Browse content similar to 16/09/2016. Check below for episodes and series from the same categories and more!
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Show, with Alex Jones and tonight's guest presenter. Interesting! | :00:25. | :00:47. | |
Hello and welcome to The One Show with Alex Jones... | :00:48. | :00:50. | |
..and for my Friday partner this week | :00:51. | :00:51. | |
it's the snookerstar DJ himself, Steve Davis! | :00:52. | :00:58. | |
I have never asked a question before, I thought that it was all | :00:59. | :01:06. | |
about me, but it is not! Could be a long night! | :01:07. | :01:08. | |
Our guest tonight is a man who's done it all, sold millions | :01:09. | :01:11. | |
of albums, won numerous awards, received an OBE, | :01:12. | :01:13. | |
and he's now co-written a West End musical | :01:14. | :01:19. | |
So why in his own calendars does he never smile? | :01:20. | :01:24. | |
look at the state of that, Take That 1995, Take That 1996... | :01:25. | :01:37. | |
Not a murmur! Even 20 years later... Having made lots of money... Not a | :01:38. | :01:46. | |
smile insight! Let's cheer him up! We will do our best, it is Gary | :01:47. | :01:55. | |
Barlow! That is not a miserable luck. More of a determined look. I | :01:56. | :01:59. | |
don't want you taking away my boring title! It should be the legend | :02:00. | :02:05. | |
snooker player, not the star Snakebite. You didn't know that he | :02:06. | :02:11. | |
was a DJ. A banging techno DJ. Glastonbury, have you ever done | :02:12. | :02:15. | |
Glastonbury? I have never done it, now I know that you have done it, I | :02:16. | :02:20. | |
am going to do it. -- not a star snooker player. | :02:21. | :02:24. | |
Gary's here along with his co-writer Tim Firth to tell | :02:25. | :02:27. | |
us about their Calendar Girls musical The Girls, | :02:28. | :02:28. | |
and here's a photo we did find of Gary smiling, | :02:29. | :02:31. | |
there they are stripping off together. | :02:32. | :02:33. | |
Comparing notes...? Our beautiful cars, we had them in the last photo | :02:34. | :02:39. | |
shoot one-year ago, completely naked, they were really up for it, | :02:40. | :02:44. | |
great sport, we thought, it is only fair, as the writers, we should get | :02:45. | :02:50. | |
our kit off. Was everything off, or just the top? We left on the kilt. | :02:51. | :02:55. | |
And we had air on a G string playing... LAUGHTER | :02:56. | :02:58. | |
when we've also got an exclusive live | :02:59. | :03:01. | |
performance from France's hottest music star, | :03:02. | :03:02. | |
and she'll be singing her new single for us, | :03:03. | :03:08. | |
Definitely!, fantastic. Very good indeed. | :03:09. | :03:17. | |
It's been ten years since laws came in banning using your phone | :03:18. | :03:20. | |
and it was actually the very first story | :03:21. | :03:24. | |
that Dom Littlewood covered for The One Show. | :03:25. | :03:26. | |
So in a week when the RAC, the press and the government have | :03:27. | :03:29. | |
all slammed motorists for ignoring the law in record numbers, | :03:30. | :03:31. | |
to see if anyone's been shamed into changing their ways. | :03:32. | :03:38. | |
VOICEOVER: We all know it is wrong and yet we still seem to be doing | :03:39. | :03:44. | |
it, how many times have you looked down and spotted somebody sending a | :03:45. | :03:48. | |
sneaky text message while stuck in traffic or making a sneaky phone | :03:49. | :03:52. | |
call while driving down a motorway, problem or because they are bored | :03:53. | :03:55. | |
and want to know how West Ham United did last night all what is for | :03:56. | :03:59. | |
dinner. Maybe this week is different, maybe we have all taken | :04:00. | :04:03. | |
notice. So I am going to take matters into my own hands. What we | :04:04. | :04:08. | |
need is a bit of psychology, a bit of bluff, a different approach, meet | :04:09. | :04:13. | |
The One Show's mobile phone scanner, don't worry, it is not real, but | :04:14. | :04:17. | |
perhaps this little beauty can help me suss out who has been using their | :04:18. | :04:24. | |
mobile phone on the road. Gary! Red! Bright red, just in. Where were you | :04:25. | :04:29. | |
half an hour ago? Parked up, promise, definitely. I reckon that | :04:30. | :04:33. | |
