Browse content similar to 14/10/2011. Check below for episodes and series from the same categories and more!
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And now for Wales. SPEAKS IN WELSH. Well done! Now, English. My English | :00:35. | :00:40. | |
is not so good. Oh you're well she's coming on. I have a good | :00:40. | :00:45. | |
teacher. Coming up, we have got the cutest it our all film in the world | :00:45. | :00:49. | |
and Jay goes Japanese on us. guest tonight is a man bursting | :00:49. | :00:54. | |
with wit, intelligence and musical talent. Who knows a lot about birds. | :00:54. | :01:04. | |
:01:04. | :01:26. | ||
MUSIC: "Flight Of The Bumblebee" by It is Bill Bailey! Welcome back. We | :01:26. | :01:30. | |
saw you play the piano there. You play countless his tumours. I play | :01:30. | :01:40. | |
:01:40. | :01:42. | ||
the kazoo. Bongos, theremin. I do that. Any more? I have a lot of | :01:42. | :01:46. | |
string instruments. I play a Turkish instrument which has just | :01:46. | :01:56. | |
:01:56. | :01:56. | ||
three strings among and a sound box to it. And I play guitars. I play | :01:56. | :02:03. | |
the tune horns and the Alpine bells. And the Alpine horn. The wedding | :02:03. | :02:09. | |
you get one of those? Not just any alpine horn. I have a carbon-fibre | :02:09. | :02:16. | |
flick horn which flicks down into one bit and you open it. It comes | :02:16. | :02:25. | |
with a case. How much? In euros, 400. I would love to have seen that. | :02:25. | :02:30. | |
You can't just bring it out in public. You have to have a special | :02:31. | :02:35. | |
licence to carry it across London. It perhaps for the Olympics. Bill | :02:35. | :02:38. | |
is back on tour. We will be asking him why later. | :02:38. | :02:42. | |
Now, for more than 200 years, Scotland helped change the course | :02:42. | :02:46. | |
of modern medicine, from the introduction of anaesthetics to the | :02:46. | :02:50. | |
discovery of penicillin. Recently, engineers in West Lothian have | :02:50. | :02:54. | |
pioneered the development of the first bionic hand. Carrie Grant | :02:54. | :02:59. | |
meets 15-year-old Kelly Holmes to find out what it means to her. | :02:59. | :03:03. | |
Imagine life without being able to use your hands. It is a reality | :03:03. | :03:07. | |
that some people faced daily, but today I am going to find out how | :03:07. | :03:12. | |
cutting-edge technology is bringing life to one teenager's fingertips. | :03:12. | :03:16. | |
Kelly Holmes was three years old when she contracted streptococcal | :03:16. | :03:21. | |
septicaemia after being struck down with chickenpox. It turned out to | :03:21. | :03:26. | |
be a class a blood disorder. Her whole body shut down. The it | :03:27. | :03:32. | |
attacks everything in your body, all your major organs. The outcome | :03:32. | :03:37. | |
was unfortunately that Chloe not pretty much most of her left hand. | :03:37. | :03:41. | |
On her right hand, she only has half her index finger and thumb | :03:41. | :03:49. | |
left. It makes you feel helpless. Seeing your kid on a machine that | :03:49. | :03:55. | |
is making them brief and keeping them alive. When I was at school, I | :03:55. | :04:01. | |
would get the mickey taken out of my hand every day. People used to | :04:02. | :04:06. | |
shout out stumpy down the corridor. I would not be able to concentrate | :04:06. | :04:13. | |
on my work after that. I would be crying every day. But three months | :04:13. | :04:17. | |
ago, 15-year-old Chloe's life changed thanks to ground-breaking | :04:17. | :04:21. | |
technology. Livingston, Scotland. This is where they make | :04:21. | :04:25. | |
electronically operated bionic hands. I want to find out what they | :04:25. | :04:30. | |
are and how they work. Bionic is about taking the natural functions | :04:30. | :04:34. | |
of the body and using technology to mimic those functions. It could | :04:34. | :04:40. | |
take a signal from a person's limb and translate that into movement in | :04:40. | :04:45. | |
