Browse content similar to 18/02/2013. Check below for episodes and series from the same categories and more!
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Welcome to the One Show with Matt Baker. And Alex Jones. Our guest | :00:23. | :00:27. | |
tonight is the only man guaranteed a place in busier's expect to find | :00:27. | :00:33. | |
a. He might be better off defecting to Strictly Come Dancing judging by | :00:33. | :00:43. | |
:00:43. | :01:02. | ||
Look at that. It is Dermot O'Leary, of course. That it looked so | :01:02. | :01:11. | |
impressive. Sh she was so good. We rehearsed for almost a full day | :01:11. | :01:14. | |
about two days before and they showed me the moves to start with, | :01:14. | :01:19. | |
her and a choreographer. I am thinking, I am never going to get | :01:19. | :01:25. | |
this. But it is repetition, repetition, repetition. During the | :01:25. | :01:30. | |
night were you nervous about that? I for God it was going to happen | :01:30. | :01:35. | |
and then I remember looking at my script and thinking, what is next? | :01:35. | :01:44. | |
Oh, No I have got to dance. I was fine up until then, 13,000 people. | :01:44. | :01:48. | |
It was Darcey Bussell who sent us that plate and she sent as it in | :01:48. | :01:55. | |
two parts. She sent you declare? The yes, we have got another bit. | :01:55. | :02:05. | |
:02:05. | :02:11. | ||
You have done that lovely dance. and in slow motion as well. Don't | :02:11. | :02:17. | |
go, you are not part of it. They give you suede shoes, as in Suede | :02:17. | :02:23. | |
on the bottom of your shoes. It is like putting butter on your feet. | :02:23. | :02:27. | |
You can spit on them and that is what gives you a bit of grit. Did | :02:27. | :02:36. | |
he not tell you that? No, she did not. When is she up for the One | :02:36. | :02:42. | |
Show? Obviously you are thinking in exactly the same way. If anybody | :02:42. | :02:48. | |
else agrees about that, let us know. Are fizzy drinks as dangerous as | :02:48. | :02:52. | |
smoking? Today the body that represents every doctor in the UK | :02:52. | :02:58. | |
suggests there are pretty awful measures needed to tackle the rise | :02:59. | :03:03. | |
in obesity. We have been looking at one of the issues that is often | :03:03. | :03:09. | |
blamed for our children leading less active lifestyles. The game on. | :03:09. | :03:14. | |
It is a global industry worth billions. Half of our homes have | :03:14. | :03:21. | |
access to a games console. Children aged between 12 and 15 clocked up | :03:21. | :03:26. | |
an average of 11 hours gaming a week, but when does it get out of | :03:26. | :03:31. | |
hand? Some say it can become an obsession and others say it can | :03:31. | :03:36. | |
become an addiction. Should parents worry now that kids have access to | :03:36. | :03:41. | |
all the latest computer games? Or is there something they can do | :03:41. | :03:49. | |
about it? Hang on, I am shooting. Our family had two boys aged 12 and | :03:49. | :03:54. | |
eight. They have three consols, so it is not surprising gaming is a | :03:54. | :04:01. | |
big part of their lives. What opinion have you got nowt on | :04:01. | :04:08. | |
computer games? We have totally opposite opinions. I do not like | :04:08. | :04:13. | |
them playing on games that do not have their age on it. I say to them, | :04:13. | :04:20. | |
they have got two hours. If I go out, Keith well forget about that | :04:20. | :04:25. | |
and leave them to play on it all day. I often have to go and say, go | :04:25. | :04:31. | |
out and play. They do not always like it. A like many parents, | :04:31. | :04:36. | |
Tracey worries about how much time her children spend on their consols. | :04:36. | :04:40. | |
Research by a Bristol University found too much screen time can have | :04:40. | :04:47. | |
an impact on a child's sleep and mental well-being. But help could | :04:47. | :04:53. | |
be at hand. This guy might be able to show Keith and Tracey how to | :04:53. | :04:59. | |
control their kids' gaming habits. Andy Roberts and is a family game | :04:59. | :05:03. | |
it expect. He is keen to know how often they play alongside the | :05:03. | :05:12. | |
children. I do not play on their games. What is the problem with | :05:12. | :05:16. | |
their having in their rooms? having them in the family room, you | :05:16. | :05:20. | |
