Browse content similar to 16/01/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Alex Jones. | :00:17. | :00:23. | |
Before we go any further, we would like to warn you that tonight's show | :00:24. | :00:27. | |
does contain adverts, but as they offer products that are 50 years I | :00:28. | :00:32. | |
think we will be all right. Yes, Gyles will meet the men who raced to | :00:33. | :00:37. | |
get the first ad on TV. Talking of things that are around 50 years | :00:38. | :00:40. | |
old, let's welcome tonight's guest, David Baddiel. Around 50 years. I am | :00:41. | :00:52. | |
49, Howard there you! -- how dare you. The British public think I am | :00:53. | :00:59. | |
27. We were told you wanted to talk about your age. I don't mind. I am | :01:00. | :01:08. | |
49. It is great. Is there a party on the way? 450? I have not thought | :01:09. | :01:14. | |
about the party yet, but you are both invited. Is Frank coming? Frank | :01:15. | :01:22. | |
will be there. Of course, this is a very creative time of your life and | :01:23. | :01:26. | |
we will be talking about David's stand-up tour in a bit. Now, 12 | :01:27. | :01:32. | |
Years A Slave, which was nominated for nine Oscars today, has strong | :01:33. | :01:34. | |
links to the UK and not just because of its links to -- it's leading | :01:35. | :01:47. | |
actor and director are British. Modern-day Glasgow is best known for | :01:48. | :01:50. | |
its arts, the Commonwealth Games and its music scene, so you would not | :01:51. | :01:54. | |
have necessarily known that the city could have had a dog passed, one | :01:55. | :01:57. | |
that played a pivotal role in the slave trade. | :01:58. | :02:03. | |
The film 12 Years A Slave has recently brought the horrors of | :02:04. | :02:07. | |
slavery to the forefront of our minds, reminding cities such as | :02:08. | :02:11. | |
restore and Liverpool of their own easy past. -- Bristol and Liverpool. | :02:12. | :02:18. | |
But it is Glasgow's involvement in the slave trade that Professor Geoff | :02:19. | :02:21. | |
Palmer believes needs to be remembered. Scotland benefited a | :02:22. | :02:27. | |
great deal from the tobacco, sugar and cotton trade and incorporated | :02:28. | :02:31. | |
the use of slaves at the time. Merchant house was built as a | :02:32. | :02:33. | |
meeting place for the city's merchants. The busts and artwork in | :02:34. | :02:38. | |
this building are testament to the wealth which was generated from the | :02:39. | :02:47. | |
city's involvement in slavery. Here we have James McCammon, a merchant | :02:48. | :02:58. | |
in Glasgow -- James Buchanan. He was a rich man. ?10,000 at that time | :02:59. | :03:02. | |
would be over a million. If we move on to James Ewing, who owned a MP | :03:03. | :03:25. | |
William Wilberforce fought to abolish the slave trade. He was up | :03:26. | :03:31. | |
against Henry Dundas, who prevented abolition for around 30 years. | :03:32. | :03:35. | |
Geoffrey, you have brought us to the people's Palace to show us this | :03:36. | :03:40. | |
painting. Why? This is a very important painting. If you look at | :03:41. | :03:43. | |
any book on slavery, you will find this painting. This man was one of | :03:44. | :03:51. | |
the earliest and one of the richest tobacco lords. If you look to the | :03:52. | :04:01. | |
left, there is an image which we believe is a blackboard who in fact | :04:02. | :04:07. | |
belonged to him. -- a black boy. You can just see. Maybe people just did | :04:08. | :04:11. | |
not know about the slave trade and how it was linked to Scotland. He | :04:12. | :04:16. | |
did not see slaves around, did you? The slave trade was well organised, | :04:17. | :04:20. | |
but it was in the Caribbean or the United States. It was not in | :04:21. | :04:26. | |
Scotland, so you would not see. That at merchant house, it was time to | :04:27. | :04:29. | |
find out what this dude and is thought about their city's heritage. | :04:30. | :04:34. | |
Professor, thank you for all that information. Did any of it surprise | :04:35. | :04:38. | |
