Browse content similar to 12/07/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. | :00:24. | :00:28. | |
With us tonight is a woman looking for Jesus. Some spend a lifetime | :00:28. | :00:34. | |
trying, she's only got a few weeks, it is Mel C! APPLAUSE Welcome back. | :00:34. | :00:40. | |
Lovely to see you. Looking gorgeous. Thank you very much. So, you're a | :00:40. | :00:46. | |
new judge on Lord Andrew Lloyd Webber's Search for Jesus? Yes, I'm | :00:46. | :00:51. | |
brand new. The live shows start on Sunday. So, what instructions has | :00:51. | :00:56. | |
he given? What is he looking for? OK. Well, basically, people who | :00:56. | :01:02. | |
know the show, it is incredible. It is rocky and soulful. Not what you | :01:02. | :01:07. | |
expect from musical theatre. So they must be strong with the vocals, | :01:07. | :01:14. | |
with their acting ability and lots of car is mar. I think | :01:14. | :01:18. | |
vulnerability. Some have gone with it, long hair and beards, are they | :01:18. | :01:23. | |
barking up the wrong tree with that? Well, we are not being biased, | :01:23. | :01:26. | |
going with the image of what we believed Jesus would have looked | :01:26. | :01:31. | |
like, but there is a lot of facial hair, which is not a bad thing. | :01:31. | :01:36. | |
have seen one with blonde hair, I think he is brilliant. He looks | :01:36. | :01:43. | |
like a lion. Oh, yes. We understand that you have Jason Donovan to | :01:43. | :01:49. | |
thank for your part as Mary? When I was asked to be the TV show, I love | :01:49. | :01:53. | |
Jesus Christ Superstar. I was really happy to do it. The role of | :01:53. | :01:57. | |
Mary Magdalene was a dream. I thought it was beyond my | :01:57. | :02:00. | |
capabilities, but working with Lord Andrew Lloyd Webber and Jason | :02:00. | :02:04. | |
Donovan. I mentioned to Jason that I would love to do it. He said to | :02:04. | :02:12. | |
go for it. To mention it to Andrew, but he had never thought of it. He | :02:12. | :02:19. | |
would love me to do it. Where were you when you got the call? I was at | :02:19. | :02:25. | |
home. I thought it was someone trying to sell me something. Then I | :02:25. | :02:31. | |
realised it was Lord Andrew Lloyd Webber, so, hello! OK, with the | :02:31. | :02:36. | |
Barclays scandal, the latest in a long line of bad bank behaviour, | :02:36. | :02:40. | |
the reputation of some High Street bank names could hardly be lower, | :02:40. | :02:44. | |
but if you have had enough and you want to put the money elsewhere, | :02:44. | :02:49. | |
what do you do? Well, Matt Allwright considers the options. | :02:49. | :02:56. | |
Banks, faceless, impersonal, and at the moment, downright disliked. You | :02:56. | :03:03. | |
have the LIBOR, the LIBOR rate fixing scandal. Complicated, | :03:03. | :03:08. | |
expensive and it contains the word lie. The NatWest Royal Bank of | :03:08. | :03:14. | |
Scotland, computer fas co. You cannot turn it on again. Massive | :03:14. | :03:19. | |
tax avoidance, massive bonuses. The little pins on the chain. I hate | :03:19. | :03:24. | |
them. However, switching from the scandal-hit larger banks to smaller | :03:24. | :03:29. | |
banks, and building societies or credit unions appears to be the | :03:29. | :03:34. | |
trend. New current accounts of building societies are up 50%. The | :03:34. | :03:37. | |
Independent Commission on Banking wants us all to be able to switch | :03:37. | :03:41. | |
accounts whenever we want. Last week in Parliament, the Prime | :03:41. | :03:45. | |
Minister said that would happen. Being able to move your bank | :03:45. | :03:49. | |
account. That will be in place later this year. But some people | :03:49. | :03:55. | |
are not waiting. Rachel and Sam Matthews have moved all of their | :03:55. | :04:01. | |
accounts from two of the big four banks to the smaller, "". After the | :04:01. | :04:08. | |
recession, it did not seep a -- seem a acceptable message to sit | :04:08. | :04:14. | |
around and do nothing. The easiest thing for a customer to do is to | :04:14. | :04:18. | |
step outside of that field by moving their accounts to an ethical | :04:18. | :04:21. | |
banks. What were the worries? really wanted to ensure that I | :04:21. | :04:26. | |
could move to someone that I trusted. We used Moving Money UK to | :04:26. | :04:32. | |
