Browse content similar to 20/07/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker And Alex Jones. | :00:17. | :00:21. | |
Tonight, we're in the mood for a fight! We are. A proper fight. | :00:22. | :00:27. | |
Because Robot Wars is back. We've got some of these met Al monsters | :00:28. | :00:41. | |
who look ready to rumble. -- metal. Angela Scanlon will tell us more | :00:42. | :00:46. | |
later on. Welcome back to Geoff. His sons help him battle illness and bat | :00:47. | :00:50. | |
health. He is fighting fit and looking good. Looking very well. And | :00:51. | :00:55. | |
we have got a gang of rebels with us who are ready to cause a ruckus in | :00:56. | :01:00. | |
the studio. They are the stars of a brand new sitcom that looks | :01:01. | :01:02. | |
absolutely smashing. LAUGHTER. What an entrance. It's | :01:03. | :01:31. | |
Simon Callow, Anita Dobson and Bill Patterson. | :01:32. | :01:40. | |
APPLAUSE. Now, this show, this new sitcom, is all about ageing | :01:41. | :01:44. | |
hellraisers. We will talk about it later. We don't know whether you saw | :01:45. | :01:49. | |
it. Theres with a survey out last week, ridiculous survey, wasn't it? | :01:50. | :01:53. | |
Yes. Saying what age people think that people should stop doing things | :01:54. | :01:57. | |
considered to be young things. For example, there is a picture here of | :01:58. | :02:02. | |
Keith Richard, 72 years old, wearing a pair of trainers. The cut off | :02:03. | :02:07. | |
apparently for trainers should be 49. Insane? On that giggle. What do | :02:08. | :02:19. | |
you think is the age you should be wearing skinny jeans, Simon? Late | :02:20. | :02:24. | |
70s. According to the survey, 47. Do you have a pair of skinny yeans? No. | :02:25. | :02:36. | |
Would you like a pair! What age Anita should we stop going to a | :02:37. | :02:40. | |
nightclub. Never. We should always go to nightclubs. Never. Should that | :02:41. | :02:45. | |
be the voice of non-reason. 44, apparently. What about a tattoo? A | :02:46. | :02:54. | |
tattoo. Ta-ta. I'm ready to start the tattoo. I have thrown caution to | :02:55. | :02:59. | |
the wind. You You do not join the authority who say you should be 38. | :03:00. | :03:07. | |
38. I'm approaching that! Dave disagrees with all of it. He thinks | :03:08. | :03:13. | |
it's nonsense am look at him. Tattoos, skinny jeans. A selfie as | :03:14. | :03:18. | |
well. You should be no older than 34 to take a selfie. You should be in | :03:19. | :03:24. | |
at midnight at 52 years old. Midnight! Anyway. Depends if matron | :03:25. | :03:27. | |
is there. The internet has revolutionised | :03:28. | :03:34. | |
the way we shop - and not just for those of us staying the right | :03:35. | :03:37. | |
side of the law. Because there's a hidden world | :03:38. | :03:39. | |
online where you can buy a whole Dan Donnelley has logged | :03:40. | :03:42. | |
into the 'Dark Web'. We all like to think our personal | :03:43. | :03:49. | |
data is private and that the organisations we have to share it | :03:50. | :03:55. | |
with will keep it safe. On this memory stick I've managed to get | :03:56. | :04:00. | |
hold of some people's most personal details. Details they would never | :04:01. | :04:05. | |
have willingly given to a stranger. So how does it feel when someone | :04:06. | :04:12. | |
knocks on your door, hello... And shows you they've got your very | :04:13. | :04:19. | |
private information? I'm shocked. I'm absolutely shocked. I've bought | :04:20. | :04:24. | |
the personal data of a dozen people from a list of you thousand offered | :04:25. | :04:31. | |
for sale online by cybercriminals. I did it by visiting a part of the | :04:32. | :04:36. | |
internet most of us never see. It's called the dark web. It's an online | :04:37. | :04:40. | |
black market selling anything a criminal could want. That includes | :04:41. | :04:48. | |
stolen data. James Lyne is one of the UK's top cyber security experts. | :04:49. | :04:53. | |
Its his job to keep a watchful eye on this internet underworld. The | :04:54. | :04:57. | |
Dark Web is a basically a term to describe all of the more illicit | :04:58. | :05:02. | |
sites on the internet where cybercriminals and others go to | :05:03. | :05:06. | |
trade information. To access it you need special software that keeps | :05:07. | :05:10. | |
your identity anonymous. Why isn't it being shut down by the | :05:11. | :05:14. | |
authorities? Well, the challenge is the internet is borderless. Laws are | :05:15. | :05:19. | |
far more national. By the time police and others track down a | :05:20. | :05:23. | |
particular operation, it's very easy for the cybercriminals to have | :05:24. | :05:26. | |
jumped to the other side of the planet. How easy is it to get hold | :05:27. | :05:29. | |
of the kind of material criminals want? Well, with the help of James | :05:30. | :05:34. | |
I'm going to enter the hidden world of the Dark Web. The first thing you | :05:35. | :05:41. | |
notice is how ordinary it looks. Professional looking, isn't it? It | :05:42. | :05:44. | |
isn't what I was expecting from the dark web. It's like shopping for | :05:45. | :05:51. | |
insurance. Look at what is on sale. Everything from fake passports and | :05:52. | :05:55. | |
hard drugs... This guy is doing a special offer on heroin. To weapons, | :05:56. | :06:02. | |
from tasers to sub-machine guns. Wow! Oozy with silencer. | :06:03. | :06:09. | |
Unbelievable. Also up for sale are stolen credit card details and | :06:10. | :06:13. | |
personal data. We have access to the credit cards, expiry dates. Full | :06:14. | :06:18. | |
addresses and telephone numbers of every one of those individuals. | :06:19. | :06:21. | |
Absolutely everything required to commit some fraud online. That took | :06:22. | :06:28. | |
seconds. That's just as easy as doing your shopping online. Some | :06:29. | :06:34. | |
people harvest this site day in and day out for hundreds or thousands of | :06:35. | :06:39. | |
credit cards. You can buy them singly or as a job lot. The crooks | :06:40. | :06:44. | |
want your feedback reasons. The last thing we want to do is put money in | :06:45. | :06:49. | |
their pockets. Clicking the buy buttons is the only way we can | :06:50. | :06:55. | |
verify the card details for sale are the real deal. We bought a list of | :06:56. | :06:59. | |
people's credit card details, including the security codes and all | :07:00. | :07:05. | |
at just ?5 each. We are using the information we've bought to warn the | :07:06. | :07:12. | |
card holders, like 80-year-old Dave. You're details are on this criminal | :07:13. | :07:17. | |
website. Here is your bank details. Mine? ! Yep. My you actual bank | :07:18. | :07:23. | |
details are on there? If you look there. Yes. How the hell did they | :07:24. | :07:29. | |
get that in I'm shocked. The suspicion is that this website could | :07:30. | :07:34. | |
be based in Russia, but the actual criminals trading on it could be | :07:35. | :07:35. | |
