Browse content similar to 20/01/2012. Check below for episodes and series from the same categories and more!
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Thanks for tuning in, welcome to your Friday One Show with Chris | :00:23. | :00:29. | |
Evans and Alex Jones. We have magicians, giants, UFOs, robots and | :00:29. | :00:33. | |
most incredibly, the man who has made silent films cool again, | :00:33. | :00:38. | |
director of the unlikely cinema smash, The Artist. We kick off with | :00:38. | :00:45. | |
a gastronomic genius. It is Heston Blumenthal! Good evening. What fun | :00:45. | :00:53. | |
we have had in rehearsal. What is The One Show rehearsal like? It is | :00:53. | :01:00. | |
disorganised chaos. Good. You are a big fan of taste enhancing, being | :01:00. | :01:03. | |
enhanced by environment. You say that environment can affect the way | :01:03. | :01:09. | |
we eat. We basically eat with eyes, ears and noses. Take sound, you | :01:09. | :01:13. | |
think, what has that got to do with the way we eat? If you play loud | :01:13. | :01:18. | |
rock music in a restaurant, people will spill it -- speed updating by | :01:18. | :01:24. | |
15%. It is good if you want to make up more money -- speed up eating. | :01:24. | :01:28. | |
In a wine shop, if you play classical music, people will spend | :01:28. | :01:35. | |
up to 15% more on their wine. have another little twist? I was | :01:35. | :01:42. | |
going to save this for later. save it for later. The third one, | :01:42. | :01:49. | |
talking about visual elements, they did a survey where one recipe, a | :01:49. | :01:54. | |
Japanese recipe, simple, they wrote it in 10 different fonts. The one | :01:54. | :01:58. | |
that was the most italic and flowery, people thought it was the | :01:58. | :02:02. | |
most complicated recipe but it was the same. You say there is a famous | :02:02. | :02:07. | |
chocolate company that spend �300 million on a chocolate lab. A very | :02:07. | :02:11. | |
secret lab in Switzerland which I would love to go into. It sounds | :02:11. | :02:17. | |
like James Bond. Not a chocolate labrador! I bet it has sliding | :02:17. | :02:24. | |
doors. Is it true that you used to hate school dinners? Yes. Is it | :02:24. | :02:28. | |
also true that you have a new TV show called How To Cook Like | :02:28. | :02:33. | |
Heston? Yes. We thought we would combine those two thoughts. We are | :02:33. | :02:40. | |
challenging three dinner ladies to make your fantastic food. Libby | :02:40. | :02:44. | |
Lewis, Claire, Jane. They are all from Farley Hill Primary School in | :02:45. | :02:49. | |
Reading. They are going to try to cook like you. First of all, we | :02:49. | :02:56. | |
would like to know what you're stigmata disease are. -- signature | :02:56. | :03:04. | |
dishes are. I like courier I did a lamb and butternut squash curry. | :03:04. | :03:10. | |
Spicy spaghetti bolognese. Jane? I think I would have to cook | :03:10. | :03:18. | |
a nice rack of lamb, I believe it is somebody's favoured over there. | :03:18. | :03:24. | |
That is what they would like to cook. But it is not what they are | :03:24. | :03:29. | |
going to cook. We will find that out soon. 230 years ago, this | :03:29. | :03:32. | |
person was considered one of the wonders of his age. Today it is | :03:33. | :03:38. | |
what to do with what is left that is causing a sad to fix scuffle. | :03:38. | :03:42. | |
Justin Rowlatt asked what is it is time to give the Irish giant his | :03:42. | :03:48. | |
final request. Today, we would see these people as | :03:48. | :03:53. | |
suffering terrible diseases, but as recently as the 19th century, men | :03:53. | :03:56. | |
and women with rare conditions would be paraded as circus freaks | :03:56. | :04:00. | |
for the pleasure of the paying public. The story of Charles Byrne, | :04:00. | :04:05. | |
the man who became known as the Irish giant, is no different. | :04:05. | :04:10. | |
Except for one small fact. He remains on display to this very day. | :04:10. | :04:16. | |
He is reckoned to have stood at 7 ft 7. A man so tall, he lit | :04:16. | :04:19. | |
cigarettes on the flames of street lamps. His condition made him a | :04:19. | :04:25. | |
fortune. He arrived in London, he set up lodgings, he advertised | :04:25. | :04:30. | |
himself, he had an agent. He was kind of like a celebrity? He was | :04:30. | :04:34. | |
very much a celebrity of his time. His life did not end well. What | :04:34. | :04:39. | |
happened? He was only 22 and already showing signs of the | :04:39. | :04:44. | |
disease that would kill him. At that point, anatomists basically | :04:44. | :04:54. | |
John Hunter was the most famous surgeon of his time. Never | :04:54. | :04:58. | |
described, actually, what happened. Rumours started to circulate as to | :04:58. | :05:03. | |
who had got the body. For four years, John Hunter kept the body | :05:03. | :05:08. | |
hidden. How extraordinary that this celebrity's surgeon should seek to | :05:08. | :05:12. | |
steal the body of another. John Hunter relied on Body Snatchers | :05:12. | :05:17. | |
ball of his career. He does it did thousands of bodies, based on that | :05:17. | :05:24. | |
he made useful discoveries in medicine. I think John Hunter was a | :05:24. | :05:28. | |
great man, he pushed forward the boundaries of medicine but I think | :05:28. | :05:32. | |
he went too far in this case. We know that Charles Bernard stated | :05:32. | :05:36. | |
clearly to his friends that he wanted his body put in a lead | :05:36. | :05:45. | |
coffin and put at sea -- Charles We live in the 21st century. We | :05:45. | :05:48. | |
would not acquire human remains in the way that John Hunter acquired | :05:48. | :05:54. | |
them at that time. Charles Byrne's skeleton has been the most | :05:54. | :05:58. | |
important skeleton in any museum collection worldwide, because of | :05:58. | :06:01. | |
what we have learnt. What benefits have there been of having the | :06:01. | :06:10. | |
skeleton? The illness made him grow too excessive height. While the | :06:10. | :06:14. | |
results of the research published last year mean we can identify a | :06:14. | :06:18. | |
particular groups who are more likely to develop this illness. | :06:18. | :06:22. | |
this particular case, nobody said as clearly and as forcefully as | :06:22. | :06:25. | |
Charles Byrne that he did not want to be bisected and he did not want | :06:25. | :06:30. | |
to be in a museum. So I think the time has come to honour his wishes. | :06:30. | :06:34. | |
