Browse content similar to 22/11/2012. Check below for episodes and series from the same categories and more!
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Wogan. Hello and welcome to The One Show | :00:19. | :00:24. | |
with Alex Jones... And Matt Baker. Tonight we are joined by seven | :00:24. | :00:30. | |
people, who after being in highly successful groups are going solo. | :00:30. | :00:35. | |
Yes, Team Rickshaw are together for possibly the final time. There they | :00:35. | :00:39. | |
are counting some of the huge number of cheques you have sent in. | :00:39. | :00:45. | |
We are to hear about their very busy seven days. | :00:45. | :00:54. | |
Our guest tonight was in the multi- platinum -selling band, N-Dubz it | :00:54. | :00:59. | |
is singer and X Factor judge, tell tell! Nice to see you. Well, you | :00:59. | :01:06. | |
are in the papers, day in, day out, but more so because of Ella's exit | :01:06. | :01:10. | |
from the X Factor! We cannot believe it. She was our favourite. | :01:10. | :01:14. | |
I think that was the problem. You said it yourself on the night. | :01:14. | :01:18. | |
People thought she was safe. I think that the people that wrote | :01:18. | :01:24. | |
for Ella would wait until the last couple of rounds before voting and | :01:24. | :01:29. | |
assume she would be safe. Obviously, there are lots of people, along | :01:29. | :01:32. | |
with myself, who are devastated she is not here now. | :01:32. | :01:39. | |
How is she? She has a positive head on her shoulders. She wants to do | :01:39. | :01:44. | |
this it means she will get to write her own music. Stuff like that. So | :01:44. | :01:47. | |
she is excited and thinking about the future. | :01:47. | :01:51. | |
So many producers will be after her? Exactly. | :01:51. | :01:56. | |
And she is very mature for her age. Now, all of the contestants on the | :01:56. | :02:00. | |
X Factor would love the success of Susan Boyle. She released her | :02:00. | :02:06. | |
fourth album, it is called Standing Ovation. | :02:06. | :02:12. | |
Susan Boyle experienced fame bond her wildest dreams. She grew up in | :02:12. | :02:17. | |
the West Lothian area of Scotland. She describes her childhood in her | :02:17. | :02:20. | |
own words. My name is Susan Boyle. I'm taking | :02:20. | :02:28. | |
you today to the street that I grew up in West Lothian. It was a fairly | :02:28. | :02:35. | |
ordinary area. Not much happening here. This is it, the Susan Boyle | :02:35. | :02:42. | |
household. I was brought back here a tiny | :02:42. | :02:51. | |
bundle from the hospital on the 1st of April, 1961. I was one of nine. | :02:51. | :02:57. | |
The last one. The tail end of the family. I remember the place | :02:57. | :03:07. | |
gradually emptying as they all grew up and got their own lives. | :03:07. | :03:12. | |
Well, here it is. The living room. My mum sat that | :03:12. | :03:18. | |
side, my dad sat that side. It was usually after they had a good night | :03:18. | :03:24. | |
out. We would take turns in singing. You actually got up then and stood | :03:24. | :03:29. | |
up and sung unaccompanied. That was quite something it was good. My | :03:29. | :03:39. | |
:03:39. | :03:40. | ||
dad's song was Scarlett Ribbons. # Scarlett ribbons for my hair... # | :03:40. | :03:45. | |
It was a very important song for my father. It was about a little | :03:45. | :03:49. | |
girl's relationship with her father. An extension of his love for his | :03:49. | :03:55. | |
family. My dad was in the army. It was then he discovered he could | :03:55. | :04:03. | |
sing. He got many opportunities. There was a Drury Lane audition, | :04:03. | :04:08. | |
but his superiors would not let him go. He was a gold soldier as well. | :04:08. | :04:14. | |
So he never got the chance N a way, I suppose, I'm re-living his dream. | :04:14. | :04:18. | |
My mother was a diamond. She would help anybody. She was a lovely | :04:18. | :04:23. | |
person. She was more the academic type, but in those days you needed | :04:23. | :04:28. | |
money to go to university. She did not have the money to do it, | :04:28. | :04:31. | |
otherwise she could have. My parents were protective of me as I | :04:31. | :04:39. | |
was the youngest. People would bully me at school. It was the | :04:39. | :04:49. | |
:04:49. | :04:50. | ||
psychological type of bullying, the type you cannot really see. | :04:50. | :04:56. | |
I was about seven when I got my own room. When I was 13 I got my first | :04:57. | :05:02. | |
record player for my Christmas. There were two LPs on it, there was | :05:02. | :05:07. | |
Donny and the Plan. I thought it was great. I was dancing up and | :05:07. | :05:12. | |
down so much I made a hole in the ceiling downstairs. Imagined myself | :05:12. | :05:20. | |