you? Year, is surprising that streets like Buchanan street, that | :04:39. | :04:43. | |
we walk up and down every day, were founded on money from the slave | :04:44. | :04:47. | |
trade, something I did not realise at all before today. Without these | :04:48. | :04:52. | |
links, we would not have the city we all live in now, so you have to | :04:53. | :04:56. | |
member that they did some good for the city. Reverend Doctor Ian White | :04:57. | :05:02. | |
believes that awareness could be more widespread. I don't think we | :05:03. | :05:08. | |
should be relieved well -- be relieved well and allow ourselves to | :05:09. | :05:11. | |
be paralysed with guilt, but I do think that if we understand what we | :05:12. | :05:17. | |
as human beings do and are capable of doing and learn from the past, | :05:18. | :05:21. | |
then we can hopefully go forward into the future. Slavery was finally | :05:22. | :05:26. | |
declared illegal in the British Empire in 1833 and was eventually | :05:27. | :05:29. | |
abolished across plantations in 1838. | :05:30. | :05:38. | |
Wow, a lot of surprises for me. Angellica is here now. So you have | :05:39. | :05:41. | |
been looking at research done by the University College London into the | :05:42. | :05:45. | |
British slave trade and the compensation on the back of it. What | :05:46. | :05:50. | |
have you found out? When slavery was abolished in 1833, a compensation | :05:51. | :05:54. | |
scheme was set up by the British government. ?20 million was paid | :05:55. | :05:59. | |
out, which equates to ?16 billion today's money. That was nearly half | :06:00. | :06:03. | |
of the government spend for that year. But none of that money went to | :06:04. | :06:08. | |
the slaves. That went to the slave owners and their families, who felt | :06:09. | :06:12. | |
that they have lost out on their property. We know that about 30,000 | :06:13. | :06:17. | |
families put a claim in. They had no qualms about doing that. If you want | :06:18. | :06:21. | |
to find out more about how much was given out and who got the money, the | :06:22. | :06:25. | |
UCL have set up a database. You can go online and find out which | :06:26. | :06:30. | |
properties, you could be sitting in a property right now which was built | :06:31. | :06:38. | |
on compensation money. Obviously, the amount of money you got depended | :06:39. | :06:41. | |
on how many slaves you had, but also where they were from? Yet, so if you | :06:42. | :06:47. | |
had a slave from British Dayan, it was worth more than a slave from | :06:48. | :06:50. | |
Jamaica. The biggest pay-out went to an MP called James Black, who owned | :06:51. | :06:57. | |
nearly 1600 slaves. He was awarded ?65 million in today's money. He is | :06:58. | :07:02. | |
no relation of Tony, is he? Tell me he is not. That is shocking. I am | :07:03. | :07:09. | |
sure it will come as news to a few people. It is a remarkable amount of | :07:10. | :07:13. | |
money. What did they spend it on, apart from houses? Half the money | :07:14. | :07:17. | |
was spent abroad and half was spent in this country. A lot was spent on | :07:18. | :07:22. | |
renovating state he homes or building new estates. Howard house | :07:23. | :07:26. | |
in Leeds was owned by Henry Lascelles, who got a big | :07:27. | :07:30. | |
compensation pay-out after losing his slave sugar plantations in the | :07:31. | :07:36. | |
West Indies. I did a documentary for the BBC a while back about | :07:37. | :07:39. | |
reparation for a cost victims. When you first told me about this, I | :07:40. | :07:42. | |
assumed it was the same kind of thing for people who suffered under | :07:43. | :07:47. | |
slavery on but it was the opposite. No, it did not go to the victims. | :07:48. | :07:54. | |
Obviously, a lot of money would then go into running that business. | :07:55. | :08:01. | |
Now, we have all got our favourite television adverts, whether it is | :08:02. | :08:06. | |
the Shake n'Vac lady, singing and shaking over the carpet. Or they are | :08:07. | :08:12. | |
white man sneaking around in the middle of the night just to get a | :08:13. | :08:15. | |
