Browse content similar to 14/10/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to the one show with Matt Baker and Alex Jones. | :00:17. | :00:22. | |
Tonight was my ghost -- Guest inadvertently made publishing | :00:23. | :00:27. | |
history when 40 pages of his autobiography were mistakenly | :00:28. | :00:30. | |
included in the new Bridget Jones book. He's still getting over the | :00:31. | :00:35. | |
shock of looking up with a toy boy and all those Brazilians. It is | :00:36. | :00:41. | |
certainly Jason! -- Sir David Jason. How wonderful to have you here. And | :00:42. | :00:48. | |
more news, one of your greatest ever TV shows, Open All Hours, is about | :00:49. | :00:55. | |
to grace our screens again with the Christmas special. So the story | :00:56. | :01:07. | |
goes. We are delighted. The BBC asked me if that was something like | :01:08. | :01:11. | |
to do and asset, yes. They said, have you any ideas? I always not, | :01:12. | :01:16. | |
what happens to Granville when Arkwright died? And so why mention | :01:17. | :01:23. | |
this, and they said, why do you not -- why not two Roy, the original | :01:24. | :01:30. | |
writer, and he said, that is so strange, because that has always | :01:31. | :01:33. | |
worried him. So Roy and I've got together. Has something been | :01:34. | :01:39. | |
penned? Not at the time. But we worked together and then he wrote | :01:40. | :01:43. | |
the script. And all I could say, it is exactly, it is like it has never | :01:44. | :01:49. | |
gone away. Except we will not have the governor, and you will just have | :01:50. | :01:54. | |
to put up with me has Granville. And Granville has a little assistant, | :01:55. | :01:59. | |
and cannot tell you why or how that happens because that will spoil the | :02:00. | :02:06. | |
plot. And the shop is still there, the roads are still there. In | :02:07. | :02:12. | |
Doncaster? In Doncaster. It is going to be a wonderful trip down memory | :02:13. | :02:14. | |
lane for all those people who loved the old-fashioned show. It is more | :02:15. | :02:22. | |
of the same. Great news. And you have not cast the assistant, | :02:23. | :02:29. | |
or the errand boy. So we thought we would help you out and ask whether | :02:30. | :02:32. | |
anybody at home thinks they would make a good Granville. So put on | :02:33. | :02:37. | |
your tank top if you do, put on a flat cap and brush your bicycle. | :02:38. | :02:42. | |
Sending your pictures. We cannot guarantee you will get the role, but | :02:43. | :02:47. | |
we will do our best! You cannot say fairer than that. We will see what | :02:48. | :02:50. | |
happens. Earlier today, the Welsh National | :02:51. | :02:53. | |
Coal Mining Memorial was unveiled on the site of the disused colliery in | :02:54. | :02:59. | |
Senghenydd in South Wales. The memorial pays tribute to the | :03:00. | :03:06. | |
thousands who have died in mining accidents in Wales. Joe Crowley | :03:07. | :03:10. | |
recalls the fateful day where a single blast shook an entire | :03:11. | :03:13. | |
community. In the early 20th century, Cole was | :03:14. | :03:19. | |
king. Mining it was dangerous. Working underground in the dust and | :03:20. | :03:23. | |
the darkness with the e-commerce and threat of a tunnel collapsing, it | :03:24. | :03:29. | |
could never be without risk. -- the constant threat. But one community | :03:30. | :03:34. | |
in South Wales knows the price of coal more than any other. In 1913, | :03:35. | :03:41. | |
something happens in the small town of Senghenydd that would cast a | :03:42. | :03:45. | |
permanent shadow over the town. I've come to a nearby museum where the | :03:46. | :03:50. | |
curator is taking me on a trip back in time. So this is how men would | :03:51. | :03:57. | |
have started the working day? This is the descent into the mine. The | :03:58. | :04:03. | |