anywhere. You have frightened me. Sorry about | :07:36. | :07:44. | |
that. No, you helped me out a lot. This could go on forever. You do | :07:45. | :07:49. | |
need to warn your bank that your details have been stolen. When you | :07:50. | :07:53. | |
Levi will be strabth on to them. I can assure you that. Build we con | :07:54. | :07:57. | |
tanthed all the people whose card details we bought and alerted the | :07:58. | :08:01. | |
National Crime Agency to what we found. We also went back onto the | :08:02. | :08:06. | |
Dark Web to tell the criminals who we really are. No surprises, they | :08:07. | :08:13. | |
didn't reply. Just so you know, we are going to delete all of the | :08:14. | :08:16. | |
personal information on here to make sure it doesn't fall into the wrong | :08:17. | :08:21. | |
hands. Like anybody, Dave individual and his wife were stunned there. For | :08:22. | :08:29. | |
tips to stay safe online we have put tips on there. To shine some light | :08:30. | :08:38. | |
on this mist steerious subject is author of The Dark Net Jamie | :08:39. | :08:46. | |
Bartlett. -- mysterious. Where did it come from A US government | :08:47. | :08:52. | |
document, US Navy intelligence wanted a way to allow their spies to | :08:53. | :08:56. | |
go online without giving away their location. To stay anonymous. You | :08:57. | :08:59. | |
understand why. A couple of years after that, a decade ago or so, they | :09:00. | :09:04. | |
opened sourced this. Made it available to anyone. A way to browse | :09:05. | :09:09. | |
the net with a web browser who it encrypts your traffic and bounces it | :09:10. | :09:13. | |
around computers around the world. You can go online without anyone | :09:14. | :09:19. | |
knowing where you are. That is brilliant actually for civil | :09:20. | :09:22. | |
liberties groups and journalists. It's run by a charity of civil lib | :09:23. | :09:28. | |
rity people who believe in privacy and lack of censorship. Over the | :09:29. | :09:33. | |
last few years criminals have migrated there. They see the | :09:34. | :09:40. | |
benefits of staying hidden. How do the users not get ripped off? Some | :09:41. | :09:46. | |
do. People get scammed, as they call it, very often. As you saw in that | :09:47. | :09:51. | |
piece, they are like professional markets. Like Amazon or eBay. They | :09:52. | :09:57. | |
work in the same way. The users reviews, for example, mean consumers | :09:58. | :10:01. | |
who go there have some way of giving feedback to the vendors who try to | :10:02. | :10:05. | |
get a feedback score. You will go back to them again. It's a highly | :10:06. | :10:11. | |
competitive and very creative place. They use clever ways of payment with | :10:12. | :10:16. | |
bitcoin toic make sure they are hidden as well. It's a very, very | :10:17. | :10:23. | |
competitive marketplace. That is why there is a level of consumer | :10:24. | :10:27. | |
protection. From those good points you talked about earlier. Do you see | :10:28. | :10:31. | |
this as the future, the way it is going if you want to remain private | :10:32. | :10:36. | |
in what you do online? Yes, actually. The internet changes very | :10:37. | :10:41. | |
often. Every decade or so it changes what it is about. We never imagined | :10:42. | :10:45. | |
it would be like how it is now. Evolves. I think the internet is | :10:46. | :10:50. | |
starting to change. People are getting worried about their privacy. | :10:51. | :10:54. | |
About what happens to their data. You saw what happened to that | :10:55. | :10:59. | |
person's credit card details. Yes. More of and more of us live so much | :11:00. | :11:04. | |
of our lives online it's places like the dark net where people care so | :11:05. | :11:10. | |
much about privacy, using encryption and anonymous browsers that I can | :11:11. | :11:13. | |
see lots of people will start using that. It will go mainstream because | :11:14. | :11:17. | |
people are worried about what happens to their data. Data | :11:18. | :11:21. | |
protection. Do you see it as a good or scary place? It's both. It's | :11:22. | :11:26. | |
quite scary when you spend time there. It isn't only used by | :11:27. | :11:33. | |
criminals. No. Whistleblowers and civil liberty activists and | :11:34. | :11:36. | |
journalists like myself rely on it too. It keeps us safe. You can't | :11:37. | :11:41. | |
have one without the other. If you build this software to keep the good | :11:42. | :11:45. | |
guys safe and private, the bad guys are always going to use it as well. | :11:46. | :11:48. | |
I'm afraid, we will have to live with that. Thank you, Jamie. Hope to | :11:49. | :11:54. | |
see you again with more good advice and help. Thank you. | :11:55. | :11:58. | |
Anglers on the river Avon in Hampshire have been hit | :11:59. | :12:00. | |
They're catching too many fish And they're upset about it. | :12:01. | :12:04. | |
Tommy Sandu packed his fishing rod and cast off to find out why. | :12:05. | :12:08. | |
On a beautiful day like today what could be better than casting a line | :12:09. | :12:15. | |
into the clear waters of the River Avon. Anglers here in Hampshire | :12:16. | :12:20. | |
aren't happy. Not because there aren't any fish, quite the opposite. | :12:21. | :12:26. | |
Something like 60,000 edible rainbow trout have appeared in this river | :12:27. | :12:29. | |
behind me. Causing the local fishermen the unusual problem of | :12:30. | :12:35. | |
having too many to catch. Andy Brown run as local tackle shop. He is not | :12:36. | :12:38. | |
seeing the funny side of the situation. How did they get there? | :12:39. | :12:43. | |
They have escaped from a trout farm. The anglers are catching one after | :12:44. | :12:47. | |
another. After the first sort of 10-15 the noveltiy wears off. There | :12:48. | :12:54. | |
are so many your cat can eat and you can put on the BBQ. They will attack | :12:55. | :12:58. | |
the fry on in the river. The baby fish? The juvenile fish spawned this | :12:59. | :13:05. | |
year. The trout will prey on them and eat them. We are telling people | :13:06. | :13:12. | |
to catch them, take them home, give them to neighbours and get them out | :13:13. | :13:16. | |
of the river. How much have you caught? 42 trout in three hours. | :13:17. | :13:21. | |
Maybe I can catch fish. I have never fished before I should find this | :13:22. | :13:25. | |
easy, shouldn't I? Yeah. No problem. Let's get some gear. Right, I've got | :13:26. | :13:34. | |
my gear. Let's go and get some trout. Down by the river bank I meet | :13:35. | :13:40. | |
local fisherman Jim who is struggling to overcome the | :13:41. | :13:43. | |
disappointment of catching fish? To be honest, they are a plague. A real | :13:44. | :13:50. | |
plague. Fishing hell. Why? The general angler wants to catch his | :13:51. | :13:57. | |
species, but these are so envasive it's stopped me from fishing here. I | :13:58. | :14:02. | |
live here and this is my local water. I would pop down here two, | :14:03. | :14:08. | |
