Browse content similar to 10/10/2013. Check below for episodes and series from the same categories and more!
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Hello, welcome to The One Show with Alex Jones... And Matt Baker. | :00:17. | :00:24. | |
Today's guest is airing their hopefully clean laundry on The One | :00:24. | :00:31. | |
Show washing line. Unless they are yours? I quite like that | :00:31. | :00:34. | |
Show washing line. Unless they are There are some bloomers, a penny. Is | :00:34. | :00:43. | |
that a tea towel? Keep going, keep going. A wig. Who is underneath | :00:43. | :00:52. | |
there? It is Brendan O'Carroll, otherwise known as Mrs Brown! | :00:52. | :01:01. | |
Hello, how are you? Good to see you. It is actually strange seeing | :01:01. | :01:09. | |
you there, when you see somebody coming out of somebody else's face? | :01:09. | :01:15. | |
It seems weird being an TV like this. A lot of people will not know | :01:15. | :01:21. | |
that Mrs Brown's family is actually your family. Well, many of them. You | :01:21. | :01:27. | |
brought the Klan with you. We have a cardigan and an apron. | :01:27. | :01:52. | |
You do love a cardigan. You are a good boy. That is nice. It is so | :01:52. | :02:03. | |
weird to see you in men's clothes. The one place we have never seen | :02:03. | :02:07. | |
weird to see you in men's clothes. Mrs Brown is Church. | :02:07. | :02:18. | |
But even if you don't go to church, in some parishes, you could still | :02:18. | :02:23. | |
be charged for its repairs. Tony Livesey has been to meet the | :02:23. | :02:26. | |
homeowners who have been told they are legally obliged to contribute | :02:26. | :02:29. | |
if the church chancel needs fixing. The next time you pass your local | :02:29. | :02:30. | |
church, take a good look at it. The next time you pass your local | :02:30. | :02:33. | |
There is a chance that you might have to stump up some cash. It is | :02:33. | :02:40. | |
called chancer repair liability. Thanks to a 500-year-old law it | :02:40. | :02:45. | |
could be inextricably linked to your property. The law dates back | :02:45. | :02:48. | |
could be inextricably linked to to the Middle Ages when people who | :02:48. | :02:52. | |
own land near churches were responsible for funding the upkeep | :02:52. | :02:59. | |
of the chancel. Over the years, as that land has been bought, sold and | :02:59. | :03:05. | |
divided, it has become harder to define who has that responsibility. | :03:05. | :03:10. | |
The only way to check is to cross reference old maps and documents | :03:10. | :03:16. | |
against me ones. That is not straightforward. -- new ones. The | :03:16. | :03:20. | |
Government has set a deadline of this coming Sunday for churches to | :03:20. | :03:25. | |
register formally any property they believe is affected by this law. | :03:25. | :03:34. | |
Two of those properties belong to a couple from Yorkshire. They have | :03:34. | :03:39. | |
been assured there are no immediate plans for repairs was a bit could | :03:39. | :03:43. | |
mean trouble if they want to sell their properties. -- repairs. This | :03:43. | :03:54. | |
letter, as far as you are concerned, has come out of the blade. | :03:54. | :04:00. | |
Absolutely. I was not aware of this. -- out of the blue. I want to pass | :04:01. | :04:07. | |
my property down to my children. In this instance, in this village, not | :04:07. | :04:12. | |
everyone has been opposed, have they? There are another 32 houses | :04:12. | :04:16. | |
that are potentially liable. They they? There are another 32 houses | :04:16. | :04:23. | |
have only said it on four of us. Engine rules say not everyone is | :04:23. | :04:32. | |
equal. -- ancient rules. We asked the Church when it was up | :04:32. | :04:35. | |
registering all the houses. They said the amount the others would be | :04:35. | :04:38. | |
liable to bear the be so miniscule they're not worth pursuing. -- | :04:38. | :04:48. | |
liable to pay would be so miniscule. Many parish councils feel they have | :04:48. | :04:52. | |
no choice but to enforce the law. There have been cases where they | :04:52. | :04:54. | |
have applied to charitable There have been cases where they | :04:54. | :04:58. | |
organisations for funding only to be told they must explore all | :04:58. | :05:05. | |
avenues. They must enforce this. In reality, they may never have to put | :05:05. | :05:10. | |
