Browse content similar to 12/09/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And as Alex is a | :00:18. | :00:26. | |
way for a couple of days, please welcome Michelle Ackerley! Her first | :00:27. | :00:30. | |
time on the One Show. It is happening and we are alive. Thank | :00:31. | :00:39. | |
you very much, guys! I feel at home. Tonight's guest is British | :00:40. | :00:41. | |
entertainer royalty and chooses these days I would much prefer | :00:42. | :00:45. | |
staying on her West Sussex country farm bank building 28 ShowBiz party | :00:46. | :00:56. | |
-- she would much rather stay on her West Sussex farm bank go to a | :00:57. | :01:01. | |
showbiz party. A woman after my own heart! It is Julie Walters! What do | :01:02. | :01:10. | |
you know about my rural farm. What jobs have you been doing? On the | :01:11. | :01:16. | |
farm? I have been selling my television show National Treasure, | :01:17. | :01:22. | |
Channel 49 o'clock next Tuesday. Soap farming is not for you? I love | :01:23. | :01:28. | |
living there. It is quiet and peaceful. I love the wildlife. I | :01:29. | :01:33. | |
love everything about it but I don't do any of it. What you have on the | :01:34. | :01:42. | |
farm? We have Sussex cattle, about 40. How many sheep have we got? 200 | :01:43. | :01:52. | |
or 300. It is a lot of sheep! It is. 700 chickens and several pigs. And I | :01:53. | :01:58. | |
am not talking about the family, stop it! I am forever drafting | :01:59. | :02:03. | |
guests for Countryfile so you should come in. Have a chat. I could trot | :02:04. | :02:12. | |
out and feed an orphaned lamb or something. Collect an egg or two! We | :02:13. | :02:20. | |
will move on from that. Tomorrow would be Roald Dahl's 100 birthday | :02:21. | :02:26. | |
so schools across the land are celebrating. So few are desperately | :02:27. | :02:30. | |
using your imagination to make a costume, you might be wrestling with | :02:31. | :02:34. | |
a Oompa-Loompa or trying to sell your six-year-old into a giant | :02:35. | :02:44. | |
Peach, put down your costume and send us a photo whether it is good | :02:45. | :02:47. | |
or bad. And we will also have our very own Dahl treat. We will have a | :02:48. | :02:51. | |
hit performance from the musical Matilda later Ron. Before that, | :02:52. | :03:01. | |
Justice Secretary Liz Truss has refused to confirm whether the | :03:02. | :03:04. | |
government will go ahead with the prison reforms announced in the | :03:05. | :03:09. | |
Queen's Speech last year. Well, former prisoner turned reporter | :03:10. | :03:16. | |
Raphael Rowe has been behind bars to find out how one prison is starting | :03:17. | :03:22. | |
its own education revolution. This prison is where I spent three | :03:23. | :03:26. | |
months as a young man. It is currently home to 1100 prisoners. | :03:27. | :03:32. | |
And 35 of them are being offered an opportunity that was unheard of when | :03:33. | :03:39. | |
I was here. A lot of people break in prisons unless they have something | :03:40. | :03:47. | |
to hold onto. I could be in a cell watching TV. Here there is an | :03:48. | :03:52. | |
ambition to change how education is taught in prison. They hope by | :03:53. | :03:56. | |
inspiring prisoners to learn in a more positive environment it will | :03:57. | :04:01. | |
empower them and stop them reoffending. With almost half of all | :04:02. | :04:06. | |
prisoners in England and Wales reoffending within a year of getting | :04:07. | :04:10. | |
out, there is clearly room for improvement when it comes to | :04:11. | :04:15. | |
rehabilitating offenders. So here, they are redeveloping the present's | :04:16. | :04:21. | |
a wing to reincorporate a prison education activity. Addie is one | :04:22. | :04:24. | |
person determined to make the most of the new prison facilities. Once I | :04:25. | :04:33. | |
am out for myself, and I can make my way down to the study area. You live | :04:34. | :04:38. | |
on the same wing that you study on? That is the best part for me. You | :04:39. | :04:46. | |
spend more time studying. Addie was jailed for drug importation | :04:47. | :04:50. | |
