Browse content similar to 16/07/2014. Check below for episodes and series from the same categories and more!
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One Show with Matt Baker and Alex Jones. We are hoping that tonight's | :00:19. | :00:21. | |
show is going to be a, wo of art. We Jones. We are hoping that tonight's | :00:22. | :00:26. | |
are actually aiming for a masterpiece tonight with a help of a | :00:27. | :00:31. | |
couple of kings of breakfast broadcasting. The laughing cavalier | :00:32. | :00:37. | |
of Sunday mornings, Andrew Marr. Do you like your portrait? Beautiful. | :00:38. | :00:43. | |
Isn't it dapper. Perfect. Really scary. Also here tonight, Radio 1's | :00:44. | :00:50. | |
very own morning Mona Lisa, Nick Grimshaw. Wow! I think it's very | :00:51. | :00:56. | |
unkind how they added chins to you. Grimshaw. Wow! I think it's very | :00:57. | :01:03. | |
Wow. That is really horrible! Lovely to have you both here. That is fine | :01:04. | :01:08. | |
art covered tonight. Tonight we will explore the art of conversation. | :01:09. | :01:13. | |
Animal communication to be exact with real-life Doctor | :01:14. | :01:14. | |
Animal communication to be exact Lucy Cooke. Good evening to you. | :01:15. | :01:15. | |
Good evening. Nice to have you here. Lucy Cooke. Good evening to you. | :01:16. | :01:17. | |
She will tell us how to chat chimp and say hello to a hippo. Our | :01:18. | :01:30. | |
sofa guests are true artists. One is a multi-million selling Grammy | :01:31. | :01:32. | |
sofa guests are true artists. One is # When the going gets tough | :01:33. | :01:36. | |
# The tough get going # When the going gets rough | :01:37. | :01:44. | |
# Tough get rough... # The other is an expert in the art | :01:45. | :01:46. | |
# Tough get rough... # making people laugh. Please welcome, | :01:47. | :02:00. | |
Billy Ocean and Lee Mack! CHEERING AND APPLAUSE Oh, a kiss. I | :02:01. | :02:07. | |
can't move my arms, Lee. How are you doing? We were talking about your | :02:08. | :02:11. | |
favourite hit, our favourite hits of yours. There has been so many, When | :02:12. | :02:16. | |
The Going Gets Tough, Suddenly. One of my favourites. 76. That was a | :02:17. | :02:27. | |
good year. Love Really Hurts Without You. You had a brilliant sense of | :02:28. | :02:32. | |
style. The photos we found were phenomenonal. We liked the banana | :02:33. | :02:37. | |
suit. This was nice. The country check. That is one of my favourites. | :02:38. | :02:42. | |
All very tight. I had the figure to wear tight things in those days. I | :02:43. | :02:46. | |
was young and brave. I wouldn't do it now. You were a tailor by trade? | :02:47. | :02:55. | |
I made a lot of those things. I couldn't afford to, like I do now, I | :02:56. | :03:00. | |
get my suits from sav ril row, etc, etc. But in them days I couldn't | :03:01. | :03:04. | |
afford suits and things. I used to make my own. They were easy to make. | :03:05. | :03:10. | |
Catsuits and trousers, simple things, simple but effective. If it | :03:11. | :03:15. | |
was a bit tight it really didn't matter back then, did it? You could | :03:16. | :03:20. | |
pull them off. Lee, on the other hand, in the 8 o 0's. Sorry... We | :03:21. | :03:26. | |
have a lovely picture of you. As you can see, I have my own Mickey Mouse | :03:27. | :03:31. | |
ears. Thats with a shadow. That wasn't a hat I had on. You have | :03:32. | :03:36. | |
changed so much, Lee. I used to go down to Boots and see what I could | :03:37. | :03:45. | |
pick up. It was a case of - affordability. Is that why you went | :03:46. | :03:50. | |
to boot sales. It was because I genuinely thought I looked cool. It | :03:51. | :03:57. | |
is a look I wanted because someone says to you - was that just because | :03:58. | :04:02. | |
of affordability! We want to find a viewer who has changed their style | :04:03. | :04:06. | |
the most over the decades. Maybe you were a punk who is prim and proper. | :04:07. | :04:15. | |
Maybe you were a goth who is now into golf wear. Send your photos | :04:16. | :04:21. | |
into the usual address. A letter sent to 11-year-old pupils from the | :04:22. | :04:26. | |
head of Barrowford Primary School has caused an online sensation. It | :04:27. | :04:29. | |
told them that there was much more to life than just their exam | :04:30. | :04:31. | |
results. It says: Billy, nodding away. We will read | :04:32. | :04:45. | |
on. They also said: So we asked some of our friends to | :04:46. | :05:05. | |
think about the advice they would give their 11-year-old selves. Dear | :05:06. | :05:11. | |
John, you have passed the 11 Plus. That means you're good at passing | :05:12. | :05:14. | |
exams you've been carefully prepared for. It doesn't mean you know very | :05:15. | :05:19. | |
much. The you will have to go on learning for the rest of your life. | :05:20. | :05:26. | |
Dear Carrie, yeah, you are different. Over the next few years | :05:27. | :05:30. | |
you will realise what a massive advantage that is being different. | :05:31. | :05:32. | |
School has made you think that you are being squeezed into a box. But | :05:33. | :05:37. | |
you are a box crusher. You are a boundary pusher. You are a creative | :05:38. | :05:41. | |
thinker. Everything looks a little grey right now, from your home life | :05:42. | :05:46. | |
to your second hand school uniform. In a few years from now you will be | :05:47. | :05:49. | |
a woman of colour and you won't be afraid to stand out. Dear Dan, life | :05:50. | :05:56. | |
is about to get tricky. Hang tough. The good times are just ahead over | :05:57. | :06:00. | |
the horizon. Never let anybody tell you you can't achieve something. All | :06:01. | :06:05. | |
the people who won Olympic gold medals, started successful | :06:06. | :06:09. | |
businesses, come up with inventions, they were all 11-year-olds ones, | :06:10. | :06:15. | |
they thought they were losers too. Be careful of alcohol. You're older | :06:16. | :06:20. | |
brother might have thought it funny in France when you got tipsy after a | :06:21. | :06:24. | |
glass of wine. When your bedroom started to rotate you knew it was a | :06:25. | :06:36. | |
mistake. Dream big dreams. Live a big, hairy audacious life. Most | :06:37. | :06:40. | |
importantingly, always love your self. -- You think you have it | :06:41. | :06:45. | |
tough. You are one of the luckiest people in history. Being born in | :06:46. | :06:50. | |
Britain at the end of the 2 o 0th century mean you have won the | :06:51. | :06:56. | |
Lottery. Other people wrestle with war and disease, we have it easy | :06:57. | :07:01. | |
compared to them. Next time you are complaining about what football | :07:02. | :07:03. | |
cards you are missing, remember that. In the end, friendship matters | :07:04. | :07:08. | |
more than passing exams. Good luck, John. Good luck, Dan. Love, Carrie. | :07:09. | :07:22. | |