Charles Byrne's life may have ended here in England, but it began a | :06:34. | :06:39. | |
world away, here among the farms and smallholdings of Northern | :06:39. | :06:45. | |
Ireland. And today, I am meeting a distant relative of them, a man who | :06:45. | :06:49. | |
probably has the strongest claim to decide the final fate of the Irish | :06:49. | :06:59. | |
:06:59. | :07:00. | ||
Rear this is the area Charles Byrne came from, what is your connection? | :07:00. | :07:05. | |
We share a common ancestor, which we believe could be anything up to | :07:05. | :07:10. | |
1500 years ago. You are a distant, distant relatives. Does your | :07:10. | :07:13. | |
connection explain your... How shall I put it, considerable | :07:13. | :07:22. | |
height? It does. Charles Byrne was ever put eight inches. I am 6 ft 9. | :07:22. | :07:27. | |
-- he was 7 ft 8 inches. Is it time we respected his wishes and buried | :07:27. | :07:34. | |
him? We still don't know how much more information that skeleton | :07:34. | :07:38. | |
possesses, that we can make use of. What benefits are there for people | :07:38. | :07:47. | |
who carry the gene? To develop a screening process, to screen out | :07:47. | :07:51. | |
people who carry the rogue gene, and who may or may not develop this | :07:51. | :07:55. | |
condition. I mean by that, that people will not grow to these | :07:55. | :07:59. | |
extraordinary heights, that they can be treated before it causes any | :07:59. | :08:04. | |
long-term harm. It is not so much the height, that has nothing to do | :08:04. | :08:07. | |
with it, it is the medical condition which can be quite | :08:07. | :08:12. | |
debilitating. I suppose in the long term, this means exceptionally tall | :08:12. | :08:18. | |
people like you, giants, won't exist anymore. There will never be | :08:18. | :08:22. | |
any more giants, if it is done on a wide enough bassist. | :08:22. | :08:26. | |
Only time will tell what happens to the Irish giant. Only time will | :08:26. | :08:30. | |
tell what happens to our three dinner ladies, Libby, Kayal and | :08:30. | :08:38. | |
Jane! -- Claire and Jane. A book goes along with Heston's TV show, | :08:38. | :08:46. | |
Libby is going to cook from the book. She is cooking mushroom soup. | :08:46. | :08:50. | |
Simple, button mushrooms but they are so fragrant. The magic, you | :08:50. | :08:55. | |
know like a cappuccino comedy make the soup like a cappuccino, instead | :08:55. | :08:59. | |
of cocoa powder, you drive some mushrooms to make a mushroom powder | :08:59. | :09:07. | |
dustbin. How are you feeling? too bad. Hopefully be able to do it. | :09:07. | :09:15. | |
Clare is also cooking from your book. She is doing one of the fact | :09:15. | :09:24. | |
that -- one of the Fat Duck classics. The real key is to make | :09:24. | :09:28. | |
bacon flavoured milk, then use that to make the custard. Normally when | :09:28. | :09:33. | |
you cook custard, you don't overcook it. This one, you get | :09:33. | :09:38. | |
higher and the green clumps the egg together. This is going to taste of | :09:38. | :09:42. | |
bacon and egg. Cooking the most famous ice cream in the world, how | :09:42. | :09:52. | |
:09:52. | :09:53. | ||
do you feel? Excited. That is good. Jane is doing chocolate soil. | :09:53. | :10:01. | |
do you feel? Yes, excited. The kids would love that? Most of them. | :10:01. | :10:05. | |
little bit of hazelnut oil gives it some clever but when you start | :10:05. | :10:09. | |
discussing how you want your soil to look... It gets so real but it | :10:09. | :10:16. | |
is great fun. You serve this for people to eat and buy? These are | :10:16. | :10:21. | |
recipes from the book, you cook this at home. You have not tried | :10:21. | :10:30. | |
this before, have you? Are you ready. 5, 4, 3, 2, one, get cooking. | :10:30. | :10:34. | |
While the girls are doing that, Heston and I are going to join Alex | :10:34. | :10:40. | |
on the sofa. Let's have a taste of next Wednesday's How To Cook Like | :10:40. | :10:44. | |
Heston. Here he is, trying to guess the ingredients in some chicken | :10:44. | :10:48. | |
stock made by his local women's hockey team. | :10:48. | :10:55. | |
My last challenger is Emma. It is nice, a light chicken stock. | :10:55. | :11:05. | |
:11:05. | :11:05. | ||
Chicken carcass? Chicken carcass. bit of celery. Celery. Carrot. A | :11:05. | :11:10. | |
tiny bit of white wine. A bit more than tiny! Identifying those | :11:10. | :11:15. | |
ingredients was easy. That was very impressive. You said it was quite | :11:15. | :11:20. | |
easy, when did it begin to get difficult after that? For the | :11:20. | :11:28. | |
stock? It got harder, one would imagine? If you put a lot of celery | :11:28. | :11:32. | |
in something, you can really tasted. It comes back to what we were | :11:32. | :11:37. | |
saying earlier. -- really taste it. The reason why sounds can affect | :11:37. | :11:40. | |
the way you eat is because of memory, we always have to relate to | :11:40. | :11:47. | |
something. You can taste something in wine or food if you recognise it. | :11:47. | :11:51. | |
The great thing for me, this thing about taste and flavour and the | :11:51. | :11:55. | |
difference between the two. That was very impressive. Every week, | :11:55. | :12:00. | |
you focus on a main ingredient. You have done beef and ex-, this is | :12:00. | :12:06. | |
about chicken, give us your top chicken tikka. Chicken stock, if | :12:06. | :12:14. | |
you are going to make a chicken stock, sprinkle skimmed milk powder | :12:14. | :12:20. | |
over Europe chicken wings before you rose them. Secondly, if you are | :12:20. | :12:27. | |
roasting a chicken, invest in one of these thermometers and stick it | :12:27. | :12:31. | |
into a -- your chicken, and you'll get perfect chicken every time. If | :12:31. | :12:35. | |
you cook chicken too hot, like a wet sponge, you squeeze the | :12:35. | :12:39. | |
moisture out and you end up with dried chicken. If you can control | :12:39. | :12:44. | |
the temperature, you have beautiful, moist chicken every time. You are | :12:44. | :12:49. | |
about cooking on low heat and slowly. How low and how long for | :12:49. | :12:54. | |
the perfect chicken? The average chicken, three or four people, I | :12:54. | :13:00. | |
would put it on 90 degrees... that all? You think it is not very | :13:00. | :13:04. | |
hot. If you put your fingers in 90 degree water, you would burn them. | :13:05. | :13:11. | |