look at the ethical Rae ratings on the banks and see what the options | :04:32. | :04:36. | |
were. Banking jargon can be confusing and a barrier to moving. | :04:36. | :04:41. | |
Most High Street banks are owned bir shareholders who want to make a | :04:41. | :04:46. | |
profit, but a mutual is owned by the customers. A bank's ethical | :04:46. | :04:51. | |
ratings is based on factor as to where they invest their money and | :04:51. | :04:55. | |
the environmental policy. The Government ensures that up to | :04:55. | :05:01. | |
�85,000 of savings is in any of them. Got that? Good. You can move | :05:01. | :05:06. | |
your money. So, if your campaign has an effect, what would you like | :05:06. | :05:11. | |
the High Streets of five or ten years' time to look like? More | :05:11. | :05:16. | |
varied. Lots of different players. A large presence of mutuals, new | :05:16. | :05:20. | |
building societies. Credit unions to have shop fronts on the High | :05:20. | :05:24. | |
Street so, people in need for credit know where they can go. A | :05:24. | :05:29. | |
lot of it happening off the High Street, online. Is it possible if | :05:29. | :05:33. | |
people are disenchanted with the financial system to live without | :05:33. | :05:38. | |
banking? No. We all need transactions, saving accounts, | :05:38. | :05:42. | |
insurance, I would not advocate anyone putting their money under | :05:42. | :05:47. | |
the mattress, but we need a diversified financial sector, | :05:47. | :05:51. | |
different business models, serving different markets, and alternatives | :05:51. | :05:57. | |
so we are not reliant on the big four. The recent computer glitch | :05:57. | :06:02. | |
experienced by RBS and NatWest, proved it is just impossible to | :06:02. | :06:07. | |
live without banks. 17.5 million customers struggled to access money | :06:07. | :06:12. | |
for over a week. I have electric, gas, food to supply. You need the | :06:12. | :06:16. | |
money out of the bank, they are not willing to take it out, even though | :06:16. | :06:23. | |
it is there. But the sudden outburst of switching and swapping | :06:23. | :06:27. | |
does not convince money saving expert, Martin Lewis that will have | :06:27. | :06:32. | |
the banks quaking in their boots. It is still a drop in the ocean | :06:32. | :06:39. | |
that we need for the numbers to switch. We need it make it easier. | :06:39. | :06:42. | |
A portable bank account number is a solution that I am very much in | :06:42. | :06:46. | |
favour of. I hope that it will teach people across the nation that | :06:46. | :06:50. | |
when you walk into the bank, it is there to sell to you. You must know | :06:50. | :06:56. | |
that or you cannot make the right decision it is a sales-based not an | :06:56. | :07:00. | |
advisory institution. So it seems that choosing to move your cash | :07:00. | :07:03. | |
will not necessarily bring the big four banks to their knees, but it | :07:03. | :07:10. | |
could help to create smaller, more specialised financial institutions, | :07:10. | :07:15. | |
that could give these boys a run for their money, or our money. Call | :07:15. | :07:21. | |
that a bonus?! Well, lots of food for thought there. Now we talk more | :07:21. | :07:26. | |
with BBC Five Live's Declan Curry. Declan, you have a business | :07:26. | :07:30. | |
programme on a Sunday night, On The Money, there is lots of | :07:30. | :07:34. | |
correspondent out there with the listeners, what is it people are | :07:34. | :07:40. | |
saying? People are angry. In a nation where we are more likely to | :07:40. | :07:45. | |
get divorced than change the bank accounts, people are looking in big | :07:45. | :07:49. | |
numbers at new accounts. Stop four people out there three of them have | :07:49. | :07:55. | |
the same bank account that they have when they left school. Whether | :07:55. | :08:00. | |
they drawn in by the hippos or the pigs. It is a big lure, the piggies. | :08:00. | :08:05. | |
But Declan, if people want to switch their current account to a | :08:05. | :08:09. | |
different bank, how easy is it? It seems like a lot of work? It is | :08:09. | :08:14. | |
meant to be easy. As simple as you pick a new bank, you walk into that | :08:14. | :08:18. | |
bank, you say to them, I am a customer of this old bank over here, | :08:18. | :08:23. | |
