Browse content similar to 14/08/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show. Tonight we have a One Show take on | :00:22. | :00:29. | |
the modern pentathlon on. We have dancing from Rio. Only have got a | :00:29. | :00:38. | |
special tribute from Team GB medalists. There they are! Fabulous | :00:38. | :00:43. | |
security from the servicemen and women. We have gardening from John | :00:43. | :00:53. | |
:00:53. | :00:56. | ||
Humphrys. And finally swashbuckling from the film star Sean Bean. We | :00:56. | :01:00. | |
have five things to get our teeth into. Talking of the modern | :01:00. | :01:04. | |
pentathlon, you would have been good at that because we understand | :01:04. | :01:14. | |
you got medals for fencing at Rada. Yes, two medals a long time ago. It | :01:14. | :01:21. | |
was good. One is that sabre? Do you remember? I got a bit technical. | :01:21. | :01:26. | |
They called it dagger and small sword. All so the horse riding as | :01:26. | :01:32. | |
well. Not at the same time. Away from fencing, what about the | :01:32. | :01:37. | |
Olympics - did you get a seat any of the events? I watched it on | :01:37. | :01:42. | |
television and I was quite gripped by it. I went to see some of the | :01:42. | :01:48. | |
boxing, I am quite a big fan of boxing. We went down there and saw | :01:48. | :01:55. | |
13 fights, a lot of fighting to see in one night. It was brilliant, | :01:55. | :01:59. | |
packed full, a great atmosphere. When it is in your back garden, it | :01:59. | :02:06. | |
is good to have the opportunity. And plenty to shout about from a | :02:06. | :02:15. | |
Yorkshire perspective. If it was a country, it would have been 12. | :02:15. | :02:22. | |
at one point it was in fifth place. Do you think the Olympics has made | :02:22. | :02:27. | |
people prouder to be British? Yes, it is a very good thing. These | :02:27. | :02:31. | |
young people have been working for years and years just for these few | :02:31. | :02:35. | |
minutes of time where they have to perform, and it has been a | :02:36. | :02:44. | |
magnificent effort. It has brought a tear to everyone sighs. Did you | :02:44. | :02:49. | |
cry when the flame went out? not really. Alec kept going on | :02:49. | :02:59. | |
:02:59. | :03:01. | ||
about it. I did like Jessica Ennis. He you know the struggle they have | :03:01. | :03:06. | |
gone through and the back stories, it is great to see them there. | :03:06. | :03:12. | |
see what they have been through and there personal problems, getting to | :03:12. | :03:15. | |
that point is incredible and admirable. For we are a joined by | :03:15. | :03:21. | |
the armed forces who served at the Olympics, so if you at home were | :03:21. | :03:25. | |
snapped with any of them at the Olympic Games, send them in and we | :03:25. | :03:29. | |
will show them later. When the think some of our amazing | :03:29. | :03:35. | |
Olympians hadn't even taken up their sport four years ago, it | :03:35. | :03:37. | |
makes their achievements even more remarkable. | :03:37. | :03:43. | |
Alex Riley has been to meet the people who decide if you at home | :03:43. | :03:49. | |
have what it takes. That is a called prowess of our athletes has | :03:49. | :03:53. | |
made us a new superpower in the sporting arena, but it was Heather | :03:53. | :04:00. | |
Stanning and Helen Glover who really embody Britons can do sports | :04:00. | :04:03. | |
ideology. Both were plucked from relative | :04:03. | :04:08. | |
obscurity and the fact that just over four years ago, Helen hadn't | :04:08. | :04:13. | |
even set foot in a rowing boat, begs the question can we all the | :04:13. | :04:19. | |
Olympic champions? They owe their success to the Team GB Start | :04:19. | :04:24. | |
programme, Steve Redgrave's sporting giant has helped to | :04:25. | :04:33. | |
broaden the talent base. criteria was to be tall. It | :04:33. | :04:36. | |
suggested having a go at three different sports and trying to make | :04:36. | :04:44. | |
it to the Olympics. I had experienced hockey to quite a high | :04:44. | :04:48. | |
level so I have an idea of what it takes to get to the top. What is it | :04:48. | :04:54. | |
about your physique that makes you good at rowing? Because I am quite | :04:54. | :05:00. | |
