Browse content similar to 18/03/2014. Check below for episodes and series from the same categories and more!
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Second day on the job, Jo. Are you settling in? I am, Matt. Thank you | :00:13. | :00:20. | |
for asking. But I didn't read the small print. There's a bit about | :00:21. | :00:25. | |
smiling. Oh, really? It says, One Show presenters must maintain | :00:26. | :00:28. | |
visible signs of enjoyment at the beginning of each show. Yes, that's | :00:29. | :00:31. | |
very important. I am smiling, Matt, just not on the outside. | :00:32. | :00:48. | |
Hello and welcome to The One Show with Matt Baker... And a very smiley | :00:49. | :01:00. | |
Jo Brand! Radiating joy. And there's a genuine reason to smile, Jo, | :01:01. | :01:12. | |
because Alex has started her climb. There she is. That little white dot | :01:13. | :01:19. | |
at the very bottom. That is Alex. We will be following her tonight. To | :01:20. | :01:32. | |
Alex. She will be fine. Alex has been really scared up to now. If you | :01:33. | :01:43. | |
have a picture of you doing something you never thought you | :01:44. | :01:47. | |
would, send them in and we'll send the best ones to Alex. Here is | :01:48. | :01:52. | |
tonight 's guest, overcoming his fears. | :01:53. | :02:00. | |
Here he is. The facetious, the mischievous, the razor sharp, Louis | :02:01. | :02:14. | |
Theroux. Welcome! Have a seat. Tell me. What is the scariest thing you | :02:15. | :02:21. | |
have ever done in one of your shows? Other than being bitten by a dog, I | :02:22. | :02:28. | |
have filmed at prisons, I have filmed at riots. I auditioned for | :02:29. | :02:35. | |
Norwegian television as a singer on a cruise liner. Craig Revel Horwood | :02:36. | :02:43. | |
was one person auditioning me. The boys dried up, the panic I felt. I | :02:44. | :02:49. | |
was trying to seeing, or with a little help from my friends. It was | :02:50. | :02:55. | |
terrible. -- I was trying to seeing, With A Little Help From My | :02:56. | :03:11. | |
Friends. Alex has started her challenge. We were hoping to speak | :03:12. | :03:18. | |
to her live tonight but the start time was moved earlier to give her a | :03:19. | :03:23. | |
chance of reaching her hanging accommodation, which just looks | :03:24. | :03:32. | |
horrendous. And small. You will see all of that later. So, before she | :03:33. | :03:36. | |
stepped foot on the vertical 1200ft high Moonlight Buttress, Alex | :03:37. | :03:45. | |
recorded this message. It is Tuesday morning and it is time for me to | :03:46. | :03:49. | |
face my dear. By the time you're watching this I will already have | :03:50. | :03:52. | |
started climbing that huge rock, which you'll be able to see live | :03:53. | :03:55. | |
pictures of throughout tonight's show. We have already had some | :03:56. | :03:58. | |
problems, putting up the portaledge, which is where I will | :03:59. | :04:03. | |
spend the next two nights up there on the rock. More on that later in | :04:04. | :04:11. | |
the show. Sport Relief fund people all around the world, including | :04:12. | :04:16. | |
those affected by Typhoon Diane. Most families lost absolutely | :04:17. | :04:19. | |
everything and they really do need our help. -- Typhoon Diane. I found | :04:20. | :04:27. | |
out when I visited the Philippines a few weeks ago. Today we are heading | :04:28. | :04:34. | |
out of Tacloban and into the countryside to a village which is | :04:35. | :04:39. | |
known for its coconut tree farming. As we drive along, we get it real | :04:40. | :04:48. | |
sense of the devastation. At 375 miles wide, Typhoon Haiyan hit the | :04:49. | :04:52. | |
Philippines with tremendous force. In a matter of hours, 4 million | :04:53. | :04:58. | |
people were made homeless. Many, like this 52-year-old, face an | :04:59. | :05:04. | |
uncertain future living in makeshift shelters built from debris following | :05:05. | :05:10. | |
the Typhoon. Thank you for letting us come into your house. It is very | :05:11. | :05:18. | |
kind of you. Thank you so much. It is absolutely tiny. How do you | :05:19. | :05:27. | |