three, four times a week. It has stopped me from fishing here now. I | :14:09. | :14:12. | |
have to fish other parts of the Avon. I'm here to do my bit. Is this | :14:13. | :14:18. | |
a good bit? As good as any. Bright and sunny. We will see if we can | :14:19. | :14:23. | |
catch a trout. If there are that many in there, will even I be able | :14:24. | :14:27. | |
to catch one? It's stuck in my finger! I don't think that is | :14:28. | :14:31. | |
supposed to happen. It's not as easy as it looks. Maybe I need to rely on | :14:32. | :14:36. | |
Jim's skills. When he gets another bite, I manage to land it. Watch | :14:37. | :14:40. | |
this. Here it comes. I can feel it pulling. What is that? What is that? | :14:41. | :14:46. | |
That is a trout. I've got my first trout! 60,000 minus one, doing my | :14:47. | :14:56. | |
bit for the river. Just a few more to get. You never forget your first | :14:57. | :15:04. | |
trout, Tommy! What. Is that a thing? Maybe. It is now. Let us move on to | :15:05. | :15:11. | |
The Rebel. It starts tonight. Your sitcom on Gold. You play henny | :15:12. | :15:18. | |
Palmer who lost his wife and discovered his rebellious side. Some | :15:19. | :15:23. | |
would describe him as Victor Meldrew on steroids. How do you see him? | :15:24. | :15:27. | |
He's a very, very angry man. The thing that made him so angry is a | :15:28. | :15:31. | |
feeling, I think a lot of people have this feeling at the age of 70, | :15:32. | :15:35. | |
as he, is something like it, at retire am age, they have had their | :15:36. | :15:40. | |
life stolen from them. They have spent 40 years of earning, of being | :15:41. | :15:45. | |
serious, proper fathers and husbands and all the rest of it. Then | :15:46. | :15:49. | |
suddenly they think - my life is about to be over. I haven't actually | :15:50. | :15:53. | |
lived. The life he wanted to live was the life he lived as an | :15:54. | :16:00. | |
18-year-old. He thought the world was changing for the better. That it | :16:01. | :16:07. | |
was going to be a world of poets and singers and dope smokers. Heavily | :16:08. | :16:09. | |
into dope. So he's not much like Victor | :16:10. | :16:20. | |
Meldrew! So, Anita, where do you come in? Well, I play Margaret, who | :16:21. | :16:25. | |
lost her husband a couple of years ago and she works as a volunteer in | :16:26. | :16:30. | |
the local charity shop, where Henry comes in to have a look for the odd | :16:31. | :16:34. | |
little waistcoat, jacket, hoping to pick one up quite cheap, and she's | :16:35. | :16:41. | |
got a bit of a penchant for Henry, so she keeps things are signed -- | :16:42. | :16:47. | |
keeps things aside for him, hoping that one way she could set her cap | :16:48. | :16:58. | |
that way. Bill, you're quite hip? I'm kind of the other side of the | :16:59. | :17:07. | |
coin to the Mod gang, I'm the laid-back old hippy who's constantly | :17:08. | :17:10. | |
looking for that new experience of light that never quite came. He is | :17:11. | :17:14. | |
finding it now, he's finding it now, he's finding it, just as Henry is. | :17:15. | :17:21. | |
So it's the other side of the same coin, we've been through the same | :17:22. | :17:25. | |
decades and we've reached this one with a particular slander on life. | :17:26. | :17:29. | |
Let's have a look at a scene that three of you are in, set in | :17:30. | :17:36. | |
Margaret's charity shop. Peace, man! Margret, don't move, I want to | :17:37. | :17:40. | |
remember you like this, standing there are amongst the old footwear. | :17:41. | :17:46. | |
You dreadful man! I try my best! What can I do for you? I tell you | :17:47. | :17:51. | |
what, I'm looking for a stress toys for my gerbils, have you got | :17:52. | :17:58. | |
anything? How about this? ?1. Henry, that might make my gerbils even more | :17:59. | :18:05. | |
neurotic. Goodness. What do you think? Well, it's like... It's | :18:06. | :18:09. | |
terrible. So, this series is all kind of built | :18:10. | :18:24. | |
on a cartoon? Amazing, none of us read, we're not nearly old enough to | :18:25. | :18:31. | |
read! Hang on, we said you were a fan, Bill. Written and drawn by | :18:32. | :18:38. | |
Andrew Burch. Andrew has very kindly given us this, of your experience on | :18:39. | :18:43. | |
The One Show tonight. We will put it online as well, so you can have a | :18:44. | :18:47. | |
look. We've got three. Thank you, they are lovely! It was interesting | :18:48. | :18:53. | |
working with a writer in this commit you found it quite fluid, did you | :18:54. | :18:58. | |
not? One of the joys... Because it's such a strong visual image, they're | :18:59. | :19:03. | |
very masculine, junkies figures, even Anita! -- mass killing | :19:04. | :19:11. | |
masculine chunky figures. He's not forcing a script on us. He was | :19:12. | :19:23. | |
certainly very open to changes. The director, unusually, directors of | :19:24. | :19:30. | |
comedy is often have very short timescales and they have to get it | :19:31. | :19:33. | |
in the can and all that, but he really opened it out all of us, so | :19:34. | :19:37. | |
we all made it together, which was fantastic and joyful. And Andrew was | :19:38. | :19:43. | |
around, it's very personal to Andrew. Andrew's dad was a man not | :19:44. | :19:48. | |
exactly like Henry Palmer but a man who just at the age of 70 started | :19:49. | :19:55. | |
speaking in the way he started speaking in Anglo-Saxon, basically! | :19:56. | :19:58. | |
Four letter words started coming out of this man's mouth that he had | :19:59. | :20:04. | |
never heard before! His wife had died and he had been brought up by | :20:05. | :20:07. | |
his mother very closely, the wife was very dominant and then she died, | :20:08. | :20:14. | |
and suddenly this man was free! That what it's about, freedom, wanting | :20:15. | :20:19. | |
freedom again. Well, the Rebel starts 10pm tonight on Gold. | :20:20. | :20:22. | |
The question is, have you got a guitar in the garage, a lute in the | :20:23. | :20:30. | |
loft or even a bass soon in the back room? Sounds wrong! So many Beeb | :20:31. | :20:37. | |
will start learning an instrument, they give it up when they are young | :20:38. | :20:43. | |
and they don't try it again. Richard has taken on the challenge of taking | :20:44. | :20:48. | |
five amateur musicians and making them into a quintet of maestros. As | :20:49. | :20:54. | |
the BBC's Get Playing season shines a light on amateur music and invites | :20:55. | :21:00. | |
you to go online and play with a virtual orchestra, The One Show had | :21:01. | :21:03. | |
the bright idea that we could put together our own band of budding | :21:04. | :21:07. | |
musicians. I have taught music in schools and I play a broad range of | :21:08. | :21:11. | |
instrument -- broad range of instruments but this latest | :21:12. | :21:14. | |
challenge could be one of my toughest gigs yet. Can I take five | :21:15. | :21:19. | |
The One Show presenters of different levels of musical ability and turned | :21:20. | :21:23. | |
