Browse content similar to 16/06/2011. Check below for episodes and series from the same categories and more!
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Welcome to the One Show with Matt Baker. And Alex Jones. With us | :00:19. | :00:23. | |
tonight is a man who always knew he wanted to be a comedian. He set out | :00:23. | :00:27. | |
to gain all the skills necessary to be a successful stand-up. | :00:27. | :00:33. | |
learned how to use a microphone by becoming a bingo call. Also being a | :00:34. | :00:38. | |
stable boy. And how to handle pre- show nerves, he became a Bluecoat | :00:38. | :00:43. | |
and got drunk before going on stage. Yes, but he got the sack. It's Lee | :00:43. | :00:48. | |
Mack! APPLAUSE | :00:48. | :00:53. | |
Did we leave out any essential skills. That was such a long intro, | :00:53. | :01:01. | |
it's time to say good night. I like you accused me of drinking before I | :01:02. | :01:09. | |
went to work and I ride Red Rum. When I say road him, I don't mean | :01:09. | :01:14. | |
in the national or anything. I walked up and down the stables with | :01:14. | :01:20. | |
someone holding onto him. He had retired by this stage. He was 21, | :01:20. | :01:24. | |
in human years it's probably 150. He was plod ago long. Still Red Rum. | :01:24. | :01:28. | |
Is it true that one of your comedy rules is that you need a laugh of | :01:29. | :01:33. | |
15 seconds? Exactly on 15 seconds. A second before or after, you have | :01:33. | :01:38. | |
to walk off stage. We're in for a good show tonight then. That's been | :01:38. | :01:43. | |
15, so I'll see you later. That's what they say. I do gags you see. I | :01:43. | :01:50. | |
have quite a high turnover of stuff. You can do, you have a story that | :01:50. | :01:54. | |
gets a laugh after about five minutes, but it has to be a good | :01:54. | :02:00. | |
gag. I don't take that risk. How quick your gags are, or how good | :02:00. | :02:04. | |
they are, the quicker they are, you're admitting they're rubbish. | :02:04. | :02:07. | |
Mine are every three seconds. is on a mission to bring variety | :02:07. | :02:11. | |
back to our screens. Find out how you can take part later on. With | :02:11. | :02:16. | |
food prices rising, families are having to decide what to take out | :02:16. | :02:18. | |
of their shopping. Shops are responding with offers like feeding | :02:18. | :02:23. | |
a family of four on just �50 a week. There was a time when stretching | :02:23. | :02:26. | |
meals and going without was part of life. Can today's young families | :02:27. | :02:34. | |
learn to do the same? Meet the Hankinsons from Bury, an ordinary | :02:34. | :02:40. | |
family, with ordinary shopping habits. I spend about �100 a week | :02:40. | :02:45. | |
on shopping. I also nip out in the week for ingredients I haven't got, | :02:45. | :02:49. | |
particularly fresh things. I could spend about �25, to �30 in the week, | :02:49. | :02:58. | |
topping up on things. But can they manage on less - a lot less? Tracey, | :02:58. | :03:03. | |
are you ready for your challenge? Oh, yes. Your chal seng quite | :03:03. | :03:07. | |
simple actually. You have to feed all four members of your family for | :03:08. | :03:13. | |
seven days for no more than �50. We will leave you an emergency storage | :03:13. | :03:18. | |
cupboard. I'll try not to go into the cupboard. But it's nice to have | :03:18. | :03:23. | |
it. Let me give you your mb. -- money. Spend that very wisely. | :03:24. | :03:28. | |
going to have to. Good luck. While Tracey's at the shops, I'm going to | :03:28. | :03:32. | |
chill out with only �50 to spend, there's not going to be much | :03:32. | :03:37. | |
leftover for treats. Hi Simon, I'm home! It looks like you spent much | :03:37. | :03:45. | |
more than �50, did you spend �50 in the end? No. I spent �49.88. So let | :03:45. | :03:52. | |
the challenge begin. Remember, they've only got �1.78 per person | :03:52. | :03:58. | |
per day. What will Tracey kick off with? What's on the menu tonight? | :03:58. | :04:03. | |
I'm presuming it's potato and carrots? No, it's potato hash. It's | :04:04. | :04:07. | |
an all-time favourite and it's cheap. Have you got room for one | :04:07. | :04:14. | |
more? No. That's day one sorted. What do you think of dinner? Eurgh. | :04:14. | :04:20. | |
