Browse content similar to 19/12/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to the programme. Tonight, a funnyman who either | :00:22. | :00:28. | |
regularly changes his mind, or has been telling a few porky pies. | :00:28. | :00:34. | |
Right here, in my favourite city of the more, it's Birmingham! Right | :00:34. | :00:40. | |
here, in my favourite city of the more, it's Edinburgh! Glasgow! It's | :00:40. | :00:49. | |
Belfast! It's Swansea! My favourite city of them all, it's Sunderland! | :00:49. | :00:56. | |
Well, he's definitely our favourite guest, it's Michael McIntyre! | :00:56. | :01:03. | |
you very much. So, Michael, it's time to be honest to the people of | :01:03. | :01:09. | |
Britain - which is your favourite city? I'm relatively fickle, you | :01:09. | :01:14. | |
can probably sense that, but I would like to say factually, that | :01:14. | :01:17. | |
you're my favourite One Show presenters of them all? And there | :01:17. | :01:23. | |
has been a few. That's good enough for us. Speaking of good results, | :01:23. | :01:27. | |
did you see Strictly at the weekend? If yes, I have not been | :01:27. | :01:32. | |
watching the series, I just watched your dancers, obviously. Was that | :01:32. | :01:41. | |
your favourite? Of course. We have to say, congratulations to the | :01:41. | :01:49. | |
lovely Harry Judd for winning. And we noticed, Michael, you're quite | :01:49. | :01:54. | |
nimble on your feet. A lot of skipping goes on in your show us. | :01:54. | :01:59. | |
Yes, this was in reference to a joke that I did, but people think I | :01:59. | :02:04. | |
do this all the time. It's the hands and the legs, it's my | :02:04. | :02:10. | |
favourite! I have never seen a montage like this put together. | :02:10. | :02:18. | |
Coming up, in honour to your skipping, we have got the GB senior | :02:18. | :02:23. | |
skipping team. When you have a go later? I will do anything you want | :02:23. | :02:31. | |
me to do. Is this a real tree? First, it is a perennial problem | :02:31. | :02:35. | |
for prisons - you lock-up a criminal, they serve their sentence, | :02:35. | :02:42. | |
but sooner or later, they are back inside again. Simon Boazman looks | :02:42. | :02:48. | |
at a scheme which aims to reduce reoffending. Does prison work? It | :02:48. | :02:53. | |
is a question politicians, even on the same party, cannot agree on. | :02:53. | :02:59. | |
Too often, prison has proved costly and ineffectual. Prison works. | :02:59. | :03:03. | |
if you had to put money on what type of prison regime was most | :03:03. | :03:08. | |
effective, what would you choose? At this jail, it is not just a | :03:08. | :03:11. | |
policy question, it affect the bottom line. If Doncaster prison | :03:11. | :03:17. | |
does not get results, the person that runs it loses money. If the | :03:17. | :03:21. | |
prison does not reduce reoffending rates by 5%, it is going to lose | :03:21. | :03:27. | |
10% of its yearly budget, around �2 million. The reoffending rate here | :03:27. | :03:32. | |
is 65% for short-term prisoners, and 42% for those sentenced to more | :03:32. | :03:36. | |
than a year. The governor says prison has to be more than just a | :03:36. | :03:43. | |
deterrent. Predominantly, we deliver basic numeracy and literacy | :03:43. | :03:48. | |
levels for prisoners. Generally, they come in here with very low | :03:48. | :03:53. | |
levels of literacy and numeracy. The prison has pledged to reduce | :03:53. | :03:57. | |
the number of prisoners who go on to commit crimes once they have | :03:57. | :04:02. | |
left. The focus is on rehabilitation and support. People | :04:02. | :04:06. | |
become involved in crime for a number of reasons. Part of our job | :04:06. | :04:10. | |
is to find out exactly what it is that has got them to this point. | :04:10. | :04:14. | |
What do you do on a practical level? We have an extensive range | :04:14. | :04:19. | |
