Browse content similar to 12/03/2014. Check below for episodes and series from the same categories and more!
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Hello and Welcome to your Wednesday One Show with Alex Jones... And Matt | :00:19. | :00:27. | |
Baker. And on the day we celebrate 25 years of the World Wide Web | :00:28. | :00:31. | |
please welcome, with 172,000 results on Google, Olympic skeleton | :00:32. | :00:40. | |
champion, Amy Williams. With 551,000, the comedian from County, | :00:41. | :00:49. | |
Down Patrick Kielty! And proving that "everyone loves a good old | :00:50. | :00:53. | |
fashioned villain" with pushing 3.5 million hits, its Moriaty himself - | :00:54. | :00:54. | |
Andrew Scott! a lot of search results. Do you | :00:55. | :01:34. | |
Google yourself? The Sherlock fan base has a very active imagination, | :01:35. | :01:39. | |
I try to avoid it. But everybody googles themselves. Do you Google | :01:40. | :01:51. | |
yourself, Patrick? No, I don't. How have you marked 25 years of the | :01:52. | :01:57. | |
World Wide Web? I have been working very hard today, it has been Homes | :01:58. | :02:08. | |
Under The Hammer followed by Loose Women. Have you heard of | :02:09. | :02:16. | |
bullet-proof Coffey? What? Bullet-proof Coffey, is what you are | :02:17. | :02:23. | |
supposed to drink. Have you heard of this, Amy? I have never heard of it. | :02:24. | :02:32. | |
It is what I am drinking now, it is performance coffee. Let's change the | :02:33. | :02:41. | |
subject. Andrew's new film is called The Stag. It is about a stag do in | :02:42. | :02:51. | |
Ireland. And to celebrate, we are throwing our very own one here? Yes, | :02:52. | :02:55. | |
we have invited a stag party along to the programme. Toby, the groom, | :02:56. | :03:05. | |
give us the way. Are you easily embarrassed? Yes. Enjoy yourself. | :03:06. | :03:13. | |
What ever happens, it is going to be fun. Robbie is your best man. He | :03:14. | :03:19. | |
will be looking out the you as we go. You have got a real stag do | :03:20. | :03:27. | |
plans, but have you organised his outfits yet? No, not at all. Just as | :03:28. | :03:34. | |
well. It is in the Brecon Beacons, it is an outdoor theme, which is | :03:35. | :03:39. | |
amazing because it ties in with your film. Tonight, we have a series of | :03:40. | :03:49. | |
challenges for you. If you do well you can go dressed like me to the | :03:50. | :03:58. | |
Brecon Beacons. It is practical. Very stylish. But if he fails to | :03:59. | :04:05. | |
impress, we will dress him up as me! What do you think of that one, | :04:06. | :04:15. | |
Toby? I am going to win. We wouldn't want to do anything his future wife | :04:16. | :04:21. | |
didn't approve of, so let's ask now because she watching along at home. | :04:22. | :04:32. | |
Introduce your friend. This is Charlene, the best man's | :04:33. | :04:38. | |
girlfriend. Which outfit do you want to see Toby in? Yours. We will catch | :04:39. | :04:47. | |
up with you later. We want you to get in touch with your photos of | :04:48. | :04:56. | |
your embarrassed looking stags. Send them to the usual address and we | :04:57. | :04:59. | |
will look later at night. Jets from a US airbase in Suffolk have formed | :05:00. | :05:05. | |
NATO's response to the crisis in the Ukraine. It's a reminder that | :05:06. | :05:09. | |
American military have had a presence here since the Second World | :05:10. | :05:12. | |
War. But with the US changing its foreign policy and making big cuts | :05:13. | :05:16. | |
to its air force the future of its bases here is being questioned. | :05:17. | :05:18. | |
Here's Anita. In a quiet corner of Suffolk, there | :05:19. | :05:25. | |
is a place that is unexpectedly American. This is RAF Lakenheath. It | :05:26. | :05:38. | |
is a US air force base in Suffolk which has been here for over 70 | :05:39. | :05:44. | |
years and I have been given a rare opportunity to hang out with the | :05:45. | :05:49. | |
Americans. RAF Lakenheath is the largest of 12 U.S. Air Force bases | :05:50. | :05:56. | |
in the UK, housing 4500 military personnel and 80 fighter jets and | :05:57. | :06:01. | |
helicopters worth up to ?32 million each! American fighter planes based | :06:02. | :06:15. | |
in England. In 1944, the Americans had 115 aerodromes in East Anglia. | :06:16. | :06:20. | |
Their presence continued because after the end of World War II, we | :06:21. | :06:26. | |
entered the Cold War. It was felt we needed the support of the US forces. | :06:27. | :06:33. | |
As the U.S. Air Force is reducing its global staff by 25,000 members | :06:34. | :06:38. | |
in the next five years, the future size of the base is up in the air. | :06:39. | :06:44. | |
Air combat is what makes this base tick, but there is a different side, | :06:45. | :06:47. | |
with American schools, dollars and traffic rules, it is like a slice of | :06:48. | :06:52. | |
America in East Anglia. I am meeting the man in charge Colonel Kyle | :06:53. | :07:01. | |
Robinson. I turned up this morning, jets flying around, why are they in | :07:02. | :07:07. | |
the air? We need to make sure we are proficient that the missions we have | :07:08. | :07:13. | |
to do. The training within the UK is a lot wetter than we get in the rest | :07:14. | :07:16. | |
of Europe. Our ability to fly low at 500 feet to the ground in lots of | :07:17. | :07:22. | |
different areas free of a lot of constraints, is an advantage. We can | :07:23. | :07:29. | |
go supersonic and get a lot of high-end training. If you look at | :07:30. | :07:34. | |
any of the operations that occur in the European theatre, Bosnia and | :07:35. | :07:38. | |
Kosovo, we are very heavily involved because we are here. To get to the | :07:39. | :07:45. | |
Middle East, we are a day closer so we can get there very quickly. The | :07:46. | :07:49. | |
air base is well and truly part of the landscape, changing the lives of | :07:50. | :07:56. | |
the locals. I came here when I was 19, very nervous about leaving home. | :07:57. | :08:01. | |
I met Heidi at that time and fell in love. It has been magical ever | :08:02. | :08:06. | |
since. Lots of the locals mix with the Americans off base and have | :08:07. | :08:11. | |
become good friends. We are used to it, we see American trucks and cars | :08:12. | :08:17. | |
driving around here and nobody thinks anything of it. It is normal. | :08:18. | :08:23. | |
It has economic impact, we probably have $580 million in the local | :08:24. | :08:27. | |
community, both direct the hand indirectly. We employ a lot of | :08:28. | :08:32. | |
