Browse content similar to 18/09/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome... What are you doing? We have just had that | :00:20. | :00:27. | |
conversation before going on air, I would do that bit. | :00:28. | :00:31. | |
No, we said I'm going to do it today! I always do the hellos on a | :00:32. | :00:41. | |
Thursday... ! We are absolutely rubbish at this. But, tonight's | :00:42. | :00:46. | |
guests are better. We are joined by a couple of actors not known for | :00:47. | :00:54. | |
mincing their words! You are an ill-made spiteful creature. Full of | :00:55. | :00:59. | |
envy, lust and low cunning. So, do as you are told and get out | :01:00. | :01:04. | |
of this house before I smack you! Goodness me. Let's hope they are not | :01:05. | :01:11. | |
as scary tonight. It is Charles Dance around Lacey | :01:12. | :01:14. | |
Turner. We struggled slightly with our scary | :01:15. | :01:19. | |
bit. Does that come naturally to you two? Chancellors, you go first? What | :01:20. | :01:28. | |
shall I do? Are you a happy-go-lucky chap? I have to try. | :01:29. | :01:34. | |
And Lacey, you are doing it with people all day. Is it hard to keep a | :01:35. | :01:42. | |
straight face? Sometimes it is. I do burst into lofter. But I didn't | :01:43. | :01:48. | |
realise I did it so much. Talking of stern looks, can you give | :01:49. | :01:53. | |
steely like Stacey or give the daggers like Dance. Give us your | :01:54. | :01:58. | |
best glare. We will be inundated. | :01:59. | :02:05. | |
Get in touch via [email protected] or the One Show | :02:06. | :02:09. | |
Facebook. We are also talking about Game of Thrones, Dracula Untold and | :02:10. | :02:15. | |
Our Girl. Now, nine women have been convicted of running an illegal | :02:16. | :02:19. | |
pyramid scheme that promised a fortune to members if they handed | :02:20. | :02:23. | |
over ?3,000. The judge said that families and | :02:24. | :02:26. | |
life long friendships had been destroyed. He said that 88% of | :02:27. | :02:30. | |
people who invested money would lose it. | :02:31. | :02:34. | |
This is the story of how thousands of people were persuaded to part | :02:35. | :02:38. | |
with millions of pounds over an innocent cup of tea with their | :02:39. | :02:41. | |
neighbours. Just imagine you are having a cuppa | :02:42. | :02:46. | |
with friends, and they ask you to invest ?3,000 in cash on the promise | :02:47. | :02:51. | |
that you will get eight times that back. All you have to do is convince | :02:52. | :02:56. | |
your mates to do the same. Sound too good to be true? It is. | :02:57. | :03:01. | |
Today, for the first time, we can report that nine women have been | :03:02. | :03:06. | |
convicted of organising and or promoting a massive illegal pyramid | :03:07. | :03:11. | |
investment scheme. 10,000 people paid nor than ?20 million into the | :03:12. | :03:15. | |
scheme. Pictures like this were used to lure them in. The scheme was | :03:16. | :03:20. | |
called the Give and Take Syndicate. Marketed as being just for women. It | :03:21. | :03:25. | |
started in Bristol five years ago. It soon spread across the city and | :03:26. | :03:30. | |
beyond. To join, you agreed to pay in ?3,000 | :03:31. | :03:35. | |
and recruit at least two more people, often at evenings like this | :03:36. | :03:41. | |
one, secretly filmed by the BBC's Inside Out Series. | :03:42. | :03:46. | |
It is local and invite. Introducing friends and family. So mentioning to | :03:47. | :03:52. | |
people, talking about it. It spread byword of mouth. The | :03:53. | :03:57. | |
people that signed up with, find two more investors and so on. Once there | :03:58. | :04:02. | |
were 14 members below you in the pyramid, you are promised a payout | :04:03. | :04:08. | |
of ?23,000. That is where the dream turned sour. Alison is one who lost | :04:09. | :04:13. | |
her money. How did this start? Basically a friend said to me I | :04:14. | :04:17. | |