Don't like it. And what's mum cooking the rest of the week? For | :04:20. | :04:25. | |
breakfast, it's mainly cereal with sandwiches and biscuits for lunch. | :04:25. | :04:30. | |
Day two's evening male is macaroni cheese with sausages.. How's tea | :04:30. | :04:40. | |
:04:40. | :04:42. | ||
tonight, George? Brilliant. Are you having seconds? Are you dumb? Yeah! | :04:42. | :04:50. | |
That's not very nice. Day three is a hearty chicken casserole. | :04:50. | :04:56. | |
Tonight's tea was chicken casserole. It was nice. I thought everyone | :04:56. | :05:00. | |
liked it. All supermarkets are running cut-price promotions. With | :05:00. | :05:05. | |
food inflation above real inflation at nearly 6%, can this carry on? | :05:05. | :05:10. | |
What's going on with food prices? Lower price sz great for awful us, | :05:10. | :05:14. | |
but it's not good for the farmers or producers. They are going to | :05:14. | :05:18. | |
have to start raising prices soon. The prices of the raw goods are | :05:18. | :05:24. | |
going up so much. The price of wheat is up 70% in the last year. | :05:24. | :05:28. | |
Back at the Hankinsons, the kids have caught mum and dad breaking | :05:28. | :05:34. | |
the rules. That's my dad cheating! They've cracked, with beer for dad | :05:34. | :05:39. | |
and chocolates for mum, donated by a sympathetic neighbour. It's not | :05:39. | :05:44. | |
really cheating because we didn't pay for it. As well as tucking into | :05:44. | :05:49. | |
her surprise gifts, Tracey still has three hungry mouths to feed. | :05:49. | :05:58. | |
Day four is fish pie. Day five, chicken fajitas and day six, spag | :05:58. | :06:04. | |
bol. The final day is sausage goulash. The seven days are up and | :06:04. | :06:09. | |
it's not gone terribly well. Even with gifts and Bartering, you admit | :06:09. | :06:17. | |
it's around �65 in value. Yeah. failed. Yes. How does that make you | :06:17. | :06:25. | |
feel? You promised me on Monday. feel really bad. It was an | :06:25. | :06:31. | |
impossible task, that's all I can say. Food wise, it can be done. But | :06:31. | :06:35. | |
unreasonable with drink included. I think the rest of it you can get by. | :06:35. | :06:44. | |
George, how long's it felt like? year. Feels like it was a year ago. | :06:44. | :06:51. | |
Do you want to do this every week? Not every week, no. Thank you for | :06:51. | :06:55. | |
taking our challenge, going through all this hardship and not having | :06:56. | :06:59. | |
any treats. We thought we'd bring you a little reward. Do you want a | :06:59. | :07:09. | |
:07:09. | :07:10. | ||
reward? Yeah! Everyone close their eyes. There you go. | :07:10. | :07:17. | |
Go on, mate, in you go. Proper tears there. What would make | :07:17. | :07:23. | |
you cry your eyes out if you left out of your shopping trolley? | :07:23. | :07:28. | |
live near a Waitrose, so �50 wouldn't even cover a can of tango | :07:28. | :07:33. | |
and wagon wheel. Other shops are available. Other shops are | :07:33. | :07:36. | |
available to charge you that much, yeah. What one item couldn't you | :07:36. | :07:44. | |
live without? Probably metholated spirits. Without that I can't stop | :07:44. | :07:49. | |
the screaming in my head. Only a joke! Come on kids. Healthy | :07:49. | :07:53. | |
vegetables, which you can grow yourself. You don't need to spend | :07:53. | :07:57. | |
anything on them. Just the price of seeds. I haven't grown anything in | :07:57. | :08:02. | |
my life ever. It's good in theory. Yeah, good in theory. But I suppose | :08:02. | :08:06. | |
my number one thing I couldn't live without is my pineapple ice lollies. | :08:06. | :08:11. | |
They sound nice. I was going to say the company name, but they told me | :08:11. | :08:14. | |
I wasn't allowed. If I asked him the man from this place would | :08:15. | :08:21. | |
probably say yes, any way. Who does the shopping in your house, you or | :08:21. | :08:27. | |
Mrs Mac? Mrs Macdoes the shopping, yes. That's not my real name, Mrs | :08:27. | :08:34. | |
Mack. Nice ring to it. Lovely. erm... I didn't say anything. I had | :08:34. | :08:43. | |
to bite my tongue. Mrs Mack does the shopping. We'll move on to Mr | :08:43. | :08:47. | |
