Browse content similar to 14/03/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight's guests have only been in EastEnders since Christmas and | :00:08. | :00:10. | |
already their life in Walford has been an emotional roller-coaster. | :00:11. | :00:16. | |
They've bought the Queen Vic... Their son has come out as gay... | :00:17. | :00:22. | |
They've stopped their daughter's wedding - on the wedding day... And | :00:23. | :00:26. | |
now they've got to cope with something even more dramatic... | :00:27. | :00:27. | |
Their Bulldog's pregnant! Hello friends and welcome to your | :00:28. | :00:47. | |
Friday One Show. Fearne Cotton's here. And Chris Evans is here. And | :00:48. | :00:53. | |
yes we're joined by the latest, greatest couple on the Square. It's | :00:54. | :00:57. | |
the Carters - Danny Dyer and Kellie Bright. Kellie, how is lady Di? | :00:58. | :01:13. | |
Apparently she is pregnant. Why isn't she here? We thought we'd | :01:14. | :01:20. | |
leave her, she is heavily pregnant and it has been a emotional. Her | :01:21. | :01:35. | |
official other name is Hot Lips. Danny, make sure you are on your | :01:36. | :01:43. | |
best behaviour. Backstage we have someone who will keep you in line. | :01:44. | :01:54. | |
Someone we know you won't want to get on the wrong side of. There she | :01:55. | :01:59. | |
is, reading your book. But if the book comes down you're in trouble. | :02:00. | :02:04. | |
We'll reveal who it is later. Let's have a little look. See if you can | :02:05. | :02:10. | |
recognise her just from behind the book. You should be worried. It is | :02:11. | :02:17. | |
the final rugby weekend. We're looking for the most committed | :02:18. | :02:22. | |
English, Welsh, Scottish and Irish Road the fans out there this | :02:23. | :02:29. | |
evening. Send us your photos of you in your most over the top | :02:30. | :02:33. | |
patriotically outfit. Alex flew out to Gatwick this | :02:34. | :02:38. | |
morning on her way to Utah where she is about to attempt the biggest | :02:39. | :02:44. | |
Sport Relief challenge of all time. Climbing to the top of this massive | :02:45. | :02:58. | |
rock. That's Moonlight Buttress - 1,200 feet, or on the Walford | :02:59. | :03:06. | |
scale... 39 Queen Vics. Very high. We could not let Alex go this | :03:07. | :03:10. | |
morning without digging her a surprise sendoff and it all started | :03:11. | :03:14. | |
with a phone call on Radio 2 this morning. Good morning, Alex. Good | :03:15. | :03:22. | |
morning Christopher. We have a surprise for you, are you ready? OK. | :03:23. | :03:39. | |
Five, four, three, two, one... Look round now, Alex. | :03:40. | :03:53. | |
# just call my name, Al be there in a hurry. | :03:54. | :03:57. | |
# you don't have to worry. # ain't no Mountain high enough. | :03:58. | :04:20. | |
Thank you so much. It is potentially the best sendoff I could have ever | :04:21. | :04:24. | |
dream dog. Absolutely amazing. Can I take you all with me. | :04:25. | :04:39. | |
She sounds so relaxed. Alex of course, raising loads of money for | :04:40. | :04:45. | |
vital life changing Sport Relief projects. Matthew recently visited | :04:46. | :04:56. | |
such a knockout examples. I used to go to school in this | :04:57. | :05:03. | |
thing. I have made a lot of mistakes in my life. It has had an effect and | :05:04. | :05:12. | |
it is something I do regret. This area of east London has one of the | :05:13. | :05:17. | |
highest levels of knife and gun violence in the UK. It is a very | :05:18. | :05:20. | |
tough place to grow up where violence can play a part of everyday | :05:21. | :05:29. | |
life. The organisation Fight For Peace is trying to change that. They | :05:30. | :05:34. | |
are trying to instil confidence and boxing by providing martial arts | :05:35. | :05:41. | |
training. This man spends his life getting trouble with the law until a | :05:42. | :05:48. | |
short spell in prison made him reassess the direction his life was | :05:49. | :05:53. | |
taking. Everybody I was with was involved in the same things. I did | :05:54. | :06:00. | |
not see it. When did the change come? I thought this was just a | :06:01. | :06:09. | |
boxing gym, somewhere you could train for free. Once I got involved, | :06:10. | :06:12. | |
I can see the opportunities here. Many people are sceptical. They | :06:13. | :06:18. | |
think people will come here and learn how to fight and then go out | :06:19. | :06:23. | |