their hands in their pockets. You cannot completely rule it out. Tell | :05:10. | :05:19. | |
us what happened to you? In 1990, we received a letter asking for | :05:19. | :05:24. | |
help repairing the chancel. They were looking at the window repairs. | :05:24. | :05:29. | |
I think they were talking about £2,000 a window. We said we would | :05:29. | :05:33. | |
be cleared to help provided you can be sure as it is not a legal | :05:33. | :05:39. | |
obligation. They claimed it was a legal obligation. After 20 years, | :05:39. | :05:45. | |
the courts ruled against Andrew ENG bail. The repair bill had risen at | :05:45. | :05:52. | |
a bit. I have never really dead to editor. Something like 250,004 | :05:52. | :06:01. | |
repairs to the chancel. -- dared to add it up. Not all churches want to | :06:01. | :06:10. | |
enforce liability. This Reverend has successfully argued that his | :06:10. | :06:15. | |
parish should not have to impose it on local landowners. The principal | :06:15. | :06:19. | |
basis of my argument was reputational damage to the church. | :06:19. | :06:25. | |
Now you are free to apply to other charities for money, as opposed to | :06:26. | :06:31. | |
other landowners. We will be free. There will be no obligation for us | :06:31. | :06:38. | |
to pursue it. That, for you, is a satisfactory solution? It is | :06:38. | :06:44. | |
satisfactory for us. As for Mick and Cindy, unless they can reach | :06:44. | :06:48. | |
agreement with the Church, this is liable to remain on their deeds for | :06:48. | :06:56. | |
ever. I have not even been into the grounds. It upsets me. To think | :06:56. | :07:07. | |
that it could ruin us. There are going to be a lot of worried people | :07:07. | :07:09. | |
out there. Tony Livesey joins us now. What has | :07:09. | :07:15. | |
the Church of England got to say about all this? I should put some | :07:15. | :07:21. | |
context on this. A lot of churches do not want to pursue this but kind | :07:21. | :07:26. | |
of feel they have to. The Church of England has financial | :07:26. | :07:28. | |
responsibility for 45% of the nation's Grade 1 listed buildings. | :07:28. | :07:31. | |
70% of repair bills are met by local fund raising, with only a | :07:31. | :07:33. | |
minority coming from English Heritage, Lottery funds and other | :07:33. | :07:40. | |
non-church sources. They say they cannot be expected to forgo sources | :07:40. | :07:47. | |
of funding, which is what is called tonsil repair liability. Our | :07:47. | :08:01. | |
solicitor told us about this problem when we bought our house. A | :08:01. | :08:05. | |
round of applause for your solicitor. What do people say it | :08:05. | :08:11. | |
was appointed. It dates back to the aid age of Hennig VII. It was not | :08:11. | :08:17. | |
expected to be put back on the Land Registry. -- to the age of Henry | :08:17. | :08:22. | |
the eighth. Parish councils are having such difficulty finding out | :08:22. | :08:29. | |
who is responsible. The National Archive - if you go to the website | :08:29. | :08:31. | |
- viewers can have a look on that. Archive - if you go to the website | :08:31. | :08:38. | |
It is about the land to house is on. You do not have to be near a church. | :08:38. | :08:44. | |
If you do not get a letter by tomorrow or the day after, does | :08:44. | :08:48. | |
that mean everything is all right? Not really. You are not registered | :08:48. | :08:53. | |
at the moment. If you decide to sell your house in the future, the | :08:53. | :09:00. | |
Church can come and register liability. It is an interesting | :09:00. | :09:05. | |
thing to call it - a source of income. It is really blackmail. | :09:05. | :09:09. | |
Lots of funding bodies so they will not give taxpayers' money because | :09:09. | :09:14. | |
they can get money from other sources. You have to feel sorry for | :09:14. | :09:18. | |
the couples in the film. What happens if you cannot afford it? | :09:18. | :09:23. | |
You need to get into dialogues with the church council. Many of them | :09:23. | :09:28. | |
say, nothing might happen. It might be 100, 200 years before we need to | :09:28. | :09:35. | |
put a new roof on the chancel. You can buy your way out of these | :09:35. | :09:42. | |
things. You can offer a son, but added together with everyone else | :09:42. | :09:46. | |
in the village who is responsible, could buy you out of the whole | :09:46. | :09:52. | |
liability. If you own a house on these lads, is there any legal | :09:52. | :09:58. | |