cope, living here, the three of you? We lie down and write his side by | :05:28. | :05:31. | |
fight. We can barely move around because there is little space. I get | :05:32. | :05:38. | |
cramp in my leg from not being able to move. Quite a months of living in | :05:39. | :05:41. | |
such cramped conditions is taking its toll. -- for number Amonths. It | :05:42. | :05:50. | |
is difficult for them to do their homework. It is dark in here and | :05:51. | :05:57. | |
there is not much room. His 14-year-old remains hopeful for her | :05:58. | :05:58. | |
future. -- this 14-year-old. This is the spot where they house | :05:59. | :06:18. | |
stood before Typhoon Haiyan struck. It is incredibly tough but can you | :06:19. | :06:23. | |
tried to describe what happened that morning when the Typhoon hit? In the | :06:24. | :06:33. | |
morning, we said, what are we going to do now? Nothing will ever be the | :06:34. | :06:38. | |
same again. Every time I see this place, it reminds me of how good | :06:39. | :06:45. | |
life was everything was gone, just like that, in an instant. | :06:46. | :06:52. | |
Sadly this story is all too common. Everywhere you look like symbols of | :06:53. | :07:07. | |
human tragedy. Today, the small farmers Association are rallying to | :07:08. | :07:14. | |
support the family. Why have you identified Delia and the girls as a | :07:15. | :07:19. | |
family who needs a house built for them? Says she is a widow, she does | :07:20. | :07:28. | |
not have a stable income. The team on recycling word from a handful of | :07:29. | :07:32. | |
the 33 million coconut trees felled in the Typhoon. How would you feel | :07:33. | :07:39. | |
if you had a brand-new house? I feel really happy. Local projects like | :07:40. | :07:48. | |
this one receive funding for essential tools. They desperately | :07:49. | :07:52. | |
need more of the scale of the task ahead to rebuild on the island is | :07:53. | :08:00. | |
fast. It is really hard to get your head around what happened here in | :08:01. | :08:05. | |
terms of geography. As you can see, we are right in the middle of the | :08:06. | :08:09. | |
country. The first thing that really struck me when we came into the | :08:10. | :08:13. | |
house, or what is left of the house, is that the whole floor is | :08:14. | :08:19. | |
covered in these little shells. If you consider that the ocean is about | :08:20. | :08:24. | |
1.5 to two kilometres away, right over there to the left that gives | :08:25. | :08:31. | |
you an idea of the scale and sheer force of this storm. | :08:32. | :08:38. | |
Back on site, I think Crispin and the boys had done a great job. | :08:39. | :08:45. | |
Wonder what they think of my skills. Do you think I am any good at DIY? | :08:46. | :08:55. | |
You need a little practice. It is a final push to get Delia and the | :08:56. | :09:00. | |
girls moved in before nightfall. How do you feel about having a new home? | :09:01. | :09:05. | |
TRANSLATION: It is what I want. It is my dream | :09:06. | :09:12. | |
that living conditions are better. I will not be having a problem with | :09:13. | :09:18. | |
sleeping and my children can study whenever they want. What do you | :09:19. | :09:26. | |
think of the new home? Happy. I am so happy for you. Delia and the | :09:27. | :09:30. | |
girls have been fortunate enough to receive help but there are millions | :09:31. | :09:37. | |
out there who need your help to restore their lives. Here are the | :09:38. | :09:42. | |
details again. And remember Sport Relief supports | :09:43. | :10:10. | |
many other charities, as well as those we have seen working in the | :10:11. | :10:14. | |
Philippines. We are going to try to circle Alex. | :10:15. | :10:25. | |
This is where they are starting to attach their ropes. You can see why | :10:26. | :10:33. | |
they started early. Alex, where are you? Do you think she is having a | :10:34. | :10:42. | |
sit down already? Now, the first episode of your new series, based in | :10:43. | :10:54. | |
LA. It is called City of Dogs. Someone told me he ripped up your | :10:55. | :11:00. | |
Jaguar. You have a very expensive car and he tore up the upholstery? | :11:01. | :11:07. | |