tall, every stroke I take I can go further distance in the water. | :05:00. | :05:05. | |
terms of my physique, do you think I have what it takes to beat a | :05:05. | :05:10. | |
rower? He you at all enough but your legs might need some work. | :05:10. | :05:20. | |
:05:20. | :05:22. | ||
limpet gold might remain a dream for me. Maybe I can find someone | :05:22. | :05:28. | |
who does measure up to the dream of winning gold. When it comes to the | :05:28. | :05:33. | |
Octon and physique for swimming, look at Michael Phelps - his dance | :05:33. | :05:40. | |
fan is two metres and his feet are a size 14. I senior citizens are | :05:40. | :05:45. | |
allowed to compete? If they are fast enough. A do you want to see | :05:45. | :05:50. | |
my body in speedos? Clearly scouting for talent is not a simple | :05:50. | :05:56. | |
as that. Someone who knows more about maximising every day people's | :05:56. | :06:05. | |
ability is talent-spotter and coach for Team GB rowing, Paul Stannard. | :06:05. | :06:08. | |
We go out and we attend centres around the country looking for new | :06:08. | :06:14. | |
talent. This is a good example of someone who has come through the | :06:14. | :06:18. | |
programme after being spotted in his local school. I played cricket | :06:18. | :06:23. | |
and all sorts. For someone to come along and hand-pick may, to say | :06:23. | :06:29. | |
this is what you can do was what I needed and wanted. Her how do you | :06:29. | :06:34. | |
assess if somebody is naturally predisposed to being a good rower? | :06:34. | :06:39. | |
We do a power test and an endurance test, and we know what sort of | :06:39. | :06:44. | |
scores we are looking for. So there is no reason why somebody from an | :06:44. | :06:52. | |
ordinary background can't do it? absolutely. To maintain Team GB's | :06:52. | :06:57. | |
competitive advantage, Paul does not want to give away the exact | :06:57. | :07:03. | |
scores he is looking for. If we compare your score to Sam's, you | :07:03. | :07:10. | |
are about 15 descent of what he's got as a 16 year-old. Am I in or | :07:10. | :07:17. | |
not? On fortunately not,. someone at home thinks they have | :07:17. | :07:27. | |
:07:27. | :07:31. | ||
what it takes? They should go to the Team GB website. I need to go | :07:31. | :07:35. | |
and lie down. Why didn't he go to see a high jump | :07:35. | :07:40. | |
coach because he would have been signed up for real by now. Sean, | :07:40. | :07:45. | |
the BBC had a thing on the website where you could put in your vital | :07:45. | :07:50. | |
statistics and it would come up with a sport you are suitable for. | :07:50. | :08:00. | |
:08:00. | :08:01. | ||
We put yours in, we might have fought in a few extra pounds but we | :08:01. | :08:10. | |
were amazed at what it came up with. It is a Ukrainian female discus | :08:10. | :08:15. | |
thrower, Natalya Fokina Semenova. should be her. Apparently. You | :08:15. | :08:24. | |
would be good at the discus. That is my body type? Ladies discuss. | :08:24. | :08:28. | |
course, we are proud of Team GB and behind every one of our 65 medals | :08:29. | :08:32. | |
is a very personal story. We thought it would be fitting to give | :08:32. | :08:37. | |
some of those Olympians the opportunity to thank the people who | :08:37. | :08:45. | |
helped them through tough times so please welcome rower Heather | :08:45. | :08:55. | |
:08:55. | :08:58. | ||
Stanning, and high jumper and Robbie Grabarz. However, whereas | :08:58. | :09:08. | |
:09:08. | :09:08. | ||
your gold medal? Helen has it, she was in the video. It is very kind | :09:08. | :09:15. | |
of you to share your medal! Just described when you went over the | :09:15. | :09:21. | |
line. Has it sunk in? It is a big moment, you are trying to get your | :09:21. | :09:27. | |
feelings across, but now can you sum it up? We are so glad our dream | :09:27. | :09:32. | |
came true and we were able to share it with so many people. Having the | :09:32. | :09:36. | |
Olympics at home has been fantastic for that and it is nice to have | :09:36. | :09:41. | |
something to show for the effort you have put in for the last few | :09:41. | :09:45. | |
years. Your day job is captain of the Royal Artillery and we have | :09:45. | :09:48. | |
some lovely footage of your colleagues in Camp Bastion | :09:48. | :09:58. | |