obligation to tell the future buyers? -- these lands. This is | :09:58. | :10:11. | |
where everybody stops drinking their cups of tea. If you own a | :10:11. | :10:19. | |
property, you imagine you own everything it stands on. You own | :10:19. | :10:24. | |
the surface and somebody else can only everything underneath. How far | :10:24. | :10:29. | |
the surface and somebody else can do you dig damage your planting? | :10:29. | :10:34. | |
The Church of England owns a lot of this type of land Foster they are | :10:34. | :10:39. | |
registering their interest in us. If someone owns everything under my | :10:39. | :10:58. | |
house, they might frack nearby. Do not let her read it! Thank you for | :10:58. | :11:01. | |
coming in. He is trouble. This is the thing | :11:01. | :11:14. | |
was that he is looking very well dressed, well groomed, well spoken. | :11:14. | :11:22. | |
Almost unrecognisable to you know who. | :11:22. | :11:34. | |
Some petits fours? Yes, please. It took grandad a whole day to suck | :11:34. | :11:48. | |
the chocolate up of berm. We are very lucky to have that clip. -- | :11:48. | :11:56. | |
the chocolate off them. Was that all right? It looked great. These | :11:56. | :12:03. | |
two Christmas specials I think of the best episodes we have done yet. | :12:03. | :12:08. | |
Last year, 15 million people watched it across all platforms. | :12:08. | :12:15. | |
There is nothing on the television. Mrs Brown's boys has become an | :12:15. | :12:20. | |
astonishing hit. It started when he just made up the character on the | :12:20. | :12:24. | |
spot. I was having a cup of coffee with a radio presenter. I was | :12:24. | :12:32. | |
invited in to do a couple of comedy pieces on the radio. It was like an | :12:32. | :12:38. | |
Irish version of Steve Wright in the afternoon. They were having a | :12:38. | :12:44. | |
cup of coffee and Rory, my agent, was having a cup of coffee with me. | :12:45. | :12:51. | |
We were having a cup of coffee. The DJs said, I am looking for | :12:51. | :12:56. | |
something quirky for the afternoon. I said, I am writing something | :12:56. | :13:03. | |
quirky. He said, what is it? I said, Mrs Brown's boys. Louise Brown, the | :13:04. | :13:12. | |
first test-tube baby. It was the 21st anniversary of her birth and | :13:12. | :13:17. | |
that name stuck in my mind. He said, I would love to see it. Rory said, | :13:17. | :13:24. | |
so would I! I wrote the first five episodes and gave them to him. I | :13:24. | :13:30. | |
got everyone I knew to put in the voices. I could not afford to pay | :13:30. | :13:34. | |
anybody. That is have a family ended up in it? Pepsi, who played | :13:34. | :13:41. | |
Mark, was my ready. The person who played grandad, he did a bit on my | :13:41. | :13:50. | |
Stand Up Show. I booked an actress to play Mrs Brown and she did not | :13:50. | :13:57. | |
turn up. I read her lines. I said, when she is well, I will dub them | :13:57. | :14:04. | |
over. I just did the boys. Hello, it is nice to see you. That is | :14:04. | :14:12. | |
incredible. When I got to the end, he said, who was the actress | :14:12. | :14:18. | |
playing Mrs Brand? He said, do not lose that boys and that was it. | :14:18. | :14:28. | |
Do you know what it is like to live with a man that is a complete bore | :14:28. | :14:36. | |
and has no personality? Tell them! Maybe this could do with a lick of | :14:36. | :14:42. | |
paint. It needs more than a lick of paint, it needs a face-lift. It was | :14:42. | :14:48. | |
made to last. What is that, it wouldn't be my new kitchen, would | :14:48. | :14:58. | |
it? No. Mrs Brown's family are actually Brendan's family. Just for | :14:58. | :15:02. | |
everybody at home, introduce yourselves and let us know what your | :15:02. | :15:06. | |
real relationship to Brendan is and what your relationship is to Mrs | :15:06. | :15:12. | |
Brown. I am Fiona, Brendan's daughter in real life. I play the | :15:12. | :15:22. | |
part of Agnes's daughter-in-law. Danny, I play Brendan's Sun. I am | :15:22. | :15:37. | |
married to Brendan in real life and I am Mrs Brown's daughter. That must | :15:37. | :15:45. | |
be so weird? You have no idea. You want to see what it is like when we | :15:45. | :15:54. | |
get home. Who is your mammy? You are playing your husband's daughter, | :15:54. | :16:04. | |
dressed as a woman? She is married to Trevor, who plays the priest. | :16:04. | :16:07. | |