do not have to police it so much and everybody can enjoy what is | :05:20. | :05:25. | |
happening. When children played video-games in their bedroom, | :05:25. | :05:30. | |
parents have little control over what they play and for how long. He | :05:30. | :05:33. | |
is suggesting something radical for this banner, bringing the consols | :05:33. | :05:39. | |
downstairs so that they can play together. Tracey is immediately | :05:39. | :05:43. | |
horrified by the game's Henry has been playing on his own. That is | :05:43. | :05:51. | |
awful. There is blood splattered all over the screen. I would like | :05:51. | :05:57. | |
to put it in the bin. The EC that and it is shocking, so you back off, | :05:57. | :06:02. | |
so there is no alternative and it is that or nothing. But by | :06:02. | :06:05. | |
investigating the breadth of games that are available, you can find | :06:05. | :06:12. | |
more alternatives which are just as engaging. So, lesson number one, | :06:13. | :06:17. | |
know what kind of games your kids are playing. Andy once Tracy to | :06:17. | :06:23. | |
spend time playing the game so it becomes more of a family experience. | :06:23. | :06:30. | |
Did I do that? Did you just hit me? No, you just hit me. How are you | :06:30. | :06:39. | |
doing come in Tracey. Go away. is learning all sorts in there. | :06:39. | :06:44. | |
are looking at the Games ratings. On most consoles you have the | :06:44. | :06:48. | |
opportunity to set the access controls for different games. | :06:48. | :06:53. | |
Vaz never played on the boys' consult either. Lesson number two, | :06:53. | :06:59. | |
had to change what they can access and how long they can play for. It | :06:59. | :07:03. | |
seems the boys have got a bit of competition while he gets on with | :07:03. | :07:11. | |
that. In the back of the net. difference has moving the games | :07:11. | :07:18. | |
into the family room actually made? We can monitor how long they are on | :07:18. | :07:24. | |
four and the time has gone. What are you going to do now? I am going | :07:24. | :07:30. | |
to sit at the box and read what the age means. It has opened my eyes | :07:30. | :07:35. | |
and I have had fun. I have got my way through it, I won. Have I | :07:35. | :07:45. | |
:07:45. | :07:46. | ||
mentioned that? That was really interesting. The main message I | :07:46. | :07:52. | |
have taken his do not bang your kids from playing the games, but do | :07:52. | :07:58. | |
not let the game's control them. Right, time for a bit of telly. I | :07:58. | :08:03. | |
am an expert now. Bring on the zombies. | :08:03. | :08:09. | |
It is not just the health problems caused by excessive gaming. Many | :08:09. | :08:13. | |
games allow players to interact online. When you realise that the | :08:13. | :08:17. | |
list of things that can be shared like pictures and text messages, | :08:17. | :08:22. | |
you need to understand why you need to limit the hours and put it in a | :08:22. | :08:27. | |
room where the whole family uses it. Dr Sarah Jarvis is with us now to | :08:27. | :08:31. | |
top about obesity and to block about the proposals to reduce | :08:31. | :08:38. | |
obesity. Let's start with a 20% tax on fizzy drinks. It is really | :08:38. | :08:41. | |
worrying if you are a parent and you are living on benefits and | :08:41. | :08:46. | |
money is tight. A lot of the unhealthy foods are cheap. But the | :08:46. | :08:53. | |
fact is, the number of health games you can do not just for your kids, | :08:53. | :08:57. | |
but for yourself as well, so actually the cause is well worth it | :08:57. | :09:02. | |
in terms of health care later. We have seen exactly the same thing | :09:02. | :09:09. | |
with gaming. We have got a great player here. I do not get much time | :09:09. | :09:19. | |
:09:19. | :09:22. | ||
to do it. Do you do exercise? read a great book ages ago called | :09:22. | :09:32. | |
:09:32. | :09:32. | ||
Joystick Nation. I wanted to find out about the person who wrote it. | :09:32. | :09:38. | |
In it she purports that if you get a generation of gamers, so long as | :09:39. | :09:48. | |
it is in the right place, and it can lead to two people sharing more | :09:48. | :09:53. | |
initiative. As long as it is monitored. It is sort of common | :09:53. | :09:57. | |
sense, but what advice do you have four parents who fear their child | :09:57. | :10:02. | |