you were in your car at that point, driving. Have you made any calls | :04:34. | :04:41. | |
while driving? Yes, one. Have you? In your car? Yes... This is bad. | :04:42. | :04:47. | |
Where you still driving? No, I was stopped, I had stopped to get and | :04:48. | :04:54. | |
drinks. Eight calls, since Chris... All while driving on the phone. Why | :04:55. | :05:00. | |
did you not press by that, and call him back later on? Temptation! I do | :05:01. | :05:05. | |
it, it is like a habit. Is the message getting through? The | :05:06. | :05:08. | |
evidence will be on the roads, this is why I have teamed up with our | :05:09. | :05:12. | |
very own The One Show bike rider, to investigate, my rider has seen just | :05:13. | :05:17. | |
how often drivers flout the law in all sorts of ways, hitting the road | :05:18. | :05:20. | |
with him is the perfect way to get up close and personal with | :05:21. | :05:24. | |
offenders. On an average day, how many? Countless, numerous. It is the | :05:25. | :05:32. | |
biggest single threat to a motorcyclist's health and | :05:33. | :05:35. | |
well-being. No doubt. Let's crack on. Get off the phone! You are on | :05:36. | :05:48. | |
your phone, I saw it in your hand. Why are you on your phone? You are | :05:49. | :05:54. | |
driving, due in London, busy street, shouldn't be on your phone. -- you | :05:55. | :05:59. | |
are in London. What are you doing on the phone! That was outrageous. A | :06:00. | :06:08. | |
black cab, on the phone one hand, cigarette in the other! There you | :06:09. | :06:13. | |
have it, time for a bit more diligence on the roads. Joking | :06:14. | :06:18. | |
aside, it is a serious matter. People are getting killed, getting | :06:19. | :06:21. | |
hurt and injured. You really have got to sort it out. STUDIO: It is | :06:22. | :06:30. | |
not a laughing matter. Gary, do you ever allow your chauffeur... (!)... | :06:31. | :06:35. | |
Two uses phone? Definitely not, driving is a good excuse to put your | :06:36. | :06:42. | |
phone in the boot! It is about escaping from the phone, and being | :06:43. | :06:45. | |
in your own world. The girls, the tickets went on sale today and I'm | :06:46. | :06:48. | |
sure they have flown the shelves, so to speak, we have at the original | :06:49. | :06:53. | |
Calendar Girls on, at the beginning, they did it to raise money for | :06:54. | :06:57. | |
leukaemia, and you wrote the film, Tim, and the original play, you have | :06:58. | :07:01. | |
gone on to a musical. Where did the idea come from? Two things, we | :07:02. | :07:08. | |
return to it, because you feel there is unfinished business, another | :07:09. | :07:12. | |
story to be told, about the husbands, the children, we call it a | :07:13. | :07:22. | |
comedy Under Milk Wood, a story, a comedy, about a village green | :07:23. | :07:26. | |
musical, which could work. And we have always said, I knew Gary when | :07:27. | :07:33. | |
he was... Before take that? We met so long ago, we were in the same | :07:34. | :07:40. | |
town. It seemed logical. We have always talked about this, the two | :07:41. | :07:44. | |
things came together. I took him to see the play. We went to Milton | :07:45. | :07:48. | |
Keynes to see the play, and I suspected that Tim may want to put | :07:49. | :07:52. | |
music to this, and I loved the play, I thought it was amazing. Instantly | :07:53. | :07:56. | |
heard the music, and I thought, for those emotional music, -- emotional | :07:57. | :08:02. | |
moments, music would add to this, we have had great fun, he has been | :08:03. | :08:06. | |
working on this for five years. Long job. Playing out of London, playing | :08:07. | :08:11. | |
in Leeds and Manchester. To rave reviews. Coming to the west end in | :08:12. | :08:16. | |
January. And you have raised a few quid for charity as well. The show | :08:17. | :08:20. | |
itself raises money anyway. But the cast as well, it was of their own | :08:21. | :08:23. | |
decision, they decided one night they would stand in front of the | :08:24. | :08:28. | |
theatre, with buckets, and after every show they ended up doing this, | :08:29. | :08:33. | |
every night, we would race round, in Leeds, in the Lowry, alone, those | :08:34. | :08:36. | |
bucket collections raised over ?17,000, in coins, coppers, people | :08:37. | :08:48. | |