people, rent from the communities. What is the future? We don't know. | :08:33. | :08:40. | |
The air force and the United States military is in transition right now. | :08:41. | :08:44. | |
As we have left Iraq and currently Afghanistan, we will hopefully be | :08:45. | :08:47. | |
out of their by the end of this year, we will look at our strategic | :08:48. | :08:54. | |
priorities. When you go back to the US, what will you take back with | :08:55. | :09:01. | |
you? We like a lot of the things around here. I have to say, your | :09:02. | :09:09. | |
stag photos have crashed the system, so many coming in at the moment. We | :09:10. | :09:15. | |
will talk about Sherlock later on, and I know lots of people will want | :09:16. | :09:19. | |
to hear from you, but let's talk about your film, The Stag. It is | :09:20. | :09:25. | |
about a reluctant groom? A group of friends which we would describe as | :09:26. | :09:37. | |
modern, Irish men. Why would they spend their time in exclusively male | :09:38. | :09:40. | |
company? They go on a walking holiday and their stag is | :09:41. | :09:47. | |
infiltrated by a kind of mania. A man called The Machine. He takes it | :09:48. | :09:57. | |
over. Hilarity ensues. This is the groom and you are the best man | :09:58. | :10:01. | |
trying to avoid getting The Machine on The Stag do. This is the brother? | :10:02. | :10:13. | |
Yes. No, no, no. We are doomed. We had to call it off. We can't, there | :10:14. | :10:21. | |
is no exit strategy. The Machine. You have no idea what it is like to | :10:22. | :10:27. | |
spend five minutes with this man on Christmas Eve, let alone up a | :10:28. | :10:30. | |
mountain. He is insane and it is all your fault. Why is it your fault -- | :10:31. | :10:36. | |
my fault. You suggested it in the first place. I am at work, I am | :10:37. | :10:47. | |
about to give a lecture. Wonderfully directed because you think it is so | :10:48. | :10:54. | |
intimate. It is funny. People were clapping, we have the double | :10:55. | :10:59. | |
premiere and people were clapping. You have a bit of a cry as well, it | :11:00. | :11:05. | |
is a lovely film. Is Melissa's brother coming? Do you have The | :11:06. | :11:11. | |
Machine on board? OK, we will leave it there. Who is The Machine of you | :11:12. | :11:22. | |
lot? You must be inundated with film offers at the moment, why this one? | :11:23. | :11:27. | |
I wanted to do something that had a lighter tone to it. I wanted to go | :11:28. | :11:36. | |
back to Ireland, I have not worked in Ireland for a while, I am from | :11:37. | :11:43. | |
Dublin. I get to sing a lot. It is a very witty script. Comedy is | :11:44. | :11:47. | |
undervalued and to find something that is genuinely funny without | :11:48. | :11:52. | |
being something that we have all seen before, it is difficult to find | :11:53. | :11:55. | |
a good script like that. It is genuinely, there are characters in | :11:56. | :12:04. | |
it we recognise. It is one men and women alike. It must have been | :12:05. | :12:09. | |
freezing because they are naked through a lot of the film. This was | :12:10. | :12:17. | |
shot in November. How did that go? It was beyond grim. We had a no | :12:18. | :12:25. | |
moaning policy. Yes. We had a great wardrobe crew and we were given a | :12:26. | :12:35. | |
onsie to get into after each scene because it was freezing. But then it | :12:36. | :12:40. | |
became very difficult to put on, so we ended up cutting out holes in | :12:41. | :12:51. | |
blankets. You ended up in Rome on a stag do by accident? I started a | :12:52. | :12:55. | |
stag do in Belfast and number of years ago and we ended up winning | :12:56. | :13:01. | |
7000 on a horse and we woke up in Rome! That sounds like The | :13:02. | :13:12. | |
Handover? It seemed like a good idea at the time. We woke up in the hotel | :13:13. | :13:18. | |
room and there is that awful moment when you are lying there and | :13:19. | :13:22. | |
wondering where you are. And there were two suits hung up with a lack | :13:23. | :13:27. | |
ties so we had definitely planned that we were going. Amy, you cannot | :13:28. | :13:34. | |
top that, but you went on your sister's hen night? There wasn't | :13:35. | :13:41. | |
that much alcohol, but for my sister we organised a cottage in the | :13:42. | :13:47. | |
country in Devon and surprise llama walking. My sister was blindfolded | :13:48. | :13:54. | |
in a car and there was alpaca 's and llamas and she had to guess what | :13:55. | :13:58. | |
they were. So we took them for a walk around the hills and the | :13:59. | :14:03. | |
countryside. They do that in the Brecon Beacons, lads. The Stag is | :14:04. | :14:08. | |
out this Friday and it is a good watch. Andrew, you will be filming | :14:09. | :14:15. | |
about the minor's strike? We have just finished filming it, it is out | :14:16. | :14:19. | |
later in the year. It is a group of gay and lesbian people who formed an | :14:20. | :14:24. | |
alliance with a small Welsh village. It is a true story. It is | :14:25. | :14:29. | |
the power of community and how we help each other. What about the | :14:30. | :14:36. | |
voices of those who grew up with the dispute? | :14:37. | :14:48. | |
My name is Ryan. I was ten years old in 1984 when the strike broke out in | :14:49. | :14:55. | |
March. I remember it quite vividly. One day my dad was going to work as | :14:56. | :14:59. | |
normal, the next day he wasn't going to work. One of the most striking | :15:00. | :15:04. | |
things I remember were the food parcels that came from the | :15:05. | :15:08. | |
distribution centres. They came not only from this country but all | :15:09. | :15:12. | |
around the world. I remember having these weird sausages from Russia. I | :15:13. | :15:16. | |
don't know what they were, but they were nice at the time! When I was a | :15:17. | :15:21. | |
child I used to play in the Street, I had friends in the street. There | :15:22. | :15:26. | |
was one child in particular, we were friends before the strike. His | :15:27. | :15:32. | |
father wasn't on strike so that affected our relationship. We | :15:33. | :15:35. | |
weren't friends during the strike. His house got graffitied with the | :15:36. | :15:39. | |
word scarp. That gives you some sort of strength of feeling at that time, | :15:40. | :15:43. | |
even amongst the children in the community. My name is Louise and I | :15:44. | :15:54. | |
was 11 in 1984. My dad went away to work on the Miners' Strikes with the | :15:55. | :16:01. | |
police. We would miss him, but he would bring these goody bags backs | :16:02. | :16:09. | |