It is just that when you open the oven, the heat falls out. It is 10 | :13:11. | :13:20. | |
years that the VAT back has been there? Our - the Fat Duck. No, it | :13:20. | :13:28. | |
opened in 1995. Is it true that you have 42 covers, each table of two | :13:28. | :13:31. | |
brings in �250,000 a year of turnover, which is �5 million a | :13:32. | :13:36. | |
year, yet you still don't make any profit? As a stand-alone business, | :13:36. | :13:43. | |
no. We have so many staff, we have 100 staff for those 42 people. We | :13:43. | :13:49. | |
have 52 chefs for 42 people. A lot goes into making your recipes, as | :13:49. | :13:56. | |
we can illustrate. This is a Heston recipe. I mean, seriously. That is | :13:56. | :14:01. | |
one of the slightly more ambitious ones. It is fish pie! But it is not | :14:01. | :14:07. | |
any old fish by! This is a James Martin recipe, which one are you | :14:07. | :14:17. | |
:14:17. | :14:18. | ||
Your new show, is it about making yourself more accessible, telling | :14:18. | :14:23. | |
everybody else they are doing it wrong? What is the message? | :14:23. | :14:27. | |
main drive was that we did the Fat Duck cookbook about five years ago, | :14:27. | :14:32. | |
a window into the Fat Duck, how we do the dishes. Some of the recipes | :14:32. | :14:36. | |
are seven pages long, so it is not a home cook book. Over the years, I | :14:36. | :14:40. | |
have developed hundreds of techniques that are the building | :14:40. | :14:44. | |
blocks to the dishes we serve in the Fat Duck. Although it might be | :14:44. | :14:46. | |
Bacon and egg ice-cream, there are techniques to get the texture, | :14:46. | :14:51. | |
flavour and making balanced. It is how to take those techniques from | :14:51. | :14:56. | |
the Fat Duck and incorporate them into your cooking. If you are | :14:56. | :14:58. | |
making spicy spaghetti bolognese, a little bit of staff unease with the | :14:59. | :15:02. | |
onion at the beginning and you will have a more meaty flavour. It is | :15:02. | :15:08. | |
things like that, technique. love it. How To Cook Like Heston is | :15:08. | :15:14. | |
on Wednesday night, Channel 4, 8pm. That is the only downside, Channel | :15:14. | :15:19. | |
4. The film The Artist has caused a stir for many reasons. It is tipped | :15:19. | :15:24. | |
for many Oscars, has been through nominated for many BAFTAs and has | :15:24. | :15:27. | |
won Golden Globes. But since its release in Great Britain, some | :15:27. | :15:31. | |
people have asked for their money back because it does not have any | :15:31. | :15:37. | |
words. It's a silent film! We will be talking to the writer and | :15:37. | :15:40. | |
director shortly, but first, Carrie Grant has made her own brilliant | :15:41. | :15:45. | |
film about silent movies in a style befitting the genre, so we very | :15:45. | :15:55. | |
:15:55. | :15:55. | ||
Apology for the loss of subtitles for 176 seconds | :15:55. | :18:52. | |
much need Neil the pianist. Take it I loved that a. And Neil, that was | :18:52. | :18:59. | |
brilliant. We have only got the hottest director in the world here | :18:59. | :19:06. | |
in the studio, the artist behind The Artist. It is Michel | :19:06. | :19:11. | |
Hazanavicius. Welcome to the programme. Congratulations on the | :19:11. | :19:16. | |
success that the film has had and the success it will have to come. | :19:16. | :19:22. | |
But you say that when you lose the words you gain so much more. Yes. | :19:22. | :19:27. | |
When you say to people, I will not use words, you say to them, I will | :19:27. | :19:31. | |
use images. It is another way to tell the story. They expect | :19:31. | :19:35. | |
something. They want to see something different and they can | :19:35. | :19:40. | |
accept another way to tell stories. So you can have some poetic | :19:40. | :19:43. | |
sequencers and people can accept that. It is difficult to do it | :19:43. | :19:50. | |
these days. With a silent movie, you can try. You tried very well | :19:50. | :19:55. | |
and you did OK. The film is about a silent movie star whose world is | :19:55. | :19:59. | |
turned upside down by the arrival of the talking movies. Shall we | :19:59. | :20:09. | |
:20:09. | :20:41. | ||
An amazing movie. We were wandering earlier, what is it about the | :20:41. | :20:46. | |
French, because nobody can cook like the French, apart from Heston. | :20:46. | :20:50. | |
Nobody can make wine or cheese like the French, and nobody can | :20:50. | :20:53. | |
certainly make atmospheric films and Cinema like the French. What is | :20:53. | :21:00. | |
it about you? I have to say, I do not see myself as a French man. I | :21:00. | :21:06. | |
am a film maker and that is what is important for me, not being French. | :21:06. | :21:12. | |
The great advantage with silent movies is that there is no language, | :21:12. | :21:18. | |
so it's more important than being from here or from there. | :21:18. | :21:22. | |
pictorially, film noir has always had that offbeat, almost like jazz. | :21:22. | :21:27. | |
It has a different cut to it. think this movie is inspired by | :21:28. | :21:31. | |
American movies and culture, so maybe it is a mix of something | :21:31. | :21:37. | |
European and maybe French and something more American. I think | :21:37. | :21:42. | |
maybe we dare doing different movies. Your wife is the female | :21:42. | :21:46. | |
lead in this. Was there anybody up against her for the lead, and did | :21:47. | :21:52. | |
you consider not casting your wife? It is much more simple than that. I | :21:53. | :21:58. | |
wrote the script with her in mind. And you say you are not French! | :21:58. | :22:03. | |
That is so romantic. They say this movie is a love letter to Hollywood, | :22:03. | :22:08. | |
and I have to say it is also a love letter to my wife. He is good, | :22:08. | :22:13. | |
isn't he? This guy is good! Good luck with everything. What are you | :22:13. | :22:19. | |
going to do next? Where do you go from here? Of I think I am going to | :22:19. | :22:22. | |
try the talking movie, and maybe with colour. It has been done | :22:22. | :22:30. | |
before but good luck with that. can see The Artist in cinemas. It | :22:30. | :22:36. | |
is amazing. We have both seen it. And it is a silent film, remember! | :22:36. | :22:40. | |
With Heston here, Jay will have to do something special for Foodie | :22:40. | :22:50. | |
:22:50. | :22:54. | ||
It probably was not quite what the song writers had in mind, but many | :22:54. | :23:02. | |