Danny is married to Amanda, who plays Betty. What were you doing | :16:07. | :16:16. | |
before this? You were in acting and what have you beforehand? I was in | :16:16. | :16:20. | |
the film college when I got the call. I have filled in a couple of | :16:20. | :16:27. | |
times. I love that, got the call? I filled in the odd couple of times | :16:27. | :16:31. | |
when the actress could not do the show. Then when she decided to | :16:31. | :16:37. | |
leave, did not want it to any more, he literally called me and said, | :16:37. | :16:40. | |
well, you have done it before, you were very good, do you want to come | :16:40. | :16:47. | |
onto? Did you have any experience? I did a bit of acting in movies when I | :16:47. | :16:54. | |
was a kid, but I went straight from school to working backstage. | :16:54. | :17:00. | |
Building the sets, doing the lights. Everybody has worked back on the | :17:00. | :17:06. | |
set, they all understand. I'm very proud of them when we do shoots. | :17:06. | :17:11. | |
Everybody knows what everybody else has to do to make us look good. It's | :17:11. | :17:19. | |
not an easy job, it's a hard job. We are like a posh circus. Danny was | :17:19. | :17:26. | |
diagnosed as dyslexic at a very late age, 16. I am dyslexic, he is | :17:26. | :17:31. | |
dyslexic. When I went to school to try to get supplementary teaching, | :17:31. | :17:34. | |
they said, we can't do that. He said, dad, I can't read a script and | :17:34. | :17:40. | |
I want to be an actor. I said, I'm telling you now, I am going to get | :17:40. | :17:45. | |
your head shot and send it to every casting agency I know. You are going | :17:45. | :17:51. | |
to do auditions, see what it is like to be humiliated, be told, we want | :17:51. | :17:54. | |
to see you being a washing machine and then be told no. That is what an | :17:54. | :18:00. | |
actor's life is. And he got everything he went for. They are | :18:00. | :18:03. | |
going to stay with us to help us with some of Mrs Brown's domestic | :18:03. | :18:10. | |
advice. As we heard earlier, Brendan encouraged his family onto the | :18:10. | :18:14. | |
stage. It turns out that pushy parents are not limited just to | :18:14. | :18:18. | |
humans. Mike Dell Jazz got up close and personal to some incredible | :18:19. | :18:22. | |
guillemots, whose mothers are giving them a shove in the right direction. | :18:22. | :18:27. | |
Just a couple of miles off the Northumberland coast, shaped like a | :18:27. | :18:31. | |
giant molars, the pinnacles rise Northumberland coast, shaped like a | :18:31. | :18:36. | |
majestically out of the North Sea. Part of the Farne Islands, the cliff | :18:36. | :18:40. | |
face offers the perfect opportunity to see our vast array of sea birds. | :18:40. | :18:47. | |
From eight glance around, I can see a kittiwake in the air, puffins in | :18:47. | :18:52. | |
the water, razorbills whizzing past and sharks whizzing past. -- shocks. | :18:52. | :19:04. | |
It is at this time of the year that the guillemots chicks make a huge | :19:04. | :19:10. | |
leap of faith. They are massed ranks now, but in the 70s the numbers were | :19:10. | :19:14. | |
low, in part because people used to collect eggs for food. Thanks to | :19:14. | :19:18. | |
protection, numbers have increased massively. David steel from The | :19:19. | :19:23. | |
National Trust is the head warden. 30 years ago there was 1500, and | :19:23. | :19:28. | |
then they skyrocketed. Every year we see record numbers coming back. How | :19:28. | :19:34. | |
many birds are we talking about? We are looking at 50,000 individuals on | :19:34. | :19:41. | |
the Farne Islands. They are so packed together, it must have tiny | :19:41. | :19:47. | |
territory? They really do. They are the Penguins of the northern | :19:47. | :19:52. | |
hemisphere. They lay one egg and keep it on their feet. To prevent | :19:52. | :19:57. | |
the eggs falling, evolution has come up with an amazing design. Take a | :19:57. | :20:02. | |
chicken egg. Quite rounded. If I put it on this slope, watch it go, all | :20:02. | :20:07. | |
of the way down and into the water. If I take a guillemots egg, and this | :20:07. | :20:13. | |
has come from a museum, see how pointed it is. Put it at the top of | :20:13. | :20:18. | |
the slope and watch it roll around in a nice, tight circle. Preserved. | :20:18. | :20:21. | |
Isn't that amazing? The eggs hatch at around 30 days. | :20:21. | :20:32. | |
