Browse content similar to 16/03/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex. And Chris. We are going | :00:21. | :00:28. | |
to have a lorra lorra laughs with our first guest. It is Cilla Black. | :00:28. | :00:35. | |
I cannot do the accent. How are you? I am lovely, feeling on top | :00:35. | :00:42. | |
form, thank you. You have no lipstick on your teeth. Why did you | :00:42. | :00:46. | |
give away my trade secret? I was asking him if I had lipstick on my | :00:46. | :00:53. | |
teeth. Also joining us, one of Britain's best actors, from | :00:53. | :00:57. | |
Withnail & I, and he is very excited tonight because he also | :00:57. | :01:03. | |
wants to meet Cilla Black. It is Paul McGann. And I have met her, | :01:03. | :01:09. | |
finally. Have I got lipstick on my teeth? Olmert to have two Scousers | :01:09. | :01:13. | |
on the couch. You were thrilled when you found out that our other | :01:13. | :01:19. | |
guest was Cilla Black. 3,2,1 I could not get enough oxygen. | :01:19. | :01:29. | |
:01:29. | :01:29. | ||
embarrassed now. Have you not met before? No, and there are a million | :01:29. | :01:36. | |
of you. How many brothers have you got? Four boys and a girl. I am a | :01:36. | :01:41. | |
big fan of the family. This is the first one you have met. What do you | :01:41. | :01:50. | |
think? He is lovely. They will be with us live until 8pm on what is a | :01:50. | :01:56. | |
very special night. That is because the One Show 1000 has started. Can | :01:56. | :02:00. | |
you believe it? 1000 people running all the way from the Isle of Mull | :02:00. | :02:04. | |
all the way to the Mall in a non- stop relay for Sport Relief. Lucy | :02:04. | :02:11. | |
is on the route. We have quite a crowd tonight in | :02:11. | :02:21. | |
:02:21. | :02:22. | ||
Oban, and they are just warming up, frankly. Approximately one hour ago, | :02:22. | :02:25. | |
someone high five Tracey Lockhart on the ferry, the equivalent to | :02:25. | :02:29. | |
passing on the baton. Tracey went to the mainland and she is here on | :02:29. | :02:36. | |
Oban. Come over. She is also dressed as a Banana. Why? I like | :02:36. | :02:40. | |
bananas and they are good for running. You are taking this very | :02:40. | :02:45. | |
seriously. She has been waiting since 7 o'clock to do this. You are | :02:45. | :02:55. | |
:02:55. | :02:57. | ||
raring to go. Yes. Let's count her off. Three, two, one. Banana split! | :02:57. | :03:02. | |
Often she goes. Later in the show we will be back to show you exactly | :03:02. | :03:07. | |
how the One Show 1000 got started earlier today in the beautiful | :03:07. | :03:12. | |
harbour town of Tobermore on the Isle of Mull. | :03:12. | :03:16. | |
We will be back with the One Show 1000 throughout the evening. But | :03:16. | :03:20. | |
now we are embarking on another incredible journey. This time a | :03:20. | :03:25. | |
much more personal one, by a young mother called Sue Buckle. She faced | :03:25. | :03:28. | |
the surgeries so complicated that only a few hospitals in the world | :03:28. | :03:36. | |
can carry it out. It is her only chance of survival. | :03:36. | :03:41. | |
29-year-old Sue Buckle has everything to live for. I tried for | :03:41. | :03:44. | |
Amir for three-and-a-half years. I had to lose a lot of weight and had | :03:44. | :03:49. | |
medical help, hormones and different things to conceive. But | :03:49. | :03:55. | |
it was amazing, the best thing I have ever done, definitely. But her | :03:55. | :04:01. | |
health deteriorated rapidly after Amelia was born. She came out of | :04:02. | :04:06. | |
hospital and could not get out of bed. I said, this is not right. You | :04:06. | :04:10. | |
go on adrenalin when you have had a child, but I knew something was not | :04:10. | :04:13. | |
right. She answered the door to the health visitor and she lost her | :04:13. | :04:16. | |
breath. That was when we took her into hospital because that was not | :04:16. | :04:22. | |
right. She has developed pulmonary hypertension, dangerously high | :04:22. | :04:25. | |
blood pressure in her lungs. She is permanently attached to an oxygen | :04:25. | :04:31. | |
tank and barely able to lift her daughter. I have days when I am | :04:31. | :04:34. | |
unbelievably frustrated and I want to shut the door and just be a | :04:34. | :04:38. | |
mother and say, I will do it on my own. There have been a couple of | :04:38. | :04:41. | |
mornings when I have tried and regretted it. That has made me | :04:41. | :04:48. | |
become even more angry, as well, because I want to do it on my terms. | :04:48. | :04:52. | |
But the surgery that could save her is only performed at a handful of | :04:52. | :04:56. | |
hospitals in the world. It is incredibly complex. Without it, she | :04:56. | :05:04. | |
will die. The arteries in her lungs are clogged with blood clots, | :05:04. | :05:09. | |
putting unbearable pressure on her heart. In this scan, her lungs, in | :05:09. | :05:14. | |
the upper lobes, the bunches are reasonably smooth and normal, but | :05:14. | :05:18. | |
in the lower lobes, the branches are narrowed and blocked in lots of | :05:18. | :05:22. | |
places. So the right side of the heart has to work harder to get the | :05:22. | :05:28. | |
blood around. What happens in the long term? As the right side of a | :05:28. | :05:33. | |
heart, which is designed to pump against low pressure, initially | :05:33. | :05:37. | |
tries to compensate and eventually it gets bigger and more dilated, | :05:37. | :05:42. | |
and less efficient. Eventually, people get right heart failure and | :05:42. | :05:48. | |
become extremely unwell. And eventually, unfortunately, they die. | :05:48. | :05:51. | |
She knew that her chances of surviving more than a couple of | :05:51. | :05:55. | |
years were slim. The more that I read, the more terrified I was at | :05:56. | :05:58. | |
the condition and the more I realised that I had had a beautiful | :05:58. | :06:03. | |
baby girl, and would I see her grow up? I was not sure and it was | :06:03. | :06:09. | |
devastating. I just thought, my life has a time limit. But she has | :06:09. | :06:13. | |
been offered a lifeline by Papworth Hospital near Cambridge. It is the | :06:13. | :06:17. | |
only centre in the UK to perform the surgery that might cure her. | :06:17. | :06:22. | |
But it is one of the most difficult heart and lung operations, one of | :06:22. | :06:27. | |
the most difficult undertaken anywhere. Unfortunately, the | :06:28. | :06:30. | |
pulmonary arteries are inconveniently placed in the body, | :06:30. | :06:33. | |
in the middle of the lungs. Usually they have five litres of blood | :06:33. | :06:37. | |
every minute flowing through them. For this operation, we have to | :06:37. | :06:41. | |
drain all of her blood out of the body into the heart-lung machine, | :06:41. | :06:45. | |
so I get a very good view. But for her, there is no blood flowing at | :06:46. | :06:51. | |
all. The only way to keep her alive with no circulation will be to shut | :06:51. | :06:55. | |