:09:58. | :10:00. | ||
celebrating. Look at that. The British flag! They gave you a | :10:00. | :10:03. | |
lovely message, they sent it straight down to the line and it | :10:03. | :10:11. | |
must have brought it all back. they have missed out on the | :10:11. | :10:15. | |
Olympics so I was so glad they got to watch it and they know someone | :10:15. | :10:21. | |
who has been there and done it. your thank you is to warn the guys? | :10:22. | :10:31. | |
:10:32. | :10:35. | ||
Yes, I can't thank them enough. There we are. You have you for your | :10:35. | :10:42. | |
dreams of the bronze medal, Karina Bryant, but a very special couple | :10:42. | :10:46. | |
helped to - tell the story. I was struggling at the beginning | :10:46. | :10:51. | |
of the with transport and my car kept breaking down. The locks went | :10:51. | :10:56. | |
and I have to scramble through the vote, which make me look like I was | :10:56. | :11:00. | |
breaking into my own car. I was having a lot of problems with it | :11:00. | :11:04. | |
and they caught hold of the fact I was struggling with transport, and | :11:04. | :11:09. | |
they contacted me directly through e-mail and it took me about five | :11:09. | :11:12. | |
times to read through it and I couldn't believe it - they came | :11:12. | :11:22. | |
:11:22. | :11:23. | ||
forward and help to me to secured temporary car to London. And this | :11:23. | :11:33. | |
:11:33. | :11:33. | ||
is Heather and Roger? Yes, they have helped me out fantastically. | :11:33. | :11:39. | |
Some think a simple as a car, it sounds ridiculous, but then you can | :11:39. | :11:44. | |
go to training and get that medal. He was massive, it took a lot of | :11:44. | :11:48. | |
stress away from me before the Olympic Games. I didn't have to | :11:48. | :11:53. | |
worry about getting to training and it was fantastic. This is the | :11:53. | :12:03. | |
:12:03. | :12:09. | ||
moment, the ippon. That term, what does it actually mean? It means you | :12:09. | :12:15. | |
have thrown someone flat on their back with impetus. I was unaware I | :12:15. | :12:23. | |
have scored that because my head ended up underneath her shoulder. | :12:23. | :12:32. | |
If the the ground were -- the crowd were going crazy. Robbie, you are | :12:32. | :12:39. | |
sitting there proudly with your medal round. You were outside the | :12:39. | :12:44. | |
top 40 last year, which made it impossible to get any funding, and | :12:44. | :12:48. | |
one man help you achieve your Olympic dream. Who was that? In it | :12:48. | :12:53. | |
was my coach who told me to pull my finger out. He said you are better | :12:53. | :12:57. | |
than this, we sat down and had a chat. He told me to take myself | :12:57. | :13:04. | |
away from the sport. I went to restore classic cars, which is mild | :13:04. | :13:09. | |
the dream, and to have that offer to say pick one, which one do you | :13:09. | :13:14. | |
really want to do? I came back with a vengeance to get my high jump | :13:14. | :13:23. | |
back on track. That was a lovely moment. It came back and I've | :13:23. | :13:27. | |
decided I should not be afraid to fail any more, commit 100% and see | :13:27. | :13:36. | |
what I was capable of. Are you still into cars? Karina, he might | :13:36. | :13:41. | |
be able to fix yours. All the best with what you have planned, and we | :13:42. | :13:46. | |
will keep everything crossed for you if you carry on to Rio. Most | :13:46. | :13:51. | |
would claim we are honest as the day is long, but Gyles Brandreth | :13:51. | :13:56. | |
was not quite so convinced so he set up an experiment. Camera traps | :13:56. | :14:01. | |
are normally used to catch a rare wildlife in some of the world's | :14:01. | :14:06. | |
most remote locations. The One Show is unleashing them on the British | :14:06. | :14:12. | |
public to reveal a whole hidden world of human behaviour. We are | :14:12. | :14:16. | |
going to look at honesty, how honest are we if we think we can | :14:16. | :14:21. | |
take something and get away with it? The One Show is putting this to | :14:21. | :14:26. | |
the test, and what better way to do that than by using the roadside | :14:26. | :14:30. | |
honesty box? The quintessential salute to integrity, where | :14:30. | :14:35. | |