their hands. We start off with a motor which is assembled into a | :04:45. | :04:53. | |
gearbox. You can see that it bends like a real finger. We would | :04:53. | :04:57. | |
complete this with the rest of the digits. How many people have you | :04:57. | :05:01. | |
fitted these hands to? We have installed over 2000 of these hands. | :05:01. | :05:11. | |
:05:11. | :05:14. | ||
Great in theory, but can I see how it works? Absolutely. Ooh! For | :05:14. | :05:19. | |
someone that does not have fingers, that must be incredible. You can | :05:19. | :05:25. | |
imagine. Today Chloe has travelled to Scotland for her three-month | :05:25. | :05:32. | |
check-up. We are going to see how many blocks you can get across, and | :05:32. | :05:42. | |
:05:42. | :05:43. | ||
see how quickly you are able to operate the hand. You have a minute. | :05:43. | :05:47. | |
What do you remember about the first time Clare we put that hand | :05:47. | :05:52. | |
on? I had tears in my eyes. It was emotional. There was excitement | :05:52. | :05:56. | |
seeing her pick up things around the room. The confidence in her was | :05:56. | :06:00. | |
huge. She doesn't mind people looking at her. She is a lot more | :06:00. | :06:05. | |
bubbly. He in two months, that is great progress. She is a totally | :06:05. | :06:11. | |
different person. She is bubbly again. She loves it. Now that I | :06:11. | :06:17. | |
have got the hand, I can dry my hair, carry things, hold a cup | :06:17. | :06:25. | |
without spilling it. It has given me confidence to study. It has | :06:25. | :06:30. | |
changed my life. What a brilliant story. All the best to Chloe and | :06:30. | :06:33. | |
her new hand. Bill, you will shortly Bennett back on the road | :06:33. | :06:38. | |
with your tour, Dandelion Mind. The big theme of the Tories doubt. But | :06:38. | :06:43. | |
there is no doubt that the Welsh team will not win the rugby, is | :06:43. | :06:49. | |
there? No. You were saying that your mum is well? That whole side | :06:49. | :06:58. | |
of my family are Welsh. I have had many a happy holiday in Tenby. | :06:58. | :07:02. | |
what is their doubt about? whole edifice of Western capitalism | :07:02. | :07:08. | |
is about to teeter over the edge. Banks and politics and the press, | :07:08. | :07:11. | |
everything. All the things I used to think were certainties are now | :07:11. | :07:16. | |
no more. Was this a prophetic think? Sometimes people get novels | :07:16. | :07:25. | |
right two years before. Perhaps you think I caused it. You start | :07:25. | :07:31. | |
talking about finance and banks and crises and you think, perhaps I | :07:31. | :07:36. | |
assured this in. No, it is about thinking about the bigger questions, | :07:36. | :07:41. | |
plus the smaller questions about doubt in religion and the world. | :07:42. | :07:49. | |
Are you saying it is the time of doubt? It is the age of uncertainty. | :07:49. | :07:53. | |
But not in a bad way. Doubt can also mean being curious about | :07:53. | :08:03. | |
:08:03. | :08:04. | ||
things. My researcher's called Thomas, doubting Thomas. If you | :08:04. | :08:08. | |
start with a subject that is quite a big subject, it leads you into | :08:08. | :08:13. | |
different alleyways. Music is a big part of your routine. What gets the | :08:13. | :08:18. | |
biggest laugh, the spoken stuffer or the musical stuff? It is about | :08:18. | :08:24. | |
even. Music affects people on a different level. The spoken word is | :08:24. | :08:27. | |
sometimes up slow-burn, so it takes a while to absorb the ideas and | :08:27. | :08:33. | |
respond. But music can get you on a more visceral level. It is a bit of | :08:33. | :08:40. | |
both. One of my favourite bits is when I play Cars by Gary Numan on | :08:40. | :08:45. | |
the car horns. Why didn't you bring all this in? You can't fit this | :08:45. | :08:54. | |
stuff in. It is all in a bunker somewhere. Are you a fan of James | :08:54. | :09:01. | |
Blunt? And not especially. Is that why he features in your act? You do | :09:01. | :09:06. | |