of food that he was given. Mars bars and cans of Coke. We would save all | :16:10. | :16:14. | |
of those up for me and my brother. We would just get excited because we | :16:15. | :16:17. | |
would get all of those by the end of the week. The only time I worried | :16:18. | :16:22. | |
was when I watched it on the TV and the news, because you just presume | :16:23. | :16:25. | |
that your dad is going to be in amongst all the fighting. It was | :16:26. | :16:29. | |
quite scary. Thinking back to it, my dad was just doing his job really. | :16:30. | :16:36. | |
It is not something he'd necessarily want to go and do, but because he | :16:37. | :16:39. | |
was getting paid to do it he just went to go and deal with the | :16:40. | :16:43. | |
strikes. I'm quite proud of him, what he has done now, looking back | :16:44. | :16:56. | |
at the situation. I was about eight during the miners' strike. My dad | :16:57. | :17:03. | |
worked for the NUM, the National union of Mineworkers. Things changed | :17:04. | :17:06. | |
a lot in my house, they got a lot more chaotic and busy. It was an | :17:07. | :17:11. | |
exciting time, there were people arriving and leaving, men with gruff | :17:12. | :17:15. | |
voices, very seriously organising the next activity that they were | :17:16. | :17:19. | |
going to embark on. It seemed like a really exciting time as a child | :17:20. | :17:27. | |
anyway. Leading up to Christmas, my mum had to explain to me that we | :17:28. | :17:31. | |
probably wouldn't be able to have a great deal of presence because she | :17:32. | :17:34. | |
didn't have much money. So I still had only one present on my Christmas | :17:35. | :17:44. | |
list, which was a My Little Pony stable. When I opened it on | :17:45. | :17:47. | |
Christmas Day I was really over the moon. It was the best Christmas | :17:48. | :17:51. | |
ever, considering what was going on at the time. The only time I | :17:52. | :17:55. | |
remember when things changed, it was more tense, was at the end of the | :17:56. | :17:59. | |
strike where we went on the last March for the men to go back to | :18:00. | :18:05. | |
work. It was a really disappointing atmosphere, a sense of failure and | :18:06. | :18:11. | |
that things really changed them. -- then. | :18:12. | :18:20. | |
We were having a chat about it earlier. A week on Friday is the big | :18:21. | :18:27. | |
Sport Relief night. Things have changed up a little bit this year, | :18:28. | :18:31. | |
it's happening down at the Olympic Park. You are a big part of it, | :18:32. | :18:36. | |
Clash of the Titans. Explain to us what this is and who is taking part. | :18:37. | :18:43. | |
Basically, two teams. My team has Seb Coe as the captain, then Greg | :18:44. | :18:49. | |
James, Richard Bacon, Sally Phillips and me and Olly Murs. We have | :18:50. | :18:54. | |
basically all been given different challenges. That's a good team! | :18:55. | :19:01. | |
Different challenges from synchronised swimming, gymnastics, | :19:02. | :19:06. | |
on the Velodrome cycling in the pursuit A what else are we doing? | :19:07. | :19:16. | |
Swimming. Greg James looks like a young Louis Walsh in that picture. | :19:17. | :19:20. | |
That is our team. John Bishop, Freddie Flintoff, Nicola Adams. | :19:21. | :19:25. | |
Nicola is there just for the fight at the end. Nick Grimshaw, Helen | :19:26. | :19:33. | |
Skelton and some slightly chubby man at the end. The idea is this is all | :19:34. | :19:39. | |
happening on the night, the competitions will take place during | :19:40. | :19:44. | |
the live broadcast. Guess. We will be doing the race live on Friday | :19:45. | :19:51. | |
night at the velodrome. It's going to be the first time. This is | :19:52. | :19:57. | |
evidence, this is what the Olympic venues were made for. Was this the | :19:58. | :20:06. | |
first time round? Yes. It's scary, the wall just comes to hit you and | :20:07. | :20:10. | |
you've think you are going to slide off. I was shaking, having to talk | :20:11. | :20:14. | |
to myself going around the corners because I thought the bike was going | :20:15. | :20:20. | |
to slide. I love the little bit Alex is giving us now. You can ride the | :20:21. | :20:25. | |
track on a bike, loves. I'm climbing a mountain! I wouldn't fancy the | :20:26. | :20:36. | |
velodrome. That used to be no brakes on them. I was used to ice. This is | :20:37. | :20:44. | |
wood, you get splinters stuck in you. You've come down a mountain on | :20:45. | :20:48. | |
a tea tray, what are you worried about? ! Where did you get this? | :20:49. | :20:58. | |
I've seen Sally Phillips train, she is training really hard. I've seen | :20:59. | :21:02. | |
Olly Murs train, he was having a lot of chafing. Is this warming up? This | :21:03. | :21:09. | |
is my warm up for the synchronised swimming on land. You've got the | :21:10. | :21:16. | |
five girls around me. When they dive in, they stay completely | :21:17. | :21:21. | |
synchronised. The last scene of Titanic, you know where Leonardo | :21:22. | :21:24. | |
DiCaprio slips off into the sea, that's me in the middle, just | :21:25. | :21:32. | |
looking slightly pitiful! In all seriousness, how competitive are you | :21:33. | :21:35. | |
going to be and how messing around are you going to be? My team will | :21:36. | :21:41. | |
beat his team. We are rubbish, but we're better them. I don't know | :21:42. | :21:48. | |
about that. Seb Coe is a crock. John Bishop is a man of iron. He is a | :21:49. | :21:56. | |
past Sport Relief hero. Your team is pretty strong. Richard Bacon was | :21:57. | :22:03. | |
practising yesterday and the times were pretty good. How are you, Amy? | :22:04. | :22:10. | |
You packed in skeleton because of injury, so how are you finding this? | :22:11. | :22:15. | |
My knees have been struggling to walk today. Yeah, I must say it was | :22:16. | :22:22. | |
hard, cycling was hard on the body generally. Today I'm suffering. My | :22:23. | :22:26. | |
poorer knees are, what are you doing to me? ! We've got another ten | :22:27. | :22:34. | |
days, we could probably work this up into a shambles if we get a shot. | :22:35. | :22:44. | |
You can see Patrick and Amy battle it out for Team Bishop and Team Coe | :22:45. | :22:48. | |
next Friday night at the Queen Elizabeth Olympic Park, live on | :22:49. | :22:51. | |
Sport Relief. It is Clash of the Titans! Let's go outside. Our | :22:52. | :22:59. | |
Stargate is saddled up and Andrew is out there ready to start our very | :23:00. | :23:11. | |
own cycling challenge. This is a high-speed bike race and the stakes | :23:12. | :23:18. | |