customers are trusted to put the right amount of money in the box | :14:35. | :14:42. | |
and not just steal. We set up camera tracked at two honesty boxes, | :14:42. | :14:47. | |
where they have been thefts in the past. We left them there for one | :14:47. | :14:54. | |
month. These camera traps are dormant most of the time, only | :14:54. | :14:57. | |
waking up when they detect movement which triggers them to record the | :14:57. | :15:07. | |
:15:07. | :15:08. | ||
Like this honest chaffinch going about his business. A Robin | :15:08. | :15:10. | |
guarding one of the cartons and a thiefing crow helping himself to | :15:10. | :15:16. | |
the eggs. We wanted to see if the mere | :15:16. | :15:19. | |
suspicion that we are being watched is enough to keep our behaviour in | :15:19. | :15:23. | |
check. Could a picture of someone's eyes affect the way people behave? | :15:23. | :15:27. | |
We will come back to our results later. | :15:27. | :15:32. | |
We will be seeing the results of that experiment later. | :15:32. | :15:37. | |
Let's take us back to the closing ceremony once more. You had just | :15:37. | :15:40. | |
cried when the flame went out. programme comes to an end and there | :15:40. | :15:43. | |
is a glimmer of hope because there is a trail for a new BBC drama and | :15:43. | :15:49. | |
there is Sean Bean in a dress. It's a brand new drama called The | :15:49. | :15:53. | |
Accused. It starts tonight. This is a departure, this role, for you? | :15:53. | :16:01. | |
Yeah, it is. Quite a big departure, actually. I suppose people are used | :16:01. | :16:10. | |
to seeing me as maybe a bit, kind of villain, psychotic, psychopath | :16:10. | :16:13. | |
character and it was something very different. It was a challenge. It | :16:13. | :16:16. | |
was a piece of work I thought was controversial and provocative and | :16:16. | :16:21. | |
that's the sort of thing that excites me. You say you were | :16:21. | :16:24. | |
excited there, were you surprised they had asked you and did it take | :16:24. | :16:31. | |
a lot of time to reply and say yes? Not really, no. You know, I was | :16:31. | :16:36. | |
asked about it and at first I was quite surprised, you know, because | :16:36. | :16:42. | |
I had never been asked to do anything like this before. The role | :16:42. | :16:48. | |
is a transvestite. Yeah and, obviously, it was a big departure, | :16:48. | :16:53. | |
as you can imagine. A different role. But, you know, I got it and | :16:53. | :16:59. | |
it was by Jimmy McGovern, extremely talented writer who has a fantastic | :16:59. | :17:05. | |
track record in The Street and The Accused and a wonderful script. | :17:05. | :17:09. | |
Fantastic dialogue and I knew as soon as I saw that and I thought, | :17:09. | :17:12. | |
well, this is something I have not done before. This is something that | :17:12. | :17:17. | |
I can really kind of step out of my comfort zone here. Then I found out | :17:17. | :17:21. | |
Steven Graham was in it who I have always admired. I think he is a | :17:21. | :17:26. | |
terrific actor. And he was my partner in it. We kind of went on | :17:27. | :17:31. | |
from there and the preparation began. That's when I started | :17:31. | :17:36. | |
panicking! No need at all, it's an hour of top-notch quality drama. We | :17:36. | :17:42. | |
saw it earlier. Here is a clip from tonight. | :17:42. | :17:45. | |
You look good. You get nothing here tonight, darling, glass of wine and | :17:45. | :17:53. | |
that's it. I am just saying you look good, that's all. Thank you. | :17:53. | :17:59. | |
I will make it up to you. A weekend away somewhere. | :17:59. | :18:08. | |
Just the Two of Us. Where do you fancy? The Lake | :18:08. | :18:15. | |
District. All right. As soon as I can I will sort it. | :18:15. | :18:21. | |
Promise. APPLAUSE AND CHEERING. | :18:21. | :18:27. | |
There you go, yeah. It's 9.00pm tonight. You said there, | :18:27. | :18:31. | |
just before we went to that clip, when the preparation began was the | :18:31. | :18:35. | |
moment you had that reality check. How did you start and what did you | :18:35. | :18:44. | |
do? After having read the script I thought well, how am I going to | :18:44. | :18:49. | |
approach this? And in a physical sense and psychological aspect and | :18:49. | :18:54. | |