a good impression of him. I imagine he is going to sing at the Olympics | :09:06. | :09:12. | |
opening ceremony. It will be him on top of a giant mechanical bull dog. | :09:12. | :09:18. | |
You know he will be singing one of his lovely songs. Actually, James | :09:18. | :09:23. | |
Bond was on the radio, and my son said, turn it off, Daddy. I said | :09:23. | :09:30. | |
why? He said, it is spoiling my brain. I like James Blunt. He is a | :09:31. | :09:36. | |
brain spoiler. Let's see your version. | :09:36. | :09:43. | |
# But you are a beautiful flower. # You bloom every hour. | :09:43. | :09:52. | |
# ooh. # So precious, and revealing. | :09:52. | :10:01. | |
# Like a rabbit stuck to the ceiling. It is a bit cruel. It is | :10:01. | :10:07. | |
an affectionate tribute. He will not be watching. He lives in Ibiza. | :10:07. | :10:12. | |
He has a big house over there. is where I am going wrong. Bill's | :10:12. | :10:16. | |
Dandelion Mind tour runs from the first and a member and stars in | :10:16. | :10:19. | |
Birmingham. Tie now for Jay's Foodie Friday. If | :10:19. | :10:25. | |
you thought Chris's wealth was good, listen to Jay's Japanese. Naze | :10:25. | :10:27. | |
runchi ni sandowichi ni kawatte sushi o taberuyo ni natta no | :10:27. | :10:37. | |
:10:37. | :10:39. | ||
As a restaurant critic, I get more than my fill of rich food, so it is | :10:39. | :10:45. | |
often a relief to know I can depend on lovely, fresh sushi. This | :10:45. | :10:49. | |
Japanese delicacy is a serious business for the supermarkets, with | :10:49. | :10:53. | |
the top five stocking it and one came selling a massive 30 million | :10:53. | :10:57. | |
packs of the stuff each year. Sushi is a dish consisting of cooked rice | :10:57. | :11:01. | |
with raw fish, seaweed or vegetables. Served with palate | :11:01. | :11:05. | |
cleansing portions of pickled ginger, soy sauce and for the | :11:05. | :11:10. | |
bravest among us, some eye-watering Japanese horseradish. But its | :11:10. | :11:14. | |
origins are far from mass- production. People have been eating | :11:14. | :11:17. | |
sushi as we know it in Japan for 200 years, but it has been around | :11:17. | :11:22. | |
for nearly 2000. It was originally a way of preserving the fish by | :11:22. | :11:26. | |
layering it on vinegared rice. But then, they used to throw the rice | :11:27. | :11:31. | |
away. While there are still some who will not like the sound of raw | :11:31. | :11:35. | |
fish, it is a big hit with many diners in the UK. There are now | :11:35. | :11:39. | |
more than 400 Japanese shops and restaurants in this country, from | :11:39. | :11:43. | |
Aberdeen to Plymouth. But while we might have taken sushi to our | :11:43. | :11:48. | |
hearts, few of us make it at home. Learning to make sushi takes up to | :11:48. | :11:54. | |
eight years. Some people look at it and think, it is just rice and raw | :11:54. | :11:59. | |
fish. Where is the skill? There is a huge amount of skill in the | :11:59. | :12:03. | |
polishing of the rice, cooking the rice, toasting it so that you get | :12:03. | :12:07. | |
that a Roma, and the handling of the fish. Each cut is different. I | :12:07. | :12:13. | |
have taken salmon here. I have cut it at an angle to get these marbled | :12:13. | :12:19. | |
fat lines coming through the. I have a piece of sea bream here. It | :12:20. | :12:26. | |
is important to draw it flat so that you have a nice edge. You want | :12:27. | :12:30. | |
to allow the soy sauce to catch on it. Prison taking is important in | :12:31. | :12:36. | |
Japanese food, but there is also an art to the eating. So how do you | :12:36. | :12:40. | |
eat sushi? You might imagine with chopsticks, but no, it is with | :12:40. | :12:45. | |
these. With your middle finger, you roll the sushi onto its back and | :12:45. | :12:49. | |
pick it up between her thumb and forefinger. Put the fish through | :12:49. | :12:56. | |
the saw source, and then it is fish side down on your tongue. Very good. | :12:56. | :13:00. | |