could earn money. It seemed like a good idea. I mentioned it to | :04:18. | :04:21. | |
friends, to neighbours. Obviously I thought it was a good idea, that it | :04:22. | :04:25. | |
would be good if they came on board as well. | :04:26. | :04:30. | |
What made it sound so convincing? Basically I had seen people paid | :04:31. | :04:33. | |
out. We had been to parties. The wine was flowing. The buffet was on. | :04:34. | :04:39. | |
Then halfway through the night, the lady who was paid out. They brought | :04:40. | :04:43. | |
the money on a silver platter, it was thousands of pounds. Amazing as | :04:44. | :04:48. | |
she poured it into her handbag and left with it in her handbag. It felt | :04:49. | :04:53. | |
like this would happen to me. But it didn't. That is as pyramid | :04:54. | :04:58. | |
scheme, illegal since 2005 are doomed to fail. To pay out they rely | :04:59. | :05:03. | |
on members signing up more members. The trouble with that is you run out | :05:04. | :05:09. | |
of people. By the 26th level of a scheme like | :05:10. | :05:13. | |
this one, the total number of people needed would be bigger than the | :05:14. | :05:17. | |
entire population of the UK. The Give and Take scheme started in | :05:18. | :05:23. | |
2008. By the time it was shut down, almost 10,000 people had lost their | :05:24. | :05:27. | |
money. Meanwhile, the organisers and the promoters at the top of the | :05:28. | :05:31. | |
pyramid had pocketed up to ?1 million between them. | :05:32. | :05:35. | |
How did you feel when you realised that your money was gone? Really | :05:36. | :05:41. | |
angry. ?3,000 was a lot of money. It was my savings. I am a single mum. I | :05:42. | :05:47. | |
invested it to hopefully make a difrns in life. | :05:48. | :05:52. | |
Today's events put the final nail in the coffin of the Give and Take | :05:53. | :05:56. | |
syndicate. This pyramid scheme collapsed but there could be others | :05:57. | :06:00. | |
out there yet to be exposed. What do you say to others thinking of | :06:01. | :06:04. | |
getting involved in this sort of thing? Please don't do it. I learned | :06:05. | :06:09. | |
the hard way. I lost my savings. You won't get your money back it will | :06:10. | :06:15. | |
not happen. Thank you, Dan, for making that ease | :06:16. | :06:19. | |
easible understandable. Absolutely. Charles, we are used to | :06:20. | :06:26. | |
seeing you like this... Here we are. Goodness me, Charles! Not for a long | :06:27. | :06:32. | |
time have you seen me like that! But in Dracula Untold, the new film, you | :06:33. | :06:38. | |
have gone for a new look... Yes! Yes, indeed. | :06:39. | :06:41. | |
Vampire Caligula! Yes. There you go. | :06:42. | :06:46. | |
It is quite a scary film. Especially at 10. 30am I would add. Better in | :06:47. | :06:54. | |
the evening. I have not seen it. You have not seen it? No. | :06:55. | :07:01. | |
How have I seen it before you? You are privileged and you are who you | :07:02. | :07:06. | |
are. An important person. Everybody can see it from the 3rd of | :07:07. | :07:10. | |
October? Indeed but I have not seen it yet. | :07:11. | :07:15. | |
Well the story, it starts, there are lots of versions of Dracula, made | :07:16. | :07:20. | |
into films and television series but this is from an early stage of | :07:21. | :07:26. | |
Dracula's life? Yes. It uses a lot of the embellished history about | :07:27. | :07:36. | |
Vlad the Impaler and puts it alongside Bram Stoker's idea of | :07:37. | :07:40. | |
Dracula. So it gives the foundation. But the thing about the film is that | :07:41. | :07:44. | |
it is bigger than any other Dracula film. It is kind of epic because of | :07:45. | :07:51. | |
the stuff we can do with CGI and the enormous great battle scenes. So it | :07:52. | :07:57. | |
is a very broad canvass. It is a big wide canvass. My first experience of | :07:58. | :08:04. | |
Dracula was Christopher Lee. But because of the budget constraints of | :08:05. | :08:08. | |