emotional approach that I wanted to bring to it. It kind of started | :18:54. | :19:02. | |
from scratch, I did research, I read up, I watched programmes and I | :19:02. | :19:08. | |
talked, I went to Canal Street in Manchester, met a few people up | :19:08. | :19:12. | |
there, gay guys and talked about what it felt like, what reactions | :19:12. | :19:17. | |
do you get and tried to immerse myself in what it was all about. | :19:17. | :19:22. | |
The physical side was wearing the stilettos which was difficult at | :19:22. | :19:28. | |
first. Isn't it high maintenance being a girl? It is. A lot to do, | :19:28. | :19:32. | |
isn't there? There is a lot. Did you do the waxing and the rest of | :19:32. | :19:42. | |
it? I had a full body wax. Well, almost. It's changed your | :19:42. | :19:46. | |
perspective then? It certainly has. It's a story, it's a dark story, | :19:46. | :19:53. | |
it's about someone, I play a school teacher who is disaffected, he is a | :19:53. | :19:59. | |
hum-drum, ordinary guy, lonely guy. His alter ego is Tracey, loud, | :19:59. | :20:03. | |
colourful and loves life and it's about someone trying to find his | :20:03. | :20:08. | |
own identity. And Steven Graham's character, who plays Tony, who is | :20:08. | :20:12. | |
married, but not quite sure what he wants, where he wants to be, what | :20:12. | :20:17. | |
his life wants to be and the two of them meet together and it's a real | :20:17. | :20:21. | |
beautiful love story. It's a dark love story. It's very poignant. | :20:21. | :20:26. | |
It's humour, but it also has, you know, it makes you ask questions. | :20:26. | :20:29. | |
It is controversial and it deals with intolerance and deals with | :20:29. | :20:33. | |
aggression. It's on at 9.00pm tonight. Another famous role you | :20:33. | :20:41. | |
played is Mellor, Lady Chatterley's Lover and we wondered if John | :20:41. | :20:43. | |
Humphreys likes to garden in the same manner. | :20:43. | :20:48. | |
Sorry to interrupt you, you are still turning over... The tenacious | :20:48. | :20:53. | |
interviewing technique of John Humphreys, scourge of countless | :20:53. | :20:56. | |
politicians. What's been going on here is straightforward | :20:56. | :21:01. | |
corruption... And reportedly, scary enough to frighten off even the | :21:01. | :21:07. | |
most persistent of garden pests. Allotment holders were plagued with | :21:07. | :21:12. | |
deers eating their produce, so they took a radio to the allotment with | :21:12. | :21:18. | |
the Today programme on it. They used that to keep the deer away and | :21:18. | :21:24. | |
it worked. I just wish it would work for slugs in this garden. | :21:24. | :21:28. | |
That's unbelievable! It's not just digging up stories John's good at, | :21:28. | :21:33. | |
his love of gardening blossomed over half a century ago behind a | :21:33. | :21:37. | |
small ter aced house in Cardiff. There was a sort of patch at the | :21:37. | :21:44. | |
back where we threw ashes from the fire but it grew great mint, but I | :21:44. | :21:52. | |
used to flog for 2p a small bunch. I got the bug, I think, the | :21:52. | :21:57. | |
gardening bug and I got an allotment when - I think I was 13, | :21:57. | :22:00. | |
manage now a 13-year-old kid getting an allotment, they would | :22:00. | :22:05. | |
laugh at you. A 15-year waiting list, you know. These days John's | :22:05. | :22:10. | |
tending a grander, but equally tricky patch in London, a shady | :22:10. | :22:13. | |
north-facing garden packed with flowers and shrubs. Look, it's a | :22:13. | :22:20. | |
mess! Why is it a mess? Look at it. It's not a mess. It's all in the | :22:20. | :22:24. | |
eye of the holder and it's not a mess. This has died. No, it's not. | :22:24. | :22:29. | |
I am disappointed because the flower dies off very quickly. | :22:29. | :22:34. | |
gets better as she gets older, like a woman. Right. Next, we move on to | :22:34. | :22:41. | |
the King of the garden. And this is my famous tree. You are | :22:41. | :22:45. | |
lucky to have such a nice spesman. There are some of these trees in | :22:45. | :22:48. | |
Parliament Square and it's said there was a particular Prime | :22:48. | :22:52. | |
Minister who never sacked any of his cabinet Ministers until the | :22:52. | :22:55. | |
