Browse content similar to 15/12/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker and Alex Jones. | :00:22. | :00:26. | |
Tonight's guest is a funny lass who tickles everyone's fancy then she | :00:26. | :00:30. | |
may be crowned Queen of Comedy at a mile night's Comedy Awards. Sarah | :00:31. | :00:37. | |
Millican. Tonight, we will be telling you how you can save money | :00:38. | :00:43. | |
this Christmas. Are you a big spender? No, we always have a limit. | :00:43. | :00:47. | |
My family, we give a limit, a certain amount you are allowed to | :00:47. | :00:51. | |
spend on each other, because otherwise it escalates and somebody | :00:51. | :00:55. | |
spends too much and then you are shouting. You should never shout on | :00:55. | :00:59. | |
Christmas Day. With Christmas decorations, do you bring out the | :00:59. | :01:06. | |
old ones every year? I have a tiny fake Christmas tree. I did not have | :01:06. | :01:10. | |
time in January to take it apart and take the decorations off so I | :01:10. | :01:14. | |
put it into my spare room. I can't plug the lights and put it into the | :01:14. | :01:18. | |
spare room, so I just had to bring it out and plug it in again. I | :01:18. | :01:26. | |
think it is genius. Tonight, we are looking for the oldest, most loved | :01:26. | :01:29. | |
decorations in the country that are still making the trip down from the | :01:29. | :01:34. | |
loft. Send pictures of the ancient lights and baubles, even home-made | :01:34. | :01:38. | |
decorations. Remember to get yourself in the photo. The older | :01:38. | :01:45. | |
the decorations, the better they smell, don't you find? Now then, we | :01:45. | :01:49. | |
have got a budget Christmas dinner as seen on a student website | :01:49. | :01:54. | |
yesterday. It is less than �2 ahead and it only takes 10 minutes to | :01:54. | :02:03. | |
make. Feast your eyes on this. Roast turkey has been replaced by a | :02:03. | :02:07. | |
single wafer thin turkey slice. Potato waffles instead of roasties, | :02:07. | :02:12. | |
and who needs chipolatas when you have cocktail sausages wrapped in | :02:12. | :02:19. | |
processed ham? Is it still warm? Have you got a fork. It is | :02:19. | :02:23. | |
strangely appetising. The thing is, it is all nice. Who does not like | :02:23. | :02:31. | |
waffles? Who does not like waffles?! The important questions. | :02:31. | :02:34. | |
Most people will not go that far to save the pennies but these ladies | :02:34. | :02:38. | |
from the Women's Institute are going to show you how to make a | :02:38. | :02:43. | |
home-made pressie tonight. Exciting. But first, the One Show family are | :02:43. | :02:50. | |
back, being paid a visit by our savings Santa, Simon. | :02:50. | :02:54. | |
We are expected to spend a whopping �21 billion on Christmas this year, | :02:54. | :02:59. | |
with every adult spending an average of �437. At a time when we | :02:59. | :03:02. | |
are tightening our belts, we thought it was time to give | :03:02. | :03:06. | |
something back to our One Show family. If so far this year, we | :03:06. | :03:10. | |
have made them live on �50 per week and then made them reduce their | :03:10. | :03:16. | |
salt. This time, we are delivering something easier to swallow. Merry | :03:16. | :03:23. | |
Christmas! The not you again! I have been so horrible to you this | :03:23. | :03:26. | |
year but I thought I would bring you something nice this time. | :03:26. | :03:32. | |
Christmas! Because this is the One Show, there is a catch - we want | :03:32. | :03:37. | |
them to save money, not spend it. Let's get a bargain Christmas magic | :03:37. | :03:43. | |
under way. Paper chains and cards. And I will leave the rest of the | :03:43. | :03:47. | |
magic to us. If you have left it this late, making savings might be | :03:47. | :03:52. | |
tricky, but if you are prepared to set a budget and stick to it, our | :03:52. | :03:56. | |
money-saving expert thinks he can still save you a few pennies. Over | :03:56. | :04:01. | |
to you. If you are buying a high- value item this Christmas, delay | :04:01. | :04:05. | |