coming out. Is a taste of one of the songs. The play is brilliant, the | :08:49. | :08:50. | |
music has really added to it. This is one of the | :08:51. | :08:52. | |
songs called Dare. The lovely thing about it, you said | :08:53. | :09:13. | |
that you have already put it on in a couple of venues, you premiered it | :09:14. | :09:16. | |
in the Yorkshire village where the Calendar Girls began. | :09:17. | :09:22. | |
Burnshall, the Yorkshire village where it all began, | :09:23. | :09:23. | |
where you also premiered the musical, | :09:24. | :09:25. | |
how much did the locals get involved | :09:26. | :09:27. | |
and how did they help shape the show? | :09:28. | :09:28. | |
If you want an honest reaction, get four shows full of Yorkshire | :09:29. | :09:32. | |
villages, from the town, from the village, we gave them pieces of | :09:33. | :09:36. | |
paper, little pencil, and said, tell us exactly what you think, which | :09:37. | :09:41. | |
songs you like and do not like and boy, they did! I bet they did! It is | :09:42. | :09:45. | |
great though, you get it straight from the horses mouth, before it | :09:46. | :09:48. | |
comes to the west end. Definitely, with musicals, to get that story and | :09:49. | :09:53. | |
the balance right, you have got to put it on its feet. Put it in front | :09:54. | :09:58. | |
of an audience. We had this philosophy, for a musical to work it | :09:59. | :10:02. | |
has got to work in a church hall with a piano and we did that, Jack | :10:03. | :10:07. | |
told, piano. Not the first time you have work together. The first time | :10:08. | :10:11. | |
he was 15 years old! What was going on? It was a songwriting | :10:12. | :10:18. | |
competition, I had ended it sometime before. You often see these clips of | :10:19. | :10:25. | |
the young Gary Barlow, if you turn the camera around, you would have | :10:26. | :10:30. | |
seen me with a mullet, aged 20, as a judge! It was the earlier version of | :10:31. | :10:35. | |
this show, Nationwide! Here is lovely Gary! No! | :10:36. | :10:49. | |
APPLAUSE That jumper was very trendy at the | :10:50. | :10:57. | |
time, I will have you know! The Girls at the Phoenix Theatre in | :10:58. | :11:02. | |
London opens next January. And tickets | :11:03. | :11:05. | |
are available from today. Now the Calendar Girls haven't just | :11:06. | :11:07. | |
inspired Gary and Tim, there are literally hundreds | :11:08. | :11:11. | |
of groups who've gone on to produce their own | :11:12. | :11:15. | |
naked calendars since then, I am going to move in here... You | :11:16. | :11:26. | |
are the Treasurer! Where are you three from? Upton upon seven, I am | :11:27. | :11:32. | |
the Treasurer of the hot peppers WIA. Where did the idea come from? | :11:33. | :11:37. | |
We wanted to raise money for the local doctor 's surgery. We went to | :11:38. | :11:41. | |
the community, friends of the local doctor 's surgery. -- WI. Everybody | :11:42. | :11:49. | |
benefited. You raised ?1370. -- 1000 ?750. I particularly liked Mr May. | :11:50. | :11:58. | |
You look divine. Postmaster? Just retired. This was my first naked | :11:59. | :12:04. | |
shoot. Very liberating! I really enjoyed it, I would recommend it to | :12:05. | :12:09. | |
anybody. I like yours as well! Now, Rick... Alex... Hello, you were | :12:10. | :12:16. | |
saying your photograph is very interesting, ?4000, Poppy Appeal, | :12:17. | :12:21. | |
local church, thanks to your daughters, tell us about the | :12:22. | :12:25. | |
picture, what are you holding... Hold it aloft! A part-time hobby at | :12:26. | :12:31. | |
the weekends, I deliver wild bird food to people, and so I am selling | :12:32. | :12:37. | |
this young lady, my wife, a bag of peanuts, which is covering... A very | :12:38. | :12:42. | |
large bag of peanuts, I should say! LAUGHTER | :12:43. | :12:47. | |
Would you like to buy a bag of nuts? Very nice! And you raised ?4000, | :12:48. | :12:53. | |
thank you very much. Miranda, and win, here. We are from Rutland. We | :12:54. | :13:01. | |
were raising money for Macmillan. Just under 3000. We particularly | :13:02. | :13:07. | |
liked your photograph, Wynne, was this your first new modelling? At | :13:08. | :13:12. | |
75, yes it was. Can you remember what the article was that you were | :13:13. | :13:19. | |
reading so avidly? Was it liberating? I loved it! You have | :13:20. | :13:25. | |