Hammer Horror, you could never use wide lenses or you ran out of set. | :08:09. | :08:14. | |
And they were also tomorrowestic chamber films. A bunch of people | :08:15. | :08:20. | |
hunting for poor old Christopher Lee and a few angry villagers with the | :08:21. | :08:24. | |
garlic chains around their necks. But this, there is a monumental | :08:25. | :08:29. | |
battle scene and then this rather strange man, who has been in a cave | :08:30. | :08:32. | |
for 1,000 years. We are looking at a clip. A word to | :08:33. | :08:37. | |
my children if you have not gone to bed yet, go now. You may have | :08:38. | :08:42. | |
nightmares after this. This is the point where you tempt Vlad over to | :08:43. | :08:50. | |
the dark side. Indeed. Spill blood, if not for the pleasure | :08:51. | :08:53. | |
of it. Men do not fear swords, they fear | :08:54. | :08:59. | |
monsters. They run from them. By putting one village to the stake, | :09:00. | :09:03. | |
I spare ten more. Sometimes the world no longer needs a hero. | :09:04. | :09:08. | |
Sometimes what it needs is a... Mobster. You believe you know what | :09:09. | :09:19. | |
it is to be a monster? You have no idea. | :09:20. | :09:27. | |
APPLAUSE. I used to be a romantic leading man! | :09:28. | :09:36. | |
This is it, people associate you a lot with the more classical pieces | :09:37. | :09:39. | |
but you were not classically trained. You were trained in a pub. | :09:40. | :09:45. | |
Tell us the story. I went to art school. I was going to be a graphic | :09:46. | :09:50. | |
designer or photographer but then I thought I wanted to be an actor. I | :09:51. | :09:56. | |
knew of two men who coached a couple of friends of mine for the drama | :09:57. | :10:01. | |
school auditions. I rang him up and asked him to teach me. I had a | :10:02. | :10:06. | |
grant. You got the grants for universities and colleges. I had a | :10:07. | :10:11. | |
grant for three years. I thought I would not get another one, I worked | :10:12. | :10:15. | |
as a labourer and various other things. I saw these wonderful old | :10:16. | :10:20. | |
men for a couple of weeks and the occasional Sunday. They taught me | :10:21. | :10:24. | |
what I learned had I gone to drama school. We worked through | :10:25. | :10:30. | |
Shakespeare, Shaw and comedy and Beckett. | :10:31. | :10:34. | |
In the pub? Well, a printing works next to the pub. There was a space | :10:35. | :10:39. | |
behind this great printing press. We worked there. Leonard was an English | :10:40. | :10:47. | |
man, his first pupil was Peter Finch. His partner was a German, a | :10:48. | :10:53. | |
member of a contemporary drama school. What they did know about the | :10:54. | :11:04. | |
business was worth knowing. We would go back to their garden and dig the | :11:05. | :11:10. | |
garden for payment, and he would impact words of wisdom to me. They | :11:11. | :11:15. | |
basically tried to teach me what I would have learned had I gone to | :11:16. | :11:21. | |
drama school. Like gurus. Everybody can see the results of | :11:22. | :11:24. | |
that fantastic training in Dracula Untold out on the 3rd of October. | :11:25. | :11:31. | |
Dracula is the not the only one with an affinity for bats. So is our man, | :11:32. | :11:35. | |
Mike Dilger. Here he is, to tell us how a rare | :11:36. | :11:40. | |
species of bat is whingeing its way back to parts of England. | :11:41. | :11:45. | |
In an inshan't woodland in Dorset, a project is taking place to conserve | :11:46. | :11:53. | |
and find out more about one of Britain's rarest mammals, the Beck | :11:54. | :11:58. | |
Stein bat. We hoped that the bats would return. | :11:59. | :12:06. | |
But it did not work with the Beck Steins, until an amazing idea from | :12:07. | :12:11. | |
Germany. Concomplete. It was believed that the Beck Steins were | :12:12. | :12:15. | |
attracted to them as the concrete added insulation. Making the inside | :12:16. | :12:21. | |