Christmas. Retailers have captive customers in the rush before | :04:05. | :04:10. | |
Christmas. It is the highest price time of the year. January sales, | :04:10. | :04:17. | |
the lowest price time of the year. So if you are buying the plasma TV, | :04:17. | :04:21. | |
buy it in the January sales when it is cheaper. So, how will that go | :04:21. | :04:29. | |
down? Open it and see what you have got. I owe you one present in the | :04:29. | :04:36. | |
sales. I do not know if I could do that to the kids. Adults, yes, but | :04:36. | :04:40. | |
not for the children. Would you be happy with that for this year and | :04:40. | :04:47. | |
we will get you a present after Christmas? Yes. I like the box. | :04:47. | :04:52. | |
Just get him a box for Christmas. Time for my Christmas down shift to | :04:52. | :04:55. | |
challenge. Lots of people like to go up brand at Christmas, thinking | :04:55. | :05:01. | |
they are getting a treat. Retail hypnosis. Who says hire brands and | :05:01. | :05:05. | |
more expensive is better. Until you taste it with your tongue, you will | :05:05. | :05:10. | |
not know. You should have a range of different goods, some high brand | :05:10. | :05:16. | |
and some low brand. Which do you prefer? Lots of Christmas treats. | :05:16. | :05:23. | |
Dive in. We have branded nuts and crisps begins the supermarket's own. | :05:23. | :05:27. | |
Pre-cooked sausages against supermarket bangers. Finest mince | :05:27. | :05:34. | |
pies against regular, and champagne against sparkling wine. He | :05:34. | :05:43. | |
preferred the cheaper one. And it is a lot cheaper. We can get more | :05:43. | :05:49. | |
bottles. For cheaper. Responsible drinking only! What about the | :05:49. | :05:55. | |
snacks? Peanuts, those ones. All of the family preferred the | :05:55. | :06:04. | |
supermarket peanuts. Which meant spies do you prefer? Those ones. | :06:04. | :06:14. | |
:06:14. | :06:14. | ||
George? -- mince pies. Actually, these were the most expensive. The | :06:14. | :06:19. | |
adults preferred the supermarket regular ones at 17p each, compared | :06:19. | :06:23. | |
to the supermarket top range at 42p each. When you do the Christmas | :06:23. | :06:28. | |
shopping, what are you going to do? I will not go for the branded | :06:28. | :06:32. | |
special items. I will look at the prices, because I know there is no | :06:32. | :06:39. | |
difference in the taste. What about the Christmas tree? This is the | :06:39. | :06:46. | |
cheapest we could find - �25 all-in. This was more expensive, �40. Come | :06:46. | :06:49. | |
and stand next to the tree that you would like to see in your lounge | :06:49. | :06:57. | |
this Christmas. You have all gone for that one. Well, maybe I can get | :06:57. | :07:01. | |
Martin to change your mind. Your choice is simple. The tree that | :07:01. | :07:05. | |
you're used to and the one you like, or the artificial one that will | :07:05. | :07:10. | |
last longer and the cash that you will save year on year. Simon, show | :07:10. | :07:18. | |
them the money. By Christmas 2014, that would save you around �135 | :07:18. | :07:23. | |
with the fake Christmas tree. Can I tempt anyone to join me? I have got | :07:23. | :07:30. | |
one. No. Why? Because it smells of Christmas. There you go, this | :07:30. | :07:35. | |
smells of Christmas, too. It will smell exactly the same. Can I tempt | :07:35. | :07:41. | |
you? January sales are around the corner, | :07:41. | :07:45. | |
the perfect time to buy cards, trees and tinsel. Get a cupboard, | :07:45. | :07:51. | |
put them in and wait until next December. | :07:51. | :07:56. | |
We are now in the One Show's craft corner with WI craft judge Gill | :07:56. | :08:05. | |
Thomas and chutney supremo Gill Brand. Now then, they are going to | :08:05. | :08:08. | |
show you how to make a home-made Christmas present. We do not want | :08:08. | :08:14. | |
to know what it is. Are you any good at arts and crafts? I am being | :08:14. | :08:20. | |
forced to make you a present, am I? What about my present? I will take | :08:20. | :08:27. | |