raise lots of money. Thank you very much for coming along, Deborah, we | :13:26. | :13:28. | |
loved it. Round of applause. You've got to be brave | :13:29. | :13:32. | |
to strip off for a calendar, but it takes a different kind | :13:33. | :13:34. | |
of bravery to swim the channel. Particularly when you're just | :13:35. | :13:37. | |
eleven years old. VOICEOVER: Like all tough physical | :13:38. | :13:46. | |
challenges, there are many different records for swimming the English | :13:47. | :13:51. | |
Channel. Back in 1988, schoolboy Tom Gregory caused quite a stir when he | :13:52. | :13:55. | |
became the youngest person ever to swim the channel so low. He was just | :13:56. | :14:01. | |
11 news old, but in the year 2000, the regulations changed, you had to | :14:02. | :14:06. | |
be 16 to attempt the crossing solo. So, this record will never be | :14:07. | :14:12. | |
broken! Tom took just under an incredible 12 hours to swim across | :14:13. | :14:17. | |
from France. Now 39, he works in the City of London. Tom, being back | :14:18. | :14:22. | |
here, especially seeing the white cliffs, what memories does it bring | :14:23. | :14:27. | |
back? It is a beautiful day, when I landed 28 years ago, it was a day | :14:28. | :14:30. | |
similar to this. It is quite emotional. This was the end of a | :14:31. | :14:35. | |
gruelling for a training regime, led by the late John Bullitt, the coach | :14:36. | :14:43. | |
and inspiration behind the swim. He changed the lives of many people | :14:44. | :14:47. | |
from our part of south-west London, it was his vision to push youth to | :14:48. | :14:52. | |
go and achieve all that they can in this sport. Tom's parents were also | :14:53. | :14:57. | |
a great support, and his sister, Anna, who was a member of the same | :14:58. | :15:04. | |
swimming club. -- John Bullet. We had our reservation. Did people ask | :15:05. | :15:09. | |
if he should be doing this? We knew that it was about trust and | :15:10. | :15:12. | |
confidence, and John was a very competent coach. Cold water swimming | :15:13. | :15:16. | |
was an essential part of training, Tom Wood make frequent visits to | :15:17. | :15:19. | |
Lake Windermere, in the Lake District. It is colder than the | :15:20. | :15:24. | |
channel, and the water, being fresh water, much clearer. -- Tom would | :15:25. | :15:29. | |
make frequent visits. They say that if you can do a length in Lake | :15:30. | :15:33. | |
Windermere, you can do the channel. He did it with some ease, that is | :15:34. | :15:36. | |
when we knew that he would be ready. In the early hours of the morning, | :15:37. | :15:41. | |
sick of September, 1988, Tom found himself on a beach in France about | :15:42. | :15:43. | |
to take on this huge challenge. He briefly up, and 5:15 p.m., we | :15:44. | :16:00. | |
stepped into the water. The first half was complete and I remember | :16:01. | :16:05. | |
John telling me that, we are on for a sub ten swim. I think the last | :16:06. | :16:10. | |
third, it is almost hard to talk about, it was unpleasant, I was in a | :16:11. | :16:15. | |
lot of pain and I can remember falling asleep while swimming and | :16:16. | :16:22. | |
being shouted out. Tom was clearly struggling so another coach, Claire | :16:23. | :16:26. | |
Kent, jumped in and swam with him, he has not seen her for 20 years. Oh | :16:27. | :16:42. | |
my word! Hello. It brings it all back! How did you feel, at the | :16:43. | :16:46. | |
moment you saw him get out of the water and walk to shore? It was | :16:47. | :16:51. | |
amazing, incredibly proud, to see someone achieve what they want to | :16:52. | :16:57. | |
achieve. After he came ashore, he had to get back onto the boat to | :16:58. | :17:01. | |
take him to Folkestone where he had to go through customs! Then all the | :17:02. | :17:08. | |
camera crews were there. They got a quick interview with him. Tiring. | :17:09. | :17:18. | |
Very tiring. The next few days where a succession of television | :17:19. | :17:22. | |
appearances. I was pressing record on the video. Now, if you are under | :17:23. | :17:29. | |
16 and want to swim the channel, regulation state you have to be part | :17:30. | :17:33. | |
of a relay team and today, this swimming club which Tom used to | :17:34. | :17:39. | |