Mack's All Star Cast, which starts on Saturday. We recorded it last | :08:47. | :08:51. | |
night. That's why I'm a bit hungover because of the after-show | :08:51. | :08:55. | |
party. How did it go? You never know do you. You're probably the | :08:55. | :08:58. | |
worst person to ask because you're in it. Only about half of them | :08:58. | :09:03. | |
walked out. That's a good sign, isn't it? We'll know on Saturday | :09:03. | :09:07. | |
when the general public let us know. We've had a sneak preview. | :09:07. | :09:13. | |
haven't seen it. There's loads in it. We saw the pilot. Is it all | :09:13. | :09:18. | |
right? We're going to see you in action with Tess Daly. Here's a | :09:18. | :09:23. | |
little bit. Lee, thanks for the chat. I better | :09:23. | :09:31. | |
get going. Hang on. I have a surprise for you. It's not a | :09:31. | :09:37. | |
surprise. I've heard it's little. Come on, it's very romantic. Can I | :09:37. | :09:39. | |
be blunt? Don't worry I've already got that covered... | :09:39. | :09:49. | |
APPLAUSE James Blunt. Were you happy with | :09:49. | :09:54. | |
that? Yes, very happy. It's a lot longer than that. I should point | :09:54. | :09:57. | |
out it's a Saturday night variety show, not a sitcom. That's one | :09:57. | :10:02. | |
sketch that we do at end. That's the thing, it's loaded with stuff. | :10:02. | :10:06. | |
You have interviews in there. of public stuff. The audience take | :10:06. | :10:11. | |
part. Also the people at home through internet, I feel lick a | :10:11. | :10:16. | |
granddad now. Have you heard of computer. When you can speak and | :10:16. | :10:26. | |
:10:26. | :10:28. | ||
look at the webcam. Are you quite gentle with your public? It's a big | :10:28. | :10:32. | |
thing to get up there and show their talent. We're not stupid. We | :10:32. | :10:36. | |
don't let them off the stage, obviously. They will start taking | :10:36. | :10:39. | |
over. We keep them in the audience. One of the features is we ask them | :10:39. | :10:43. | |
who they think they look like. Some woman last night, which we're | :10:43. | :10:47. | |
showing on Saturday, said that her mum was next to her, and said she | :10:47. | :10:51. | |
thinks her mum looks like Jonny Vegas. That's a nice look for a 55- | :10:51. | :10:55. | |
year-old woman. Is it true the first time you did stand-up you | :10:55. | :11:03. | |
were gonged off? I was, yes. What happened? There's a guy in a gimp | :11:03. | :11:07. | |
costume that used to stand next to the gong. People in the audience | :11:07. | :11:12. | |
used to get up. He would gong you when the audience shouted. I went | :11:12. | :11:18. | |
on with a suitcase of frozen fish. I used to taict fish out, that was | :11:18. | :11:23. | |
the idea. I did a visual joke. I never got to it because I was | :11:23. | :11:26. | |
gonged. You can do it now. always keep a bag with a lobster | :11:27. | :11:34. | |
just in case. Just in case someone says they had a gag that they wrote | :11:34. | :11:39. | |
and now they can't remember. This is like why I go shopping at | :11:39. | :11:43. | |
Waitrose why my 50 quid doesn't go very far. I genuinely can't | :11:43. | :11:46. | |
remember the joke I'm afraid. I would take them out like, that I | :11:46. | :11:52. | |
had a lobster. I did the visual. But I never got to it. I used to | :11:52. | :11:55. | |
carry the suitcase round with me to the shows and never got to the | :11:55. | :11:58. | |
shows. It started to stink with the fish. I was a student and I | :11:58. | :12:02. | |
couldn't afford to buy more. People would ask why I walked round with a | :12:02. | :12:06. | |
suitcase of smelly fish, just in case in 15 years' time, I'm on the | :12:06. | :12:10. | |
one shoi and they want me to talk about something. That would be a | :12:10. | :12:14. | |
good feature and I would remember the joke. That's failed hasn't it. | :12:15. | :12:20. | |
Saturday night. We'll look forward to it. Don't be shellfish, give it | :12:20. | :12:26. | |
all that. Leave it to him. They make miracles happen every day. Our | :12:26. | :12:30. | |
nation's midwives perform a vital service for mums and babies. | :12:30. | :12:33. | |
the profession had a difficult birth. Historian Ruth Goodman goes | :12:33. | :12:41. | |
back to the early 18th century to find out why. Here's a hint - men! | :12:41. | :12:46. | |