there and use it. But you become more patient and understanding. A | :06:24. | :06:27. | |
lot of people come here with alcohol and drug problems, and after being | :06:28. | :06:32. | |
part of the Academy, they are better with their issues. It also helps | :06:33. | :06:39. | |
young people who have been affected by crime, like Bart, who at the age | :06:40. | :06:44. | |
of 13 suffered an horrific attack. People used to call me names. Would | :06:45. | :06:53. | |
be racist to me. I wanted to stand up and scream and tell them to | :06:54. | :07:02. | |
stop. I came home from school and my family were locked outside and I was | :07:03. | :07:09. | |
beaten up badly. I could not get in. Healy are today, do you feel you | :07:10. | :07:16. | |
have control of your life? It took me a lot to get out of the situation | :07:17. | :07:20. | |
I was in before. Coming here and training every day, it clears your | :07:21. | :07:26. | |
mind and your soul as well. My life has changed. We are changing young | :07:27. | :07:34. | |
people 's lives. They are working with others and changing their own | :07:35. | :07:37. | |
lives. We are creating life champions. It teaches young people | :07:38. | :07:44. | |
about themselves and about life. As well as getting fit, they are shown | :07:45. | :07:50. | |
how to interact with others. It looks very intense, this training? | :07:51. | :07:56. | |
Give it a go yourself. Four times. Push, push, push! My life has | :07:57. | :08:05. | |
changed. More positive with myself. I do things I didn't do before. This | :08:06. | :08:15. | |
is a dream that came into my life. I can see why this works, because | :08:16. | :08:18. | |
everything you know is stripped away. It feels good very good. | :08:19. | :08:29. | |
Thanks. You are not just shaking my hand, you are pulling me up off the | :08:30. | :08:34. | |
ground. Fantastic. We have some of the guys | :08:35. | :08:39. | |
here this evening. Can you tell us how everybody can donate? | :08:40. | :08:58. | |
If I were you I would donate. Don't hide behind me! Seriously. | :08:59. | :09:18. | |
If you have got the Radio Times, you will find an envelope. It makes it | :09:19. | :09:26. | |
easy to give any amount you want. Write a cheque, pop on a stamp and | :09:27. | :09:35. | |
post it. Now, Albert Square hasn't been the | :09:36. | :09:38. | |
same since the new family moved in. Here's a quick Carter compilation. | :09:39. | :09:49. | |
You never assault the customers. He assaulted me. Fancy woman writing | :09:50. | :10:02. | |
you love letter is again? What about Johnny's feelings? I think I am | :10:03. | :10:13. | |
going to cry. Everything all right? Just family stuff. I don't take | :10:14. | :10:24. | |
orders, big man. You do now. Mick loves that pink dressing gown | :10:25. | :10:31. | |
doesn't he? It's still freaks me out, I am on EastEnders. That is | :10:32. | :10:38. | |
what I am thinking. I love this pink dressing gown. It is great. I could | :10:39. | :10:47. | |
not wait to put it on. Was that an improvisation, was it in the script? | :10:48. | :10:52. | |
I cannot claim it, they did tell me early doors it would feature. Are | :10:53. | :10:57. | |
they laying some kind of story bomb? She tells me to take it off. | :10:58. | :11:09. | |
It was only set up for one scene. Why did Albert Square need the | :11:10. | :11:14. | |
Carters? Do you want to answer that? It does not need the Carters, | :11:15. | :11:23. | |
but it needed livening up. Yes, it needed livening up, let's be honest. | :11:24. | :11:37. | |
Did it need the Carters? Danny, and so the question. It needed livening | :11:38. | :11:43. | |
up, it was going through a mad stage. It needed some fresh blood. | :11:44. | :11:53. | |
You are like a proper couple! It was a bit of a risk, but I think it has | :11:54. | :12:02. | |
worked. It is based on the real family of the Executive Producer. We | :12:03. | :12:09. | |
are based on his mum and dad. It started from there. Danny, described | :12:10. | :12:18. | |
Kellie's character, Linda? Be careful. No, it is a character, I | :12:19. | :12:25. | |
can say what I want. It is not a personal thing. Aggressive. Stroppy. | :12:26. | :12:34. | |
Old school, but lovable. She is lovable, very loyal. Just to | :12:35. | :12:43. | |
clarify, that is Linda, not Kellie. Can you describe Mick's character? | :12:44. | :12:59. | |
For me, Mick is a cross between Mike Reed and the best bits of Danny | :13:00. | :13:08. | |