offences. Now he is studying for accountancy. This is the education | :04:51. | :05:01. | |
area. The onus is on you? This programme is the first of its kind | :05:02. | :05:06. | |
in the UK. Prisoners can choose to take GCSE is right up to Masters. | :05:07. | :05:11. | |
The environment they have set up here is very different from anything | :05:12. | :05:14. | |
I experienced when I was in prison. They did not have the resources to | :05:15. | :05:18. | |
educate yourself. But the most impressive thing is it is run by | :05:19. | :05:24. | |
prisoners for prisoners and that is very different. Three prisoners are | :05:25. | :05:28. | |
in charge of running the academy and are on hand to provide support for | :05:29. | :05:34. | |
their fellow inmates. Anton is the lead coordinator. The prison | :05:35. | :05:38. | |
authorities have asked us not to show his face. Prisoners learn from | :05:39. | :05:47. | |
prisoners much more. Is that key? 100%. As soon as you tell people | :05:48. | :05:50. | |
they should do something, 100%, their guard goes up. It takes them | :05:51. | :05:55. | |
back to being in a classroom when they were told they had to do this | :05:56. | :06:02. | |
and had to do that. Today, Anton is running at study session. It is | :06:03. | :06:07. | |
really an usual to see a group of prisoners studying together without | :06:08. | :06:11. | |
a member of staff. There is no one supervising what they are doing. It | :06:12. | :06:15. | |
gives them huge responsibility. Another student is more long. He is | :06:16. | :06:21. | |
studying business management. It was as a prize that I was so interested. | :06:22. | :06:26. | |
It gave me some things hold onto and something to better myself. What are | :06:27. | :06:31. | |
you studying? It is business management. That course spoke to me | :06:32. | :06:44. | |
because I was in for drugs. What do you mean? How people drug deal | :06:45. | :06:46. | |
carries similar characteristics, marketing, distribution, sales | :06:47. | :06:48. | |
pitch, it you can use that model to do something legit with. What about | :06:49. | :06:54. | |
the future? I am not worried about the future because I am not going | :06:55. | :07:01. | |
back. Traditional prison education is generally available for two | :07:02. | :07:04. | |
sessions a week with no access to learning facilities outside that | :07:05. | :07:09. | |
time. Here, the Academy is always open. The man behind this | :07:10. | :07:15. | |
alternative approach is Swale side's head of learning Malcolm Whitelaw. | :07:16. | :07:22. | |
Would you like to see this method replicated in other prisons? | :07:23. | :07:27. | |
Absolutely. Once someone has decided they are going to change, you need | :07:28. | :07:32. | |
to nurture that. Malcolm hopes to open the Academy to prison staff as | :07:33. | :07:36. | |
well which would see them study side-by-side with the prisoners. It | :07:37. | :07:41. | |
remains to be seen whether the wing Academy will ever become the norm in | :07:42. | :07:44. | |
our prisons in the long term, but the students I met here say it is | :07:45. | :07:50. | |
life changing. The reason for reoffending sometimes is that there | :07:51. | :07:58. | |
is just nothing out there. Now life can change for me because of my | :07:59. | :08:02. | |
qualification. It is about people turning their life around and doing | :08:03. | :08:05. | |
something to better themselves when they go out into the community. If | :08:06. | :08:09. | |
that is not a success story, I don't know what is. | :08:10. | :08:13. | |
It looks like it is working. Prisoners doing it for themselves. | :08:14. | :08:19. | |
Julie, you alluded to it early on, you have this new drama on Channel | :08:20. | :08:24. | |
4, National Treasure. Robbie Coltrane plays a celebrity accused | :08:25. | :08:26. | |
of historic sex offences. You play his wife who sticks by him. We | :08:27. | :08:41. | |
will have a look in a moment. The pair of you are talking about the | :08:42. | :08:44. | |