them into a top winter in just two weeks? -- top quintet. With the kind | :21:24. | :21:30. | |
of musical talent I have got to play with, what could possibly go wrong? | :21:31. | :21:35. | |
In The One Show quintet, I will be on the fiddle. Angelica Bell will be | :21:36. | :21:40. | |
laying cello. Alex Riley thinks he's going to be rocking guitar. We have | :21:41. | :21:50. | |
Miranda and her magic flute. And Christine walked and has dusted off | :21:51. | :21:51. | |
her recorder. Our musical mission, to play a piece | :21:52. | :22:04. | |
of composed music in harmony in just two weeks. We have a range of | :22:05. | :22:12. | |
abilities, from Alex... I've never met Alex until today. He gets | :22:13. | :22:17. | |
distracted quite easily! Miranda, on the other hand, is very experienced. | :22:18. | :22:22. | |
I was playing piano from about the age of six, then I did recorder. I | :22:23. | :22:25. | |
started the flute at the age of about eight or nine. The only thing | :22:26. | :22:33. | |
I really one was a Young Musician of the Year, vision. With instruments | :22:34. | :22:39. | |
tuned, it's now time to learn to play. | :22:40. | :22:42. | |
CHUCKLES When he played the song I thought he | :22:43. | :22:52. | |
had got it mixed up, because why on earth would we be doing an opera? | :22:53. | :22:59. | |
Carmen? We're going to play one of opera's most famous arias, the | :23:00. | :23:03. | |
Toreador song. We're going to perform publicly, | :23:04. | :23:10. | |
quite an intimate venue, called Trafalgar Square! So essentially | :23:11. | :23:14. | |
we're just going to be busking? It's for charity, for children in need. | :23:15. | :23:19. | |
The tricky bit would be learning the music. I've written a version of the | :23:20. | :23:26. | |
score for the instruments. Christine has a problem. It's her eyesight, | :23:27. | :23:32. | |
she can't see the notes, so I have super-sized her sheet music. Oh! I | :23:33. | :23:36. | |
can see it now instead of squinting and guessing. I think Alex and I are | :23:37. | :23:44. | |
similar but the others can play! It's so flipping obvious, we are the | :23:45. | :23:48. | |
mugs and they are the players! I started playing cello when I started | :23:49. | :23:52. | |
at secondary school. It was a time when I was finding my creativity and | :23:53. | :23:57. | |
when I played the cello when I was younger I didn't practice, it didn't | :23:58. | :24:00. | |
sound good and that meant that I gave up. I want this to sound good, | :24:01. | :24:04. | |
I want this to be a great experience. I want to get them all | :24:05. | :24:07. | |
together, play it through and then we have got a benchmark we can go | :24:08. | :24:09. | |
from. They are all fantastic one show | :24:10. | :24:29. | |
presenters but playing music live is a bit of a different thing. I'm | :24:30. | :24:32. | |
quite worried we might have that domino effect where one goes wrong | :24:33. | :24:36. | |
end it puts off the next person. Well, it's close! Ish! I'd say it's | :24:37. | :24:44. | |
just about everyone going home and doing masses of practice. It's all | :24:45. | :24:50. | |
right in the rehearsal room, but a live performance? Let's wait and | :24:51. | :24:54. | |
see. We're on the edge of our seats here but we will see how they get on | :24:55. | :24:58. | |
a little bit later. We're very pleased to welcome someone special. | :24:59. | :25:14. | |
He's called Jeff Wrightington. -- Geoff Whittingham. He was overweight | :25:15. | :25:23. | |
and had been diagnosed with type two diabetes. Since then he has battled | :25:24. | :25:26. | |
back to full fitness with the help of his two sons and you can see | :25:27. | :25:36. | |
their story on Fixing Dad. I don't enjoy it! I don't enjoy cooking. | :25:37. | :25:41. | |
He's sat in his ways. I want to make you learn how to do it. Bring me out | :25:42. | :25:49. | |
of my comfort zone? Yes. Why? Really shouldn't be doing this but we need | :25:50. | :25:56. | |
you to step up to this now. How many millions of pounds did we spend on | :25:57. | :26:01. | |
this thing? At the end of the day it's because I'm eating the wrong | :26:02. | :26:05. | |
stuff. All you've got to do is get out and do something like this and | :26:06. | :26:07. | |
you can get through it. Unbelievable! | :26:08. | :26:14. | |
APPLAUSE It's absolutely fantastic to see the | :26:15. | :26:20. | |
three of you again. Geoff, we've met a couple of times. The first time | :26:21. | :26:25. | |
you came on, you had sort of thrown in the town, in a sense, hadn't you? | :26:26. | :26:29. | |
That was the beginning of the boys putting you back together, so to | :26:30. | :26:33. | |
speak. Now you're fighting fit, a picture of health. But you have had | :26:34. | :26:37. | |
a major setback in the last year? Yeah. Everything seemed to be going | :26:38. | :26:42. | |
really well. I was feeling so much better all around, but because of | :26:43. | :26:46. | |
the project itself, I was sent for a scan in Newcastle and the scan | :26:47. | :26:53. | |
actually revealed cancer in my kidney. Basically, it hadn't been | :26:54. | :27:00. | |
found at that time but I know now, it would have been found by now and | :27:01. | :27:04. | |
could be at stage two, stage three. It's just thanks to the boys that | :27:05. | :27:08. | |
that did happen. The lads helped you through it and you had the | :27:09. | :27:13. | |
procedure. What's the situation at the moment? All clear with the | :27:14. | :27:18. | |
cancer. Brilliant. It's just now purely concentrating on what we've | :27:19. | :27:22. | |
been doing with the diabetes. On the Type two diabetes subject, you were | :27:23. | :27:25. | |
20 stone at the start. You would never believe it now. Trim now, | :27:26. | :27:34. | |
Geoff, trim. I can do anything now. The documentary is incredibly | :27:35. | :27:36. | |
enlightening. You've got these big board and York putting up all these | :27:37. | :27:43. | |
ideas to try and fix your dad, and a stubborn chap! He is! I think the | :27:44. | :27:49. | |
whole project was driven by just the deluded hope. We didn't find | :27:50. | :27:53. | |
anything online that gave us any kind of encouragement, it was just | :27:54. | :27:56. | |
really, we said we are going to fix this. We looked for everything, we | :27:57. | :28:00. | |
were positive about it and we said we are going to find the case | :28:01. | :28:03. | |
studies that have and we came across some reversal Case studies and we | :28:04. | :28:09. | |
said we are going to try our hardest. You broke it down to | :28:10. | :28:14. | |
fitness, nutrition... That is what we decided to break it down to, | :28:15. | :28:17. | |
because the mind is a very important part of it. Part of -- partly the | :28:18. | :28:22. | |
stubbornness, partly this idea ingrained of what he thought was | :28:23. | :28:26. | |
healthy food. The big thing was the big goal that we set. That's a key | :28:27. | :28:31. | |
thing to get people motivated. The exercise was the motivation and the | :28:32. | :28:35. | |