I want to switch my account to you. They are then meant to take on all | :08:23. | :08:28. | |
of the switching of your bills and your payments and your direct | :08:29. | :08:32. | |
Debities and standing orders and they are meant to do it in ten days. | :08:32. | :08:36. | |
You are not supposed to have to worry about a thing at all. Now, | :08:36. | :08:41. | |
thing dos go wrong, so there are tips: One is to keep the old | :08:41. | :08:46. | |
account open for a couple of months. Keep some money in it in case a | :08:46. | :08:50. | |
bill is not transferred across. Two: In the new account ask the | :08:50. | :08:56. | |
bank for some sort of interest-free overdraft to keep you tieded over | :08:56. | :09:00. | |
until the first pay cheque is in. Third, don't forget to pel your | :09:00. | :09:04. | |
boss that you are moving to a different bank, so they know it put | :09:04. | :09:07. | |
the cheque in the right bank. heard that David Cameron wants to | :09:07. | :09:11. | |
make it easier for people to move banks, what is being proposed? | :09:11. | :09:16. | |
a lot. They are talking about it being done in ten days, that the | :09:16. | :09:20. | |
banks will switch in seven days. There is more excitement on the | :09:20. | :09:25. | |
part of the consumer groups like Which?, Martin Lewis mentioned the | :09:25. | :09:28. | |
idea of a portable bank account number. So it is like a phone | :09:28. | :09:31. | |
number, if you move to another bank you take that number with you. The | :09:31. | :09:36. | |
people in favour of this say it means that it is less likely that | :09:36. | :09:40. | |
direct Debities will get lost in the system during the switching. | :09:40. | :09:44. | |
Talk to others, they say that is not the problem, but the problem is | :09:44. | :09:48. | |
that the banks take too long to do it, they make it look complicated | :09:48. | :09:52. | |
when it is not. There you go. Everything you wanted to know about | :09:52. | :09:57. | |
banking in six minutes. Now, after all of that talk about anger, let's | :09:57. | :10:03. | |
all, you at home as well, take a deep breath... Calm down. You are | :10:03. | :10:09. | |
doing it?! Declan is doing it! all did it! Are you still angry? | :10:09. | :10:13. | |
That is the question. Maybe you need a shout to let it all out. | :10:13. | :10:18. | |
Giles has the person to shout at. Once in a while, tempers fray, they | :10:18. | :10:23. | |
just do. It can't be avoided. For most, there is a range of triggers, | :10:23. | :10:30. | |
this makes them blow their gaskets. For goodness sake! What is making | :10:30. | :10:34. | |
you angry? Bankers in general. They get away with what they want. | :10:34. | :10:40. | |
People doing the wrong thing, jumping fares, doing this, that. | :10:40. | :10:44. | |
The weather... Education. Complaining, complaining... | :10:44. | :10:48. | |
husband is angry about everything. The bus routes... Whatever gets | :10:49. | :10:53. | |
your goat, holding on to that anger can't be good for you? Anger is an | :10:53. | :10:59. | |
emotion, it is a feeling. It is the fight or flight response you see in | :10:59. | :11:03. | |
animals. So adrenaline is being pumped to the muscles, they get | :11:03. | :11:07. | |
ready for the action, they get ready to fight. I have had a | :11:08. | :11:12. | |
frustrating day, the M4 is a nightmare it is raining. I feel | :11:12. | :11:20. | |
like I will burst a blood vessel. You can increase heart problems, | :11:20. | :11:24. | |
cardiac problems if you feel like that, it is not good in the long- | :11:24. | :11:31. | |
term. What do you want?! I was told... Don't give that! Monty | :11:31. | :11:35. | |
Python fans may remember the Argument Clinic, but imagine if it | :11:35. | :11:42. | |
was real? Well, believe it or not, it now is. I came in here for an | :11:42. | :11:46. | |
argument! Sorry, this is abuse. There is a telephone service where | :11:46. | :11:52. | |
you can call up and vent your anger and frustration down the phone. I | :11:52. | :11:57. | |
cannot get a signal, I have -- so I have come to the operation to meet | :11:57. | :12:02. | |
the ladies who run it. So, who kaels you? Mostly professional | :12:02. | :12:07. | |
people. Depending on how angry you are and how you express your anger, | :12:07. | :12:11. | |
you may get loud, scream, shout, curse or just cry. We are there to | :12:11. | :12:17. | |