is overweight? What can they do? The first thing to do is talk to | :10:02. | :10:06. | |
your GP or your health visitor about whether or not they are. But | :10:06. | :10:12. | |
it is scary as a parent. On the one hand, you have got kids who are | :10:12. | :10:16. | |
being faced with advertising all the time. They are glamourous and | :10:16. | :10:20. | |
expensive adverts and then you have got parents who are scared to let | :10:20. | :10:26. | |
their kids out. Take it as a positive opportunity. Lots of kids | :10:26. | :10:31. | |
who are overweight have a hard time at school being teased. Do not send | :10:31. | :10:36. | |
them out to play, go out with them. They will probably know a lot about | :10:36. | :10:41. | |
healthy eating that they can teach you. It can be a good opportunity | :10:41. | :10:50. | |
for all of you to engage together. She is good. She is bang on. I | :10:50. | :10:56. | |
could just witter on. We have only got half an hour. | :10:56. | :11:01. | |
Dermot has released his 4th Saturday Sessions CD. I have to | :11:01. | :11:05. | |
stress this is not me singing. is a selection of the best live | :11:05. | :11:10. | |
music from his Radio 2 show. It is artists singing acoustic | :11:10. | :11:17. | |
versions of other people's songs. # And all the bridges are burning | :11:17. | :11:22. | |
that we might have crossed and I feel so close to everything that we | :11:22. | :11:28. | |
have lost. # We will never have to lose it | :11:28. | :11:34. | |
again. #. And all the lonely people, where do | :11:34. | :11:40. | |
they all come from? # And all the lonely people, where | :11:40. | :11:48. | |
do they all belong? # Got to get out while we are young, | :11:48. | :11:56. | |
because tramps like as, baby, we were born to Run... #. | :11:56. | :12:03. | |
The CD is worth it for that song alone. The that is why we do it. We | :12:03. | :12:07. | |
get a couple of bans on a week and they will do one of their songs and | :12:07. | :12:15. | |
a cover and we get great act so on. We have had Amy Winehouse and our | :12:15. | :12:24. | |
remit is to break the boundaries. But there might be other bands as | :12:24. | :12:29. | |
well, and then you will get a brilliant young band on and they do | :12:29. | :12:34. | |
a fantastic cover like that and so if we can let people let know about | :12:34. | :12:44. | |
this great music, it is good. do they decide what to do? Every | :12:44. | :12:50. | |
now and again we will throw their a curved ball. Do you fancy doing a | :12:50. | :13:00. | |
Chas and Dave number? We got loads of bans sending in covers of it. | :13:00. | :13:04. | |
The bigger the artist, the more likely they will be one of their | :13:04. | :13:09. | |
own songs, and you do not mind that because they have got a big back | :13:09. | :13:14. | |
catalogue. Will Young is extraordinary. He will hire a | :13:14. | :13:19. | |
studio and spent a day honing his cover. He has done it running up | :13:19. | :13:29. | |
:13:29. | :13:33. | ||
that hill by Kate Bush. Hearing people's take on other people's | :13:33. | :13:40. | |
songs is great. He turned hanging on the telephone into a gospel | :13:40. | :13:46. | |
number. Now we want to talk about ours. We have created our own CDs. | :13:46. | :13:55. | |
It is not available in any shops. There is only one. | :13:55. | :13:57. | |
Now That Is What I Call Songs That Mean Something Special To One Show | :13:57. | :14:03. | |
Viewers. At least the ones that e-mail us. | :14:03. | :14:13. | |
:14:13. | :14:15. | ||
The song that means the most to me his Angels by Robbie Williams. | :14:15. | :14:19. | |
just turned 18 two weeks before and I was in an horrific car accident | :14:19. | :14:24. | |
leaving me in a coma for three weeks. The first song I ever | :14:24. | :14:31. | |
remember hearing was Angels. It was the wording to it even more than | :14:31. | :14:38. | |
the song that I connected with. eighth # She offers me protection, | :14:38. | :14:43. | |
a lot of love and affection... Rokeby House. When she first heard | :14:43. | :14:51. | |
the song she absolutely loved it and it made her so happy. For the | :14:51. | :14:55. | |
first three years. I was stuck in a wheelchair and I had to learn to | :14:55. | :15:01. | |
talk again. She had got her life her back on track and it made her | :15:01. | :15:10. | |