Let's have a feel of the tummy. I think your little one has been the | :12:46. | :12:52. | |
on the same time. -- side. FINA is part of a profession which | :12:52. | :12:58. | |
has been delivering babies since the start. New medical advancements | :12:58. | :13:03. | |
saw men muscle in on the miracle of child birth. I've come to the | :13:03. | :13:06. | |
Wellcome Collection in London to find out more about the | :13:06. | :13:10. | |
controversial history of midwifery. In the days before modern pain | :13:10. | :13:15. | |
relief, there really wasn't much in the way of equipment. This is about | :13:15. | :13:20. | |
Aztec anyical as it got, a birthing chair. This is from about 1750. To | :13:20. | :13:25. | |
be honest, the modern ones are not dissimilar. It's gravity helping | :13:26. | :13:30. | |
along. If this is pretty much the only tool a midwife had, she had | :13:30. | :13:33. | |
other help. She had a range of birthing companions, women, and | :13:33. | :13:39. | |
these were known as gossips. Originally the word meant God | :13:39. | :13:43. | |
parent. In the birthing chamber, the gossips were the women who you | :13:43. | :13:48. | |
trusted to have with you. What exactly are they doing? Well, their | :13:48. | :13:52. | |
job was both practical and psychological. Their job was for | :13:52. | :13:55. | |
instance to hold you in the position you were comfortable to | :13:55. | :14:02. | |
give birth in. From 1550 midwives needed a license from the church to | :14:02. | :14:07. | |
practice, but had no formal education. Men came into the | :14:07. | :14:11. | |
birthing chamber when complications set in. By the mid-1600s educated | :14:11. | :14:14. | |
male doctors were starting to assert their authority, with new | :14:14. | :14:19. | |
equipment and interventions they were called man midwives. Invented | :14:19. | :14:23. | |
in the early 17th century, these scary looking things are a pair of | :14:23. | :14:27. | |
for accepts. They were designed to assist in difficult child birth. | :14:27. | :14:31. | |
But very soon they came to challenge the position of women | :14:31. | :14:36. | |
within the birth room, a symbol of the battle between men and women | :14:36. | :14:40. | |
about exactly how a baby ought to be born. | :14:40. | :14:44. | |
At a time when giving birth was dangerous, the for accepts could | :14:44. | :14:49. | |
save lives by drawing the baby out quickly. Their increased use by man | :14:49. | :14:54. | |
midwives pushed women out of the birthing room. If midwives were to | :14:55. | :14:59. | |
retain any credibility they needed their own special tool, knowledge. | :14:59. | :15:06. | |
In 1671 Jane Sharp wrote this book, the first ever midwifery man you'll, | :15:06. | :15:10. | |
written by an English midwife. There are pictures of babies who | :15:10. | :15:16. | |
are coming the wrong way round. And she explains what needs to be done | :15:16. | :15:20. | |
to turn the babies. It's a coming together of the practical knowledge | :15:20. | :15:24. | |
with the academic knowledge. Yeah, exactly. For instance, this is how | :15:24. | :15:29. | |
she explains what should happen in a normal labour when it starts, | :15:29. | :15:34. | |
"When the patient feels her throws coming, she should walk easily in | :15:34. | :15:40. | |
her chamber and then again lie down, keep herself warm, rest herself and | :15:40. | :15:44. | |
then stir again, till she feel the waters coming down and the womb to | :15:44. | :15:49. | |
o. "Most of it is just wanting women to understand how to do this | :15:49. | :15:53. | |
job professionally. But the battle for recognition and professional | :15:53. | :16:00. | |
status was going to be a long one. It wasn't until 1902 that female | :16:00. | :16:04. | |
midwives got the recognition they deserved. The passing of the | :16:04. | :16:08. | |
midwifery act brought proper regulation and training to the | :16:08. | :16:18. | |
:16:18. | :16:21. | ||
industry. 231 years after Jane Sharp published her book. | :16:21. | :16:28. | |
We're coming to see a baby today. Today there are over 39,000 highly | :16:28. | :16:34. | |
qualified male and female midwives in the UK. First and foremost | :16:34. | :16:39. | |