ask you the right questions, it really does give you a release. | :12:17. | :12:21. | |
there a code? Do you allow bad language? You can swear, use bad | :12:21. | :12:25. | |
language. Scream and shout. We don't mind. Screaming and shouting | :12:25. | :12:32. | |
I go along with, the bad language I do not approve of. What is your | :12:32. | :12:36. | |
colleague here... This is so annoying, this is not planned. | :12:36. | :12:42. | |
Hello, the anger service. You have seven minutes and 32 seconds left. | :12:42. | :12:48. | |
What is it you would like to vent about today? I think it is time to | :12:48. | :12:53. | |
let the stress folk of Stratford, let off steam. Get out of the | :12:53. | :12:56. | |
middle lane, move to the inside lane so I can get my vehicle | :12:56. | :13:00. | |
through. David Cameron pull your finger out. Sort it out, this is is | :13:00. | :13:07. | |
a proper East End person talking. Argh! Oh, it did feel good! I think | :13:07. | :13:11. | |
it is high time I did a bit of venting myself. I tell you what | :13:11. | :13:15. | |
makes me angry. I come to this beautiful part of London and | :13:15. | :13:20. | |
everyone is complaining, telling me how angry they are. Well, I tell | :13:20. | :13:27. | |
you it gets on my wick... He's still going Would they have this | :13:27. | :13:32. | |
lovely station? The other day they wanted rain... He is still going on. | :13:32. | :13:37. | |
What are your triggers, what makes your angry, Mel? People who drive | :13:37. | :13:43. | |
on the phone. People who don't indicate when they drive and | :13:43. | :13:47. | |
litterbugs. Don't get him started. I don't like that. Nor the voice in | :13:47. | :13:57. | |
:13:57. | :13:59. | ||
the ear that says move on! Are the It is happening now. So, after the | :13:59. | :14:05. | |
first week, you witled it down. Let's have a look at who you have | :14:05. | :14:15. | |
:14:15. | :14:23. | ||
# I see you got your smile back... I'm watching, I'm interested. | :14:23. | :14:33. | |
:14:33. | :14:41. | ||
Let's move on. It's very nice having lots of young, handsome, | :14:41. | :14:50. | |
talented men at singing at you. You've got 30 of these Jesus. What | :14:50. | :14:55. | |
happens now? The have another show on Saturday, where it goes down to | :14:55. | :15:00. | |
maybe 20 or 10. No come on Saturday we find our final 10. The live | :15:00. | :15:06. | |
shows start on Sunday. What happens, it's a week of live shows? Yes, we | :15:07. | :15:10. | |
go Sunday through to Friday. Then the following Monday to Wednesday, | :15:10. | :15:15. | |
which is the final when they find our Jesus. In its going to be | :15:15. | :15:17. | |
exciting. It must be quite interesting | :15:17. | :15:21. | |
looking for the person that you are going to be playing opposite. Does | :15:21. | :15:25. | |
that bring a different dynamic to it? Absolutely. And when I start of | :15:25. | :15:30. | |
the show I hadn't been cast in the room at that point, so it totally | :15:30. | :15:36. | |
changed the goalposts for me. But I'm still looking for the same. | :15:36. | :15:41. | |
Obviously it is kind of more important in a way. You initially | :15:41. | :15:44. | |
auditioned for the Spice Girls. How does it feel being on the other | :15:44. | :15:49. | |
side? You've obviously got a lot of empathy with the people. Absolutely. | :15:49. | :15:52. | |
I've done quite a few auditions before I started working with the | :15:53. | :15:56. | |
Spice Girls. I went to performing arts college, so why have a similar | :15:56. | :16:00. | |
background to a lot of guys on the show. Myself and Jason, we both | :16:00. | :16:04. | |
thought it was important for the guys we were sending home, to send | :16:04. | :16:08. | |
them home at feeling they've learnt from the experience, with really | :16:08. | :16:13. | |
constructive things to go away with. The vocal coach is very good. | :16:13. | :16:17. | |
is. I'm not singing for her, she scares me. | :16:17. | :16:22. | |
I do not believe you! So Polestar is on Saturday at 8pm | :16:22. | :16:27. | |
on ITV1. In the 64 years between London 1948 and London 2012, | :16:27. | :16:31. | |
there's been a revolution in how athletes prepare for the Games. The | :16:31. | :16:35. | |
One Show has been bringing together members from Team GB from then and | :16:35. | :16:38. | |