But is there any difference between the sushi we buy in the | :13:00. | :13:05. | |
supermarkets and what is served in the restaurants? Supermarket sushi | :13:05. | :13:12. | |
comes out of a machine. The Rice is cold. Here we have warm rice, made | :13:12. | :13:19. | |
by hand. Is it even fair to compare supermarket pre-packaged sushi with | :13:19. | :13:23. | |
the sort of thing made in a restaurant like this? I would say | :13:23. | :13:30. | |
yes. You are getting a degree of rice with a degree of raw fish. | :13:30. | :13:33. | |
Supermarkets sushi may be at an all-time high, but I would choose | :13:33. | :13:38. | |
to eat it in a restaurant every time. I adore the clean, fresh | :13:38. | :13:43. | |
taste of sushi, with the sudden hit of course French-based. Some of the | :13:43. | :13:48. | |
best meals I have had to have been Japanese, and sushi is a major part | :13:48. | :13:58. | |
It is not always healthy, is it? have this habit of shoving avocado | :13:58. | :14:02. | |
and mayonnaise it, which is a lot of fat. The rice is a lot of | :14:02. | :14:07. | |
carbohydrate. The fish is good for you, but you have got to be wary of | :14:07. | :14:14. | |
too much of the rise. Often you see the conveyor belt. It was invented | :14:14. | :14:18. | |
in 1958 by a man who did not have enough staff. That was simply it, | :14:18. | :14:22. | |
not enough staff, so he thought, how can I get sushi to my | :14:22. | :14:26. | |
customers? He went to heavier factory and saw the bottles on a | :14:26. | :14:29. | |
conveyor belt. So it was not the Japanese generation game with the | :14:29. | :14:35. | |
conveyor belt. I prefer that story, that is exactly what it was! Bill, | :14:35. | :14:40. | |
what about you? I love sushi. I went to Japan, I did not like it, I | :14:40. | :14:44. | |
could not eat it, but I got addicted. I love it, it is | :14:44. | :14:51. | |
brilliant. He will have to come to the Priory. I just love it, I love | :14:51. | :14:56. | |
raw stuff! Japan I love, because my name in Japanese is the same as | :14:56. | :15:03. | |
beer. When I introduce myself, I get a drink. Do you know loads of | :15:03. | :15:09. | |
stuff! If he doesn't, make it up. It is all about Wales now. | :15:09. | :15:16. | |
o'clock tomorrow morning. What can we have for breakfast, Jay. We have | :15:16. | :15:21. | |
a number of Welsh delicacies, lava bread. The great Gareth Edwards, | :15:21. | :15:24. | |
the rugby player, he used to read lava bread with cockles and bacon | :15:24. | :15:28. | |
before every match. You have a Gareth Edwards story. You want to | :15:28. | :15:34. | |
tell it? My dad would be annoyed! Glamorgan sausages. These are great. | :15:34. | :15:41. | |
They have not got any animal in them. It is a vegetarian sausage. | :15:41. | :15:46. | |
Cheese, leeks, breadcrumbs. Would you like one? I will have one. | :15:46. | :15:53. | |
like them, they are very filling. Is that good? If you have not got | :15:53. | :15:58. | |
any Kendal Mint cake handy, that will keep you going in a hurricane. | :15:58. | :16:02. | |
The one controversial one, Welsh rarebit, the name, it is believed, | :16:02. | :16:06. | |
it came from abuse of the Welsh by the English, because they did not | :16:06. | :16:11. | |
have any need to put on it. We have to stop abusing them and cheer them | :16:11. | :16:16. | |
on tomorrow! Come on, Wales. there is a supermarket near you and | :16:16. | :16:19. | |
you can be bothered to make this before 9 o'clock, the recipes are | :16:19. | :16:24. | |
online! We know you are a bird man, but can you do an impression of a | :16:24. | :16:33. | |
owl? I am the nemesis of the bowl! That is nice. We could not have | :16:33. | :16:36. | |
built on without showing a lovely third film, so how about some tawny | :16:36. | :16:41. | |
owl chicks branches out into the big wide world? Over to live -- | :16:41. | :16:47. | |
over to Mike Dilger, then live owls in studio! Leaving home is a rite | :16:47. | :16:50. | |
