Browse content similar to 19/05/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker and Alex Jones. | :00:15. | :00:18. | |
Tonight we're joined by the mum who put the mmmmm into | :00:19. | :00:22. | |
Malaysian cooking when she lifted the Masterchef trophy on Friday. | :00:23. | :00:27. | |
Ping is busy cooking up her take on a '60s classic, because | :00:28. | :00:41. | |
our guest tonight is the star of a big new drama set in 1969. | :00:42. | :00:47. | |
Thank you for having me back. Mr Sloane starts this week. Yes, I | :00:48. | :01:02. | |
think it is Friday at nine o'clock. Your new show Mr Sloane starts this | :01:03. | :01:06. | |
week and, as well as yourself, it stars the hottest actress | :01:07. | :01:09. | |
in town, Olivia Coleman. She won her third BAFTA last night - | :01:10. | :01:12. | |
best actress for Broadchurch. A brilliant speech, speech of the | :01:13. | :01:24. | |
night. She is wonderful in green. I always say that to her. | :01:25. | :01:32. | |
Would you prefer her as your real sister or real wife? | :01:33. | :01:43. | |
Don't make me choose! Maybe she could be both. I think I would be | :01:44. | :01:52. | |
lucky to have either. I feel very honoured and blessed that I have had | :01:53. | :01:57. | |
a chance to work with her as much as I have. She is just a normal person | :01:58. | :02:02. | |
who happens to be a fantastic actor, and I think she is only one | :02:03. | :02:10. | |
of the only people where I actually find me moving out of myself during | :02:11. | :02:17. | |
a scene with her to watch her. I can feel myself levitating out of my own | :02:18. | :02:22. | |
body to see what she does. Last time you were on, you are telling us all | :02:23. | :02:24. | |
about your love of sci-fi. And as you're such a sci-fi fan, | :02:25. | :02:31. | |
we thought we'd introduce you to Linda is a real robot who performs | :02:32. | :02:35. | |
a very serious job. But first, | :02:36. | :02:49. | |
the days are long gone when all a bobby on the beat could turn to | :02:50. | :02:53. | |
was a truncheon and a whistle. More | :02:54. | :02:57. | |
and more policemen now have access Joe Crowley's been to see | :02:58. | :02:59. | |
how they're using it. Last month, this CCTV footage | :03:00. | :03:13. | |
emerged of a naked man being tasered in a police cell. It is being | :03:14. | :03:17. | |
investigated by the Independent Police Complaints Commission, and | :03:18. | :03:20. | |
sparked a debate about how the police use stun guns. It used to be | :03:21. | :03:25. | |
that only firearms officers could use a Taser, but since 2008, any | :03:26. | :03:32. | |
offers can carry one if they have been trained. In 2008, a Taser was | :03:33. | :03:40. | |
used to just over 3000 times, but that figure has increased | :03:41. | :03:44. | |
significantly each year, and in 2013, they were used over 10,000 | :03:45. | :03:49. | |
times. That is up almost a third from the previous year. I have come | :03:50. | :03:53. | |
to west London to see these offices learn how to use a Taser. Three days | :03:54. | :03:58. | |
ago, they had never held one, and by tomorrow, they could be using one on | :03:59. | :04:03. | |
the streets. There are seven stages. Drawn, aimed, arcing, dotting, stun, | :04:04. | :04:15. | |
drive stun and firing. Only the last three involve stunning the target. | :04:16. | :04:20. | |
In over 50% of cases, just aiming with a red dot is enough to stop | :04:21. | :04:27. | |
people. Sergeant Andy Harding as an instructor. Yellow when it is fired, | :04:28. | :04:34. | |
two probes come out of the end and attach themselves to the person's | :04:35. | :04:38. | |
clothing or in their skin, and the electricity is passed down the wire | :04:39. | :04:44. | |
to that person. In simple terms, your muscles will freeze and you | :04:45. | :04:51. | |
fall to the ground. The number of police officers using them is going | :04:52. | :04:55. | |
up. Is that an increase in violence or because more officers are | :04:56. | :04:59. | |
trained? It isn't an increase of violence. It gives officers and | :05:00. | :05:04. | |
ability to deal with that violence at a distance. It is that distance | :05:05. | :05:12. | |
that was a problem in this case. 65 euros Colin was on his way to meet | :05:13. | :05:16. | |
friends when he was shot with a stun gun. He is blind in one eye. I could | :05:17. | :05:26. | |
hear voices, but I didn't think they would be speaking to me, they | :05:27. | :05:32. | |