belong to, are in training. Here we go. And we have decided to join | :17:40. | :17:45. | |
them. What advice does Tom have for anyone willing to take on the | :17:46. | :17:49. | |
challenge? It is about that resilience to the cold, building | :17:50. | :17:52. | |
that ability to cope with the distance. After 30 minutes, it is | :17:53. | :17:58. | |
time for Tom to step back onto the English shoreline, just as he did | :17:59. | :18:01. | |
all those years ago. I can remember turning around, facing back out to | :18:02. | :18:10. | |
France, but there is a feeling, of year PE, but I was probably too | :18:11. | :18:16. | |
exhausted. Absolutely incredible. You could not imagine an 11-year-old | :18:17. | :18:21. | |
doing that now because of health and safety. Brilliant. Some work around | :18:22. | :18:26. | |
the world there might be. Not the channel. It would not be called the | :18:27. | :18:31. | |
channel. Steve has come in and he had the idea that he wanted to ask | :18:32. | :18:36. | |
you as many questions as possible. Per minute. This is where I come in. | :18:37. | :18:44. | |
Quickfire. They have to be interesting, because I am apparently | :18:45. | :18:47. | |
one of the most interesting people in the country, so to entertain me, | :18:48. | :18:53. | |
I will give you this. I like a bit of sound. I am boring. I am | :18:54. | :19:03. | |
disturbed. Have I got competition? If it is, that is what you will get. | :19:04. | :19:10. | |
I do not know if I am ready. How did the first take that big go? Very | :19:11. | :19:14. | |
badly. A lot of us slipped over, we did not really know the words, it | :19:15. | :19:18. | |
was a bit of a nightmare -- Take That. I wondered if there was any | :19:19. | :19:26. | |
future! What do you reckon? I thought you were going to spill the | :19:27. | :19:30. | |
beans on what was happening backstage. A lot of worry at that | :19:31. | :19:36. | |
point. Most inappropriate thing -- time fan has asked you an autograph? | :19:37. | :19:43. | |
In the toilet. Quite recently. People want self these anywhere and | :19:44. | :19:48. | |
in the photograph, this guy wanted our photographs. -- photographs. I | :19:49. | :19:54. | |
might not be able to put my other arm around you! That was a good one. | :19:55. | :20:01. | |
We like that. Strangest thing you have been sent by a fan? I have had | :20:02. | :20:08. | |
some strange ones. In the 1990s, I got sent by an 18-year-old, she must | :20:09. | :20:15. | |
have been a policewoman, it was a picture of her in combat. That was | :20:16. | :20:24. | |
it. Not for me to sign, it was a picture of her in combat with a | :20:25. | :20:28. | |
truncheon, hitting someone. The weirdest thing. Odd. Who's your | :20:29. | :20:33. | |
favourite snooker player of all-time? Got to be Ray Reardon! | :20:34. | :20:43. | |
LAUGHTER. Got to be Steve. On a scale of one to ten, where was Gary? | :20:44. | :20:50. | |
Got off to a bad start, but I think ten out of ten. Gary, you have been | :20:51. | :20:56. | |
involved in writing pop songs and musicals and you know, I am a techno | :20:57. | :21:05. | |
DJ, so neither of us know that genre, but I wanted to say happy | :21:06. | :21:08. | |
birthday to all of the punks out there. British punk music is | :21:09. | :21:13. | |
celebrating a big anniversary and Carrie went to see the band who | :21:14. | :21:19. | |
started it all. 40 years ago a landmark gig took place at this | :21:20. | :21:26. | |
venue in Oxford Street. The line-up included a newly formed band, The | :21:27. | :21:29. | |
Damned and just a few months later they went on to release the very | :21:30. | :21:38. | |
first UK punk single, New Rose. It was not saying we wanted to do it | :21:39. | :21:42. | |
before anyone else. But we were ready. Even if it all stopped there. | :21:43. | :21:50. | |
The Damned were at the forefront of the new movement kick-started by the | :21:51. | :21:54. | |
Sex Pistols here in London. 40 years on, it's birthday has been | :21:55. | :21:57. | |
celebrated by a special exhibition here at the British library. What | :21:58. | :22:02. | |
punk did was question the status quo and look at the way things were | :22:03. | :22:06. | |
done, look at the way record companies operated, looked at the | :22:07. | :22:10. | |
