Browse content similar to 13/06/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:17. | :00:19. | |
Tonight, we're hitting the turbo-boosters and going full | :00:20. | :00:24. | |
steam ahead as we continue our search for Britain's | :00:25. | :00:26. | |
Steam, I love it. Ladies and gentlemen, fasten your seat belts, | :00:27. | :00:39. | |
it the jet engine. LAUGHTER Yes, Len Goodman and David Harewood | :00:40. | :00:45. | |
will be locking horns later. That's after we've met a man | :00:46. | :00:50. | |
who truly reinvented himself. APPLAUSE | :00:51. | :01:04. | |
Welcome along. We say that because we read that you were a teacher and | :01:05. | :01:10. | |
became an actor at the age of 34 and had your first big role at the age | :01:11. | :01:14. | |
of 40. Did you have a moment when you thought you had arrived? You | :01:15. | :01:21. | |
never quite get to that place, but I remember writing down my occupation | :01:22. | :01:25. | |
on my passport when I had to renew it and writing down actor and it was | :01:26. | :01:31. | |
a seminal moment. I remember thinking, yeah, I've come home. It | :01:32. | :01:37. | |
fell, teaching and acting are quite similar in the way that you are | :01:38. | :01:40. | |
trying to entertain people and throw out a few truths. You were trying to | :01:41. | :01:45. | |
get into the school play? Not really. I had a great teacher at | :01:46. | :01:51. | |
primary school who put on crazy concerts and I loved it, but | :01:52. | :01:54. | |
secondary school put an end to that and I thought it was rather people, | :01:55. | :01:59. | |
really. We left school and we started a theatre company, but it | :02:00. | :02:02. | |
was never the intention to do it full-time. Just because we loved it. | :02:03. | :02:08. | |
Talking about inventions, one thing has changed your life, what would | :02:09. | :02:16. | |
you say? The iPod, when I was going away, I love listening to music and | :02:17. | :02:21. | |
that was the most miraculous thing whereby you didn't have to go | :02:22. | :02:26. | |
through whatever music you had and decide what to bring with you, when | :02:27. | :02:30. | |
you were going away. I couldn't get over the fact that you would put in | :02:31. | :02:34. | |
a pair of it plugs. What is your favourite track on your iPod? I have | :02:35. | :02:41. | |
loads of them, 27,000 songs or something. 27,000! That is very good | :02:42. | :02:49. | |
memory. The random button cannulae due in for a month. -- can lead you | :02:50. | :02:56. | |
in for a month. This song no doubt has featured on many iPods over the | :02:57. | :03:04. | |
years, and we are going to meet the woman who wrote and sang it later | :03:05. | :03:11. | |
on. Christine McVie of the Fleetwood Mac, the writer of so many stone | :03:12. | :03:14. | |
cold classic. Looking forward to seeing you later on. Before that, | :03:15. | :03:20. | |
and before we talk to Brendan, we want you to get involved. In his new | :03:21. | :03:26. | |
film he plays a gruff recluse who starts a very unlikely romance with | :03:27. | :03:29. | |
a much more polished woman played by Diane Keaton. We want to see the | :03:30. | :03:34. | |
unlikely couples out there, who is punching above their weight, that is | :03:35. | :03:38. | |
what we are asking. Yes, we want to see couples who are totally chalk | :03:39. | :03:43. | |
and cheese. Please send a photograph to the usual address and tell us why | :03:44. | :03:46. | |
you are such an odd couple. We know there will be | :03:47. | :03:49. | |
lots of you watching who are huge Roald Dahl fans - | :03:50. | :03:52. | |
and it's hard to think of his stories without | :03:53. | :03:55. | |
imagining Quentin Blake's wonderfully distinctive | :03:56. | :03:56. | |
illustrations. In a rare interview, | :03:57. | :04:00. | |
Cerys got to meet the legendary illustrator and was given exclusive | :04:01. | :04:02. | |
access as he opens a new exhibition. Quentin Blake's illustrations have | :04:03. | :04:11. | |
brought some of our best loved children's books to life. Who can | :04:12. | :04:20. | |
forget Matilda? The BFG? There are literally hundreds of other books | :04:21. | :04:24. | |
filled with his quirky creations. But at the age of 84, Quentin Blake | :04:25. | :04:29. | |
has decided to take a break from children's books and has been | :04:30. | :04:31. | |
working on something entirely different. An exhibition of his new | :04:32. | :04:38. | |