Gets you thinking. Yeah. Doesn't it? Great sentiment in that film from | :07:23. | :07:29. | |
all of them who took part. That is right. What would you say to an | :07:30. | :07:34. | |
11-year-old self? I would say, pursue your dream. Because I was | :07:35. | :07:39. | |
never academic. I was fortunate that my parents encouraged me to pursue | :07:40. | :07:46. | |
my - musical ambition. My father was a musician. You know, a lot of | :07:47. | :07:50. | |
encouragement came from there. You know, the kids who have a talent and | :07:51. | :07:54. | |
want to go this way and their parents are forcing them to go this | :07:55. | :07:59. | |
way, another direction. I think it's very unfortunate really. I say, | :08:00. | :08:05. | |
pursue your dreams. It's more important and having a social life | :08:06. | :08:09. | |
doing the things that you enjoy doing most. I mean, what can be | :08:10. | :08:13. | |
better than that? Similar to the thought in the letter at the | :08:14. | :08:16. | |
beginning we talked about. What about you Lee? I have a school | :08:17. | :08:20. | |
report about that age. It says - sooner or later Lee will realise | :08:21. | :08:25. | |
that joking around in class will get him nowhere in life! You proved him | :08:26. | :08:31. | |
right. I would rite write to myself, can carry on falling off that chair | :08:32. | :08:36. | |
for cheap laughs. I know this, Lee, you have - do that, stick your arms | :08:37. | :08:41. | |
up in the air. You know what this plate of stuff is all about. Billy | :08:42. | :08:46. | |
have you seen this lot? No, I've never seen. It they are you canner | :08:47. | :08:50. | |
bands. They are called Loom Bracelets. They are bracelet making | :08:51. | :08:56. | |
craze sweeping the world, amongst youngsters. You will have a head | :08:57. | :09:00. | |
start, Lee. We have a kit. Maybe with the help of Lee. You can make | :09:01. | :09:04. | |
something in the next three-and-a-half minutes. Oh, right. | :09:05. | :09:09. | |
We can do this. Anita will explain how these little bands have become | :09:10. | :09:17. | |
the bane of vacuum cleaners all over Britain. The going will get tough. I | :09:18. | :09:23. | |
don't know if you have written a song about it. | :09:24. | :09:30. | |
The latest global sensation is loom bands. Now, celebrities have been | :09:31. | :09:38. | |
spotted wearing them. The Duchess of Cambridge and even David Beckham. | :09:39. | :09:42. | |
They're definitely big business, what is making kids loopy for looms? | :09:43. | :09:51. | |
Hi. This is the loom. You put rubber bands around. What do you do with | :09:52. | :09:57. | |
that? Then you make stuff and hook them together. Yes. That is the | :09:58. | :10:02. | |
finished product? Yeah. Would you say you were obsessed? Yeah. | :10:03. | :10:08. | |
Everyone into loom bands. Boys aren't as obsessed with loom bands | :10:09. | :10:15. | |
as girls are. Is this a fad, will you soon be moving on to something | :10:16. | :10:21. | |
else? Maybe grow out of it. Get fed up eventually. Hopefully, not for a | :10:22. | :10:27. | |
long time. The creator has seen rainbow looms develop into a | :10:28. | :10:31. | |
multi-million-pound business. Lovely to see you. Where did the idea come | :10:32. | :10:36. | |
from? This idea started from my daughters. They were making rubber | :10:37. | :10:41. | |
band bracelets and helped each other to make it. The rubber bands kept | :10:42. | :10:46. | |
falling apart. I came up with a simple loom. It's been lucrative for | :10:47. | :10:51. | |
you. I read reports you have made $80 million? Last year, in US, we | :10:52. | :11:03. | |
sold $4 million worth of rubber bands and loom. Whatever happened | :11:04. | :11:07. | |
last year is happening now on the international arena. Mums, tell me | :11:08. | :11:10. | |
how you feel about this fad? international arena. Mums, tell me | :11:11. | :11:15. | |
are into it. Obsessed. They have 8,000 bands and want to go out with | :11:16. | :11:19. | |
their pocket money and buy more bands. You are like - really, do we | :11:20. | :11:24. | |
need more. It keeps them from the TV and computers. It's a creative thing | :11:25. | :11:28. | |
to do. They find out how to make even more complicate and exciting | :11:29. | :11:32. | |
things. They team themselves. They are being resourceful as well. How | :11:33. | :11:36. | |
good do you think you would be doing it? Have you tried o? Never tried. | :11:37. | :11:39. | |
It's challenge time to it? Have you tried o? Never tried. | :11:40. | :11:41. | |
adults can keep up with the kids. You have three minutes on the clock, | :11:42. | :11:52. | |
starting from... NOW! Get looming. I can see the attraction. Can you? I'm | :11:53. | :12:03. | |
finding it annoying at the moment. Half | :12:04. | :12:15. | |
And, everyone, your time is up! OK, mums, let us see how you have done. | :12:16. | :12:20. | |
Reveal - that's not bad. mums, let us see how you have done. | :12:21. | :12:21. | |
mums. Well done. mums, let us see how you have done. | :12:22. | :12:26. | |
you've managed to do in three minutes. Da-da! I think we know who | :12:27. | :12:35. | |
is the more profishent loomer, the kids! Round of applause. Good team | :12:36. | :12:42. | |
effort. Good effort. Billy, to be fair, didn't see much of that film | :12:43. | :12:45. | |
he was looking down the whole time. Let us see how far you have got? | :12:46. | :12:52. | |
Some. The basis for something. You are wearing it well. You are! Lee, | :12:53. | :12:58. | |
you've managed to do more. With my finishing touches. The He did very | :12:59. | :13:04. | |
well. Look at that. It's a full dress! | :13:05. | :13:08. | |
APPLAUSE. Not bad! We happen to know that that | :13:09. | :13:18. | |
lovely dress was brought in by Catherine Wright and her dawn Sian | :13:19. | :13:27. | |
and made by Kathryn Burnand. Surely Kathryn Rubberbanand. How long did | :13:28. | :13:34. | |
it take to make? 45 hours. How many loom bands? Over 20,000. Wonderful | :13:35. | :13:41. | |
family entertainment. I'm sure you will agree. On that family theme. | :13:42. | :13:47. | |
You are fascinated. I can't believe I'm sitting on a sofa talking rubber | :13:48. | :13:52. | |
bands with Billy Ocean. Typical One Show. You were into the family you | :13:53. | :13:58. | |
took a 14-year break at the height of your career to concentrate on | :13:59. | :14:02. | |
looking after the kids? Yeah. It wasn't meant to be 14 years, it was | :14:03. | :14:05. | |
taking time off. The kids started growing up. You know, my wife had to | :14:06. | :14:12. | |
make several trips. I thought to myself. In fairness, I had done, had | :14:13. | :14:17. | |
a certain amount of success in America. I had something like seven | :14:18. | :14:26. | |
top 10, four number ones, etc, etc. Satisfied with what you achieved? | :14:27. | :14:31. | |