down her body and brain, reducing the temperature by nearly half, to | :06:55. | :07:00. | |
just 20 degrees. It sounds like you are almost putting her in suspended | :07:00. | :07:04. | |
animation. I think that is a good term. It is like a short-term | :07:04. | :07:09. | |
hibernation. If we asked someone to examine her there would be no signs | :07:09. | :07:14. | |
of life, no pulse, blood pressure, no respiratory effort, no reflexes, | :07:14. | :07:20. | |
no brain activity, so it is like a short term hibernation, or | :07:20. | :07:25. | |
suspended animation. It is the closest to death that a human being | :07:25. | :07:30. | |
can come and still be revived. Having Amelia being so little and | :07:30. | :07:35. | |
the operation so huge, it is very daunting and a lot to taking. But I | :07:35. | :07:40. | |
hope that either side of it I can be the mum that I want to be and it | :07:40. | :07:44. | |
will be just me and her, just being her mum and just the two of us, | :07:44. | :07:50. | |
fantastic. Later, we will see how the | :07:50. | :07:57. | |
operation went. It is an incredible operation. I think it is. And isn't | :07:57. | :08:02. | |
she Braves? It broke my heart, watching that, actually. And | :08:02. | :08:08. | |
looking out the window, and looking helplessly, as another person is | :08:08. | :08:12. | |
looking after your child. It will be interesting to see how she is | :08:12. | :08:20. | |
doing later. Cilla has a brand new greatest hits album out. Let's see | :08:20. | :08:27. | |
how many of her hits you can remember. Off you go. He is too | :08:27. | :08:35. | |
young. Anyone Who Had A Heart. Alfie. Anyone Who Had A Heart. And | :08:35. | :08:42. | |
Alfie. I said he was too young. That is not bad, out of 139, ladies | :08:42. | :08:49. | |
and gentlemen. And all of them are Roma new album. -- they are on the | :08:49. | :08:57. | |
new album. It is the biggest greatest-hits album ever. It is | :08:57. | :09:03. | |
five CDs and one DVD death. It is everything that I did with the | :09:03. | :09:08. | |
great George Martin, who recorded the Beatles and myself, and the | :09:08. | :09:17. | |
jury and the pacemakers, the list But there is stuff on the DVD that | :09:17. | :09:25. | |
was taken from the TV shows. You were not born then. I remember them. | :09:25. | :09:35. | |
:09:35. | :09:35. | ||
In black and white? There are more songs that have not been on the | :09:35. | :09:41. | |
album. I did duets with Dusty Springfield and Cliff Richard. I | :09:41. | :09:46. | |
even sung with the shadows in Scandinavia. I am quite big in | :09:46. | :09:53. | |
Scandinavia as well. I don't know about now. In the 1960s, she sold | :09:53. | :10:03. | |
:10:03. | :10:05. | ||
more records than any female artist in Britain. Did I? Yes. Twinkle, | :10:05. | :10:14. | |
remember that. I knew that you were a singer, but being the biggest | :10:15. | :10:19. | |
selling British female, I did not realise that. I did not know until | :10:19. | :10:25. | |
I came into night. I hope it is true! But then you got into TV | :10:25. | :10:31. | |
because they said, how about your own show? Don't tell me you | :10:31. | :10:41. | |
remember Billy Cotton Band Show. do. Weighty weighty. Well, you are | :10:41. | :10:49. | |
older than you look. I was doing that show as a blog for one of | :10:49. | :10:59. | |
:10:59. | :10:59. | ||
I was doing a duet with him and I could not contain myself. My mother | :10:59. | :11:05. | |
was a big fan of his. And I said, could you say hello to my mum, can | :11:05. | :11:11. | |
you give her a wave, because it was live on the TV. He did give her a | :11:11. | :11:16. | |
wave, and I sang a duet with him. My mother was over the moon. I | :11:16. | :11:24. | |
remember the song that I sang. It was by Lionel Bart. If the young | :11:24. | :11:29. | |
ones can be happy, then the older ones should be glad. Billy Cotton | :11:29. | :11:32. | |
Jnr, the head of light entertainment at the BBC at the | :11:32. | :11:36. | |
time, saw the show and said, I was going to give my father the sack. | :11:36. | :11:43. | |
You have just - his words, not mine - I'm going to give him another | :11:43. | :11:49. | |
series. While I am at it, will you do a series for me? So I fell into | :11:49. | :11:55. | |
television. That is how it happened. All of this nostalgia seems to be | :11:55. | :12:00. | |
catching. Sales of vinyl are making a comeback, so we sent Anita Rani | :12:00. | :12:10. | |
:12:10. | :12:10. | ||
on a mission in the hope of a For years, listening to music on | :12:10. | :12:14. | |
the move has been taken for granted but with vinyl record sales have | :12:14. | :12:18. | |
been a resurgence, don't tell me I will be swapping my MP 341 of | :12:18. | :12:27. | |
OK, so portability is not a strong 0.4 record players, but their charm | :12:27. | :12:30. | |
was the communal listening experience, not the personal music | :12:30. | :12:35. | |
we have today. Putting it on the turntable and watching the needle | :12:35. | :12:38. | |
hit and that noise, that is what it is about and that is why people | :12:38. | :12:47. | |
love it. The art work on these records was stunning. Whenever I | :12:47. | :12:53. | |
smell it, it reminds me of my youth. In the 1990s, the rise of the C D | :12:53. | :12:57. | |
spelt disaster for vinyl, but with sales increasing for the last six | :12:57. | :13:01. | |
years in the role, could the unthinkable happened and could it | :13:01. | :13:06. | |
out last the CD? HMV seem to think so. They are expanding their vinyl | :13:06. | :13:13. | |
stock. Come on, our sales really on the increase or is it a PR stunt | :13:13. | :13:18. | |
the? We have seen a near-doubling in demand. It is for classic albums, | :13:18. | :13:22. | |
the Beatles, the Beach Boys, Amy Winehouse. They have driven that | :13:22. | :13:27. | |
demand. Surely younger people are downloading, not buying records. | :13:27. | :13:33. | |
Why is it still here? Cassettes have disappeared and CDs are | :13:33. | :13:38. | |
showing decline. Who is buying it? Loads of students are coming in and | :13:39. | :13:41. | |
buying it. They do not have a record player but it is a cool | :13:41. | :13:45. | |
thing to have come as something to stick on the wall. Off the back of | :13:45. | :13:51. | |
that, we are putting about 20 ft of space in our stores. Keeping their | :13:51. | :13:59. | |
heritage alive is important, so we are going to do something about it. | :13:59. | :14:03. | |
Anyone Who Had A Heart, recorded by Cilla Black in 1964 became her | :14:03. | :14:07. | |
first UK number one, and to this day it is the biggest selling | :14:07. | :14:10. | |
seven-inch single of all time by a British female recording artist. | :14:11. | :14:16. | |
Today, we are making a special One Show re issue of the hit. The | :14:16. | :14:20. | |
process starts with a black circular lacquer placed on a | :14:20. | :14:26. | |