of us have developed what amounts to an addiction to sugar. Sugar, | :23:02. | :23:06. | |
harvested from the giant grass that the call came, has been around for | :23:06. | :23:10. | |
at least 5000 years but it only began to be imported in quantity | :23:10. | :23:14. | |
into the country from about the 14th century. It came from the far | :23:14. | :23:21. | |
side of the world. Cane sugar was and is grown in tropical regions of | :23:21. | :23:27. | |
the world. It was in 1319 that Sugar became available in the UK. | :23:27. | :23:31. | |
It was very expensive, a real luxury. It was two shillings per | :23:31. | :23:41. | |
:23:41. | :23:42. | ||
pound, which in today's terms is about �100 for a one kilo bag. | :23:42. | :23:48. | |
we got a taste for sugar in the UK, we wanted more of it. But expensive | :23:48. | :23:52. | |
imported sugar cane remained out only source until the 18th century. | :23:52. | :23:56. | |
What changed that and Major do something for the masses were these | :23:56. | :24:01. | |
ugly things, which happily grew here. Mrs sugar beet, part of the | :24:01. | :24:06. | |
same family as beetroot and charred and grown as animal fodder for | :24:06. | :24:11. | |
thousands of years. Until 1747, when scientists found a way to | :24:11. | :24:15. | |
extract sugar from it in a form that could be used in cooking. The | :24:15. | :24:18. | |
sugar beet industry began to take off across Europe, eventually | :24:18. | :24:24. | |
becoming a real rival to cane sugar. And then, exactly 100 years ago, | :24:24. | :24:28. | |
the first processing plant was built in this country, in Norfolk, | :24:28. | :24:33. | |
finally providing us with our own home-grown sugar. We are standing | :24:33. | :24:38. | |
up the first factory to be built in 1912. The sugar beet was delivered | :24:38. | :24:42. | |
to the factory on the river. Much of it was delivered on a | :24:42. | :24:45. | |
traditional barge sailing craft. They were loaded at the factory. | :24:45. | :24:49. | |
There was also a need for large quantities of water in the process, | :24:49. | :24:55. | |
so it was important that the factory was built on a large river. | :24:55. | :24:58. | |
Today we are drawing to the end of what is known as the campaign, the | :24:58. | :25:03. | |
precise militaristic operation to harvest 7.5 million tonnes of sugar | :25:03. | :25:08. | |
beet and get it into factories like this for 24 hours a day processing | :25:08. | :25:14. | |
to turn it into sugar. Farmers like David are working to exact | :25:14. | :25:17. | |
timetables for the delivery of their sugar beet from the fields to | :25:17. | :25:23. | |
the factory. How would it have been in the old days when you did not | :25:23. | :25:28. | |
have this equipment. In the old days, they would have picked them | :25:28. | :25:32. | |
like this, banged them together and made them out. And then they would | :25:32. | :25:40. | |
have had a hook and another member of the team would have chopped the | :25:40. | :25:48. | |
top off and thrown them on the heap. It was back-breaking work all day. | :25:48. | :25:53. | |
You are welcome to try a small piece. The original source material | :25:53. | :26:03. | |
:26:03. | :26:07. | ||
for sugar. It is sweet, isn't it? It's not very nice though. How do | :26:07. | :26:12. | |
you then go from all the sugar beet I can see over your shoulder to the | :26:12. | :26:16. | |
granulated stuff on our breakfast table? This is sliced sugar beet. | :26:16. | :26:22. | |
This goes into a big vessel, with hot water. An analogy that I like | :26:22. | :26:26. | |
to use is that it is like making tea and these are the tea-leaves. | :26:26. | :26:32. | |
Essentially, the sugar diffuses into solution in that large vessel. | :26:32. | :26:36. | |
The sugar solution is then filtered, treated and boiled on the vacuum | :26:36. | :26:41. | |
conditions to produce a syrup in which sugar crystals start to form. | :26:41. | :26:45. | |
This is then spun to separate the sugar from the liquid. How much | :26:45. | :26:50. | |
sugar do you produce in this complicated factory? We slice up to | :26:50. | :26:53. | |
9000 tonnes of sugar beet every day and from that we produce about 1000 | :26:53. | :26:57. | |
tonnes of sugar a day. But the annual harvest produces more than | :26:57. | :27:02. | |
sugar. The process also extracts 500,000 tonnes of animal feed from | :27:02. | :27:07. | |
the waist Pulp, 300,000 tonnes of recycled topsoil, liming material | :27:07. | :27:12. | |
to treat the fields, bioethanol for fuel, not to mention over 1 million | :27:12. | :27:21. | |
tonnes of sugar. For productivity, beat that. He never disappoints. | :27:21. | :27:25. | |
Our guest star dinner ladies are here, cooking up a Heston | :27:25. | :27:28. | |
Blumenthal star storm. They are very relaxed under the | :27:28. | :27:32. | |
circumstances. They are. Can you talk us through what they are doing, | :27:32. | :27:38. | |
starting with the mushroom soup? She has just added the but grip -- | :27:38. | :27:43. | |
button mushrooms. Great technique for any soup, especially vegetable | :27:43. | :27:47. | |
soup, keep the cooking time down to keep the fresh flavours and the | :27:47. | :27:50. | |
vegetables. The way to do that is to cut them thin and they will cook | :27:50. | :27:58. | |
quicker. Libby, you are the boss of the dinner ladies at your school. | :27:58. | :28:07. | |
Yes. Claire is making ice-cream. Not just any ice-cream. Not just | :28:07. | :28:12. | |
any old ice-cream! The key thing with ice cream is the faster you | :28:12. | :28:15. | |
freeze the custard, the smaller the ice crystals and the smoother the | :28:15. | :28:22. | |
ice-cream. Chris, you have just bought some on an ice-cream machine | :28:22. | :28:27. | |
for Christmas. And he is saying you do not need one. And they are no | :28:27. | :28:35. | |
good. They take too long to freeze. She is happy! It keeps her amused. | :28:35. | :28:38. | |
Then it is the best thing in the world. But I would say this | :28:38. | :28:42. | |
technique, by using something you're going to see a little bit | :28:42. | :28:47. | |
later, you can turn a mixing bowl, or in normal bowl and whisk into | :28:47. | :28:52. | |
the best ice-cream machine you can ever buying. It is Bacon and egg | :28:52. | :29:02. | |
ice-cream. Do you serve it as a dessert? Yes. And how is Jane doing | :29:02. | :29:09. | |
with her chocolate soil? She is doing very well. That is the first | :29:09. | :29:17. | |
