Browse content similar to 20/11/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Patrick Kielty. And Angellica | :00:18. | :00:24. | |
Bell. Patrick, good to have you with me but you have been busy today, | :00:25. | :00:29. | |
presenting the BBC Radio New Comedy Award. | :00:30. | :00:32. | |
presenting the BBC Radio New Comedy macro it's been going for years and | :00:33. | :00:34. | |
some other people it's brought through include Alan Carr, Peter Kay | :00:35. | :00:36. | |
and Sarah Millican. through include Alan Carr, Peter Kay | :00:37. | :00:40. | |
brilliant final and as a treat, I have brought the finalists. Athena | :00:41. | :00:51. | |
Kugblenu, Andy Storey... Hello! LAUGHTER | :00:52. | :00:56. | |
Kugblenu, Andy Storey... Hello! We have Michael Stranney, Russ Peers | :00:57. | :00:58. | |
and someone who looks a little bit happier than the rest, because she | :00:59. | :01:03. | |
is the winner, Yuriko Kotani. APPLAUSE | :01:04. | :01:10. | |
Congratulations. What is it like being up with some of the greatest | :01:11. | :01:13. | |
comedians the country has ever seen or heard? It was such an honour to | :01:14. | :01:18. | |
get to this stage. I still can't believe that I won it! She's going | :01:19. | :01:25. | |
to cry. It means so much to walk away with this. I know you are | :01:26. | :01:29. | |
feeling very emotional and this is what you did to take home the award. | :01:30. | :01:35. | |
There is one word, one beautiful English word I love, and we don't | :01:36. | :01:40. | |
have this word in Japanese. It is... Ish. They are tears of joy. | :01:41. | :01:53. | |
Comedy and tears and we are only two minutes in! You can listen back to | :01:54. | :01:57. | |
the whole show on iPlayer. These guys might be the future of comedy | :01:58. | :02:01. | |
but tonight's guest has been making us laugh since before they were | :02:02. | :02:07. | |
born. He's written comedies like the donkey and Outnumbered. And he has a | :02:08. | :02:10. | |
shelf of awards that puts young upstarts like me to shame. Please | :02:11. | :02:16. | |
welcome Andy Hamilton! APPLAUSE Bow down! Thanks for coming. Any | :02:17. | :02:24. | |
words of advice for the finalists? Don't listen to bald old men giving | :02:25. | :02:32. | |
you advice! I think it is maybe not listening to much. Everyone has to | :02:33. | :02:36. | |
carve out their own identity. There's a danger sometimes that if | :02:37. | :02:39. | |
you listen to to much, lose your voice. Don't listen to too much | :02:40. | :02:47. | |
advice. That is my advice! When you were starting out in the 1970s, is | :02:48. | :02:51. | |
it easier for these guys coming through all what it easier back | :02:52. | :02:55. | |
then? In some ways, it is easier because you have more outlets like | :02:56. | :02:58. | |
YouTube and everything, so they get to make stuff and appear earlier. I | :02:59. | :03:03. | |
think it is harder to earn a living from it because there's not so much | :03:04. | :03:10. | |
revenue at the end of it necessarily. Identity no. I'm the | :03:11. | :03:14. | |
last person to ask. When I started, it was a lot less competitive. We | :03:15. | :03:20. | |
will hear more about you and your tour later. On Tuesday, Mike Dilger | :03:21. | :03:25. | |
strapped a camera to a toy dear, covered it in your in -- and failed | :03:26. | :03:34. | |
to get stacks to make with it. Tonight he's on St Kilda, attempting | :03:35. | :03:39. | |
to send a letter by simply throwing it into the sea and crossing his | :03:40. | :03:42. | |
fingers. I think someone needs to have a quiet word with him. | :03:43. | :03:48. | |
More than 100 miles out from the coast of Scotland, there are few | :03:49. | :03:53. | |
places more isolated than the islands on St Kilda. But even here, | :03:54. | :03:58. | |
human ingenuity managed to overcome the problems of communication. First | :03:59. | :04:02. | |
inhabited around 4000 years ago, until the 1930s, a few hardy souls | :04:03. | :04:10. | |
made this their home. With no phones on the island or postal service, the | :04:11. | :04:13. | |