of things. I have local sports teams helping me with coaching | :04:20. | :04:24. | |
offenders. I have nationally recognised organisations helping me | :04:24. | :04:28. | |
to deliver a theatre and film making courses. Employment and | :04:28. | :04:35. | |
training are also big issues. prisoners we spoke to all had good | :04:35. | :04:40. | |
things to say. What are you in for? Burglary and deception. People | :04:40. | :04:43. | |
should be given the chance to change their ways. If you just lock | :04:43. | :04:47. | |
people away, there is no Rehabilitation at all. People turn | :04:48. | :04:52. | |
around and be nasty and start resenting prison officers. As well | :04:52. | :04:57. | |
as doing music, I have done a lot of other skills, such as drama, and | :04:57. | :05:03. | |
editing films, so this time, when I get out, I have got something. | :05:03. | :05:06. | |
another part of this all-male prison, I came across something I | :05:06. | :05:14. | |
did not expect to see. The prison seize keeping relationships with | :05:14. | :05:19. | |
family as an important thing. in here for two-and-a-half years, | :05:19. | :05:23. | |
so he will be free by the time I have got out. Obviously I have | :05:23. | :05:28. | |
never changed him, fed him, bathed him. He would be like a stranger. | :05:28. | :05:33. | |
Missing out on all of that, I could never do it again, ever. We have | :05:33. | :05:39. | |
met prisoners with their kids, and doing role and editing. It is | :05:39. | :05:42. | |
starting to feel a bit like a college. What about those people | :05:42. | :05:49. | |
who think our should actually be about punishment? My answer is, | :05:49. | :05:54. | |
these are not my prisoners, they are Sheffield's prisoners, | :05:54. | :05:58. | |
Barnsley's prisoners. If all I do is hold them, then what does | :05:58. | :06:03. | |
Sheffield or Barnsley get out at the end? Exactly the same, or worse, | :06:03. | :06:09. | |
than what came in. Not everybody agrees with this approach. The | :06:10. | :06:14. | |
prison Officers' Association claims schemes like this lead to the | :06:14. | :06:17. | |
easiest cases being focused on. But here at Doncaster, they do not | :06:17. | :06:24. | |
agree. But one thing is unique, their work in conjunction with this | :06:24. | :06:30. | |
charity continues outside the prison gates. This young man was in | :06:30. | :06:33. | |
Doncaster a few months ago for criminal damage and possession of | :06:33. | :06:37. | |
an offensive weapon. He still sees the same caseworker as when he was | :06:37. | :06:44. | |
inside. She comes to see me former probation and my JobCentre | :06:44. | :06:49. | |
appointments. If she was not there, I would have been back in there by | :06:49. | :06:55. | |
now. What will stop you going back to jail? It is the support I get | :06:55. | :07:05. | |
:07:05. | :07:05. | ||
from people like her, and my mother. It is off my own back, really. | :07:05. | :07:10. | |
the company, Serco, does better than its targets, it gets a bonus | :07:10. | :07:16. | |
payment. Is it right for companies like this to benefit in this way? | :07:16. | :07:20. | |
But the prison is sure it will get results, and at least it is putting | :07:20. | :07:24. | |
its money where its mouth is. It is too early for any results, but it | :07:24. | :07:28. | |
is an interesting idea, and we will follow that story. Now, will on the | :07:28. | :07:32. | |
final straight, Christmas is coming. Have you finished all your | :07:32. | :07:39. | |
Christmas shopping? I will be honest, I have not yet. Neither | :07:39. | :07:48. | |
have I. I am a last-minute shopper. I say that, I have not even bought | :07:48. | :07:51. | |
all of last year's presents. I have decided I'm going to buy even less. | :07:51. | :07:56. | |
I'm not going to buy anything for my mother-in-law. Every year I buy | :07:56. | :07:59. | |