stage over there. She is on track to make her own little garden. | :29:17. | :29:25. | |
you serve under Claire, is that right? I am Libya's assistant. | :29:25. | :29:34. | |
Genuine dinner ladies. He can talk the talk, but can he walk the walk? | :29:34. | :29:44. | |
Come and impress us. So, this is basically a passion fruit gateau. | :29:44. | :29:48. | |
Like a chocolate truffle top and then add biscuit base. I have | :29:48. | :29:52. | |
frozen it for a good reason. It is a fantastic finish for chocolate | :29:52. | :29:56. | |
dessert and it involves using one of these, a paint gun from a DIY | :29:56. | :30:03. | |
store. My dad has one of those in the garage. It has warm chocolate | :30:03. | :30:13. | |
:30:13. | :30:15. | ||
inside it. You have a go. This is going to get messy. If you do this | :30:16. | :30:25. | |
:30:26. | :30:30. | ||
at home, it is best to wrap things Can you see that texture? It goes | :30:30. | :30:40. | |
:30:40. | :30:40. | ||
like Suede. It is still frozen. The coldness of the cake crates the | :30:40. | :30:48. | |
texture. You have to let it do frost to eat it. I can tell that | :30:48. | :30:58. | |
:30:58. | :31:03. | ||
This adds an extra dimension to the eating experience. I might get a | :31:03. | :31:13. | |
:31:13. | :31:17. | ||
I have two pieces of cake. There is popping candy in the base of this | :31:17. | :31:27. | |
:31:27. | :31:32. | ||
as well. Take a piece of cake each. It is chocolate and passion fruit, | :31:32. | :31:37. | |
pot -- popping candy in the base. I want a hint of mandarins. I am | :31:37. | :31:47. | |
:31:47. | :31:51. | ||
going to bring that smell in by In the bottom of this bold, I have | :31:51. | :31:58. | |
some dry ice. You can buy this online, but it is very important to | :31:58. | :32:08. | |
:32:08. | :32:08. | ||
handle it with care and use gloves. It is minus 80. You can buy it | :32:08. | :32:13. | |
dries online? It comes in polystyrene boxes. Two or three | :32:13. | :32:21. | |
days in the box, if it stays cold. This tastes better than it does? | :32:21. | :32:31. | |
:32:31. | :32:46. | ||
You had this Mandarin smile. Here I It couldn't be any better. Can you | :32:46. | :32:56. | |
:32:56. | :32:56. | ||
How good is that! That is absolutely brilliant. Whenever we | :32:56. | :33:00. | |
do food stuff on the show, we always have a little nibble, so as | :33:01. | :33:05. | |
not to get full for dinner later, and we give the rest to the crew. | :33:05. | :33:10. | |
The crew, you are not going to have any of this, sorry about that. | :33:10. | :33:14. | |
you read us into the next film? Hidden deep inside a Scottish | :33:14. | :33:19. | |
hillside is an incredible place, it is the size of six cathedrals, it | :33:19. | :33:25. | |
is carved out of solid rock, and it was kept a secret for over four the | :33:25. | :33:29. | |
case. Joe Crowley has managed to crawl inside. | :33:29. | :33:33. | |
The port of Invergordon and the deep sheltered waters of Cromarty | :33:33. | :33:39. | |
Firth in north-east Scotland. Today it is a hub for the oil industry | :33:39. | :33:43. | |
but 70 years ago, warships docked here, a vital part of Britain's | :33:44. | :33:48. | |
wartime protection. Mac Carlton a defence against evasion was the see | :33:48. | :33:53. | |
all around us. -- our ultimate defence against invasion. If a | :33:53. | :33:57. | |
German U-boat succeeded him blockading that carports, they | :33:57. | :34:02. | |
would staff or supplies, particularly fuel, a life blood of | :34:02. | :34:12. | |
the war effort -- succeeded in Hidden in the hillside, blasted | :34:12. | :34:16. | |
from solid rock, a secret bomb- proof depot from the Second World | :34:16. | :34:21. | |
War, one of only three of its kind in Britain, storing precious oil | :34:21. | :34:26. | |
for the Royal Navy. Archaeological investigator at Allan Kilpatrick | :34:26. | :34:31. | |
has agreed to take me down into this cavernous, hidden world that | :34:31. | :34:36. | |
is close to the public. I think you can probably smell a little bit of | :34:36. | :34:44. | |
residual oil lingering in the air. Here we go. Wow, it is fast. It is. | :34:44. | :34:50. | |
230, 240 metres into the hillside. This is the biggest single | :34:50. | :34:54. | |
construction in the Highlands since the Caledonia of -- Caledonian | :34:54. | :35:00. | |
Canal. Shall we go a bit further up? Yes, let's see what is beyond. | :35:00. | :35:09. | |
This is the access to the tank one, one of six in the complex. | :35:09. | :35:13. | |
February 1941. It is lovely workmanship which reflects the | :35:13. | :35:19. | |
workmanship in the tanks as a whole. The materials are first class. | :35:19. | :35:24. | |
Where is the door? I wish there was. The access is down these pipes and | :35:24. | :35:29. | |
it is on this contraption. I and sliding through a tube just 18 | :35:29. | :35:33. | |
inches wide, so not for claustrophobic or anyone on the | :35:33. | :35:43. | |
:35:43. | :35:47. | ||
tubby side. That was unnatural. My goodness. Absolutely huge. Each one | :35:47. | :35:54. | |
of these tanks, and there are six on the site, 230 metres long. Nine | :35:54. | :35:59. | |
metres wide, 12 metres high. You are looking at 5 million gallons | :35:59. | :36:04. | |
per tank. As we are talking, the reverberations are passing down, it | :36:04. | :36:08. | |
is an amazing Dzeko. I suppose you need something quite high pitched | :36:08. | :36:18. | |
:36:18. | :36:19. | ||
It goes on and on. How long would that last for? About two minutes. | :36:19. | :36:24. | |
There is nowhere for the sound to go, so it just bounces. You can | :36:24. | :36:29. | |
compare it to a cathedral, you could literally fit York Minster | :36:29. | :36:32. | |
lengthwise into this and still have a little room to spare. It is that | :36:32. | :36:39. | |
kind of size. It is the height of two double-decker buses and long | :36:39. | :36:45. | |
enough to hold 21 parked end to end, and that is just one of six tanks. | :36:46. | :36:49. | |
5 million gallons in here, 30 million gallons in total, I can't | :36:50. | :36:54. | |
really get a grasp on those figures, what could you do with that fuel? | :36:54. | :36:59. | |
You could run my diesel family car to the Sun and back eight times. | :36:59. | :37:05. | |
wasn't diesel? It was a horrible gungy stuff called furnace fuel or | :37:05. | :37:15. | |
:37:15. | :37:15. | ||
oil. It doesn't move at all, it is like tar when it is really cold. | :37:15. | :37:18. | |