nutrition side was incredibly important in getting him to not be | :28:36. | :28:41. | |
on any medication now. To get off the medication, the nutrition was | :28:42. | :28:45. | |
the way forward. The cycling was much more than just cycling for dad | :28:46. | :28:49. | |
committed literally led to the renewed use of his own two feet. He | :28:50. | :28:55. | |
was able to get out, enjoy things. It was everything. How much cycling | :28:56. | :29:00. | |
are you doing now? I'm out every day. A minimum of ten miles a day. | :29:01. | :29:06. | |
We don't recognise you since the first time you came in! Completely | :29:07. | :29:10. | |
different. But you're not finished yet, are you? You've done all this | :29:11. | :29:14. | |
stuff and it's been a two-year journey. What's next, boys? The big | :29:15. | :29:20. | |
thing is because dad is off all his diabetes medication now, we think he | :29:21. | :29:27. | |
is an inspiration to a lot of people and we hope the film can inspire a | :29:28. | :29:31. | |
lot of people to do the same. It does. We really hope it does and we | :29:32. | :29:37. | |
hope people can do it. We're looking at a legacy for this, inspiring | :29:38. | :29:41. | |
other people to do the same for their families, working closely | :29:42. | :29:45. | |
together. We're working with Prudential Royal London together who | :29:46. | :29:48. | |
are going to kick that off with a fixing challenge, which is going to | :29:49. | :29:54. | |
be balloted with London 2017, we're going to beat men touring for Lucky | :29:55. | :30:00. | |
Families! Who have got somebody to fix themselves? Yes, with health | :30:01. | :30:06. | |
issues, who needs some help, really. We can just give them a viewpoint is | :30:07. | :30:15. | |
from our experience. If you go to Prudential online, people will be | :30:16. | :30:18. | |
able to enter for next year. I bet you are sober pleased that you made | :30:19. | :30:23. | |
that packed with your son is where you said I will do whatever you tell | :30:24. | :30:26. | |
me for the next year? Absolutely. There's no way I am now otherwise. | :30:27. | :30:34. | |
The documentary is so inspiring. Fixing Dad, this Sunday at Tenby on | :30:35. | :30:35. | |
BBC Two. Angela Scanlon will be here soon | :30:36. | :30:43. | |
telling us about the brand new high-powered Robot Wars which is | :30:44. | :30:45. | |
back bigger and Bader than ever before. First, Ruth Goodman has | :30:46. | :30:50. | |
discovered a motor industry pioneer who we think would do very well in | :30:51. | :31:02. | |
robot wars. Carl Benz, Henry Ford, names connected to the automobile. | :31:03. | :31:11. | |
There was a car designed and built entirely by women. The Galloway car | :31:12. | :31:20. | |
was the brain child of Dorothy Pullinger. She was the first | :31:21. | :31:26. | |
successful female car manufacturer after managing 7,000 women in a | :31:27. | :31:29. | |
munitions factory during the First World War. This old factory behind | :31:30. | :31:36. | |
me in Scotland Dorothy and her women mechanics set up their first | :31:37. | :31:42. | |
assembly line. Staffed entirely by women, her company designed, | :31:43. | :31:48. | |
manufacturered and assembled 4,000 Go low way Cars over an eight year | :31:49. | :31:53. | |
period. Becoming successful engineer wasn't easy. Dorothy's father was a | :31:54. | :32:02. | |
well-known vehicle industry, Thomas Charles Pullinger who believed a | :32:03. | :32:08. | |
woman's place was in the home. Yvette is his granddaughter. I don't | :32:09. | :32:13. | |
think quite honestly my grandfather stood a chance against my mother. I | :32:14. | :32:16. | |
think she would have just worn him out. Having proved her management | :32:17. | :32:25. | |
skills in the war, Dorothy's father eventually made her Managing | :32:26. | :32:29. | |
Director of Galloway Cars. Together, they introduced progressive work | :32:30. | :32:34. | |
policies, such as installing a swimming pool and tennis courts on | :32:35. | :32:39. | |
the roof of her factory. More importantly, Dorothy gave women a | :32:40. | :32:43. | |
new kind of future. She believed they could do anything a man could. | :32:44. | :32:50. | |
They had a three-year apprenticeship. She didn't see women | :32:51. | :32:55. | |
should be doing the washing and the laundry and the ironing. It's a bit | :32:56. | :33:00. | |
dull. Dorothy's company logo even adopted the colours of the | :33:01. | :33:07. | |
suffragettes. She designed everything in the Galloway car with | :33:08. | :33:12. | |
women in mind. She standardise what had is arguably one of the most | :33:13. | :33:16. | |
important features of a car - one that we all take rather for granted | :33:17. | :33:27. | |
today. Louise is Kew curator of transport at the National Mew | :33:28. | :33:34. | |
#15i78s Scotland. Although, for instance, rear view mirrors had been | :33:35. | :33:38. | |
used before. She introduced them as standard. An interesting book | :33:39. | :33:44. | |
written in 1909 where she suggests taking your mirror off your dressing | :33:45. | :33:49. | |
table and holding it up to see what is going on behind you. Oh, my | :33:50. | :34:00. | |
goodness. One handed. She lowered the dashboard so that you could see | :34:01. | :34:05. | |
over it better. The seat was fully adjustable. The gear stick, the | :34:06. | :34:09. | |
inside is much, much easier. You are not reaching outside the car. It was | :34:10. | :34:16. | |
probably with women drivers in mind. By the early 20s though men had | :34:17. | :34:21. | |
returned from the war and a woman's place was firmly back in the home. | :34:22. | :34:27. | |
She was told all the time - you're doing a man out of a job. You should | :34:28. | :34:34. | |
do a woman's job. Dorothy's answer - to start a company that was of | :34:35. | :34:39. | |
little interest to men. A laundry business. She found a form of | :34:40. | :34:43. | |
engineering that the men didn't want? Therefore as a Exactly. Woman | :34:44. | :34:52. | |
she was free to run it with no benches. Inter ference. She wouldn't | :34:53. | :35:01. | |
know what to do. Next time you look in your rear view mirror remember | :35:02. | :35:08. | |
it's innovators like Dorothy Pullinger who made it all possible. | :35:09. | :35:13. | |
I love that film. Isn't it great? Up your street. From building cars to | :35:14. | :35:21. | |
building bots. It's the long-awaited and hugely anticipated return of | :35:22. | :35:25. | |
Robot Wars. Slightly terrifying. We saw it on the telly 12 years ago. | :35:26. | :35:30. | |
Hugely popular. What has changed then for this brand new series? | :35:31. | :35:35. | |
Visually the first thing you will see the difference is a giant | :35:36. | :35:40. | |
bulletproof box. The battles happen inside that. #24e are more powerful. | :35:41. | :35:44. | |
The weight restrictions have gone up. They are heavier. Batteries are | :35:45. | :35:52. | |