work is about to open in his hometown of Hastings. And no waiting | :04:39. | :04:46. | |
for us because we have been allowed a very special sneak preview with | :04:47. | :04:49. | |
the artist himself. They are very different because they are huge. A | :04:50. | :04:55. | |
lot of small ones as well but the bigger ones are bigger than anything | :04:56. | :04:59. | |
I've ever done. They are quintessentially Quentin Blake, | :05:00. | :05:05. | |
still. I hope so. Drawing is like handwriting, it is for me, and | :05:06. | :05:07. | |
people seem to recognise it, you know. Believe it or not, with only | :05:08. | :05:14. | |
days to go before the opening Quentin Blake is here to paint one | :05:15. | :05:18. | |
last picture and he's doing it now on this wall and it's going to be | :05:19. | :05:23. | |
his biggest yet. It's really not often that you get to see somebody | :05:24. | :05:29. | |
painting up close like this. It is quite fascinating to work out his | :05:30. | :05:37. | |
next move. Normally he illustrates an author's story but he has chosen | :05:38. | :05:41. | |
his own scene for this exhibition, travel. I proposed the idea of the | :05:42. | :05:48. | |
only way to travel was... Not the places you go to, but the way you | :05:49. | :05:50. | |
get there, in fantasy. Liz Gillmor commissioned the | :05:51. | :06:03. | |
exhibition and has known Quentin Blake a long time, so is she | :06:04. | :06:09. | |
surprised by his latest creations? We hadn't expected the work to be so | :06:10. | :06:13. | |
haunting, it punches you in the stomach and draws you in at the same | :06:14. | :06:19. | |
time, great art will really caught you, you lie in bed and the image | :06:20. | :06:22. | |
comes back into your mind. -- haunt you. There will be a total of | :06:23. | :06:28. | |
hundred new pages including these watercolours. The 21 watercolours | :06:29. | :06:34. | |
were made within about a week. The week? It was a creative outpouring | :06:35. | :06:42. | |
by Quentin. Where does the inspiration come from, do you think? | :06:43. | :06:48. | |
Don't know. Things come from other things that you have done, but | :06:49. | :06:52. | |
sometimes people say, clearly you had seen so and so, but I think | :06:53. | :06:57. | |
there is a reason for the things but they come from a lot further back | :06:58. | :07:05. | |
than you know. Quentin's exhibition is about all kinds of journeys, | :07:06. | :07:08. | |
physical ones and journeys of the mind. And although some paintings | :07:09. | :07:15. | |
might seem to depict topical issues like immigration, remarkably that | :07:16. | :07:19. | |
wasn't his starting point. There are things of isolation and difficulty | :07:20. | :07:25. | |
and those are metaphors. I did not set of thinking I will do serious | :07:26. | :07:31. | |
topics, you discover them in the pictures, in a sense. The characters | :07:32. | :07:35. | |
are so human and fleshed out, with such few strokes. That is drawing. | :07:36. | :07:44. | |
LAUGHTER Having experimented with giant | :07:45. | :07:50. | |
pictures, and new techniques, will he be doing more of this in the | :07:51. | :07:55. | |
future? I will certainly do more pictures like this. What they will | :07:56. | :08:00. | |
be about, I'm not sure. It is a journey in itself. It is, yes. With | :08:01. | :08:07. | |
just the last few master strokes, the final painting is finished. Do | :08:08. | :08:14. | |
you like it? Do I like it? Well, I survived. No, I do like it. Quite | :08:15. | :08:22. | |
physical, doing this painting, in you are in your 80s now. Do you | :08:23. | :08:29. | |
think about retiring? No fear, no. The problem is, how can I stop? | :08:30. | :08:31. | |
LAUGHTER If you'd like to see that | :08:32. | :08:35. | |
exhibition it opens tomorrow We know that you are a big fan of | :08:36. | :08:47. | |
Roald Dahl and Quentin Blake. Yes, completely unique. The combination | :08:48. | :08:54. | |
is even more unique. Very good. It was great. I remember reading Roald | :08:55. | :09:02. | |
Dahl to my kids a lot and then reading it because they wanted to | :09:03. | :09:04. | |
read it themselves, and that is the sign they got it, it is a joy. Let's | :09:05. | :09:10. | |
talk about the new film, Hampstead. There is a great story behind this | :09:11. | :09:14. | |
one. It is based on a real-life character. Kind of based on a | :09:15. | :09:21. | |
real-life case which happened, a man called Harry who lived just of | :09:22. | :09:25. | |