investigation. It is not going to be cheap. We spend whatever it takes to | :08:45. | :08:47. | |
get you off, don't we? Doobie? I know I have not treated you well at | :08:48. | :08:51. | |
times. But you must know I didn't do this. I believe you. | :08:52. | :09:04. | |
This is a hard-hitting drama. We have seen with recent scandals that | :09:05. | :09:11. | |
image of a wife sticking by her man. What struck you with this character? | :09:12. | :09:17. | |
I was just fascinated. When you see those cases, you are immediately | :09:18. | :09:22. | |
fascinated by them, the partner and what is going on, what is going on | :09:23. | :09:27. | |
between them, what is going on in her head and it was just very well | :09:28. | :09:34. | |
written as well by Jack Thorne. And it is very complicated. All the | :09:35. | :09:38. | |
characters are very multilayered and complicated. She is a catholic, and | :09:39. | :09:46. | |
she is a good person, and she is strong and she forgives him, when | :09:47. | :09:53. | |
the show starts, we find out that he has been unfaithful to her | :09:54. | :09:57. | |
throughout their marriage, but she gets over this by thinking of it as | :09:58. | :10:05. | |
a weakness. He is just week, a weak man. And she allows it and as long | :10:06. | :10:10. | |
as he is honest with her and does not try and do anything behind her | :10:11. | :10:16. | |
back and everything. So really the whole four episodes are as much | :10:17. | :10:22. | |
about faith and doubt and family. It is family drama that is played out | :10:23. | :10:27. | |
in front of the public. That is the thing which is incredibly intriguing | :10:28. | :10:30. | |
about these cases we have seen in the past, as Michelle was saying, | :10:31. | :10:35. | |
that image of wife and husband going through that. It highlights that | :10:36. | :10:39. | |
emotional struggle and how it impacts on the family dynamic? | :10:40. | :10:44. | |
Guess, the first episode, she is in shock. The door opens, a jolly day, | :10:45. | :10:51. | |
everyone is happy and a policeman is there to arrest him. But it is about | :10:52. | :11:03. | |
that struggle. Did he, didn't he? Infidelity is one thing but this is | :11:04. | :11:07. | |
something entirely different. And you are starring in this with Robbie | :11:08. | :11:12. | |
Coltrane. Did you have much fun onset? We had to expect there are | :11:13. | :11:17. | |
not many laughs in the show. You kind of worked alongside him in | :11:18. | :11:24. | |
Harry Potter playing Molly. Over the ten years there were probably two | :11:25. | :11:30. | |
scenes where for a split second we were in together. Usually it was the | :11:31. | :11:35. | |
massive had agreed, not Robbie. So I felt like I knew him when we met for | :11:36. | :11:43. | |
rehearsals. We had the luxury of rehearsals for this. On the | :11:44. | :11:48. | |
first-day I said, hello! It made me want to do it knowing they had got | :11:49. | :11:55. | |
him. We heard that Robbie Coltrane got some of the younger actors to | :11:56. | :12:00. | |
sit down and watch you in Acorn Antiques. I just love that image. | :12:01. | :12:06. | |
Sit down, watch this! I paid him quite a lot! Well, you can give us | :12:07. | :12:13. | |
some cash now because we will play a clip to the viewers. | :12:14. | :12:18. | |
The fact is, my life seems completely great, bleak and | :12:19. | :12:23. | |
pointless. Well, sometimes, that is God 's way of getting you to enjoy | :12:24. | :12:28. | |
gardeners world. APPLAUSE | :12:29. | :12:36. | |
How much fun did you have that day on the set? | :12:37. | :12:40. | |
We had huge fun. We were always in trouble for laughing. It was not | :12:41. | :12:44. | |
alive audience for that part of the show so sometimes it would take | :12:45. | :12:48. | |
forever to get through stuff, laughing and shaking and the | :12:49. | :12:51. | |
director would come down and tell us. It was really good fun. It is | :12:52. | :12:56. | |
interesting when you look at your career there and the serious stuff | :12:57. | :13:01. | |
you do but you must enjoy that mix? Yes, I have been really fortunate to | :13:02. | :13:06. | |