cage would be jam-packed with men and boys as young as 14. And what | :04:04. | :04:07. | |
would they be wearing? Stout boots, and that is it. The other safety | :04:08. | :04:13. | |
gear is the flame safety lamp. And it was important that they had that | :04:14. | :04:21. | |
because it was a gassy pit. Here we are. How deep were the men working? | :04:22. | :04:29. | |
2000 foot deep. You are very deep underground. And the conditions? | :04:30. | :04:36. | |
Dusty. Even here, when we not cutting call. It was even worse at | :04:37. | :04:43. | |
Senghenydd. With coal dust, which is explosive, of course. They were | :04:44. | :04:46. | |
supposed to have watered the dust down. But they made a half hearted | :04:47. | :04:56. | |
attempt at it. At 810 PM, the sound that the women of Senghenydd had | :04:57. | :04:58. | |
feared echoed through the valleys. It was a huge blast. It had to be | :04:59. | :05:04. | |
across a spark. It said of the methane gas which blew up the dust. | :05:05. | :05:09. | |
And any fireball went through the pit. It was hell. -- and a fireball. | :05:10. | :05:23. | |
I want my father, I want my father. Went down the pits and felt a man, | :05:24. | :05:31. | |
and then went unconscious. How many of you came out of the pit alive? | :05:32. | :05:41. | |
18, 18 of us. 439 dead. Wives and mothers waited for weeks at the head | :05:42. | :05:47. | |
of the pit but in vain. 542 children were left without fathers. It was | :05:48. | :05:51. | |
the worst mining disaster in British history. When you think of the lives | :05:52. | :05:59. | |
lost, it would be noticeable in a big city but in a community of this | :06:00. | :06:03. | |
size, it must have been devastating. Hatay is only a small village. -- | :06:04. | :06:12. | |
Senghenydd. Some descendants of the victims still live in the street. | :06:13. | :06:17. | |
From what have been told, there were five coffins in this particular | :06:18. | :06:21. | |
room. Five coffins? My great-grandfather and his sons and | :06:22. | :06:28. | |
two lodgers. How would your grandmother have coped with that? | :06:29. | :06:33. | |
Terribly. It is hard to comprehend. My grandmother had nine children. | :06:34. | :06:41. | |
And they all missed him. Sad times. At the disaster, there was an | :06:42. | :06:45. | |
inquest. Was anyone found to be at fault? The company was found to be | :06:46. | :06:50. | |
at fault but it was decided that the manager would be finds ?24 and the | :06:51. | :06:57. | |
company ?10, despite the fact that 500 lives were lost. It is | :06:58. | :07:02. | |
laughable. There was no thought of life. It was just the thought of | :07:03. | :07:05. | |
getting the callout. Make the boss some money. -- get the coal out. If | :07:06. | :07:14. | |
the company had fitted a fan capable of reversing the airflow in the pit, | :07:15. | :07:19. | |
as they were supposed to have done, the funeral procession might not | :07:20. | :07:27. | |
have been so long. The people of Hatay -- Senghenydd have never | :07:28. | :07:30. | |
forgotten the tragedy that stained their time with blood. The little -- | :07:31. | :07:36. | |
little remains of the pit of these days. 100 years on, this concrete | :07:37. | :07:40. | |
slab covers the shaft that once took the miners 2000 feet below. It may | :07:41. | :07:46. | |
be sealed off, but the story of the men who died here lives on. | :07:47. | :07:57. | |
Such a tragic story. And this is the scene in Senghenydd earlier today. | :07:58. | :08:03. | |
The memorial pays tribute to the thousands who died in Welsh mines | :08:04. | :08:05. | |
over the years. It is a lovely memorial. | :08:06. | :08:09. | |
David, we were just saying there that you have Welsh heritage on your | :08:10. | :08:14. | |
mothers side. What a jerk other who arranged -- cousin -- was it your | :08:15. | :08:21. | |
cousin who arranged for you to go down a mine? We have this photo. | :08:22. | :08:25. | |