In five minutes. Even the seat belt. Everything was off. Did you buy a | :11:08. | :11:21. | |
new car? That is life. I keep the dog and I throw the car. You have | :11:22. | :11:28. | |
met some very interesting people. I watched a preview with my dogs. I | :11:29. | :11:34. | |
kind of wanted 2 cents... There is a lot of angry barking. Were going | :11:35. | :11:45. | |
crazy, at times. Did they enjoy it? They were getting severely worked | :11:46. | :11:48. | |
up. There are a lot of trouble dogs. It is known as the capital of | :11:49. | :11:57. | |
pampered pooches but this is looking at the deprived dogs who live in the | :11:58. | :12:02. | |
high crime areas and the select few that get adopted into the more | :12:03. | :12:08. | |
comfortable and well off homes. Many of them are very adoptable and fine. | :12:09. | :12:19. | |
Some of them, it is sort of a couple to M Fare Lady story. It is about | :12:20. | :12:27. | |
the limits of how far you can train a dog. Some dogs end up ripping up | :12:28. | :12:34. | |
the people and having to get down. What made you go and make this in | :12:35. | :12:41. | |
LA? Did you think about Battersea dogs? I have been living in LA for | :12:42. | :12:48. | |
the last year. I have learned there is a massive problem, not just with | :12:49. | :12:54. | |
unwanted dogs in dogs homes, but dogs running on the streets. They | :12:55. | :13:00. | |
get put down in their thousands. I have a home in London in a not very | :13:01. | :13:07. | |
posh area. It is a high crime area. You do not see dogs running around | :13:08. | :13:14. | |
in packs. In LA, you do. That sounds terrifying. The whole series is | :13:15. | :13:18. | |
based on it. It is not all about dogs. It was a personal decision | :13:19. | :13:28. | |
based on a lifestyle choice. I have two young children. My wife grew up | :13:29. | :13:32. | |
abroad in a sunnier place than Britain. We thought, while the kids | :13:33. | :13:38. | |
were young enough, we would live overseas in LA for a bit. It is home | :13:39. | :13:44. | |
to a lot of expat Brits and it is always a source of good stories for | :13:45. | :13:50. | |
me. It was a temporary move, just for the fun of it, and we will be | :13:51. | :13:57. | |
coming back later this year. One of your programmes will be about | :13:58. | :14:01. | |
Scientology. You put an online message out to people, asking them | :14:02. | :14:08. | |
to contact you. I do it, yes, on Twitter. The next project I am | :14:09. | :14:15. | |
working on is a feature film, a documentary feature, about | :14:16. | :14:19. | |
Scientology, the Hollywood religion, whose devotees include | :14:20. | :14:24. | |
John Travolta and Tom Cruise. I thought I would try and approach | :14:25. | :14:28. | |
them through Twitter. It felt like the 20 14th thing to do. Have you | :14:29. | :14:38. | |
had a response? So far, a little underwhelming but it is early days. | :14:39. | :14:44. | |
They may be suspicious because Scientology has not really had a | :14:45. | :14:51. | |
good press. Scientology and the BBC have a little bit of history. I am | :14:52. | :14:57. | |
keen for Scientologists out there, who are watching, to know the | :14:58. | :15:03. | |
intention is very much to make a positive piece. There is a lot of | :15:04. | :15:10. | |
Scientology bashing going on. I am sure there are masses of good things | :15:11. | :15:17. | |
that they do. You can see City of Dogs on Sunday night at 9pm on BBC | :15:18. | :15:19. | |
Two. Look what I have discovered the | :15:20. | :15:28. | |
studio lights can do. That a colourful display! But the fact we | :15:29. | :15:33. | |
are going to meet next only sees in black-and-white. He has come up with | :15:34. | :15:39. | |
an amazing way of getting round the problem My name is Neil Harbisson. I | :15:40. | :15:45. | |
have been accepted as a cyborg by the golf. I was born with a | :15:46. | :15:48. | |
condition that means I can only see in black-and-white. As a kid I | :15:49. | :15:53. | |
doubted whether colour existed or not. The reality is you cannot | :15:54. | :15:57. | |
ignore colour. Colour is everywhere. At school I memorised that the sky | :15:58. | :16:03. | |