her something nice, and she goes, you shouldn't have. So this year, | :07:59. | :08:04. | |
I'm not going to. Maybe she will go, you should have. What about | :08:04. | :08:14. | |
:08:14. | :08:25. | ||
presents for you? Are you a tools man? Yes, I have asked for a drill. | :08:25. | :08:28. | |
You know me so well judged and I will be on my ladder on Christmas | :08:28. | :08:32. | |
morning, drilling at random. Who do you think I am? Who have you | :08:32. | :08:40. | |
mistaken me for? A man. Well, you're wrong. Dreadful mistake! | :08:40. | :08:46. | |
This is the man who skips on stage. Anyway, two young sons in the prime | :08:46. | :08:48. | |
time for Father Christmas and all the rest of us - describe Christmas | :08:49. | :08:55. | |
in your household. Well, people always ask you, what do you do for | :08:55. | :08:59. | |
Christmas? What's happening this Christmas? It is the one day of the | :08:59. | :09:03. | |
year we all do exactly the same thing. I say, I'm doing what you're | :09:03. | :09:09. | |
doing. You will be up early, I guess. Well, last year, this is | :09:09. | :09:15. | |
true, my children woke up at 11:48pm on Christmas Eve. They came | :09:15. | :09:19. | |
running into the room, it's Christmas. I was, like, no, it is | :09:19. | :09:24. | |
not Christmas for 12 minutes. We can't start Christmas Day on the | :09:24. | :09:28. | |
first second of Christmas. Of course, I'm up early, as it you are | :09:28. | :09:34. | |
with children. They just rip things open, and I am, why don't you play | :09:34. | :09:38. | |
with this? I spend most of the morning trying to open the battery | :09:38. | :09:42. | |
compartment of the toys, then hoping to get the miniature tool | :09:42. | :09:48. | |
kit! That's my favourite present. And then I eat until the | :09:48. | :09:52. | |
announcement, until I announce that I can no longer eat anything else. | :09:52. | :09:57. | |
And then I say, I do this every year, I say, I will never, ever eat | :09:57. | :10:02. | |
again. And then half-an-hour later, I go, I'm going to have a sandwich. | :10:02. | :10:06. | |
Almost every year. The more you eat, the more you want, that's what they | :10:06. | :10:11. | |
say. Certainly at Christmas, it is amazing, the capacity we have for | :10:11. | :10:15. | |
eating at this time of year. Have you started? I had a mince pie, | :10:15. | :10:20. | |
actually. I started today. There was a lot of's pastry going on. | :10:20. | :10:26. | |
Anyway, your comedy road show is on on Christmas Day. I have this show | :10:26. | :10:31. | |
on Christmas Day, which you might have come to. I was there on | :10:31. | :10:37. | |
Tuesday, brilliant night, very funny. My roadshow has done two | :10:37. | :10:41. | |
series on BBC One. But this is a Christmas Special, and I have | :10:41. | :10:43. | |
worked for months and months to make it as special and as different | :10:43. | :10:47. | |
as possible. We have an incredible line-up. It is the best show I have | :10:47. | :10:53. | |
ever been in. I cannot believe how good it was. Look, there's all the | :10:53. | :11:01. | |
people in it. So many of them, James Corden, David Mitchell, Jack | :11:01. | :11:06. | |
Dee, Rhod Gilbert, how funny was him? Absolutely sensational. And | :11:06. | :11:15. | |
also, these crazy moments, I sang Fairy-tale of New York, with Pixie | :11:15. | :11:22. | |
Lott. Now, we did not expect that. I love getting my tree up in my | :11:22. | :11:28. | |
house. Come, darling, see the tree I chose. Big, Bushy tree. When you | :11:28. | :11:33. | |
decorate it, it looks beautiful. But as we all know, you have to | :11:33. | :11:36. | |
make sure that it is plugged in very discreetly, so it does not | :11:37. | :11:41. | |
ruin it. The problem is, every night, you leave it on because it | :11:41. | :11:44. | |