What a great picture. My cousin was a Jack the Lad. My mother came from | :08:26. | :08:31. | |
North Wales and the family was from south Wales. But my cousin, my | :08:32. | :08:41. | |
mother's brother's son, look at that, Jack the lad. You don't wear a | :08:42. | :08:49. | |
cap like that any more, do you? ! The story was, he arranged for us to | :08:50. | :08:56. | |
go down the pit, which we did. But the bit of the story was that what | :08:57. | :09:02. | |
we got -- when we got into the mine shaft, it was so black and you were | :09:03. | :09:06. | |
not allowed to take matches and lighters or anything down, but you | :09:07. | :09:09. | |
could put your hand on your eyeball, and it was so black you | :09:10. | :09:13. | |
could not see your hand. Because of that, when we came up, it seems to | :09:14. | :09:19. | |
take hours. And when we got out of it, John said, we will have to go | :09:20. | :09:26. | |
and see the wind, who winds you up and down, and when we got into where | :09:27. | :09:31. | |
he was, he was following about. And we said, what are you laughing at? | :09:32. | :09:35. | |
And he said, you were going up and down like you you! -- like a yo-yo. | :09:36. | :09:42. | |
He was so clever that he could take us up, slowly break, and then drops | :09:43. | :09:48. | |
down, and we did not know we were moving. But it was a great | :09:49. | :09:53. | |
experience. They had pit ponies down there. That is the way that life | :09:54. | :10:00. | |
was. It was cold and wet. As you would expect, you talk a lot about | :10:01. | :10:02. | |
your family appearance in your autobiography. And you speak a lot | :10:03. | :10:07. | |
about your dad as being the original showman. He was a fishmonger? Is | :10:08. | :10:13. | |
that where you got it from, do you think? I think I would probably have | :10:14. | :10:19. | |
to say that some of it would be genetic. Because there are certain | :10:20. | :10:28. | |
genes you pass on. And I would say that my father was not very funny or | :10:29. | :10:32. | |
gifted at home but when he was in his shop and went there many times, | :10:33. | :10:38. | |
he used to really enjoy the customers, and customers would come | :10:39. | :10:41. | |
from miles around to be served by him because he would take the | :10:42. | :10:43. | |
customers, and customers would come from miles around to be served by | :10:44. | :10:46. | |
him because he would take them idiot of them and they loved it. His | :10:47. | :10:48. | |
banter? His banter. Maybe a little bit has rubbed off. And you have had | :10:49. | :10:52. | |
a hard life to start with. You really tried all sorts of things. | :10:53. | :10:56. | |
And I've found it fascinating that you started and allocations | :10:57. | :11:02. | |
business. I've served and tradition as an elocution. And then when it | :11:03. | :11:08. | |
finally came to giving me my tools, and making me into an elocution, | :11:09. | :11:14. | |
which would upgrade my salary, they turned around and said was | :11:15. | :11:21. | |
redundant. -- and electricity. I am not sure whether it was because I | :11:22. | :11:25. | |
was an awful electricity and, or what, but redundancy is not a new | :11:26. | :11:28. | |
thing. My friend and I were made redundant and because there was no | :11:29. | :11:33. | |
work about, we were forced, in a way, to start a business on our own. | :11:34. | :11:39. | |
And we have your business card, a picture of it. We were wondering, | :11:40. | :11:44. | |
what does the J stand for? Many people would think it was Jason but | :11:45. | :11:48. | |
that is not the case. John. I'd guess John. David John White, | :11:49. | :11:53. | |
guaranteed, I said. Give her the money, Barney! I have some questions | :11:54. | :11:59. | |
about rewiring if you can hang about later. For you, I will do it for | :12:00. | :12:05. | |