Not quite. You don't get that much achievement without being slightly | :14:32. | :14:36. | |
selfish. I just... Guilt set in. I thought, take time off and help out. | :14:37. | :14:40. | |
There are so many things outside of what you are doing, you find if you | :14:41. | :14:44. | |
stop for a while there are so many things to get involved in. That is | :14:45. | :14:49. | |
more or less what happened. By the end of - it was more than 14 years. | :14:50. | :14:54. | |
17 years, I thought, hold on, I'm supposed to be singing and making | :14:55. | :14:59. | |
music. I sort of got back. You enjoyed the family so much. Yeah. My | :15:00. | :15:04. | |
eldest daughter is one of my singers. Backing singers. That is | :15:05. | :15:10. | |
right. Cherie. Before 19 93 you had sold over 30 million albums. Can you | :15:11. | :15:14. | |
believe it? Worldwide. Let us look at some | :15:15. | :15:14. | |
believe it? Worldwide. Let us look at classic Ocean. | :15:15. | :15:20. | |
# Baby, love really hurts without you | :15:21. | :15:26. | |
# Love really hurts without you # Now we're sharing the same dreams | :15:27. | :15:38. | |
# Suddenly, life has new meaning to me | :15:39. | :15:42. | |
# When the going gets tough # The tough get going. # | :15:43. | :15:59. | |
Have you smooched to a Billy Ocean song? Is this a classic Welsh chat | :16:00. | :16:08. | |
up line? I think it was When the Going Gets Tough! I have been known | :16:09. | :16:15. | |
to... Haven't we all? I am glad to be of service! Billy, you have got a | :16:16. | :16:22. | |
new single out, Love Train. Also, a new album as well. , Love Train is a | :16:23. | :16:34. | |
beautiful song for this time of our lives. It is very happy. Let us all | :16:35. | :16:41. | |
get together. It is really happy. There is enough sadness. I think I | :16:42. | :16:48. | |
am very fortunate to have chosen that particular song at this time. | :16:49. | :16:51. | |
It was just a coincidence. The album, Here You Are, covers of | :16:52. | :16:58. | |
people you have admired. Who have you chosen? Let me give you a brief | :16:59. | :17:05. | |
about the album. It is about a song that inspired me when I was growing | :17:06. | :17:09. | |
up. My father used to be a musician and one day he came home, I don't | :17:10. | :17:16. | |
know if you might remember, the old Philips radio, on and off switch, | :17:17. | :17:21. | |
one day, my father sat down, there was not any money to buy food and | :17:22. | :17:25. | |
one day he came home with this radio. Where he got it from, all I | :17:26. | :17:31. | |
can imagine is someone's radio went missing. In the goodness of his | :17:32. | :17:35. | |
heart committee brought radio home. On switching on this very simple | :17:36. | :17:43. | |
radio, I heard songs I would not have heard otherwise, international | :17:44. | :17:49. | |
songs, Frank Sinatra, Nat King Cole. My mother used to be domestic | :17:50. | :17:54. | |
so she used to iron and wash people's close and on Saturday | :17:55. | :17:59. | |
nights, it was ironing night. She would say to me, son, come and sing | :18:00. | :18:04. | |
for me. I used to learn these songs and sing. This is a thank you to all | :18:05. | :18:13. | |
of the people who have inspired you. I thought, one day when I grow | :18:14. | :18:19. | |
up... I am still growing up! I thought I would love to do something | :18:20. | :18:26. | |
with the songs. From those artists to some other artists. In April we | :18:27. | :18:31. | |
launched our summer art competition and we had hundreds of entries from | :18:32. | :18:37. | |
all over the UK. Last month the short list was whittled down to six | :18:38. | :18:43. | |
finalists whose work is on display in the Royal Academy Summer | :18:44. | :18:48. | |
Exhibition. Before Nick announces the result for the 13 to | :18:49. | :18:52. | |
17-year-old category, here is a reminder of the talented artists. In | :18:53. | :19:00. | |
April, we launched The One Show Summer Art Competition 2014 for | :19:01. | :19:03. | |
amateur artists. Last month we moved one step closer to finding our | :19:04. | :19:08. | |
winner when the judges selected re-entries from each category to go | :19:09. | :19:12. | |
through to the final. From the short listed entries here at The One Show | :19:13. | :19:17. | |
Summer Art Competition at the Royal Academy in London. Our first | :19:18. | :19:22. | |
finalist in a 13 to 17-year-old category is Lydia from Norfolk who | :19:23. | :19:27. | |
was 15. The judges loved the inventiveness of colour and also the | :19:28. | :19:33. | |
boldness of the painting. Being a finalist is really exciting for me. | :19:34. | :19:39. | |
I did not expect it at all. I think the competition has given me a lot | :19:40. | :19:43. | |
of confidence. In myself and the way I work. They trick spotter is my | :19:44. | :19:50. | |
main inspiration for my work -- Beatrice Potter. For my final piece | :19:51. | :19:56. | |
for the competition, I looked at things around where I live and where | :19:57. | :20:01. | |
I sit and paint in my room. It overlooks a meadow. I often see barn | :20:02. | :20:07. | |
owls hunting outside the window. Of course it would be nice to win, but | :20:08. | :20:13. | |
it is not too important for me, it is just nice to be there. Our next | :20:14. | :20:21. | |
finalist, Spencer, 16, from Preston. The judges loved the way he painted | :20:22. | :20:29. | |
the dog's fur. I have never had anything in a gallery before, do | :20:30. | :20:33. | |
have it in the Royal Academy, it feels really good. I prefer | :20:34. | :20:38. | |
portraits of people. I enjoy doing animals as well, but I like to try a | :20:39. | :20:43. | |
few different things sometimes and experiment a bit with what I am | :20:44. | :20:47. | |
doing. I was speaking to my dad about who I could do and he | :20:48. | :20:56. | |
suggested my great Granma. I can do it all day. The last and youngest | :20:57. | :21:03. | |
finalist is 14 and comes from Cumbria. The judges loved this | :21:04. | :21:10. | |
because it is done in pirate and said the virtuosity of the picture | :21:11. | :21:26. | |
was magnificent -- it is done in a Bich Biro. My previous piece, I | :21:27. | :21:33. | |
spent hours. I am normally really happy that one of my pieces of | :21:34. | :21:37. | |
workers in the Royal Academy. They thought of getting another one is | :21:38. | :21:42. | |
amazing. Three talented people but who has got what it takes to produce | :21:43. | :21:48. | |
a winner. I would not like to be a judge. Luckily, we have got Nick | :21:49. | :21:52. | |
Grimshaw! You are presenting the award for the 13 to 17-year-old | :21:53. | :21:58. | |
category. You have been celebrating at the Royal Academy with the head | :21:59. | :22:05. | |
honcho 's. How tense was the judging process? It was really hard. As we | :22:06. | :22:09. | |