shouted police! A police officer had mistaken Colin for a man reported to | :05:33. | :05:37. | |
be on the loose with a samurai sword. I fell to the floor. I | :05:38. | :05:48. | |
thought I was going to have a stroke. The trouble with a Taser is | :05:49. | :05:52. | |
that they don't know people's medical history. I would prefer a | :05:53. | :05:57. | |
truncheon, at least they would have to come up to me and get close | :05:58. | :06:01. | |
enough to see me. Are police getting trigger-happy? | :06:02. | :06:02. | |
to come up to me and get close enough to see me. Are police I | :06:03. | :06:06. | |
suppose the public might fear that the police are using the power to | :06:07. | :06:10. | |
inflict pain without really understanding the consequences. We | :06:11. | :06:14. | |
go into great detail about how this actually works and what the effects | :06:15. | :06:20. | |
are on people and what the medical implications are if it doesn't | :06:21. | :06:27. | |
according to go to plan. This is supposed to represent a real life | :06:28. | :06:31. | |
situation. You can see the already have their Taser is. Come out | :06:32. | :06:40. | |
towards me! Look at your chest. This is a Taser, 50,000 volts. They are | :06:41. | :06:47. | |
giving the morning they have been taught. It looked like they followed | :06:48. | :06:55. | |
the textbook training manual. Their training showed them that they need | :06:56. | :07:00. | |
to be ready, but not to go for that is the first option. The first | :07:01. | :07:04. | |
option is verbal communication. Commander Neil is the leading Taser | :07:05. | :07:18. | |
commander. There are seven types of Taser years, from drawing it from | :07:19. | :07:21. | |
the holster to actually firing it, but the number of times the Taser is | :07:22. | :07:26. | |
actually fired is not dramatically going up. Amnesty International says | :07:27. | :07:33. | |
it has documented 500 deaths are causing to Taser use in the US. Can | :07:34. | :07:39. | |
they kill people? We don't think it is a weapon that can kill. This is | :07:40. | :07:43. | |
not a weapon that should stop someone's heart. But the | :07:44. | :07:47. | |
manufacturers also say that you should not aim at the chest. If you | :07:48. | :07:55. | |
are of short stature, or have taken substances, it can carry some risk, | :07:56. | :08:03. | |
but any use of force carries a risk. If you have it on you, you are going | :08:04. | :08:08. | |
to draw it. I didn't realise those cables came out, did you? You know a | :08:09. | :08:15. | |
lot from watching the One Show! . Mr Sloane starts on Friday the 23rd | :08:16. | :08:21. | |
of May at 9pm on Sky Atlantic HD. What is his background? He is stuck | :08:22. | :08:36. | |
in the 1950s. His touchstones are his wife of tenures and his job, and | :08:37. | :08:42. | |
he loses both on the same day. So he has nowhere to go, and he doesn't | :08:43. | :08:48. | |
know what this weird world is around him with hippies and marijuana. And | :08:49. | :08:52. | |
he essentially crumples in on himself. It is a comedy, despite how | :08:53. | :09:02. | |
I have... It is one of those unfortunate things we were laughing | :09:03. | :09:07. | |
at one's misfortune. Let see the hapless Jeremy Sloane putting his | :09:08. | :09:12. | |
foot in it. Would you like to sit down? No, thank you. It's very kind. | :09:13. | :09:22. | |
I'm getting off at the next stop. When's it's due, your arrival? I'm | :09:23. | :09:32. | |
not... Nothing is due! You are very rude! Mind your own business! I'm | :09:33. | :09:35. | |
very sorry. Well done. It is hilarious, but you would never | :09:36. | :09:51. | |
do that in real life, would you? I did, sadly, when I was a waiter. It | :09:52. | :09:56. | |
was a table of two ladies, and I thought I would try and perhaps talk | :09:57. | :10:01. | |
about children, thinking she was pregnant to try to up my tip, and | :10:02. | :10:06. | |
she wasn't, and it was terrible. She left no tip. | :10:07. | :10:13. | |
This part was created for you. Yes. Does that come with its pressures? I | :10:14. | :10:23. | |
put myself under a lot of pressure to be good and to remember my | :10:24. | :10:29. | |
lines, and to put the working, so I don't think there is going to be any | :10:30. | :10:33. | |
more pressure than, really. You never feel it as pressure. It is | :10:34. | :10:38. | |