nothing! You gave yourself five years to make it in the acting | :12:06. | :12:09. | |
world. And about two and a half years in, this is the gig that you | :12:10. | :12:14. | |
got. The utensils dipped into the food | :12:15. | :12:17. | |
and with a graceful sweep, the correct amount is carried to the | :12:18. | :12:36. | |
appropriate place. No. No. No. Do not adjust your TV set. It is very | :12:37. | :12:43. | |
Monty Python -esque. That is where Monty Python started. The three | :12:44. | :12:51. | |
lads, as they were there, fully grown men now, Michael Pailin, Terry | :12:52. | :12:58. | |
Jones and Eric idle. They came from the Cambridge Footlights. And they | :12:59. | :13:04. | |
got this contract with me to do a children's show called 'Do not | :13:05. | :13:10. | |
Adjust Your Set'. After we did a couple of series, they found that | :13:11. | :13:14. | |
the material they were presenting was getting cut and edited, and they | :13:15. | :13:21. | |
found that their material, why was it being cut, they wanted to know. | :13:22. | :13:25. | |
They said it was no suitable for children so they got frustrated, as | :13:26. | :13:29. | |
artists. And they said, look, either we get a late night shows we can use | :13:30. | :13:37. | |
our material, or you off. And the head of comedy at the time said, no, | :13:38. | :13:43. | |
you are the best children's show that we have had in years. We want | :13:44. | :13:46. | |
to keep you. So the lads said, sorry, we are going. And the rest is | :13:47. | :13:52. | |
history. And we will pick up that story in a moment. But before that, | :13:53. | :13:57. | |
what is more likely to get on your nerves? People who deliberately | :13:58. | :14:00. | |
dropped litter or cancel staff who snoop on the public? | :14:01. | :14:06. | |
A tough call. Tony lies the reports. -- Tony Livesey. | :14:07. | :14:15. | |
Most people are usually quite happy to be pictured in their local paper | :14:16. | :14:20. | |
but the people of Preston can be forgiven for turning the page with a | :14:21. | :14:24. | |
little trepidation. That is because it features a rogues gallery of | :14:25. | :14:34. | |
litter bugs, all tracked by CCTV. Could the man from TV who has | :14:35. | :14:42. | |
dropped his paper please pick it up? This is pressing cancel's litter | :14:43. | :14:47. | |
education officer. The voice of the loud-hailer and the woman who came | :14:48. | :14:51. | |
up with the newspaper shaming idea. How do people react to it? Do they | :14:52. | :14:55. | |
not feel it is intrusive, the fact you are sat in here watching them in | :14:56. | :15:03. | |
a private moment? We would move around constantly, we would not look | :15:04. | :15:06. | |
at one person. We're just keeping an eye in that particular area. If we | :15:07. | :15:11. | |
catch somebody littering, then we are able to do something about that. | :15:12. | :15:15. | |
So you publicly humiliate them. It is a bit embarrassing, but you have | :15:16. | :15:19. | |
to remember that dropping litter is against the law. They can be fined | :15:20. | :15:23. | |
for it. So usually, it is a fair cop. We are not really trying to | :15:24. | :15:27. | |
necessarily catch people and find them. This is about education. -- | :15:28. | :15:34. | |
fine them. This is translated on the ground in the amount of litter we | :15:35. | :15:42. | |
pick up. There is a penalty of ?80 for anybody found guilty of | :15:43. | :15:45. | |
littering, or ?50 of paid within seven days. But since April, the | :15:46. | :15:52. | |
council has only issued 15 fines. This stinky pile of rubbish is the | :15:53. | :15:55. | |
total amount of litter collected just yesterday across Preston by the | :15:56. | :16:00. | |
city's 50 strong team. Each year, they picked up around 2200 tonnes of | :16:01. | :16:07. | |
litter off the street. Imagine this lot multiplied by 365. Tommy is | :16:08. | :16:13. | |