of the boxes warmer than the traditional wooden ones. So 84 were | :12:22. | :12:31. | |
put up here. Proving a huge success. Female Bechsteins have been moving | :12:32. | :12:34. | |
in. Today is the first day since the | :12:35. | :12:38. | |
youngsters have been born that the team are checking to see how the | :12:39. | :12:44. | |
population are doing. I have never seen a Bechstein and I cannot wait. | :12:45. | :12:54. | |
Colin Morris from the Vincent Wildlife Trust, begins the survey | :12:55. | :13:02. | |
once the juveniles have been weaned. Once he finds Bechsteins, he takes | :13:03. | :13:05. | |
them out. What I am doing out, I will put this | :13:06. | :13:12. | |
muslin over the bat box. Remove the door and as the bag is there, it | :13:13. | :13:19. | |
stops the bats before they fly away. I can extract them without losing | :13:20. | :13:24. | |
them. Can you say how many are in there? It is difficult. They are | :13:25. | :13:30. | |
tightly packed in there. It could be six or 66. | :13:31. | :13:38. | |
It is known that the bats only give birth every other year. So this | :13:39. | :13:45. | |
makes this work even more viable. The bats are weighed, measured and | :13:46. | :13:49. | |
ringed. If caught again, Colin will know their history. To are me it is | :13:50. | :13:53. | |
a new British mammal. Look at that... Oh, my word. What a little | :13:54. | :13:58. | |
stunner. Huge ears! I notice a little tag on | :13:59. | :14:03. | |
there. You know this bat. You have handled it before. | :14:04. | :14:08. | |
This is an adult. 2007 this was born. | :14:09. | :14:12. | |
Is that a good age? It is average. There are some females that are 14 | :14:13. | :14:17. | |
years old. One of the females we have captured 45 times. We know more | :14:18. | :14:25. | |
about the fee marls than the males. Once they are ringed, September they | :14:26. | :14:29. | |
leave the woodland, and we never see them again. | :14:30. | :14:32. | |
Where they go is a mystery. Once the bats are checked over, they are put | :14:33. | :14:36. | |
back where they are found. Over the course of the day, after | :14:37. | :14:44. | |
checking all 84 concrete boxes, Colin is delighted to have found | :14:45. | :14:53. | |
nearly 100 Bechsteins. Including 39 juveniles. And something more... | :14:54. | :14:59. | |
There is normally some interaction between the different colonies, in | :15:00. | :15:03. | |
the past seven or eight years, I have never found a new female bat | :15:04. | :15:08. | |
here. They have been ringed as a juvenile. So we think this is a | :15:09. | :15:15. | |
Klosed colony. The chance of it expanding or having greater numbers | :15:16. | :15:17. | |
is unlikely. But it is safe here? Yes, the bats | :15:18. | :15:21. | |
love it. As the project proved so successful. | :15:22. | :15:26. | |
It is now rolled out to other woodlands across England. Hopefully, | :15:27. | :15:33. | |
there are more concrete nest boxes going up and we may fine more | :15:34. | :15:40. | |
Bechstein bat colonies. What a lovely shot. | :15:41. | :15:50. | |
I have never liked them! I do not like spiders either. LAUGHTER | :15:51. | :15:56. | |
. Lacey, your new drama Our Girl was | :15:57. | :16:00. | |
meant to be a one off last year but it was so popular the BBC have | :16:01. | :16:04. | |
turned it in to a series. In it you play an Army Medic | :16:05. | :16:07. | |
in Afghanistan. I feel that we were so blown away, | :16:08. | :16:13. | |
we did not expect the reaction that it got. I remember... I was sending | :16:14. | :16:21. | |
a text message to the writer, Tony, asking him what has happened! We | :16:22. | :16:24. | |
could not believe how it blew up on Twitter. We never expected anything | :16:25. | :16:29. | |
like that. It was lovely for them to come back with a second series. | :16:30. | :16:31. | |
Well, a proper first series. Let's take a look at you struggling | :16:32. | :16:34. | |
to adapt to life in Afghanistan. Man down! Left leg blown off below | :16:35. | :16:43. | |