like what you guys do here. You come to work everyday, and if you were to | :10:39. | :10:42. | |
of it as a whole, then you would feel pressure, but it is a minute by | :10:43. | :10:47. | |
minute thing when you are onset. But it is very flattering as an actor | :10:48. | :10:54. | |
have someone approach you and say, I want to write this thing for you. I | :10:55. | :11:00. | |
like all very much, I have known him for a long time, here's a weird, | :11:01. | :11:04. | |
creepy old fellow. I like him very much. And to get to work with him | :11:05. | :11:12. | |
every day was a treat. And it is set in 1969, so it is a modern -ish | :11:13. | :11:20. | |
period drama, in a way. Did you enjoy having the costumes and | :11:21. | :11:23. | |
recreating scenes from the nineteen sixties? It is not swinging. Our | :11:24. | :11:33. | |
production designer was a lovely man called Dennis who has been around | :11:34. | :11:38. | |
for ages and is amazing. In Sloane's house and every other set, | :11:39. | :11:44. | |
it is so densely packed with period objects that it just kind of makes | :11:45. | :11:48. | |
it so much easier. Every drawer or cupboard you open is full of stuff | :11:49. | :12:06. | |
from the 60s, which is amazing. Professor Alison Roberts is here to | :12:07. | :12:13. | |
launch a ?10 million prize to solve one of humanity's problem. You can | :12:14. | :12:17. | |
vote for the one issue you think is the most important book. Here are | :12:18. | :12:26. | |
your six options. 300 years ago, Yorkshire clockmaker John Harrison | :12:27. | :12:30. | |
solved the problem laid out by the first prize with this, the Marine | :12:31. | :12:37. | |
timekeeper number four. It allowed sailors to know exactly where they | :12:38. | :12:41. | |
were at sea, and in doing so, saved countless lives. The Longhi tutor | :12:42. | :12:45. | |
committee has now reconvened to administer a new prize fund with ?10 | :12:46. | :12:53. | |
million up for grabs. They have identified six pressing challenges | :12:54. | :12:57. | |
facing the world today. But only one will be awarded the prize. In no | :12:58. | :13:04. | |
particular order, here are the six categories. First up, flight. Our | :13:05. | :13:14. | |
appetite for fossil fuels is suffocating our planet, and our love | :13:15. | :13:18. | |
of flight is part of the problem. Engineers are working to find | :13:19. | :13:20. | |
alternatives to create zero carbon flight. Will it be battery powered | :13:21. | :13:26. | |
aircraft, hydrogen powered engines or something not yet invented? Vote | :13:27. | :13:31. | |
for flight if you think the prize should go towards solving this | :13:32. | :13:37. | |
problem in the sky. Next, paralysis. Every year, over a thousand people | :13:38. | :13:41. | |
in the UK lose the ability to walk, whether from a stroke, disease or | :13:42. | :13:46. | |
injury. The number of war veterans injured in recent years has also | :13:47. | :13:50. | |
added to the number. Scientists and engineers are looking at ways to | :13:51. | :13:54. | |
repair spinal injuries, and to provide technology to better help | :13:55. | :13:59. | |
the afflicted. If you think this is humanity's most pressing problem, | :14:00. | :14:00. | |
vote for paralysis. Next, food. Over 1 billion people on | :14:01. | :14:13. | |
earth are deficient in some kind of key nutrients that a healthy person | :14:14. | :14:17. | |
requires. But with farmland running out, what can science and technology | :14:18. | :14:22. | |
do to help? Gene modification of crops may be the answer. All the | :14:23. | :14:26. | |
answer could be that more of us become less squeamish about what we | :14:27. | :14:30. | |
eat. Eating insects instead of livestock may be the solution. If | :14:31. | :14:35. | |
nourishing the world concerns you most, vote for food. Clean drinking | :14:36. | :14:42. | |
water is something we all need, at the world's population is growing | :14:43. | :14:46. | |
fast, and we have the same amount of fresh water to go around. So where | :14:47. | :14:52. | |
do you get more fresh water from? Desalination plants that turn water | :14:53. | :14:55. | |
from the sea into drinking water already exist, but they are | :14:56. | :15:03. | |
expensive. Perhaps the chief, -- a cheaper, more efficient technology | :15:04. | :15:07. | |
could be invented. If you think clean water is our most vital | :15:08. | :15:13. | |
challenge, vote for water. Antibiotics are only 70 years old, | :15:14. | :15:17. | |