another member of the team, a litter supervisor. He is armed with all the | :16:14. | :16:18. | |
tools of the trade and a bit more besides. So you have got a secret | :16:19. | :16:26. | |
weapon? You look like a Dalek. And it records litter louts? It does. | :16:27. | :16:32. | |
People still deny it. I don't give them the opportunity. It is only | :16:33. | :16:38. | |
when you refuse to put it in the bin that I will issue a penalty. Are you | :16:39. | :16:46. | |
a litter spy? I do not watch people. I do my job. It is only if I catch | :16:47. | :16:57. | |
them. This is where some of the footage from the litter team ends | :16:58. | :17:00. | |
up, in the offices of the local paper. It takes still frames to | :17:01. | :17:05. | |
create its rogues' gallery and then invites readers to call the council | :17:06. | :17:09. | |
if they recognise anyone. Critics might say you are jumping to the | :17:10. | :17:15. | |
council's tune? The problem is costing the council ?2 million a | :17:16. | :17:20. | |
year to tackle. If we can help highlight the issue, that can only | :17:21. | :17:25. | |
be a good thing. You have caught five people through this. Are you | :17:26. | :17:30. | |
doing it for the greater good or just to sell papers? If it was just | :17:31. | :17:35. | |
to sell papers, it would be more of a name and shame will stop that is | :17:36. | :17:39. | |
not something we are doing, because we want to raise awareness. I must | :17:40. | :17:44. | |
admit that when we were there, the streets did not look too bad and we | :17:45. | :17:49. | |
did not see anyone dropping litter. So maybe the surveillance tactics | :17:50. | :17:54. | |
are working. It smacks of Big Brother and dirty tricks. But if | :17:55. | :18:00. | |
necessary, I agree with it. That would be so embarrassing. Imagine | :18:01. | :18:08. | |
everyone seeing that. If people don't have the sense to put it in a | :18:09. | :18:12. | |
bin, maybe they need to be taught to do it. After today, I can work a | :18:13. | :18:18. | |
litter picker like a pair of jobs dicks, and I have a sense of the | :18:19. | :18:22. | |
battle to keep rubbish off these streets. The wall of shame in the | :18:23. | :18:25. | |
local paper is not everybody's cup of tea, but most people I spoke to | :18:26. | :18:32. | |
thought it was a price worth paying. In Preston, at least, litter does | :18:33. | :18:38. | |
seem to be a. # I always feel like somebody's watching me. | :18:39. | :18:44. | |
That is going to get people talking, but it is sad that it has come to | :18:45. | :18:47. | |
this. Did you know that more people drop litter than don't? 62% of | :18:48. | :18:57. | |
people drop litter. Preston differentiate between those who | :18:58. | :19:01. | |
deliberately drop it on those who accidentally drop it. Sometimes | :19:02. | :19:04. | |
things drop out of your pocket, but they target those who throw it. If | :19:05. | :19:09. | |
it drops out of your pocket accidentally, perhaps you don't know | :19:10. | :19:15. | |
it has gone. But why is it that you can take a packet of cigarettes or | :19:16. | :19:19. | |
sweets, and you nurture it and care for it and you put it carefully back | :19:20. | :19:23. | |
in your pocket, but when it comes empty, you throw it away? What is | :19:24. | :19:29. | |
the difference? Going back to that film, does that make arrest in the | :19:30. | :19:37. | |
most aggressive council? They are not the only once. Darlington have | :19:38. | :19:41. | |
fined 600 people after naming and shaming. Austin in Lincolnshire have | :19:42. | :19:47. | |
been doing it on and off since 2004 -- Boston in Lincolnshire. They have | :19:48. | :19:53. | |
had a 50% success rate, so much so that last summer, they turned their | :19:54. | :19:58. | |
attention to dog poo. Don't look at me! They found 40 piles in a local | :19:59. | :20:07. | |