is blue. The grass is green. And lemons are yellow. But in 2004, my | :16:04. | :16:13. | |
life changed. With other people we developed a device that develops | :16:14. | :16:17. | |
colours into notes. A New World started. Hearing colours changes the | :16:18. | :16:23. | |
way you see everything. I started perceiving colours through sound and | :16:24. | :16:28. | |
the device became a part of my body. Until one day I started hearing | :16:29. | :16:32. | |
colours in my dreams. Then, I understood what being a cyborg | :16:33. | :16:37. | |
meant. It is not the union between the device and my head what converts | :16:38. | :16:41. | |
me into a cyborg but the union between the solve wear and my brain. | :16:42. | :16:48. | |
My body and tech any have united. -- software. The device developed | :16:49. | :16:56. | |
detects a scale of 360. Beautiful landscapes like the sea or nature, | :16:57. | :17:01. | |
they don't sound so good as I expected. I enjoy supermarkets | :17:02. | :17:07. | |
because they sound so colourful, and so stimulating. | :17:08. | :17:11. | |
I enjoy making portraits from hearing the sound of well-known | :17:12. | :17:15. | |
faces, Prince Charles for example, despite what you might think sounds | :17:16. | :17:19. | |
really good. We will see more and more people will start using | :17:20. | :17:24. | |
technology as a part of the body in order to perceive more sense, we | :17:25. | :17:28. | |
will be able to understand better who we are, and in which world we | :17:29. | :17:40. | |
live in. Wow. Neil joins us now. Louis's face, is it nice to hear as | :17:41. | :17:47. | |
Prince Charles? Well, you sound more tonal. It is more different, shades | :17:48. | :17:52. | |
of F sharp. Prince Charles has more like C sharp and F and G. Has more | :17:53. | :18:00. | |
notes. I think my face doesn't sound as good. He is being polite. It is | :18:01. | :18:07. | |
almost like a chord. Yes, each face has different note, the sound of the | :18:08. | :18:12. | |
eyes, the lips, the skin and hair. We all sound duff print. Even twin, | :18:13. | :18:17. | |
our eye, one eye and the other might sound slightly different. Is this, | :18:18. | :18:24. | |
what is that, is that an antenna? That goes inside. Is that | :18:25. | :18:29. | |
permanently attached does it go in your head? Yes, in my skull. If I | :18:30. | :18:36. | |
pulled that, wouldn't it hurt. Don't! Gently. It is like... So | :18:37. | :18:46. | |
this, it is permanent, is it going to be on for the rest of you life? | :18:47. | :18:51. | |
Yes I decided to have a new body part. More people soon will have new | :18:52. | :18:57. | |
body parts that we humans still don't have. I mean this is weird, | :18:58. | :19:01. | |
what happens when that technology progresses, are you going to be | :19:02. | :19:06. | |
stuck in the past? Can you keep, you know? The good thing about having | :19:07. | :19:13. | |
cyborg organs is they will evolve as you get older, you look forward to | :19:14. | :19:18. | |
getting old because your senses and body parts don't degenerate, they | :19:19. | :19:25. | |
get better. What other cyborgs will there be, do you think? We have seen | :19:26. | :19:31. | |
there has been portable technology, there will be wearable technology, | :19:32. | :19:34. | |
people will start using it as part of the body. We will see technology | :19:35. | :19:38. | |
will medium-terming with our body and we, new body part, antenna, | :19:39. | :19:45. | |
tails. What does this sound like? Because it's a colourful studio? It | :19:46. | :19:49. | |
sounds like nightclub, because there is many note, so I feel very | :19:50. | :19:55. | |
stimulating. Do you ever want to turn it off? Would you want to see | :19:56. | :19:59. | |
life in black-and-white? It is the same. To me, colour now is a | :20:00. | :20:03. | |
constant sense and I don't feel I need to turn it off. We could talk | :20:04. | :20:07. | |
about this all night long but we have run out of time. Thank you for | :20:08. | :20:11. | |
coming and showing us this remarkable bit of technology, maybe | :20:12. | :20:15. | |
a glimpse into the future. We are heading into the past for more very | :20:16. | :20:20. | |