are massively high. Toby, are you all right? If you impress as here, | :23:19. | :23:24. | |
you will be one step closer to wearing this as opposed to this. | :23:25. | :23:28. | |
Mind you, it would match the wig. He's standing up! He's not messing | :23:29. | :23:53. | |
around at all. He's got the lead. Patrick is hot on his heels but this | :23:54. | :23:58. | |
is a tight corner. He's blasting all the way! Kielty is down. Poor Emma! | :23:59. | :24:16. | |
Come on, Amy. Congratulations. My word! Patrick! The power you put | :24:17. | :24:21. | |
into those pedals. Melissa, you must be very proud of your man. She is | :24:22. | :24:31. | |
lost for words. Have you done enough to avoid wearing this lovely pink | :24:32. | :24:36. | |
dress? We will tell you later on. Still a few more challenges to go, | :24:37. | :24:42. | |
Toby. Relax for now because we are going to change the subject | :24:43. | :24:45. | |
slightly. Here is Ann Widdecombe visiting a women's centre in | :24:46. | :24:47. | |
Gloucester where convicted criminals are free to come and go. The people | :24:48. | :24:52. | |
who run the centre claim it's a better solution to locking women up | :24:53. | :24:56. | |
in prison, but will Ann be convinced? There are almost 4000 | :24:57. | :25:04. | |
women in prison in Britain today. Prison Reform Trust say most of them | :25:05. | :25:08. | |
haven't committed a violent offence and therefore they shouldn't be | :25:09. | :25:13. | |
behind bars at all. Well, I'm a former Prisons Minister and that is | :25:14. | :25:17. | |
not my view. But I'm here today to listen to the argument from the | :25:18. | :25:24. | |
other side. This is the Isis women Centre in Gloucester, where women | :25:25. | :25:26. | |
who have committed offences such as fraud or shoplifting can be sent to | :25:27. | :25:33. | |
instead of to prison. It's called community sentencing. The Prison | :25:34. | :25:36. | |
Reform Trust says this is the most effective and innovative crime | :25:37. | :25:40. | |
cutting schemes in England and Wales. It certainly doesn't look | :25:41. | :25:44. | |
like a penal institution, does it? The front door is unlocked. Tours. | :25:45. | :25:49. | |
The reception has the air of an office, with comfortable seating and | :25:50. | :25:53. | |
a friendly receptionist. Offenders don't even have to stay here. It is | :25:54. | :25:58. | |
a day centre, so every night they go home and sleep in their own beds. It | :25:59. | :26:05. | |
is not like a prison at all. Coming to defend it is Frances Crook, the | :26:06. | :26:11. | |
chief executive of the Howard League for Penal Reform. She is also an old | :26:12. | :26:15. | |
sparring partner of mine, and I think we're about to have another | :26:16. | :26:19. | |
argument. So some lucky woman doesn't get sent to prison, she gets | :26:20. | :26:25. | |
sent here instead. What will she do? It depends on her issues. They can | :26:26. | :26:29. | |
get help to get off drugs, get a job, write a CV. Everything they | :26:30. | :26:33. | |
need to make them responsible citizens and to not commit further | :26:34. | :26:39. | |
crimes, which is what we all want. The statistics are impressive. More | :26:40. | :26:44. | |
than half of women reoffend within a year of leaving prison, whereas only | :26:45. | :26:48. | |
9% reoffend after leaving a place like this. And most of the women | :26:49. | :26:53. | |
here today have finished serving their sentence and have chosen to | :26:54. | :26:56. | |
come back and use the place as a day centre. But there are only 51 of | :26:57. | :27:02. | |
these places across the country, so not every woman gets this as an | :27:03. | :27:07. | |
option. It's a postcode lottery and it's not fair. Some areas have a | :27:08. | :27:11. | |
women's centre, so the courts have that option, and some areas don't. | :27:12. | :27:18. | |
Why just women? NEETs men as well, men do this as well. At the moment | :27:19. | :27:23. | |
thereon. Women are imaginative and creative, we've set up the schemes, | :27:24. | :27:28. | |
women have done it themselves. Don't destroy something that works. Who is | :27:29. | :27:35. | |
proposing destroying it? Every scheme I ever saw worked much better | :27:36. | :27:43. | |
because it was tailored to an individual. You've got 87,000 people | :27:44. | :27:47. | |
in prison and you can't tailor schemes to every single individual. | :27:48. | :27:52. | |
Given that that is so, you are going to have a proportion of people, most | :27:53. | :27:56. | |
of them, going to prison rather than on schemes like this. I don't think | :27:57. | :28:01. | |
you can extrapolate from that that it's the women uniquely who should | :28:02. | :28:08. | |
be going to them. It is walking in and they are my friends, I've done | :28:09. | :28:12. | |
really well and done a lot of courses. I was a mess coming out of | :28:13. | :28:16. | |
prison, I didn't really get over it and was a complete and utter mess. | :28:17. | :28:23. | |
Isis is run by a very uncompromising lady called Rose. Behind us today is | :28:24. | :28:27. | |
an art class going on. What is the to these ladies? It's a self-esteem | :28:28. | :28:36. | |
course. People are making car large as that are about what enhances | :28:37. | :28:39. | |
their self-esteem and what diminishes their self-esteem. That | :28:40. | :28:42. | |
sounds wonderful except I've been watching the art class and they've | :28:43. | :28:46. | |
all just been having huge fun. If you are rape victim of crime, don't | :28:47. | :28:53. | |
you think dash back if you are a victim of crime, don't you think you | :28:54. | :28:56. | |
might want something a little bit more exemplary? Greene what victims | :28:57. | :29:01. | |
want something done so it's not going to happen again, to them or to | :29:02. | :29:07. | |
someone else. OK, so we've had to be debate, what is my conclusion? I've | :29:08. | :29:11. | |
seen nothing to make me change my mind. I think men and women should | :29:12. | :29:16. | |
be treated equally before the justice system, and that justice | :29:17. | :29:22. | |
should be meted out blindfold. I think her stance is quite naive. It | :29:23. | :29:26. | |
can cost up to ?56,000 per annum to keep a woman in prison. There is a | :29:27. | :29:30. | |
robust community sentence such as ours can cost somewhere up to ?3000. | :29:31. | :29:36. | |
I'm disappointed that I wasn't able to convince Ann that centres like | :29:37. | :29:39. | |
this can really change lives and should be a real alternative to | :29:40. | :29:42. | |