and have revolutionised medicine. But overuse has minimised their | :15:18. | :15:22. | |
effectiveness. In our hospitals, there are already dangerous bacteria | :15:23. | :15:25. | |
that antibiotics have no effect upon. If this goes unchecked, the | :15:26. | :15:29. | |
health of salt could be in real peril. A simple test for bacterial | :15:30. | :15:34. | |
infections that can target the correct time to use antibiotics | :15:35. | :15:38. | |
could reduce antibacterial resistance. If you think our most | :15:39. | :15:44. | |
pressing concern is to address this cornerstone of modern medicine, vote | :15:45. | :15:45. | |
for antibiotics. medicine is that people can expect | :15:46. | :16:00. | |
to live longer but an ageing population brings new challenges of | :16:01. | :16:04. | |
its own, with a growing number of people living with dementia. It is a | :16:05. | :16:09. | |
problem that is likely to touch all our lives. If you think dementia is | :16:10. | :16:14. | |
the greatest problem facing our increasing population, vote for | :16:15. | :16:21. | |
dementia. 300 years ago when John Harrison won the original longer to | :16:22. | :16:28. | |
challenge, he was not a renowned physicist, he was a clockmaker from | :16:29. | :16:36. | |
Yorkshire. It is hoped the Longer choose to -- Longitude prize will | :16:37. | :16:51. | |
change the future and it is up to you to vote. What do you think? | :16:52. | :16:58. | |
Water. That antibiotics? What! It is nearly impossible. Professor Alice | :16:59. | :17:04. | |
Roberts is here. How can people vote? People can vote from nine | :17:05. | :17:09. | |
o'clock on BBC Two after the Horizon programme. You can vote by text and | :17:10. | :17:14. | |
online. And then voting will stay open for a whole month. And at the | :17:15. | :17:19. | |
end of the month, the 25th of June, we will decide on the winner and it | :17:20. | :17:25. | |
will be here. Then we will know what we need to focus on. How will this | :17:26. | :17:31. | |
?10 million prize fund be awarded? The important thing to remember is | :17:32. | :17:36. | |
that it is a prize fund. It may not be one massive lump sum to one | :17:37. | :17:40. | |
person at the end of this challenge. We may use some of the money to go | :17:41. | :17:45. | |
along to stimulate innovation and research. But there will still be a | :17:46. | :17:49. | |
significant amount, which is given to the person, the team of people, | :17:50. | :17:54. | |
that come up with a solution. And you have brought in lovely Linda the | :17:55. | :17:59. | |
Robot. She is roaming around over there. Tell us what she can do. On | :18:00. | :18:04. | |
the surface she looks quite unremarkable, in a way. You have | :18:05. | :18:11. | |
seen too many robots! It is what is inside that is really clever. She is | :18:12. | :18:15. | |
an autonomous robot, so we don't have to programme her to do just | :18:16. | :18:19. | |
what we want. She works out where she is, her environment, and what | :18:20. | :18:23. | |
she needs to do. For instance, she knows the difference between objects | :18:24. | :18:30. | |
and people. She knows that. And she will start working out what she | :18:31. | :18:34. | |
needs. At the moment she is being used in a care home. She does not | :18:35. | :18:40. | |
know much about personal space, does she? ! She is getting quite close to | :18:41. | :18:46. | |
me. But she has got to be very close to work things out. There are a few | :18:47. | :18:52. | |
versions being designed at the moment, a collaborative project | :18:53. | :18:57. | |
working at the University of Birmingham. She would not replace | :18:58. | :19:01. | |
nurses in a care home but help them. She might spot when things are going | :19:02. | :19:05. | |
wrong, when somebody gets up in the night, when somebody ends up in the | :19:06. | :19:09. | |
wrong place, if somebody falls over. She can act as an early warning | :19:10. | :19:14. | |
system, to help carers better look after people. And tell patients if | :19:15. | :19:18. | |
they have got a nice shirt! She can point that out. It is quite funny | :19:19. | :19:25. | |
because if she needs to reverse, you've just pushed her away. One of | :19:26. | :19:32. | |
the other huge issues is the world food issue and one solution is that | :19:33. | :19:38. | |
we should be less squeamish with what we eat. We have some insects in | :19:39. | :19:43. | |