strange goings on. . We are indeed. I have got my own props with me. | :20:21. | :20:25. | |
Here we go. Just about to have a film about a mystery. That is a | :20:26. | :20:31. | |
difficult one to work out, isn't it Louis? Here is a riddle for you. | :20:32. | :20:38. | |
What did Sherlock say to his sidekick when he had indigestion? I | :20:39. | :20:46. | |
have no idea. Almen trimy dear Watson. | :20:47. | :20:51. | |
Arthur's Seat. The ancient hill which overlooks Edinburgh has long | :20:52. | :20:55. | |
been a place of mystery and legend. It was a fitting location for a | :20:56. | :21:01. | |
discovery in 1836, which fascinated Edinburgh society. It has baffled | :21:02. | :21:08. | |
historians ever since. It was 17 macabre dolls in tiny coffins found | :21:09. | :21:12. | |
hidden in a cave. They are on display at the National Museum of | :21:13. | :21:19. | |
Scotland. Eerie, aren't they? They were found in June, 1836, in the | :21:20. | :21:23. | |
North East slopes of Arthur's Seat by some school-children, out | :21:24. | :21:28. | |
supposedly rabbiting, there are just eight left but there were originally | :21:29. | :21:31. | |
17. The other nine have disappeared in the mist of time. What exactly -- | :21:32. | :21:38. | |
exact I are they? It is possible they were were hand made soldier, | :21:39. | :21:44. | |
wooden soldiers, they are meant to represent burials, because they are | :21:45. | :21:49. | |
individual figures, some of them with the remaining grave clothes on, | :21:50. | :21:54. | |
set into individual coffins. There have been various theories on what | :21:55. | :21:58. | |
they might represent. It has been speculated they are symbolic | :21:59. | :22:03. | |
effigies of sailors lost at sea and the original suggestions linked them | :22:04. | :22:08. | |
to witchcraft. That doesn't hold much water. In witchcraft they | :22:09. | :22:12. | |
tended to be destroyed or pins put in them to effect some effect on the | :22:13. | :22:18. | |
individual. These are well cared for. They are meant to be, trying to | :22:19. | :22:24. | |
look after someone. But a theory propose links Edinburgh's most | :22:25. | :22:28. | |
chilling story to the coffins. This is a beautiful city, but beneath the | :22:29. | :22:33. | |
streets is the hidden world. These are the Edinburgh vault, a series of | :22:34. | :22:37. | |
Chambers formed in the arches of a bridge. In the early 19th century | :22:38. | :22:42. | |
there are a ven, shops, all sorts of businesses town here. -- taverns. | :22:43. | :22:49. | |
These dark and dinghy spaces, lent themselves to more murky activities, | :22:50. | :22:55. | |
perhaps including those of Burke and Hare. The notorious Edinburgh | :22:56. | :22:58. | |
murderers. And there is a fascinating theory | :22:59. | :23:05. | |
that the mysterious dolls are linked to Burke and Hare. Alan Simpson is a | :23:06. | :23:11. | |
former curator at the museum. Who were they? They became notorious in | :23:12. | :23:18. | |
the late 1820, they hit on the idea of killing people, and supplying the | :23:19. | :23:24. | |
bodies to the Edinburgh aNat mists. They killed in total 16 people, | :23:25. | :23:29. | |
their killing spree started by finding a body, and supplying it | :23:30. | :23:34. | |
first. The money was good, so they carried on. A colleague of mine, an | :23:35. | :23:39. | |
American Professor hit on the idea that these 17 little coffins | :23:40. | :23:46. | |
represented the 17 bodies supplied by Burke and Hare. Researches | :23:47. | :23:50. | |
analysed the thread used to Seo the clothes on to the dolls. -- sew the | :23:51. | :23:55. | |
clothes on the dolls. It revealed they were hidden at the | :23:56. | :24:00. | |
same time. One of the threads used was a three ply twine, which was | :24:01. | :24:05. | |
only introduced first in about 1830. If you accept the idea that these | :24:06. | :24:10. | |
are symbolic burial, we are looking for an occasion when there were 17 | :24:11. | :24:14. | |
victims. And Burke and Hare supplied 17 | :24:15. | :24:18. | |
bodies, to be dissected during lectures. People who made these | :24:19. | :24:25. | |