park, so they spray-painted around it, and there has a mode that back | :20:08. | :20:14. | |
been a marked decrease. In the US, one judge has made a name for | :20:15. | :20:20. | |
herself publicly humiliating people who have done wrong. Her name is | :20:21. | :20:26. | |
judge Pinkey Carr. She felt there was a lack of Amores among people. | :20:27. | :20:35. | |
For example, one bus driver, she made her band in the street with a | :20:36. | :20:40. | |
sign saying "Only an idiot drives on the sidewalk to avoid a school bus". | :20:41. | :20:44. | |
In another case, a guy was made to stand with a sign saying, I | :20:45. | :20:49. | |
apologise to all police officers for being an idiot, calling 911 and | :20:50. | :20:54. | |
threatening to kill you. There are other ways of looking at this as | :20:55. | :20:58. | |
well? Weak the theory is that we all want to conform, we just need a push | :20:59. | :21:02. | |
in the right direction. The government have a behavioural | :21:03. | :21:06. | |
insight team. They call it a node unit. Loft insulation was heavily | :21:07. | :21:12. | |
subsidised and people were not taking it up, so this team came up | :21:13. | :21:15. | |
with the idea of saying that the team who installed loft insulation | :21:16. | :21:20. | |
would clear your attic first, and then people took it up. Students in | :21:21. | :21:26. | |
Cardiff painted bin feet heading to the bins, and litter dropping in the | :21:27. | :21:33. | |
bin went up. Now, as we have said, Open All Hours is returning for a | :21:34. | :21:37. | |
one-off business special, so last week, we asked One Show viewers who | :21:38. | :21:42. | |
run family businesses like Arkwright's to tell us their | :21:43. | :21:46. | |
stories. I'm Dave, and this is my son Andrew. The shop was started in | :21:47. | :21:52. | |
1934 by my father and his brother-in-law. I have been here 53 | :21:53. | :22:00. | |
years. Andrew joined in 1992. We came here in January 1972. I made it | :22:01. | :22:08. | |
my home will stop the day I got this sweet shop 20 years ago, I was so | :22:09. | :22:13. | |
excited that I had got my own sweet shop. It meant everything. We were | :22:14. | :22:23. | |
like kids in a sweet shop! It is good working with your family. | :22:24. | :22:26. | |
Sometimes we have disagreements about parts of the business. | :22:27. | :22:30. | |
Normally, a consensus comes about and I get my way. He tries to stay | :22:31. | :22:39. | |
traditional. If you tried to modernise anything, shall we have a | :22:40. | :22:45. | |
website, stuck in the dark ages. I feel guilty, because if I am shocked | :22:46. | :22:50. | |
at night or on a Sunday and I hear a car stopped on the gravel, I think, | :22:51. | :22:56. | |
that is a customer I have lost. 's opening hours are bone of | :22:57. | :23:00. | |
contention. She sometimes opens at six in the morning. I understand her | :23:01. | :23:05. | |
guilty conscience. The customers and the shop are all a big family. My | :23:06. | :23:12. | |
husband, even on his funeral day, I would not shut. He died of cancer. | :23:13. | :23:17. | |
My friend looked after the shop because if I think a shop is open, | :23:18. | :23:23. | |
it should be open all the time. It is such a special shop. We have a | :23:24. | :23:29. | |
passion for it. It is our interest, and the love of the people we deal | :23:30. | :23:35. | |
with. 18 customer comes in, I say, have you tried everything? Someone | :23:36. | :23:43. | |
has got to do it. The local children are used to how we serve the sweets. | :23:44. | :23:49. | |
They are always disappointed when they go away on holiday. One child | :23:50. | :23:53. | |
came back and said, I am so glad to be back. She said, we had to go to a | :23:54. | :23:57. | |
supermarket to buy our sweets, and we couldn't pick and choose! If you | :23:58. | :24:04. | |