Dyer. I like that. That is Mick personified. He came in one day and | :13:09. | :13:19. | |
went, I am a bit worried. Joanne, which is his wife, said she fancied | :13:20. | :13:27. | |
Mick! She said Mick is the best bits of me so outcomes the pink dressing | :13:28. | :13:37. | |
out at home. The family sticks together almost in real life, in the | :13:38. | :13:40. | |
downtime, is there any feuding going on? You spend most of your time with | :13:41. | :13:47. | |
them, so it is natural you become closer to them. Sometimes you don't | :13:48. | :13:55. | |
see anyone for ages, we don't have a lot to do with the butchers. Not | :13:56. | :14:02. | |
that we don't like them! We love them. We see more people, because | :14:03. | :14:14. | |
they come into the pub. You have got your on-screen kids with us. Look | :14:15. | :14:24. | |
how gorgeous they are. Do you mother them when you are on sat? | :14:25. | :14:28. | |
Completely, they are Mike of the children. Very grown-up children. | :14:29. | :14:37. | |
You are going out tonight? We are going out for a bit of dinner. We | :14:38. | :14:41. | |
thought we would treat them. Are you sending them home early? We spoke | :14:42. | :14:48. | |
about her earlier, one member of the Carter family in particular. Lovely, | :14:49. | :14:54. | |
there she is. She has earned her place among so many wonderful | :14:55. | :15:05. | |
EastEnders dogs. This is Geoff. He is three years | :15:06. | :15:11. | |
old. He is my second bulldog, and he is tremendous. He is a source of | :15:12. | :15:16. | |
constant entertainment. Geoff! Come here! Geoff is an inquisitive dog, | :15:17. | :15:24. | |
and I am inquisitive about him. So today, we set off on a void of | :15:25. | :15:28. | |
discovery to find out why Geoff looks like he does, why he acts like | :15:29. | :15:35. | |
he does, why he became the autumn at British icon. I am told that | :15:36. | :15:40. | |
hundreds of years ago, albeit in was a popular sport alongside London's | :15:41. | :15:45. | |
embankment. I am here to find out more. Where do Bulldogs come from? | :15:46. | :15:50. | |
They are first mentioned in literature in 1500. They were | :15:51. | :15:53. | |
possibly brought by the Romans. There was a breed of big boned dogs. | :15:54. | :16:00. | |
Like a mastiff? Absolutely. These early dogs were the ideal butcher's | :16:01. | :16:05. | |
mate, controlling cattle on their way to market and later being used | :16:06. | :16:10. | |
in bull-baiting. A highly enriched all would make meet tender. In those | :16:11. | :16:17. | |
days, we had no meat hygiene laws, so the fact that people could see a | :16:18. | :16:21. | |
bull killed knew it had a reasonable chance of being fresh. It is a lot | :16:22. | :16:26. | |
clearer than a sell by date. The skill of the bulldog was the ability | :16:27. | :16:30. | |
to be able to pin the bull by its nose. They have this recruiting | :16:31. | :16:36. | |
jaw. But it could still breed. I have heard that the bull would | :16:37. | :16:40. | |
sometimes toss the bulldog 30 feet in the air and the owners would be | :16:41. | :16:45. | |
trying to catch it. That is right. Breeders used to breed the dog for a | :16:46. | :16:51. | |
massive head, but now they breed a moderate dog, because it can lead to | :16:52. | :16:56. | |
health problems. Unfortunately, the features we associate with the | :16:57. | :17:01. | |
bulldog are linked with poor health. The face faults can lead to | :17:02. | :17:05. | |
dermatitis and their large head usually rules out a natural birth. | :17:06. | :17:10. | |
Next stop, a West End boozer, home to a Victorian painting with the | :17:11. | :17:14. | |
Picts the bulldog in a whole new light. Dog breeders were looking for | :17:15. | :17:19. | |
other opportunities to show their animals off, so they took them to | :17:20. | :17:23. | |
local pubs like this to indulge in a bit of competition. Pride of place, | :17:24. | :17:28. | |
the Bulldogs. The Victorians loved the bulldog ma and it was seen as | :17:29. | :17:34. | |
the ideal family pet. The breed has consistently been used to beef up | :17:35. | :17:39. | |
our national image. When does the Bill dog start to become a national | :17:40. | :17:43. | |
icon? -- bulldog? It would have happened around the time of the | :17:44. | :17:52. | |
Napoleonic wars. In other conflicts, the dog is used again as a symbol of | :17:53. | :17:56. | |