looks so lovely, then you're halfway up the stairs and you stop, | :11:44. | :11:47. | |
and you think, there could be a fire. Which means that literally | :11:47. | :11:55. | |
every night of December, before bed, I'm downstairs, under the tree... | :11:55. | :12:05. | |
Darling, can you help me? I cannot reach the bottom. Because it's | :12:05. | :12:10. | |
Christmas Day, and you know, it is 10:30pm at night, and I know the | :12:10. | :12:14. | |
state of the nation, we have just tried to make the most entertaining | :12:14. | :12:18. | |
thing, it is so Christmassy, ending with Kylie Minogue, and just tried | :12:18. | :12:22. | |
to make it as funny as possible, and it could not have come out | :12:22. | :12:27. | |
better. It is absolutely superb. It is like a variety show. The only | :12:27. | :12:33. | |
bit I felt uncomfortable was when Rhod Gilbert came on. And he went, | :12:33. | :12:38. | |
oh, yes, The One Show. You have got all these weird gear changes. | :12:38. | :12:43. | |
That's true. And as long as you put the word lovely in the middle, it | :12:43. | :12:48. | |
all mixed together. Which is what I do. Shall we do one of those gear- | :12:48. | :12:53. | |
changes now? Yes, we are moving on to Christmas carols. That was not | :12:53. | :12:59. | |
much of a gear change. You could have saved that for prisons! What | :12:59. | :13:02. | |
happens in the McIntyre household when Carole singers come to the | :13:02. | :13:09. | |
door? Do you make mince pies or do you all hide? Well, turning the | :13:09. | :13:11. | |
lights off at that stage, after they have rung the doorbell, is | :13:11. | :13:16. | |
going to be ineffective. That would be awkward. But I do get scared | :13:16. | :13:21. | |
when people come to the door - is that long? But Carole singers are | :13:21. | :13:25. | |
lovely. In Wales, everybody must do that because Welsh people love | :13:25. | :13:31. | |
singing. Is there anybody in, they must all be out carol-singing? In | :13:31. | :13:37. | |
fact, I would have thought just the door bell sets the Welsh off. Ding | :13:37. | :13:47. | |
:13:47. | :13:48. | ||
Dong... Merrily on high. One Carole which nobody can do without of | :13:48. | :13:51. | |
course is Hark! The Herald Angels Sing, but as a Gyles Brandreth | :13:51. | :14:01. | |
:14:01. | :14:05. | ||
found out, it started off a bit Here in Bristol powerful hymns | :14:05. | :14:09. | |
became the tool by which the Methodists spread their message. | :14:09. | :14:14. | |
The movement was created by brothers John and Charles Wesley. A | :14:14. | :14:18. | |
form of the Anglican Church. Charles was the preacher here at | :14:18. | :14:24. | |
the The New Room in Bristol, but also a prolific hymn writer. For | :14:24. | :14:30. | |
him, methodism was born in song. Philip Carter, why were hymns so | :14:30. | :14:33. | |
important? John and Charles Wesley realised that most of their people | :14:33. | :14:37. | |
were eliterate and could not read, but they could listen to the lines | :14:37. | :14:43. | |
of the hymn with a catchy tune and away they went. | :14:43. | :14:49. | |
So this was the unique selling proposition that the Methodists had, | :14:49. | :14:53. | |
we sing? That's right. Yes. Charles Wesley was in London on | :14:53. | :14:57. | |
Christmas morning in 1738, walking to church, he heard the bells | :14:57. | :15:01. | |
ringing and it inspired him to turn the words of his sermon into the | :15:01. | :15:09. | |
words of a Christmas hymn. # Hark! The heral angels sing | :15:09. | :15:14. | |
# Glory to the new-born king. # Charles Wesley sat in this very | :15:14. | :15:19. | |
room and here before us is a copy of the manuscript of the original | :15:19. | :15:24. | |
hymn? But I don't recognise the opening line? | :15:24. | :15:31. | |
# Hark how all the welkins rings? What is that A welkin is the sky, | :15:31. | :15:36. | |
that's a direct translation. The skys were the universe. Who changed | :15:36. | :15:46. | |