cutting Laver. The wave form is cut into the grooves using a stylus. It | :14:26. | :14:30. | |
is then processed and plated to create a metal stamp, used to press | :14:30. | :14:37. | |
the superheated vinyl. How long has this factory been here? The factory | :14:37. | :14:41. | |
was first established in 1907. It was a gramophone Company. Very | :14:41. | :14:46. | |
famous faces have been here. The Beatles, the Sex Pistols and Cilla | :14:46. | :14:52. | |
Black, of course, had her first record produced here. We are here | :14:52. | :14:59. | |
in 2012 to do it a second time. How exclusive is it? It is just 10 | :14:59. | :15:04. | |
issues for the One Show. A special reissue for the One Show. That is | :15:04. | :15:10. | |
the sticker that will go on the record. This is it the. It is | :15:10. | :15:18. | |
really hot. That is a record! It is going to get squashed. The tremor | :15:18. | :15:27. | |
comes down to take off the excess. Brilliant. There it is. That is so | :15:27. | :15:32. | |
exciting. The reissue of Cilla's single, with the original label, | :15:32. | :15:41. | |
the original stamp, but the Ah, so Bob, we are now in the | :15:41. | :15:45. | |
ultimate place of worship for the record. Yes there, is where we test | :15:45. | :15:48. | |
the records. It looks like it has been here | :15:48. | :15:52. | |
since the 60s? This is one of the originals. We have got Cilla here | :15:52. | :15:56. | |
which is going to be test add secretary time around. This is the | :15:56. | :16:04. | |
best bit! # # Anyone who ever loved could | :16:04. | :16:07. | |
look at me # And know that I love you # | :16:07. | :16:10. | |
Sounding pretty good, but I think it needs a bigger audience than | :16:10. | :16:16. | |
just me and Bob and I know just the place! | :16:16. | :16:24. | |
Today's golden oldie is chosen by Anita Rani from The One Show. | :16:24. | :16:31. | |
vinyl, Cilla Black, Anyone Who Had A Heart. | :16:31. | :16:35. | |
# Anyone Who Had A Heart will take me in his arms and love me too # | :16:35. | :16:40. | |
All that trouble to make the vinyl and then you mess around with the | :16:40. | :16:46. | |
speed. No, I didn't. Yes you did. They should have given | :16:46. | :16:49. | |
that to Ken Bruce. We have a copy of the single. There | :16:49. | :16:55. | |
you go Paul, that's for you! We have got one for you as well. A | :16:55. | :16:59. | |
limited edition of ten. You bagged one for eBay. | :16:59. | :17:04. | |
Don't Say that. I'm joking, of course. | :17:04. | :17:10. | |
Thank you very much. I am gutted. I am really gutted because I wasn't | :17:10. | :17:17. | |
expecting that. I don't normally go and I think I got a little... | :17:17. | :17:21. | |
got Cilla to go live on television. The nicest thing was the way you | :17:21. | :17:25. | |
found out that you had a number one with Anyone Who Had A Heart because | :17:25. | :17:29. | |
you didn't have a phone at the time, did you? I was back up in Liverpool, | :17:29. | :17:34. | |
you have thrown me by that, I was back up in Liverpool and living on | :17:35. | :17:40. | |
Scottie Road and Brian Epstein said, "Your record is really selling well. | :17:40. | :17:45. | |
I think it could go to number one. You are selling over 100,000 | :17:45. | :17:50. | |
records per day.". No way. Yeah. He said, "I'll call you on | :17:50. | :17:54. | |
the Monday to let you know." I said, "Well, you can't call me, because | :17:54. | :17:59. | |
we are not on the phone." I said "I will tell you what, you know I know | :17:59. | :18:06. | |
the number of the kiosk outside of the Post Office by the 27 bus stop | :18:06. | :18:12. | |
and what time are you going to call me?" He said, "Between 12 and one. | :18:12. | :18:19. | |
"well, I was there at 8am fighting everyone coming in, they were | :18:19. | :18:23. | |
calling for ambulances and stuff, people were dying on the street, | :18:23. | :18:29. | |
but they never got past me, I was in that kiosk from 8am until 12.30 | :18:29. | :18:33. | |
when the phone rang and he told me I was number one. | :18:33. | :18:39. | |
I hope you bought a phone. didn't! I wouldn't know what to do. | :18:39. | :18:43. | |
There wasn't any phonelines anyway on Scottie Road. | :18:43. | :18:46. | |
Was that your office for a while that phone box? Did you get a lot | :18:46. | :18:51. | |
of calls there? Bookings? remember going into town. I didn't | :18:51. | :19:01. | |
:19:01. | :19:16. | ||
know anybody who had a phone...... LAUGHTER | :19:16. | :19:18. | |
I remembered the rustle Hotel in London and I thought this is | :19:18. | :19:21. | |
wonderful, you know, me own suite, me own bathroom and a telephone | :19:21. | :19:24. | |
beside me bed and I thought, "Oh, I picked up the phone and I thought | :19:24. | :19:26. | |
I'm going to call everybody." I didn't know anybody - it is | :19:26. | :19:28. | |
terribly sad. I didn't know anybody had a phone. | :19:28. | :19:30. | |
I have got a phone, but nobody else has got a phone. | :19:30. | :19:32. | |
One day things changed and that's where we are today. | :19:32. | :19:40. | |
We will be chatting more. Lucy is still in still out. | :19:40. | :19:43. | |
I wish we could be everywhere, but it is impossible, but there are | :19:43. | :19:47. | |
hundreds, if not thousands of Sport Relief Mile events taking place | :19:47. | :19:51. | |
over the country and you don't need us for those, you can get involved, | :19:51. | :20:01. | |
:20:01. | :20:04. | ||
but we are providing inspiration tonight from Oban began on the | :20:04. | :20:10. | |
beautiful Isle of Mull. A local was selected to take the | :20:10. | :20:15. | |
first steps on our run and today David Black did that. | :20:15. | :20:25. | |
:20:25. | :20:26. | ||
I am really happy to start it off. David was not the only person | :20:26. | :20:32. | |
braving the run, with 20 miles to cover, Tobermory came out in force, | :20:32. | :20:38. | |
from birthday girls. It is a great way to celebrate my 40th I hope. | :20:38. | :20:45. | |
To babes in arms. There was a Wombe. He is an honorary member of the | :20:45. | :20:49. | |
Tobermory lifeboat crew. It climbs for four miles out of | :20:49. | :20:56. | |
Tobermory. Spirits were high in a minibus | :20:56. | :21:00. | |
dropping our runners along the course. | :21:00. | :21:10. | |
# Happy birthday to you Happy birthday to you # | :21:10. | :21:20. | |
:21:20. | :21:20. | ||
I feel honoured to be able to run from the island to the mainland. | :21:20. | :21:25. | |
Whatever floats your boat. Can I have a huge cheer? That's for | :21:25. | :21:31. | |
those runners in the Isle of Mull that got us off to a great start. | :21:31. | :21:37. | |
On the mainland, you have seen, we started Tracey off, she was dressed | :21:37. | :21:41. | |
as a giant byan that. Now we have Gordon Binnie. How are you feeling? | :21:41. | :21:43. | |
Good. Are you ready to run your your | :21:43. | :21:48. | |
mile? Yes. We are going to put Gordon in a car | :21:48. | :21:54. | |
and leave him at the next point. It is not just the runners who are | :21:54. | :21:58. | |
