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Hello and welcome to the one Show with Matt Baker. And Alex Jones. Our | :00:20. | :00:29. | |
guest tonight is celebrating 30 years of rocking the world. It was | :00:30. | :00:35. | |
in 1986 when this album, Slippery When Wet, hit the charts. The band | :00:36. | :00:42. | |
that bears his name have released 13 albums over 30 decades. Now he is | :00:43. | :00:50. | |
back with album number 14, it is Jon Bon Jovi. | :00:51. | :00:57. | |
CHEERING AND APPLAUSE Hello, good to see you. What a trip | :00:58. | :01:05. | |
down memory lane, when you see your work together like that, what does | :01:06. | :01:11. | |
it feel like, have you got them all framed at home? That is a lot of | :01:12. | :01:18. | |
records, Jesus was a fan of the first one. It is a big body of work. | :01:19. | :01:26. | |
It is, it is impressive when you see it lined up like that. We will be | :01:27. | :01:33. | |
hearing about album number 14, but tonight, we are talking about | :01:34. | :01:37. | |
weddings. All year, The one Show viewers have been sending us videos | :01:38. | :01:41. | |
of the most unusual ceremonies. Later on, we will show some of the | :01:42. | :01:47. | |
best. Including this, underwater. We heard you wanted to get married in | :01:48. | :01:53. | |
the chapel in Graceland, but they wouldn't let you in? It was so late, | :01:54. | :01:59. | |
it was technically close, but we were married on the doorstep. By | :02:00. | :02:03. | |
Elvis? No, he had left. The cab driver came over and he was our | :02:04. | :02:13. | |
witness. So it was a spur of the moment thing? I had a night off in | :02:14. | :02:20. | |
Los Angeles and I just said now! We were back before the bar in the | :02:21. | :02:25. | |
hotel close, and they never knew about it, they saw it on TV. 27 | :02:26. | :02:31. | |
years later! What is the secret? I am lucky enough to have gotten it | :02:32. | :02:44. | |
right the first time. It is two breaks ups at the moment dominating | :02:45. | :02:50. | |
the news. The big British Bake Off and Brad Pitt and Angelina Jolie. | :02:51. | :02:57. | |
Does it matter if a TV show changes channels or a couple that you don't | :02:58. | :03:04. | |
know split up? He is Angelica. Most of what is on the news today is | :03:05. | :03:11. | |
brain rot. You are not interested in the great British Bake Off? No. | :03:12. | :03:15. | |
Angelina Jolie and Brad Pitt have broken up. Mary Berry is not going | :03:16. | :03:26. | |
to join the British Bake Off. I am devastated. It is in your face 24 | :03:27. | :03:34. | |
seven. We were in The Office now, talking about Mary. Is it | :03:35. | :03:42. | |
newsworthy? The Great British Bake Off newsworthy? More important | :03:43. | :03:46. | |
things going on in the world than the Great British Bake Off. I just | :03:47. | :03:53. | |
wanted to chat to people about the news, anything in particular? Brad | :03:54. | :03:58. | |
Pitt and Angelina Jolie is terribly sad. Has it affected you? Not | :03:59. | :04:06. | |
personally, but everyone I speak to thinks love is dead for ever. It is | :04:07. | :04:18. | |
quite depressing. Everyone was looking up to them because they had | :04:19. | :04:23. | |
such a solid relationship. Whenever I am looking at the comments, people | :04:24. | :04:29. | |
are always saying, why is it news? And I think, you are reading it! The | :04:30. | :04:37. | |
press talking about the Bake Off and Brad and Angelina. It doesn't | :04:38. | :04:42. | |
interest me, they don't want to know about my life, I don't want to know | :04:43. | :04:49. | |
about birds. Why do you think there is less emphasis on the things that | :04:50. | :04:56. | |
matter. I think the system is set up so the emphasis isn't on the real | :04:57. | :05:03. | |
world, it is there to keep people occupied. I like the pop culture | :05:04. | :05:07. | |
news. It takes you away from the real world for a bit. What about | :05:08. | :05:12. | |