The oil came from the Gulf and three tankers were lost just off | :37:18. | :37:24. | |
the coast here during the war. can still see some of the oil on | :37:24. | :37:29. | |
the walls. Would it have been a reserve that was never used? It was | :37:29. | :37:35. | |
used constantly, and up until the 80s, when it was last full, in 1982, | :37:35. | :37:40. | |
during the Falklands conflict. men toiled here for three years, | :37:40. | :37:44. | |
all sworn to secrecy. Malcolm McLeod was five years old when this | :37:44. | :37:48. | |
fast operation started in 1938. This is the first time he has been | :37:48. | :37:52. | |
up here to witness what his father helped to build. What were | :37:52. | :37:58. | |
conditions like for him? Dusty and probably the marquee because there | :37:58. | :38:04. | |
would be streams of water coming down. He would be covered in dust? | :38:04. | :38:10. | |
Oh, yes. Long hours? Yes, top hour shifts, six days a week. This took | :38:10. | :38:15. | |
its toll on the men who worked here? A good few died quite early. | :38:15. | :38:21. | |
It is an incredible achievement. it is that. Inching down is a | :38:21. | :38:26. | |
monument to British military engineering. But it is also a | :38:26. | :38:30. | |
memorial to the unsung heroes of war, people who toiled away in | :38:30. | :38:34. | |
secret for little reward, to create a valuable asset that would serve | :38:34. | :38:39. | |
Britain for decades. He is right, he is always right. We | :38:39. | :38:44. | |
have already been treated to some news -- movie magic, some Kitchen | :38:44. | :38:50. | |
Magic, it is only right we have some magic. Tomorrow, Mel Giedroyc | :38:50. | :38:54. | |
is teaming up with Pete Firman to perform spellbinding illusions on | :38:54. | :39:04. | |
:39:04. | :39:05. | ||
BBC One. We have over 240 cans of baked beans. Stacked over 7 ft tall. | :39:05. | :39:09. | |
If you could just do exactly the same on this side, if you could | :39:09. | :39:15. | |
handcuff me through the wall. her around here, mind to the Tower. | :39:15. | :39:25. | |
:39:25. | :39:28. | ||
You are a saucy double-entendres, Where did the BBC find you? I have | :39:28. | :39:32. | |
been on the comedy circuit for a number of years and done many, the | :39:33. | :39:36. | |
-- Edinburgh festivals. They got me on board for the second series and | :39:36. | :39:40. | |
I am chuffed to bits will stop more comedian or magician? If a comic | :39:40. | :39:46. | |
asks me, eyes in addition, a magician asks me, I say comedian. - | :39:46. | :39:53. | |
- is a comic asks me, I say magician. You are on the show | :39:53. | :40:03. | |
tomorrow. Have you always wanted to be a magician's assistant? I have, | :40:03. | :40:10. | |
for about 30... Hello, Heston. About 30 years. It has been brewing. | :40:10. | :40:16. | |
My brother, when he was about 12, did a magic act in our house. He | :40:16. | :40:22. | |
went by the name of fingers gas. He had a beautiful assistant, called | :40:22. | :40:28. | |
Zaza the beautiful. We have a three sisters in my house, I was not | :40:28. | :40:35. | |
chosen. Let's continue your therapy now. Pete is my cycle analyst -- | :40:35. | :40:41. | |
psychoanalyst. You have a trick from your tour? Heston, are you | :40:41. | :40:51. | |
:40:51. | :40:59. | ||
willing to be the guinea pig? Heston,, round here. This is the | :40:59. | :41:07. | |
latest in slicing and dicing technology. This is a guillotine. | :41:07. | :41:11. | |
As they say in France, a guillotine. You might think you have seen | :41:11. | :41:15. | |
something like this before, but this is made of plexiglass, you can | :41:15. | :41:24. | |
see through it. I am just going! This played, it is about �25, | :41:24. | :41:32. | |
pretty solid. I have a carrot here, you are pretty familiar -- probably | :41:32. | :41:35. | |
you are pretty familiar -- probably familiar. We put the blade in there | :41:35. | :41:41. | |
and we go like this. And it slices and it dices. I wanted to get a | :41:41. | :41:47. | |
closer look. Step around the back. Move a little bit forward, move | :41:47. | :41:57. | |
:41:57. | :41:59. | ||
your hips for it. Just kneel down. Adopt a praying position. Are you | :41:59. | :42:04. | |
genuinely worried? To be honest, the whole thing is a | :42:04. | :42:10. | |
bit surreal fault that has taken me by surprise. You think you are | :42:10. | :42:14. | |
nervous, I have not done this before. That is a dovetail joint, I | :42:14. | :42:20. | |
would not put your fingers there. Have a little look. It is a fine | :42:20. | :42:25. | |
piece of workmanship. Just go all the way down, we would just get you | :42:25. | :42:33. | |
in there like that. About that table in the Fat Duck, can we get | :42:33. | :42:43. | |
:42:43. | :42:50. | ||
carrots. You have a fairly broad shoulders. Did you buy this trick | :42:50. | :43:00. | |
:43:00. | :43:03. | ||
today? Yes, the first time out. Relax, you are all tents. This | :43:03. | :43:07. | |
might be better around the back! I don't know what that puddle is! The | :43:07. | :43:11. | |
blade is going to come down, his head is going to be rolling on the | :43:12. | :43:18. | |
floor and the carrots will be unharmed! How is the soup? Do you | :43:18. | :43:28. | |
:43:28. | :43:28. | ||
know what, I will never know. Ready? Going a little bit back. | :43:28. | :43:38. | |
:43:38. | :43:39. | ||
Here we go. 1, 2, 3... For... I am going to adjust this carrot. This | :43:39. | :43:49. | |
:43:49. | :43:53. | ||
will blow your mind. 1, 2, 3. All the way through! Are you all right? | :43:53. | :44:03. | |
:44:03. | :44:10. | ||
This audience is going to give you Thank you very much. They are run | :44:10. | :44:20. | |
:44:20. | :44:21. | ||
at 635 tomorrow night on BBC One. Can you do the next bit? In a week | :44:21. | :44:26. | |
when everyone has been star-gazing, Gyles Brandreth has uncovered a | :44:26. | :44:36. | |
:44:36. | :44:37. | ||
strange tale of UFOs. But not in the stars, in Kent. | :44:37. | :44:40. | |
On September 4th, 1967 in the early hours of the morning a groundsman | :44:40. | :44:44. | |
at a golf course in Bromley made a startling discovery. Lying on the | :44:44. | :44:50. | |
ground of the 18th fairway was what appeared to be an alien spacecraft. | :44:50. | :44:54. | |
By mid-afternoon, five more UFOs had been discovered right across | :44:54. | :44:58. | |
the south of England. This sensational story immediately hit | :44:58. | :45:05. | |
the headlines. It might have been that the Martians had landed. | :45:05. | :45:09. | |