midwives are trained. It's fairly intense, three years. I come | :16:39. | :16:42. | |
equipped. I have drugs in my bag and bits of machinery I can use | :16:42. | :16:47. | |
even at home. Most of us work in hospital. Are there any of the | :16:47. | :16:51. | |
skills of old midwifery that you use in the modern practice? | :16:51. | :16:57. | |
hands, my senses. I rely very much on my eyes, ears, sense of smell | :16:57. | :17:03. | |
and touch. I was determined when I qualified, to be able to use all of | :17:03. | :17:08. | |
those before technology. Advances in medical science mean that many | :17:08. | :17:12. | |
less than 1% of children die in child birth these days. Though it's | :17:12. | :17:16. | |
been a long and controversial journey for midwifery, it has all | :17:16. | :17:26. | |
:17:26. | :17:26. | ||
been worth it. What wonderful work they do. An | :17:26. | :17:30. | |
aawww has gone round. Do you remember the name of your midwife, | :17:30. | :17:36. | |
not yours, your wife's. You don't get equal rights as a man. It is as | :17:36. | :17:41. | |
painful for the man as the woman. Really? With our second child we | :17:41. | :17:46. | |
had a home birth. We had the inflatible pool thing. The water | :17:46. | :17:51. | |
birth, that's the phrase. Was it down stairs or upstairs the pool? | :17:51. | :17:54. | |
Not important to the anecdote, Matt. This is just padding, if I tell you | :17:54. | :17:58. | |
where it was. It was on the middle floor next to the younger boy's | :17:59. | :18:02. | |
bedroom. Just had it painted in blue. It's not adding anything. | :18:02. | :18:07. | |
We're nearly at the end. We're all panicking, she gets in the pool, | :18:07. | :18:10. | |
she has the baby and everything is fantastic. There's a knock on the | :18:10. | :18:18. | |
door. A woman's there. I said "Who are you?" She said I'm the midwife. | :18:19. | :18:25. | |
I asked who the woman was in the house. She said "I don't know. We | :18:25. | :18:31. | |
went upstairs and there she was. I she was the trainee. I should have | :18:31. | :18:36. | |
known, she was 13. Her jacket said Gregg's the bakers. You and your | :18:36. | :18:42. | |
grand names. Or any other major bakeries. We have to gag you. | :18:42. | :18:49. | |
was a cracking memory indeed. We're going to move on. How would you | :18:49. | :18:53. | |
like to have your favourite memory brought to life? We want do that | :18:53. | :18:57. | |
for you. By working with an amazing team of animator we can make it | :18:58. | :19:02. | |
happen. We will tell you how to get involved shortly. Here's an example | :19:02. | :19:06. | |
of what we're looking for. Gerry Ray tells us about the best present | :19:06. | :19:16. | |
:19:16. | :19:20. | ||
It was 1975. There wasn't a lot of money about. You knew there wasn't | :19:20. | :19:25. | |
a lot of money about. The word "poor" wasn't mentioned, but you | :19:25. | :19:30. | |
knew you hadn't got a lot. I was in from school, come down the stairs | :19:30. | :19:33. | |
and all I could hear was "There's somebody at the door." There was a | :19:34. | :19:39. | |
mate of mine standing at the gate. There was this brand new Raleigh | :19:39. | :19:43. | |
bike, gold in colour. He was throwing his leg over the bike. | :19:43. | :19:49. | |
First thing out of your mouth is "Give us a go." He says "No, my dad | :19:49. | :19:54. | |
says nobody's allowed on this bike." Away he went. I'm looking | :19:54. | :19:57. | |
down the street after him. Little did I know that my eldest brother | :19:58. | :20:01. | |
had been watching the whole thing from the kitchen window. He was | :20:01. | :20:06. | |
sort of like a father figure at the time. My brother came into the room | :20:06. | :20:13. | |
and he said "Come in and see." I went into his room. I remember him | :20:13. | :20:20. | |
pulling out this thing and put it on his bed, and in this ten were | :20:20. | :20:25. | |
notes. He started to count it out properly. He says come on, we're | :20:25. | :20:31. | |
going into the town. There was a place in the town where you could | :20:31. | :20:38. | |
buy anything. We went into the shop and he turns round and says "Have a | :20:38. | :20:43. | |
lock at that." All these Raleigh bikes on the right-hand side, all | :20:43. | :20:47. | |