inhabitants of St Kilda found a novel way of keeping in touch with | :04:14. | :04:18. | |
tiny boats, cast adrift on the torturer sees. The people of St | :04:19. | :04:26. | |
Kilda fashion the boat outside any waterproof container sealed to a | :04:27. | :04:30. | |
wooden keel with a handmade float attached. I've set myself the | :04:31. | :04:33. | |
challenge of making and launching my very own mail boat for The One Show | :04:34. | :04:37. | |
with a message for the mainland. But the first hurdle is getting there. | :04:38. | :04:43. | |
Derek Gordon runs boat trips to St Kilda and knows all too well how | :04:44. | :04:48. | |
treacherous the trip can be. The people of St Kilda would have very | :04:49. | :04:51. | |
limited opportunities to come back to the mainland. Life for them was | :04:52. | :04:58. | |
on this craggy piece of rock in the Atlantic, exposed to the storms that | :04:59. | :05:03. | |
were coming in. It was very much survivalist living out there. But | :05:04. | :05:07. | |
the problem is, it is such a hostile environment. You could not keep the | :05:08. | :05:10. | |
boat. In fact, they did not go fishing. The entire foodstuff was | :05:11. | :05:20. | |
sea birds. I have to say, it's a long journey on choppy seas. You can | :05:21. | :05:26. | |
see why the postman did not make it part of his regular route. Five | :05:27. | :05:32. | |
hours at sea and St Kilda's imposing cliffs come into view. The islanders | :05:33. | :05:37. | |
would scale them in search of food but in 1930, the last 36 left the | :05:38. | :05:44. | |
island for good. Today, the seas have been kind to us but it was | :05:45. | :05:48. | |
rough waters and stormy weather that led to the creation of the first St | :05:49. | :05:53. | |
Kilda mail boats. There was a journalist, John Sands, who had come | :05:54. | :05:57. | |
to spend the summer but hoped to get off on the last boat of the season | :05:58. | :05:59. | |
which did not happen because of the weather. At the end of January, | :06:00. | :06:06. | |
1877, a boat came into the bay and it was Austrian sailors who had been | :06:07. | :06:09. | |
shipwrecked. John Sands thought he could send what is called a mail | :06:10. | :06:16. | |
boat, and unbelievably, five or six days later, it turned up on Orkney. | :06:17. | :06:21. | |
Amazing! Wright three weeks after these men came to the bay, a naval | :06:22. | :06:26. | |
vessel came to rescue them. In 1957 in the midst of the Cold War, St | :06:27. | :06:30. | |
Kilda had a reprieve when the MoD set up a radar base on the island. | :06:31. | :06:35. | |
For the first time, communication with the mainland became possible, | :06:36. | :06:41. | |
albeit top-secret. Today's islanders are just temporary visitors, | :06:42. | :06:45. | |
tourists and conservation groups. But an occasional mail boat keeps | :06:46. | :06:51. | |
the tradition alive. Our mail boat is quite a simple design, basically | :06:52. | :06:59. | |
a hollowed out piece of wood with a temp one attached which would it | :07:00. | :07:02. | |
traditionally have been an inflated sheep bladder. It is heavily at the | :07:03. | :07:05. | |
base of Richard stay upright and allow the GPS tracker inside the box | :07:06. | :07:10. | |
to work. Also inside, a note for the finder, telling them to contact The | :07:11. | :07:15. | |
One Show with its whereabouts. How long will it take for the post to | :07:16. | :07:19. | |
arrive? With the right wind, two thirds of mail boats have made it to | :07:20. | :07:23. | |
the mainland, although some go as far as Scandinavia and may take | :07:24. | :07:28. | |
months to get there. St Kilda has an extreme exposure to the waves, a | :07:29. | :07:33. | |
huge swell and deep oceanic currents, making it tough to get | :07:34. | :07:36. | |
here and even more difficult to predict what my tiny mail boat is | :07:37. | :07:40. | |
going to do. We will just have to wait and see. The moment of truth! | :07:41. | :07:46. | |
For more than six weeks, we monitored the redoubtable mail boat | :07:47. | :07:54. | |