raising money money for Sport Relief, we have people from Oban | :21:58. | :22:03. | |
High School. What What have have you been doing for Sport Relief? | :22:03. | :22:06. | |
are going to run a mile for our our school. | :22:06. | :22:11. | |
We are going to see him in the Olympics. What else has your school | :22:11. | :22:17. | |
been doing? We lays, cart wheels and the wheelbarrow. | :22:17. | :22:22. | |
Good luck with that. Now young man, you play shinty, is that right? | :22:22. | :22:25. | |
What is that? It is similar to hockey. | :22:25. | :22:30. | |
Similar to hockey. Yes. And you are doing a penalty | :22:30. | :22:39. | |
shootout. Let's cross over to Huey MacNeill with his hawk, Jay. How | :22:39. | :22:43. | |
quickly can Jay do a mile? minutes. | :22:43. | :22:47. | |
I don't know if anybody can rival that? I don't think so. | :22:47. | :22:52. | |
Thank you very much, Hugh. We have a clan chief from Robert The Bruce, | :22:52. | :22:59. | |
we have kids on their bicycles in pyjamas, and the rugby team. Now it | :22:59. | :23:03. | |
is time for my Anneka Rice moment without the tight trousers! We are | :23:03. | :23:08. | |
going to fold down our satellite. We are going to get everyone in the | :23:08. | :23:13. | |
truck and put our high vis on and find our runners. Fingers crossed | :23:13. | :23:18. | |
we will be back to you later with one of the runners. See you then! | :23:18. | :23:21. | |
APPLAUSE Fingers crossed. Fingers crossed. | :23:21. | :23:26. | |
Go to the Sport Relief website and you can see now to donate. As each | :23:26. | :23:32. | |
viewer completes their mile, their face will go on the website. | :23:32. | :23:38. | |
Paul, you are presenting a new show on Sky and it is called Petrol Age | :23:38. | :23:43. | |
and I loved it because it was charming. It is about the history | :23:43. | :23:46. | |
of motoring in Britain and you start off by telling a story that | :23:46. | :23:49. | |
confirms your credentials as a petrolhead. Could you tell us that | :23:49. | :23:54. | |
story about the car that you hankered after? My car. | :23:54. | :23:58. | |
Yeah. When we were kids walking to school | :23:58. | :24:01. | |
in Liverpool, I don't know what it was like in your street, but no one | :24:01. | :24:07. | |
had a car. Near the centre of the town, it was cars and we used to | :24:07. | :24:14. | |
see 60s cars, Jensons and Humbers and the likes and I saw the Rover, | :24:14. | :24:18. | |
like what the Prime Ministers used to have and I said "when I am a man, | :24:18. | :24:25. | |
when I have got a job, I'm having that. That's going to be my car." | :24:26. | :24:29. | |
Years later, I am telling this same story to the driver, the fella | :24:29. | :24:34. | |
that's taking me into work and he said, "You should get one." He | :24:34. | :24:38. | |
brings in Exchange and Mart and there is three in there and he | :24:38. | :24:42. | |
takes me to Kent and we buy this car and I have still got this car. | :24:42. | :24:49. | |
I got it with me first week's wages. How many owners before you? Just | :24:49. | :24:54. | |
the two. This is the car. You love the car. | :24:54. | :24:59. | |
I love the car. I have still got my first car. | :24:59. | :25:05. | |
How many times has that broken down car? It is not how many, it is | :25:05. | :25:09. | |
where? In the mountains in Spain and in the desert. I have had that | :25:09. | :25:12. | |
car all around Europe. But you are not getting rid of it | :25:12. | :25:16. | |
soon? I am too sentimental. He wanted to buy it. | :25:16. | :25:20. | |
I'm interested. I will fight you for it. My kids | :25:20. | :25:24. | |
aim home from hospital in it -- came home from hospital in it. | :25:24. | :25:30. | |
You were a big Mini fan? A big frock fan. | :25:30. | :25:34. | |
A big frock fan? All this talk about cars, but I will talk about | :25:34. | :25:44. | |
:25:44. | :25:47. | ||
cars... A Mini as in a Mini car. had a Mini, high it done out like a | :25:47. | :25:49. | |
Rolls-Royce inside with the dashboard and everything. I wasn't | :25:49. | :25:54. | |
really interested. Bobby made me do that. | :25:54. | :25:59. | |
The Radford Minis were huge. They were. | :25:59. | :26:07. | |
We have a picture afrad picture a Radford Mini. | :26:07. | :26:09. | |
I would have had air air conditioning, but they would have | :26:09. | :26:13. | |
had to take the two seats out the back. | :26:13. | :26:19. | |
It was too small. They are worth �60 or �70,000. | :26:19. | :26:24. | |
I was made sell it because it was getting rust underneath. I regret | :26:24. | :26:31. | |
selling it. I I loved that Mini. It is like a posh version of my | :26:31. | :26:35. | |
Minnie Mouse. Paul, you talked about girls and | :26:35. | :26:40. | |
cars and the girls were quick in the day, weren't they? Like a lot | :26:40. | :26:43. | |
of stories, they were airbrushed from the history of it. I didn't | :26:44. | :26:50. | |
know about these women, Kay Peter, Dorothy Levitt. | :26:50. | :26:58. | |
I don't know about them. People who were wrongly obscure... Into cars? | :26:58. | :27:03. | |
They were drivers. They worked for firm that built cars. Particularly | :27:03. | :27:12. | |
this woman Dorothy Levitt, she was dubbed the fastest girl on the | :27:12. | :27:17. | |
planet. They were as quick as the men if not quicker. | :27:17. | :27:22. | |
150mph around Brooklands with a fag in her hand. Before the First World | :27:22. | :27:26. | |
War. How many have you done? Just the | :27:26. | :27:34. | |
one. One has gone out last night. Shall we see a clip? Yes, please. | :27:34. | :27:42. | |
This is Daimler. I like these burners. | :27:42. | :27:50. | |
And away we go. Climb aboard. What do I do, let me | :27:50. | :27:56. | |
foot off the clutch? Nice and gently. You are now driving the | :27:56. | :28:02. | |
oldest Daimler in existence. The oldest Daimler in existence. | :28:02. | :28:06. | |
Fantastic programme. That's where the expression to, | :28:06. | :28:11. | |
"Fire up" comes from. You had to set fire to it to get it going. | :28:11. | :28:21. | |
:28:21. | :28:24. | ||
It is the 25th anniversary of Withnail & I. Now you have a bone | :28:24. | :28:28. | |
to pick about those jackets, yes, you have. | :28:28. | :28:38. | |
Tell me, it is true. What? We had an auction... We had a charity | :28:38. | :28:42. | |
auction, one of my favourite movies of all time. | :28:42. | :28:48. | |
Didn't you buy Richard's coat? bought them both. | :28:48. | :28:52. | |
The rumour was that you never took that coat off all weekend and you | :28:52. | :28:57. | |
thrashed it. I thrashed it. You got on to a lawn mower one of | :28:57. | :29:02. | |
them that you sit on and ripped the thing right up the back. Tell me it | :29:02. | :29:05. | |
is true. Judge for yourself because we have | :29:05. | :29:15. | |
:29:15. | :29:18. | ||
Luke and Mike from the show wearing the coats. They are in tact. | :29:18. | :29:19. | |