national pride. If we think of Churchill, he was perfect to be | :17:57. | :18:00. | |
categorised as a bulldog, with his Roundhead and big shoulders. In | :18:01. | :18:06. | |
bulldog owners' Manuels, it always says they will never start a fight, | :18:07. | :18:11. | |
but there will always finish one. Unfortunately, they have an | :18:12. | :18:15. | |
association with blood sports throughout history. It is a bad PR | :18:16. | :18:20. | |
job. People think it is inherently aggressive and dangerous, when | :18:21. | :18:24. | |
actually, they are big softies. And there are plenty more of these big | :18:25. | :18:27. | |
softies at able dog show we have been invited to, an ideal | :18:28. | :18:31. | |
opportunity to meet other Bulldogs and their owners. What do you think | :18:32. | :18:38. | |
defines this breed? Their character, their stoic nurse and extreme | :18:39. | :18:41. | |
courage. I like their facial expressions. They are noisy. They | :18:42. | :18:47. | |
are just quirky. They interact with you. Death can't compete for Best in | :18:48. | :18:52. | |
show, but he has been invited to strut his stuff. We are going to do | :18:53. | :19:08. | |
this. Come on, Geoff! Good boy! He has had a rough time at the hands of | :19:09. | :19:14. | |
man at his most cruel, but he has come through it all the become the | :19:15. | :19:20. | |
proud, beautiful, noble dog he is today. Geoff, we may not have won a | :19:21. | :19:24. | |
rose at today in the dog show, but the lucky thing is, I know I am | :19:25. | :19:29. | |
going home with a mate. Come on, Geoff! | :19:30. | :19:36. | |
OK, Danny this evening has been on his best behaviour. Much better than | :19:37. | :19:43. | |
in rehearsal. And it is a good dog, because watching him all evening has | :19:44. | :19:47. | |
been the one lady we knew could keep him in check if you got out of hand. | :19:48. | :19:53. | |
Ever since you were knee-high to a grasshopper, Danny, she has known | :19:54. | :19:57. | |
you. Please welcome the lady who you said changed your life, your school | :19:58. | :19:58. | |
drama teacher, Jane Flynn! I can't believe it! What a lovely | :19:59. | :20:18. | |
surprise. I have come over all funny. Jane, in rehearsal, we were | :20:19. | :20:26. | |
talking about Danny being talented at school. Very talented. Where did | :20:27. | :20:35. | |
you find her? At school! He was very special. He was committed to his | :20:36. | :20:43. | |
acting? So committed. He was mischievous, a real pain in school. | :20:44. | :20:49. | |
But in drama lessons, he was fab. When was the last time you saw each | :20:50. | :20:56. | |
other? In school. He left to go and do prime suspect when he was about | :20:57. | :21:06. | |
16. Good teacher, Danny? She believed in me when there were not | :21:07. | :21:10. | |
many who did. She was a real support. You have completely done | :21:11. | :21:25. | |
me. You can have a glass of fizz afterwards. St Patrick 's Day is on | :21:26. | :21:27. | |
Monday, but cities all over the UK are kicking things off early with | :21:28. | :21:32. | |
parades this weekend. And with the rugby, celebrations could go on | :21:33. | :21:35. | |
until next thing Patrick 's Day. To ease us into the weekend, how about | :21:36. | :21:42. | |
an intro with our hairy biker, Si King? Had I not been awake, I would | :21:43. | :21:48. | |
have missed it, a wind that roars and world until the roof pattered | :21:49. | :21:52. | |
with quickly off the sycamore. I was introduced to Seamus Heaney by | :21:53. | :21:57. | |
my big sister at the age of 16. She said to me, here, kid, he was | :21:58. | :22:02. | |
some poetry that will help you through the adolescence. And it | :22:03. | :22:06. | |
did, you know. So I'm hearing County Derry today to find out where Seamus | :22:07. | :22:12. | |
Heaney got his inspiration for some of his great literary works. To do | :22:13. | :22:20. | |
that, I need a bike. To get to the heart of Heaney, my first stop is | :22:21. | :22:24. | |
his birthplace, near the village of Castle Dawson. In 1939, Seamus was | :22:25. | :22:30. | |
born into a Catholic family, the eldest of nine, and raised on this | :22:31. | :22:37. | |
farm. Eugene is a local tour guide who knew you need himself. How are | :22:38. | :22:46. | |
you? The helmeted pump in the yard heated its iron. You get the sense | :22:47. | :22:53. | |