little coffins were trying to provide a sort of decent burial. | :24:26. | :24:30. | |
That would allow their souls to rest in peace. It is a theory we can | :24:31. | :24:35. | |
never be sure, but it is now the one thought most likely to explain why | :24:36. | :24:39. | |
these strange dolls were hidden in a cave on Arthur's Seat. | :24:40. | :24:44. | |
The very act of burying the dolls must have meant something to | :24:45. | :24:51. | |
somebody. Fascinating to imagine someone beavering away, creating | :24:52. | :24:56. | |
those little dolls, preparing them for a decent burial, that Burke and | :24:57. | :25:06. | |
Hare has denied their victims. Now, if we go to Alex briefly, she | :25:07. | :25:12. | |
is going up that rock face like a young gazelle. She is. She is just | :25:13. | :25:18. | |
in that group. Go the other way. Go the other way. It a good job they | :25:19. | :25:22. | |
didn't fall off. Shall we find out what the plan of action was for | :25:23. | :25:29. | |
today? Let me introduce you to the man who is hopefully going to help | :25:30. | :25:35. | |
me get to the top. Andy Kirkpatrick. Feeling nervous this morning. I am | :25:36. | :25:40. | |
fineful I am fine. How are you? A bit nervous. Talk me through how the | :25:41. | :25:45. | |
next two-and-a-half days is going to run We will go across the river, | :25:46. | :25:50. | |
that is ice cold and then we will get to the two white dots and free | :25:51. | :25:56. | |
climb a third of the way up the pillar, so 150 metres, until there | :25:57. | :26:01. | |
is a small knob of rock, a safety guy is checking that out. We will | :26:02. | :26:07. | |
spend the night in a port Helen. We have had experience putting this up. | :26:08. | :26:14. | |
It is like assembling it while hanging out your window. You did | :26:15. | :26:18. | |
fairly well. That is when you were not tired, so it will be different | :26:19. | :26:22. | |
tonight, you will be fairly shattered I think. The day after we | :26:23. | :26:26. | |
will have to climb almost all the way to the top of the pillar, | :26:27. | :26:30. | |
climbing across a crack that goes up. The rock will be vertical. | :26:31. | :26:35. | |
Nowhere to stand, nowhere to hide. We will put the ledge up one more | :26:36. | :26:39. | |
time. You will be really tired, exhausted. The final section we will | :26:40. | :26:44. | |
do on Thursday, the wall rears over like a huge wave. You will be | :26:45. | :26:49. | |
climbing You will be hanging in space, hanging from a rope, going | :26:50. | :26:52. | |
over the top. I think you will be happy when you get to top. I am sure | :26:53. | :26:57. | |
I will be! It will be a huge leaf. We would love to stay and chat but | :26:58. | :27:02. | |
we have a rock to climb, don't we. Thank you for your generosity, | :27:03. | :27:07. | |
especially those who have put cheques in. I will hopefully see you | :27:08. | :27:11. | |
live on the One Show on Thursday when we get to the top. | :27:12. | :27:17. | |
We are all crossed here. Louis, you know that area. Go in a | :27:18. | :27:21. | |
camper van. You don't want to climb up it. You can drive up it. So will | :27:22. | :27:29. | |
you do the honours and tell everybody how they can text. | :27:30. | :27:55. | |
Now you have been sending in your pictures of yourselves or loved ones | :27:56. | :28:04. | |
overcoming challenge, this is a love I one, Dougie has sent in a | :28:05. | :28:14. | |
photograph of his daughter. Here is Mark doing something scary. He is | :28:15. | :28:23. | |
washing up! Ha, ha, ha! I have one, Jamie from Kent, two years to pluck | :28:24. | :28:28. | |
up the courage to go paragliding. Here he is at 6500 feet in Turkey. | :28:29. | :28:33. | |
Thank you for all of your picture, we will leave you with a total that | :28:34. | :28:43. | |
Alex has raised so far. It is ?210,000. | :28:44. | :28:49. | |
That is all we have time for. Thanks to Louis. You can see City of Dogs | :28:50. | :28:55. | |
on Sunday night. I have had enough so Gloag is joining you tomorrow, | :28:56. | :29:00. | |
along with -- Gabby Logan is joining you. I cannot wait. See you later. | :29:01. | :29:05. | |
Thanks. Bye. | :29:06. | :29:08. |