the Raleigh choppers on the other side. We are standing there and he | :20:47. | :20:52. | |
says to me, "If you had a choice about any one of those bikes, what | :20:52. | :20:56. | |
one would you take?" I remember scanning them all down. There was | :20:56. | :21:01. | |
every colour imaginable. I pointed to a blue Raleigh chopper bike. It | :21:01. | :21:05. | |
was the bike to have. The next thing he turned round and says to | :21:05. | :21:10. | |
me "I'm going to buy that blue one for you today." I remember thinking | :21:10. | :21:17. | |
"oh, he's the best brother in the world". So I gets the bike onto the | :21:17. | :21:23. | |
bus. As soon as the bus stops, I'm out, down past my house, into the | :21:23. | :21:27. | |
cul-de-sac, stopped outside my mate's house, the one that had the | :21:27. | :21:31. | |
Raleigh Tomahawk. I bounced in through the gate. I ran back out to | :21:31. | :21:35. | |
get to the bike again. I didn't want to leave it for two seconds. | :21:35. | :21:40. | |
He comes out. He says to me, "Where did you get that?" I says "My | :21:40. | :21:45. | |
brother bought it today for me." He said to me, the same I said to him | :21:45. | :21:51. | |
"Give us a go." I said no, "My brother said I'm not allowed to get | :21:51. | :21:54. | |
anybody on this bike." He didn't just buy me a bike. He gave me | :21:54. | :22:00. | |
everything he had. Delightful animation, beautiful. | :22:00. | :22:05. | |
Very nice. Remember, we are looking to create more of those fantastic | :22:05. | :22:08. | |
animations. If you have a story of a day that changed you or treasure, | :22:08. | :22:18. | |
:22:18. | :22:24. | ||
Quite old school that, post. There you go. Speaking of old school, | :22:24. | :22:31. | |
that bike, did you have a chopper? I see you more as a grister. I was | :22:31. | :22:37. | |
a grister. -- Griff ter. You weren't allowed to have anyone on | :22:37. | :22:43. | |
the back. So what's about the long seat? It's probably too late 30 | :22:43. | :22:51. | |
years later to complain about this. I was grifter. Was BMX before your | :22:51. | :22:56. | |
time or after? BMX was way, way after my time. I had a bike as a | :22:56. | :23:01. | |
kid. I was so proud of it, this is true. My mum and dad gave me a bike. | :23:01. | :23:04. | |
They'd customised it. Three days after I had my bike, my brother | :23:04. | :23:08. | |
went to the shed to get his bike and says "Where's my bike." My | :23:08. | :23:13. | |
parents had nicked his bike and turned it into my bike without | :23:13. | :23:20. | |
telling him. They resprayed his bike and gave it to me. Shouldn't | :23:20. | :23:26. | |
laugh. We're getting loads of e- mails on that saying they can | :23:26. | :23:30. | |
survive on less than �50 a week. The Who are one of Britain's | :23:30. | :23:34. | |
biggest bands and can pack in the crowds. It was one particular gig | :23:34. | :23:39. | |
that cemented their reputation, the concert that became the legendary | :23:39. | :23:46. | |
Live at Leeds album. As Joel Grant finds out, it almost didn't -- | :23:46. | :23:51. | |
Carrie Grant finds out, it almost didn't happen. This is an extension | :23:51. | :23:55. | |
lead and this is the best live album ever made. Without this, we | :23:55. | :24:00. | |
may never have had this. In the late 60s The Who reflected the | :24:00. | :24:04. | |
revolutionary spirit of the times, with a stage show that was exciting, | :24:04. | :24:14. | |
:24:14. | :24:17. | ||
The band wanted to capture their explosive live sound on record. | :24:17. | :24:24. | |
They chose to record a concert in Leeds. Dr Simon Warner, Leeds | :24:24. | :24:30. | |
University's lecturer in rock takes up the story. The Beatles had done | :24:30. | :24:35. | |
extraordinary work. It was a wieldy affair to take gear on the road and | :24:35. | :24:38. | |
record. It it was around this time that the scale of the equipment was | :24:38. | :24:45. | |
about right to move it around and capture the sound faithfully. | :24:45. | :24:47. | |
Roger Daltry, Keith Moon, Pete Townsend and John Entwhistle were | :24:48. | :24:54. | |
at the height of their powers and ready to record. The students who | :24:54. | :24:58. | |
organised the concert weren't sure they could cope. It quickly became | :24:58. | :25:03. | |