Police were taking no chances. Ministry of Defence official line | :45:09. | :45:13. | |
has always been to downplay the existence of UFOs. But behind | :45:14. | :45:20. | |
closed doors, the Ministry's response was rather different. John | :45:20. | :45:24. | |
is the author of how big are little green men and he has interviewed | :45:24. | :45:29. | |
retired MoD agency in charge on the day. The Defence Intelligence Staff | :45:29. | :45:33. | |
had one officer who was responsible for investigating UFOs on the part | :45:33. | :45:39. | |
of the MoD. He had been told by his wing Commander that at least three | :45:39. | :45:43. | |
flying saucers had landed and were on the ground, to which he said, | :45:43. | :45:47. | |
expletive, what shall we do now? One of the officers said to me, | :45:47. | :45:53. | |
there was not a manual for the case of alien invasion. One was taken | :45:53. | :45:56. | |
away by an RAF helicopter, another blown up by the army, and one found | :45:57. | :46:01. | |
its way on to a police sergeant's desk. They did not realise that | :46:01. | :46:04. | |
when they put it down it had a bleeping mechanism in it. When it | :46:05. | :46:08. | |
came to rest and started screeching at them, they were literally | :46:08. | :46:13. | |
fighting to get out of the door. And then the moment of truth. | :46:13. | :46:18. | |
was a hoax. This was one of the original hoaxers behind the stunt | :46:18. | :46:22. | |
and he had no idea how much attention it would attract from the | :46:22. | :46:26. | |
military. We were apprentices at the Royal Aircraft Establishment, | :46:26. | :46:30. | |
and every year we tried to raise money for charity, and the more | :46:30. | :46:34. | |
publicity we could get, the more money be raised. What sort of | :46:34. | :46:38. | |
trouble did you get into? We got away with it. Things were more | :46:38. | :46:43. | |
relaxed in those days. There were no terrorists. You designed it, and | :46:43. | :46:48. | |
this is the design that you chose. It had an electronic circuit inside | :46:48. | :46:53. | |
that was activated when we turn them over. If we pick it up and | :46:53. | :46:58. | |
turn it over, it makes a strange noise. We also put about half a | :46:58. | :47:02. | |
hundredweight of rancid flour and water paste inside everyone, which | :47:02. | :47:07. | |
smells revolting. I do not know what it is. It is a strange sticky | :47:07. | :47:12. | |
substance. By today's standards, these may appear rudimentary fakes, | :47:12. | :47:20. | |
but at the time, the MoD considered them a real threat. Recent | :47:20. | :47:24. | |
documents, released under the Official Secrets Act by David Clark | :47:24. | :47:27. | |
from the National Archives, now reveal that key defence officials | :47:27. | :47:32. | |
at the time were more concerned about the threat of UFOs than the | :47:32. | :47:39. | |
government was letting on. Lord Howe Batten, Chief of Defence Staff | :47:39. | :47:45. | |
in the 1950s, the Chief of Defence Staff in the 1970s, they were both | :47:45. | :47:50. | |
believers in flying saucers from out of space. -- outer space. | :47:50. | :47:54. | |
the man who was the chief of defence staff only a few years | :47:54. | :47:58. | |
after these hoax sightings actually believed in UFOs? Absolutely, no | :47:58. | :48:04. | |
doubt about it. And this had been covered up. After retirement, they | :48:04. | :48:07. | |
came out and said they think this was something the Government should | :48:08. | :48:11. | |
have been taking seriously. Following his retirement, he | :48:11. | :48:14. | |
bombarded parliament with letters demanding more information | :48:14. | :48:19. | |
regarding the Government's involvement with UFOs. What is the | :48:19. | :48:23. | |
position today? The Ministry of Defence have said on the record in | :48:23. | :48:26. | |
2009 that they are no longer interested in the subject. They | :48:26. | :48:30. | |
have an open mind about aliens but they never, in 50 years of | :48:30. | :48:33. | |
gathering sighting reports, never found any evidence of any kind of | :48:33. | :48:38. | |
defence threat, so they decided it was time to close down the X Files. | :48:38. | :48:43. | |
So if I see a flying saucer, what do I do about it? Do not tell the | :48:43. | :48:47. | |
Ministry of Defence because they are not interested. In 1957, the | :48:47. | :48:52. | |
Government told us it did not believe in UFOs but when six Flying | :48:52. | :48:55. | |
saucers landed, the Ministry of Defence came running. And it is | :48:55. | :48:58. | |
clear that some of the top brass of the time really did believe in | :48:58. | :49:08. | |
:49:08. | :49:11. | ||
He is gone. But he will be back. cannot talk about hoax UFOs stories | :49:11. | :49:15. | |
and aliens without referring back to the classic that was the Jeremy | :49:15. | :49:25. | |
:49:25. | :49:45. | ||
Hello. What do you want? Where are you going? Please come back. Do you | :49:45. | :49:55. | |
:49:55. | :49:55. | ||
want a cup of tea? That was not a sketch. They were genuine hidden | :49:55. | :50:00. | |
cameras. She and her husband in Dorset, she thought it was an alien. | :50:00. | :50:06. | |
She did offer him a cup of tea. is nice to aliens. Coming up, can | :50:06. | :50:11. | |
the dinner ladies cook like Heston? We will find out in a moment. First, | :50:11. | :50:15. | |
some clever science fact. Miranda has been to see why anyone would | :50:15. | :50:23. | |
want to put whiskers on a robot. Nature has developed phenomenal | :50:23. | :50:27. | |
censors. Birds of prey have incredible -- incredible eyesight | :50:27. | :50:32. | |
to spot dinner from a great distance. Some animals sniff out | :50:32. | :50:35. | |
their victims with highly sensitive noses. But when it comes to the | :50:35. | :50:41. | |
sense of touch, you cannot beat a good set of whiskers. Animal | :50:41. | :50:44. | |
whiskers are not like normal hairs. They are thicker and stiffer at the | :50:45. | :50:48. | |
base and each one has a mass of nerve cells, so they are sensitive | :50:48. | :50:51. | |
when they touch anything. That comes in handy when an animal | :50:51. | :50:55. | |
cannot rely on its eyesight or sense of smell to find food and get | :50:55. | :51:05. | |
:51:05. | :51:08. | ||
So here at the Bristol robotics Lab,... Good morning, it is a | :51:08. | :51:12. | |
pleasure to meet you. They are developing a robot that can find | :51:12. | :51:17. | |