work with great people, for a start and do great comedy which is fun. I | :13:07. | :13:13. | |
am really lucky. A fantastic career. National Treasure begins next | :13:14. | :13:17. | |
Tuesday at nine o'clock on Channel 4. | :13:18. | :13:21. | |
Now, our Paralympians have been doing a superb job in Rio. So far, | :13:22. | :13:26. | |
58 medals have been awarded... CHEERING | :13:27. | :13:33. | |
That puts Britain are on target to do better than London 2012. It is | :13:34. | :13:39. | |
not only testament to the hard work of the athletes but also the | :13:40. | :13:42. | |
precision engineering which helps many of them recognise their podium | :13:43. | :13:46. | |
potential. On Saturday, Andy Lewis took home | :13:47. | :13:51. | |
Great Britain's 30th gold medal of the Paralympics, as he put in an | :13:52. | :13:55. | |
incredible performance to win the para triathlon in the event's debut | :13:56. | :13:59. | |
at the games. While the discipline is new, this is not the first time | :14:00. | :14:05. | |
that athletes have competed with these carbon fibre replacement legs, | :14:06. | :14:11. | |
commonly known as blades. Despite losing his leg in a motorbike or -- | :14:12. | :14:17. | |
motorbike accident at 16, Andy has never let his ambition get in the | :14:18. | :14:25. | |
way. Did it strange when you first put it on. It is very springy, like | :14:26. | :14:33. | |
wearing a pair of moon boots. Running blades were invented in the | :14:34. | :14:38. | |
1970s. Their unique design enables them to act like the missing calf | :14:39. | :14:44. | |
muscle, bending when weight and pressure is applied. The socket is | :14:45. | :14:50. | |
made of carbon fibre. On the back there is a valve which releases the | :14:51. | :14:55. | |
air. This is the hydraulic knee cylinder unit. You can also get ones | :14:56. | :15:00. | |
which come with spikes. I requested have this Union Jack draped over it. | :15:01. | :15:05. | |
I have seen kids with football ogres, Spiderman and Batman -- | :15:06. | :15:10. | |
football logos. It cost ?15,000. They are made by a German | :15:11. | :15:19. | |
prosthetics company but the process of getting one fitted starts in a UK | :15:20. | :15:23. | |
consultation centre. Hi, nice to meet you, I'm Keira... | :15:24. | :15:30. | |
I'm a middle aged house wife, I lost my leg 15 years ago, I want my | :15:31. | :15:34. | |
children to see it not as a negative thing. These are manufacturered with | :15:35. | :15:41. | |
the thickness. I used to love running. I want to keep fit so I | :15:42. | :15:47. | |
would love to be able to do a 5k. People who do 100 metres, they want | :15:48. | :15:53. | |
fast acceleration, so they want to put energy in quickly and they want | :15:54. | :15:58. | |
it to flip back quickly. If you are jogging, you are not using the same | :15:59. | :16:02. | |
mechanics and you want a nice, comfortable run, so it's giving you | :16:03. | :16:06. | |
energy but not so it's firing you forward all the time. We'll get you | :16:07. | :16:10. | |
weight and measurements of your leg, things like that. Once a client is | :16:11. | :16:15. | |
measured, their orders are sent here, a quaint German town that has | :16:16. | :16:19. | |
been home to prosthetic technology for nearly a hundred years. In 1919, | :16:20. | :16:25. | |
a man named Otto started engineering artificial limbs for the large | :16:26. | :16:29. | |
number of injured veterans from World War I. Today, thousands of | :16:30. | :16:35. | |
amputees have arms, legs, feet, hands, knees, and running feet made | :16:36. | :16:39. | |
here. Keira's will take eight hours to produce and it begins with this | :16:40. | :16:44. | |
roll of carbon fibre. The customer's measurements are used to cut the | :16:45. | :16:49. | |
precise number of fibres needed to produce the required number of | :16:50. | :16:59. | |
thickness. The mould is wrapped for the kiln which heats it to over 150 | :17:00. | :17:06. | |
degrees for four hours. The heat and pressure, setting the carbon fibre | :17:07. | :17:13. | |