APPLAUSE Hang on, we can't see the back, can | :29:19. | :29:22. | |
we? No. No. No. We don't need to see the back. | :29:22. | :29:29. | |
He told me. The One Show 1,000 is well underway | :29:29. | :29:37. | |
in aid of Sport Relief. Carrie Grant is seeing how the money you | :29:37. | :29:47. | |
:29:47. | :29:48. | ||
Imagine being blind, or unable to here, or speak, or being restricted | :29:48. | :29:53. | |
in movement. Life would be hard. Then imagine having feelings of | :29:53. | :29:57. | |
depression or isolation because of these conditions. As a mother of | :29:57. | :30:00. | |
children with disabilities, I know only too well the problems that | :30:00. | :30:07. | |
they and many others throughout the UK face every day. Tom is 13 years | :30:07. | :30:12. | |
old and he is going blind. thought everything would change, | :30:12. | :30:15. | |
seeing things one day, then not seeing them the next. I was very | :30:16. | :30:20. | |
scared. I was worried about getting up, playing with my friends, going | :30:20. | :30:25. | |
into town with my brother and my mates. I thought I would not be | :30:25. | :30:31. | |
able to do that. With the aid of Sport Relief, charities like Daisy | :30:31. | :30:35. | |
UK in Liverpool Health -- help disabled people integrate to make | :30:35. | :30:42. | |
friends and improve their lives. came here about two years ago. In | :30:42. | :30:47. | |
football, when the ball is moving fast, I cannot see it. But it does | :30:47. | :30:51. | |
not matter, it is about joining in and having fun. That is what Daisy | :30:51. | :30:59. | |
UK is about. They have basically changed my life. Paula was born | :30:59. | :31:04. | |
with cerebral palsy, but at 32 she still struggles with society's | :31:04. | :31:08. | |
attitudes towards her. What discrimination have you faced? | :31:08. | :31:13. | |
People calling me names. It makes me feel angry, but I just ignore | :31:13. | :31:20. | |
their ignorance. As a coach, she now helps others at the charity. | :31:20. | :31:27. | |
get a lot of reward by helping others, because I am giving them | :31:27. | :31:31. | |
advice and telling them that they are good and they need to carry on | :31:31. | :31:37. | |
thinking positively. I can be myself with Daisy, and I do not | :31:37. | :31:43. | |
have to pretend I am something I am not. Dave Kelly founded daisy UK. | :31:43. | :31:48. | |
He lost his sight 18 years ago at the age of 30, due to a rare eye | :31:48. | :31:53. | |
disease. I went through the depths of despair. I thought I would never | :31:53. | :31:57. | |
find happiness and love again. Once I got the acceptance, I became a | :31:58. | :32:02. | |
blind man with a vision. All of the hurdles in my way, I want to kick | :32:02. | :32:07. | |
them down and help people accept their disability. What shall we do | :32:07. | :32:12. | |
now? Sport Relief has been amazing for | :32:12. | :32:16. | |
us, because the club is free, but it cannot be done unless we get the | :32:16. | :32:21. | |
resources. I am not sure who is the guest and who is the helper, | :32:21. | :32:25. | |
because it is so integrated and the level of confidence that these kids | :32:25. | :32:34. | |
are getting is brilliant. He always puts a blindfold on to say that he | :32:34. | :32:39. | |
is not cheating, but everybody knows he is blind. He is a role | :32:39. | :32:44. | |
model for me, everything he does. The money you give to Sport Relief | :32:44. | :32:48. | |
will continue to help charities like this and many others, both | :32:48. | :32:55. | |
here and abroad. Your donations really do make a difference. | :32:55. | :33:05. | |
:33:05. | :33:17. | ||
Fantastic! To support Sport Relief Your �5 will help to transform the | :33:17. | :33:20. | |
lives of poor and vulnerable people in the UK and throughout the | :33:20. | :33:30. | |
:33:30. | :33:47. | ||
Cilla, you are back on the TV. What is the show? I have recorded a show | :33:47. | :33:51. | |
called Cilla's Unswung 60's. Because everybody talks about the | :33:51. | :33:58. | |
Swinging 60s. It was an eye-opener for me. It is on next Monday on the | :33:58. | :34:04. | |
Yesterday Channel at 9pm. But I was surprised, because I found so much | :34:04. | :34:11. | |
information about the 60s. For instance, a little test for you. | :34:11. | :34:16. | |
Name the album that outsold any other album throughout the 60s, the | :34:16. | :34:21. | |
whole of the 60s. You would think one by the Beach Boys, or Sergeant | :34:21. | :34:31. | |
:34:31. | :34:36. | ||
Pepper by the Beatles. Anything by Tony Blackburn? Was it you? It was | :34:36. | :34:43. | |
the sound of music. That sold more albums throughout the whole of the | :34:43. | :34:48. | |
60s than any other artist. basic theme, the basic message from | :34:48. | :34:51. | |
your documentary is that the 60s were not as swinging as people like | :34:51. | :34:58. | |
to think. Actually, it opened my eyes. Men, in those days, were | :34:58. | :35:04. | |
going to football matches wearing three-piece suits, with the waist | :35:04. | :35:11. | |
coat, a proper suit. It must have been boiling. Well, I wasn't, but | :35:11. | :35:17. | |
my dad was. It was things like that. And the mini skirt did not catch on | :35:17. | :35:26. | |
up north for a long, long time. was too cold. Probably. In | :35:27. | :35:31. | |
catalogues, it wasn't until, you couldn't order them in catalogues | :35:31. | :35:38. | |
until about 1967-68. So maybe what we thought was happening in the 60s | :35:38. | :35:44. | |
was happening in the early 70s. Really, yes. Nobody had television, | :35:44. | :35:53. | |
really. Even we didn't have a TV. I think we used to borrow one. We | :35:53. | :35:59. | |
bought one for the Queen, the Coronation. They say that the | :35:59. | :36:02. | |
Queen's coronation saved the television and without that it | :36:02. | :36:08. | |
might never have caught on. We had more things to do. But it did catch | :36:08. | :36:13. | |
on very quickly. We would make our own entertainment. My dad had a | :36:13. | :36:16. | |
piano and he played the mouth-organ. My brother played clarinet and | :36:16. | :36:23. | |
saxophone, I used to sing, my younger brother played the guitar. | :36:23. | :36:26. | |
Every Saturday night, they used to come home from the pub, and I | :36:27. | :36:32. | |
remember getting up from bed and my father spying me. He would stand me | :36:32. | :36:37. | |
on the kitchen table and I sang. I had an audience for the first time. | :36:37. | :36:41. | |
And all these people gave me a round of applause. I was only about | :36:41. | :36:48. | |
three, maybe four. And I knew from that age, this is what I want to do. | :36:48. | :36:54. | |
From an audience of three off four, at the age of three off four, you | :36:54. | :37:02. | |
went to viewers of 18 million for a show which was always brilliant. | :37:02. | :37:10. | |
You were and you are always so relaxed on the TV, a joy to watch. | :37:10. | :37:15. | |