custody, so we don't send so many women to prison. 's we are joint by | :29:43. | :29:56. | |
Ann and Vicky Pryce, who has had recent experience in jails, after | :29:57. | :30:04. | |
taking her husband's Chris Huhne's speeding points. Vicky, you and your | :30:05. | :30:09. | |
ex-husband both received the same sentence, but you feel women are | :30:10. | :30:15. | |
treated more harshly, so what evidence do you have to support | :30:16. | :30:19. | |
this? If you look at the film you have just seen, it is much more | :30:20. | :30:25. | |
about whether alternative to prison work or not and maybe we should look | :30:26. | :30:30. | |
at women differently in terms of what we do in sentencing them. What | :30:31. | :30:40. | |
struck me looking that that is Ann's admission that it cuts | :30:41. | :30:42. | |
offending rates substantially. If you just want to -- reduce | :30:43. | :30:48. | |
reoffending, those things work very well. You did say over 50% reoffend, | :30:49. | :30:57. | |
but going through that system, 9% reoffended? I did say I had seen | :30:58. | :31:07. | |
numerous schemes like that during my time as prison minister. Any | :31:08. | :31:12. | |
offender, given a tailored scheme, then it will work. We have 87,000 | :31:13. | :31:16. | |
plus prisoners, you cannot give them all tailored schemes, so why | :31:17. | :31:23. | |
uniquely must it be the women? Is it worth having sentences like that for | :31:24. | :31:32. | |
men? I would like to have tailored schemes for most of the individuals | :31:33. | :31:37. | |
in prison. It is not feasible on that sort of scale. I have never | :31:38. | :31:40. | |
denied individual, tailored schemes and will probably work in most | :31:41. | :31:47. | |
cases, but why do we say uniquely it is women. We don't actually say | :31:48. | :31:53. | |
that. There has been some funding for those centres because there was | :31:54. | :32:02. | |
a report which said women go in for very trivial offences and when they | :32:03. | :32:07. | |
come out they reoffend because nothing is done about the cause of | :32:08. | :32:11. | |
their crime, if you like. Very often they were victims before they went | :32:12. | :32:17. | |
to prison. They have a higher reoffending rate than men? They do | :32:18. | :32:23. | |
after they have had a number of offences, then it is very high, it | :32:24. | :32:31. | |
goes up to 90%. But the issue of women, they tend to have more drug | :32:32. | :32:37. | |
problems than men. They tend to have been more sexually abused when they | :32:38. | :32:41. | |
were children, suffered from domestic fire and is, they tend to | :32:42. | :32:47. | |
be suffering from alcohol abuse and have poor parenting skills. The | :32:48. | :32:53. | |
moment you send them to prison, instead of doing something about the | :32:54. | :32:56. | |
issues, you separate them from their children, and putting them in prison | :32:57. | :33:04. | |
costs so much more without any real input at the end than looking at | :33:05. | :33:11. | |
alternatives. You see the special pleading, women have drug use, | :33:12. | :33:14. | |
alcohol use. I was very quiet while you are speaking. This is special | :33:15. | :33:27. | |
pleading. Men, overwhelmingly in prisons, men have come in with a | :33:28. | :33:32. | |
drug act ground, a lot of them are in prison because they have done | :33:33. | :33:35. | |
things under the influence of alcohol. It is not unique for women. | :33:36. | :33:42. | |
You cannot do tailored schemes for everybody, you can do them for some, | :33:43. | :33:46. | |
don't pick out a women and said they are especially deserving. Justice | :33:47. | :33:52. | |
must be impartial. We saw the centre and the statistics say it works, but | :33:53. | :33:59. | |
they were having an arts and crafts session, is there room to feel for | :34:00. | :34:03. | |
the big aims of crime in this instance? I think victims want two | :34:04. | :34:11. | |
things, they want to feel they will be safe in the future so the | :34:12. | :34:16. | |
reoffending rates are important. But victims want to feel their plight | :34:17. | :34:19. | |
has been taken seriously. I think some victims looking and that will | :34:20. | :34:25. | |
think it is an insult. It is a difficult balance. It depends on the | :34:26. | :34:32. | |
victims, we're talking about women who have committed trivial act, like | :34:33. | :34:42. | |
shoplifting. The reality is, you can do it for loads of people but not | :34:43. | :34:46. | |
everyone. I don't think the idea of taking everyone out of prison and | :34:47. | :34:49. | |
putting them in centres like that is the answer. There is no such thing | :34:50. | :34:57. | |
as a victimless crime, we all pay the shoplifting, including the very | :34:58. | :35:05. | |
poor. Thank you, Ann. I know you do take some of Vicky's points. Does | :35:06. | :35:12. | |
she take any of mine? There is a hidden list looking at how many | :35:13. | :35:18. | |
home-grown businesses are faring. 5 million pairs of shared -- shoes and | :35:19. | :35:23. | |
boots are made here and John Sargent has been to see how a brand has come | :35:24. | :35:28. | |
back from the dead. This is Northamptonshire and they | :35:29. | :35:33. | |
have been making shoes in this part of Middle England for centuries. But | :35:34. | :35:37. | |
tradition does not guarantee success. I am visiting a factory | :35:38. | :35:43. | |
that not so long ago was on the brink of closure, now thanks to the | :35:44. | :35:45. | |
vision of one man, it is prospering again. This is in Wollaston and the | :35:46. | :35:53. | |
company was founded in 1881 when five men formed a cooperative called | :35:54. | :36:00. | |
the Northamptonshire and society. The company went from strength to | :36:01. | :36:05. | |
strength and its success contributed to its joint ownership by local | :36:06. | :36:09. | |
people. I started here when I was 16. The factory was in the village | :36:10. | :36:16. | |
and I lived in the village making around 5000 pairs of shoes a week. | :36:17. | :36:20. | |
But the good times did not last. China flooded the market with lower | :36:21. | :36:26. | |
quality but cheaper for wear. And then bad luck. We had two major | :36:27. | :36:35. | |
contracts and one went bust and one drop does. The company that drop | :36:36. | :36:43. | |
them was Doc Martens. The sales slumped and the cooperative was | :36:44. | :36:48. | |
plunged into crisis. Its business model in ruins and losing money hand | :36:49. | :36:52. | |