the knee, what are you going to do! Medic, what are you going to do! Are | :16:44. | :16:48. | |
you going to let him bleed out? He will end up like a pufferfish! Come | :16:49. | :16:56. | |
on! Somebody stands on an improvised exposer device, this is a life to | :16:57. | :17:01. | |
save! What are you going to do! Come on! Get up... | :17:02. | :17:08. | |
I remember watching you do the 1 off, in 2013, you were training to | :17:09. | :17:23. | |
be a medic in that one. How has the story moved on for the new series? | :17:24. | :17:29. | |
This series picks up from where the last one left off, she goes through | :17:30. | :17:34. | |
training and this is her being deployed to Afghanistan to fight on | :17:35. | :17:38. | |
the front line. You had some proper training from proper army | :17:39. | :17:44. | |
personnel. A medic told you to dress the wings. We learned everything, we | :17:45. | :17:48. | |
had the most fantastic military advisers. Nigel and Daryl, they were | :17:49. | :17:54. | |
fantastic. Nigel was there, 20 47, to go through everything. -- dress | :17:55. | :18:00. | |
the wounds. Wrapping up a bandage, a tourniquet, going through it, again | :18:01. | :18:03. | |
and again. He was there for everyone, for the boys, for | :18:04. | :18:09. | |
everyone. -- 24/7. From picking up a weapon, to marching... You have got | :18:10. | :18:14. | |
to get it right. If we were getting lazy, he would shout at us. | :18:15. | :18:18. | |
Stand-up! That was shot in South Africa. Yes, very hot. Boiling hot? | :18:19. | :18:26. | |
For a lot of time we filmed in between a couple of mountains, the | :18:27. | :18:30. | |
heat just stayed trapped in that little gap. It was difficult, it was | :18:31. | :18:37. | |
42 degrees at points. You kind of put your socks on and you think, | :18:38. | :18:43. | |
this is so wrong! I should be wearing a bikini! LAUGHTER | :18:44. | :18:47. | |
It really brings it back to you. What the soldiers are doing. Such an | :18:48. | :18:54. | |
eye-opener, unbelievable. I do not know how they do it. Just to move in | :18:55. | :19:01. | |
all of that kit... It is big. It is here it is here... You cannot put | :19:02. | :19:04. | |
your arms down by your side, just moving in it is a big deal, let | :19:05. | :19:09. | |
alone being shot at. I do not know how they do it. It is amazing. And | :19:10. | :19:19. | |
some of the extras are actual army personnel. Did you feel pressure, | :19:20. | :19:23. | |
when they were in the background? It is quite difficult, when you are the | :19:24. | :19:26. | |
only girl, you know that they will take the neck out of you before you | :19:27. | :19:30. | |
have even started. When we got back to the UK, we did a lot... Nigel had | :19:31. | :19:35. | |
got quite a lot of real soldiers together. We did a few scenes. I run | :19:36. | :19:41. | |
like a girl, because I am a girl! They began laughing. I would | :19:42. | :19:46. | |
collapse at the end of it... I am not a real soldier. They would be | :19:47. | :19:55. | |
saying, come on, get up! I am coming, I am coming! Actually, I was | :19:56. | :20:01. | |
unfit, because I was using so much energy, I ate Sony carbohydrates... | :20:02. | :20:06. | |
In South Africa, the meat is so nice, steak and mash. -- I ate so | :20:07. | :20:10. | |
many carbohydrates. We asked troops serving at | :20:11. | :20:14. | |
Camp Bastion and Kandahar Airfield to reflect on their time | :20:15. | :20:16. | |
in Afghanistan. Here's what they had to say | :20:17. | :20:19. | |
as they prepared to head home. It is a beautiful country, lovely | :20:20. | :20:36. | |
hills, lakes. Multicoloured deserts. Picturesque place. It would | :20:37. | :20:40. | |
be nice in a few years if we can come back without the threat of | :20:41. | :20:43. | |
terrorism and insurgent violence and enjoy the landscape. I am not | :20:44. | :20:50. | |
digging this hot weather at all, I want to get back to the snow! You | :20:51. | :20:56. | |