Hello and welcome. Let me introduce my guests. First, a star always | :37:15. | :37:23. | |
knocks me out, Mr Cliff Richard. Dusty Springfield. Georgie Fame. | :37:23. | :37:32. | |
Who is your favourite singer? Springfield. What does your daddy | :37:32. | :37:42. | |
do? He is a policeman. # For once in my life I have | :37:42. | :37:52. | |
:37:52. | :37:55. | ||
You just had a great time on the TV. Yes. It was live. Paul McCartney | :37:55. | :38:01. | |
wrote my theme tune, Step Inside. It was not finished. I remember the | :38:01. | :38:05. | |
first show and I was very nervous. There was no autocue, no cards or | :38:05. | :38:15. | |
:38:15. | :38:16. | ||
anything. And I sang the wrong lyrics. I made up my own words. And | :38:16. | :38:21. | |
he phoned after the show, to the producer and he said, why did you | :38:21. | :38:27. | |
make her change the lyrics? He just said, she forgot them and she made | :38:27. | :38:32. | |
up her own words. We could listen to that all night, and we should. | :38:32. | :38:37. | |
Earlier, Cilla said that fashion in the 60s was not as psychedelic and | :38:37. | :38:42. | |
experimental as everyone thinks. the 1980s, fashion was still trying | :38:42. | :38:47. | |
to pull a fast one on all of us. There was this bikini made of | :38:47. | :38:51. | |
oatcakes, Staffordshire oatcakes. That lady worked for BBC Radio | :38:51. | :38:56. | |
Stoke. And that is all we know about her. But what are | :38:56. | :39:06. | |
Staffordshire oatcakes. Jay went to Stoke-on-Trent, the capital of the | :39:06. | :39:11. | |
UK pottery industry, home to Wedgwood and Royal Doulton. But | :39:11. | :39:15. | |
ceramics are not the only thing that that Potteries are famous for. | :39:15. | :39:19. | |
There are two football clubs, Robbie Williams, and a delicacy | :39:19. | :39:24. | |
that locals swear by, the Potteries oatcake. Very different from their | :39:24. | :39:30. | |
Scottish equivalent, these are soft and pancake-like. The packet ones | :39:30. | :39:35. | |
are no comparison. For a century, the hole in the war has been | :39:35. | :39:39. | |
serving oatcakes out of a window, and Glenn Fowler's family has been | :39:39. | :39:45. | |
cooking them for 30 years. They used to be a lot of places like | :39:45. | :39:50. | |
this in the terraced houses around. Yes, and this is the last remaining | :39:50. | :39:55. | |
one that is serving onto the pavement through a window. They are | :39:55. | :40:00. | |
traditionally eaten plain, as they come, and with savoury fillings. | :40:00. | :40:05. | |
do a multitude of fillings, but the most traditional, bacon and cheese, | :40:05. | :40:10. | |
sausage and cheese. Can you tell me the recipe? Or would you have to | :40:10. | :40:16. | |
kill me? I suppose I would. It is white flour, brown flour, oatmeal. | :40:16. | :40:26. | |
:40:26. | :40:28. | ||
What time do you get in? 3am. Yes, we stir it up and mix it up. | :40:28. | :40:32. | |
The lads used to work at night and come in for breakfast, and they | :40:32. | :40:40. | |
still do. There are lads that call in on their way to work at 6am. | :40:41. | :40:45. | |
bread recipes in Staffordshire date back to the 17th century, but the | :40:45. | :40:48. | |
industrial revolution shaped the unique character of the Potteries | :40:48. | :40:53. | |
oatcake. The workforce of the industrial revolution needed quick, | :40:53. | :40:56. | |
cheap food to get through the working day, so the oatcake makers | :40:56. | :41:01. | |
used family homes to make and sell them from, and windows onto the | :41:01. | :41:05. | |
street became serving hatches. you look at the Derbyshire oatcake, | :41:05. | :41:08. | |
it is thicker than the Staffordshire oatcake. Stoke-on- | :41:08. | :41:12. | |
Trent, being a very poor area, watered it down so much until it | :41:12. | :41:17. | |
became like a pancake. But that made it portable, so you could wrap | :41:17. | :41:21. | |
up other food in it. They would roll it up, put it in the pocket | :41:21. | :41:27. | |
and walk up to work. The original fast food. That is a good way of | :41:27. | :41:31. | |
describing it. Although oatcakes will still be sold elsewhere, this | :41:31. | :41:35. | |
is the last of the original terraced house shops. While it is | :41:35. | :41:39. | |
still popular with customers, in a few days, it will finally be closed | :41:39. | :41:45. | |
to make way for the regeneration project. They have decided to knock | :41:45. | :41:48. | |
down everything in his particular hairier and redevelop the area to | :41:48. | :41:54. | |
more modern housing, I suppose. There is the option of rebuilding | :41:54. | :41:58. | |
but it was going to be too expensive at our time of life. | :41:58. | :42:06. | |
is the end of an era. It will be a hell of an emotional day. So the | :42:06. | :42:11. | |
customers are desperately placing last orders. Two chaps have had 100 | :42:11. | :42:17. | |
dozen each to put in the freezer. 1200 oatcakes in the freezer! | :42:17. | :42:25. | |
did that yesterday. What will we do when he has gone? Have a problem. | :42:25. | :42:31. | |
We come here all the time. It is a bit of a ritual. I do not like them | :42:31. | :42:38. | |
from anywhere else. We have tried them. Bacon and cheese, please. | :42:38. | :42:44. | |
�1.35 pence buys me my last chance to sample his oatcakes. That is | :42:44. | :42:48. | |
fantastic. It is a cross between a normal pancake and one of those | :42:48. | :42:53. | |
American, soft pancakes. Crisp, salty, very good and it has Bacon | :42:53. | :43:01. | |
in it. What is not to like? Exactly. Jay is here with a pile of oatcakes. | :43:01. | :43:08. | |
We have a pile of oatcakes. I did not expect them to look like this. | :43:08. | :43:11. | |
There is the Scottish oatcake and these ones which look more like | :43:11. | :43:17. | |
pancakes. That was quite a sad story. It will be closed by March | :43:17. | :43:26. | |
25th. We are coming up to Mother's Day. You have brought in a feast. | :43:26. | :43:30. | |
We thought we would get some great chefs to come up with recipes. We | :43:30. | :43:34. | |
could not find any, so we got Gordon Ramsay, Ainsley Harriott and | :43:34. | :43:39. | |
Antony Worrall Thompson. Gordon Ramsay came up with chocolate and | :43:39. | :43:43. | |
lavender honey for his. Antony Worrall Thompson, Leek, cheddar, | :43:43. | :43:47. | |
bacon and chorizo, which is just lots of pagans cheese. What is not | :43:47. | :43:53. | |
to like? Antony Worrall Thompson, prunes, pears, p cans unsalted | :43:53. | :44:03. | |
:44:03. | :44:08. | ||
I am going for an Sunni. That one is leaks, Cheddar, bacon and to | :44:08. | :44:18. | |
:44:18. | :44:32. | ||
Actors and free food! Do you prefer a sweet or savoury? Is that good? | :44:32. | :44:37. | |
No naked flames. Do you mind if I did in with my fingers? I know | :44:37. | :44:45. | |
where they have been. Cilla has a recipe for you, oranges with Oxo | :44:45. | :44:55. | |
:44:55. | :44:55. | ||