some chutney home. Are you generally quite artistic? I was | :08:27. | :08:35. | |
when I was a kid but I have not had time. Let's see what is on offer. | :08:35. | :08:42. | |
Loads of things. Things with digital photos. Snow globes. Just | :08:42. | :08:49. | |
make a little-seen and put a bit of candles sand and the litter inside. | :08:49. | :08:56. | |
-- glitter. And a promise book. For people who would really like a | :08:56. | :08:59. | |
Christmas present that is going to give their time to somebody, | :08:59. | :09:09. | |
promised to do things. It is not like being on a promise! The sort | :09:09. | :09:12. | |
of thing like keeping the biscuit tin full up all the time. There are | :09:12. | :09:17. | |
little envelopes and you put your promise in there. You are going to | :09:17. | :09:21. | |
keep your biscuit tin full up. By not eating any, or by constantly | :09:21. | :09:29. | |
buying biscuits? As the goddess of jam and chutney, Sarah could make a | :09:29. | :09:34. | |
hamper because they are expensive, about �200, some of them. And how | :09:34. | :09:40. | |
nice to give home-made food. Banana chutney. Bananas, onions, pickle | :09:40. | :09:44. | |
and vinegar. But if she does not have time, or if she does not want | :09:44. | :09:49. | |
to make it herself, she could go to a farmers' market, or to the | :09:49. | :09:52. | |
country market and buy them. We will show her how to dress the | :09:52. | :09:57. | |
hamper. You have only got 10 minutes, so I don't know if you | :09:57. | :10:01. | |
could make a chutney in that time. Keep it a surprise and we will have | :10:01. | :10:06. | |
our present at the end of the show. Of course, the Christmas party | :10:06. | :10:09. | |
season is in full swing and this week England footballer Gareth | :10:09. | :10:13. | |
Barry turned up dressed as the famous children's book character | :10:13. | :10:18. | |
Where's Wally. He still looks handsome. The idea behind the | :10:18. | :10:21. | |
Where's Wally books is to spot him in a crowd, but Alex Riley discover | :10:21. | :10:24. | |
that the man who invented him is even more elusive than Wally | :10:24. | :10:29. | |
himself. The Where's Wally books have been delighting children since | :10:29. | :10:34. | |
they were first published in 1987. 24 years later with over 50 million | :10:34. | :10:38. | |
sold, the legend of Wally is going strong, but what do we know about | :10:38. | :10:43. | |
him? He travels through time to visit interesting destinations | :10:43. | :10:46. | |
throughout the world and he always wears the same trademark outfit. | :10:46. | :10:51. | |
But the real fun is in trying to spot Wally, and his author, Martin | :10:51. | :10:56. | |
Handford, is just as elusive. Excuse me, whereas Martyn from | :10:56. | :11:00. | |
Where's Wally? Unfortunately, not at his publishers. I will spend the | :11:00. | :11:04. | |
rest of the day trying to get closer to the enigma that is | :11:04. | :11:14. | |
:11:14. | :11:14. | ||
Whalley. What better way than to Can you see me supporting Barack | :11:14. | :11:21. | |
Obama? Can you spot me? Can you see me? Think that was easy? Keep | :11:21. | :11:25. | |
watching, they are going to get harder. What do you like about the | :11:25. | :11:31. | |
Where's Wally books? It is hide- and-seek on the page. It is never | :11:31. | :11:38. | |
the same. How would you describe him? He is fun and exciting and he | :11:38. | :11:42. | |
is really stripey. It is quite tricky to find him because there | :11:42. | :11:46. | |
are loads of people. Has anybody found all of them in all of the | :11:46. | :11:51. | |
books? Yes, but a hard bit is finding the rest of the features, | :11:51. | :11:55. | |
like the binoculars, the phones, the cameras. I don't suppose any of | :11:55. | :12:02. | |
you know where the author is? The author, Martin Handford, has | :12:02. | :12:06. | |
apparently not given an interview since 1990. Why is he so shy about | :12:06. | :12:10. | |
publicising his books? A lot of illustrators who are artists would | :12:10. | :12:13. | |
prefer to be in the studio are doing their work, quietly getting | :12:13. | :12:18. | |