now to see what the biggest differences are. Tonight, we are | :16:38. | :16:44. | |
going for a little swimmer. Britain won six swimming medals at the last | :16:44. | :16:48. | |
Olympics. It was a stunning performance in the pool. Rebecca | :16:48. | :16:52. | |
Adlington became the new sporting star. But this year in London the | :16:53. | :16:56. | |
metal target is even higher. And there's a new Rebecca on the | :16:56. | :16:59. | |
starting blocks. 19-year-old Rebecca Turner surprised everyone | :16:59. | :17:04. | |
by qualifying for the Games, thanks to a huge finish at the British | :17:04. | :17:09. | |
championships. Rebecca Turner wins the trial. In doing so, she is | :17:09. | :17:14. | |
going to go to the Olympic Games on the 200 metres freestyle. When | :17:14. | :17:18. | |
London last hosted the Games in 1948, Britain's mum old Steadman | :17:18. | :17:23. | |
completed in the 100 metres freestyle. He is now 84 and is | :17:23. | :17:32. | |
The One Show has brought these two Olympians to get back at Rebecca's | :17:32. | :17:36. | |
training centre in Sheffield, to compare notes on swimming past and | :17:36. | :17:42. | |
present. In 1948, preparation for the Olympic finals was basic. | :17:42. | :17:45. | |
Swimming-pools were small and even Olympic athletes got no special | :17:45. | :17:51. | |
privileges. We had no indoor pools of 50 metres to his women at all in | :17:52. | :17:55. | |
England at the time. The access to the swimming pools was restricted. | :17:55. | :17:59. | |
A lot of my training had to be done in public sessions. We didn't | :17:59. | :18:03. | |
necessarily have frequent free access to an empty swimming pool. | :18:03. | :18:07. | |
We have to go in when the public were in and do the best we could. | :18:07. | :18:15. | |
To have the 50 metre pool here is a fantastic facility. What is your | :18:15. | :18:20. | |
coach like now at the moment? really important. As well as the | :18:20. | :18:24. | |
training, he reassures me that everything is going well. Ronald, | :18:24. | :18:27. | |
would you have liked to have a full-time coach in your | :18:27. | :18:33. | |
preparations? I think so. Today, swimming is virtually professional | :18:33. | :18:37. | |
now. Nowadays there were no amateurs. Everyone in those days | :18:37. | :18:42. | |
had to do a full-time job, as I was in the army. A lot of the girls had | :18:42. | :18:48. | |
to full-time jobs and swam in their spare time. Sometimes it would be | :18:48. | :18:53. | |
difficult to get time off on -- to do their training, but not on a | :18:53. | :18:57. | |
six-hour day basis. The over the past six decades, modern | :18:57. | :19:01. | |
professional coaching has helped swimmers go faster. In the blue | :19:01. | :19:05. | |
Riband event, the 100 metres freestyle or two lengths of the | :19:05. | :19:08. | |
pool, the 2012 the Libyans will cover the distance around eight | :19:08. | :19:14. | |
seconds quicker than their 1948 counterparts. -- the 2012 Olympians. | :19:14. | :19:19. | |
How many meals would you have a day? A bowl of cereal before | :19:19. | :19:24. | |
training, I have a protein shake after my first session then go and | :19:24. | :19:27. | |
have another bowl of cereal. A piece of fruit and then go and have | :19:28. | :19:32. | |
lunch. Before training have another piece of fruit or a snack, then a | :19:32. | :19:35. | |
sheikh after training again and teatime. Would you have had seven | :19:36. | :19:41. | |
portions of food a day? We didn't have enough food for that! In 1948 | :19:41. | :19:45. | |
austerity Games, spectators came to watch the races at the Empire Pool, | :19:45. | :19:50. | |
Wembley Arena as we now know it, but this year they'll be coming to | :19:50. | :19:53. | |
the purpose-built Aquatic Centre. One of the biggest differences | :19:53. | :19:57. | |
between 1948 and now is what the swimmers wear. To be as quick as | :19:57. | :20:02. | |
they can, swimmers strive to be streamlined. Precise movements and | :20:02. | :20:06. | |
careful positioning of the body play a part. But when winning | :20:06. | :20:10. | |
margins mean a split-second, even the clothing is high-tech and | :20:10. | :20:16. | |
designed for gliding smoothly. put on a normal swimming hat, my | :20:16. | :20:21. | |
God calls and then another hat on top to keep the straps in. Two hats. | :20:21. | :20:26. | |