layers into one strong unit. A machine drills holes into the | :17:14. | :17:17. | |
spring, allowing the blade to be fitted to the knee. Finally, a | :17:18. | :17:23. | |
pressure test is conducted where a force of 2,000 Newton metres is | :17:24. | :17:28. | |
applied to the blade. It's now ready for delivery. Back in | :17:29. | :17:35. | |
the UK, Keira has been trialing her blade for two weeks. What I'm | :17:36. | :17:39. | |
looking for is whether your weight is falling in the right place on | :17:40. | :17:43. | |
your foot, because that will give you the response you are looking | :17:44. | :17:47. | |
for. More weight on your left than your right, but you are looking in a | :17:48. | :17:49. | |
good spot at the moment. Lovely. Good. I'm not aspiring to be | :17:50. | :17:55. | |
anything amazing, I just want to live a full, active life and enjoy | :17:56. | :18:00. | |
myself to the best that I can. Ideally, I would like to inspire | :18:01. | :18:05. | |
other normal people like me to try things. You might not be able to do | :18:06. | :18:08. | |
exactly what you did before and might have to do it slightly | :18:09. | :18:14. | |
differently, but these thingses are possible. That was three months ago | :18:15. | :18:19. | |
and Keira is here to give us an update. We saw you trying the blade. | :18:20. | :18:22. | |
Tell us about the challenges you faced getting used to it? | :18:23. | :18:27. | |
It's very different from the other leg, it's very springy, also | :18:28. | :18:32. | |
slightly longer so it readdresses the balance, because when you are | :18:33. | :18:35. | |
running, you are putting two-and-a-half times the force | :18:36. | :18:38. | |
through the leg so it's designed to compress so that when you're | :18:39. | :18:42. | |
running, it feels even, but when you try to walk on it, it's quite | :18:43. | :18:46. | |
difficult. How far can you go now? I can do about a mile. Can you? ! I | :18:47. | :18:52. | |
can. But it took a while. The first time I ran, I ran for about five or | :18:53. | :18:57. | |
six seconds and was actually exhausted. You've got your own | :18:58. | :19:01. | |
protection package, you were given that when you were first trying out | :19:02. | :19:06. | |
the leg. Tell us more about that? When I went for the first fitting, | :19:07. | :19:11. | |
they gave me a pack with wrist guards, elbow pads, knee pads. I | :19:12. | :19:18. | |
thought, really? But actually you are very unstable and if the knee | :19:19. | :19:23. | |
gives a, you full forward. If you step backwards, you also fall over. | :19:24. | :19:28. | |
In terms of protecting yourself, your wrists and things, it's | :19:29. | :19:32. | |
important. So what is the plan from here now Keira? I had this idea in | :19:33. | :19:36. | |
my mind that I wanted to run a marathon, particularly the London | :19:37. | :19:39. | |
Marathon. But I didn't really realise how hard it was going to be. | :19:40. | :19:43. | |
It's not just about the physical energy, but any deviations you have | :19:44. | :19:48. | |
in your gait when you are walking is magnified when running so you have | :19:49. | :19:52. | |
to spend a lot of time trying to compensate that. Because you put so | :19:53. | :19:57. | |
much pressure through and you are using energy, you sweat so you have | :19:58. | :20:00. | |
to take the leg off and clean the sweat away. Because your weight | :20:01. | :20:04. | |
burns through soft tissue it can swell so then you can't get the leg | :20:05. | :20:07. | |
back on. For the first month, it was a mixture of, do I take the leg off, | :20:08. | :20:12. | |
keep it on or deal with the sweat and see what happens, and you kind | :20:13. | :20:16. | |
of get pains in different areas, so you might get blisters, then work | :20:17. | :20:20. | |
out how to deal with those, then you might get rubbing because my socket | :20:21. | :20:25. | |
comes all the way up to my bone at the bottom, so it's small measures | :20:26. | :20:29. | |
and making small adaptations all the way until you can get where you want | :20:30. | :20:34. | |