saw last time, the level was so high. They stepped it up this time. | :22:10. | :22:17. | |
They were all really different. I liked them all for different | :22:18. | :22:19. | |
reasons. It was quite hard. Tougher than I thought. I am sure. What does | :22:20. | :22:28. | |
Andrew think? We saw you earlier, we are very excited about having a look | :22:29. | :22:32. | |
at this work. Were you surprised at the level? It is worryingly high. | :22:33. | :22:41. | |
The other thing to say is that as you will see in a moment, they are | :22:42. | :22:44. | |
all very different pictures. You are judging apples and | :22:45. | :22:48. | |
all very different pictures. You are hard. We came to a decision but they | :22:49. | :22:52. | |
are all fantastic. First, let us have a look at Lydia's second piece | :22:53. | :22:58. | |
submitted for the final. It is a dog. Nick, what was your verdict? | :22:59. | :23:08. | |
Did it start as an owl? She thought about drawing an owl! I was drawn to | :23:09. | :23:19. | |
it immediately. I love a dog and the expression. He looks so happy and | :23:20. | :23:25. | |
excited. I love the nose. It is amazing. He looks so good on telly | :23:26. | :23:34. | |
which is rarely and for us! -- which is brilliant for us. Spencer | :23:35. | :23:38. | |
Grimshaw from Preston. No relation! Beautiful. This is your great nan. | :23:39. | :23:52. | |
We thought she was having a trip of some kind! Slightly scary mouth. | :23:53. | :24:00. | |
Look at the skin, how good the mottled skin is, really talented | :24:01. | :24:06. | |
piece of painting. In acrylics, maybe. Oils. What is really clever | :24:07. | :24:12. | |
is that each tiny bit seems to jump out. Your eye keeps moving around. | :24:13. | :24:21. | |
Last but not least, Georgia. What did you think of this? Last time you | :24:22. | :24:38. | |
did the self-portrait in biro. I loved the detail. We loved all of | :24:39. | :24:47. | |
the light reflections. Incredible. Looking into the distance, I wonder | :24:48. | :24:51. | |
what she is looking at. This is the under 17! Mad! The moment has come. | :24:52. | :24:59. | |
Would you like to announce the winner of the 13 to 17-year-old | :25:00. | :25:05. | |
category? It is tough at over to you. We have decided it is Georgie. | :25:06. | :25:15. | |
APPLAUSE Great news! They are all brilliant. | :25:16. | :25:27. | |
They are also amazing, it was really hard. We loved them all for | :25:28. | :25:33. | |
different reasons. You have all got a great deal to be proud of. Keep | :25:34. | :25:37. | |
going. Great careers in front of you. You will sell pictures in the | :25:38. | :25:43. | |
future. The good news is both of your works of art will be at the | :25:44. | :25:47. | |
Royal Academy which is fantastic. Amazing. Still to come, the winner | :25:48. | :25:54. | |
of the over 18 category. What if instead of doling out | :25:55. | :25:58. | |
antidepressants, what if they had another way of tackling loneliness | :25:59. | :26:04. | |
in elderly people? Here is Joe Crowley. | :26:05. | :26:08. | |
Who would have thought it could make us happier, healthier and even | :26:09. | :26:16. | |
bridge the generation gap? The humble hen. Until last year, the | :26:17. | :26:23. | |
older residents of this housing association in Gateshead knew next | :26:24. | :26:29. | |
to nothing about hens. Now thanks to a project, they have dozens. They | :26:30. | :26:33. | |
take care of the hens, hatching eggs and rearing chicks. There is Doreen. | :26:34. | :26:42. | |
You name them after the ladies here? What do you do everyday question at | :26:43. | :26:49. | |
I made sure they have got water and let them out. How many eggs do you | :26:50. | :26:55. | |
get? They lay one payday. I really enjoy it. It keeps you fit and | :26:56. | :27:05. | |
healthy -- they lay one per day. I am only 23! Very good! We do that | :27:06. | :27:18. | |
price a year to get rid of the lice and mites -- twice a year. She | :27:19. | :27:25. | |
decided she would share a shower with us! Freshen up! With | :27:26. | :27:30. | |
ever-increasing pressures on the NHS and social care, GPs are being urged | :27:31. | :27:39. | |
to consider social prescribing. Social prescribing is about allowing | :27:40. | :27:45. | |
our patients, elderly people, to get into some activities they enjoy as a | :27:46. | :27:52. | |
part of recovery and well-being, rather than just prescribing a pill. | :27:53. | :27:59. | |
What sorts of activities work? It could be simple activities like | :28:00. | :28:04. | |
gardening, fishing. Since his wife's death five years ago, this | :28:05. | :28:09. | |
long-term resident knows only too well how isolation can be bad for | :28:10. | :28:15. | |
your health and well-being. I am 87. You have not got many friends left. | :28:16. | :28:21. | |
They have passed away. What were you doing on your own? Watching | :28:22. | :28:25. | |
television. The warden said one day, why don't you join the hen group? | :28:26. | :28:34. | |
When I went down, I met quite a few friends and it opened my life out, | :28:35. | :28:38. | |
really. I feel as though it has given me a focus in life now. Before | :28:39. | :28:43. | |
there was nothing to look forward to. One man said, are you new? I | :28:44. | :28:51. | |
said, I have been here three years. I knew nobody. Not until I started | :28:52. | :28:58. | |
seeing the hens. The hens have been the catalyst for you to integrate | :28:59. | :29:07. | |
and meet people will stop yes. These two led the campaign to win the | :29:08. | :29:11. | |
lottery funding to take hen power cross country. Today they are | :29:12. | :29:15. | |
spreading the word in a local school. We are going to tell you a | :29:16. | :29:20. | |
little bit about chickens. I have followed them on their road show. | :29:21. | :29:23. | |
Today they are at a primary school. This is about bridging the | :29:24. | :29:28. | |
generation gap, getting them out and active and sharing their love of | :29:29. | :29:36. | |
chickens. The first chicken was discovered in the jungle. Lovely and | :29:37. | :29:48. | |
silky, isn't it? I think... You know a lot about chickens? My grandad has | :29:49. | :29:54. | |
got chickens. There are eight projects like this in Gateshead and | :29:55. | :30:00. | |
some of the pensioners say they not only feel better but they are on | :30:01. | :30:05. | |
less medication too. Josh runs the project. Why does it work so well? | :30:06. | :30:13. | |
They are social creatures, they are nice to handle, they are a nice | :30:14. | :30:17. | |
shared response military. The school kids love it -- shared | :30:18. | :30:24. | |
responsibility. It gets people out and makes them happy, getting fresh | :30:25. | :30:30. | |
air, that is all life is about. Thanks to the lottery grant, maybe | :30:31. | :30:35. | |
hen power will be spreading a little happiness down your way quite soon. | :30:36. | :30:42. | |