think of her recovery. My name is Paul and my favourite song is | :15:10. | :15:18. | |
Dancing Queen by Abba. You feel as if you want to party and dance, or | :15:18. | :15:28. | |
:15:28. | :15:40. | ||
it can make you want to reflect and We went to the concert and we | :15:40. | :15:45. | |
waited and we waited, and then that the band stepped out. They waved at | :15:45. | :15:52. | |
me and it sold very special to me at that age. Mining is Wendy and my | :15:52. | :15:59. | |
favourite song is Michelle by the Beatles -- my name is Wendy. My dad | :15:59. | :16:05. | |
always loved the name of Michel and he loved the song and I never knew | :16:05. | :16:11. | |
why. After my father died, I was given a box by my grandmother, and | :16:11. | :16:16. | |
I was told that the contents were mine. When I opened the box, I | :16:16. | :16:22. | |
found inside was a photograph, a birth certificate. Unfortunately in | :16:22. | :16:27. | |
the end column of the birth certificate was written the word | :16:27. | :16:32. | |
"adopted". It took over one year to do it, to say that my sister had | :16:32. | :16:39. | |
been found. I am with Michel today. This is the hotel that we met in | :16:40. | :16:48. | |
six years ago. I can almost say to my father even though he is not | :16:48. | :16:57. | |
here, I found Yorke Michel for you. -- York Michel. My name is Amanda. | :16:57. | :17:02. | |
My favourite song is Wish You were Here by Pink Floyd, which I | :17:02. | :17:06. | |
discovered as a very young teenager because I used to go into my | :17:06. | :17:14. | |
brother's bedroom all the time and Nicky's CDs. -- steal his CDs. I | :17:14. | :17:19. | |
listen to it an awful lot. It reminds me of my dad because I lost | :17:19. | :17:26. | |
my dad when I was a team. Every word, every emotion that is in that | :17:26. | :17:32. | |
song seems to reflect how I felt and how I still feel -- I lost my | :17:32. | :17:38. | |
dad when I was 18. Because I still wish he was here. My name is Kate | :17:38. | :17:47. | |
Nash and my favourite song is Albatross by Fleetwood Mac. When I | :17:47. | :17:53. | |
was 13, I went to the local village disco and they always played a slow | :17:53. | :17:58. | |
dance and on this particular evening it was Fleetwood Mac, | :17:58. | :18:03. | |
Albatross. A very handsome young 15-year-old asked me to dance. I | :18:03. | :18:08. | |
remember that moment to this day. Because my stomach did a flip and I | :18:08. | :18:17. | |
just knew that he was the man for me. We have been happily married | :18:17. | :18:27. | |
:18:27. | :18:28. | ||
for 33 years now. Aren't I lucky! hope I find a husband like that. | :18:28. | :18:36. | |
Your viewers are nice of stock this is this CD. Albatross is a lovely | :18:36. | :18:44. | |
song. You just want to click back with a glass of red wine when you | :18:44. | :18:51. | |
listen to that. Do you have a favourite soul? Yes. The problem is, | :18:51. | :18:57. | |
or we have only got 15 minutes. We need a few drinks to talk about | :18:57. | :19:02. | |
this. If you put me on the spot, my favourite album is Bruce | :19:02. | :19:07. | |
Springsteen's born to Run, and Eva Thunder Road or "meeting across the | :19:07. | :19:15. | |
River". Two years ago, Giles Duley was on patrol with soldiers from | :19:15. | :19:19. | |
Afghanistan when he stepped on a hidden explosive device. He lost | :19:19. | :19:24. | |
both legs and an arm. 18 months later, he kept his | :19:24. | :19:30. | |
promise to recover and returned to Afghanistan. | :19:30. | :19:33. | |
It is not long before he photographs his first emergency | :19:33. | :19:39. | |
admission. Two patients have arrived with injuries. You are | :19:39. | :19:43. | |
thinking more now than ever about the patient and I do not want to be | :19:43. | :19:47. | |
in their face for long. It is getting my job done as quickly as | :19:47. | :19:52. | |
possible and getting out. My main focus was not getting in anybody's | :19:52. | :19:57. | |
way and falling. I was so focused on that and taking the picture... I | :19:57. | :20:01. | |
will not say I was happy with how it went because you could not be | :20:01. | :20:09. | |
happy about that, but I did my job. Welcome. Your story has been told | :20:09. | :20:13. | |
in a documentary that Aires on Channel 4 or Thursday and it shows | :20:13. | :20:17. | |
you going back to the hospital, but before that, can you tell us about | :20:17. | :20:23. | |