over fist. The future looked hopeless. Over 100 years of | :36:53. | :36:58. | |
industrial history was about to end. It was active that so many years and | :36:59. | :37:01. | |
then thinking all of the work would be lost, it was awful. We just | :37:02. | :37:08. | |
didn't think we would reworking in the industry again. The factory was | :37:09. | :37:12. | |
about to be sold to a property developer, when at the 11th hour, a | :37:13. | :37:16. | |
knight in armour arrived with a rescue plan. This man used to earn | :37:17. | :37:22. | |
his living selling shoemakers, he had sold his business but wasn't | :37:23. | :37:27. | |
ready to hang up his boots. I had heard they were in trouble and I | :37:28. | :37:32. | |
thought it was a shame for it to go. 1881, a lot of skill here as | :37:33. | :37:41. | |
well. He wrote to the staff offering to buy the business and gave a | :37:42. | :37:44. | |
guarantee of a year's work and expressed confidence in the | :37:45. | :37:52. | |
heritage. I said I won't pay you what a property developer will, but | :37:53. | :37:56. | |
I will pay you a fair price. They said, in three weeks time you could | :37:57. | :38:03. | |
say, in three weeks it isn't working and close it and then sell it to a | :38:04. | :38:07. | |
property developer and make more money. I said, you have to believe | :38:08. | :38:13. | |
me that I won't do that. His offer was accepted, helped by the fact he | :38:14. | :38:20. | |
lived in Wollaston. We knew him from the village, knew what he was like. | :38:21. | :38:25. | |
So we gave him a go. The company changed its business model, no more | :38:26. | :38:29. | |
churning out thousands of the same pair of shoes or boots. Instead, an | :38:30. | :38:36. | |
emphasis on templates which could be customised to suit individual | :38:37. | :38:42. | |
retailers. It different colour, something as simple as the laces, | :38:43. | :38:47. | |
the detail around here. There is a lot of leather types and colours | :38:48. | :38:52. | |
that you can choose. We made 12 players to try the market and if it | :38:53. | :38:57. | |
grows, you can scale up accordingly. The made in Britain is the biggest | :38:58. | :39:02. | |
draw and combined with the flexibility and the minimum order | :39:03. | :39:06. | |
quantity, it is a massive advantage. The people here never regretted | :39:07. | :39:11. | |
allowing the man to take over the company and end over a century of | :39:12. | :39:16. | |
being run as a cooperative. At the time we had a share of the profits, | :39:17. | :39:21. | |
and we don't get that any more, but we would rather have a job. This | :39:22. | :39:27. | |
company has thrived from mass production to the top end of the | :39:28. | :39:33. | |
market. It shows it can survive in Britain again to optimism, hard work | :39:34. | :39:39. | |
and a fair deal of luck. Loads of pictures of your stag parties have | :39:40. | :39:44. | |
come in. We will show you a few now. This is | :39:45. | :39:48. | |
James, he went on the Bristol zombie walk. | :39:49. | :39:56. | |
This is William Taylor, snow white. He is trying to get the seven dwarfs | :39:57. | :40:01. | |
through customs. Amy, look at that for an outfit. | :40:02. | :40:06. | |
Fit for the skeleton. Dale Simons on his way to his stag party in Prague. | :40:07. | :40:14. | |
Let's go onto Sherlock. With Moriarty, there is a picture of | :40:15. | :40:21. | |
you with the suit on. Your fans could name where every piece of | :40:22. | :40:31. | |
clothing came from. Shirt from Spencer Hart. Very good. People are | :40:32. | :40:39. | |
obsessed. That is the shocking thing? Yes, they get involved. Have | :40:40. | :40:48. | |
you been surprised at how impressive -- obsessive some of these fans are? | :40:49. | :40:54. | |
I do avoid those, I don't go anywhere near that stuff because it | :40:55. | :41:02. | |
is terrifying, some of it. There is a great ownership of the show. | :41:03. | :41:07. | |
People have great affection for it from the beginning. It is unusual | :41:08. | :41:10. | |
for a show to have, sometimes it takes a few seasons for it to get | :41:11. | :41:16. | |
going, but people latched onto it very quickly. They know the Sherlock | :41:17. | :41:21. | |
Holmes name anyway. You are the ultimate, modern villain, but | :41:22. | :41:25. | |
sitting with you now, you are very amicable. He looks so nice. As | :41:26. | :41:33. | |
mariachi, what are you channelling because it is so dark and deep? You | :41:34. | :41:42. | |
are going to have to tell them you are an actor! It is a funny question | :41:43. | :41:48. | |
because I did not want to look at any other billion -- villains. I | :41:49. | :41:56. | |
tried to find what ever was dark in me. We all have a bit of a dark | :41:57. | :42:05. | |
side. Let C Moriarty and Sherlock in a battle of wits. This is from the | :42:06. | :42:13. | |
second series of Sherlock. It is going to start very soon, Sherlock. | :42:14. | :42:20. | |
The fall. Don't be scared, falling is just like flying except there is | :42:21. | :42:30. | |
a more permanent destination. Never liked riddles. Learn to, because I | :42:31. | :42:50. | |
go you a fall, Sherlock. I owe you! Andrew, what do you feel and think | :42:51. | :42:58. | |
when you watch that? You just ring, guard! I don't find it very easy to | :42:59. | :43:04. | |
watch that. I don't think many actors do like doing that. There is | :43:05. | :43:10. | |
talk about a complicated bring back of Moriarty, how would you like to | :43:11. | :43:14. | |
see him being brought back Ashton Mark that was very well put! I had | :43:15. | :43:23. | |
not thought about that. Yes you have, Andrew. There are endless | :43:24. | :43:28. | |
possibilities how he can keep dropping in and out? He is not | :43:29. | :43:35. | |
allowed to talk about it. If I were to reveal anything to people, they | :43:36. | :43:39. | |
would be bitterly disappointed. People think they want to know, but | :43:40. | :43:45. | |
they don't. Those who create it have thought long and hard? They have | :43:46. | :43:52. | |
been thinking about it for years. Some plots, it is the very beginning | :43:53. | :44:01. | |
of the show. OK. RU still enjoying yourself, mate? He looks petrified. | :44:02. | :44:06. | |
This is the second challenge. Amy would like to ask you a question. | :44:07. | :44:17. | |
OK, if you are going to take me out on a nice romantic meal, what would | :44:18. | :44:20. | |
you bring with you, where words we go and what would you do with me? | :44:21. | :44:28. | |
And that question to number one, please! Let's see how romantic you | :44:29. | :44:39. | |