cubes. There is a story behind this. It sounds lovely, please tell us! | :44:55. | :45:05. | |
:45:05. | :45:09. | ||
was a good Catholic girl. Was? was. And I came home and my mother | :45:09. | :45:17. | |
was still working in the market. I thought, what can I have? I cut an | :45:17. | :45:23. | |
orange in two and then I robbed an Oxo cube on top of it. But then I | :45:23. | :45:30. | |
realised it was Friday. And I went round to Mrs Singleton and I said, | :45:30. | :45:35. | |
Mrs Singleton, I have just eaten orange, but I ate the Oxo cube on | :45:35. | :45:44. | |
the top. Meet on Friday. Do I have to confess in confession? So to cut | :45:44. | :45:49. | |
a long story short, I went to confession. And the priest said the | :45:49. | :45:55. | |
worst thing to me. What did you do when you realise you were eating | :45:55. | :46:01. | |
the Oxo cube on the Orange? I said, I immediately spat it out, which I | :46:01. | :46:06. | |
did not. I went back to Mrs Singleton and I said, will I be | :46:06. | :46:13. | |
able to take Holy Communion? No, you have to go back. They don't -- | :46:13. | :46:22. | |
they do not look tasty but we will We have got some nuts. We have a | :46:22. | :46:27. | |
walnut and we need something to crack it with. Marcus owns this. | :46:27. | :46:31. | |
What is this contraption? Where did it come from? Well, it is a crazy | :46:31. | :46:35. | |
machine. I found it at a fair sometime ago and realised it was | :46:35. | :46:39. | |
made of scrap and thrown away things and somebody had | :46:39. | :46:43. | |
demonstrated it to me and showed me that it could crack crack nuts of | :46:43. | :46:45. | |
all sizes. Happens with this, a handle is | :46:45. | :46:50. | |
turned. There is a real live canon ball here. This is flung up into | :46:50. | :46:54. | |
the air and the nut is cracked, but it is cracked in mid-air and it | :46:54. | :46:59. | |
lands on the dish. Can you set it lands on the dish. Can you set it | :46:59. | :47:01. | |
off for us please? The walnut goes on the top here. | :47:02. | :47:07. | |
This is what TV is for. I explained that. | :47:07. | :47:10. | |
I explained that. One handle. | :47:10. | :47:17. | |
It will shoot it up in the air now. Watch closely. | :47:17. | :47:27. | |
:47:27. | :47:28. | ||
And how cool is that? In the air. Let's reveal the corkscrew. Robb | :47:28. | :47:32. | |
invented and built this and he commissioned you to build this is | :47:32. | :47:38. | |
that right? That's right. What is going to happen? This one | :47:38. | :47:43. | |
opens a bottle of wine. That's winding that which is winning these | :47:43. | :47:47. | |
bits which is turning this around which is pushing these down which | :47:47. | :47:54. | |
is pushing the corkscrew into the cork. Now whilst that is pushing in, | :47:54. | :47:58. | |
that has grabbed it there and it will start lifting it up. Whilst I | :47:58. | :48:08. | |
:48:08. | :48:09. | ||
am I am doing this, this is winding up this massive clock spring in | :48:09. | :48:18. | |
here. It is lifting and tearing the cork. A badly corked wine. | :48:18. | :48:22. | |
goodness me, the wine is corked. We are going to get to this point | :48:23. | :48:26. | |
again after our next film. OK, this is live television. This is what | :48:26. | :48:35. | |
Today, Sue Buckle is having one of the most technically difficult | :48:36. | :48:39. | |
heart and lung operations performed anywhere in the world. | :48:39. | :48:46. | |
The operation is massive and this is the calm before the storm. | :48:46. | :48:50. | |
rare lung disease was diagnosed just a month after the birth of her | :48:50. | :48:55. | |
daughter. I'm just looking forward to taking | :48:56. | :49:00. | |
eye taking Amelia for walks and being able to hold her for longer | :49:00. | :49:06. | |
instead of having to pass her on and saying, "She is crying and | :49:06. | :49:10. | |
tired.". Sue's lungs are putting pressure on her heart. The surgery | :49:10. | :49:14. | |
which could save her, will involve putting her into a state of | :49:14. | :49:20. | |
suspended animation so her body can be drained of blood. It is her only | :49:20. | :49:26. | |
chance of seeing Amelia grow up. Over 90% of patients are alive at | :49:26. | :49:29. | |
five years. Over two-thirds of patients, it can offer a complete | :49:29. | :49:33. | |
cure. There is a good chance, she will get back to a good quality of | :49:33. | :49:39. | |
life. It takes nearly an hour to open | :49:39. | :49:43. | |
Sue's chest. They are going to reach her lungs through an artery | :49:43. | :49:46. | |
in her heart. A machine will take over the work of her heart and | :49:46. | :49:51. | |
lungs. The machine takes over the | :49:51. | :49:55. | |
breathing and the circulation of the patient so the blood comes out | :49:55. | :50:01. | |
of the body, bypasses the heart and lungs and goes into the machine and | :50:01. | :50:11. | |
:50:11. | :50:12. | ||
comes back oxygen rated. Mr Jenkins operating field is | :50:12. | :50:15. | |
probably an inch across. We need to switch the heart and lung machine | :50:15. | :50:20. | |
off because if we didn't, there would be a blood flow coming | :50:20. | :50:23. | |
through. It would impede his vision. Only way the team can do the | :50:23. | :50:28. | |
operation without killing Sue is to slow her metabolism down to a | :50:28. | :50:31. | |
standstill. We need to cool the patient slowly | :50:32. | :50:36. | |
to about 20 degrees and that gives us the safe period of 20 or 30 | :50:36. | :50:39. | |
minutes when we can drain all her blood out and have a good view to | :50:39. | :50:44. | |
do the actual operation. Sue's blood is chilled as it runs | :50:44. | :50:47. | |
through the bypass machine. Reducing her body temperature to | :50:47. | :50:51. | |
nearly half its normal level. She will be entering a state of | :50:51. | :50:54. | |
suspended animation. It is designed to try and protect | :50:54. | :50:59. | |
the brain from the periods where we switch the pump off completely. | :50:59. | :51:03. | |
If you didn't do that, how long would it take for her to be brain | :51:03. | :51:07. | |
damaged? Normal body temperature like you or now, three to four | :51:07. | :51:12. | |
minutes and we would start to see a reversal of brain damage. | :51:12. | :51:17. | |
Stop the circulation now and drain, please. | :51:17. | :51:23. | |
This is an extraordinary moment. The heart and lung machine has been | :51:23. | :51:27. | |
switched off and all the blood is draining from Sue's body right in | :51:27. | :51:31. | |
front of our eyes. This is as close to being dead as you can get and | :51:31. | :51:38. | |
still be revived. They have got just 20 minutes to | :51:38. | :51:43. | |
tease out the blood clots before her organs start to fail. | :51:43. | :51:48. | |
There is no way of knowing how easy or difficult it is going to be. | :51:48. | :51:57. | |
Her's is quite stuck. They have managed to remove the | :51:57. | :52:01. | |
major blockages from the right side, but time has run out. | :52:01. | :52:06. | |