Uplifting that. Chick advance been a wonderful adays to my life. Billy, | :30:43. | :30:47. | |
you are a big fan of chickens? It's a west Indian thing, the boys in my | :30:48. | :30:53. | |
family, village and area where I lived, the boys took care of outside | :30:54. | :30:59. | |
things, the girls did indoor things, ironing and washing and things. The | :31:00. | :31:03. | |
boys cleaned up the yard. I have a great story about a chicken. Let us | :31:04. | :31:11. | |
hear it. Now, one of my hens had chickens and this, if you have ever | :31:12. | :31:15. | |
seen a little chicken, it's a beautiful thing in the world, fluffy | :31:16. | :31:21. | |
little thing. I took it inside to show my sisters. The chicken, they | :31:22. | :31:30. | |
tend to pick at your legs. Right. So my youngest sister was afraid of it. | :31:31. | :31:36. | |
Beautiful chicken. She climbed up on the chair. She didn't quite make it. | :31:37. | :31:40. | |
She came back down and stepped on the chicken. Very sad. I cried. | :31:41. | :31:47. | |
Please tell me that is not the end of the antidote? No, that is it. | :31:48. | :31:52. | |
That is my chicken story. We didn't see that one coming. I have to say. | :31:53. | :31:59. | |
That is my chicken story. Sing Caribbean Queen, pick us up again! | :32:00. | :32:05. | |
That is my chicken story. We used to have a dog. He got run over! Right. | :32:06. | :32:14. | |
OK. We will have to move on. We know what people thought about the | :32:15. | :32:17. | |
project in that film. We do. We wonder what the hens thought of | :32:18. | :32:22. | |
them. They are in stitches now. Someone who might be able to tell us | :32:23. | :32:28. | |
is Lucy Cooke. Lucy is starring in a BBC series along with these adorable | :32:29. | :32:32. | |
mongooses. They are excited, excited. A reason | :32:33. | :32:35. | |
mongooses. They are excited, We worked it out. | :32:36. | :32:41. | |
mongooses. They are excited, autumn. I'm trying to concentrate on | :32:42. | :32:47. | |
- I'm going is it mongeese. We looked into this. | :32:48. | :32:52. | |
- I'm going is it mongeese. We mongooses. I would have gone for | :32:53. | :33:01. | |
mongeeses. Let us get back on track. Not Going Out. | :33:02. | :33:06. | |
mongeeses. Let us get back on track. have a moon goose? There is is a | :33:07. | :33:09. | |
relationship between what we talked about before. Because | :33:10. | :33:15. | |
relationship between what we talked love chickens. Let us get on to Not | :33:16. | :33:19. | |
Going Out. The seventh series is coming up in the autumn. I'm not | :33:20. | :33:21. | |
going to say coming up in the autumn. I'm not | :33:22. | :33:27. | |
There are happier chicken stories. Now, in the last series of Not Going | :33:28. | :33:33. | |
Out. Lucy and Lee had a little kiss. Albeit in a play. Yes. What is the | :33:34. | :33:38. | |
latest, what is going on? This is the new series. It's hard to talk | :33:39. | :33:43. | |
about it, you don't want to give away what happens, do you? No We are | :33:44. | :33:48. | |
changing the show. It's moving on. The end of the series. Is that vague | :33:49. | :33:52. | |
enough. That is quite vague. Any more. I have a sex change and become | :33:53. | :33:57. | |
a woman. No, we want Lee and Lucy to get it together! Well, that could | :33:58. | :34:01. | |
happen. It could happen. We are moving it on. That could mean we are | :34:02. | :34:05. | |
moving it on we are getting together or moving it on and going our | :34:06. | :34:15. | |
separate ways. We talk off air and we say, can we say this or not. You | :34:16. | :34:20. | |
were filming the Christmas special. You can say that. Is this the last | :34:21. | :34:25. | |
show? We filmed the Christmas Special for this year, which will be | :34:26. | :34:28. | |
the end of the series. That could be potentially be the last ever | :34:29. | :34:34. | |
episode, yes. Many a tear was shed. Did you enjoy - did you enjoy the | :34:35. | :34:39. | |
whole experience? Process. Yeah, I did. It's been seven years. Ages. | :34:40. | :34:45. | |
Agent years. I've had offers. I can't say offers, I have had one | :34:46. | :34:50. | |
offer from a film a long time ago. I can't really imagine doing it, it's | :34:51. | :34:55. | |
not as physical, movement as singing. You are sitting in one | :34:56. | :35:00. | |
place. My friend, Tim Vine has left the series, I'm looking for a new | :35:01. | :35:04. | |
mate. Billy Ocean at the bar, he doesn't ever speak, he only ever | :35:05. | :35:09. | |
sings. If I had chickens with me, I might be all right. There you go. | :35:10. | :35:13. | |
For some people who have not seen Not Going Out. Here is a clip when | :35:14. | :35:18. | |
Lee was trying to posh up a girl in a restaurant. See if you fans it, | :35:19. | :35:22. | |
Billy. I hope you don't assume the man has to pay for dinner. I'm | :35:23. | :35:27. | |
hoping you are not one much these women who assumes I can! | :35:28. | :35:48. | |
LAUGHTER Same again! | :35:49. | :35:51. | |
APPLAUSE It is very funny. More gags coming | :35:52. | :35:59. | |
you are back on tour, aren't you? From the 7th September in hit Hit | :36:00. | :36:04. | |
The Road Mack. Until Christmas Evish. 23rd. How much do you think | :36:05. | :36:09. | |
the show will change between September and Stoke and Manchester | :36:10. | :36:13. | |
when you get to the last show? Will it evolve? The jokes tend to stay | :36:14. | :36:17. | |
the same. You chat to the audience. You don't know what will happen. | :36:18. | :36:21. | |
Sometimes you get a lunatic in Doncaster who is not there in | :36:22. | :36:24. | |
Manchester. Sometimes you get one that comes to every show. They are | :36:25. | :36:29. | |
the really crazy ones. If we look at the moment of your tour of 2010. I | :36:30. | :36:35. | |
love this joke. Here we go. I hate computers, the terminology that they | :36:36. | :36:40. | |
use. The little terminology. I said, I can't get into my website. This | :36:41. | :36:45. | |
bloke said, have you tried dubables cookies? -- disabling cookies. I | :36:46. | :36:56. | |
said, I once bit the legs off a Gingerbread man! Thank you, One | :36:57. | :37:03. | |
Show. I don't like the fact you have shown a clip where I'm two stone | :37:04. | :37:08. | |
heavier. I look like a whippet with mumps. Swelly around the face. No, | :37:09. | :37:14. | |
you don't! Billy is also on tour. Yeah, touring. Lots of festivals. | :37:15. | :37:20. | |
Festival period now. I've done a lot of the indoor shows, theatres and | :37:21. | :37:24. | |
what have you, concert halls and thing. I'm into festivals. I enjoy | :37:25. | :37:29. | |
the festivals because the people come to have a good time. That is | :37:30. | :37:33. | |
what I love about festivals. I hope you don't mind. I pushed him into | :37:34. | :37:39. | |