of passage that everyone goes through, but for tawny owl chicks, | :16:50. | :16:59. | |
Their hesitant approach to the big wide world is called branching. | :16:59. | :17:03. | |
This involves hopping from tree to tree and the watchful eye of their | :17:03. | :17:07. | |
parents while slowly learning to become independent. They are | :17:07. | :17:11. | |
incredibly vulnerable at this time. Moving along the branch while | :17:11. | :17:15. | |
exercising their wings, they can lose their balance and end up down | :17:15. | :17:21. | |
there. However, using their strong claws, they can climb back up into | :17:21. | :17:26. | |
the tree. The problem arises when passers-by come across these young | :17:26. | :17:30. | |
holes on the ground and, thinking they are abandoned, pick them up. - | :17:30. | :17:35. | |
- owls. These checks are among so that 200 birds of prey to be | :17:35. | :17:39. | |
brought into this conservatory Trust in Andover each year. They | :17:39. | :17:48. | |
looked after by Dr Matt Stevens. Lots of tawny owls, why so many | :17:48. | :17:51. | |
coming into the centre? Well, they have all been brought in from a | :17:52. | :17:57. | |
very young age. They are very dependent on their parents for two | :17:57. | :18:01. | |
months have to fledging. We want to get them to an age when they can be | :18:01. | :18:05. | |
released into the wild. So it is all about rehabilitation. | :18:05. | :18:10. | |
Definitely, yes. At the Conservancy, they aim to relies every bird | :18:10. | :18:14. | |
brought in. Looking after them until they are old enough and | :18:14. | :18:19. | |
healthy enough to survive outside the hospital, Matt and his team | :18:19. | :18:24. | |
have a high success rate with howls as they keep human contact to a | :18:24. | :18:29. | |
minimum hand preserve their natural behaviour. -- owls. Unfortunately, | :18:29. | :18:37. | |
for some, it is already too late. This is Troy. What is the story? | :18:37. | :18:41. | |
Troy was hatched probably in 2010, and she ended up on the floor. A | :18:41. | :18:45. | |
passer-by found there, decided that the poor thing must be in trouble, | :18:45. | :18:50. | |
so she took her home. She kept her for about six weeks. Well-meaning | :18:50. | :18:54. | |
but exactly the wrong thing to do. It is, definitely. She thinks she | :18:54. | :19:00. | |
is a person, she cannot be released back into the wild. So for the rest | :19:00. | :19:03. | |
of their natural life, part of the furniture here. She cannot be | :19:03. | :19:06. | |
released, but she will continue to give people information about what | :19:06. | :19:11. | |
not to do with tawny owls. And also a tremendous amount of pleasure, | :19:11. | :19:19. | |
she is one very entertaining, So while Straw is a much-loved | :19:19. | :19:22. | |
resident, for the lucky ones here, they are almost ready to be | :19:22. | :19:32. | |
:19:32. | :19:34. | ||
Well, it has been two weeks since I last saw the tawny owls in hospital, | :19:34. | :19:40. | |
and today it is time to see them regain their freedom. Before we | :19:40. | :19:44. | |
take them back to the wild, Matt and I need to give them a quick | :19:44. | :19:48. | |
health check. We need to measure, Way and ring them so we can track | :19:48. | :19:54. | |
their progress. As soon as that is done, we are off to find them a new | :19:54. | :20:01. | |
home. So, a lot of effort is taken to get them to this stage. The | :20:01. | :20:06. | |
ultimate question is, are they go into survive? Well, it is looking | :20:06. | :20:09. | |
good. The first few weeks are the most important, because they have | :20:09. | :20:13. | |
to get used to this habitat away from the hospital, but they should | :20:13. | :20:18. | |
be on their way. This is wonderful woodland, what do you reckon as a | :20:18. | :20:24. | |
release site? Great, we should go for it. Let's do it. Right, the | :20:24. | :20:34. | |
:20:34. | :20:42. | ||
moment of truth, let's release the Oh, that is so lovely! It makes all | :20:42. | :20:46. | |