before its signal faded. It was not heading to the mainland but hundreds | :07:55. | :07:58. | |
of miles of course, bound for Norway, lost in the mail, for now. | :07:59. | :08:05. | |
And The One Show mail boat has just sent me a letter to say that the | :08:06. | :08:09. | |
stupid stand in host has forgotten to name check one of the axes | :08:10. | :08:15. | |
introduced for the New Comedy Award, Ken Cheng! Give it up! APPLAUSE | :08:16. | :08:21. | |
That is the look of a man disappointed that he lost the | :08:22. | :08:23. | |
competition and not even getting a name check. Orange Rabiu feel bad. I | :08:24. | :08:29. | |
do but joining us now, Mark Mason, the author of a book called Mail | :08:30. | :08:35. | |
Obsessions. Before we speak to you, you have done that boat trip. Yes, | :08:36. | :08:39. | |
to St Kilda and when you get there, there's a shop and they sell little | :08:40. | :08:44. | |
woollen hats with puffin on and I only lost mine a couple of days ago. | :08:45. | :08:48. | |
If there's anyone in that shop, you know where send it! Mark Connolly | :08:49. | :08:52. | |
you have been delving into the history of the Royal Mail and | :08:53. | :08:56. | |
Mike's mail boat is not the craziest form of post that has existed. The | :08:57. | :09:00. | |
craziest one was in the Outer Hebrides, and to get the mail from | :09:01. | :09:06. | |
one island to the other, this lunatic German called Gerhard Zucker | :09:07. | :09:08. | |
in the 1930s, who lunatic German called Gerhard Zucker | :09:09. | :09:10. | |
expert, self-proclaimed, which is lunatic German called Gerhard Zucker | :09:11. | :09:17. | |
expert, decided he was... The Post Office agreed to let him do | :09:18. | :09:19. | |
expert, decided he was... The Post of 1200 letters with a lot of rocket | :09:20. | :09:23. | |
fuel and a big explosion. What could possibly go wrong? It | :09:24. | :09:25. | |
fuel and a big explosion. What could destroyed most of the letters and | :09:26. | :09:27. | |
they said they did not want anything to do with them. | :09:28. | :09:32. | |
they said they did not want anything At one stage, this can't | :09:33. | :09:32. | |
they said they did not want anything you could post a person? You could | :09:33. | :09:35. | |
post yourself to an you could post a person? You could | :09:36. | :09:53. | |
posted to Downing Street to see the Prime | :09:54. | :09:58. | |
posted to Downing Street to see the with them with hats like that. But | :09:59. | :09:59. | |
posted to Downing Street to see the design the form tag setting delivery | :10:00. | :10:02. | |
of the letters because they were design the form tag setting delivery | :10:03. | :10:06. | |
letters, they were women. In other countries, they have revolutions but | :10:07. | :10:11. | |
in this country, we have the Prime Minister's Butler arguing over | :10:12. | :10:15. | |
whether or not a woman is a letter. Oscar Wilde had a cunning way to | :10:16. | :10:21. | |
send the post? He used to write them and put the stamp on and | :10:22. | :10:24. | |
send the post? He used to write them out of the window onto the pavement | :10:25. | :10:26. | |
outside his house because he knew someone walking down the | :10:27. | :10:29. | |
outside his house because he knew would think someone had dropped a | :10:30. | :10:30. | |
letter they wanted posting and they would pick it up and post it for | :10:31. | :10:35. | |
him. You say you would not do it but if I found a letter on the ground | :10:36. | :10:36. | |
with a stamp would you not just if I found a letter on the ground | :10:37. | :10:42. | |
it up and put it in the post box? That is | :10:43. | :10:42. | |
it up and put it in the post box? check if there was money in it | :10:43. | :10:49. | |
first? Didn't his neighbours catch on, again," it's that lazy | :10:50. | :10:51. | |
cheapskate Oscar Wilde", on, again," it's that lazy | :10:52. | :10:55. | |
back through his letterbox? I would have done that. And animals on the | :10:56. | :11:05. | |
back through his letterbox? I would offices and | :11:06. | :11:07. | |
back through his letterbox? I would civil servants. | :11:08. | :11:15. | |