with them in the mirror like this, # They called it puppy love. # | :05:20. | :05:25. | |
Don't watch, Donny, for heaven's sake. The bum was going and | :05:25. | :05:30. | |
everything. I didn't realise a few years later I would be singing with | :05:30. | :05:34. | |
him. Fantastic memories. Nobody could touch me here, nobody could | :05:34. | :05:41. | |
bully me here. This was my sanctuary. I could pretend to be | :05:41. | :05:48. | |
somebody else, other than Susan Boyle. I still live here. I decided | :05:48. | :05:52. | |
to stay in this house. Although I have a posh house down the other | :05:52. | :05:58. | |
side of Blackburn, people thought I should have moved there, but I like | :05:58. | :06:02. | |
it here it is near my neighbours and friends. I feel peaceful here. | :06:02. | :06:07. | |
It is secure. Despite the publicity I've been getting and the wealth I | :06:07. | :06:12. | |
have had, to be within your own community and roots it is natural. | :06:12. | :06:16. | |
You can't always anybody the spotlight. You have to come out of | :06:16. | :06:21. | |
that spotlight sometimes and to be just you. | :06:21. | :06:26. | |
# You haven't looked at me that way in years | :06:26. | :06:36. | |
:06:36. | :06:45. | ||
# But I'm still here... # Oh! That sofa looks comfy?! Incredible that | :06:45. | :06:48. | |
story. What a beautiful story. | :06:48. | :06:53. | |
And the lengths that she went to get out of the spotlight. What do | :06:53. | :06:58. | |
you do to get out of the spotlight? I probably do something random like | :06:58. | :07:03. | |
run away to a friend's house that lives in a random area where no-one | :07:04. | :07:09. | |
can find me and hideaway. I would close the farm gate! Yeah, | :07:09. | :07:15. | |
he would be on his tractor and off he would go! Joking! That's right | :07:15. | :07:20. | |
it! You are right. In the press lately, for the new album, The | :07:20. | :07:23. | |
Female Boss, it says that Tulisa is the most talked about young singer | :07:23. | :07:28. | |
out there at the minute. Is that a good thing? It depends if they are | :07:28. | :07:33. | |
being truthful or not? How are you coping, you are so in the spotlight | :07:33. | :07:39. | |
at the minute it must be hard? Is this r It is, but you have to let | :07:39. | :07:42. | |
it go over your head. At the end of the day people will talk and make | :07:42. | :07:48. | |
stuff up, so you just... Do the positives outweigh the negatives? | :07:48. | :07:53. | |
They do for me. Well lots of people will be | :07:53. | :07:57. | |
incredibly surprised to hear that your dad and uncle were in this | :07:57. | :08:03. | |
band... Here we go. Mungo Jerry! I mean it is | :08:03. | :08:08. | |
absolutely unbelievable! What was it like for you growing up in a | :08:08. | :08:14. | |
musical household? It was pretty musical! You were singing away | :08:14. | :08:19. | |
everyone singing away. I guess it was just a part of my blood from | :08:19. | :08:23. | |
growing up. I couldn't imagine ever doing anything else. It was just | :08:23. | :08:27. | |
everywhere that I went. Music was played. Whether it was my mum | :08:27. | :08:31. | |
singing or CDs being played. Or hearing the piano. It was | :08:31. | :08:36. | |
everywhere. Was it literally who could sing the | :08:36. | :08:42. | |
loudest? Yeah, it still is around my auntis on Christmas day. I sit | :08:42. | :08:46. | |
quietly in the corner. And your beautiful mother, we have | :08:46. | :08:51. | |
a picture of her and her aunt. There she is. You are incredibly | :08:51. | :08:59. | |
similar? Do you think so? Yes, incredibly similar. | :08:59. | :09:05. | |
Does your mum give advice now? She must understand the music industry? | :09:05. | :09:10. | |
We don't tend to talk about it, you know. We don't talk about my career, | :09:10. | :09:16. | |
ever, really. Really? We talk about normal things when we see each | :09:16. | :09:21. | |
other. I wonder if they worry more now you are solo or if they feel | :09:21. | :09:29. | |
safer when you were in a group? I feel safer? Or they? I don't know | :09:29. | :09:33. | |
about them. I definitely felt more secure in a group. From the age of | :09:33. | :09:36. | |
11, up to 23 being in a band is a long time. | :09:36. | :09:42. | |
Sure, yeah. But I'm enjoying being solo, but a part of me misses the | :09:42. | :09:45. | |
boys. I feel like that is where I belong. | :09:45. | :09:51. | |
Well, you are going for it. This is Sight Of You. Let's have a look. | :09:51. | :09:56. | |
# Baby boy, you don't have to be like that | :09:56. | :10:06. | |
:10:06. | :10:07. | ||
# We don't have to be like that # You don't have to be like that # | :10:07. | :10:11. | |
APPLAUSE So, Tulisa, what does this album say about you? You started | :10:11. | :10:18. | |