Hampstead Heath on the grounds of what was at loan house. -- Athlone | :09:26. | :09:33. | |
house. That is him. Yes, and I got the script, that this man living in | :09:34. | :09:38. | |
such a place and falling in love with a woman who lived in Hampstead | :09:39. | :09:48. | |
proper. I came across the story, and I said, it has to be based on a true | :09:49. | :09:54. | |
story, and in the trial, they wanted to get him off the land to redevelop | :09:55. | :10:00. | |
something. The plot of land. They brought him to court and he won the | :10:01. | :10:03. | |
right to stay there because he had been there for so long. The plot of | :10:04. | :10:09. | |
land being in Hampstead, Kuching. Yes, but that did not mean anything | :10:10. | :10:13. | |
to him because that is just where he lived, and that is the point of the | :10:14. | :10:17. | |
thing. The paperwork putting prices on it -- the papers were putting. | :10:18. | :10:24. | |
But it was just the same place. He recently died. Did you get in | :10:25. | :10:27. | |
contact with him before? Yes, I tried. I got down to the place at | :10:28. | :10:33. | |
one point and he didn't really want to talk to anybody from Hollywood. | :10:34. | :10:38. | |
As he thought. That was very now. The producers spoke to him before | :10:39. | :10:47. | |
that, and I asked an into Mia -- intermediary to give him a letter. | :10:48. | :10:53. | |
He was not too well at that point. He just communicated back to say | :10:54. | :10:56. | |
that he thanked me for the call to see of the letter, but he didn't | :10:57. | :10:59. | |
want anything to do with it. And it didn't bother him either way. As | :11:00. | :11:04. | |
long as he knew about it, I felt we had done what we needed to. I wasn't | :11:05. | :11:09. | |
playing him anyway, it was the circumstances. You say this issue | :11:10. | :11:16. | |
first unapologetically leading man in a love, romantic way. Yes, there | :11:17. | :11:27. | |
has been love, the aspect of romantic aspects to the characters | :11:28. | :11:29. | |
I've played, but the idea that this is just a love story, probably is | :11:30. | :11:36. | |
the first one. And have a love story with Diane Keaton is not bad way to | :11:37. | :11:41. | |
start. It is excellent. How did you get on with her? There is a quote | :11:42. | :11:48. | |
that she could not wait to be working with you. She is great, a | :11:49. | :11:55. | |
bundle of energy. I love going into the make-up truck in the morning, | :11:56. | :11:59. | |
she would be reading the New York Times and lamenting something. And | :12:00. | :12:05. | |
the conversation would bounce around the room. She is really lively and | :12:06. | :12:10. | |
what is great about her, her sense of fun but also this high | :12:11. | :12:18. | |
intelligence. Unusual combination. She is so joyous but also thinking | :12:19. | :12:21. | |
and plugged in at the same time, she is great. As you mention, your | :12:22. | :12:26. | |
character falls in love with hers and we are going to have a look at | :12:27. | :12:30. | |
the first moment where he ends up back at her house. He has had a good | :12:31. | :12:35. | |
wash. And then he dancing to her son. I don't know, ma'am, either | :12:36. | :12:42. | |
feeding you are not telling me everything. -- I've a feeling you | :12:43. | :12:47. | |
are not telling me everything. What could I possibly be hiding? Hello, | :12:48. | :12:53. | |
there. Sorry, I did not hear you come in. Actually, this is my son, | :12:54. | :13:02. | |
Philip, and this is my... Handyman. LAUGHTER | :13:03. | :13:11. | |
Nice face back. Yes, people do things, silly things when they are | :13:12. | :13:16. | |
in love. Are you romantic? Yes, a bruised romantic. I would be a | :13:17. | :13:23. | |
romantic, yes. Every cynic is a tortured romantic and I think every | :13:24. | :13:26. | |
romantic is really just a little bit more open about it. Anyone who has | :13:27. | :13:33. | |
the ability... Who doesn't have the ability to be the Man City is | :13:34. | :13:39. | |
missing the point -- anyone who doesn't have the ability to be | :13:40. | :13:41. | |
romantic is missing the point of life, really. Hampstead is out on | :13:42. | :13:45. | |
Friday. It's time now for the next | :13:46. | :13:51. | |
submissions in our search We have a need for speed tonight - | :13:52. | :13:53. | |
with two inventions that allowed us to go further and faster | :13:54. | :13:57. | |