Yes, so it's all smooth and keeps everything together and the goggles | :20:26. | :20:29. | |
don't fall off. Then I have my racing suit underneath. The | :20:29. | :20:36. | |
swimsuit is very tight it squashes you altogether. It tightens you up | :20:36. | :20:42. | |
and reduces the extra drag. We had rather floppy ones! That's the | :20:42. | :20:46. | |
style I like. For the Olympics we were given costumes made of | :20:46. | :20:50. | |
polyester and nylon, so they were quite thin but weren't designed for | :20:50. | :20:55. | |
streamlining. The other thing we didn't wear well goggles. Now you | :20:55. | :21:00. | |
hear about the guys shaving, totally hairless to be smooth in | :21:00. | :21:03. | |
the water. The we weren't in that league. We were amateur swimmers | :21:03. | :21:08. | |
enjoying ourselves. We are already a nation that loves to swim and it | :21:08. | :21:12. | |
should be a strong event for us at the Games. Rebecca is going in the | :21:12. | :21:16. | |
200 metres freestyle, and her form is good. Ronald Steadman will be | :21:16. | :21:23. | |
among the millions urging her on. Melanie, you were waving that | :21:23. | :21:28. | |
before we came back. A massive supporter of Team GB. You are | :21:28. | :21:33. | |
losing fitness and well-being at the moment. You are looking so bad | :21:33. | :21:38. | |
yourself! You obviously still spend quite a lot of time working out. | :21:38. | :21:42. | |
Yes, it's so silly, I've got my nickname, Sporty Spice, but I do | :21:43. | :21:47. | |
love sport and keeping fit. I did my first triathlon last year. I'm | :21:47. | :21:51. | |
hooked. Unfortunately, this year I haven't got time to fit one in, but | :21:51. | :21:54. | |
it's something I want to do more of in the future. The last time you | :21:54. | :21:58. | |
were in we talked about a little bit about the musical, but now | :21:58. | :22:03. | |
girls all over Britain are waiting for an event, Viva Forever. You | :22:03. | :22:08. | |
can't wait! So exciting. It is happening eventually, the press | :22:08. | :22:11. | |
conference was a couple of weeks ago. Can you give us an idea of | :22:11. | :22:16. | |
what the musical is about? It is a wonderful show, we are really | :22:16. | :22:19. | |
pleased with how it's turned out. The wonderful Jennifer Saunders has | :22:19. | :22:26. | |
written the story. Basically, she was inspired by the Spice Girls' | :22:26. | :22:30. | |
music to write the show. It is about a girl band, but it's not the | :22:30. | :22:34. | |
Spice Girls, there's only four members of the band. They go to a | :22:34. | :22:37. | |
casting show process, a little bit like Jesus Christ Superstar and | :22:37. | :22:42. | |
that kind of thing. Yes, it's the trials and tribulations, it's about | :22:42. | :22:46. | |
relationships with mothers and daughters and friends and fame and | :22:46. | :22:50. | |
all of these things. It is funny and heart-warming and emotional. | :22:50. | :22:55. | |
It's got everything. Have you seen it yet? We'd seen workshops of both | :22:55. | :22:59. | |
acts. At that point macro they were brilliant. But it has moved on even | :22:59. | :23:03. | |
more. We are casting at the moment. Thinking back to that moment when | :23:03. | :23:10. | |
you saw the advert for the first time, we've got something for you. | :23:10. | :23:13. | |
This is the only one left, that's the original paper. That is what | :23:13. | :23:17. | |
you would have been looking at. I don't know if you can have it but | :23:17. | :23:21. | |
we can let you hold it and have a look at it. I actually got a flier, | :23:21. | :23:27. | |
so why didn't see it in the stage. But it was exactly the same. That's | :23:27. | :23:31. | |
a bit of history for you. Looking at the weather behind us, not | :23:31. | :23:35. | |
exactly perfect gardening weather but that never stops Christine. | :23:35. | :23:40. | |
Tonight, she's in a highly fashionable garden. | :23:40. | :23:45. | |
I was expecting this garden to be full of colourful blooms. It | :23:45. | :23:49. | |
belongs to Nicole Farhi, a leading fashion designer. Her summer | :23:49. | :23:56. | |
collection is full of colour. It was even based on flowers. Well, | :23:56. | :24:00. | |
that is the world of work for Nicole. It is full of colour. But | :24:00. | :24:07. | |