Brad Pitt and Angelina. Is that like Brexit. Not more important but at | :05:13. | :05:17. | |
the top of the new stories, yesterday and the day before. Are | :05:18. | :05:22. | |
still surprised Jon, some people are so obsessed by celebrity? A little | :05:23. | :05:26. | |
disappointed, there are better things to know about that we spend | :05:27. | :05:31. | |
so much time worrying about celebrity. The Bake Off is a big | :05:32. | :05:38. | |
deal, right? I guess it is. Album number 14, we saw all of them lined | :05:39. | :05:45. | |
up at the start of the show. And here you are, on number 14, This | :05:46. | :05:54. | |
House is not for Sale. # This House is not for Sale. | :05:55. | :06:09. | |
The entire album was apparently inspired by one image. We can see it | :06:10. | :06:19. | |
here. What was it about this picture that spoke to? It speaks a thousand | :06:20. | :06:26. | |
words to me. It is an old, proud house with deep roots, which are | :06:27. | :06:30. | |
metaphorically speaks for the band, in disarray. What I was going | :06:31. | :06:34. | |
through emotionally during the last three years, it spoke volumes to me. | :06:35. | :06:39. | |
It became the cornerstone of what I was writing about. And this house, | :06:40. | :06:46. | |
this heart, this soul, it is not for sale. It is about integrity. When | :06:47. | :06:52. | |
you say difficult times in the last three years, talking about your | :06:53. | :06:55. | |
guitarist, you have all been together, Richie Sambora. How | :06:56. | :06:58. | |
difficult was it to put those feelings into a song? It was | :06:59. | :07:04. | |
cathartic. It wasn't hard. If you are honest, you can write, everyday | :07:05. | :07:13. | |
is an opportunity if your eyes and ears are open. There was plenty it. | :07:14. | :07:18. | |
That picture helped me crystallise the vision of the record. It became | :07:19. | :07:25. | |
a cornerstone and the artist, the man who created that image before | :07:26. | :07:30. | |
photo shop existed, allowed us to use it as the album cover. And with | :07:31. | :07:37. | |
that cornerstone in mind I was writing for a year and a half. The | :07:38. | :07:43. | |
band fell into disarray, because one of the reasons is Richie left. He | :07:44. | :07:48. | |
said the long tours said he couldn't handle any more. You do these epic | :07:49. | :07:53. | |
tales, are you getting sick of it? It was probably one of the issues. | :07:54. | :08:01. | |
Touring is a part of our lives, it is what we did for the last 30 years | :08:02. | :08:11. | |
plus. It is what you do when you are supporting the record. No excuses, | :08:12. | :08:16. | |
being in a rock band is not a life sentence. It is really not. It is | :08:17. | :08:23. | |
where you share your art until you want to do it in another form. One | :08:24. | :08:30. | |
of your gigs is at the Palladium, the only one outside of North | :08:31. | :08:34. | |
America. Why did you choose this? They are promotional shows, but I | :08:35. | :08:39. | |
wanted to present the album in its entirety. The initial conversation | :08:40. | :08:43. | |
back I was Bon Jovi on Broadway. It sounded catchy. Play a rock show and | :08:44. | :08:53. | |
present the album. Just the album. If you expect the greatest hits, | :08:54. | :08:59. | |
come and see it in the stadium. This is just the album. London is one of | :09:00. | :09:07. | |
the stops, it is one of the great cities of the world. New York, | :09:08. | :09:14. | |
Toronto, because it is near and dear to my heart and New Jersey. Speaking | :09:15. | :09:19. | |
of your greatest hits, we love this clip we found earlier of Taylor | :09:20. | :09:23. | |
Swift and Prince William singing one of your classics. | :09:24. | :09:26. | |
There off Living on a Prayer. I really, really like Taylor Swift, | :09:27. | :09:45. | |
but I thought Prince William was more in Schuhen. I couldn't agree | :09:46. | :09:51. | |