than before, here's Len Goodman You don't have to be a genius to | :13:58. | :14:10. | |
know that my invention is the steam in changing. -- steam engine. I'm | :14:11. | :14:16. | |
not just talking about locomotives like this. There are so many things, | :14:17. | :14:24. | |
ships went like this, mines went deeper. And I will tell you this, | :14:25. | :14:32. | |
steam but the great in Great Britain. I love it. LAUGHTER | :14:33. | :14:56. | |
I want to tell you about the greatest British invention of all. | :14:57. | :15:03. | |
An incredible piece of engineering, synergy of power, metal and physics. | :15:04. | :15:07. | |
That is at the astonishing effect of shrinking the world. -- that has | :15:08. | :15:13. | |
had. It has opened the door to adventure and incredible memories | :15:14. | :15:16. | |
and right now it is keeping up to a million people in the air. Ladies | :15:17. | :15:22. | |
and gentlemen, fasten your seat belts, it's the jet engine. | :15:23. | :15:29. | |
The jet has radically changed my life, and without it my world would | :15:30. | :15:35. | |
be completely different. My mother and father from Barbados but I also | :15:36. | :15:40. | |
have family in America and without the jet engine it would be very | :15:41. | :15:43. | |
difficult for any of us to ever be physically in the same room | :15:44. | :15:44. | |
together. Technical Tommy, our inventions | :15:45. | :15:51. | |
expert for this week, is here. The theme is transport, but it is | :15:52. | :16:01. | |
much more. It is a game changer and it goes back to Thomas Savery who | :16:02. | :16:05. | |
invented the first steam engine in its rough form, and it was used to | :16:06. | :16:08. | |
get water out of mines, which was building up, and he used the | :16:09. | :16:12. | |
technology to get it out. Along comes James Watt, who coined the | :16:13. | :16:18. | |
term horsepower, that is a credit to his name, anyway. He made the steam | :16:19. | :16:23. | |
engine thinks of efficient and that was like an adrenaline shot for the | :16:24. | :16:29. | |
industrial revolution and industries were being formed, they could take | :16:30. | :16:31. | |
steam engines in doors away from water sources. Everything changed | :16:32. | :16:36. | |
off the back of that and that is all thanks to steam power and steam | :16:37. | :16:39. | |
engines, so we have a lot to be grateful for. On but it also led to | :16:40. | :16:53. | |
some less successful invention is. Yes, this was the steam powered | :16:54. | :16:59. | |
motorbike, or bicycle, that didn't really take off. We saw David | :17:00. | :17:03. | |
Harewood, his thing was the jet engine. | :17:04. | :17:05. | |
Think about everything this has given us, holidays and all that. Sir | :17:06. | :17:16. | |
Frank Whittle made the first-ever jet engines solo. But check this | :17:17. | :17:25. | |
out. This is the GE9X, the biggest jet engine on earth, it won't fly | :17:26. | :17:31. | |
until 2020. It is huge, but it is not the most sophisticated jet | :17:32. | :17:40. | |
engine. That belongs to the F22 Raptor, it goes at four times the | :17:41. | :17:44. | |
speed of sound, it is a stealth jet so can't be detected by radar, and | :17:45. | :17:50. | |
it goes up to four times the speed of sound. So, three more inventions | :17:51. | :17:57. | |
to go? Yes, three more contenders, but you can't vote until Thursday. | :17:58. | :18:01. | |
You can vote during the live show of Britain's Greatest Invention at | :18:02. | :18:11. | |
8:30pm on BBC Two. It is an iPlayer if you missed last night! | :18:12. | :18:16. | |
Time to meet a musical pioneer, Christine McVie, now. | :18:17. | :18:18. | |
# My mind is filled with journeys # Echo with your smile | :18:19. | :18:29. | |
# No, you won't take that away from me | :18:30. | :18:35. | |
# Even if you try # Sometimes I wonder | :18:36. | :18:43. | |
# Do you ever think of me? # And it's worse for me at night, | :18:44. | :18:45. | |
you know # When the red sun kisses the sea | :18:46. | :18:47. | |
# APPLAUSE | :18:48. | :18:55. | |
The new album in collaboration with Lindsey Buckingham, which we will | :18:56. | :18:59. | |
talk about in a moment. We have been talking to Brendan about living off | :19:00. | :19:04. | |
grid with low impact the environment, and that was a very big | :19:05. | :19:10. | |
part of your wasn't it? Living off great? Absolutely. What was the | :19:11. | :19:16. | |
whole when you decided to almost stop your music and live... I | :19:17. | :19:24. | |