to go. It's a real process. It's interesting because Julie you have | :20:35. | :20:38. | |
been involved in the Channel 4 Paralympics classification guide | :20:39. | :20:43. | |
haven't you? I am. I'm Lexi Babe. What have you learnt? All these | :20:44. | :20:51. | |
masses of categories, having them explained is important because half | :20:52. | :20:53. | |
the time you are sitting there thinking, why is this person here | :20:54. | :20:57. | |
and what is their disability so it explains all that. I was in the | :20:58. | :21:05. | |
studio quite a long time and T4 is for athletes. In the end it all | :21:06. | :21:11. | |
became that I didn't know what I was saying, but it's fantastic, yes. | :21:12. | :21:17. | |
Keira, we know you have brought your children along tonight. You have | :21:18. | :21:21. | |
picked a great day to come to The One Show studio, because in a moment | :21:22. | :21:31. | |
Matilda, the cast of Matilda, will be performing for us. We have a | :21:32. | :21:36. | |
picture of you Julie, around their age, age ten. Was this your acting | :21:37. | :21:40. | |
debut. Tell us about this, what was happening here? Where did you get | :21:41. | :21:46. | |
that photo? ! Found nit the bush outside your... Yeah, yeah! It was a | :21:47. | :21:53. | |
mid summer night's dream at Holly Lodge Gram more School for girls | :21:54. | :21:59. | |
1961, something like that, I was 11. It was the only play they did, they | :22:00. | :22:03. | |
wouldn't have me after that. I played Moth. Good role. Strong role | :22:04. | :22:08. | |
they told me, yes. I had three lines! Julie Walters as Moth! | :22:09. | :22:14. | |
Good news everybody, this Friday, yet another new iPhone is being | :22:15. | :22:19. | |
released. Hurray. Thank goodness for that. Of course, there's bound to be | :22:20. | :22:23. | |
huge queues of people outside stores anxious to get one first. And we | :22:24. | :22:30. | |
know this because it was the same in 2015, 2014, 2013, you are getting | :22:31. | :22:34. | |
the picture and so on and so on. I'm sure we all know somebody who knows | :22:35. | :22:40. | |
all about that. For Tommy Sandhu, enough is enough, if your head is | :22:41. | :22:43. | |
spinning around for the upgrades like his, this is for you. | :22:44. | :22:49. | |
Do I look annoyed? ! I am. These people have only gone and announced | :22:50. | :22:53. | |
a new brand-new phone and me being me, I feel like I've got to have it | :22:54. | :22:58. | |
but why, what's wrong with this one? I've had it a couple of years, it | :22:59. | :23:03. | |
does what I want it to do, but now I can't wait to get the new one. Who | :23:04. | :23:05. | |
is in control of me? Me? Or them? It's the megaturbo nutter super | :23:06. | :23:20. | |
pixel double camera splash resistant iPhone 7! I for one just can't help | :23:21. | :23:27. | |
myself. But the top-of-the-range 250 | :23:28. | :23:31. | |
gigabyte model will set you back a whopping ?919. Last year, two thirds | :23:32. | :23:38. | |
of UK adults bought a smartphone and ownership in the 55-64-year-old age | :23:39. | :23:41. | |
group's more than doubled since 2012. Do we really need any more? | :23:42. | :23:48. | |
When did it suddenly get to, you need more, you must have a phone | :23:49. | :23:52. | |
that does more things? The game changer is this device, the iPhone, | :23:53. | :23:56. | |
the first one, it changed the mobile landscape for ever. Why is the | :23:57. | :24:01. | |
iPhone 7 going to hand out? I call it the Hotel California of | :24:02. | :24:04. | |
smartphones, once you are in, it's hard to leave. If your mates have an | :24:05. | :24:08. | |
iPhone, they'll get the next and the next. Apple have this uncanny | :24:09. | :24:12. | |
ability to bring in new features sothe new one is waterproof, dust | :24:13. | :24:16. | |
proof, it's got a dual camera on the high end so you can do zoom. Lots of | :24:17. | :24:23. | |
things going on, little things like the black finish. That's what gets | :24:24. | :24:27. | |
people queueing up, it's the phone they've grown to love, it does | :24:28. | :24:30. | |