with you more. I love Taylor, God bless her for being so energetic. He | :09:52. | :09:57. | |
heard the song on karaoke, then I get this opportunity to play the | :09:58. | :10:03. | |
Palace and for this charity. Now we are performing and it was all sweet. | :10:04. | :10:11. | |
I give him the wink and the nod, come on up here. He was hesitant. | :10:12. | :10:19. | |
But she grabbed him and told him up there. I was like, way to go, kid. | :10:20. | :10:27. | |
He wasn't faking it. It looked like a very good band. We are going out | :10:28. | :10:35. | |
on tour. This House is not for Sale is out now. The album out is next | :10:36. | :10:41. | |
month, but the single is out now. This week a new venture called The | :10:42. | :10:48. | |
Real Junk Food Project opened a shop in Leeds, aimed at tackling our food | :10:49. | :10:53. | |
waste mountain. Local supermarkets donate food and you can turn up at a | :10:54. | :10:58. | |
warehouse, pay whatever you can afford. It is part of a social | :10:59. | :11:02. | |
enterprise to stop good food going to waste and now restaurants want to | :11:03. | :11:06. | |
do their bit. A staggering 1.5 million wheelie | :11:07. | :11:10. | |
bins full of food are thrown away by restaurants every year. Much of it | :11:11. | :11:16. | |
going to landfill. Whether you own a restaurant like me, or you dine in | :11:17. | :11:21. | |
one, you can agree, we hate food waste. It is frustrating. As | :11:22. | :11:25. | |
restaurant owners have to pay to get rid of it, it is a problem I am keen | :11:26. | :11:38. | |
to solve. It seems our mobiles might have a green solution. It is done | :11:39. | :11:44. | |
using an app called Too Good To Go. You can get restaurant quality food | :11:45. | :11:51. | |
between ?2 and ?3 80. As serviced ends, restaurants post up how much | :11:52. | :11:55. | |
leftover food they have. Hungry diners can go in at closing time I | :11:56. | :12:03. | |
get a takeaway at a fraction of the menu price, saving it from the bin. | :12:04. | :12:08. | |
It is already working in Birmingham, Brighton and London and has now | :12:09. | :12:13. | |
launched in Leeds. This Italian restaurant manager is an early | :12:14. | :12:17. | |
adopter. What does food waste cost your business? A lot of money. About | :12:18. | :12:24. | |
?250 a week. You have signed up to this, has it made a difference? Yes, | :12:25. | :12:30. | |
we have been saving 75 to ?80. It is weekly shopping. As business varies | :12:31. | :12:33. | |
day today, knowing how many hungry stomachs to cater for can be tricky. | :12:34. | :12:38. | |
Looking at what is left today, I would say 20 portions at least. | :12:39. | :12:41. | |
Customers can see hammy portions and they just order. I will have the | :12:42. | :12:47. | |
beef. If you are happy to have a late lunch, you can grab a bargain. | :12:48. | :12:55. | |
As the ?5 95 menu price cut. Pizza, ?2. That looks nice. I have got some | :12:56. | :13:08. | |
pasta. The diners don't know what is on offer until they arrive. Does | :13:09. | :13:15. | |
that put them off? Not at all, I had a brief idea what they did, but I | :13:16. | :13:22. | |
would just come and see what they had left over. We have been here | :13:23. | :13:28. | |
before, so we knew what the choice is. You just come and see what they | :13:29. | :13:34. | |
have left. There is the proof. Not much left at all. Exactly. Look at | :13:35. | :13:41. | |
it now. He shifted eight portions of leftover lunches today at ?8 each. | :13:42. | :13:45. | |
Part of that will go to waste Crusaders Chris Wilson and Jamie. | :13:46. | :13:50. | |
What do you do with that money. We are a social enterprise, so any | :13:51. | :13:55. | |
revenue we take are reinvested back into helping us grow. It is | :13:56. | :13:58. | |
achieving our goals, which is to spread around the country to save as | :13:59. | :14:04. | |
much food as possible. Since the 1st of June we have rescued over 2000 | :14:05. | :14:10. | |