they got a pension. The record-holder was Tibbs | :11:16. | :11:18. | |
they got a pension. The who was 23 and was obviously very | :11:19. | :11:19. | |
good at his 14 years. He was the record-holder. | :11:20. | :11:28. | |
Knew briefly worked at the Post Office? Yes I did but I got promoted | :11:29. | :11:32. | |
to a thing they were experimenting Office? Yes I did but I got promoted | :11:33. | :11:35. | |
with, a new system sending information through computers in the | :11:36. | :11:38. | |
1970s. I had to write a custom document and I was thinking, | :11:39. | :11:42. | |
"sending information from computers? How is that going to work? " That | :11:43. | :11:50. | |
was in the 70s. The Queen said the first e-mail in 1976, so she was | :11:51. | :11:53. | |
slightly ahead of the game. first e-mail in 1976, so she was | :11:54. | :11:58. | |
called the experimental packet switching system. You had to wait | :11:59. | :12:01. | |
for clusters of data and send them by the phone line to another | :12:02. | :12:05. | |
company. I don't know what happened then. I did not know the post could | :12:06. | :12:10. | |
be so interesting. I'm lost. Return to sender! Mail Obsessions is out | :12:11. | :12:17. | |
now. This is a strange question but how do you like your potatoes? | :12:18. | :12:26. | |
Polite. I don't mind. I'm easy. I like mine with more potatoes. Just | :12:27. | :12:32. | |
potatoes with potatoes, served by an Irish mammy. What about you? On the | :12:33. | :12:38. | |
rocks with a dash of cola. He is how. It seems it is not as comfort | :12:39. | :12:42. | |
food we get from potatoes these days but our Friday night table as well. | :12:43. | :12:47. | |
On this farm in Herefordshire, all the potatoes are used to make their | :12:48. | :12:52. | |
own vodka and gin. Why did Farmer William Chase decide his potatoes | :12:53. | :12:55. | |
should be going into spirits rather than onto supermarket shelves? I | :12:56. | :13:00. | |
could not make any money. When we went with the supermarket, they only | :13:01. | :13:03. | |
wanted these and then the pretty ones, which was 50%. We were under | :13:04. | :13:08. | |
constant pressure all the time. Now fully gin and vodka, we can use | :13:09. | :13:13. | |
everything. So it's a very efficient use of the potato crop? Yes, | :13:14. | :13:18. | |
fantastic, it all goes in. It takes 300 potatoes to make one bottle of | :13:19. | :13:24. | |
gin. Potatoes? That is almost what we are looking at here. So how is | :13:25. | :13:29. | |
this actually done? Fresh from the fields, the potatoes are cleaned, | :13:30. | :13:33. | |
peeled and then, well, then they are matched. Mashed potato comes in | :13:34. | :13:38. | |
here, injected with steam, basically cooking it. Once it is cooked, it | :13:39. | :13:45. | |
sits in the tanks for about three weeks, turning 10% of it into | :13:46. | :13:50. | |
alcohol. Are potatoes suited to this? Do they have enough sugar to | :13:51. | :13:55. | |
turn into alcohol? To make a cheap spirit, you should use wheat cereals | :13:56. | :13:59. | |
because it makes it blind and simple but if you want a fine spirit, this | :14:00. | :14:03. | |
is the handicap, you have do have all these tanks and tonnes of | :14:04. | :14:09. | |
potatoes to make it. At this point, it is alcoholic mashed potato. | :14:10. | :14:15. | |
Exactly, we want to strip the 10% alcohol out of the potato, boiling | :14:16. | :14:18. | |
it again, alcohol is lighter than water so it rises to the top and it | :14:19. | :14:22. | |
goes there and then the waterfall down with the mashed potato which | :14:23. | :14:25. | |
goes to the cows and the compost. Lots of alcohol, what do we do with | :14:26. | :14:30. | |
it? More alcohol and this is where the magic happens because this is | :14:31. | :14:34. | |
where we polish it and turn it into the beautiful they could we finish | :14:35. | :14:38. | |
up with. The magic happens in this, the tallest bubble column in | :14:39. | :14:41. | |
Europe. Most vodka is distilled three times but William's goes | :14:42. | :14:45. | |