So we just reached 20 minutes. think we have done enough to clear | :52:06. | :52:09. | |
the main areas so we are reasonably satisfied. | :52:09. | :52:14. | |
Sue will go back on bypass to refresh her brain and body with a | :52:14. | :52:18. | |
life-saving cycle of blood and then Mr Jenkins will have to start all | :52:18. | :52:23. | |
over again on her other lung. We will get the the final proof | :52:23. | :52:27. | |
when we come off bypass and see how she is. | :52:27. | :52:32. | |
After seven hours, the operation is nearly over. Sue's body has been | :52:32. | :52:42. | |
returned to normal temperature. Mr Jenkins is pleased with the results. | :52:42. | :52:47. | |
It is looking for this stage, it is looking pretty good. I think she is | :52:47. | :52:53. | |
going to be all right. Sue will go into intensive care. If | :52:53. | :52:57. | |
her recovery goes well, she could be home in a couple of weeks with a | :52:57. | :53:01. | |
new life ahead of of her. When I was a medical student, this | :53:01. | :53:06. | |
was the stuff of science fiction. This is as close to a medical | :53:06. | :53:15. | |
So how is she? Well, Sue is recovering, and not quite well | :53:15. | :53:19. | |
enough to travel yet so we went to her. Hi, Alex and Chris, I wanted | :53:19. | :53:24. | |
to give you an update on how I'm doing. I remember very well the | :53:24. | :53:30. | |
first breath after my operation and taking quite a deep breath and it | :53:30. | :53:34. | |
being exciting that I could breathe on my own. | :53:34. | :53:39. | |
Coming home was incredible. It was amazing to see Amelia who had been | :53:39. | :53:42. | |
here waiting for me to come home, having a cuddle. Now I have had my | :53:42. | :53:46. | |
operation, I'm able to dress Amelia and change her nappy, all those | :53:46. | :53:51. | |
things that some parents would go urgh, mundane things, but to me | :53:51. | :53:55. | |
every one is so special and pushing her in a pushchair is just lovely | :53:55. | :54:00. | |
and not having an oxygen cylinder and being breathless, just being | :54:00. | :54:04. | |
able to do it on my own is incredible. I just want to say a | :54:04. | :54:08. | |
humongous thank you to David Jenkins and to everyone who helped | :54:08. | :54:12. | |
look after me at Papworth. Before the operation and being told my | :54:12. | :54:20. | |
life expectancy was not great, I viewed everything, birth Days and | :54:20. | :54:25. | |
Christmases and mother Mother's Day as count down. Now, it is | :54:25. | :54:31. | |
incredible I haven't got that. I can't wait for Mother's Day. Just | :54:31. | :54:35. | |
being able to go out for the day with my family. It will be a lovely | :54:35. | :54:38. | |
day and I'm really looking forward to it. | :54:38. | :54:46. | |
We hope you have a happy Mother's Day. Is Sue cured? She had a good | :54:46. | :54:51. | |
result. The pressures have come down. She needs to stay on blood | :54:51. | :54:55. | |
thinners to stop further clots, but she is pretty much cured. | :54:55. | :54:58. | |
David, well done. A round of applause for David. | :54:58. | :55:03. | |
Thank you very much. What a job. This procedure was | :55:03. | :55:07. | |
pioneered in America, but last year, did we do the most operations in | :55:07. | :55:15. | |
the world That's right. The University of San Diego started | :55:15. | :55:22. | |
this. We have been doing it since the mid-90s and last year we did | :55:22. | :55:28. | |
the most in the world. So you are are good at them. What was the | :55:28. | :55:32. | |
first like? Were you nervous? from the technical, more the | :55:32. | :55:36. | |
responsibility for the patient, but cardiac surgeons are confident so | :55:36. | :55:40. | |
when you are actually doing the procedure, I can focus on that and | :55:40. | :55:44. | |
I'm not worrying about her baby and the family. Afterwards, I think, | :55:44. | :55:47. | |
one feels the responsibility, but at the time, it is just a technical | :55:47. | :55:50. | |
exercise. Thank you. | :55:50. | :55:55. | |
A great job, thank you, David. This evening, we are following the | :55:55. | :55:58. | |
start of the The One Show 1,000, our Sport Relief challenge. | :55:59. | :56:03. | |
Lucy is back in touch. We have the OB, it couldn't be more exciting. | :56:03. | :56:09. | |
Lucy, have you managed to get where you need to be? Yes, but I have no | :56:09. | :56:12. | |
idea where I am! This is surreal, we are in the middle of nowhere, it | :56:12. | :56:16. | |
is somewhere, but we don't know. We drove and drove and drove and found | :56:16. | :56:21. | |
Arlene, who is in the middle of her mile. Arlene, how is going? Not bad, | :56:21. | :56:23. | |
good. It is cold and wet and sleeting, | :56:24. | :56:28. | |
this terrain is rough. Is this normal for you? It is a gale. It is | :56:28. | :56:31. | |
normal! You really are hardy. How far | :56:31. | :56:34. | |
through your mile are you? About half-way through. | :56:34. | :56:37. | |
You are looking good. Are you feeling strong? Yeah, feeling not | :56:37. | :56:40. | |
bad. I have to say, I am out of breath | :56:40. | :56:44. | |
already, you are five months pregnant. How are you doing this? | :56:44. | :56:47. | |
I'm enjoying it. It is good. She is just really fit. Listen, I'm | :56:47. | :56:52. | |
going to get you go, I'm slowing you down. Run like the wind Arlene, | :56:52. | :56:58. | |
keep going. Keep going, keep going. I am out of breath. I have to say | :56:58. | :57:04. | |
this is crazy. The One Show 1,000 will go tonight, all through the | :57:04. | :57:08. | |
weekend, over to Belfast and back and we will catch up with it on | :57:08. | :57:14. | |
Monday if I have recovered. If you are not running, please donate. I | :57:14. | :57:17. | |
am going to get my breath back. See you on Monday. | :57:17. | :57:24. | |
Thank you very much, Lucy. Good luck with The One Show 1,000. | :57:24. | :57:32. | |
Robb has his corkscrew. Can you continue, please? I can. Nothing | :57:32. | :57:36. | |
like a glass of wine on a Friday night. | :57:36. | :57:39. | |
Quickly Rob. The whole thing is lifting. | :57:39. | :57:44. | |
Quickly. Quickly. You have got to be quick. | :57:44. | :57:49. | |
The bell rings. We are going to try and get a | :57:49. | :57:54. | |
bottle of wine, a glass of wine and we are going to to try and play | :57:54. | :57:58. | |
Cilla's song. The record is about to start playing and the win is | :57:58. | :58:05. | |
about to be poured. We couldn't be any happier than we are now. Cheers, | :58:05. | :58:14. | |
Rob, cheers Marcus. That's it. That's it. There you go, | :58:14. | :58:17. | |
Cilla. Thank you for watching The One Show. | :58:17. | :58:23. | |
Have a fantastic weekend. And enjoy the rugby. Enjoy the rugby and good | :58:23. | :58:26. | |
luck Wales. Thanks to Paul being here. | :58:26. | :58:33. | |
And thanks to Cilla and thanks to David and thanks for watching. | :58:33. | :58:43. | |
:58:43. | :58:50. |