glass of lemonade without his wife finding out. Remember this one, | :08:16. | :08:22. | |
David? That was me, actually! There is a resemblance. Wasn't that Elvis | :08:23. | :08:28. | |
Costello's dad? That was not him, but it was his dad singing. Looks | :08:29. | :08:35. | |
like him because of the glasses. But how did the first television | :08:36. | :08:38. | |
commercials get on air? Gyles is switching over to the other side to | :08:39. | :08:44. | |
find out. When Britain first curled up in | :08:45. | :08:47. | |
front of the box, there was only one channel to watch, the BBC. But | :08:48. | :08:53. | |
auntie's dominance of the airwaves would soon be -- airwaves would soon | :08:54. | :09:00. | |
be under attack. The new television bill meant that viewers would soon | :09:01. | :09:04. | |
be able to switch over to a new commercial channel, one carrying | :09:05. | :09:07. | |
advertising selling everything from cigarettes to soap powder, from cars | :09:08. | :09:19. | |
to toothpaste. TV advertising across the Atlantic had already begun some | :09:20. | :09:24. | |
13 years earlier. But in Britain, along with church leaders and MPs, | :09:25. | :09:29. | |
the BBC's founder, Lord Rees, likened it to the bubonic plague. On | :09:30. | :09:33. | |
the other side of this battle ground were a new breed, advertising | :09:34. | :09:39. | |
executives who saw the potential to make big money. People were | :09:40. | :09:44. | |
apprehensive. They thought it would be cheap and nasty. At a rival | :09:45. | :09:50. | |
agency, 26-year-old copywriter Brian Palmer also remembers the backlash | :09:51. | :09:56. | |
that commercial TV faced. England were still very much on a war | :09:57. | :10:00. | |
footing. Rationing was still in place and people said, advertising | :10:01. | :10:03. | |
gets people to buy things they don't need. And the take-up of TV licences | :10:04. | :10:08. | |
would double from 3 million to 6 million within two years, so there | :10:09. | :10:12. | |
would be a growing audience for advertisers. Not surprisingly, the | :10:13. | :10:16. | |
biggest bashing the TV ads got was from those who stood to lose their | :10:17. | :10:19. | |
advertising revenue, the newspapers. Fleet Street was awash | :10:20. | :10:25. | |
with horrifying stories of how, on the American television networks, | :10:26. | :10:29. | |
Queen Elizabeth II's coronation was rudely interrupted by ads for cars, | :10:30. | :10:38. | |
deodorants. And even by performing chimpanzee. Despite the moral | :10:39. | :10:44. | |
panic, the television bill was voted through Parliament in July 1954. | :10:45. | :10:50. | |
Advertisers now had barely a year to make Britain's first commercials | :10:51. | :10:56. | |
ready for launch night. They were all keen to get in on the first day | :10:57. | :11:01. | |
and ideally in the first slot. Archie's assignment was a | :11:02. | :11:07. | |
bachelor's please. His rival's product was toothpaste. But having | :11:08. | :11:10. | |
never made a television ad before, they ran into technical | :11:11. | :11:14. | |
difficulties. Not many people knew how to film a toothpaste in a block | :11:15. | :11:20. | |
of ice under lights. They don't go well together. So we were working it | :11:21. | :11:25. | |
out as we went along. Britain's first commercial channel, ATV, would | :11:26. | :11:32. | |
launch on the 22nd of September, 1955. Among the advertisers, a | :11:33. | :11:36. | |
lottery would decide which commercial would go out first. Would | :11:37. | :11:48. | |
it be Archie's ad for peas, or Brian's ad for toothpaste? The One | :11:49. | :11:52. | |
Show has brought the two rivals together once again to relive that | :11:53. | :11:55. | |
first night. What was the atmosphere like? Of course, we were | :11:56. | :12:01. | |
apprehensive. We were very keen that it was successful. People from my | :12:02. | :12:05. | |
office were looking at this little square box and wondering what was | :12:06. | :12:10. | |
going to happen. There was a rivalry? Of course. This was a | :12:11. | :12:14. | |