:15:46. | :15:48. | ||
it? This change was done by a colleague of the group with Wes Wes. | :15:48. | :15:53. | |
He said welkin, that nobody would understand it, so he changed it to | :15:53. | :15:59. | |
hark! How the angels sing. Well done, George, you made the | :15:59. | :16:03. | |
difference. But the words really took off 100 years later in | :16:03. | :16:08. | |
Victorian times when set it a tune by the German composer, Fehily. | :16:08. | :16:13. | |
So, how come it is set to a Felix Mendelssohn tune? Charles Wesley's | :16:13. | :16:19. | |
words did not have a tune. The first recorded tune was from 1750. | :16:19. | :16:25. | |
You may recognise the tune of Salisbury or Easter Hymn was used | :16:25. | :16:29. | |
it goes like this # Hark! The heral angels sing | :16:29. | :16:37. | |
# Glory to the new-born king. # It does not sound right? It does not. | :16:37. | :16:41. | |
Prince Albert registered and wrote a tune. | :16:41. | :16:48. | |
And Queen Victoria's husband? is right it is a funny old tune, | :16:48. | :16:57. | |
# Hark The heral angels sing # Glory to the new-born king. # I | :16:57. | :17:03. | |
rather like that. The royaltys will go to royalty! How did Felix | :17:03. | :17:12. | |
Mendelssohn get in on the act? this was dug up fr written for an | :17:12. | :17:15. | |
entirely different occasion. Remarkably, Felix Mendelssohn had | :17:15. | :17:21. | |
created the music for an event that was far less spirit actual. It was | :17:21. | :17:26. | |
composed to celebrate the 400th an saers of the first ever printing | :17:26. | :17:30. | |
press. Discovered at a time when the Victorians were going crazy for | :17:30. | :17:35. | |
carols we have loved it ever since. So, now let's listen to the | :17:35. | :17:40. | |
wonderful words and the uplifting tune performed here in The New Room | :17:40. | :17:45. | |
in Bristol. # Hark! The heral angels sing | :17:45. | :17:53. | |
# Glory to the new-born king # Peace on Earth... # This has | :17:53. | :17:58. | |
become one of the most popular carols in the world, what do you | :17:58. | :18:02. | |
think that Charles Wesley would have made of that? I think he would | :18:02. | :18:06. | |
have been surprised in one way, but in another way thrilled to bits. | :18:06. | :18:10. | |
The whole world was singing the profound words that they had | :18:10. | :18:17. | |
written. # Christ is born in Bethlehem | :18:17. | :18:27. | |
:18:27. | :18:30. | ||
# Hark! The heral angels sing # Glory to the new-born king. # | :18:30. | :18:35. | |
Lovely. Like you were saying you feel the need to applaud at the end | :18:35. | :18:38. | |
of a carol, but it is silent, as it would be. | :18:39. | :18:43. | |
Do you have a favourite Christmas song? I like all carols. I don't | :18:43. | :18:47. | |
think there is a carol I don't like. They are so Christmassy and you | :18:47. | :18:55. | |
hear them once a year. By I do like The Fairytale of New York. | :18:55. | :19:02. | |
That is a good song. Stay tuned, Christmas night, | :19:02. | :19:06. | |
10.30pm! Right, we are playing a Christmas game. It is all about | :19:06. | :19:10. | |
Christmas songs. So we are showing you pictures. | :19:10. | :19:16. | |
I thought we were playing a proper game like Trivial Pursuit! Well, | :19:16. | :19:26. | |
:19:26. | :19:27. | ||
looking back at that film, this is Hark! The Harold Angels Sing! | :19:27. | :19:37. | |
:19:37. | :19:38. | ||
Do you understand that? That's Harold!? We can play Trivial | :19:38. | :19:48. | |
:19:48. | :19:48. | ||
Pursuit if you would rather. This is your first one, who is that? | :19:48. | :19:52. | |
y Willoughby. Think of the song... The Holly and | :19:52. | :19:58. | |
the Ivy! Yes! That is excellent. This is a bit difficult. | :19:58. | :20:05. | |
Play along at home, by the way. Come on, David Frost... Frosty The | :20:05. | :20:10. | |