slightly. Matt wants to ask you something. What is that. Back in the | :37:40. | :37:43. | |
day, before all of this telly lark started. I was a member of a disco | :37:44. | :37:50. | |
dance troop called Disco Inferno. 17 years ago, there, that is where I | :37:51. | :37:56. | |
met my wife. Right. Lovely lady. Your song Love Really Hurts Without | :37:57. | :38:02. | |
You, became our song. Thank you. Tonight is our tenth wedding | :38:03. | :38:06. | |
anniversary. Congratulations. Nicola is over there. Because it's the only | :38:07. | :38:10. | |
way she gets to see me because I'm working. OK. I wonder if, as the | :38:11. | :38:16. | |
guitar is there, would you please give us a chorus. I'd love to. This | :38:17. | :38:21. | |
is for Nicola and everybody out there who is celebrating an | :38:22. | :38:28. | |
anniversary. Chorus, right? # Baby, love really hurts without | :38:29. | :38:31. | |
you # Love really hurts without you | :38:32. | :38:35. | |
# And it's breaking my heart # But what can I do | :38:36. | :38:41. | |
# Baby, love really hurts without you | :38:42. | :38:45. | |
# Love really hurts through and through | :38:46. | :38:48. | |
# And it's breaking my heart # But what can I do... # | :38:49. | :38:58. | |
Happy anniversary. APPLAUSE | :38:59. | :38:59. | |
Happy anniversary to everybody out there. Happy anniversary, Nicola. | :39:00. | :39:04. | |
Very good. It was worth asking. There you are. Thank you, Billy. | :39:05. | :39:10. | |
Earlier we saw gore Gigha walked off with the first prize in the 13-17 | :39:11. | :39:15. | |
category in our art competition. It's time for 18 and over category. | :39:16. | :39:20. | |
Before Andrew crowns the winner here is Phil with your finalists | :39:21. | :39:26. | |
round-up. First up in the 18 and over category is an entry from | :39:27. | :39:39. | |
Surrey. Th judges choose Friend's Wife. I paint in layers, work with | :39:40. | :39:45. | |
soft layers on top of each other and add the detail in slowly to create a | :39:46. | :39:49. | |
soft complexion. To have my work in the Royal Academy is an honour. I | :39:50. | :39:53. | |
can't believe it again. It really means a lot. It makes me happy that | :39:54. | :39:57. | |
people think it's valuable enough to be in there. My final piece is a | :39:58. | :40:04. | |
portrait of my friend's great grandma, he is 100 years old. He has | :40:05. | :40:08. | |
huge amount of energy and happiness about her. Especially in this | :40:09. | :40:13. | |
photograph I have been given. She can touch her toes so deserves a | :40:14. | :40:19. | |
portrait. Whoever wins deserves it, they are great painters and great | :40:20. | :40:26. | |
artists. The judges loved Farmhouse Dominican Republic by Andrew | :40:27. | :40:30. | |
Larsson, they love the sense of light he captured and they really | :40:31. | :40:37. | |
felt the Primary school heat. Worker Andrew from Kent is our next artist. | :40:38. | :40:41. | |
I've never entered a competition before. I toyed with the idea a few | :40:42. | :40:45. | |
times, I never got the courage to go and do it. The main aim for me was | :40:46. | :40:50. | |
to have a work of art in the Royal Academy and to get that, in itself, | :40:51. | :40:56. | |
is like a dream come true. Trying to keep a level head. Not think about | :40:57. | :40:59. | |
the competition too much. Just paint what I want to paint. Some of the | :41:00. | :41:04. | |
photos I'm using for the composition is a place in Jamaica. I think, | :41:05. | :41:11. | |
buildings have character. They have emotion. A bit like a face. And, | :41:12. | :41:16. | |
they all have a story to tell, like people. It's just a little bit | :41:17. | :41:20. | |
different. Maybe a little bit more difficult. I do like to challenge | :41:21. | :41:27. | |
myself. The judges choose this portrait by Kurt Buckley it really | :41:28. | :41:32. | |
captured the character and also he they loved the stubble. The last | :41:33. | :41:41. | |
entry to get through comes from Southampton student Kurt. It means a | :41:42. | :41:45. | |
lot to win because it's a massive platform. A lot of people will see | :41:46. | :41:49. | |
the work. The first thing I do when I make a piece of art, I think about | :41:50. | :41:55. | |
what I want to draw. I go out and look for some people much I walk | :41:56. | :41:59. | |
around, scanning everyone thinking, yeah, no. When I find something I | :42:00. | :42:03. | |
want. I will approach them and go and ask for their photo. This chap | :42:04. | :42:08. | |
had powerful Piercing eyes, they screamed expression and emotion to | :42:09. | :42:12. | |
me. The competitive streak I have within me is quite high. I don't | :42:13. | :42:16. | |
really like to lose. I think everyone has an equal chance. They | :42:17. | :42:21. | |
are all worthy winners. There is only room for one. There we saw two | :42:22. | :42:27. | |
portraits in this character. You had your portrait done by David Hockney? | :42:28. | :42:31. | |
It was devastatingly accurate. Really, really unfair at the same | :42:32. | :42:37. | |
time. OK. It's a weird experience. He keeps stairing at you intensely, | :42:38. | :42:44. | |
it is called eyeballing. You feel as if you had your skin stripped off. | :42:45. | :42:49. | |
Not a comfortable thing to happen. It's really interesting. I couldn't | :42:50. | :42:58. | |
afford it. Mates rates, $165,000. You are joking? That was the cheap | :42:59. | :43:06. | |
version. Andrew! Owned by somebody in New York now. You have seen the | :43:07. | :43:10. | |
old Erekat grill for the first time today? Yes. What did you make of the | :43:11. | :43:14. | |
standard there? Again, the standard was so high. I was really bowled | :43:15. | :43:17. | |
over. Really impressed. Two incredible portraits. We will see | :43:18. | :43:23. | |
them now. Two incredible portraits and one landscape piece. I | :43:24. | :43:25. | |
them now. Two incredible portraits them all for different reasons. | :43:26. | :43:26. | |
them now. Two incredible portraits was quite, again, hard to make a Do | :43:27. | :43:30. | |
you decision. Have a favourite in mind? Yes. I think so. Yes. OK. Let | :43:31. | :43:37. | |
us look, shall we. If we look at the finished art from our three 18 and | :43:38. | :43:42. | |
over finalists. This is Charlotte Bradley from Surrey and her portrait | :43:43. | :43:46. | |
of her friend's great grandmother, Hilda. Look at that. We loved | :43:47. | :43:49. | |
of her friend's great grandmother, soft expression you did last time. | :43:50. | :43:54. | |
What was it that you loved and the judges loved? The texture of the | :43:55. | :44:00. | |
skin. A lot of people draw from photographs. It feels like you are | :44:01. | :44:04. | |
looking at the person. She has a very distinct impression on her | :44:05. | :44:05. | |
looking at the person. She has a face. Lovely texture to her skin. | :44:06. | :44:10. | |