that hard work worth it watching that. Let's released the last one | :20:46. | :20:56. | |
:20:56. | :21:04. | ||
Matt, put it there. Tawny owls, back where they belong, that is | :21:04. | :21:14. | |
:21:14. | :21:15. | ||
what is known as a good job. Let's Mike has made some brilliant films, | :21:15. | :21:19. | |
that is up there with the best of them, brilliant film, well done. | :21:19. | :21:25. | |
This is surely the tawny owl, Nigel is a white face scops owl, and Bill | :21:25. | :21:32. | |
as Mulberry goodbye now. You took the barn owl. Yes, I fancied the | :21:32. | :21:40. | |
barn owl. Yes, I did. I thought he was speaking Welsh for a minute. It | :21:40. | :21:47. | |
is like owls as gangsters, I can stay in my head around! I love the | :21:47. | :21:51. | |
barn owl because they are beautiful, quite ethereal, ghostly, amazing | :21:51. | :21:57. | |
looking birds. Beautiful fees, amazing plumage. They are almost | :21:57. | :22:01. | |
like supernatural, you know, in the history of British culture. You get | :22:01. | :22:05. | |
people talking about ghostly apparitions, and they were probably | :22:05. | :22:09. | |
barn owls. One of our most beautiful birds. Very magical, | :22:09. | :22:15. | |
you're right. Is it true that you have a menagerie? Yes, I have | :22:15. | :22:19. | |
various different parrots, cockatoos, cockatiel, starlings, a | :22:19. | :22:24. | |
rabbit, four dogs, hissing cockroaches, a chameleon in the | :22:24. | :22:29. | |
bathroom. And you live in the city. He has, a one-bedroom flat! | :22:29. | :22:34. | |
looks after them when you are away! We just leave a load of crisps on | :22:34. | :22:38. | |
the floor and leave them to it. They will be all right, shut the | :22:38. | :22:42. | |
door. What about the difference between bird-watching and | :22:42. | :22:46. | |
twitching? Twitchers are really hard core, the ones with pages on | :22:46. | :22:53. | |
their hip. It goes beep, spoonbills, Devon, go! Birdwatchers are more | :22:53. | :23:00. | |
like me. Easy, Tiger! They are more sort of pastoral, go out for a walk, | :23:00. | :23:04. | |
watch a few birds. From natural art to human art. Pablo Picasso's work | :23:04. | :23:10. | |
has often been divided in two periods, blue, Rose, African. | :23:10. | :23:20. | |
:23:20. | :23:23. | ||
has been finding out about his Pablo Picasso was arguably the 20th | :23:23. | :23:27. | |
century's greatest painter and sculptor. He lived in Paris, | :23:27. | :23:31. | |
Barcelona and the South of France. He came to Britain only twice, once | :23:31. | :23:35. | |
in 1919 to seek a ballet for which he designed the sets and costumes, | :23:35. | :23:41. | |
and then, in 1950, he came here, to Sheffield, the steel capital of the | :23:41. | :23:48. | |
country. On a grey November day... Why? The most famous artist in the | :23:48. | :23:52. | |
world had been invited to speak at the second international peace | :23:52. | :23:58. | |
conference, and to the surprise of many he accepted. Bill was part of | :23:58. | :24:02. | |
the delegation that welcomed Picasso to Sheffield. Do you | :24:02. | :24:06. | |
remember that November day in 1950 when Picasso came to Sheffield? | :24:06. | :24:11. | |
Very well, very well. I was appointed with two of my colleagues, | :24:11. | :24:14. | |
and we came to the station to meet him. We had great regard for | :24:14. | :24:19. | |
Picasso, because we all remembered his picture of Guernica, the anti- | :24:19. | :24:23. | |
fascist picture from before the war. He was a brilliant figure among | :24:23. | :24:27. | |
working people, particularly of the left. My colleagues presented him | :24:27. | :24:32. | |
with a bunch of flowers, and we saw him on the Transport and then he | :24:32. | :24:36. | |
was taken up to the rest are in town. We presented him with flowers, | :24:36. | :24:42. | |
but we took them off in for our next visitor, who was the Dean of | :24:42. | :24:47. | |
Canterbury. His arrival on the steps that City Hall was captured | :24:47. | :24:51. | |