on with it. Think of authors like Hemingway, a very private person. | :12:18. | :12:23. | |
JK Rowling does not necessarily like a lot of publicity either. | :12:23. | :12:27. | |
Sometimes it can help the brand to stand on its own as well. We do not | :12:27. | :12:31. | |
think of Martin Handford when we are reading Where's Wally. You do | :12:31. | :12:41. | |
not know where he is, do you? Wally is a worldwide phenomenon. He | :12:41. | :12:45. | |
has different names in different countries. This is John Moseley, | :12:45. | :12:49. | |
possibly Britain's biggest Where's Wally fan. What makes him a proper | :12:49. | :12:55. | |
one the lover? That must have really hurt. Why did you decide to | :12:55. | :13:00. | |
get the Where's Wally tattoo? charity. It raised �2,000 for Great | :13:00. | :13:05. | |
Ormond Street Hospital and we have more money coming in every day. | :13:05. | :13:12. | |
can play at that game. Where am I? I am on the terraces at Old | :13:12. | :13:18. | |
Trafford, enjoying the Proms in the Park. It is reassuring to know that | :13:18. | :13:22. | |
a simple picture book like Where's Wally still captures the attention | :13:22. | :13:30. | |
of children and adults alike. Talking of which, did you spot me? | :13:30. | :13:35. | |
I'm a big fan of Where's Wally. is hard to see him sometimes. | :13:35. | :13:41. | |
Really difficult to spot him. Sarah, you are very good at finding a | :13:41. | :13:47. | |
Wally in the crowd with your stand- up. I cannot normally see anybody | :13:47. | :13:50. | |
because it is dark. When people feel anonymous they are more | :13:51. | :13:55. | |
inclined to shout out. I don't encourage it. I don't like it when | :13:55. | :13:59. | |
they shout horrible things, just things that I have asked them, | :13:59. | :14:03. | |
which is nice. Sometimes people are trying to be funny and you have to | :14:03. | :14:07. | |
close it down and move on to find somebody else who is more funny. | :14:07. | :14:14. | |
is risky because you have no idea of what they are like. That is when | :14:14. | :14:16. | |
I feel like a proper comic as opposed to a funny writer who is | :14:16. | :14:20. | |
telling jokes on stage. There are moments when anything could happen | :14:20. | :14:24. | |
and it is terrifying but brilliant will stop You recently played in | :14:24. | :14:28. | |
your home town of South Shields. Was that nerve-racking, or did you | :14:28. | :14:34. | |
enjoy it more than the others? was terrifying because I had family | :14:34. | :14:38. | |
in. I also had people from school. You know when you look somebody | :14:38. | :14:41. | |
upon Facebook and you hope they are fat, or that they have loads of | :14:41. | :14:45. | |
kids. It was the worst version of that, when they could come and | :14:45. | :14:49. | |
watch me on stage from the darkness. There was somebody I used to play | :14:49. | :14:54. | |
with when I was a baby, and somebody else I used to go out with. | :14:54. | :14:59. | |
You must have featured that. ignored some people, to be fair. It | :14:59. | :15:05. | |
was quite a small venue, so it was scary. Let's have a look at your | :15:05. | :15:11. | |
DVD. One supermarket recently had a range of superhero knickers, and | :15:11. | :15:16. | |
they are awesome. I have enough pairs that I can be invincible for | :15:16. | :15:20. | |
five days in a row. I rang my sister because I thought she would | :15:20. | :15:25. | |
want to know, and she said, what have they got on. I said I have got | :15:25. | :15:31. | |
some with wonder woman and some with he-man's sister. There was a | :15:31. | :15:41. | |
:15:41. | :15:46. | ||
APPLAUSE So, you were saying you have She-ra underwear? Yes, and | :15:46. | :15:52. | |
Wonder Woman now. Well, tomorrow you could wear these once... There | :15:52. | :15:57. | |
you go, you said you were after a present. I could probably get them | :15:57. | :16:03. | |
on an arm! Up one leg, thank you very much! Christmas crackers! Your | :16:03. | :16:08. | |
dad has been helping you selling the DVDs, they have been incredibly | :16:08. | :16:14. | |