Nearly 100 years old. Beautiful woman. A real sense of personality | :44:11. | :44:14. | |
blazing out of. It that is really, really hard to achieve. Fantastic | :44:15. | :44:20. | |
piece of work. A really hard to achieve. Fantastic | :44:21. | :44:25. | |
get. Never seen that expression in a picture. Nearly mid sentence, isn't | :44:26. | :44:32. | |
she? About to speak to us. Our next artist is Andrew Larsen from Kent. | :44:33. | :44:36. | |
Our only landscape artist in the final. There it is. Nick, what did | :44:37. | :44:40. | |
you make of this one? I loved this. It drew me in. | :44:41. | :44:41. | |
you make of this one? I loved this. so much to look at. As we thought | :44:42. | :44:47. | |
with the other one you did, the Dominican Republic, it feels warm. | :44:48. | :44:50. | |
You can... All the different elements of light. I loved. It I | :44:51. | :44:54. | |
loved all the texture, the wooden poles and the pavement. There is so | :44:55. | :44:58. | |
much to look at. Which I like. I like looking at a painting for a | :44:59. | :45:01. | |
long And finding time. Different elements. Let us look at the last | :45:02. | :45:06. | |
one of the three. Kurt Buckley from Southampton. Kurt has this wonderful | :45:07. | :45:10. | |
pencil portrait of a singer called King Charles. Again, I mean, you | :45:11. | :45:15. | |
were saying, Andrew, how do you separate them? You don't. He | :45:16. | :45:19. | |
deserves his name, King Charles. He looks a bit like me, I think! Very | :45:20. | :45:25. | |
similar. Sadly not. A beautiful intricate piece of work. A lot of | :45:26. | :45:30. | |
personality coming out of that. Three wonderful works. A treat for | :45:31. | :45:34. | |
us to watch. We spent a lot of time in front of these pictures looking | :45:35. | :45:38. | |
at them, talking about them at great length. You go away and come back | :45:39. | :45:41. | |
again. Maybe your opinion has changed now. There can only be one | :45:42. | :45:46. | |
winner. One winner. The winner is Charlotte, this wonderful painting | :45:47. | :45:47. | |
here. Thank you so much for your time. We | :45:48. | :46:02. | |
will see you next year. You can see all of the artists work and much | :46:03. | :46:09. | |
more at the Royal Academy Summer Exhibition in London until the 9th | :46:10. | :46:13. | |
of August. Lucy Cooke is here and soon we will be finding out how she | :46:14. | :46:21. | |
can talk to the animals. Before that, here is George on how bees | :46:22. | :46:26. | |
communicate with the flowers they feed on. What do they say? I don't | :46:27. | :46:35. | |
know, maybe hello, petal! Nice! We have known for some time flowers | :46:36. | :46:41. | |
advertise to bees right appealing to their sense of sight and smell. But | :46:42. | :46:48. | |
scientists at Bristol University have discovered that bees have an | :46:49. | :46:53. | |
additional sense. They can detect a rather surprising invisible queue | :46:54. | :47:01. | |
macro. For the first time, they have discovered bees can sense an | :47:02. | :47:05. | |
electric field. This professor has been leading the study. The first | :47:06. | :47:11. | |
sign of it was when we saw footage of bees approaching flowers and we | :47:12. | :47:15. | |
noticed the pollen was leaving the flour to jump on the beat. Then we | :47:16. | :47:22. | |
understood that perhaps there was an electrostatic force at play -- | :47:23. | :47:27. | |
leaving the flower to jump onto the B. They created a flight arena for a | :47:28. | :47:33. | |
colony of bees with a series of identical artificial flowers. Bees | :47:34. | :47:40. | |
like sugar so they set up half the feeding stations with a sugary | :47:41. | :47:44. | |
solution and half with a bitter one. Neither solution smells of anything | :47:45. | :47:48. | |
and there is nothing visual to attract them. We would be able to | :47:49. | :47:54. | |
test whether they can discriminate between these situations. As he | :47:55. | :47:58. | |
thought, the bees fed randomly as there was no information to guide | :47:59. | :48:02. | |
them to be sugar. But when a small electric field was added to the | :48:03. | :48:06. | |
sugary liquid there was a marked change. They could spot the | :48:07. | :48:10. | |
difference between them, choosing the sugar eight times out of ten. A | :48:11. | :48:16. | |
little bit of voltage was sufficient to show them the way to the sugar. | :48:17. | :48:21. | |
When we removed the electricity, none of the bees could do it any | :48:22. | :48:26. | |
more. That shows they are able to sense the electric field and | :48:27. | :48:29. | |
associate it with sugar. That is quite incredible. But then they went | :48:30. | :48:34. | |
on to discover something even more extraordinary. Taking the experiment | :48:35. | :48:40. | |
out of the lab and into the fields, they realised the bees and flowers | :48:41. | :48:44. | |
are actively communicating with each other during pollination. With their | :48:45. | :48:49. | |
fast moving wings, they become positively charged as they fly | :48:50. | :48:53. | |
through the air. Flowers are negatively charged as they are | :48:54. | :48:55. | |
grounded to the earth which is full of electrons. Both the flowers and | :48:56. | :49:03. | |
the bees have an electric field and the two start to interact. He has | :49:04. | :49:07. | |
connected an electrode to a flower to show this to measure current flow | :49:08. | :49:14. | |
which we can here as a. As the current changes, so does the tone. | :49:15. | :49:18. | |
We have a fake be that we can charge up so it acts like a real be. That | :49:19. | :49:27. | |
is the flower on its own. If I take this artificial be and rub it on my | :49:28. | :49:36. | |
trousers, that will create a charge. Amazing! Very clear. Just as we are | :49:37. | :49:45. | |
testing, a real bumblebee comes along. What is happening here? It | :49:46. | :49:57. | |
reaches the flower and it deposited charges. The flower has been visited | :49:58. | :50:02. | |
and it will be different. We are hearing the interaction between the | :50:03. | :50:07. | |
B and the flower's electric field. When the bumblebee lands on the | :50:08. | :50:11. | |
flower, it alters the charge for up to two minutes. He believes they | :50:12. | :50:16. | |
might be using the change to their advantage. If the bee is able to | :50:17. | :50:26. | |
change the potential, it might be able to tell the difference between | :50:27. | :50:31. | |
a flower that has been visited recently. It makes evolutionary | :50:32. | :50:39. | |
sense for the bee to not visit a flower that has been recently | :50:40. | :50:43. | |
visited. It is a win-win situation that benefits the bee Andy Flower, | :50:44. | :50:54. | |
they are both using now electric fields to their advantage. We can | :50:55. | :50:59. | |