are. Landowners. Wednesday night snakebite, and watch some football. | :44:40. | :44:49. | |
?1 50 a pint. I will come. I think we need clarification from Melissa. | :44:50. | :44:59. | |
Is he a real softy at heart? No, he doesn't know what the word romantic | :45:00. | :45:07. | |
is! Later, will he be wearing a Matt Baker inspired outfit to go on his | :45:08. | :45:11. | |
walking stag do? Or will it be a dress similar to mine? The fabric, I | :45:12. | :45:19. | |
can't imagine that on the Brecon Beacons! Here is a man who wasn't | :45:20. | :45:23. | |
afraid of dressing up. It's Elton John, talking about the album and | :45:24. | :45:28. | |
the costumes that made him famous. Elton John and Bernie Taupin have | :45:29. | :45:31. | |
one of the most successful songwriting partnerships in the | :45:32. | :45:36. | |
history of pop. Their seventh album, Goodbye Yellow Brick Road, is | :45:37. | :45:39. | |
regarded as their best and has sold over 31 million copies worldwide. We | :45:40. | :45:49. | |
could have taken so many singles off the Goodbye Yellow Brick Road | :45:50. | :45:52. | |
album. The record company phoned up and said Benny and the Jets should | :45:53. | :45:58. | |
be the single in America. I told them I wanted Candle in the Wind. I | :45:59. | :46:05. | |
fought them so many times. For me, a white boy from Pinner who had grown | :46:06. | :46:09. | |
up loving black B6, I'd played the blues and R all my life. I let | :46:10. | :46:14. | |
them have their way. It shows you that as an artist sometimes you know | :46:15. | :46:15. | |
nothing. The 17 songs on the double album | :46:16. | :46:29. | |
were all written and recorded in May 1973, in just over two weeks. It is | :46:30. | :46:35. | |
impressive for me to look back at it and think it was recorded and | :46:36. | :46:40. | |
composed in such a short time. The band based themselves at a studio | :46:41. | :46:46. | |
outside Paris. It literally was like a mini creative factory. I would | :46:47. | :46:49. | |
write in the mornings. When the band were having breakfast, there was a | :46:50. | :46:54. | |
piano in there, I would come down and grab a cup of coffee and give | :46:55. | :47:00. | |
Elton a couple of lyrics I've been working on that morning. I would | :47:01. | :47:07. | |
write at breakfast at the table, the band would join in and by the time | :47:08. | :47:13. | |
breakfast was over we'd written and rehearsed two songs and gone into | :47:14. | :47:16. | |
the studio and recorded them. We were young, we wanted to conquer the | :47:17. | :47:23. | |
world. It was, like, wow! The man responsible for the album's sound | :47:24. | :47:29. | |
was record producer Gus Dudgeon. He was the fifth member of the band. | :47:30. | :47:35. | |
The sound of everything on the record was extraordinary. That was | :47:36. | :47:40. | |
down to him. Like the Beatles had George Martin, we had him. When Gus | :47:41. | :47:47. | |
Dudgeon was killed in a car accident in 2002, the songwriter 's lost a | :47:48. | :47:53. | |
friend and great talent. The guy to this day is still one of the | :47:54. | :47:56. | |
untapped geniuses of that particular era. I don't think he ever gets the | :47:57. | :48:02. | |
credit he deserves. You just have to listen to those records. Sonically, | :48:03. | :48:06. | |
there's nothing to touch them. Of all the tracks on the album, it is | :48:07. | :48:11. | |
side one track two that is the most famous. When it was performed at | :48:12. | :48:17. | |
Princess Diana's funeral, it became the soundtrack for a nation. I'm not | :48:18. | :48:27. | |
sure if I've ever said this, but the song, about the gulags, it's a | :48:28. | :48:33. | |
fantastic title. I had to come up with something that would work with | :48:34. | :48:40. | |
that title. # It seems to me you live your life | :48:41. | :48:47. | |
like a candle in the wind. It's an incredible marriage of | :48:48. | :48:54. | |
melody and lyrics. In 1973 it was at the top of the album charts on both | :48:55. | :48:58. | |
sides of the Atlantic. Elton became an international superstar, and his | :48:59. | :49:02. | |
onstage flamboyance reached new heights. I was a piano player, and a | :49:03. | :49:16. | |
piano is a nine foot plank that doesn't do very much. So I had to | :49:17. | :49:21. | |
draw attention to myself by having fun with the costumes and doing | :49:22. | :49:25. | |
whatever I could use the piano as prop. It was the album that really | :49:26. | :49:37. | |
established me in the charts. It was an incredible time in my life. That | :49:38. | :49:45. | |
makes me feel emotional because... Not sad, but incredibly happy. Thank | :49:46. | :49:56. | |
you, Cerys. The 40th anniversary release of Elton's Goodbye Yellow | :49:57. | :49:59. | |
Brick Road is out on the 25th of March. Haven't they done well so | :50:00. | :50:07. | |
far? Are you ready for the final challenge? Yes! We know that you and | :50:08. | :50:13. | |
a lot of the members of your stag party love a bit of American | :50:14. | :50:17. | |
football, with the Bournemouth Bobcats. Tonight, we have got the | :50:18. | :50:21. | |
ultimate American football team for you to have a go with. To show off | :50:22. | :50:26. | |
your physical prowess. Let's see the game the face. This is it. Are you | :50:27. | :50:33. | |
ready, Toby? Here we go. Meet the London cheerleaders. | :50:34. | :50:37. | |
MUSIC: "Gonna Fly Now (Theme From Rocky)" by Bill Conti. | :50:38. | :50:49. | |
Basically, Toby is going to join the squad. Quick tips but Toby for being | :50:50. | :50:57. | |
a good cheerleader. He has to be really enthusiastic, really flexible | :50:58. | :51:04. | |
and really athletic. He is going to couple with one of the girls, | :51:05. | :51:12. | |
Daniela. They will run through it. Get into position and put some music | :51:13. | :51:17. | |
on. Here we go. It starts with a little bit of a shimmy. | :51:18. | :51:24. | |
The chest comes into it, three little head flicks, one... There is | :51:25. | :51:33. | |
the second and finally... Bring in the hips. Walk around. Good, just | :51:34. | :51:41. | |
enjoy yourself for a moment. Here comes the high cake. Focus on the | :51:42. | :51:47. | |
high cake. And then you just get yourself into an end position to | :51:48. | :51:48. | |
strike a pose. You are going to be great. Get into | :51:49. | :52:07. | |
position. This is it. Remember, it's Matt's clothes or the dress. It | :52:08. | :52:13. | |
rides on this. Melissa, can you believe that your husband to be is | :52:14. | :52:16. | |