through 50 distillations, turning from liquid to steam every time it | :14:46. | :14:49. | |
hit a bubble plate. Just the finest alcohol is left which is dilutive in | :14:50. | :14:53. | |
spring water to bring it down to 40% volume. Then some of the vodka goes | :14:54. | :15:00. | |
on to be made into gin. Gin is the finishing touch because it is | :15:01. | :15:03. | |
flavoured vodka, basically. We have a still and inside it, we marinade | :15:04. | :15:10. | |
the Juniper 's, because if it you what to call it gin, it has to have | :15:11. | :15:14. | |
Juniper 's. To make it sweet, you add orange peel or if you want it | :15:15. | :15:18. | |
dry, you add lemon peel so playing with the botanicals finishes it off | :15:19. | :15:21. | |
but it all comes back to the base quality. | :15:22. | :15:26. | |
For your average gin, that base product is cereal grain. You start | :15:27. | :15:37. | |
with 300 potatoes, what do you have at the end? We just have this, | :15:38. | :15:44. | |
potatoes and vodka. I am impressed with that, it is race moves. Who | :15:45. | :15:50. | |
would have thought potato juice could taste so good? Cheers. -- it | :15:51. | :15:57. | |
is very smooth. Shall we try it out? You have be | :15:58. | :16:04. | |
looking forward to this. It would be foolish not to. Cheers, Cheers. | :16:05. | :16:13. | |
Potatoes, potatoes! This is all vodka. Mother of wholly moly. It is | :16:14. | :16:24. | |
good! Smooth. While Angellica gets her voice back, Andy, you are in the | :16:25. | :16:32. | |
middle... Sorry, what? Apparently we are in the middle of a show. You are | :16:33. | :16:39. | |
in the middle of your change management tour. It is a show | :16:40. | :16:44. | |
looking back over some of my life. It is not a biographical show but it | :16:45. | :16:49. | |
is looking at social changes which have happened in my life through the | :16:50. | :16:53. | |
medium of jokes and just looking at things which have changed and | :16:54. | :16:56. | |
whether it is important or not I'm just having a good time. Would you | :16:57. | :17:03. | |
say you genuinely like change? Know, like most people, I instinctively | :17:04. | :17:11. | |
don't like change. But you haven't changed the way you write. You still | :17:12. | :17:18. | |
use pencil and paper. Pencils are actually a very classy piece of | :17:19. | :17:23. | |
technology. You never see anybody swearing at a pencil. If you're | :17:24. | :17:28. | |
pencil breaks, you do not have to ring a pencil helpline. I am a | :17:29. | :17:34. | |
comedy writer. Whether my script arrives at a certain time, no one | :17:35. | :17:38. | |
will live or die by that. I am not an emergency service. That is how I | :17:39. | :17:42. | |
grew up, writing on pencil. My typing speed is so slow, I could not | :17:43. | :17:47. | |
fight at the speed I want to write at. So it is longhand? It is not | :17:48. | :17:53. | |
just me, my collaborator on Outnumbered Guy Jenkin also uses | :17:54. | :17:59. | |
pencil. We keep people in work because they have to try but our | :18:00. | :18:05. | |
scripts! Is very special of Outnumbered in the offing? The plan | :18:06. | :18:08. | |
there will be a special in the summer. Our hope is that every | :18:09. | :18:14. | |
couple of years we will revisit the family and see how they are getting | :18:15. | :18:17. | |
on. When kids grow up, parenting changes, but it does not stop. The | :18:18. | :18:23. | |
relationships change. Like a comedy 7-Up? A bit like that. Let's remind | :18:24. | :18:32. | |
ourselves just why you love them. Howard you decide who is Prime | :18:33. | :18:37. | |
Minister? There is an election and people vote. Are there lots of | :18:38. | :18:41. | |
people and they say, I have had a terrible life and my family has | :18:42. | :18:46. | |
died... Does not work entirely like that, no. | :18:47. | :18:53. | |
It would be good if it did! Is it true that even when a sitcom is not | :18:54. | :18:56. | |
on television, do the characters still live in your head? Are used or | :18:57. | :19:01. | |
thinking of stories and the directions you could take the | :19:02. | :19:05. | |