of happiness and contentment here. His formative years were spent here. | :22:54. | :22:58. | |
This was the source of his artistic imagination. He returned to it | :22:59. | :23:03. | |
continuously throughout his life and writing. But at the age of 13, | :23:04. | :23:10. | |
Heaney's world was shattered by personal tragedy. The bumper knocked | :23:11. | :23:24. | |
him clear. It was the death of his brother in an accident, on a road | :23:25. | :23:30. | |
just outside the farm. That was the first major tragedy in his life. | :23:31. | :23:39. | |
Next stop, one of Seamus's childhood friend, the local blacksmith, | :23:40. | :23:44. | |
Barney. His forge was immortalised in one of Heaney's classics. Good to | :23:45. | :23:52. | |
meet you, sir. This is it. All I know is the door into the dock. | :23:53. | :23:56. | |
Outside, old axles and iron hoops. Inside, the hammered and will's | :23:57. | :24:02. | |
short on the pitch ring. Did Seamus, and down this street? As a school | :24:03. | :24:10. | |
lad, he went to school. This is the famous anvil? That is right. His | :24:11. | :24:19. | |
description was terrific. Right down to the unicorn in the centre of the | :24:20. | :24:25. | |
floor. That is it. My life is complete. By the late 1960s, Heaney | :24:26. | :24:29. | |
was a university lecturer in Belfast and a critically acclaimed poet. | :24:30. | :24:34. | |
But as the troubles engulfed Northern Ireland, his poems turned | :24:35. | :24:38. | |
to the political. My final destination is the scene of one of | :24:39. | :24:45. | |
his most powerful, the Strand. I dab you clean with Moss, fine as the | :24:46. | :24:51. | |
drizzle out of a low cloud. I lift you under the arms and lay | :24:52. | :24:57. | |
you flat. This poem is dedicated to Seamus Heaney's second cousin. | :24:58. | :25:04. | |
Paramilitaries stopped his car and he was murdered in 1975. He wrote | :25:05. | :25:13. | |
this poem to commemorate Callum, who was associated in his mind with this | :25:14. | :25:18. | |
area. The poem kind of gives me a mission to grieve. There is must did | :25:19. | :25:23. | |
there, and the sheer desperation of grief that you would do anything to | :25:24. | :25:29. | |
bring the person back. The Nobel prize-winning writer would later | :25:30. | :25:33. | |
court controversy as a proud Irish nationalist. He once wrote, my | :25:34. | :25:38. | |
passport is green. No glass vase was ever raised toast the Queen. At | :25:39. | :25:43. | |
Heaney's legacy is that his work is taught in schools from both | :25:44. | :25:47. | |
communities in Northern Ireland. It has been a privilege to read the | :25:48. | :25:53. | |
poetry of Seamus Heaney in the land where it was written, and to talk to | :25:54. | :25:57. | |
people that knew him and the emotion of his poetry and the sheer truth of | :25:58. | :26:02. | |
it is a legacy to be proud of. Thank you, Seamus. Thank you for not being | :26:03. | :26:11. | |
afraid to speak the truth. Earlier, we asked for photos of you | :26:12. | :26:14. | |
in your most patriotic gear ahead of the Six Nations final tomorrow. We | :26:15. | :26:19. | |
are going to show one from each of the home nations . Sorry, Scotland, | :26:20. | :26:25. | |
you are in fourth place. Alistair and Fiona sent this picture. Next, | :26:26. | :26:34. | |
Wales' representatives. In second place, England fans. And tomorrow's | :26:35. | :26:43. | |
favourites, Ireland, represented by Keith, who is rocking his leprechaun | :26:44. | :26:52. | |
outfit. Thanks for watching. All that remains for us to do is say | :26:53. | :26:56. | |
thank you to our guest is, Danny and Kellie! And of course, a massive | :26:57. | :27:01. | |
good luck to Alex on her Sport Relief challenge. Let's kick sent | :27:02. | :27:07. | |
Patrick 's day off now. Playing is out, it is the stars of the West End | :27:08. | :27:10. | |
musical, The Commitments! musical, The Commitments! | :27:11. | :27:19. | |
sail. sail. | :27:20. | :27:24. | |
# We were sailing away with a cargo of bricks from the grand City Hall | :27:25. | :27:27. | |
in New York. in New York. | :27:28. | :27:41. | |
# We called her the Irish roller. # We called her the Irish roller. | :27:42. | :27:57. | |
work. work. | :27:58. | :28:17. | |
# The ship lost its way in the fog. # The ship lost its way in the fog. | :28:18. | :28:30. | |
two. two. | :28:31. | :28:50. | |
And the poor old dog was drowned on the last of the Irish roller. | :28:51. | :28:53. |