successful, what is it, 100,000? Yes, we sold over 100,000, the | :16:14. | :16:21. | |
first time a female comic has done it in 110 years. It is the second | :16:22. | :16:27. | |
time that a female comic has done it ever. My dad, I am proud of him. | :16:27. | :16:35. | |
He stands in HMV and when other people pick up DVDs of other comics, | :16:35. | :16:43. | |
he says you don't want that, you want this one. He's a bibit of a | :16:43. | :16:48. | |
character your dad, is he starring in a TV series that you are doing? | :16:48. | :16:53. | |
Yes, I'm making a show for BBC Two, it is going out in the spring. My | :16:53. | :16:58. | |
dad is good at advice. We used him in the pilot. We always Skype him. | :16:58. | :17:04. | |
It is fun. The first time I saw him on Skype, it is hot in the highways, | :17:04. | :17:09. | |
he was stripped to the waist. This time he had a shirt on as it was | :17:09. | :17:16. | |
for telly. Is he alt home? Oh, yes, he is at home. Is he topless now? | :17:16. | :17:22. | |
Watching this programme, he could be! Does it make you feel bad? | :17:22. | :17:28. | |
Good? You are not sure. More weird for me, I'm guessing. And the | :17:28. | :17:34. | |
Comedy Awards night, it is a big night. Yes, I'm not going to go, it | :17:34. | :17:39. | |
is heartbreaking, but I'm nominated for two awards. It is exciting. | :17:39. | :17:42. | |
great company? Yes, it is astonishing to be there, I'm | :17:42. | :17:48. | |
happying to in the gang. If you win who, is accepting the award for you | :17:48. | :17:54. | |
I think I'm doing a gig with Graham Norton, he is nominated too, they | :17:54. | :17:59. | |
have a camera crew ready just in case, it could be that I'm eating | :17:59. | :18:04. | |
in the dressing room and suddenly the camera crew burst in while I | :18:04. | :18:10. | |
have my nightie on! I'll make sure I have my clothes on. Good luck | :18:10. | :18:15. | |
with that. Now, you have a job to do, making the present? Come on, | :18:15. | :18:21. | |
Sarah, you are slacking! I thought it was just for the show, but it is | :18:21. | :18:26. | |
not! Now, landscape painting and it is sad news for art lovers as one | :18:26. | :18:32. | |
of JMW Turner's classic, Campo Vaccino is leaving Britain, heading | :18:32. | :18:37. | |
for Los Angeles. We are looking at why JMW Turner is a master of | :18:37. | :18:43. | |
colour and why his work is still in demand today. Today we live in a | :18:43. | :18:46. | |
world bursting with colour and vibrant images. We take it for | :18:46. | :18:51. | |
granted, but 200 years ago, one artist's passion for colour, made | :18:51. | :18:56. | |
him a pine year. JMW Turner was born in this street in London's | :18:56. | :19:03. | |
Covent Garden in 1775. The son of a humble barber and wig maker, he | :19:03. | :19:08. | |
began painting at the age of 126789 but of all of his works he regarded | :19:08. | :19:13. | |
this one as his darling. The Fighting Temeraire. It is | :19:14. | :19:20. | |
yellowish! I like the sun. You like the yellow? Yes it is my favourite | :19:20. | :19:28. | |
colour! JMW Turner is turning them on! I like the sun. I love the red. | :19:28. | :19:35. | |
In JMW Turner's time, there was a time of huge industry and | :19:36. | :19:40. | |
technology. Colours were being created and JMW Turner embrassed | :19:40. | :19:49. | |
them. A doctor studied JMW Turner's techniques. So, new colours were | :19:49. | :19:55. | |
coming in? Yes, over 1,000 years, the pigments available to the | :19:55. | :20:00. | |
painter had not changed. Then suddenly in the 19th century we get | :20:00. | :20:06. | |
these new colours. All of the new colours excited Turner? He is | :20:06. | :20:10. | |
passionate about colour, light. So when a bright yellow came on the | :20:10. | :20:18. | |
market or a blue, it is dynamite. Turner's use of vibrant new colours | :20:18. | :20:25. | |
like Scarlett, yellow and cobaltblue made his works seem like | :20:25. | :20:28. | |
anything than was seen before. I have come to the The National | :20:28. | :20:31. | |
Gallery to see the real The Fighting Temeraire which Turner | :20:31. | :20:37. | |