its way round by touch alone, inspired by whiskers. And here, | :51:17. | :51:23. | |
Professor Tony Pipe heads the project. Why a whiskers? I think a | :51:23. | :51:26. | |
sense of touch is one of the sensors that has been underplayed | :51:26. | :51:30. | |
in research to date, because a lot of research has been on vision, | :51:30. | :51:33. | |
which is good. We feel there is a lot to be learned from how | :51:33. | :51:38. | |
biological organisms use their sense of touch for us to use in | :51:38. | :51:43. | |
engineering systems in robotics. What are the applications? Imogen | :51:43. | :51:47. | |
firefighters in a large building, a warehouse setting, smoke everywhere | :51:47. | :51:51. | |
and they only have a certain of time in the building. -- imagined. | :51:51. | :51:55. | |
If robots could help them get out of buildings, navigate around, fine | :51:55. | :51:58. | |
things in the building that a useful, like people, survivors, | :51:58. | :52:05. | |
that would be useful. But it is another Tony, Tony Prescott from | :52:05. | :52:09. | |
the University of Sheffield, who has been looking at which animal | :52:09. | :52:13. | |
whiskers are the best to emulate. And rodents and shrews have come up | :52:14. | :52:20. | |
trumps. Shrews and other mammals use the tactile sense of whisker | :52:20. | :52:25. | |
touch more than their visual sense. Rats and mice specialise in | :52:25. | :52:29. | |
exploring the world in the dark. We have been using high-speed cameras | :52:29. | :52:33. | |
to try to see exactly how they are moving. These animals have two sets | :52:33. | :52:37. | |
of whiskers, long outer ones to help them move about exploring | :52:37. | :52:41. | |
their world, and smaller, delicate ones, tighter to the snout, which | :52:41. | :52:46. | |
are able to feel objects in more detail. Each whisker sends | :52:46. | :52:50. | |
information back to their brain, building a mental map of their | :52:50. | :52:55. | |
environment. Shrews and rats carefully control how they move | :52:55. | :52:58. | |
their whiskers, in the way that people might use fingertips to | :52:58. | :53:03. | |
explore an object. They control how fast the whiskers move. We spent a | :53:03. | :53:06. | |
long time perfecting those parts of the robot that control how the | :53:06. | :53:10. | |
whiskers move. Each whisker has its own motor, so it can control when | :53:10. | :53:16. | |
it touches. After years of research and development, this is one of the | :53:16. | :53:26. | |
:53:26. | :53:31. | ||
world's first robots to move by How does he work? The whiskers go | :53:31. | :53:36. | |
around the circumference of the snout. Will he investigate me? | :53:36. | :53:44. | |
interact with him. He came right up to my hand and touched! That is | :53:45. | :53:49. | |
something that shrews do all the time, walk around their natural | :53:49. | :53:53. | |
environment. They detected with the large whiskers and bins and the | :53:53. | :53:58. | |
Orient their snout towards it. like whiskers, it has long outturns | :53:58. | :54:02. | |
sensors to feel its way and in no, more sensitive ones to find out | :54:02. | :54:06. | |
what it has touched. And it can replicate animal movements with its | :54:06. | :54:12. | |
neck. It has hit the wall. He knows he cannot go through so he has to | :54:12. | :54:19. | |
move in a different direction. But how far is it from saving lives? | :54:19. | :54:24. | |
cannot guess exactly. 5, 10 years? There is a lot of work to be done. | :54:24. | :54:29. | |
We are concentrating on the sensory mechanism. If you look at the base, | :54:29. | :54:33. | |
it has a platform which can go over rugged terrain, which we would have | :54:33. | :54:38. | |
to sort out first. But it cannot go over rugged terrain. Taking | :54:38. | :54:42. | |
inspiration from rodents and the Shrew, the world of robotics could | :54:42. | :54:46. | |
be within a whisker of helping Front Line rescue and emergency | :54:46. | :54:55. | |
services. Look at your whiskers! Nearly time for the big moment. How | :54:55. | :54:59. | |
have the dinner ladies done trying to cook like Heston? There is one | :54:59. | :55:03. | |
thing left to do, to help out Claire with the ice-cream. Do you | :55:03. | :55:09. | |
want to go round there? No, we will do that at the end. Standby for the | :55:09. | :55:16. | |
thing! Have you finished the mushroom soup? Yes. Bring it over | :55:16. | :55:26. | |
:55:26. | :55:27. | ||
here. How do you think it has gone? It is a bit thin. It is basically a | :55:27. | :55:35. | |
light soup with a bit of cream in it. This is mushroom dust. But is | :55:35. | :55:40. | |
dried shiitake mushrooms from the supermarket. It does look like a | :55:40. | :55:49. | |
cappuccino. It is officially gorgeous! Delicious. A little bit | :55:49. | :55:59. | |
:55:59. | :56:01. | ||
of salt? Chris, you are learning! Very nice, lovely. If you have been | :56:01. | :56:07. | |
making chocolates soil. How has it gone? I think it is OK. You have to | :56:07. | :56:14. | |
dish it up. She has some vanilla ice-cream, into a flower pot, | :56:14. | :56:21. | |
obviously. We also have Desert in flower pots! It is about taste and | :56:21. | :56:31. | |
:56:31. | :56:37. | ||
environment. -- we all serve up our How much fun is this? You have to | :56:37. | :56:43. | |
make this at home. And you even have a little sticker there. Can I | :56:43. | :56:53. | |
:56:53. | :56:55. | ||
use this? Come on, Heston, get in there. It needs a bit of salt but | :56:55. | :57:00. | |
the... Actually, it is gorgeous, isn't it? Jane, tell us what you | :57:00. | :57:10. | |
:57:10. | :57:11. | ||
think? Well, it looks OK. Thumbs up. Well done. Come on! You have got | :57:11. | :57:20. | |
one minute. This is the bit where you turn it into ice-cream. And you | :57:20. | :57:23. | |
turn the bowl and whisk into the best ice-cream machine you can | :57:23. | :57:33. | |
:57:33. | :57:43. | ||
Where is the risk? Where is the risk, everybody? We cannot make | :57:43. | :57:49. | |
ice-cream without the whisk. will have to do it with a spoon. 40 | :57:49. | :57:58. | |
seconds. We will be doing it in the Queen Vic if we take any longer. | :57:58. | :58:08. | |
:58:08. | :58:09. | ||
This is good. If we were not dealing with... This is dry ice. | :58:09. | :58:17. | |
Keep whisking. I am not sure we have time to taste this. I will | :58:17. | :58:22. | |
just tell you about the show you have already seen. Thank you to has | :58:22. | :58:25. |