in the newsreels, but unfortunately the conference was not to be the | :24:51. | :24:54. | |
great move to peace that had been planned. Has the event was | :24:54. | :24:58. | |
organised by the Communist Party, the Labour home secretary of the | :24:58. | :25:02. | |
day, at the last minute, refused to allow permission for some of the | :25:02. | :25:06. | |
international delegates to come into the country. The conference | :25:06. | :25:10. | |
had to be curtailed. However, Picasso still made a short speech | :25:10. | :25:15. | |
to the crowd that had assembled and told them how his father had taught | :25:15. | :25:20. | |
him to draw and how he believed in peace, not war. With time to kill | :25:20. | :25:24. | |
in Sheffield, he did what all international celebrities would do. | :25:24. | :25:31. | |
He got a haircut and stopped in at a local cafe for a bacon butty. | :25:31. | :25:39. | |
can remember being really sort of a bit stunned, you know, really, | :25:39. | :25:48. | |
Picasso? Not many world-famous painters appear on the platform at | :25:48. | :25:53. | |
Sheffield City Hall. What was he like? Well, I told my granddaughter | :25:53. | :26:00. | |
on the phone, he was a bit like Paddington Bear! All he needed was | :26:00. | :26:05. | |
a label, because he was small and had a lot of clothes on. I think | :26:05. | :26:11. | |
someone had told in Yorkshire would be very cold. I remember seeing him | :26:11. | :26:16. | |
with his pieces of paper, and he was obviously drawing, and then he | :26:16. | :26:24. | |
held up the paper, and he had signed this drawing. His famous | :26:24. | :26:28. | |
drawing of the dove of peace. he had the idea of auctioning them | :26:28. | :26:38. | |
:26:38. | :26:38. | ||
to raise funds. Did you bid for it? My husband did, I was terrified. We | :26:38. | :26:41. | |
probably had �30 in the cost- savings bank. And there was your | :26:41. | :26:49. | |
husband bidding for a Picasso dart! What did it go for? Only 20 Guineas. | :26:49. | :26:56. | |
I wish we had... It would be priceless now. I would not sell | :26:56. | :27:00. | |
that, if I got my hands on it! think he probably would have | :27:00. | :27:04. | |
accepted the fact that the flowers, like the ones I've brought you, | :27:04. | :27:07. | |
were then taken away from him and given to the next visitor. If you | :27:07. | :27:14. | |
do not mind, I'm going to take this with me! You are naughty! The peace | :27:14. | :27:18. | |
Conference might not have been the success its organisers planned, but | :27:18. | :27:22. | |
the incongruity of a modern master in the city of steel has never been | :27:22. | :27:27. | |
forgotten. Even today, as visit -- his visit is elevated, and if you | :27:27. | :27:31. | |
look closely, above the chimneys here, you can see steel domes | :27:31. | :27:38. | |
inspired by Picasso's dove of peace. Pablo Picasso spotted in Sheffield. | :27:38. | :27:42. | |
Where is the strangest place you have been spotted? In the | :27:42. | :27:49. | |
Indonesian jungle. It took a little while to get there, planes, boats, | :27:49. | :27:51. | |
ferries, more planes, buses. Right in the eastern part of Indonesia | :27:52. | :27:56. | |
before you get to Papua New Guinea, quite off-the-beaten-track. I was | :27:56. | :28:02. | |
on a bird-watching trip, was in a river, and heart from the jungle | :28:03. | :28:06. | |
came these two Australians who had seen me and my show in Melbourne. | :28:06. | :28:11. | |
The bloke went, oh, it is Bill Bailey! He pointed at me like I was | :28:11. | :28:16. | |
a hologram or an apparition. He had to come and poke me in the chest to | :28:16. | :28:20. | |
make sure it was made. He was blown away, what the hell are you doing | :28:20. | :28:26. | |
here?! What do you have here? Somebody sent in this lovely | :28:26. | :28:35. | |
picture of two really cute owls. That his two Inuit women with | :28:35. | :28:40. | |
sleeping bags. Unsolicited, thank you very much, showing initiative. | :28:40. | :28:44. |