meals from going to landfill. Let's rescue some more and see how much we | :14:11. | :14:16. | |
can save on a three course meal. Chris, starters, I will get the | :14:17. | :14:21. | |
main, Jamie, get the desert. Sounds like a plan. Scroll through them, | :14:22. | :14:25. | |
find what we fancy. I have this Italian. It looks good. I like the | :14:26. | :14:33. | |
sound of that. Three, two, one, buy it. With orders placed, it is off to | :14:34. | :14:40. | |
the restaurants to take the pick of their leftover meals. It will be a | :14:41. | :14:46. | |
late supper as we have had to wait until closing time, and I have | :14:47. | :14:51. | |
definitely worked up an appetite. Let's see what we've got. For | :14:52. | :14:55. | |
starters, at pizza for ?2 50. Looking good. Thought it was going | :14:56. | :15:00. | |
to be flatbread. It is looking awesome. That is lovely. Spicy, | :15:01. | :15:03. | |
Chile pizza. That is what I would have picked had I gone in. A curry | :15:04. | :15:11. | |
at ?3 50. Lovely. Rice on the side. Really good food. And for dessert, a | :15:12. | :15:18. | |
selection of cakes for ?3. That is good value. At full price, our meal | :15:19. | :15:23. | |
would have cost ?30, but as we were happy to wait, we have saved more | :15:24. | :15:31. | |
than ?21. Job done, a three course meal for ?9. Perfectly good food | :15:32. | :15:34. | |
that would have gone in there. Our restaurants try to feed those in | :15:35. | :15:45. | |
need. Talking of feeding lots of people, your dad has a cast of salt. | :15:46. | :15:52. | |
We've a picture. What is the story? -- he had a pasta sauce. As he | :15:53. | :15:58. | |
always made pasta sauce? We lived on it six days a week. Is it a family | :15:59. | :16:08. | |
recipe? It is. Found a commercial way to make it a product and it's in | :16:09. | :16:15. | |
3000 stores. What's the recipe? I am never allowed in the kitchen ever. | :16:16. | :16:22. | |
But yeah, my dad and brothers do this. It's a commercial enterprise. | :16:23. | :16:26. | |
You have these restaurants and your dad has this pasta sauce. But you | :16:27. | :16:34. | |
never go in the kitchen? To wash the dishes. But you are passionate about | :16:35. | :16:40. | |
eating. In useless around a stove. But I'll clean up. I'm a great | :16:41. | :16:46. | |
guest. We've got wedding bells now, because it's time to go across to | :16:47. | :16:51. | |
the chapel. It is in a moment but, before that, we know you are a fan | :16:52. | :16:56. | |
of a wedding because we saw a clip that went viral this summer. | :16:57. | :17:01. | |
Everybody must ask you to get up at a wedding when this comes on and to | :17:02. | :17:05. | |
think. Iron this was a friend of mine who's kit was getting married. | :17:06. | :17:12. | |
As they broke into the song, there is a famous baseline. The guy | :17:13. | :17:16. | |
started doing it on trumpet. I am thinking, oh, Lord... I don't really | :17:17. | :17:26. | |
have much choice. I get up and... But it was all good fun. It looked | :17:27. | :17:32. | |
like you are having a great time. The moment has arrived. Jon, you can | :17:33. | :17:37. | |
stay there. In the past few months, we have been collecting your unusual | :17:38. | :17:44. | |
wedding videos. Hello. This is what you have been sending us. I'm about | :17:45. | :17:48. | |
to get married. Wasn't that lovely! It was. You had | :17:49. | :19:55. | |
a castle at your wedding. We had sheep all over the churchyard! Three | :19:56. | :20:02. | |
of those couples are here. First, our underwater couple, Catherine and | :20:03. | :20:04. | |
Andrew. APPLAUSE Congratulations. You got | :20:05. | :20:15. | |
married in the Maldives in March 20 14. What on earth possessed you to | :20:16. | :20:21. | |
get married under the sea? We were going to have a beach ceremony to | :20:22. | :20:24. | |
have something to do with our friends. We have been diving there | :20:25. | :20:30. | |