when I look at this garden, what do I see? Green, green and more green. | :24:07. | :24:12. | |
But look more closely and there are bursts of colour. I like perfusion, | :24:12. | :24:16. | |
I like disorder. Usually people who plant their flat was well planned | :24:16. | :24:22. | |
them in pots. It is very orderly. I hate order. I have no knowledge of | :24:22. | :24:28. | |
gardening. I just by what I like. It becomes sometimes overgrown. | :24:28. | :24:32. | |
there is a designer's I at work. For someone with no knowledge of | :24:32. | :24:37. | |
gardening, it is very clever. like different shades, texture, | :24:37. | :24:41. | |
different shades of the same colours. It is all in this garden. | :24:41. | :24:48. | |
A we've got a great contrast. This Bikey japonica. I love those great | :24:48. | :24:57. | |
things. I didn't know it was japonica. Then you've got the shape | :24:57. | :25:03. | |
of leaves here. The soft froth. These are great because they come | :25:03. | :25:08. | |
in different colours. Just look at the shade there, the contrast. Then | :25:08. | :25:13. | |
contrasting with the rhododendrons. I love them. You might have guessed | :25:13. | :25:18. | |
from that wonderful accent, Nicole grew up in France. But her parents | :25:18. | :25:23. | |
were Turkish and she has lived in England for 30 years. So she brings | :25:23. | :25:27. | |
a cosmopolitan approach to the garden. In fact, it was in India | :25:27. | :25:32. | |
that a friend's garden inspired her fashion range. I came back to my | :25:32. | :25:36. | |
office and said to my team, listen, I've got a good idea. We are going | :25:36. | :25:43. | |
to do a collection based on flowers. This was something we blew up and | :25:43. | :25:51. | |
printed on net. Another one was another print which we blew up to a | :25:51. | :25:58. | |
point that it became abstract. Here, we had some sequins cut into the | :25:58. | :26:08. | |
:26:08. | :26:09. | ||
This is a beautiful walk. It is so atmospheric. It is lovely. You've | :26:09. | :26:15. | |
got some beautiful scented plants here. The Philadelphus coronarius | :26:15. | :26:20. | |
is gorgeous. That's right. There were even more before but sadly | :26:20. | :26:26. | |
they didn't last. These are smelling so delicious at the moment. | :26:26. | :26:31. | |
What is the story with the gazebo? It's quite a funny story. David, my | :26:31. | :26:38. | |
husband, wrote the screenplay of a film, Damage. By complete fluke, | :26:38. | :26:46. | |
this location scout knocked at the door and said, can I use the garden | :26:46. | :26:54. | |
for the film? They needed a gazebo for azine. They built it up so I | :26:54. | :27:01. | |
kept it. It's been there for about 20 years now. A super spot for a | :27:01. | :27:04. | |
gin and tonic in the evening! Around the garden are signs that | :27:05. | :27:10. | |
Nicole has another talent. These wonderful sculptures. It is | :27:10. | :27:14. | |
interesting you are using text in the garden, but you are also using | :27:14. | :27:23. | |
the sculpture. Your personality always comes out, always. Not only | :27:23. | :27:28. | |
in the garden but all aspects of your life. What do you think the | :27:28. | :27:37. | |
garden says about you? Probably it says that I am in formal, eclectic | :27:37. | :27:44. | |
and unruly, maybe. It's me, I think. Informal is a good word for it. | :27:44. | :27:49. | |
Gentle colours that don't clash, shrubs and plants that fill out and | :27:49. | :27:55. | |
tamed. The best sort of unruliness. A garden for living in. I wake up | :27:55. | :27:58. | |
in the morning, my bedroom is upstairs. The first thing I do, I | :27:58. | :28:05. | |
hear birds and lookout to the garden. I am happy. What a vision | :28:05. | :28:08. | |
that must be. I bet the house is lovely inside, | :28:08. | :28:12. | |
too. Arthur Smith is in it. | :28:13. | :28:17. | |
During the film we were scanning through this old copy where the | :28:17. | :28:21. | |
original Spice Girls advert was. If we looked to the right of the | :28:21. | :28:27. | |
advert, let's have a look. Over to the right... Is an illusionist's | :28:27. | :28:32. | |
assistant. That could have been you on a cruise. It could have been. | :28:32. | :28:42. | |
:28:42. | :28:47. | ||
Any thoughts on that one? None. I'm speechless. Well, we look forward | :28:47. | :28:54. |