get a tan while you are working! The best thing about being here is being | :20:57. | :21:00. | |
with my lads all of the time. Worst thing, being with my lads all of the | :21:01. | :21:07. | |
time! It will never go back to how it was, hopefully. If it can stay | :21:08. | :21:10. | |
like this, we will have done a good job. It has gone into our soul and I | :21:11. | :21:15. | |
think that it is going to stay with us. | :21:16. | :21:24. | |
Sensible drivers! Out here, we do not have that. Sitting in a pub | :21:25. | :21:38. | |
garden. Normal toilet! Driving my car, just driving wherever I want, | :21:39. | :21:42. | |
not worrying about improvised explosive devices! My daughter was | :21:43. | :21:48. | |
born a few days ago. I missed the birth. I am looking forward to going | :21:49. | :21:50. | |
back to see her. Happy surfing, and a beautiful baby | :21:51. | :22:01. | |
daughter to come home to. Charles, we have to ask you | :22:02. | :22:07. | |
about about Game of Thrones what was it like being part of one | :22:08. | :22:10. | |
of the biggest shows on the planet? It is one of the biggest shows of | :22:11. | :22:19. | |
recent times. It is fantastic to be a part of it, I do not think any of | :22:20. | :22:23. | |
us knew that it was going to become this global phenomenon. We knew we | :22:24. | :22:27. | |
were dealing with... We had great scripts. It is the starting point. | :22:28. | :22:33. | |
Really good lines to speak, you do not have to make a purse from a pig | :22:34. | :22:38. | |
's ear, when they are good to start with... ! LAUGHTER | :22:39. | :22:43. | |
Good analogy. The whole thing is run like a military operation. HBO, they | :22:44. | :22:48. | |
know how to spend money. It is there on the screen. Production values, | :22:49. | :22:53. | |
fantastic. Very similar to this show... LAUGHTER | :22:54. | :22:58. | |
We are talking about the reaction of people who have been watching it, | :22:59. | :23:04. | |
but to see some of these scenarios... Look at this remarkable | :23:05. | :23:09. | |
photo. This is a wedding! This is a wedding! Was invited to it? | :23:10. | :23:16. | |
It not the cast photo it's actually the wedding of Darren Prew and | :23:17. | :23:19. | |
I find that extraordinary. They have got a white walk as well! That | :23:20. | :23:30. | |
Walker. -- white Walker! Leslie Howard was a Hollywood | :23:31. | :23:38. | |
heartthrob whose life came to a sudden and mysterious end | :23:39. | :23:40. | |
during world war two. And as Gyles Brandreth | :23:41. | :23:42. | |
discovered even after 70 years the riddle | :23:43. | :23:44. | |
of his death remains unsolved. By the summer of 1943, World War II | :23:45. | :23:55. | |
was still raging. The neutral countries like Portugal became hot | :23:56. | :24:03. | |
spots for secret agents. All flights out of Lisbon airport were under | :24:04. | :24:07. | |
surveillance. On June one, flight 777, departing for Bristol, was no | :24:08. | :24:11. | |
exception. Unlike the other commercial flights that day, this | :24:12. | :24:16. | |
one was shot down by the German Luftwaffe, over the Bay of Biscay. | :24:17. | :24:22. | |
There were no survivors. Investigators looked for motives on | :24:23. | :24:27. | |
the passenger list. Among the dead, Leslie Howard, star of gone with the | :24:28. | :24:31. | |
wind. The English heart-throb had left Hollywood behind to make NT not | :24:32. | :24:36. | |
see propaganda. On one side, standing Hitler, who had succeeded | :24:37. | :24:41. | |
in making the name of Germany hated by every nation in the world. Over | :24:42. | :24:46. | |
70 years after his death, motive for the attack which took 17 lives still | :24:47. | :24:53. | |
intrigues. Here we can speak with Leslie Howard's biographer. He | :24:54. | :25:00. | |
wanted to fight Nazi ideas, he saw what was happening in Germany. He | :25:01. | :25:08. | |
became a goodwill ambassador for the Allied cause. He was sent to all of | :25:09. | :25:12. | |