characters? To be honest, I have loads of voices in my head. But | :19:06. | :19:10. | |
luckily I am in a profession where I can tell that an advantage rather | :19:11. | :19:15. | |
than being put into care. Maybe they live in some sort abstract | :19:16. | :19:20. | |
dimension. But I don't wake up thinking I wonder what George will | :19:21. | :19:26. | |
be doing today. Is it voices in your head who have told you to | :19:27. | :19:33. | |
crowdfund? Crowdfunding a novel, yes. I found a brilliant publisher | :19:34. | :19:43. | |
and they are called Unbound. It is a very 18th-century kind of notion. | :19:44. | :19:46. | |
You reach out to people who would like to read the book, like fans, | :19:47. | :19:51. | |
and you make them your patron and say, can you fund the book? | :19:52. | :19:57. | |
Strangely, the novel has seen say, can you fund the book? | :19:58. | :20:01. | |
Saint Kilda. Really? Yes, say, can you fund the book? | :20:02. | :20:08. | |
have to pay? If you just want the book, it is ?10. There are various | :20:09. | :20:13. | |
rewards. You will go to someone else's house for dinner you said. | :20:14. | :20:20. | |
And eat their food. I am prepared to travel for two hours for free food! | :20:21. | :20:25. | |
What about Saint Kilda? That might be a bit more. You are starting to | :20:26. | :20:35. | |
price this like a mechanic. Saint Kilda, that will cost you! | :20:36. | :20:43. | |
So, it is throwback Friday. Do you remember this song? | :20:44. | :20:49. | |
# Put your hands on, put your hands on. | :20:50. | :20:53. | |
# Put your hands on, put your hands on. | :20:54. | :20:57. | |
It has got a good beat. Do you remember it? Know. As Carrie Grant | :20:58. | :21:07. | |
has been finding out, the story behind the song is not as upbeat as | :21:08. | :21:11. | |
you might expect. This is one of the most popular | :21:12. | :21:17. | |
singalong party and festival tracks. Place Your Hands was a | :21:18. | :21:20. | |
top ten hit for West Country rockers Reef in 1996. Despite being such an | :21:21. | :21:34. | |
upbeat track, the song was written after Gary Stringer's grandfather's | :21:35. | :21:39. | |
death. I was grieving and that is how it | :21:40. | :21:45. | |
came out in that lyric. The band started work on their second album. | :21:46. | :21:51. | |
With three top 40 hits to their name already, renowned American producer | :21:52. | :21:54. | |
was drafted in to help take the band to the next level. He was a great | :21:55. | :22:01. | |
producer, a great producer, division and the bigger thing that when you | :22:02. | :22:05. | |
are young... When you in a band, it is sometimes hard to hear the | :22:06. | :22:09. | |
structure and the arrangement. Someone like George with that | :22:10. | :22:12. | |
knowledge and overview can say, try this, try that. What made you want | :22:13. | :22:19. | |
to work with the band? I think they made a great noise. I think it was a | :22:20. | :22:26. | |
matter of being brave, having an experiment, opening up a little bit | :22:27. | :22:31. | |
more and instead of adding salt and pepper, maybe chilli powder or | :22:32. | :22:35. | |
something like that. Extending the flavour palette of the music. | :22:36. | :22:41. | |
With George's encouragement to try different styles, Place Your Hands | :22:42. | :22:48. | |
started to take shape. He had a 60s Fender Jazz bass and it | :22:49. | :22:52. | |
was so nice to play. I started playing this baseline, a bit of a | :22:53. | :22:59. | |
Motown feel. I started singing it. It was quite mellow at first, take | :23:00. | :23:05. | |
me down to the water... Totally different lyric? | :23:06. | :23:09. | |
Totally different, yes. The band went on tour across the UK. One | :23:10. | :23:14. | |
night, Gary had some bad news. One night on the road, unfortunately my | :23:15. | :23:19. | |
grandfather Ken died. He passed away. My grandparents were amazing | :23:20. | :23:26. | |
beautiful people in everywhere. We brought the tour bus down to their | :23:27. | :23:32. | |