historic moment, and we wanted to be part of that. So on the 22nd of | :12:15. | :12:21. | |
September 1955, let's see which of the two ads did come first. Gibbs | :12:22. | :12:25. | |
toothpaste, the tingling fresh toothpaste that does your gums | :12:26. | :12:29. | |
good, too. The tingle you get when you brush with SR is much more than | :12:30. | :12:34. | |
a nice taste, it is a tingle of health. So yours was the first | :12:35. | :12:38. | |
commercial on commercial television in this country. How did you feel? | :12:39. | :12:44. | |
Very excited. It looks like a slide lecture now, but it was nice to get | :12:45. | :12:49. | |
it across. It would have been nice to be first, but we were in the | :12:50. | :12:53. | |
first break, and that was fine by us. Now we had the opportunity to | :12:54. | :12:58. | |
take huge steps in the development of advertising as a medium. By the | :12:59. | :13:04. | |
end of the 50s, television had grabbed a quarter of all the | :13:05. | :13:08. | |
advertising revenue. The TV ad had won its battle to make its way onto | :13:09. | :13:12. | |
our small screens. Over the next decade, it would prove to be the | :13:13. | :13:17. | |
most powerful weapon in the adman's armoury. | :13:18. | :13:29. | |
Archie still looks a bit disappointed. But he is king of the | :13:30. | :13:34. | |
advertising. He was in the first ever ad break, so he put a positive | :13:35. | :13:40. | |
slant on it. Would you do an advert, David? I do voice-overs. | :13:41. | :13:45. | |
People say, we chose you because you have a deadpan voice . And they say, | :13:46. | :13:49. | |
can you sound a bit more enthusiast Dick? I have been offered a few | :13:50. | :13:55. | |
other but I have never read a script that is not a bit naff. Got a | :13:56. | :14:00. | |
favourite? I have got to see the flick adverts. I liked the music. I | :14:01. | :14:05. | |
will tell you what I did like. There was recently this advert where two | :14:06. | :14:09. | |
kids are playing, like brothers, and one takes the other one up to bed | :14:10. | :14:13. | |
because he has fallen asleep. And then he turns into his dad. I cannot | :14:14. | :14:17. | |
watch it without crying. It gets me every time. I have loved all the | :14:18. | :14:27. | |
Christmas adverts. There aren't many '70s rockers who would find it easy | :14:28. | :14:31. | |
to record everything they did during that decade. Matt Allwright has been | :14:32. | :14:38. | |
to meet a drummer. With 17 consecutive top 20 hits, and six UK | :14:39. | :14:43. | |
number ones, glam-rockers Slade were one of the most successful bands of | :14:44. | :14:48. | |
the 1970s. # Come feel the noise... # | :14:49. | :14:58. | |
Yes, we all remember such hits as Come On Feel The Noise and Merry | :14:59. | :15:03. | |
Christmas Everybody, but there is one person who can have trouble | :15:04. | :15:08. | |
remembering. Surprisingly, it's Slade's drummer. He played with the | :15:09. | :15:15. | |
band for almost 50 years. Early 1973, we were on the crest of a | :15:16. | :15:18. | |
wave. Everything was going fantastic for us. We couldn't do any wrong. | :15:19. | :15:23. | |
Then, it all came down like that, when I had my accident. Just three | :15:24. | :15:29. | |
days after their biggest-ever gig, he was involved in an horrific car | :15:30. | :15:36. | |
accident. I was unconscious for five days. I said, "You have to tell me | :15:37. | :15:41. | |
what's happened. Please, someone tell me what's happened." That is | :15:42. | :15:46. | |
when they started going into about the car accident and then my father | :15:47. | :15:50. | |
came and he told me that my girlfriend had died. | :15:51. | :16:00. | |
I couldn't really remember. I don't remember. | :16:01. | :16:08. | |
When I was discharged from hospital, and I had to move back to my | :16:09. | :16:13. | |
parents, I used to wake up in the morning and I thought I was still in | :16:14. | :16:18. | |
hospital. I suddenly realised I wasn't. Mum would bring me a cup of | :16:19. | :16:23. | |
tea or whatever, I would go back to sleep. When I woke up, it was like | :16:24. | :16:28. | |