way music was supposed to be an thought they did not have to do it | :22:11. | :22:14. | |
that way, it may be more fun to do it another way to reflect the fact | :22:15. | :22:18. | |
that punk was central to the culture of the late 1970s. It is important | :22:19. | :22:23. | |
that we collect the records and everything that goes with it so that | :22:24. | :22:29. | |
people in the future can compare the mainstream culture with the | :22:30. | :22:32. | |
counterculture. The Damned emerge from a close-knit scene of | :22:33. | :22:35. | |
like-minded people when the founder member Brian James advertised for a | :22:36. | :22:43. | |
drummer. He said his name was Chris Miller. He attacked the drum kit and | :22:44. | :22:53. | |
he was great he was re-Crescent Rat Scabies and introduced into Dave | :22:54. | :23:01. | |
Vanni. I basically lied. -- Dave Vanian. I basically lied that I was | :23:02. | :23:11. | |
a singer to get the job. They were joined by the bases, Ray Burns. He | :23:12. | :23:19. | |
was very quiet. I think the second gig we did he reinvented himself as | :23:20. | :23:25. | |
Captain Sensible. We just clicked and we had confidence. It was us | :23:26. | :23:36. | |
against the world. A lot of that scene was really political, were you | :23:37. | :23:42. | |
guys anarchists? No. The only anarchy I was interested in was on | :23:43. | :23:49. | |
stage. I love avant-garde jazz and I wanted to play rock 'n' roll like | :23:50. | :23:55. | |
that. I wanted freedom. There are single New Rose perfectly captured | :23:56. | :24:00. | |
the moment. It is about the emerging punk thing and finally the music I | :24:01. | :24:05. | |
wanted to play, I met people to do it with. It was just an exciting | :24:06. | :24:09. | |
time and an exciting song came out because of it. Music is inspired by | :24:10. | :24:14. | |
a situation. It was a difficult time to live but it was an optimistic | :24:15. | :24:22. | |
time, creativity was everywhere. Everyone had something to do or say. | :24:23. | :24:29. | |
The Damned managed to get the first release out in 1976, how did they do | :24:30. | :24:37. | |
that? Mainly because we were on an independent label Stiff Records, it | :24:38. | :24:45. | |
helped us to be more flexible. They did not have the high production | :24:46. | :24:51. | |
schedules that other labels have, they were able to put The Damned | :24:52. | :24:55. | |
into the studio and think they were a bit rough around the edges, but | :24:56. | :24:59. | |
they put it out. The Damned went on to release the first punk album and | :25:00. | :25:03. | |
became the first British punk band to tour the USA. Dave Vanian and | :25:04. | :25:15. | |
Captain Sensible are still touring while O'Brien has his own band and | :25:16. | :25:20. | |
they are giving us a special performance of New Rose, after all | :25:21. | :25:25. | |
of these years -- Brian. What does it mean today when you look back and | :25:26. | :25:32. | |
think our record was the first ever punk record in the UK? It is just | :25:33. | :25:34. | |
one of those things, someone had to be first. What the hell, it is still | :25:35. | :25:43. | |
the best. I wish I had written it, but there you go! Thank you so much | :25:44. | :25:51. | |
to Carrie. We have a quick Take That update. Recording new music, tour | :25:52. | :26:00. | |
next year, 25 years next year for us, big greatest hits at the end of | :26:01. | :26:04. | |
the year. New album and new tour. Good news for many people. Thank you | :26:05. | :26:12. | |
to Tim. The Girls is on at the Phoenix Theatre. Now performing | :26:13. | :26:19. | |
their new single, Saint Claude from the album Charleur Humane, it is | :26:20. | :26:20. | |
Christine and the claims. -- Queens. # Voila qui laisse deviner que tout | :26:21. | :26:39. | |
se decide (cide-cide) # Tout detonne et tout me plait, les | :26:40. | :26:52. | |
mains sont # livides(vides-vides) # But if you say just one | :26:53. | :27:02. | |
word I'll stay with you # Que l'impatience comme certitude, | :27:03. | :27:28. | |
collier a trois fils (fils, fils) # Fidele aux violences qui operent | :27:29. | :28:08. | |
des que tu respires (pires, pires) # D'ordinaire cette | :28:09. | :28:28. | |
ville n'offre rien # Et cette ville est | :28:29. | :28:29. | |
morte je sais bien | :28:30. | :28:46. |