Once the chicks are three weeks old, they will have to leave the nest and | :20:32. | :20:36. | |
learn to fish for themselves. As their wings are not fully formed, | :20:36. | :20:41. | |
the only way is down. From below is the best place to get a view of this | :20:41. | :20:46. | |
annual spectacle. It is getting close to dusk. That is the time the | :20:46. | :20:50. | |
chicks will make their leap of faith. All they have known since | :20:50. | :20:56. | |
they hatched is a tiny piece of rock and the love and attention of their | :20:56. | :21:01. | |
parents. Their dance or already in the water and they will have a | :21:01. | :21:04. | |
recognisable call, encouraging their own cheque to jump. -- check. | :21:04. | :21:11. | |
Hopefully they will go to the edge and open their wings, bearing in | :21:11. | :21:16. | |
mind they cannot yet fly. They will half flutter and even possibly | :21:16. | :21:19. | |
bounce their way down to the water. I can't wait to see it. For the | :21:19. | :21:26. | |
chicks, it is a daunting moment. For some, it is a jump of 20 metres. | :21:26. | :21:32. | |
Away we go, there is one on the edge. It doesn't know if it wants to | :21:32. | :21:34. | |
go or not. It is right on the edge. edge. It doesn't know if it wants to | :21:34. | :21:37. | |
It's a way! If they don't jump, sometimes mum | :21:37. | :21:52. | |
will give them a gentleman. -- gentle nudge. There are also hazards | :21:52. | :21:54. | |
on the way down. I've just seen one hitting the rocks | :21:54. | :22:05. | |
on the way in. Really, it doesn't matter. Their bones are still not | :22:05. | :22:09. | |
fully formed and are quite soft. Really, they bounce. I think, | :22:09. | :22:16. | |
actually, it looks fine. As soon as the chicks are reunited with their | :22:16. | :22:20. | |
fathers, they are let out into the North Sea. For the next two months, | :22:20. | :22:25. | |
dad will look after them and teach them to fish. It is such a beautiful | :22:25. | :22:29. | |
evening. Such a phenomenal spectacle. It makes me feel quite | :22:29. | :22:35. | |
emotional, seeing those chicks taking their first tiny steps. Let's | :22:35. | :22:38. | |
hope they will come back for the next 25 or 30 years, and teach their | :22:38. | :22:42. | |
kids how to make that amazing leap of faith. | :22:42. | :22:47. | |
You couldn't believe what you were seeing, covering your eyes? A long | :22:47. | :23:00. | |
way down. Get rid of the offspring. Today is Super Thursday. It is the | :23:00. | :23:04. | |
day when 1500 authors released their books for Christmas. Your alter | :23:04. | :23:10. | |
ego, Mrs Brown, has a family Handbook which has gems of domestic | :23:10. | :23:13. | |
advice for all of us. It's brilliant. We will start with the | :23:13. | :23:20. | |
tea bags, on the washing line. In the books, they will tell you there | :23:20. | :23:28. | |
is a perfect cup of tea. It is just tea. Anything that says infused, it | :23:28. | :23:35. | |
is not tea. If it has a flower on the box, not tea. If it says it is | :23:35. | :23:40. | |
blueberry, not tea. The teapot is very important. You never wash the | :23:40. | :23:44. | |
teapot. Mrs Brown says she has used it for 15 years and never washes it. | :23:44. | :23:50. | |
She has rinsed it out. You see, the more you use it, the less you have | :23:50. | :23:54. | |
to use tea bags because it builds up. You get a good elder's cup of | :23:54. | :24:07. | |
tea. -- builder's. There is a great chapter on tea towels. But my | :24:07. | :24:12. | |
mother, her tea towel was hurt tool box. It opened bottles, held doors | :24:12. | :24:13. | |
open, she would flick it behind my box. It opened bottles, held doors | :24:13. | :24:21. | |
ear. She could take a fully of the top of my ear. All the different | :24:21. | :24:28. | |
things Mrs Brown can do with her tea towel, some of them are pretty | :24:28. | :24:31. | |
outrageous, which I will not go into. A good tea towel should not | :24:31. | :24:38. | |
show the light. Hold it up to the light, if it shines through, it is | :24:38. | :24:44. | |
Mickey Mouse. I am surprised you have still got ears. If you would | :24:44. | :24:50. | |
like similar housekeeping advice from the family book, it is Super | :24:50. | :24:55. | |
Thursday, it is out today. And it is a superb book. The Commitments has | :24:55. | :25:00. | |
been voted the best Irish film of all time. So far! The euphoria is | :25:00. | :25:09. | |