the neutral countries. During the conflict, Leslie Howard used his | :25:13. | :25:17. | |
acting and directing skills to make outspoken war films for the Allies. | :25:18. | :25:24. | |
Nazis! That explains everything... Your arrogance, your stupidity, your | :25:25. | :25:29. | |
bad language! With the propaganda work he was doing, would that have | :25:30. | :25:34. | |
made him a target for the Germans? His official work was reported by | :25:35. | :25:39. | |
the newspapers of the day. The Germans would have known what he was | :25:40. | :25:46. | |
up to. He is not on the German blacklist for British people. Or | :25:47. | :25:50. | |
they would have targeted if they invaded England. If he was not the | :25:51. | :25:55. | |
target, who was? It has been suggested his travelling companion, | :25:56. | :25:58. | |
bore a resemblance to Winston Churchill. Perhaps the attack was | :25:59. | :26:06. | |
the result of mistaken identity. That would suppose that the spy | :26:07. | :26:14. | |
could not tell that man from any other fat man smoking a cigar! | :26:15. | :26:19. | |
Unlikely. His children were wielded and mind attack. The actor's | :26:20. | :26:23. | |
daughter knew, knew, Somerton, and shared the family thoughts with him. | :26:24. | :26:29. | |
Ronald Howerd spent many years interviewing as many people as he | :26:30. | :26:32. | |
could, to get to the bottom of the mystery. There were two other people | :26:33. | :26:35. | |
on that aeroplane that the Nazis would have loved to have got rid of. | :26:36. | :26:39. | |
For example, Wilfred Israel, evacuating a lot of Jewish children. | :26:40. | :26:52. | |
Another person, to rail -- Terrell Shervington. He was a genuine spy. | :26:53. | :26:57. | |
There was also speculation the actor himself may have been a spy but his | :26:58. | :27:03. | |
daughter was not convinced. She dismissed the notion that Leslie | :27:04. | :27:06. | |
Howard could have been any kind of ageing, she said that he was not | :27:07. | :27:09. | |
self-sufficient enough, he had written bleating letters to her, | :27:10. | :27:12. | |
complaining about the heat in the hotel! This and that. She was firmly | :27:13. | :27:19. | |
of the belief that it was not specifically her father who was | :27:20. | :27:23. | |
being targeted. 17 people lost their lives in the attack, and yet still | :27:24. | :27:27. | |
today, there is no official explanation. All of the German | :27:28. | :27:33. | |
documentation has been destroyed, and the key British documents are | :27:34. | :27:38. | |
still under lock and key. Leslie Howard's death has become one | :27:39. | :27:42. | |
historical riddle which will remain unsolved for some time to come. | :27:43. | :27:49. | |
Later you are on Eastenders, in two and a half minutes time. You have | :27:50. | :27:55. | |
been away for four years! It is everybody's dream to come back, that | :27:56. | :27:59. | |
the carrot is not killed off. When did you get the call? The end of | :28:00. | :28:05. | |
last year. When Dominik, the new executive producer, went back. I | :28:06. | :28:10. | |
began speaking with him. We have stayed in contact over the years. I | :28:11. | :28:15. | |
think he is so great, so much to do with Stacey, my character. I trust | :28:16. | :28:20. | |
him with her. Why not! So you are back. Earlier on which challenged | :28:21. | :28:29. | |
you to give daggers like dance, to give steamy like Stacey. -- Dance. | :28:30. | :28:43. | |
Very much like Dracula! Rob, here he is... Doing his best Mideast air. -- | :28:44. | :28:52. | |
doing his best moody stare. Brace yourself! LAUGHTER | :28:53. | :28:57. | |
Super job! We have run out of time, that is it for now, Dracula Untold, | :28:58. | :29:01. | |
is out on the 3rd of October. Our Girl starts Sunday, 9pm on BBC | :29:02. | :29:10. | |
One and EastEnders is on next. Tomorrow we are joined by John | :29:11. | :29:11. | |
Hannah. | :29:12. | :29:13. |