the day when your life changed forever? I was with a group of | :20:23. | :20:27. | |
American soldiers doing a story about the impact of war on American | :20:27. | :20:33. | |
soldiers. We were on dawn patrol. We had been ambushed the day before. | :20:33. | :20:38. | |
As we were there, there was a moment of calm. I had taken a | :20:38. | :20:46. | |
couple of photographs. As I walked off, I stepped on an IED. This was | :20:46. | :20:51. | |
the last picture I'd tape. It was months later before I actually went | :20:51. | :20:55. | |
through the files and it was quite severe because I did not remember | :20:55. | :21:02. | |
taking it, but the IED is actually in that picture. You could not see | :21:02. | :21:10. | |
it obviously. And the US Medivac men came and picked you up. They | :21:10. | :21:15. | |
had cameras and you seem incredibly with it. What do you remember? | :21:16. | :21:19. | |
Everything was very vivid. I kept focusing on getting through the | :21:19. | :21:24. | |
next five minutes, the next 10 minutes, staying as calm as I could. | :21:24. | :21:29. | |
I knew I couldn't do anything other than focus on breathing. We you | :21:29. | :21:38. | |
feeling pain at the time? What do you think? No, it was beyond pain! | :21:38. | :21:42. | |
I was lying and these guys started putting a tour Nikkei on and it | :21:42. | :21:46. | |
really hurt. That was the first moment and that was the moment I | :21:46. | :21:53. | |
thought, I am going to make it, as soon as I felt such pain. And 30 | :21:53. | :21:56. | |
operations later it you went back. You made the promise before that | :21:56. | :22:01. | |
terrible day. Did you think to yourself, I am not sure I can go | :22:01. | :22:08. | |
back? Many times. I stupidly said I was given to go back and as soon as | :22:08. | :22:14. | |
I said it out loud... Lots of times, even when the plane landed in | :22:14. | :22:19. | |
couple I thought, I wonder if this is going back now? -- landed in | :22:19. | :22:24. | |
Afghanistan. But I love this job and that over ride did my fears. | :22:24. | :22:30. | |
The this was in November you went. The irony is you we should in this | :22:30. | :22:33. | |
documentary to make a story of those people that had been affected, | :22:33. | :22:38. | |
just like you. My work for ten years has been documenting | :22:38. | :22:43. | |
civilians that have been caught up in war. I am not a war photographer. | :22:43. | :22:48. | |
It is ironic that the exact job I was doing was of people who had | :22:48. | :22:52. | |
suffered injuries like me. A so you met some people similar to | :22:52. | :22:59. | |
yourself? Yes, this is a young boy, Attaullah, seven years old. Walking | :22:59. | :23:05. | |
to school, stepped on a mine. Lost his arm and his legs. He was | :23:05. | :23:11. | |
injured a couple of months after me. As a 40-year-old man, that almost | :23:11. | :23:16. | |
destroyed May. To see a seven-year- old go through that, walking to | :23:16. | :23:23. | |
school. It is wrong. And this is an older gentleman. Said lost both his | :23:23. | :23:28. | |
legs. He is a stone mason. He had been driving to work and he and his | :23:29. | :23:34. | |
brother had driven over and IED and he lost his legs. What he had gone | :23:34. | :23:39. | |
through was bad enough but he was more worried about going home, his | :23:39. | :23:43. | |
family of eight to support and they would now be destitute. I always | :23:43. | :23:48. | |
had this back-up. Somebody in Afghanistan, you face a whole life | :23:48. | :23:53. | |
of destitution and difficulty. main thing that came across, all of | :23:53. | :23:57. | |
these people were civilians. They were not soldiers that were | :23:57. | :24:01. | |
fighting. They are just people caught up in this terrible | :24:01. | :24:07. | |
situation. Over the last 100 years, 90% of casualties in the First | :24:07. | :24:11. | |
World War were people fighting. Nowadays, most people who get | :24:11. | :24:15. | |
injured of civilians in war and they are innocent. Thanks ever so | :24:16. | :24:19. | |
much for talking about this. Walking Wounded: Return to the | :24:19. | :24:22. | |
Frontline is on Channel 4 on Thursday at 10pm. | :24:22. | :24:27. | |
Time to take things under water. Miranda has been to visit a | :24:27. | :24:31. | |