back and this time it is on stage, in the West End. | :25:09. | :25:16. | |
Back in 1991, the film The Commitments, a story of a group of | :25:16. | :25:21. | |
working-class Dubliners who form a soul band became an overnight | :25:21. | :25:26. | |
success. It is based on the bestselling novel. Now, some 25 | :25:26. | :25:31. | |
years after the author wrote the book, he is bringing it to the stage | :25:31. | :25:36. | |
in a show that has been six years in the making. Tonight is opening | :25:36. | :25:37. | |
night. The band's manager is played by | :25:37. | :25:52. | |
22-year-old Dennis Grindle. Despite only just finishing drama school, he | :25:52. | :25:55. | |
grabbed a lead role in what will be his West End debut. So, first job | :25:55. | :26:04. | |
out of theatre school. Luck or talent? Definitely lucky. The | :26:04. | :26:08. | |
opportunity came for this, they were still looking for the character. I | :26:08. | :26:11. | |
opportunity came for this, they were thought it would be a great | :26:11. | :26:13. | |
opportunity to be seen, I didn't think anything would come of it. | :26:13. | :26:17. | |
Opening nights are notorious for being the make or break moment. Is | :26:17. | :26:20. | |
the cast feeling the pressure of that? Definitely more so now. Me | :26:20. | :26:27. | |
personally, on the opening night of previews, knowing that there will be | :26:28. | :26:31. | |
a lot of critics and press, it has been building up, how good the show | :26:31. | :26:40. | |
can be. 26 stagehands, 20 set changes and 39 actors on stage at | :26:40. | :26:44. | |
any given moment. Its opening night and anything could go wrong. Fingers | :26:44. | :26:49. | |
crossed it won't. With only hours to go, the team put the final touches | :26:49. | :26:53. | |
in. For the script writer, Roddy Doyle, just how important are good | :26:53. | :26:57. | |
in. For the script writer, Roddy reviews and a strong world premiere | :26:57. | :26:59. | |
in. For the script writer, Roddy to the success? How different is the | :26:59. | :27:03. | |
stage play from the film? It is very different. I have not seen the film | :27:03. | :27:07. | |
for a long time. I deliberately stayed away while I was working. It | :27:07. | :27:13. | |
is based on the novel. The stage presentation is very different. What | :27:13. | :27:19. | |
kind of pressure you under to work? My work, I feel, is done. You are | :27:19. | :27:23. | |
going to see what I have done, what you see is what you get. In a | :27:23. | :27:28. | |
nutshell, can you tell me what it is about? It is about a young man in | :27:28. | :27:35. | |
the north side of Dublin, who forms a soul band. It's about the band, | :27:35. | :27:42. | |
and then the break-up of the band. Opening night, how do you feel? Very | :27:42. | :27:49. | |
excited, a great buzz backstage. It's a young cast, you have that | :27:49. | :27:53. | |
youthful enthusiasm that is really infectious. Is this make or break | :27:53. | :27:58. | |
night? You can get bad reviews, but if the show is good it tends to find | :27:58. | :28:03. | |
an audience. And this is a very good show. We would like the critics to | :28:03. | :28:08. | |
like the show, it would make the job easier, but I think it is good | :28:08. | :28:12. | |
anyway. The stage is set, the show is about to begin. | :28:12. | :28:19. | |
# Freedom! # | :28:19. | :28:19. | |
As a first night, absolutely brilliant. Everybody has come out | :28:19. | :28:33. | |
with smiling faces. I haven't been to such a good show for ages. That | :28:33. | :28:42. | |
was a very exciting premiere. These shows stand or fall by the | :28:42. | :28:46. | |
all-important first night. It is a strong brand, it has a great | :28:46. | :28:49. | |
storyteller behind it and it has some superb songs. If it is a | :28:49. | :28:53. | |
success or not, we will have to wait and see. | :28:53. | :28:59. | |
You were just saying, great story? When it came out as a movie, I was | :28:59. | :29:03. | |
in America and they had subtitles on it. For the Irish accidents. Thank | :29:03. | :29:10. | |
God we don't have that on Mrs Brown. I know you don't have long left, can | :29:10. | :29:14. | |
I just say to Danny, that he is adopted. Anyway, that is all we have | :29:14. | :29:25. | |
time for today. Thanks to Brendan, Danny and Fiona. We will be back | :29:25. | :29:30. | |
tomorrow with Johnny Vegas. Goodbye. | :29:30. | :29:31. |