Snowman?! Yes! APPLAUSE Frosty The Snowman! And the last | :20:10. | :20:20. | |
:20:20. | :20:24. | ||
one, here we are... I know this one, man buebs... What's the next one? | :20:24. | :20:28. | |
- Boobs. Try chest... Chestnuts Roasting on | :20:28. | :20:33. | |
an Open Fire! You did get a little bit of help, but you have yourself | :20:33. | :20:40. | |
a pair of Christmas socks! thought they were gloves! Thank you | :20:40. | :20:45. | |
very much! They will keep you warm. One thing that we like to do on The | :20:45. | :20:52. | |
One Show is reunite people that heroed them in their -- that | :20:52. | :20:58. | |
rescued them in their time of need. Tonight it is the turn of the | :20:58. | :21:04. | |
Glernster family. Howard Glennerster loves the | :21:04. | :21:08. | |
outdoors with his grandparents. He often comes to visit his | :21:08. | :21:13. | |
grandparents in England. He and his grath fare usally go off hiking in | :21:13. | :21:17. | |
the English countryside. For their holiday last summer, they decided | :21:17. | :21:22. | |
to explore the western fells of Cumbria. Howard had planned an | :21:22. | :21:27. | |
exciting four - day hike. On the second day of the exdecision, the | :21:27. | :21:31. | |
weather was good. They set off across the mountains, aiming to | :21:31. | :21:37. | |
reach their youst hostel by night fall. Take me back to when you | :21:37. | :21:41. | |
found out. It was a beautiful day. We knew | :21:41. | :21:44. | |
where we were, we knew where we were going and we sat down to have | :21:44. | :21:48. | |
lunch. By the time they had finished lunch, | :21:48. | :21:54. | |
the situation had altered. A strong wind and driving rain had hit the | :21:54. | :21:57. | |
mountain It was a cliche to say that mountainss change their | :21:57. | :22:00. | |
character in a moment. Of course, they do. | :22:00. | :22:05. | |
They tried to follow a number of paths down, but each led to a dead | :22:05. | :22:10. | |
end. The weather got so bad they could barely see ahead. | :22:10. | :22:13. | |
Then Howard stumbled waist-deep into a bog hole. | :22:13. | :22:18. | |
I could not milk my legs work. I could not stand up. | :22:18. | :22:24. | |
His clothes now sodden, Howard was showing signs of hypothermia. | :22:24. | :22:30. | |
I do remember Ben talking hard to To stop me losing consciousness. | :22:30. | :22:35. | |
As the light began to fade, Howard tried to crawl down the mountain, | :22:35. | :22:39. | |
but he could not move. His body temperature continuing to drop. | :22:39. | :22:49. | |
:22:49. | :22:50. | ||
It was at that point that Been said, "Shall I get help?" I said yes, go. | :22:50. | :22:54. | |
I was already beginning to realise I may not make it. Better off if he | :22:54. | :22:59. | |
left me and got off the mountain. What was that moment like for you? | :22:59. | :23:04. | |
Sending your ten-year-old grandson down the mountain, in the dark in | :23:04. | :23:09. | |
the rain while you lay there unable to move? Dreadful. I thought I | :23:09. | :23:14. | |
would never see him again. Did you think you were going to die | :23:14. | :23:18. | |
there? Yes. It was almost midnight. As Howard | :23:18. | :23:25. | |
and Ben had not turned up at the youth hostel, the alarm was raised | :23:25. | :23:28. | |
and Cockermouth Mountain Rescue Team were called into action. | :23:28. | :23:30. | |
Andrew was one of the volunteers that night. | :23:30. | :23:36. | |
It was serious. We had a young boy, ten, and his 70-year-old | :23:36. | :23:40. | |
grandfather, it is midnight. They have not turned up to where they | :23:40. | :23:45. | |
should be. It is like looking for a needle in a haystack. | :23:45. | :23:51. | |
It was not until the follow morning that the rescue team had found Ben. | :23:51. | :23:58. | |
He had walked three kilometres down the mountain in the dark. He was | :23:58. | :24:03. | |