tree came into flower and that's because, as you know better than me | :22:55. | :22:58. | |
t comes into flower very late, all the MPs were going on holiday so | :22:58. | :23:03. | |
they weren't there to make trouble. But it soon becomes clear John gets | :23:03. | :23:09. | |
as frustrated with his plants as he does with awkward politicians. | :23:09. | :23:15. | |
all that for this? These have gone bonkers. What do I do about that? | :23:15. | :23:19. | |
Nothing. This is the bane of my life. It's about that big and I | :23:19. | :23:21. | |
brought it here and it's taken over the garden. I don't think I like | :23:21. | :23:31. | |
:23:31. | :23:33. | ||
that. OK, take it out. But you do get glimpses of a gentler soul. | :23:33. | :23:38. | |
This transplanted from Wales, a cluster of delicate Japanese | :23:38. | :23:42. | |
flowers. They're here, played out in the garden and people say it's | :23:42. | :23:47. | |
just a garden. It's a theatre to life, is a garden. That's a lovely | :23:47. | :23:54. | |
expression. Absolutely right. And we are... Players. But mere players. | :23:54. | :23:58. | |
This is the first garden where John has grown more flowers than | :23:59. | :24:04. | |
vegetables, another reflection perhaps of the man these days. They | :24:04. | :24:09. | |
say a garden reflects the person, does this reflect you? Probably, | :24:09. | :24:14. | |
it's a sort of past its sell-by date, you know, everything - brief | :24:14. | :24:18. | |
flashes of colour and it becomes boring. Give over! Look at it, | :24:18. | :24:24. | |
there was a time, very briefly, about four hours, I think, this | :24:24. | :24:27. | |
summer when everything was great and lovely and now look at it, sort | :24:27. | :24:34. | |
of sad and tired. Is it heck! dread spirits really. He is | :24:35. | :24:39. | |
certainly not sentimental but in my view there's one childhood plant | :24:39. | :24:44. | |
missing from this garden. Now I want you to start growing | :24:44. | :24:48. | |
vegetables here because I want to take you back to the very beginning | :24:48. | :24:56. | |
when the bug got you and you started growing mint. The mint! | :24:56. | :24:59. | |
There you are. That's sweet of you, I will plant it, guaranteed. | :24:59. | :25:04. | |
There you are. OK, now yesterday we were saying | :25:04. | :25:08. | |
how wonderful the Games-makers were and a wonderful job they made in | :25:08. | :25:10. | |
greeting everybody from over the world. I have to say the troops | :25:10. | :25:14. | |
have been incredible, members of the armed forces, how you welcomed | :25:14. | :25:17. | |
everybody with a smile on your faces. APPLAUSE AND CHEERING. It | :25:17. | :25:22. | |
was typical British, it was great. And made us all feel incredibly | :25:22. | :25:26. | |
safe, as well. That's the message lots of people said, that you did | :25:26. | :25:31. | |
make them feel safe? Yeah, being in Greenwich, loads of people have | :25:32. | :25:35. | |
come up to us and said how we made them feel so safe. Obviously we | :25:35. | :25:38. | |
have people coming over to watch the Games from different countries, | :25:38. | :25:41. | |
they've even said to us how happy they are about how safe we are | :25:41. | :25:44. | |
making them feel just being there. Even David Cameron went past you, | :25:45. | :25:50. | |
didn't he. I have spoken to David Cameron, yeah. How much warning did | :25:50. | :25:54. | |
you have that you would be working on the Games? We had a couple of | :25:54. | :25:57. | |
weeks mobilisation, so a couple of weeks to notify ourselves about | :25:57. | :26:01. | |
what we are doing and where we will be working. Alex, you had more | :26:01. | :26:07. | |
notice, you were based out at Northolt. Yeah, we had time, | :26:07. | :26:11. | |
because we are doing quick-reaction alert, we had been ready to go at a | :26:12. | :26:16. | |
moment's notice. It's something we are used to, we do that 365 days a | :26:16. | :26:21. | |
year in the UK and Falklands. APPLAUSE. You are all superb. | :26:21. | :26:25. | |
We have to move on, we are running out of time. Quickly, we would like | :26:25. | :26:29. | |
to thank the police force, we did the Games-makers and the armed | :26:29. | :26:35. | |