for many years. Instead of a beach ceremony, they wanted us to consider | :20:31. | :20:35. | |
an underwater one and they wanted to do one. Nobody had done one. We | :20:36. | :20:40. | |
said, yeah, where up for that. Did you go up the top and do the vowels | :20:41. | :20:45. | |
locally or has it all just been through sign language? It was all | :20:46. | :20:51. | |
sign language. We cut the cake back on deck. How did you get somebody to | :20:52. | :21:00. | |
officiate? The person who officiated on the beach, he had to learn how to | :21:01. | :21:10. | |
swim. No way! And how to dive. The ceremony was his seventh ever dive. | :21:11. | :21:20. | |
How was his buoyancy? It was... You go and sit down. Onto our couple, | :21:21. | :21:28. | |
our Batman deemed wedding, it's Pavandip and Sandip. -- Batman | :21:29. | :21:35. | |
themed. I would have had a blue fit if my husband had turned up in a | :21:36. | :21:43. | |
Batmobile. How did you feel best remark I was upset because nobody | :21:44. | :21:47. | |
told me about it. We had a grand entrance and it took my line that! | :21:48. | :21:52. | |
Nobody was there when I entered. But it was fine. And you never got to | :21:53. | :22:01. | |
see it. When we got to the reception I saw it. Congratulations on being | :22:02. | :22:06. | |
married for a year. First anniversary, lovely. And now our | :22:07. | :22:17. | |
Doctor Who couple, Paul and Joanne. Still living it! You renewed your | :22:18. | :22:25. | |
vowels 30 years on and there was a Dalek involved. Whose idea was that? | :22:26. | :22:32. | |
Mine. I'd been married 30 years and I didn't know what to get him and I | :22:33. | :22:36. | |
thought, how about a Dalek? Did you do a dress rehearsal? We didn't and | :22:37. | :22:43. | |
it was problematic because he got stuck on the carpet halfway down. We | :22:44. | :22:48. | |
had to get some people from the congregation to push him. That was | :22:49. | :22:54. | |
embarrassing. We have had problems with Daleks. We had the rings on the | :22:55. | :23:00. | |
plate, so we wanted to get them back so we could finish the ceremony. | :23:01. | :23:05. | |
Here is to a very happy 30 next years. Congratulations to all of our | :23:06. | :23:15. | |
guests. Now, a woman who married gospel and electric guitar and gave | :23:16. | :23:21. | |
birth to rock and roll. Here is rapper Akala and a tribute to | :23:22. | :23:27. | |
forgotten female pioneer. On the 7th of May 1964 100 excited | :23:28. | :23:34. | |
teenagers boarded a train at Manchester Central station and set | :23:35. | :23:38. | |
off on a journey that would go down in musical history. A specially | :23:39. | :23:42. | |
chartered train was taking them to the outskirts of Manchester to | :23:43. | :23:45. | |
witness what I think was one of the most influential performances of all | :23:46. | :23:50. | |
time. Her name was Sister Rosetta Tharpe and for me as a musician and | :23:51. | :23:55. | |
academic she is a bit of a hero. From her gospel roots, playing in | :23:56. | :23:59. | |
the churches of Arkansas, this musical pioneer was a vocal | :24:00. | :24:03. | |
powerhouse with a guitar style way ahead of its time. Sister Rosetta | :24:04. | :24:08. | |
helped lay the foundation for rock and roll, so why has she and this | :24:09. | :24:11. | |
legendary concert in largely forgotten? I've come to the site of | :24:12. | :24:19. | |
the original concert to beat the event producer, Johnny. This was the | :24:20. | :24:25. | |
derelict station. We had an audience, 200 people. Sister Rosetta | :24:26. | :24:31. | |
made her entrance, pick up a guitar and off she went. It was magic. Up | :24:32. | :24:37. | |
to 10 million people watched the event on television and, as the | :24:38. | :24:41. | |
heavens opened, all eyes were on one woman. I said, what do you want to | :24:42. | :24:52. | |
do? She sang, Didn't It Rain. Talk about the impact of the gig, | :24:53. | :24:57. | |