cold and hungry, but able to give the team vital information to find | :24:03. | :24:08. | |
his grandfather. When we reached Howard, he was weak | :24:08. | :24:15. | |
and confused. The first thing he said to me was, "Ben is welcome. | :24:15. | :24:19. | |
Ben is fine." What was that like? Huge relief. | :24:19. | :24:24. | |
But Howard was showing signs of serious hypothermia. He was air- | :24:24. | :24:28. | |
lifted off the mountain and taken to hospital. It took six months to | :24:28. | :24:32. | |
make a full recovery. Now a year- and-a-half since that terrible | :24:32. | :24:35. | |
night, Howard is to be reunited for the first time with the man who | :24:35. | :24:43. | |
found his grandson and helped to save his life. Hello, Howard. | :24:43. | :24:46. | |
Welcome to the rescue base. Wonderful to see you. What is it | :24:46. | :24:53. | |
like to see Howard alive and well, when the last time you saw him he | :24:53. | :24:56. | |
was unconscious? It is nice to see you walking, fit and well. To know | :24:56. | :24:59. | |
that your grandson is fit and well too. | :24:59. | :25:04. | |
Andrew was one of the first of the team members to reach him that | :25:04. | :25:12. | |
night, so the reunion would not be complete without a chat with our | :25:12. | :25:15. | |
young explorer too? I am in the control room of the Cockermouth | :25:15. | :25:19. | |
Mountain Rescue Team. I am amazed you found yourself home | :25:19. | :25:23. | |
in the dark? I was not thinking about anything. Just following the | :25:23. | :25:27. | |
river down. Without the right information we | :25:27. | :25:31. | |
would not have found your grandfather at quickly. The | :25:31. | :25:37. | |
circumstances may be different. Thank you! It was moving to think | :25:37. | :25:41. | |
that night, what it was like, and to survive it, due to this great | :25:41. | :25:45. | |
time. Amazing. I have seen that team for | :25:45. | :25:51. | |
myself. Amazing. Michael, it is time for you to try | :25:51. | :25:56. | |
power Scottish Labour Partying -- skipping! Now, we have Beci, Gemma | :25:56. | :26:01. | |
and Laura, they are record-hold ners skipping. You are to show | :26:01. | :26:06. | |
Michael what he needs to achieve before the end of the evening. | :26:06. | :26:15. | |
Give us an idea of what you do? record is 368 jumps in double Dutch. | :26:15. | :26:20. | |
APPLAUSE What is that? Two person one at | :26:20. | :26:24. | |
each end turning the road and three people jumping at one time. | :26:24. | :26:31. | |
Let's have a look. Ready, girls. | :26:31. | :26:41. | |
:26:41. | :26:41. | ||
Apology for the loss of subtitles for 43 seconds | :26:41. | :27:25. | |
Incredible! What do you think? was excellent. Well done, girls! | :27:25. | :27:28. | |
Are you loaving your jacket on? That is fine. | :27:28. | :27:34. | |
Are you serious!? Just have a little go. | :27:34. | :27:40. | |
What do you mean a little go? will explain it all. | :27:40. | :27:43. | |
You have Christmas tree needles in your hair. | :27:43. | :27:49. | |
That is festive! Now, we is have two ropes, when it hits the ground, | :27:49. | :27:55. | |
we say go and you follow it in. Then you start jumping. | :27:55. | :27:59. | |
OK. What if I don't like it? will be fine. | :27:59. | :28:08. | |
Both of you girls are Dutch? Is that right? No, English! Ready? | :28:08. | :28:18. | |
:28:18. | :28:19. | ||
can't hear her! Ready, set, go! He's in! APPLAUSE | :28:19. | :28:28. | |
I'm amazing at. This Fantastic! This is mere! This is | :28:28. | :28:34. | |
the real me! All of that nimble footwork has so paid off. He is | :28:34. | :28:38. | |
loving it. He is enjoying himself! APPLAUSE | :28:38. | :28:42. | |
Very good. Did you enjoy that? It is more | :28:42. | :28:46. | |
tiring than imagined. You looked good doing it. Brilliant. | :28:46. | :28:52. |