left to the nation. Here it is, the picture itself? Yes, here we have | :20:37. | :20:41. | |
The Fighting Temeraire. Her glory days were back in 1805 where she | :20:42. | :20:46. | |
fought alongside Nelson's Victory in the battle for Trafalgar. This | :20:46. | :20:50. | |
is her final journey. So this is her being tugged up the Thames | :20:50. | :20:55. | |
because she is going to be broken up and used for her parts it is | :20:55. | :21:00. | |
quite a sad part of the story. I think it is reflected, really, in | :21:00. | :21:05. | |
the sun set. It is like the end of her life, isn't it? Turner | :21:05. | :21:12. | |
completed the painting in 1839 when he was 64 years old, it sums up | :21:12. | :21:17. | |
everything he achieved in his lifetime. Tell me about the | :21:17. | :21:23. | |
painting? Yellow was his colour. There were lots of trade mark | :21:23. | :21:28. | |
colours invented but he had more yellows than anything else in his | :21:28. | :21:32. | |
paint box. But some critics labelled his use of yellow, saying | :21:32. | :21:38. | |
that he had jaundice on the retina, did he mind? No, more people | :21:38. | :21:44. | |
spourted Turner in his life than criticised him. Turner was an | :21:44. | :21:47. | |
unconventional character, he never married, but kept at least two | :21:47. | :21:52. | |
mistresses. He walked like a Saylor, dressed like a farmer, he was moody, | :21:52. | :21:57. | |
difficult, and he drank up to eight pints of milk and rum every day. I | :21:57. | :22:03. | |
like the sound of him! But can we reproduce some of Turner's | :22:03. | :22:07. | |
greatness? Back at the artist's studio, suing using the same paints | :22:07. | :22:13. | |
and techniques that he would have used then? You have done a | :22:13. | :22:17. | |
background? Yes it is in keeping with the way that Turner worked. So | :22:17. | :22:24. | |
we take a big brush. I like that. Can I have a go? Absolutely. If we | :22:24. | :22:29. | |
run out I can add more white. Turner business is a doddle! I will | :22:29. | :22:34. | |
put light into it now to give it variety. So let's put a ll | :22:34. | :22:38. | |
inbetween there under the bridge. A little bit of light. Were the | :22:38. | :22:43. | |
colours built to last? In time what they thought was a lasting colour | :22:43. | :22:49. | |
did not turn out to be so lasting. Chrome yellow does darken with age. | :22:50. | :22:57. | |
We save this for the blues. This is the higher the sky, the deeper the | :22:57. | :23:04. | |
blue. You are a poet as well as a painter. Aren't we clever? Exactly. | :23:04. | :23:08. | |
For Turner it was the layers of the paint that went into it to build up | :23:08. | :23:11. | |
the atmosphere, that was the magic that added to the quality of light | :23:11. | :23:18. | |
within his work. It is magic. I will get the paints out at home. | :23:18. | :23:22. | |
Speaking of crafts, Sarah is making our present in craft concerner. How | :23:22. | :23:29. | |
are you getting on? I'm doing sprinkles. I have written promises, | :23:29. | :23:38. | |
I promise to eat more biscuits and even more biscuits. Time now for | :23:38. | :23:44. | |
arts and crafts from a long time ago, in fact from the last Ice Age. | :23:44. | :23:52. | |
Now, when mysterious etchings were discovered in a damp cave last year, | :23:52. | :23:56. | |
no-one realised quite how important they were. Gower Peninsula in South | :23:57. | :24:02. | |
Wales is considered one of the best views in Britain. 14,000 years ago, | :24:02. | :24:07. | |
at the peak of the Ice Age, this whole environment would have looked | :24:07. | :24:12. | |
very different. A hostile landscape, covered with a layer of snow and | :24:12. | :24:18. | |
ice. Our native animals were also very different then. Woolly | :24:18. | :24:21. | |
mammoths, wolves and biason. There is also one other animal that | :24:22. | :24:26. | |
thrived in the period, the reindeer... We know this from | :24:26. | :24:32. | |
archaeological finds, but last year's discovery of a carving | :24:32. | :24:40. | |