forces and the police force also. Earlier Giles sent us an experiment | :26:35. | :26:40. | |
to discover how honourable we are using honesty boxes. He meets one | :26:40. | :26:43. | |
academic who believes there are subtle ways of making people more | :26:43. | :26:48. | |
honest without them actually realising it. | :26:48. | :26:52. | |
We wanted to see if the mere suspicion that we are being watched | :26:52. | :26:56. | |
is enough to keep our behaviour in check. Could a picture of someone's | :26:56. | :27:03. | |
eyes affect the way people people behave? At the University of | :27:03. | :27:09. | |
Newcastle Professor Batesman is leading the way. Her studies began | :27:09. | :27:14. | |
with another British institutions, 11s. I used to be in charge of the | :27:14. | :27:17. | |
tea and coffee supplies and I had a problem because people weren't | :27:17. | :27:23. | |
putting enough money in the honesty box to cover my costs. Like any | :27:23. | :27:26. | |
behavioural biologist, she was intrigued to find out if people's | :27:26. | :27:30. | |
behaviour could be engineered. Could she draw on evolutionary | :27:31. | :27:35. | |
theory to make her workmates pay up? The idea was to see whether we | :27:35. | :27:41. | |
could use pictures of eyes to alter people's behaviour and eyes might | :27:41. | :27:44. | |
give people a subtle feeling of being watched by others and they | :27:44. | :27:50. | |
might give more money. For ten weeks I put up a picture of eyes in | :27:50. | :27:54. | |
one week and then I had a picture of flowers in other weeks. | :27:54. | :27:58. | |
Amazingly, we got nearly three times as much money in the weeks | :27:58. | :28:01. | |
where we had pictures of eyes on the wall compared with the weeks | :28:01. | :28:05. | |
when we had flowers up. It's thought that a primal instinct | :28:05. | :28:09. | |
might be the reason a photograph of a pair of eyes makes us more honest. | :28:10. | :28:14. | |
We are an inately social species and few of us want to risk being | :28:14. | :28:19. | |
cast out of the social group. So even a subconscious fear that we | :28:19. | :28:24. | |
are being watched is enough to keep our behaviour in check. | :28:24. | :28:28. | |
Back to our experiment, taking the honesty test into the countryside, | :28:28. | :28:31. | |
where customers shopping for eggs can come and go seemingly | :28:31. | :28:36. | |
unobserved. The results are in! Over the course | :28:36. | :28:40. | |
of 31 days there were nine thefts in all. | :28:40. | :28:44. | |
But did the Professor's eye signs make a difference? Where we placed | :28:45. | :28:49. | |
eyes next to the box three thefts occurred, where there was a picture | :28:49. | :28:53. | |
of flowers there were six thefts. So it appears there were half as | :28:53. | :28:56. | |
many thefts when people subconsciously felt they were being | :28:56. | :29:02. | |
watched. People are beginning to explore | :29:02. | :29:10. | |
whether this could have real world applications. | :29:10. | :29:14. | |
One of the first to jump on board was the security department at | :29:14. | :29:22. | |
Newcastle University where the research first began. | :29:22. | :29:26. | |
We identified three specific areas where the cycle thefts were quite | :29:27. | :29:31. | |
high. We put the eye signage in those areas. The eyes went up and | :29:31. | :29:35. | |
crime came down? That's correct. We gave it a try over six months and | :29:35. | :29:40. | |
at the end of the six months it's proved to be quite effective. | :29:40. | :29:45. | |
clearly worked. It seems the eyes have it. | :29:45. | :29:49. | |
It's not a complete substitute for common sense and a solid metal | :29:49. | :29:53. | |
delock but perhaps those eyes will help nudge us on to the right side | :29:53. | :30:03. | |
:30:03. | :30:11. | ||
Well, it wouldn't be worth stealing that wallet, would it? Giles?! | :30:11. | :30:15. | |
asked for you to send pictures of you posing in with servicemen at | :30:15. | :30:19. | |
the Olympic Games. We did. This is Lauren Thompson at the ExCel, there | :30:19. | :30:24. | |
to watch the wrestling. What a lovely couple they make. Paloma | :30:24. | :30:29. | |
there with the torch. Thanks to everyone. You can see Sean in The | :30:29. | :30:34. |