everything they want and Apple have this emotional engagement with their | :24:31. | :24:33. | |
customers which keeps drawing them to the devices. Who is calling the | :24:34. | :24:38. | |
shots here, Apple or us? Apple. Apple are telling us what we need? | :24:39. | :24:43. | |
Yes. I'm not big on phones, I get what is cheapest and works. They are | :24:44. | :24:49. | |
getting expensive. Doing pretty much the same as they were a few years | :24:50. | :24:53. | |
ago, only a few minor upgrades. I'm not particularly interested in the | :24:54. | :24:57. | |
iPhone 7. Why are you not interested? I have a phone that's | :24:58. | :25:01. | |
not an iPhone that's great and meets all my needs. I'm one of those that | :25:02. | :25:05. | |
gets the new one as soon as it comes out. I like new things. Over the | :25:06. | :25:11. | |
last ten years, there's been plenty of reasons to upgrade. When you | :25:12. | :25:14. | |
consider once we needed all these things to get through our day, now | :25:15. | :25:18. | |
all we need is this! If there's going to be an iPhone 8, | :25:19. | :25:24. | |
it better be revolutionary. If it could teleport me, that would be | :25:25. | :25:28. | |
good because I do go on Southern. Bad railway? Yes. Weather charging | :25:29. | :25:34. | |
would be great so there are no cables. I want something discreet in | :25:35. | :25:39. | |
my ear. Never run out of battery. Never ending battery? Yes, that | :25:40. | :25:44. | |
would be cool. I'm going to have to break the news to my iPhone 6. It's | :25:45. | :25:51. | |
over. Yes, look, we have had a good couple of years, great memories and | :25:52. | :25:54. | |
great times together but I think it's time to move on. And it's not | :25:55. | :25:57. | |
you, it's really not you, there's nothing wrong with you, and it's not | :25:58. | :26:06. | |
me either. It's Apple. Now, earlier we asked you to send in your Dahl | :26:07. | :26:10. | |
Day costumes and you haven't disappointed. Check this out. This | :26:11. | :26:15. | |
is Charlie wearing George's marvellous medicine bottle and | :26:16. | :26:19. | |
spoon. This is Erin from Northern Ireland | :26:20. | :26:24. | |
as Mrs Twist. And we asked for a giant peach and here it is in the | :26:25. | :26:28. | |
shape of Georgia covered in paper mache. Well done. Julie, thank you | :26:29. | :26:32. | |
so much for coming on the show. National Treasure begins next | :26:33. | :26:36. | |
Tuesday at 9 on Channel 4. We are joined by Nick Knowles and Shakin' | :26:37. | :26:42. | |
Stevens tomorrow. Now to celebrate Roald Dahl's centenary, it's Matilda | :26:43. | :26:49. | |
the musical, which you can see in London's children. In this world, | :26:50. | :26:57. | |
there are small and shrivelled children, small and weak and smelly. | :26:58. | :26:59. | |
You are losers and always will be. # Just because you find that life's | :27:00. | :27:09. | |
not fair # Diusn't mean that you just have to | :27:10. | :27:13. | |
grin and bear it # If you always take it on the chin | :27:14. | :27:19. | |
and web it # Nothing will change | :27:20. | :27:23. | |
# Even if you're little you can do a lot | :27:24. | :27:26. | |
# You mustn't let a little thing like little stop you | :27:27. | :27:32. | |
# If you let things get on top of you | :27:33. | :27:34. | |
# Might be saying you think that it's OK and that's not right | :27:35. | :27:58. | |
Hash your hockey stick and use it as a sword! | :27:59. | :28:12. | |
# Disobey at the same time # You can be vicious | :28:13. | :28:39. | |
# # You are revolting | :28:40. | :28:52. | |
# We are revolting children # We see revolting stuff | :28:53. | :28:57. | |
# We sing revolting stuff # We'll be revolting children | :28:58. | :29:02. | |
# We are revolting. # We are revolting children | :29:03. | :29:10. | |
# We are # Oh, yeah | :29:11. | :29:16. | |
# Down, down, down, down # We are revolting! # | :29:17. | :29:28. | |
BBC Four and looks back at 60 years of the genre... | :29:29. | :29:35. | |
It was a kind of feeling that you just don't get | :29:36. | :29:38. |