my slate had been wiped clean again. I didn't know where I was. | :16:29. | :16:35. | |
40 years on, Don is back on the road with Slade. Two lots of chips, | :16:36. | :16:42. | |
please. When I met him in Eastbourne, he explained how his | :16:43. | :16:46. | |
amnesia continues to affect him. What do you think you have missed | :16:47. | :16:50. | |
out on since the accident? What do you think it's taken away from you? | :16:51. | :16:56. | |
Spontaneity. I can't do things like that anymore. Things have to sink | :16:57. | :17:02. | |
in. Or it has to be written down. My diary is my Bible. I get to the | :17:03. | :17:06. | |
bottom of the page from yesterday, the team from The One Show will be | :17:07. | :17:12. | |
here 10.30-11.00. It is all written down. I have to live that way. How | :17:13. | :17:17. | |
about family? Do they understand what is going on with you? Totally. | :17:18. | :17:23. | |
My family have been incredible. My wife she totally understands all | :17:24. | :17:26. | |
this situation. It is wonderful the way she helps me, you know. If we | :17:27. | :17:30. | |
are going somewhere and we are being confronted by someone, I give her a | :17:31. | :17:35. | |
nudge, "Where do we know them from?" Then she will tell me. There is | :17:36. | :17:41. | |
another family who stood by Don over the years and that's Slade, his | :17:42. | :17:46. | |
band. Dave Hill is the guitarist. Did you think that Don would be able | :17:47. | :17:49. | |
to return to Slade after the accident? Or did you think that was | :17:50. | :17:53. | |
it? We never thought that he wouldn't. It wasn't a question did | :17:54. | :17:58. | |
we think that - the answer to that is he will return. Tell me how your | :17:59. | :18:06. | |
memory loss has affected your playing? The classic, I said, "We'll | :18:07. | :18:15. | |
do Merry Christmas." I'm going, "How does it go?" Then Jim or Dave would | :18:16. | :18:21. | |
say, "It goes like this." # Are you hanging up | :18:22. | :18:28. | |
# The stocking on the wall? # He needs a trigger point to remember | :18:29. | :18:31. | |
the start. Then he will remember the rest. | :18:32. | :18:36. | |
At 67, Don continues to tour with Slade, often struggling to recall | :18:37. | :18:42. | |
those seemingly unforgettable tracks. Thankfully, his diary has | :18:43. | :18:46. | |
been a lifeline that helps him remember just how he used to feel. | :18:47. | :18:51. | |
When I read my diary, when I was having my biography done, reading | :18:52. | :18:55. | |
the diaries again, I thought, "Wow, we did that?" It might seem strange | :18:56. | :19:01. | |
to talk to someone about it, but it's a fascinating thing, really. | :19:02. | :19:08. | |
Thank you for being so open with us Don. Don's book is available now. | :19:09. | :19:15. | |
David, you are a musician yourself. Are you a fan of Slade? Slade are a | :19:16. | :19:20. | |
great band. Because they were thought of a bit of a comedy thing, | :19:21. | :19:26. | |
but they are a really good bandment I did notice Dave Hill was wearing a | :19:27. | :19:29. | |
hat. I wanted to see if his haircut was the same. Listen, the last time | :19:30. | :19:37. | |
we saw you, you were about to go on your first stand-up tour for 15 | :19:38. | :19:42. | |
years. How did it go? It went really well. I did the Edinburgh Festival. | :19:43. | :19:48. | |
I was a bit nervous. I thought are people going to come and would you | :19:49. | :19:51. | |
be accepted back in the comedy community. I remember once a | :19:52. | :20:04. | |
comedian, Robin Ince, I said, "I thought you had given it up." He | :20:05. | :20:09. | |
said, "People never let you go." The tour is about your life story. And | :20:10. | :20:14. | |
the obscurities and trappings of fame. It is about the weirdness of | :20:15. | :20:18. | |
fame, really. It is about what a strange and silly thing fame is. It | :20:19. | :20:26. | |
is about how fame intrudes in the stupidest of ways. I went to | :20:27. | :20:35. | |
Auschwitz once and a man came and stood by me and I thought he is | :20:36. | :20:39. | |