house. They just hang out one I went to see my families. I gave my Nan a | :23:33. | :23:39. | |
cuddle and my mum and dad. He was the first real person I knew who | :23:40. | :23:52. | |
passed away. That made an impact. I cried at the common one in four | :23:53. | :23:57. | |
weeks after he died. I remember playing that album and welling up | :23:58. | :24:03. | |
thinking about my grandad. The lyric that came out, place your hands on, | :24:04. | :24:09. | |
it is just asking for a cuddle really. | :24:10. | :24:13. | |
It is a gospel song. I know Gary says it is about the sad thing in | :24:14. | :24:18. | |
his life, but I thought, why not turn it around and make a | :24:19. | :24:25. | |
celebration out of it? With George adding his magic to the mix, the | :24:26. | :24:30. | |
band's album Glow went to number one with Place Your Hands becoming a big | :24:31. | :24:36. | |
hit. Now having taken a seven-year break from the band, Reef are back | :24:37. | :24:41. | |
working with George and new guitarist Jesse Wood, son of Ronnie. | :24:42. | :24:50. | |
Why Reef? I am a fan, I still am. It is about chemistry with bands. It is | :24:51. | :24:52. | |
amazing. # Put your hands on, put your hands | :24:53. | :24:55. | |
on. Having a song which is so anthemic, | :24:56. | :25:12. | |
can it be a blessing or curse? I cannot see the curse at all. | :25:13. | :25:17. | |
Everything came together, it felt good. The drums were pushing a | :25:18. | :25:22. | |
different way. You could singalong. There was everything but the kitchen | :25:23. | :25:28. | |
sink on the record also! Maybe people get wound up about | :25:29. | :25:35. | |
singing these songs, I don't. Genuinely, hand on heart, I love | :25:36. | :25:44. | |
singing that song. That is so lovely. Such a big song | :25:45. | :25:49. | |
with a sweet story behind it. Carrie, thank you for that. You are | :25:50. | :25:54. | |
here to tell us how we can get involved in this year's virtual | :25:55. | :25:59. | |
choir. We launched on Wednesday. We want everyone to join in. Last year | :26:00. | :26:06. | |
we had overcome all the faithful, this year we have got vintage pop so | :26:07. | :26:12. | |
we have the Ronettes, Sleigh Ride. -- O come all the faithful. | :26:13. | :26:22. | |
We have had some great entries already? We have, but mainly women. | :26:23. | :26:33. | |
How do people get involved? You have to go to the One Show website. You | :26:34. | :26:37. | |
have to have two devices, when you play the track on with headphones | :26:38. | :26:42. | |
and one that you film yourself. You have two different lead vocals and | :26:43. | :26:46. | |
three different harmony once. You choose the one you think you are | :26:47. | :26:51. | |
best at. Are you getting all this, Andy? You sing along with the | :26:52. | :26:57. | |
singer. You film yourself on your device, then you upload it and we | :26:58. | :27:02. | |
have got your performance. It is so easy anybody could do it. | :27:03. | :27:13. | |
Isn't that right, Patrick? # come on, it is lovely weather... I | :27:14. | :27:17. | |
am thinking Michael B below. APPLAUSE | :27:18. | :27:37. | |
Please don't let me be the only one in this year's virtual choir! | :27:38. | :27:45. | |
Go to the website, please. You only have until midnight on Sunday the | :27:46. | :27:50. | |
29th of November. We also have to talk about Adele at | :27:51. | :27:55. | |
the BBC. It is on tonight at BBC One. I'm bursting. We did the | :27:56. | :28:01. | |
behind-the-scenes film a couple of weeks ago. It was amazing. The new | :28:02. | :28:06. | |
material is fantastic. She is funny, just down-to-earth. | :28:07. | :28:12. | |
Let's have a look and listen at the exclusive clip. This is Adele with | :28:13. | :28:13. | |
Someone Like You. Brilliant. That is on tonight at | :28:14. | :28:53. | |
8:30pm. We had to say thank you to you, Andy. Thank you. Good luck with | :28:54. | :28:58. | |
the tour. Matt and Alex will be back on Monday | :28:59. | :29:00. | |
with Vernon Kay. Bye-bye! For the sad old earth | :29:01. | :29:06. | |
must borrow its mirth, | :29:07. | :29:18. |