see the invisible forces at work, flowers advertising themselves like | :51:00. | :51:03. | |
electrical billboards. Unbelievable. Flowers talking to | :51:04. | :51:11. | |
bees. How about zoologists talking to hippos? I am about to say hello | :51:12. | :51:18. | |
to the hippos. Will they get the message? They are hiding under | :51:19. | :51:20. | |
water. That was an, I am here, wasn't it? | :51:21. | :51:47. | |
His head is popping up everywhere. That is from a new programme on BBC | :51:48. | :51:53. | |
One tonight right after us, Talk to the Animals. It looks incredibly | :51:54. | :51:56. | |
intriguing. Talk us through the premise of this. One of the most | :51:57. | :52:05. | |
amazing experiences of my life. The really extraordinary thing about | :52:06. | :52:08. | |
hippos is that they are the only animal we know of that can | :52:09. | :52:12. | |
communicate above and below water at the same time. They have amphibious | :52:13. | :52:17. | |
communication. They make a fantastic evil Father Christmas noise and they | :52:18. | :52:24. | |
do that with their mouths and here it with their ears above the water | :52:25. | :52:28. | |
but obviously sound bounces off the water. Under the water, the sound | :52:29. | :52:33. | |
transmits through their throat in fatty deposits. They are | :52:34. | :52:37. | |
incredible. The evil Father Christmas noise, does it mean they | :52:38. | :52:41. | |
are unhappy? They have very eccentric sounds. They are rather | :52:42. | :52:49. | |
run the full -- rather wonderful. You look at | :52:50. | :52:51. | |
run the full -- rather wonderful. talk to each other. How varied would | :52:52. | :52:56. | |
you say the Kimi negation systems are? You have just seen with the | :52:57. | :53:03. | |
bees, animals use different ways of communicating. They use light, | :53:04. | :53:08. | |
gestures, all sorts of things. Earlier we had a look at the clip. A | :53:09. | :53:17. | |
little chat with some noisy mongooses. Why are they so vocal? | :53:18. | :53:25. | |
They live in family packs and need to keep in contact with each other | :53:26. | :53:29. | |
because they are always scoring around looking. Then to eat. They | :53:30. | :53:35. | |
keep in touch by making contact calls. What is so fascinating is | :53:36. | :53:39. | |
that they all sound the same to us, just a cacophony of squeaks, but the | :53:40. | :53:44. | |
squeaks just under a second long actually have a whole sentence of | :53:45. | :53:49. | |
information in there. They are giving away their identity and what | :53:50. | :53:53. | |
they are doing. They say, I am Lucy, I am digging. I am Lee, I am | :53:54. | :54:01. | |
foraging. I am Alex, I am resting. I am resting! That is quite apt! I | :54:02. | :54:09. | |
told you about this piece of information in the meeting earlier | :54:10. | :54:13. | |
and they looked at me as if I had two heads. Mongooses are sociable | :54:14. | :54:17. | |
creatures. Very gossipy. two heads. Mongooses are sociable | :54:18. | :54:25. | |
observed chimps in the series. How easy is it to decipher what chimps | :54:26. | :54:28. | |
are easy is it to decipher what chimps | :54:29. | :54:34. | |
their communication is a lot like ours. It was an | :54:35. | :54:37. | |
their communication is a lot like doing that. We went into the forest | :54:38. | :54:40. | |
in Uganda and saw wild chimps. One of the most fascinating things is | :54:41. | :54:46. | |
that these days we have all seen the images of Diane Fossey and David | :54:47. | :54:49. | |
Attenborough rolling around with apes and communicating with them, | :54:50. | :54:53. | |
but the new research is to observe and you do not interact at all. When | :54:54. | :54:58. | |
I was told that, all my life I had wanted to say hello and interact | :54:59. | :55:03. | |
with our closest relatives and the producers said, you mustn't, you are | :55:04. | :55:07. | |
not allowed. I was a bit disappointed. It was incredible | :55:08. | :55:11. | |
nevertheless. You had to pretend to be interested in a leaf. It was all | :55:12. | :55:17. | |
very profound. One animal you are very good at Munich catering with is | :55:18. | :55:22. | |
a sloth. Could you do it for us -- app very good at communicating | :55:23. | :55:27. | |
with. This is my best nation of a female sloth in heat. Very quickly, | :55:28. | :55:42. | |
this is Melanie. She says, this is me, I Ami Goth now. -- I am a Goth | :55:43. | :55:56. | |
now. She was an 80s' punk and this is her now. Before and after from | :55:57. | :56:01. | |
Patricia. Lovely stuff. Lucy, thank you for coming in and doing your | :56:02. | :56:13. | |
sloth. Thank you, Lee. Thanks to Andrew and Nick for being fantastic | :56:14. | :56:17. | |
judges. We will be back tomorrow with Rudolph Walker and Diane | :56:18. | :56:20. | |
Parish, Eastenders' Patrick and Denise. We leave you with Billy | :56:21. | :56:25. | |
Ocean singing his Grammy award-winning hit Caribbean Queen. | :56:26. | :56:26. | |
See you tomorrow. # She dashed by me | :56:27. | :56:36. | |
in painted on jeans # And all heads turned cos she was | :56:37. | :56:41. | |
the dream # In the blink of an eye | :56:42. | :56:45. | |
# I knew her number and her name, yeah | :56:46. | :56:51. | |
# She said I was the tiger she wanted to tame | :56:52. | :57:02. | |
# I went in search of a good time # Love was the furthest from my mind | :57:03. | :57:15. | |
# Caribbean Queen # Now we share in the same dream | :57:16. | :57:24. | |
# And our hearts beat as 1 # No more love on the run | :57:25. | :57:35. | |
# I lose my cool when she steps in the room | :57:36. | :57:41. | |
# And I get so excited just from her perfume | :57:42. | :57:50. | |
# Electric eyes that you cannot ignore | :57:51. | :57:56. | |
# Passion burns you like never before | :57:57. | :58:07. | |
# I was in search of a good time # Love was the furthest, furthest | :58:08. | :58:14. | |
from my mind, yeah # Caribbean Queen | :58:15. | :58:20. | |
# Now we share in the same dream # And our hearts, they beat as 1 | :58:21. | :58:31. | |
# No more love on the run # Caribbean Queen | :58:32. | :58:32. | |
# No more love on the run # We share in the same dream | :58:33. | :58:40. | |
# And our hearts, they beat as 1 # No more love on the run | :58:41. | :58:41. | |
# Hello, I'm Ellie Crisell with | :58:42. | :59:13. | |
your 90 second update. Police have arrested | :59:14. | :59:15. | |
660 suspected paedophiles | :59:16. | :59:17. | |
in a nationwide operation. Investigators spent six | :59:18. | :59:19. | |
months targeting people The number of people in work is | :59:20. | :59:20. | |
at record levels with another fall But wages are struggling to | :59:21. | :59:28. | |
keep pace with rising prices. They went up less than | :59:29. | :59:32. | |
one percent last year. Hollie Gazzard was stabbed to death | :59:33. | :59:35. | |
in a hairdressing salon | :59:36. | :59:38. |