going to say something, a great insight of real truth, a deep, moral | :20:40. | :20:47. | |
complexity. He said, "Dave, when's Fantasy Football coming back?" That | :20:48. | :20:53. | |
was it. You get into weird situations because of it. Is it | :20:54. | :20:56. | |
weird that the more you tour and the more that you will tour, the more | :20:57. | :21:01. | |
famous you get and so do you have to alter the material? No, I stay at | :21:02. | :21:05. | |
the same kind of plateau. That is about perfect for me. I really like | :21:06. | :21:08. | |
it there. Would you agree that the height of your fame was when the | :21:09. | :21:13. | |
whole of Wembley Stadium were singing Three Lions? Maybe. That was | :21:14. | :21:17. | |
amazing. And brilliant. To be honest, I don't think of that in | :21:18. | :21:20. | |
terms of fame. Fame is a weird thing. Sometimes it can be great and | :21:21. | :21:25. | |
sometimes it can be not so great. There it is. There is that moment. | :21:26. | :21:29. | |
That was really emotional. Not so much for the Dutch fans! LAUGHTER It | :21:30. | :21:36. | |
was - they were close friends of mine, obviously(!) It was this | :21:37. | :21:41. | |
moment where in a way you felt swept up with the whole country's emotion. | :21:42. | :21:45. | |
So, feeling that we were the cheerleaders of that, it was beyond | :21:46. | :21:49. | |
the ideas of what is famous. It happens every time England end up in | :21:50. | :21:54. | |
any competition, really. You must be bracing yourself for the summer for | :21:55. | :21:58. | |
endless downloads? Yes, I'm looking forward to them, obviously! LAUGHTER | :21:59. | :22:07. | |
People often ask if we are going to write a new one. We are not. The | :22:08. | :22:12. | |
song stands as it was. It is solid. It is. By your own admission, your | :22:13. | :22:18. | |
fame has been up-and-down a bit. We wondered how well Wembley remembers | :22:19. | :22:25. | |
you. OK. You are going to laugh at it. I thought it was Steven | :22:26. | :22:35. | |
Spielberg. He is a face from television. I thought he was the guy | :22:36. | :22:42. | |
from Jurassic Park. He did that show with Frank Skinner. Baddiel | :22:43. | :22:48. | |
something. It is David Baddiel! Yes. David Baddiel, that's it. I knew it. | :22:49. | :22:55. | |
Oh God, he did the football song. Three Lions. | :22:56. | :23:02. | |
# Three lions on a shirt # Jules Rimet still gleaming... # | :23:03. | :23:09. | |
That was humiliating, but I will still get a royalty for that! That | :23:10. | :23:16. | |
is what we were saying. You can put your feet up all summer! Next, to | :23:17. | :23:21. | |
Cardigan Bay where Miranda Krestovnikoff is swimming with | :23:22. | :23:26. | |
spider crabs. Britain sees lots of migrations, | :23:27. | :23:30. | |
with millions of birds pouring in every year. But hidden underneath | :23:31. | :23:36. | |
the waves in West Wales, there is another huge migration that is | :23:37. | :23:40. | |
rarely seen. The spiney spider crab is one of our largest native crabs | :23:41. | :23:45. | |
and every year, huge numbers of them walk hundreds of miles from far out | :23:46. | :23:53. | |
at sea and along the coast to meet and breed. They are impressive | :23:54. | :23:57. | |
animals. Males can reach almost a metre wide from claw to claw and | :23:58. | :24:02. | |
there can be thousands congregating at once. Very little is known about | :24:03. | :24:06. | |
their migrations, but if conditions are perfect, they will come right | :24:07. | :24:10. | |
into shore and here in Cardigan Bay, they have done just that. These | :24:11. | :24:17. | |
crabby gatherings are difficult to find, but local diver Brett Stones | :24:18. | :24:23. | |
thinks he's discovered a favourite meeting place. Are they going to the | :24:24. | :24:28. | |
same area every year? Almost the same rock, the same ten-metre square | :24:29. | :24:33. | |
rock. They are big creatures, aren't they? These are big, impressive, | :24:34. | :24:41. | |
alien-like crabs. When you get it in your hands, you have a very | :24:42. | :24:44. | |