decided to stop. Why? I developed a terrible fear of flying, and I was | :19:25. | :19:28. | |
tired of living out of suitcases and being a nomad, and I wanted to | :19:29. | :19:31. | |
return to England because I had lived in LA the 28 years, and I | :19:32. | :19:38. | |
needed my roots, so I just moved, lock stock and barrel back to | :19:39. | :19:43. | |
England, I bought a house in Kent, huge manor house, which took me four | :19:44. | :19:46. | |
years to bring back to its original beauty with the beams and | :19:47. | :19:50. | |
everything, and then that was four years gone, the years when and I | :19:51. | :19:58. | |
went down a bit into isolation, and something just grabbed me one day | :19:59. | :20:03. | |
and I thought, I really miss those guys, they are like my musical | :20:04. | :20:14. | |
family. And it would happen but Mick was coming to London to do a promo | :20:15. | :20:18. | |
tour, and he said, come back with me. We flew back, and I never even | :20:19. | :20:24. | |
felt the wheels leave the ground. And that was just get back into the | :20:25. | :20:28. | |
studio and get back into the swing of things? At that point I hadn't | :20:29. | :20:37. | |
even really joined the band, it was when I had gone to Maui, and I was | :20:38. | :20:41. | |
thinking, this is fun, and I thought, what would it be like to | :20:42. | :20:48. | |
rejoin the band? And Mick said, are you kidding? Anti-Iraq everybody up. | :20:49. | :20:52. | |
And these are all new songs. Did the lyrics come to you very easily? Was | :20:53. | :20:59. | |
it almost like the good old days? I keep a journal that is full of | :21:00. | :21:04. | |
words, things that I think of, I am a romantic person and I like to | :21:05. | :21:08. | |
write about love, that is usually my subject. So I had lyrics stashed | :21:09. | :21:17. | |
away, and Lindsey had tracks, and we somehow collaborated, we have | :21:18. | :21:22. | |
already had this musical infinity with each other through the years, | :21:23. | :21:25. | |
we seem to know what each other is going to play and we jam well | :21:26. | :21:28. | |
together, but we didn't realise until we got to try these new songs | :21:29. | :21:33. | |
out that the magic was still there. And fans will be delighted to know | :21:34. | :21:38. | |
that there is a tour, can you tell us a bit more about that? When will | :21:39. | :21:44. | |
it be? The Fleetwood Mac tour, we start rehearsing in March next year, | :21:45. | :21:49. | |
and then the tour is around June. It will be global. And is that an | :21:50. | :21:55. | |
exclusive now? I think you can safely say! I have only just heard | :21:56. | :22:02. | |
myself, so it is. The music on the album that you have done is a lot of | :22:03. | :22:06. | |
the sounds of Fleetwood Mac as well. You can't rarely help that, because | :22:07. | :22:12. | |
we have John and Mick on the album, so except for Stevie, it will sound | :22:13. | :22:26. | |
like it! And you will be singing Songbird for us. | :22:27. | :22:32. | |
Dreaded mobile roaming charges which can result in people getting | :22:33. | :22:34. | |
shocking bills on their return from holidays are being outlawed | :22:35. | :22:37. | |
Joe has read the small print, though. | :22:38. | :22:44. | |
Flying out on a sun soaked holiday should be a chance to get away from | :22:45. | :22:52. | |
it all. But many of us can't bear to leave this behind, even if it means | :22:53. | :22:56. | |
massive phone bills when we get home. Because for years, | :22:57. | :23:00. | |
holiday-makers have been hit by huge data roaming charges for using their | :23:01. | :23:06. | |
phones abroad. I came back from a festival once with a bill of ?150, | :23:07. | :23:12. | |
so that really hurt. You can be on Facebook for hours once you get into | :23:13. | :23:17. | |
it. How much was the bill? About 500. But this week that is going to | :23:18. | :23:22. | |
change thanks to a new law which bans UK phone company is charging | :23:23. | :23:25. | |
Google extra for using their mobiles in the EU. The European Commission | :23:26. | :23:32. | |
has called it the end to roaming charges. Whatever your bundle at | :23:33. | :23:36. | |
home, under this new law, you will be able to use the same amount of | :23:37. | :23:41. | |
calls, texts and data are broad with no extra cost. But it seems this | :23:42. | :23:47. | |
free data roaming isn't as straightforward as you'd think. For | :23:48. | :23:54. | |