bereaved to abrain door, -- believered to be a reindeer brought | :24:40. | :24:46. | |
into question another thought. Doctor Nash, dos covered this | :24:46. | :24:49. | |
carving in a cave not far from the Three Cliffs Bay. He is taking me | :24:49. | :24:56. | |
to a secret location, deep in the heart of ancient wood lank. They | :24:56. | :25:02. | |
really did choose an inaccessible part of the cave? They did. | :25:02. | :25:07. | |
carving is under a recess. It explains why it has been kept | :25:07. | :25:14. | |
intact for so long. I see it. incredible. It is exciting to see | :25:14. | :25:19. | |
this carving which few people have laid eyes on in thousands of years. | :25:19. | :25:24. | |
There are lots of other lines and things there? There are two more | :25:24. | :25:30. | |
things I have never seen before. this is so far undiscovered? Yes. | :25:31. | :25:36. | |
We are finding Stone Age rock art as we are filming it! So why did | :25:36. | :25:40. | |
our ancestors carve the images at the back of the cave where they are | :25:40. | :25:45. | |
almost impossible to see? We have settlements going on at the | :25:45. | :25:49. | |
entrance of the cave, but at the spwak the sacred areas where the | :25:49. | :25:54. | |
artists are painting things to rever them. Maybe in this case the | :25:54. | :25:59. | |
reindeer. So this is a religious space? Very much so, a religious | :25:59. | :26:03. | |
sacred space. So, thousands of years ago, before the reindeer | :26:03. | :26:07. | |
became a symbol of Christmas, it may have had a sacred connection | :26:07. | :26:13. | |
with our ancestors. George has made detailed tracings of the carving | :26:13. | :26:18. | |
that I want to look at. The head and the lines that go right across | :26:19. | :26:22. | |
backwards, clearly tells me we are dealing with a reindeer. How old do | :26:22. | :26:30. | |
we think that is? Yes employed a scientific dating team to take | :26:31. | :26:36. | |
particles we had a date of 12,500 years ago. Tkh puts it right in the | :26:36. | :26:43. | |
middle of the last Ice Age. The theory was that at the time the | :26:43. | :26:47. | |
humans were forced to cross the land bridge, later to become the | :26:47. | :26:51. | |
English Channel and move south to Europe. So what was it that brought | :26:51. | :26:56. | |
them back to Britain, to brave such unforgiving conditions? They are | :26:56. | :27:01. | |
following the herding animals, the biason, the horse and reindeer. If | :27:01. | :27:07. | |
they come to the north, the human groups come here. So, this fragile | :27:07. | :27:11. | |
little carving has completely made us re-evaluate, really, when and | :27:12. | :27:17. | |
where humans could exist in Britain? Exactly. There is a common | :27:17. | :27:21. | |
miss conception that cave paintings are our ancestor's favourite food, | :27:21. | :27:26. | |
but it gives insight into the far more subtle relationships that the | :27:26. | :27:29. | |
ancestors had with their environment and their belief | :27:29. | :27:35. | |
systems, all from thousands of years ago. Ti, Dan. Right, the | :27:35. | :27:40. | |
moment of truth is here. Are you ready for a present, Matt? Is it | :27:40. | :27:47. | |
time for the gift? Oh, look at that! APPLAUSE It is a hamper! You | :27:47. | :27:51. | |
combined the two ideas, very clever! You can have a present, but | :27:51. | :27:57. | |
it must have my face on it, that is the down fall. What are these? | :27:57. | :28:04. | |
Declarations. Oh, Christmas baubles! Which did you do? I put | :28:04. | :28:09. | |
sprinkles in there and promises in there and tied the ribbon. It is | :28:09. | :28:15. | |
trick! And trimmed the ends! trimmed it into a V shape, she was | :28:15. | :28:22. | |
impressed, weren't you, Gill? Can I have some entry form into the WI, | :28:22. | :28:29. | |
now? You have been busy sending in your pictures. This one from Andrew | :28:29. | :28:35. | |
Cawley, thank you by grandma. This is a choir boy candle, over 50 | :28:35. | :28:42. | |
years ago. This is from Tim in north Lincolnshire. This is a glass | :28:42. | :28:48. |