lighter. They have more fiercest. They have been rebuilt? Yes. They | :35:53. | :35:59. | |
are bigger, better. Most are double the size that they were originally | :36:00. | :36:04. | |
in the previous series. They are scary. They are quite terrifying. | :36:05. | :36:11. | |
Absolutely. Here is the all new Robot Wars. 3-2-1. | :36:12. | :36:19. | |
The big question here, who can beat the mighty Razor. Oh, out come the | :36:20. | :36:34. | |
bots. Mayhem here. It will come out and wedge in underneath and flip | :36:35. | :36:39. | |
them up-and-over. They have activated the pit. Down goes the | :36:40. | :36:48. | |
pit. Someone could be on the edge of doom... It's like a Gladiator arena. | :36:49. | :36:56. | |
They screamed it, "in the pits" they get into it. Scarily so. It says as | :36:57. | :37:02. | |
much about the people who build the robots as the men Absolutely. | :37:03. | :37:06. | |
Themselves. It's metal on metal in the arein. In the pits watching | :37:07. | :37:11. | |
people helping each other having torn lumps off each other inside the | :37:12. | :37:16. | |
the arena. They get on board lending each other motors and fixing up. One | :37:17. | :37:21. | |
of the robots was destroyed. Torn to pieces. There was 15 competitors all | :37:22. | :37:29. | |
hands on deck helping them out. It was quite sweet and family kind of. | :37:30. | :37:35. | |
The camaraderie comes from the team we have here. Gabriel and hes mill. | :37:36. | :37:40. | |
Dad and daughter. Your connection to Robot Wars goes way back? The first | :37:41. | :37:45. | |
time we went on Robot Wars was 2001 #. During that time when Esme's mum | :37:46. | :37:54. | |
was pregnant with Esme. We were knocked out. On the way back - Mum | :37:55. | :38:01. | |
was sitting safely. She was in the crowd In the pit, getting excited. | :38:02. | :38:09. | |
Maybe too excited. On the way home her contractions started. No Esme | :38:10. | :38:14. | |
was born two-days later. Born 11 weeks early. She spent a long time | :38:15. | :38:18. | |
in hospital. Very small. Now you are on the team. Now on the team. How do | :38:19. | :38:25. | |
you divide duties then? You look after the weapons, don't you, Esme, | :38:26. | :38:32. | |
in these robots? Yeah. I saw my dad on it before. When I heard the new | :38:33. | :38:37. | |
series was coming back he asked me if I wanted to be on the team I said | :38:38. | :38:42. | |
- I'd love to be on the team much he was like - would you like to drive | :38:43. | :38:47. | |
the weapons? At first I was nervous because I'd never done it before. | :38:48. | :38:54. | |
Yeah. How much of Esme's inheritance have you spent on your robot, Sabre | :38:55. | :39:01. | |
Tooth? The actual cost without any time is ?5,000. Goodness me. A lot | :39:02. | :39:09. | |
of money. A lot of money. Where does it live in the garage? No, no. So... | :39:10. | :39:17. | |
Oh, dear. There is another story. Sabre Tooth lives in the spare | :39:18. | :39:23. | |
bedroom in our home. Your sister moved out. Yeah. Sabre Tooth has | :39:24. | :39:30. | |
taken over the bedroom. Polly who was on the team, she moved out and | :39:31. | :39:35. | |
Sabre Tooth moved in. Tucked in in the bed. We tuck in every night. As | :39:36. | :39:40. | |
we mentioned earlier the house robots are back, bigger and better | :39:41. | :39:44. | |
than ever. Go on. Where should we start. Matilda, the only female | :39:45. | :39:50. | |
house robot. I thought Esme may have been named after Matilda if they she | :39:51. | :39:59. | |
were die hard. Killalot. They patrol the arena. To keep law and order, if | :40:00. | :40:04. | |
you like. They also act, you know, as moving hazards. There is the | :40:05. | :40:11. | |
flames. They are hazards and competing robots will feed their | :40:12. | :40:16. | |
opponents to Sir Killalot who can do a quicker job ending them than they | :40:17. | :40:21. | |
could themselves. It becomes very, very tactical. They are being tame | :40:22. | :40:27. | |
now because they can't go nuts. Snoop they do go nut. Our arena is | :40:28. | :40:32. | |
too small. You filmed a demo. It wouldn't be appropriate here. We | :40:33. | :40:37. | |
filmed a demo earlier on. Just a little one. Shall we have a look. Do | :40:38. | :40:43. | |
you recognise that, Matt Sorry, yeah. There is my wife. That is a | :40:44. | :40:50. | |
painting in your house, isn't it, of the BFG? Yes. Yes, it is. He got the | :40:51. | :40:57. | |
death stare that Killalot has. Hang on. What we did with the particular | :40:58. | :41:04. | |
picture was seeing how good Killalot was at destroying. That was painful. | :41:05. | :41:11. | |
Yeah, great. That's my picture. Thanks ever so much. Why? Thank you. | :41:12. | :41:16. | |
It was important to show these people put their heart and soul into | :41:17. | :41:19. | |
things they really love theses machines. Yeah, yeah. Destroying it | :41:20. | :41:29. | |
gives you a sense - Don't worry, it is's not the proper one. It's a | :41:30. | :41:34. | |
lookalike. Nicola has - I wondered what was going on, you people. Good. | :41:35. | :41:38. | |
What is happening? Your picture is safe. That is all you need to know. | :41:39. | :41:43. | |
It was fine. A demo. It didn't go quite to plan, did it? Later in the | :41:44. | :41:53. | |
show we have a Robot Wars challenge, they will go head-to-head against | :41:54. | :41:57. | |
the daddy of them all Sir Killalot. I don't know what is happening. Have | :41:58. | :42:02. | |
I got a picture or not? It's safe. Confused. 100%. Robot Wars returns | :42:03. | :42:07. | |
on Sunday, 8.00pm on BBC Two. Who would have thought that a small | :42:08. | :42:12. | |
budget British film set in, of all places, a launderette | :42:13. | :42:15. | |
would compete for a Oscar against the likes of Platoon, | :42:16. | :42:17. | |
Hannah and Her Sisters and Crocodile But it did happen and now one | :42:18. | :42:20. | |
of it's stars, Gordon Warneck, has arranged a very special One Show | :42:21. | :42:24. | |
screening to see if it It was low budget, shot in six weeks | :42:25. | :42:34. | |
as a TV movie and never intended to be a cinematic smash. This 1985 | :42:35. | :42:39. | |
Oscar-nominated British classic became just that and had a cult | :42:40. | :42:45. | |
following for more than 30 years. I played one of the leads, Omar. My | :42:46. | :42:50. | |
Beautiful Launderette tells the unlikely love story between a former | :42:51. | :42:57. | |
National Front punk and the son of a Pakistani immigrant navigating the | :42:58. | :43:01. | |
ideals of Thatcher's Britain. In this damn country, which we hate and | :43:02. | :43:08. | |
love, you can get anything you want. It's all spread out and available. | :43:09. | :43:11. | |
That's why I believe in England. Fresh out of drama school, this was | :43:12. | :43:17. | |
my first film. With subject matter challenging sterotypes, this was a | :43:18. | :43:20. | |
project I really wanted to be involved in. Seduced by his uncle's | :43:21. | :43:30. | |