especially when it was televised. Television was new. They switched it | :24:58. | :25:01. | |
on and saw blues probably for the first time. I know that groups like | :25:02. | :25:07. | |
the Stones, Manfred Mann, all these people watched this show and it had | :25:08. | :25:13. | |
a great impression on them. Grammy award winning producer Steve Levine | :25:14. | :25:17. | |
believes that Sister Rosetta Tharpe left a legacy that is still with us | :25:18. | :25:24. | |
today. She was an influential guitar player and loads of new, young rock | :25:25. | :25:27. | |
and roll artists took her inspiration. So, if you listen to | :25:28. | :25:33. | |
the beginning of the guitar, what we are witnessing is the birth of rock | :25:34. | :25:38. | |
'n' roll. She started to play the guitar in that style ten, 12 years | :25:39. | :25:42. | |
before rock and roll restarted. Nobody else had played like that. | :25:43. | :25:48. | |
Despite all of this, she wasn't really appreciated for her true | :25:49. | :25:53. | |
genius, which is a tragedy. That's why I wanted to make this film, to | :25:54. | :25:57. | |
remind people of this lost genius. There is a long list of musicians | :25:58. | :26:02. | |
known as pioneers of this genre, but they are all men. Sister Rosetta was | :26:03. | :26:07. | |
a black woman, hugely influential, but sidelined from her place in | :26:08. | :26:11. | |
history. I think it's about time we bring her back into the limelight. | :26:12. | :26:16. | |
To pay tribute to one of my heroes, I've created a new track especially | :26:17. | :26:21. | |
for One Show. Some of my audience have never heard of her. Others were | :26:22. | :26:28. | |
there the first time. Intriguing to see whether we can pick up the | :26:29. | :26:33. | |
connection between the 60s version and now the 21st century version. | :26:34. | :26:37. | |
Good evening, ladies and gentlemen... I'm trying to channel a | :26:38. | :26:41. | |
bit of bad Sister Rosetta Tharpe spirit. This is our version of Let | :26:42. | :26:47. | |
It Rain. # Didn't it rain, children | :26:48. | :26:59. | |
# The rain is a flood # The brain is flooding | :27:00. | :27:07. | |
# The pain of the song flows from the heart | :27:08. | :27:14. | |
# The toughest are there to teach us # That is why Rosetta is still | :27:15. | :27:23. | |
coming through the speakers... I saw her video and the energy and I loved | :27:24. | :27:28. | |
it. I can't tell you what she would think of it but at least she is | :27:29. | :27:32. | |
passing her influence on three generations later. I'm just pleased | :27:33. | :27:40. | |
to see the legacy in good hands. Sister Rosetta may be gone but she | :27:41. | :27:44. | |
is still part of the history of rock and roll so, next time you hear the | :27:45. | :27:48. | |
music that is partly her legacy, it's worth remembering it is down to | :27:49. | :27:53. | |
her and other forgotten pioneers. Sister Rosetta was news to you, Jon. | :27:54. | :28:02. | |
Yes, I loved it. She was a pioneer. Just those images, seeing her | :28:03. | :28:05. | |
standing up there. She played that guitar with authority. Was your | :28:06. | :28:14. | |
inspiration,? A lot, but once she inspired, Little Richard, the | :28:15. | :28:22. | |
Animals, the Stones. She was way ahead of me, before me, obviously. I | :28:23. | :28:26. | |
didn't know anything about her. I'm gobsmacked. Glad you have learned | :28:27. | :28:31. | |
something. Every time you come we give you a little fact to take away. | :28:32. | :28:36. | |
Thank you to Jon for his company. CHEERING The new album, This House | :28:37. | :28:42. | |
Is Not For Sale, is out next month and the single is out now. Tomorrow, | :28:43. | :28:48. | |
my partner in crime is Jeremy Vine and we will be lies behind the | :28:49. | :28:51. | |
scenes of Strictly to see who is looking hot to trot. -- we will be | :28:52. | :28:56. | |
lies. See you tomorrow at | :28:57. | :28:57. |