:11:59. | :11:59. | ||
Williams. Heroes on horseback, and looking at the legend of the | :11:59. | :12:07. | |
knights in shining armour. We'll be on HMS Warrior, and going to a car | :12:07. | :12:14. | |
museum and an Upstairs Downstairs stately home in Wales. I miss you | :12:14. | :12:18. | |
guys and I can't wait to come back and sit on that sofa. You'll be | :12:18. | :12:25. | |
here soon, Dan. You can join Dan and Sian at Dover Castle after the | :12:25. | :12:28. | |
programme. For all your kids still enjoying | :12:28. | :12:31. | |
your summer holidays and threading going back to school, spare a | :12:31. | :12:35. | |
thought for those who will have to go to a different school in a | :12:35. | :12:40. | |
different country and start all over again. That's the reality for | :12:40. | :12:47. | |
children with parents in the forces. This film contains cute kids. You | :12:47. | :12:51. | |
may need a tissuue. Hello, my name is Bethany and I'm going to talk to | :12:51. | :13:01. | |
you about my daddy. He is a Sergeant in the Army. Whenever I | :13:01. | :13:07. | |
miss him we go to Blackpool and buy balloons and send them to daddy in | :13:07. | :13:10. | |
balloons and send them to daddy in Afghanistan. But he doesn't go to | :13:10. | :13:18. | |
Afghanistan any more. He goes to Brecon in Wales. | :13:18. | :13:22. | |
This might look like a scene from any primary school Assembly, but | :13:22. | :13:30. | |
these children are different, and so is their school. | :13:30. | :13:34. | |
60% of the children at this school are leaving to continue their | :13:34. | :13:44. | |
education in Cyprus. I will miss all the teachers and all my friends | :13:44. | :13:49. | |
that are not moving here. I just don't want to leave, because I just | :13:49. | :13:55. | |
want to see my friends a lot. The children will move many times | :13:55. | :13:58. | |
during their school lives, they will also have to cope with the | :13:58. | :14:03. | |
possibility of losing a parent. These are the children of the men | :14:03. | :14:13. | |
:14:13. | :14:15. | ||
and women in Britain's armed forces. Sometimes when he's in Afghan, | :14:15. | :14:22. | |
because if he, because I'm worried about if he will die or something. | :14:23. | :14:31. | |
When I was in the older house, I was one year and my dad went to | :14:31. | :14:37. | |
Afghan and I was crying. Then my mum just gave me a milk and I fell | :14:37. | :14:46. | |
For 22 years, the teacher has provided support. Chris Contepomi | :14:46. | :14:53. | |
about your school. We are right in the heart of it. The majority of | :14:53. | :14:59. | |
them come from service families. We have one main Regiment on the camp | :14:59. | :15:03. | |
here, and every three years or so, we have a change of Richmond, they | :15:03. | :15:09. | |
move on and take their children with them. Can you describe an army | :15:09. | :15:17. | |
child? I think they are quite worldly wise. In many respects, | :15:17. | :15:22. | |
because they have a lot to contend with. The school has set up by the | :15:22. | :15:27. | |
Springboks were people but a card in when they need to talk. You're | :15:27. | :15:31. | |
asked the teacher if you are worried about your dad dying, or | :15:31. | :15:37. | |
getting shot. Or you can just go to the main entrance, the listening | :15:37. | :15:42. | |
box. The Rainbow Room is another area where the school provides | :15:42. | :15:46. | |
extra support. It is usually dance that are the soldiers, but when | :15:46. | :15:51. | |
they are in a combat zone, the whole community is a lot more tense, | :15:51. | :15:55. | |
that comes into the school. When they need to talk about Dad being a | :15:55. | :16:01. | |
way, they can come here, we might pick it off on a chart, how many | :16:01. | :16:07. | |
sleeps there are. If you have got staff in the rainbow, you get a | :16:08. | :16:12. | |
sticker, if you do that the staff in the Rainbow Room, you get an | :16:12. | :16:19. | |
award. It is tough. We sang the song today, or give me courage, the | :16:19. | :16:26. | |
world is tough. We're trying to give them courage to keep on going. | :16:26. | :16:36. | |
I miss my daddy when he goes away. And he comes back, and then I | :16:36. | :16:41. | |
forget about missing him, then he goes away again, comes back, goes | :16:42. | :16:47. | |
away, and carries on doing it. dad is in the army, his name is | :16:47. | :16:54. | |
John. He won the Queen's Medal, I think, because he saved someone's | :16:54. | :17:01. | |
life. Once there was this boy he said that my dad would die in | :17:01. | :17:06. | |
Afghan, but I knew he never would, because he always sticks up for me. | :17:06. | :17:14. | |
I love my dad lots and lots. If I ever get worried about him, I can | :17:14. | :17:19. | |
go to the room. Probably the most important thing about the school is | :17:19. | :17:25. | |