try and change anything, he is becoming like Arkwright, tight and | :24:05. | :24:12. | |
mean. Ilott of people look at the ceiling and think it could do with a | :24:13. | :24:16. | |
coat of paint. I still think that is our era. Like I say, stuck in the | :24:17. | :24:29. | |
dark ages. Wonderful. Every night after work, he calls into an | :24:30. | :24:36. | |
Ironmonger's. Earlier, we asked for potential sidekicks for your new | :24:37. | :24:41. | |
series. Cathy thinks her dog Baxter has what it takes. That could be | :24:42. | :24:49. | |
interesting. But not practical. This is a good one. Perfect. Johnny has | :24:50. | :24:57. | |
already got the outfit. And he has got the backdrop as well. This is | :24:58. | :25:09. | |
the best one. I want him in my shop. Little five-month-old Lucas, from | :25:10. | :25:15. | |
Rotherham. He would BAA to the shop. So how did you get the role of | :25:16. | :25:21. | |
Granville? Well, through Humphrey Barclay, who found me at the end of | :25:22. | :25:28. | |
the peering Bournemouth, he then went off later on to direct Ronnie | :25:29. | :25:32. | |
Barker in a series called Hark At Barker. And there was a series of | :25:33. | :25:41. | |
sketches. Ronnie said that in this particular sketch, he wanted | :25:42. | :25:46. | |
somebody that could come in, and Ronnie's Richter was eating bananas | :25:47. | :25:49. | |
and throwing a banana skin down, and he wanted somebody who could come in | :25:50. | :25:55. | |
and as he went out, do a pratfall. I had to do about half a dozen | :25:56. | :26:04. | |
pratfalls. Also, I got on well with one knee. -- with Ronnie. He then | :26:05. | :26:11. | |
did another series where he played Lord Russell, and he wanted somebody | :26:12. | :26:17. | |
to lay the 100-year-old gardener. So because I had worked with Ronnie in | :26:18. | :26:23. | |
that sketch, he said, what about that QWERTY person who falls over a | :26:24. | :26:29. | |
lot? So they asked me on and I said yeah, because I wanted to work with | :26:30. | :26:36. | |
Ronnie. In your book, you depict the relationship between you | :26:37. | :26:38. | |
beautifully. And he gave you a job on the two Ronnies, but we didn't | :26:39. | :26:43. | |
see you on screen, because you were the Phantom raspberry blower. | :26:44. | :26:51. | |
Unbelievable. And by your own reckoning, you are one of the | :26:52. | :26:56. | |
world's best blowers of raspberries. There aren't many of us left. But | :26:57. | :27:00. | |
can you recognise your own raspberries from other raspberries? | :27:01. | :27:06. | |
Here is raspberry one. RASPBERRY BLOWS. . And the second | :27:07. | :27:12. | |
one. RASPBERRY BLOWS. On the third | :27:13. | :27:22. | |
raspberry. I would say number two. You are right. This is how it looked | :27:23. | :27:29. | |
on the telly. RASPBERRY BLOWS. | :27:30. | :27:44. | |
What was that? ! And Ronnie used to produce raspberries as well. He | :27:45. | :27:54. | |
wanted raspberries blown to the 1812 overture or for the end. And I said, | :27:55. | :28:00. | |
I can't do that. He said, yes you can. You get in the booth, we will | :28:01. | :28:06. | |
both have the cans on, let them have the 1812 overture in one ear, and I | :28:07. | :28:11. | |
will conduct you. So outside the box, Ronnie is going... | :28:12. | :28:21. | |
RASPBERRY BLOWS. . So I was watching Ronnie, and he was giving it | :28:22. | :28:28. | |
everything like Sir Malcolm Sargent. It is all in the book, and you | :28:29. | :28:33. | |
really get the sense... There are so many people bringing out his books, | :28:34. | :28:41. | |
and you're one is called Our My Life, but it really was. Lovely to | :28:42. | :28:50. | |
see you again. Tomorrow night, we will be joined by Gloria Estefan. Is | :28:51. | :28:54. | |
she bringing the Miami Sound Machine? You will have to wait and | :28:55. | :28:56. | |
see. Good night. | :28:57. | :29:02. |