a start, you have to know Europe. Time for a geopolitical quiz. I have | :23:55. | :23:56. | |
some boarding passes the different countries. Pick one or two. We have | :23:57. | :24:03. | |
Spain, the Netherlands, Germany, all EU countries, so you would expect | :24:04. | :24:08. | |
them to be included. It should be straightforward, but some countries | :24:09. | :24:12. | |
which are not in the EU but are in the European Economic Area are also | :24:13. | :24:15. | |
covered by the new law. Would you get free roaming in Turkey under | :24:16. | :24:26. | |
this EU law change grows? Yes? No, Turkey is not yet in the EU, | :24:27. | :24:32. | |
included. So it can be hard to know where | :24:33. | :24:35. | |
exactly you can roam free. The law covers 31 countries, but O2, | :24:36. | :24:49. | |
Vodafone and the other companies all offer different countries that they | :24:50. | :24:54. | |
cover. There are competing to offer holiday-makers the best deals, it | :24:55. | :24:57. | |
can be a bit confusing, but surely it is a win for sun seeking | :24:58. | :25:03. | |
consumers? Maybe not. And that is because of a hidden fair | :25:04. | :25:08. | |
usage loophole which allows companies to cap your data below | :25:09. | :25:12. | |
what you normally get at home. That means depending on your tariff and | :25:13. | :25:15. | |
provider, you could still be hit with an unexpected charge if you go | :25:16. | :25:23. | |
over the new, lower limit. Take for example O2 pay-as-you-go ?30 big | :25:24. | :25:27. | |
bundle. In the UK, you get 20 gigabytes, but under the fair usage | :25:28. | :25:31. | |
rules, they have captives at half of that while you are travelling in | :25:32. | :25:37. | |
Europe. With gift gaffe, you have to pay extra if you go over six GB, | :25:38. | :25:42. | |
cheese usually used up by streaming three movies. Three said its | :25:43. | :25:50. | |
customers will be charged if they go over nine GB, and EE's is set as | :25:51. | :26:03. | |
well. The fair usage loophole will hit some customers hard. It is going | :26:04. | :26:08. | |
to hit people with high usage, let's say you stream a lot of television | :26:09. | :26:13. | |
or you use your sat nav a lot, they could if they wanted go after people | :26:14. | :26:18. | |
on what are called cheaper tariffs and reduce the amount of data they | :26:19. | :26:22. | |
can use. Check with your operator what the limits are so you are not | :26:23. | :26:27. | |
hit with an unexpected charge. The loophole could even allow caps as | :26:28. | :26:32. | |
low as two GB to be opposed, with charges of 8 euros, around ?7 per | :26:33. | :26:36. | |
gigabyte, if you go over those limits. So much for free roaming at | :26:37. | :26:43. | |
no extra cost. If something is going to be free, it should be free, and | :26:44. | :26:47. | |
if they are going to charge you, it's not free. There is always a | :26:48. | :26:54. | |
hidden catch, somewhere, is that? Brexit may be on the horizon, but | :26:55. | :26:58. | |
nowadays the new law does apply, but you will have to check the details | :26:59. | :27:01. | |
of your package, otherwise you might still find a nasty surprise on your | :27:02. | :27:05. | |
bill. Thank you. Earlier we asked all you | :27:06. | :27:13. | |
weird couples out there to send proof of how odd Yaha. You can't say | :27:14. | :27:19. | |
that! I will go first. This is Barry and his wife. He is a magician and | :27:20. | :27:31. | |
his wife, here, obviously... This is John and his girlfriend, 20 years | :27:32. | :27:35. | |
difference between them but madly unloved. That's a nice picture. This | :27:36. | :27:39. | |
is John and Fiona, he was a cocktail waiter when they matched, but six | :27:40. | :27:45. | |
years later he can't wait to grow old with her. And here is a massive | :27:46. | :27:48. | |
dog and pony, best friends! Hampstead is in cinemas | :27:49. | :27:55. | |
from June the 23rd. We'll be back tomorrow | :27:56. | :27:58. | |
with Jack Vettriano, Plus two choirs from new BBC show | :27:59. | :28:00. | |
Pitch Battle will be But to play us out now, | :28:01. | :28:04. | |
with the 1977 classic Songbird, # Because I feel that | :28:05. | :28:07. | |
when I'm with you # And I love you, | :28:08. | :29:15. | |
I love you, I love you # And I wish you all | :29:16. | :29:38. | |
the love in the world # And I love you, | :29:39. | :30:14. | |
I love you, I love you | :30:15. | :30:36. |