promises of getting rich, Omar gets involved with his families dodgy | :43:31. | :43:34. | |
dealings. He is harassed by a gang of punks who blame Asians for taking | :43:35. | :43:38. | |
their jobs. Their leader is childhood friend, Johnny, played by | :43:39. | :43:46. | |
Daniel Day who flirted with -Lewis fascism since they saw each other I | :43:47. | :43:53. | |
read it and said this is really good. That is how we met. He had a | :43:54. | :43:58. | |
father from Pakistan and a white English mother. I was white | :43:59. | :44:01. | |
middle-class. He taught me everything. He taught me about mim | :44:02. | :44:07. | |
grant life. I thought the critique of Margaret Thatcher was the | :44:08. | :44:10. | |
important thing. I didn't notice there would be gay themes that would | :44:11. | :44:16. | |
echo around the world. Despite Johnniy's racist past they rekinkle | :44:17. | :44:24. | |
their relationship -- Johnny. They turned it into a think of drama and | :44:25. | :44:35. | |
class, Powders. We were part of the do-it-yourself generation surrounded | :44:36. | :44:36. | |
by the spirit of free enterprise. I loved the script. It was ambiguous | :44:37. | :44:54. | |
and dark and questionable. I found it very thrilling. Cherry has an | :44:55. | :45:00. | |
attitude she say, "I'm sick of hearing about these in-betweens. | :45:01. | :45:04. | |
People should make up their minds where they are." You have to side | :45:05. | :45:07. | |
with us or side with them. The racism comes from both sides then. | :45:08. | :45:11. | |
The reaction to the film was about audiences coming faces to face with | :45:12. | :45:14. | |
something that wasn't what they norm Al thought of as an immigrant | :45:15. | :45:18. | |
community. One of the things I think that did bewilder people was the | :45:19. | :45:24. | |
fact that you were talking about a wealthy middle-class Pakistani | :45:25. | :45:28. | |
family effectively. Yes, it's been proven over and over in Britain's | :45:29. | :45:33. | |
social history that immigrants are very aspiration Al. Powders a | :45:34. | :45:42. | |
Portuguese restaurant. Around the corner is Dirty Laundry. A perfect | :45:43. | :45:52. | |
place for tonight's screening. More than three decades on what will our | :45:53. | :45:59. | |
group make of the movie? It has relevance irrespective of the fact | :46:00. | :46:08. | |
it was done 30 years ago. It's relevant today. We had to deal with | :46:09. | :46:15. | |
discrimination. I'm a professional businessman not a professional | :46:16. | :46:19. | |
Pakistani. We met in the launderette at the student We got drunk union. | :46:20. | :46:26. | |
In that launderette. As an Asian man growing up and thinking about my | :46:27. | :46:30. | |
ethnicity and how it affected my only development as a gay man. I | :46:31. | :46:35. | |
loved it. It was like the first time I felt I was represented on screen. | :46:36. | :46:40. | |
It made me feel like - om, my God things are happening then. I can | :46:41. | :46:44. | |
feel relevant now. New audiences need to be exposed to that material. | :46:45. | :46:49. | |
My Beautiful Launderette's commitment to tell the stories of | :46:50. | :46:55. | |
minoritieses means its message endures over 30 years on and still | :46:56. | :46:59. | |
resonates with contemporary Britain today. | :47:00. | :47:07. | |
That film tackled the issue of being gay in the 80s. The 80s was when you | :47:08. | :47:16. | |
decided to come out yourself, Simon. Is it right that people advised you | :47:17. | :47:24. | |
not to? Oh God, yes. When I went to the national theatre in the 70s I | :47:25. | :47:29. | |
was interviewed for the first time in my life by national journalists | :47:30. | :47:36. | |
and so on and they would say, so, you've got a girlfriend, have you? I | :47:37. | :47:40. | |
would say no, I'm gay, and they never printed it at all. I realised | :47:41. | :47:46. | |
that the British press wanted to find me out rather than me to tell | :47:47. | :47:52. | |
them. So I carried on doggedly and valiantly saying this, I did | :47:53. | :47:55. | |
Shakespeare's sonnets and the directors wrote a piece about it for | :47:56. | :48:02. | |
the new statesman saying Simon and I worked on this, me as a heterosexual | :48:03. | :48:09. | |
man and him as a homosexual man, and the national theatre department | :48:10. | :48:12. | |
deleted the phrase. They told me it would be the end of my career. The | :48:13. | :48:16. | |
only way I could actually come out was to write a book. In which I | :48:17. | :48:24. | |
actually said, I just said "I'm gay". It wasn't an issue book, it | :48:25. | :48:29. | |
wasn't about being gay, I just said, I'm gay. That has always been the | :48:30. | :48:33. | |
most important single thing anybody can do in that situation is just | :48:34. | :48:37. | |
stand up and be counted and say yes, I'm gay, that's that. The T-shirt | :48:38. | :48:42. | |
says it all, some people are gay, get over it. That's exactly my | :48:43. | :48:49. | |
attitude. I'm not militant about it but I think everybody who is gay | :48:50. | :48:53. | |
would be much, much happier if they came out. If people do come out, | :48:54. | :48:58. | |
everybody understands that being gay is a perfectly normal thing, there | :48:59. | :49:02. | |
are gay people in nearly every family in the land, businesses, | :49:03. | :49:07. | |
shops, every walk of life there are gay people. And there have been, | :49:08. | :49:11. | |
from the beginning of time. So let's just get used to it. And we have to | :49:12. | :49:17. | |
say congratulations, Simon, because we know that you recently got | :49:18. | :49:21. | |
married! I did. CHEERING AND APPLAUSE | :49:22. | :49:28. | |
It was very, very lovely. And he is gorgeous! He is, very gorgeous. Even | :49:29. | :49:36. | |
more gorgeous than that, actually! You had a honeymoon? We had a | :49:37. | :49:43. | |
four-day honeymoon in Turkey. But life is a honeymoon now. That's so | :49:44. | :49:49. | |
nice! We will hark back to the 80s if we can for a moment regards Anita | :49:50. | :49:56. | |
Dobson and EastEnders, I'm sure people ask you this a lot but how | :49:57. | :50:00. | |
does that chapter of your life relate to everything you've done? It | :50:01. | :50:04. | |
changed everything it changed my career and my life. I would never | :50:05. | :50:08. | |
have met my husband had I not been cast as that character. It changed | :50:09. | :50:11. | |
my career because I went from being a jobbing actress that nobody had | :50:12. | :50:14. | |
heard of to suddenly being on the front page of every newspaper for | :50:15. | :50:18. | |
about three years! It was massive. We loved Angie. Last time we came | :50:19. | :50:27. | |
into me you were talking about Dad's Army, Bill. You told us then that | :50:28. | :50:31. | |
you nearly turned the role down but today we discovered there was | :50:32. | :50:35. | |
another film that you really did turn down. There's nothing more | :50:36. | :50:38. | |