the studio to try. How would this work? Again it is just an idea. | :19:44. | :19:48. | |
Malnutrition is a huge problem and we have a growing global population | :19:49. | :19:52. | |
so it will get worse. There are several things to think about, | :19:53. | :19:57. | |
providing enough energy and also getting enough protein. At the | :19:58. | :19:59. | |
moment we cannot possibly all eat as much meat globally as we do in the | :20:00. | :20:06. | |
UK. If we want to increase everybody's protein intake, that | :20:07. | :20:10. | |
insects might be a good way of doing that? What? ! They look quite | :20:11. | :20:19. | |
beastly like that but if you ground them into a party and put it in a | :20:20. | :20:27. | |
pitta bread with hummus, delicious. I agree and that is just one idea. | :20:28. | :20:31. | |
We want people to come up with original ideas and real innovation. | :20:32. | :20:36. | |
Something like the original Longitude prize, which was a | :20:37. | :20:41. | |
left-field idea from Harrison. It involves everybody. It could be | :20:42. | :20:46. | |
somebody watching The One Show tonight. Somebody who is not a | :20:47. | :20:50. | |
traditional scientist and comes up with a solution. But first we need | :20:51. | :20:54. | |
to choose the issue and voting open straight after Horizon this week and | :20:55. | :20:59. | |
we will be revealing the winning category on the 25th of June The One | :21:00. | :21:05. | |
Show. Are you ready? I am. I have practised this bit. I hat for you | :21:06. | :21:11. | |
and off you go. Please ensure your tray is stowed in front of you and | :21:12. | :21:18. | |
your seat is returns to an upright position and electronic devices are | :21:19. | :21:24. | |
turned off, except for your television. We have swapped hats! | :21:25. | :21:32. | |
Anyway, we can reveal how the best pilots in the business prepare for | :21:33. | :21:35. | |
take-off. I have filmed birds in flight many | :21:36. | :21:40. | |
times before but how they achieve take-off is always fascinating. It | :21:41. | :21:43. | |
is something almost all birds do but it varies a lot between species. To | :21:44. | :21:49. | |
take off, you need lift and thrust. In aeroplanes, lift comes from the | :21:50. | :21:53. | |
wings and engines provide the thrust. But birds use their wings | :21:54. | :21:57. | |
for both, which is what flapping is about. Different sized birds have | :21:58. | :22:02. | |
very different take-off techniques. I am starting small. Small birds, | :22:03. | :22:09. | |
small camera, but one big advantage. I can trigger it remotely with an | :22:10. | :22:16. | |
app on my phone. This footage is four times slower than normal speed, | :22:17. | :22:21. | |
but even so, the wings flapping like crazy. Such mobile wings give them | :22:22. | :22:26. | |
great precision when taking off, something that small birds like | :22:27. | :22:30. | |
these ones do hundreds of times a day. They must have taken off five | :22:31. | :22:35. | |
times in a minute at least and it is actually very important for small | :22:36. | :22:39. | |
birds to keep that speed of take-off going, because there are predators | :22:40. | :22:45. | |
around here. Small garden birds have relatively large wings for their | :22:46. | :22:50. | |
body size, making multiple take-off is fairly easy, but for birds like | :22:51. | :22:55. | |
pheasants, which spent 90% of the time on the ground, getting airborne | :22:56. | :22:59. | |
is much more work. There is some vegetation here which I will use to | :23:00. | :23:05. | |
hide me slightly. Some of these pheasants are probably feeling | :23:06. | :23:07. | |
vulnerable and exposed and if something spooks them, they will | :23:08. | :23:12. | |
take off. That will be my chance to get a shot. When they left off, | :23:13. | :23:16. | |
their wings twist, enabling them to go straight up in the air. That is | :23:17. | :23:21. | |
not great for controlled flight but it is good for getting out of | :23:22. | :23:26. | |
danger. Take-off is a big deal for a heavy bird like a pheasant. How does | :23:27. | :23:31. | |
one of our heaviest flying birds, this one, solve the problem? This is | :23:32. | :23:39. | |
a unique natural habitat where the birds are thoroughly used to people. | :23:40. | :23:52. | |
There are still heard it here today and I have enlisted their help. | :23:53. | :23:59. | |
Swans always take off into the wind, which gives them a lift. They are to | :24:00. | :24:03. | |