it is like a big family, and we all come together, they help me and | :17:25. | :17:35. | |
:17:35. | :17:35. | ||
stuff. My mum helps me to wait for my dad, and by dad loved it, he | :17:35. | :17:40. | |
said, he must be. The school will now start again with a new intake | :17:40. | :17:50. | |
:17:50. | :17:55. | ||
It really does bring a tear to your eye, hearing them talk. | :17:55. | :17:59. | |
Well, you're watching that with interest. You had an interesting | :17:59. | :18:04. | |
upbringing. I went to boarding school. I had my twin brother, who | :18:04. | :18:14. | |
:18:14. | :18:15. | ||
is watching, I know you're at Granny's! I and the best grandson! | :18:15. | :18:20. | |
We were at boarding school, we were okay. I don't think I would send my | :18:20. | :18:25. | |
kids to boarding school, but from that age. It was tough, I think. It | :18:25. | :18:29. | |
is fairly and natural. I get on great with my parents, but I said | :18:29. | :18:34. | |
to them recently, why did you send us there? They were not really sure, | :18:34. | :18:38. | |
they were just following what they'd went through. You are here | :18:38. | :18:44. | |
to talk about your 5th album. You have a soul on their about boarding | :18:44. | :18:53. | |
school. -- eyes final on there. More cold showers! It is about | :18:53. | :18:58. | |
heartache and turmoil. Are they based on personal experience? | :18:58. | :19:04. | |
all of it is, but about 95% of the world's songs are normally about | :19:04. | :19:09. | |
love. For some reason, that has motivated me, a bit of melancholy, | :19:09. | :19:16. | |
but what I like about this album is it more upbeat. Event Jealousy, the | :19:16. | :19:23. | |
single, it is a horrible emotion, but it is an upbeat song. That it | :19:23. | :19:26. | |
what is great about pop songs, you have three-and-a-half minutes to | :19:26. | :19:36. | |
:19:36. | :19:37. | ||
have that by economy. A good for a barbecue. Not the CD itself! Have a | :19:37. | :19:47. | |
:19:47. | :20:03. | ||
# Feels like I can't breathe. # And I'm on my knees. | :20:03. | :20:13. | |
:20:13. | :20:15. | ||
I am not a jealous man, but I do love a bit of trapeze, and I was | :20:15. | :20:20. | |
impressed! Did you do a lot of training? No, I only did two hours. | :20:20. | :20:27. | |
And I'm scared of heights. I came up with the idea based on a 1950s | :20:27. | :20:32. | |
film, A trapeze. I forgot that they are there in the air. I actually | :20:32. | :20:36. | |
had a problem, I sweated through the chalk you had to put on your | :20:36. | :20:42. | |
hands! But it was amazing. What a thing to do. We have got a picture | :20:42. | :20:50. | |
of you, in your lycra, let's have a look. Now then! That's obscene! How | :20:50. | :20:56. | |
do you get that on TV! The body position is very impressive. Thank | :20:56. | :21:03. | |
you very much. Fellow gymnast. Someone has just fallen over | :21:03. | :21:13. | |
because of it! This is how matter arrives at work. Through the | :21:13. | :21:20. | |
revolving doors, on a unicycle. He has been doing gymnastics forever, | :21:20. | :21:30. | |
:21:30. | :21:30. | ||
he can't let it go. I have some notes here. There we go. He can't | :21:30. | :21:35. | |
help it. You know what, I have always wanted to do a back flip. So | :21:35. | :21:39. | |
jealous that you can. He will teach you! | :21:39. | :21:42. | |
This sofa is quite good for starting off, we will see what we | :21:42. | :21:49. | |
can do after the show! I am on a tour in October, November, | :21:49. | :21:54. | |
come and see me. I do some gags, it is great fun. I forget I'm meant to | :21:54. | :21:58. | |
be promoting something, because it is so nice to be on the show. Just | :21:58. | :22:02. | |
chat about things. And you can do a back flip! | :22:02. | :22:08. | |
He is new single, Jealousy, is out of 21st August, and his new album, | :22:08. | :22:15. | |
Echoes, follows after that. Now, with all the grim headlines | :22:15. | :22:18. | |
and images over the past few days, it is high time we celebrated his | :22:18. | :22:23. | |
beautiful island we all live on. Jamie Crawford has an eyeful for | :22:23. | :22:33. | |
:22:33. | :22:37. | ||
Britain has over 19,000 miles of coastline. Every year, we flock to | :22:37. | :22:41. | |
the water's edge for fun and relaxation. So it is the natural | :22:41. | :22:47. | |
choice for some summer shots. I am on the south coast of England. I am | :22:47. | :22:51. | |
going out on the water myself later, but for now, I want to capture some | :22:52. | :22:58. | |
on the beach. -- summer on the beach. I want to decide what the | :22:58. | :23:02. | |
perfect beach image is going to be, is it all about colour and | :23:02. | :23:06. | |
composition, or maybe the perfect picture-postcard? I think I had | :23:06. | :23:10. | |
better get some advice. The king of the seaside postcard was | :23:11. | :23:15. | |