steamship that is now a wildlife haven. | :24:31. | :24:35. | |
A for centuries, sail ships were the only means of transporting | :24:35. | :24:40. | |
people and cargo around the world. But with the Industrial Revolution | :24:40. | :24:47. | |
came a big change in shipping. From wind power to steam. Today, I have | :24:47. | :24:51. | |
come to meet a Guernsey maritime historian and salvage experts to | :24:51. | :24:57. | |
find out more. The first steam has appeared in 1860 and they would | :24:57. | :25:04. | |
just converted sailing vessels with a steam-engine in them and by the | :25:04. | :25:08. | |
1890s, a total revolution, everything was steam-powered. | :25:08. | :25:14. | |
Because the reliability of them, and pure economics. But even for | :25:14. | :25:19. | |
the mighty steam ships, it was not plain sailing. The rocky shores | :25:19. | :25:22. | |
around the Channel Islands are treacherous and littered with | :25:22. | :25:29. | |
shipwrecks. This very handsome Bell comes from a shipwreck, and the | :25:29. | :25:33. | |
ship lies very close to hear. What happened to her? She left | :25:33. | :25:40. | |
Middlesbrough with her cargo and steamed into a big bank of fog. The | :25:40. | :25:45. | |
tides are notorious around here. The tide had taken 10 miles of | :25:45. | :25:51. | |
course. As the inquiry report says, the engineer came up, saw a wreath | :25:51. | :25:57. | |
go past and immediately changed the course, straight into another rocks. | :25:57. | :26:01. | |
Fortunately, no lives were lost and as it is only a short boat ride to | :26:01. | :26:06. | |
the side of the shipwreck, now lying just offer the tiny island, I | :26:06. | :26:11. | |
am heading out to see her in her final resting place. We are just | :26:11. | :26:16. | |
approaching it now. Even on a calm and clear day, these are incredibly | :26:16. | :26:21. | |
challenging waters to navigate. Rocks are everywhere, and there are | :26:21. | :26:24. | |
plenty more hidden beneath the surface of the water. Imagine what | :26:24. | :26:29. | |
it was like on the Fourth that night. It was dark and soggy and | :26:29. | :26:36. | |
must have been absolutely terrifying. The loss of a ship can | :26:36. | :26:41. | |
be a disaster for us but to rely for, it can be a real gift, as I am | :26:41. | :26:47. | |
about to discover -- but for up the real life 4 * I am nearly at the | :26:47. | :26:57. | |
:26:57. | :27:00. | ||
It feels like the ribs of a skeleton. We are swimming up to the | :27:00. | :27:06. | |
boiler. This is where the fires would have been stoked to produce | :27:06. | :27:15. | |
the steam that powered the engines and it is now home to some UN -- | :27:15. | :27:23. | |
Wherever I look, every inch of available space seems occupied by a | :27:23. | :27:28. | |
thriving community of sea creatures. Because the waters around the | :27:28. | :27:33. | |
Channel Islands are so warm and clear, you get exotic-looking coral | :27:33. | :27:40. | |
like this one. Sea ferns normally grow on to flat structures, but | :27:40. | :27:44. | |
here the currents are so multi- direction will that you get much | :27:44. | :27:49. | |
more of a three-dimensional structure to the firm's. And a | :27:49. | :27:54. | |
shipwreck like this offers shelter and a perfect home for one of our | :27:54. | :28:03. | |
most unusual fish. This beautiful fish is a female cuckoo wrath. You | :28:03. | :28:09. | |
can see she is much paler. The males are more brightly coloured | :28:09. | :28:14. | |
than the females, which is fairly common in the animal kingdom, but | :28:14. | :28:18. | |
what is uncommon is the fact they can change sex and Ismail would | :28:18. | :28:24. | |
have started life as a female. -- and this mail. They will have been | :28:24. | :28:29. | |
the born with both male and female sex sells, so when someone in the | :28:29. | :28:38. | |
group Dyers, it triggers a massive change in one of their brains and | :28:38. | :28:45. | |
she becomes he. Now this ship is providing Anchorage for a whole new | :28:45. | :28:51. | |
community. I can really feel the current picking up now. I think it | :28:51. | :29:01. | |
You have to swim a long way to see a better underwater presenter than | :29:01. | :29:04. | |
her. Whilst we are talking about | :29:04. | :29:13. | |
changing sex. I am here! This is US Mary Berry. And Miranda. -- and | :29:13. | :29:19. |