clear that the venue didn't have enough power. The complications | :25:03. | :25:07. | |
started on the Friday afternoon, when the recording equipment | :25:07. | :25:13. | |
arrived. They asked for an additional supply of about 30amps. | :25:13. | :25:18. | |
We didn't have it. The band had the biggest speaker rig the organisers | :25:18. | :25:22. | |
had ever seen. So the recording gear had to move down stairs next | :25:22. | :25:28. | |
to the kitchens. The only place with a separate power supply. I | :25:28. | :25:32. | |
can't imagine them liking that very much. If they hadn't have done it, | :25:32. | :25:35. | |
they wouldn't have had the recording. There wasn't the power | :25:35. | :25:40. | |
available on the upper level. They tapped into the supply for the | :25:40. | :25:43. | |
ovens. The Who made their album plugging into where they make the | :25:43. | :25:51. | |
pizza. What a great thought. don't think we had pizza in 1970. | :25:51. | :25:56. | |
The concert took place on Valentine's Day 1970. It all | :25:56. | :25:58. | |
happened here. There were a thousand students who didn't have | :25:58. | :26:02. | |
tickets. They had to climb onto the roof to feel the gig. Local people | :26:02. | :26:05. | |
said the music was so loud, that you could hear it throughout the | :26:06. | :26:15. | |
:26:16. | :26:16. | ||
city centre. In the crowd was Nigel Abbot a | :26:16. | :26:21. | |
geography student who found himself with a VIP access because of a | :26:21. | :26:25. | |
cheap camera around his neck. was a passport to go to front and | :26:25. | :26:29. | |
go into that area in front of the stage to wonder up and down and no- | :26:29. | :26:32. | |
one questioned you. Wow! That really captures the atmosphere, | :26:32. | :26:38. | |
accidents it? This was Roger Daltry. It was a very hot and sweaty night. | :26:38. | :26:43. | |
They were on song that night. band they performed fantastically. | :26:43. | :26:51. | |
It was one of those nights that just worked. It was just a | :26:51. | :27:00. | |
fantastic night. Were your ears ringing after gig? Yes. When the | :27:00. | :27:04. | |
record was released it came in this plain brown wrapper. The Who | :27:04. | :27:07. | |
maintained they wanted the packaging to look like a boot | :27:07. | :27:11. | |
legged copy. They wanted it to reflect the raw and powerful sound | :27:11. | :27:16. | |
of the record inside the sleeve. The final twist in the Live at | :27:16. | :27:20. | |
Leeds story is that it should have been live at Hull, where The Who | :27:20. | :27:27. | |
recorded the following night's gig. They preferred the acoustics of the | :27:27. | :27:31. | |
City Hall in Hull, but when they listened to the tapes they found | :27:31. | :27:36. | |
that John Entwhistle's bass guitar hadn't been recorded. Who knows | :27:36. | :27:40. | |
whether it would have been better if Hull had been released. We | :27:40. | :27:43. | |
wouldn't have had Live at Leeds, in many ways I think that particular | :27:44. | :27:49. | |
accident of history worked in The Who's favour, worked in the all | :27:49. | :27:55. | |
bum's -- album's favour. Thanks to an extension cable, The Who put | :27:55. | :28:01. | |
Leeds on the map. After The Who did it live albums became the in thing. | :28:01. | :28:07. | |
The rolling stones tried to capture the same feeling. Nothing was as | :28:07. | :28:10. | |
influential as Live at Leeds. Has anything gone wrong at your | :28:11. | :28:16. | |
live gigs? Someone gave me the the -- the ultimate heckle. This | :28:16. | :28:20. | |
drunken person was mouthing off. He drifted off. I thought that's the | :28:20. | :28:24. | |
end of him. He found a Powerpoint at the back of the theatre and he | :28:24. | :28:28. | |
pulled this thing out of the wall and the whole thing went to | :28:28. | :28:32. | |
blackout. He managed to find the one thing if you pull out it fuses | :28:32. | :28:35. | |
everything. I had to just shout in the darkness, the gig for the next | :28:35. | :28:40. | |
ten mib its, until it came back on. I would like to tell you how I won | :28:40. | :28:45. | |
it round, but I didn't. To be honest, we haven't got time Lee. | :28:45. | :28:51. | |
That's it. Thank you for coming on. Lee Mack's All Star Cast is on | :28:51. | :28:54. |