photographer John Hind. Pens of millions of his super colourful | :23:15. | :23:20. | |
postcards were sent from British holidays. This writer and designer | :23:20. | :23:27. | |
is an expert on his photos and postcards. He would paint on as you | :23:27. | :23:32. | |
Mediterranean skies. It is never quite like that in England. Vibrant, | :23:32. | :23:36. | |
saturated colour that he brought into cards, it either made people | :23:36. | :23:40. | |
come into the foreground are wearing a Brit Jay-Z, or he would | :23:40. | :23:47. | |
painted on afterwards. postcards are colourful and vibrant. | :23:47. | :23:50. | |
These postcards used to be time- consuming lead difficult, now | :23:50. | :23:55. | |
almost any photo editing software makes it easy, just like for the | :23:55. | :24:01. | |
colour saturation Buchan's. This is a Bournemouth a postcard. I added | :24:01. | :24:06. | |
lot of extra colour. I have been inspired to shoot bright summer | :24:06. | :24:11. | |
colour so. This huge row of beach huts has every colour under the | :24:11. | :24:19. | |
sun! I also want a postcard of my own. I'm using the peer and a deck | :24:19. | :24:26. | |
chair, empty and inviting. This is my first summer Screen Saver | :24:26. | :24:30. | |
nomination. We all know British summer weather can be changeable, | :24:30. | :24:37. | |
but that is OK. My next location is supposed to be wet. I'm in Weymouth, | :24:37. | :24:41. | |
venue for the 2012 Olympic sailing. This yachtsman is one of the | :24:41. | :24:47. | |
thousands who enjoyed a C in summer, rain or shine. I will shoot with a | :24:47. | :24:51. | |
short exposure time, and with the camera's burst a setting on, to get | :24:51. | :24:57. | |
lots of pictures as the action happens. Keep your eyes peeled for | :24:57. | :25:07. | |
:25:07. | :25:11. | ||
Sometimes, when you can't get down, to get the best shots, I'm going to | :25:11. | :25:18. | |
have to be off it rather than on it. It is at least rather dramatic, | :25:18. | :25:28. | |
:25:28. | :25:36. | ||
against the dark sky, of the rain An action shot of the yacht in full | :25:36. | :25:43. | |
sail is my sitting domination for a summer screensaver. Lots of the sea | :25:43. | :25:48. | |
on the lens! As seriously soggy camera means it is time to get on | :25:48. | :25:52. | |
dry land. I'm going to the Lolworth estate and a great British landmark. | :25:52. | :25:55. | |
Maybe Britain doesn't have the best weather in the world, but he does | :25:56. | :26:00. | |
have some of the most epic scenery. On the coast of Dorset looking for | :26:00. | :26:08. | |
a landscape shot, where better than this? This natural limestone arch | :26:08. | :26:14. | |
on the Jurassic Coast has starred in feature films and pop videos. I | :26:14. | :26:17. | |
will need a wide angle lens to get this and the sweep of the beach | :26:17. | :26:21. | |
together. Next, I will lead a long exposure to give the moving water | :26:21. | :26:30. | |
in milky, cloud like the look. You live in the desert, it is hot all | :26:30. | :26:34. | |
the time, but live in Britain, you never know what the weather is | :26:34. | :26:37. | |
going to do. A bit of perseverance, you can get a fantastic evening | :26:37. | :26:43. | |
like this, and the use of filters can help you turn a flat guy into | :26:43. | :26:49. | |
something really dramatic. Neutral density filters increase contrast | :26:49. | :26:59. | |
:26:59. | :27:00. | ||
and drama. Other filters can add What beat aside, I am pretty | :27:00. | :27:10. | |
:27:10. | :27:12. | ||
A postcard from the beach, a stunning coastal landscape. And | :27:12. | :27:15. | |
sporting action. Despite the changeable British weather, I think | :27:15. | :27:20. | |
we have a pretty good collection of summer screen savers. | :27:20. | :27:25. | |
And you can download one of Jamie's screen savers up by eight visiting | :27:25. | :27:30. | |
our website. We can now reveal the screen | :27:30. | :27:40. | |
:27:40. | :27:41. | ||
saver... After three, 1, 2, 3, Verity's! -- there it is. They are | :27:41. | :27:48. | |
my cows. They are near my house in Cornwall. When I go down, I have | :27:48. | :27:56. | |
conversations with the cows. They are Florence's cows, who is a | :27:56. | :28:02. | |
Laurent -- local farmer. I got to rush to buy than last time. Very | :28:02. | :28:06. | |
dangerous, red cows can be! shouted at the Cow, I am going to | :28:06. | :28:13. | |
turn you into a beefburger! Then they rushed me again! That is no | :28:13. | :28:17. | |
way to treat them. You should have seen the way they rushed me, I was | :28:17. | :28:26. | |
very scared. Do you recognise this cow? It is a Renault Clio. They are | :28:26. | :28:31. | |
good cars, those. 80 years ago, cast your mind back, it was a | :28:31. | :28:36. | |
Saturday afternoon, Shepherds Bush roundabout -- eight years ago. Who | :28:36. | :28:43. |