impressive animal. The crabs need to shed their shells to grow, so they | :24:45. | :24:48. | |
group together here in the bay, partly for protection. And today, | :24:49. | :24:53. | |
are you pretty hopeful we will see big numbers? I would like to see | :24:54. | :24:58. | |
numbers. If they are on one rock and merge into one, potentially | :24:59. | :25:00. | |
thousands. Let's get going. The crabs have come into a small | :25:01. | :25:10. | |
cove eight miles along this stunning coastline. They are 20 metres from | :25:11. | :25:17. | |
land and three-metres down so we can snorkel right up to them. These are | :25:18. | :25:21. | |
creatures that are spending most of their life 50-plus metres of | :25:22. | :25:26. | |
waterway out to sea coming in for this short window? Maybe two weeks | :25:27. | :25:29. | |
we have got here. Perfect conditions. Let's get in. Very | :25:30. | :25:31. | |
excited. Let's get in! The crabs hide amongst the seaweed | :25:32. | :25:44. | |
for protection. Very quickly, I spot my first one. The visibility is | :25:45. | :25:50. | |
almost like being in tropical waters. It is easily ten metres and | :25:51. | :25:54. | |
every rock that I see is covered with a heaving mass of spiney spider | :25:55. | :25:57. | |
crabs. There may not be thousands, but | :25:58. | :26:04. | |
there are definitely hundreds down here. | :26:05. | :26:14. | |
That is incredible. You can't see it from the boat. The moment you put | :26:15. | :26:21. | |
your head under water, the rocks are encrusted with spider crabs. They | :26:22. | :26:26. | |
are all over each other and they are all crawling around and hidden | :26:27. | :26:31. | |
amongst the kelp. It is incredible. It is thought the crabs on the | :26:32. | :26:40. | |
outside of the group are usually waiting to molt. They are sometimes | :26:41. | :26:44. | |
called commandos because they cover themselves in seaweed and bits of | :26:45. | :26:49. | |
sponge for camouflage. Time for a closer look. Wow, you have a big one | :26:50. | :26:57. | |
there. A big male. As long as you stay away from these two, you will | :26:58. | :27:03. | |
be fine. If you hold him upside-down, he will go into that | :27:04. | :27:09. | |
protective mode. That is a heavyweight. Amazing. As well as | :27:10. | :27:14. | |
walking vast distances, their huge legs are used in courtship. Having | :27:15. | :27:19. | |
chosen a female, the male will guard and defend her until she is ready to | :27:20. | :27:26. | |
mate. They have a varied diet and eat seaweed, and will also use their | :27:27. | :27:32. | |
strong claws to break the shells of moluscs. This huge mass of crabs | :27:33. | :27:36. | |
will only be here for a couple of weeks before they walk back out to | :27:37. | :27:41. | |
deeper water again. To think that these alien-looking creatures could | :27:42. | :27:44. | |
have travelled hundreds of miles to be right here. It is like Britain's | :27:45. | :27:51. | |
own great migration - fantastic! Thank you. Nice to see a bit of sun | :27:52. | :27:56. | |
there. Sorry for putting that film on. You are frightened of crabs? I | :27:57. | :28:01. | |
am frightened of spiders. I don't have much of a problem with crabs - | :28:02. | :28:07. | |
not the last time I checked! You do spend a bit of time by the seaside? | :28:08. | :28:12. | |
Yes. I used to spend every summer in Swansea Bay. Where better! A few | :28:13. | :28:19. | |
places, actually! LAUGHTER It was lovely. Do you find you can be a bit | :28:20. | :28:23. | |
more creative by the sea? Yes, when it is not - when floods aren't | :28:24. | :28:29. | |
overtaking... By Christmas time. Thank you for your company tonight. | :28:30. | :28:34. | |
Thank you. That is it for tonight. David's nationwide tour starts on | :28:35. | :28:39. | |
31st January in Salford and you are at the Southbank Centre in London | :28:40. | :28:44. | |
from Tuesday 4th February. Yes. You may add some dates in Wales! There | :28:45. | :28:49. | |
will be some soon! Alex has insisted. I will be back tomorrow | :28:50. | :28:53. | |
with Chris. See you then. Good night. | :28:54. | :28:56. |