about to be a cheerleader live on the One Show? | :52:17. | :52:24. | |
There is the head flicks. There's two, and a third. Yes! Oh, he's lost | :52:25. | :52:50. | |
his antlers. Oh, yes! Get ready for picking. Here it comes. | :52:51. | :53:06. | |
Girls, wonderful stuff. Toby, well done. How did that feel? Terrifying. | :53:07. | :53:16. | |
I think you did a great job, but was it enough to get out of wearing a | :53:17. | :53:21. | |
dress like mine? We are going inside to have a bit of a conflab. From | :53:22. | :53:26. | |
bobcats to polecats and are very excited Miranda. For centuries, the | :53:27. | :53:32. | |
polecat was public enemy number one, because of its taste for chickens, | :53:33. | :53:36. | |
thousands were killed as gamekeepers and farmers hunted them to the point | :53:37. | :53:41. | |
of extinction in England. By the 1950s, only 5000 were left in the | :53:42. | :53:46. | |
UK, with the bulk of that population squeezed into remote parts of mid | :53:47. | :53:51. | |
Wales. You might expect these timid and rather elusive creatures to be | :53:52. | :53:55. | |
found in very rural settings, woodland, forest, maybe even wild | :53:56. | :53:59. | |
meadows. But polecats are starting to make their homes in some rather | :54:00. | :54:05. | |
unlikely places. Today there are approximately 55,000 polecats in | :54:06. | :54:10. | |
Britain. But despite that, sightings of them are extremely rare. However, | :54:11. | :54:14. | |
I've had a tip-off about a female polecat discovered rearing a litter | :54:15. | :54:18. | |
of young. I've been sent some amateur footage of the polecats, and | :54:19. | :54:22. | |
we want to see if we can capture this rare creature on camera | :54:23. | :54:27. | |
ourselves, in what turns out to be a surprisingly urban location. We've | :54:28. | :54:32. | |
already set up special night vision HD cameras, and now I'm hoping to | :54:33. | :54:37. | |
see these urban polecats for myself. The owners of the house want to | :54:38. | :54:41. | |
protect them and don't want to be filmed. But, as night descends, all | :54:42. | :54:47. | |
the house lights are switched off. I've been joined by polecat exposed | :54:48. | :54:54. | |
Henry Scofield, of the Vincent Wildlife Trust. These animals were | :54:55. | :55:01. | |
born in late May, early June. They will have been with the mother in | :55:02. | :55:05. | |
this garage since then, for the last two or three months. Usually during | :55:06. | :55:09. | |
July and early August they will stop to come out with the mother on | :55:10. | :55:13. | |
hunting trips. And when we view the amateur footage that has been shot, | :55:14. | :55:18. | |
hunting of a very urban nature seems to be exactly what these polecats | :55:19. | :55:24. | |
are up to. Quite frenetic activity. It is, it's lovely, though. It puts | :55:25. | :55:29. | |
a smile on your face. It is so unique. I've never seen this sort of | :55:30. | :55:40. | |
footage. It looks like a piece of chicken she has collected somewhere | :55:41. | :55:42. | |
locally. She's really struggling. It will go! She can't even get it | :55:43. | :55:47. | |
through the hole into the garage. Coming back and grabbing that. It's | :55:48. | :55:52. | |
spectacular. Tell me why they are called polecats. It's from a French | :55:53. | :55:58. | |
word. It means chicken cat. It's because they like chicken. But have | :55:59. | :56:04. | |
we been lucky enough to catch the hungry polecats on the prowl with | :56:05. | :56:05. | |
our own polecat camera station? This is probably the last of the | :56:06. | :56:20. | |
kittens. The mother has gone and this is the last kitten that's left. | :56:21. | :56:25. | |
They are so beautiful. When you catch sight of their face, they are | :56:26. | :56:30. | |
so appealing. They are very inquisitive looking animals. If I | :56:31. | :56:34. | |
had one of those in my garden I would be jumping for joy. This is a | :56:35. | :56:39. | |
close-up. That little hole under the garage door. Isn't that | :56:40. | :56:44. | |
spectacular? Look at those big claws as well. You can see how sinuous | :56:45. | :56:50. | |
they are. It's just such an unusual place to see them. You keep | :56:51. | :56:55. | |
reminding yourself this is right out there, it's incredible. So it took a | :56:56. | :57:00. | |
long time but our suburban nature hide did allow us to capture some | :57:01. | :57:07. | |
really magical footage of polecats. Reviewing that footage shot a few | :57:08. | :57:10. | |
days ago of these charming creatures, that was truly magical. | :57:11. | :57:14. | |
Creatures with such an extraordinarily survival instinct | :57:15. | :57:17. | |
that they choose to live cheek by jowl with us, the oldest enemies. | :57:18. | :57:22. | |
Anyway, it is very late now and I'm off to bed with a big smile on my | :57:23. | :57:23. | |
face! Wouldn't it be nice to have a | :57:24. | :57:34. | |
polecat on the show? Beautiful. This is brilliant. Dressed as wonder | :57:35. | :57:42. | |
woman last weekend on his stag. -year-old Tristan spent his whole | :57:43. | :57:45. | |
stag weekend in Paris dressed up as a giant fish. Go on, Patrick. That's | :57:46. | :57:55. | |
a particularly ropey one. This is Robert Seymour, a little worse for | :57:56. | :58:03. | |
wear. Is that Gavin, or is he dressed as they red, leather sofa? | :58:04. | :58:10. | |
This is en route to Bratislava, where I'm sure he may have fitted in | :58:11. | :58:15. | |
quite well. The moment has come to reveal Toby in his stag do outfit. | :58:16. | :58:22. | |
Are we ready? Melissa, are you ready? Put your thumbs up if you are | :58:23. | :58:26. | |
ready to see your husband. What is he wearing? | :58:27. | :58:29. | |
MUSIC "Dude Looks Like Lady" by Aerosmith. | :58:30. | :58:41. | |
Melissa, do you still want to marry him? Yeah. Thank you to all of our | :58:42. | :58:53. | |
guests tonight. Patrick and Amy will be battling it out in Clash of the | :58:54. | :58:59. | |
Titans next Friday night. We will be here tomorrow with Terry Gilliam. | :59:00. | :59:00. | |
Goodbye! Hello, I'm Ellie Crisell with your | :59:01. | :59:13. | |
90 second update. Drama at the Oscar Pistorius murder | :59:14. | :59:19. | |
trial. An expert re-inacted how he smashed down a toilet door with a | :59:20. | :59:22. | |
cricket bat after shooting his girlfriend. The witness contradicted | :59:23. | :59:25. | |
the athlete's evidence that he was wearing his artificial legs at the | :59:26. | :59:26. | |
time. Should we stay in, or pull out of | :59:27. | :59:28. | |
the | :59:29. | :59:30. |