boring than actors telling you the films they turned down! You've still | :50:39. | :50:43. | |
got the script? I have the script of this one to prove it. In 1978I got | :50:44. | :50:48. | |
sent a very nice script, which you don't always get nowadays, you get a | :50:49. | :50:53. | |
little bit on the computer with your name across, but I got a beautiful | :50:54. | :51:00. | |
script for a film called Alien. I said oh, my goodness me, this is | :51:01. | :51:04. | |
science fiction, I don't like science fiction! It's about a | :51:05. | :51:09. | |
freighter going through space and something comes up... Nobody will | :51:10. | :51:14. | |
watch it! Just tell Mr Scott I'm not turning up for the interview, and | :51:15. | :51:18. | |
that was it. But I have still got that script. So if there's anybody | :51:19. | :51:24. | |
watching, on the Internet, I still have it. You could sell that at | :51:25. | :51:32. | |
auction. Get on the dark web! Earlier we saw Richard attempt the | :51:33. | :51:37. | |
impossible, to create a quality quintet from some slightly musical | :51:38. | :51:42. | |
members of our one show family. Well, it's time, everyone. It is in | :51:43. | :51:48. | |
fact the moment of truth. How will their Carmen chorus go down in | :51:49. | :51:51. | |
Trafalgar Square? We're all wondering. | :51:52. | :51:53. | |
Two weeks ago I began turning this mob of The One Show presenters into | :51:54. | :52:04. | |
a quintet. But it was clear we needed to practice. One, two... | :52:05. | :52:13. | |
So, Christine and I managed to face time each other. I'm having problems | :52:14. | :52:24. | |
with timing with some of this. If you write on your music "Long, | :52:25. | :52:29. | |
short, long, short," I think that will really help. Like anything, | :52:30. | :52:34. | |
playing in your bedroom is fine but when you actually come to play live, | :52:35. | :52:38. | |
I am a bit concerned that this whole thing could still unravel. | :52:39. | :52:42. | |
But ready or not, the time has come for our plucky players to face up to | :52:43. | :52:48. | |
the challenge and perform for the Great Britain is public. -- great | :52:49. | :52:55. | |
British public. I don't think I'm going to be nervous because there is | :52:56. | :52:59. | |
safety in numbers, Trafalgar Square is an iconic place and I will be | :53:00. | :53:02. | |
going in wanting to do well. One, two, three. | :53:03. | :53:24. | |
This is the first time I've ever played a guitar in front of other | :53:25. | :53:38. | |
people. Hopefully not the last! CHEERING AND APPLAUSE | :53:39. | :53:47. | |
I thought they were very good, they did very well. Carmen, basking, | :53:48. | :53:55. | |
intra- Albert Square! You can't get better than that! Marks out of ten? | :53:56. | :54:01. | |
I would give it an 8.5. Top job, everyone! But The One Show producers | :54:02. | :54:09. | |
are upping the ante. They want to know if our amateur musicians can | :54:10. | :54:13. | |
cut it at an even higher level. I'm scared now! Read it out. You have | :54:14. | :54:20. | |
been invited to play with the BBC concert Orchestra! BBC concert | :54:21. | :54:30. | |
Orchestra. Ten night! Tonight? No way! We are out of our depth! Of | :54:31. | :54:36. | |
course I haven't, I've only played with these four before! So, we're | :54:37. | :54:43. | |
here. Whatever happens, this is going to be one of the most | :54:44. | :54:47. | |
memorable experiences of their lives. We have some presenters from | :54:48. | :54:52. | |
The One Show in the Orchestra tonight. We're not sure what to | :54:53. | :54:55. | |
expect, but we're looking forward to it. And so we begin. | :54:56. | :55:13. | |
I mean, just to be in it and to feel a part of it, it's just mind | :55:14. | :55:24. | |
blowing. My solo was absolutely spot on, for two bars, I was part of the | :55:25. | :55:32. | |
Orchestra! My dream has come true. Just feeling the music a bit better | :55:33. | :55:36. | |
and being around such amazing people has made me feel like I want to be | :55:37. | :55:41. | |
better. Music is not something you do by yourself, it's something that | :55:42. | :55:44. | |
brings a lot of people together, that's what I love about it. | :55:45. | :55:51. | |
LAUGHTER I think they will be recording The | :55:52. | :56:05. | |
One Show theme tune before long! It was good until Christine did that on | :56:06. | :56:09. | |
the record! BBC music lovers everywhere can join in the Proms | :56:10. | :56:14. | |
celebrations. To find out how to take part, visit the get playing | :56:15. | :56:21. | |
website. The deadline is the 27th of August, still time. Are you going to | :56:22. | :56:27. | |
do it? Nobody wants to hear me on a violin, to be fair! If you thought | :56:28. | :56:31. | |
that Robot Wars started on Sunday, think again! It's about to start | :56:32. | :56:35. | |
right here and right now. Our top design team have built some | :56:36. | :56:39. | |
state-of-the-art robots on behalf of tonight's guests, and they are about | :56:40. | :56:44. | |
to do battle with the scariest robot on the planet, Sir Killalot! OK, | :56:45. | :56:56. | |
Simon, you're going to be controlling Sir Callowbot! Anita, | :56:57. | :57:03. | |
you're going to be in charge of the Dobinator! And then Bill, you're | :57:04. | :57:15. | |
going to be in charge of Kill Patterson! Can they survive for a | :57:16. | :57:20. | |
minute in our arena? All you have to do is avoid Sir Killalot. To be | :57:21. | :57:26. | |
fair, Sir Killalot is not in a very good mood. I would get yourselves in | :57:27. | :57:30. | |
position if I were you, because it's about to happen. Angela, any last | :57:31. | :57:34. | |
words of wisdom? I think there absolutely doomed! Just go for it! | :57:35. | :57:38. | |
OK, go! The Dobinator is often with a little | :57:39. | :57:48. | |
kind of crawl. That's a bit underwhelming. Oh! No! He looked | :57:49. | :57:59. | |
fearsome as always, but he's really going for it! OK, our hopes rest on | :58:00. | :58:07. | |
Kill Patterson. Come on Kill, Patterson, get moving. I mean, to | :58:08. | :58:13. | |
put this in perspective... CHEERING | :58:14. | :58:22. | |
Kill Patterson... Keep rolling. You just have to survive this. 700 | :58:23. | :58:37. | |
kilograms. I don't know how much Kill Patterson ways, but my hunch is | :58:38. | :58:42. | |
not very much. He's taunting him! Oh! | :58:43. | :58:45. | |
They were absolutely annihilated! Build a year lasted the longest. He | :58:46. | :58:58. | |
did, well done. -- Bill, you lasted the longest. The hair we are! That's | :58:59. | :59:05. | |
all thanks to all our guests. Simon, | :59:06. | :59:16. | |
Anita and Bill will star in The Rebel tonight on BBC Two. We will be | :59:17. | :59:23. | |
back tomorrow with Simon Mayo. See you then. Goodbye. | :59:24. | :59:36. | |
Hello, I'm Tina Daheley with your 90-second update. | :59:37. | :59:38. | |
Theresa May has said Britain won't walk away from its friends | :59:39. | :59:40. | |
in Europe as it negotiates its exit from the EU. | :59:41. | :59:44. |