the end of the lagoon and because they are so big, they are reluctant | :24:04. | :24:11. | |
flyers. By lowering -- by encouraging them into the downwind | :24:12. | :24:15. | |
end, we hope we can get them to take off here. Here we go. But our first | :24:16. | :24:20. | |
attempt does not quite go according to plan. Don't get too close. Come | :24:21. | :24:30. | |
on. Some swans do take flight, but much closer to me than I was | :24:31. | :24:36. | |
expecting. I am going to move. Just reposition. With my long lens, I | :24:37. | :24:42. | |
need to be much further back from their starting point to catch their | :24:43. | :24:46. | |
long run-up. By being in the water, I have now got a low angle, closer | :24:47. | :24:53. | |
to their level. The swans reset and I have one last chance to get the | :24:54. | :25:04. | |
shot. We have birds going. Swans can way 15 kilos, a massive bulk to lift | :25:05. | :25:10. | |
into the air. It is a huge amount of effort that the birds have to put in | :25:11. | :25:14. | |
to get going from stationary. They cannot twist their wings as much as | :25:15. | :25:18. | |
pheasants, so they need to gather forward speed to get airborne. Then | :25:19. | :25:23. | |
the legs are beginning to kick in, providing that extra thrust, running | :25:24. | :25:30. | |
across the water. Swans can sometimes run for 100 metres before | :25:31. | :25:35. | |
taking off, which is a bit like a 747 needing a runway over 1000 miles | :25:36. | :25:40. | |
long. And then finally we have liftoff. It is clear from what I | :25:41. | :25:48. | |
have been filming today that birds have evolved all sorts of ways for | :25:49. | :25:52. | |
taking off. Using high speed cameras to slow down the crucial moment of | :25:53. | :25:57. | |
take-off has given me an insight into the remarkable techniques some | :25:58. | :26:00. | |
of our British birds used to get airborne. | :26:01. | :26:07. | |
What a beautiful sight. A majestic creature. On Friday Ping Coombes | :26:08. | :26:13. | |
became the 10th person to lift the MasterChef trophy. Ping! How is life | :26:14. | :26:22. | |
treating you after you became MasterChef winner? It has not sunk | :26:23. | :26:26. | |
in yet that I am talking to you guys. It is kind of surreal for me. | :26:27. | :26:35. | |
It has been very busy, hasn't it? Yes, but I am enjoying it and I love | :26:36. | :26:41. | |
cooking. Thank you for putting us our dinner tonight but before we | :26:42. | :26:44. | |
tasted, let's sue the moment that you triumphed and it is quite a | :26:45. | :26:52. | |
moment. -- let's see. The MasterChef Champion is Ping. I am amazed by the | :26:53. | :26:58. | |
amount of work and the appearance of your dishes. It is absolutely | :26:59. | :27:01. | |
stunning. Didn't even touch the sides! Good | :27:02. | :27:19. | |
girl. Get it down you. We heard that you had a text message from a | :27:20. | :27:22. | |
special head of state after winning. What happened? I woke up and there | :27:23. | :27:28. | |
was a text from the Prime Minister of Malaysia. That is pretty special. | :27:29. | :27:33. | |
What did he say? He said congratulations to me. Truly | :27:34. | :27:39. | |
world-class Malaysian flavours. How did he get your number? We are now | :27:40. | :27:47. | |
going to sample the flavours that they were talking about. What have | :27:48. | :27:53. | |
you cooked for us? Today I have my take on duck a l'orange. I know you | :27:54. | :27:57. | |
are doing a programme set in the 60s. So that is my oriental take on | :27:58. | :28:05. | |
it, a Malaysian take. We have duck legs in this. Are we all write to | :28:06. | :28:17. | |
get tasting? Yes. -- all right. You said these were swans! I was joking! | :28:18. | :28:27. | |
Please dip into this. Into this? That is orange mayonnaise. They take | :28:28. | :28:37. | |
on duck a l'orange. -- my take. In situations like this everybody said | :28:38. | :28:40. | |
it is lovely but it really is first class. And we have crunchy salad to | :28:41. | :28:46. | |
freshen it up. That is all we have time for tonight. Thank you to Ping | :28:47. | :28:51. | |
for the lovely food. I must not speak with my mouth full! And good | :28:52. | :28:56. | |
luck for Mr Sloane. That tastes much better than the cricket! And | :28:57. | :28:59. | |
tomorrow we are joined by the original Eastender Ian Beale, Adam | :29:00. | :29:03. | |
Woodyatt. See you tomorrow. Goodbye. | :29:04. | :29:08. |