with a few words then wrap up the album with a conclusion? Yes, I do. | :10:18. | :10:24. | |
For me it was, recording The Female Boss, aassumed that guys would buy | :10:24. | :10:31. | |
it, but mostly females, so it was all about female empowerment and | :10:31. | :10:37. | |
females for whatever mood they are in. If you are wanting to go out | :10:37. | :10:41. | |
and party, or you are happily in love or in love and heartbroken. | :10:41. | :10:45. | |
There is every emotion that a woman can feel on the album. | :10:45. | :10:50. | |
Where do you see the solo career going? You are doing this album, | :10:50. | :10:59. | |
but will you move into more middle of the road stuff, what do you | :10:59. | :11:05. | |
think? I think that I will keep the similar sound, always staying in | :11:05. | :11:09. | |
touch with my urban roots, but depending on the success of this | :11:09. | :11:15. | |
album depends what I want to do. Maybe try Europe and start | :11:15. | :11:21. | |
recording another album, and also reunited with N-Dubz. | :11:21. | :11:27. | |
One last question, Ella is out, who would you like to see win the X | :11:27. | :11:34. | |
Factor? I think either James or Jarmaine. | :11:34. | :11:37. | |
The Female Boss is out on December the 3rd. | :11:37. | :11:42. | |
Ream the Government changed the law to ensure that doctors cannot use a | :11:42. | :11:45. | |
patient's age to with hold treatment. Some say that this | :11:45. | :11:50. | |
happened years ago, but it was not the experience of a family from | :11:50. | :11:53. | |
Chester. Michael Mosley went to hear their story. | :11:53. | :11:58. | |
This is 82-year-old Kenneth Worden. He is a spritely pensioner who | :11:58. | :12:03. | |
trains at the gym for two hours aweek as he competes for a local | :12:03. | :12:06. | |
rowing team. I have been rogue since 156789 so | :12:06. | :12:11. | |
this is second nature. When do you reckon you can go on | :12:11. | :12:16. | |
rowing until? Until you drop dead! But four years ago, after being | :12:16. | :12:21. | |
diagnosed with an aggressive bladder cancer, he was told nothing | :12:21. | :12:25. | |
culled be done. He was, effectively, left to die. | :12:25. | :12:32. | |
I went to the doctor, he said I was 78. It is incurable, that there was | :12:32. | :12:37. | |
nothing that they could do. What was your reaction? Devastated. | :12:37. | :12:42. | |
You don't want to hear it. Ken was 78 when the cancer was | :12:42. | :12:47. | |
diagnosed. He was otherwise fit and healthy. If they could treat the | :12:47. | :12:53. | |
cancer, there is what the prospect of living into his 80s, but | :12:53. | :12:57. | |
Michelle, he was not prepared to take the doctor's decision lying | :12:57. | :13:01. | |
down. 78 is a great age, but it does not | :13:01. | :13:07. | |
mean it is the end of life when there is no other disease process. | :13:07. | :13:12. | |
We attended a hospital 120 miles away, the Centre of Excellence for | :13:12. | :13:17. | |
bladder cancer. It was a different story. The consultant said they | :13:17. | :13:24. | |
would offer chemotherapy. They would take a -- the bladder out, | :13:25. | :13:28. | |
that nothing was guaranteed, but it would improve the quality of life. | :13:28. | :13:32. | |
That is what happened. Do you think you would have had the | :13:32. | :13:36. | |
treatment if it were not for your daughter? No, I would have | :13:36. | :13:41. | |
collapsed in a happy and gone down the drain. My daughter, and my son | :13:41. | :13:45. | |
were both supportive. It was a blessing, wasn't it? Since being | :13:45. | :13:50. | |
treated four years ago, Ken is living life to the full. He's been | :13:50. | :13:57. | |
on holiday, abroad ten times and bought a sports car. In October, | :13:57. | :14:02. | |
changes to the -- equality act made with holding treatment on the | :14:02. | :14:08. | |
grounds of age unlawful. 64 years ago when the NHS was standby | :14:08. | :14:13. | |
established life expectancy for men was 66. It is now 78. Women were | :14:13. | :14:18. | |
expected to live 707 years. Now it is 82. | :14:18. | :14:23. | |
The challenge for the NHS is to supply the services for our ageing | :14:23. | :14:29. | |
population's needs, while implementing �20 billion of savings. | :14:29. | :14:36. | |
When I qualify in the mid-1980s, there were doctors who did | :14:36. | :14:41. | |
discriminate on the basis of age. Now they can no longer do so. How | :14:41. | :14:46. | |
do they decide who gets treated. It is believed by this doctor that | :14:46. | :14:51. | |
age is no longer a factor in deciding a patient's treatment. | :14:51. | :14:53. | |
Making the change in law unnecessary. | :14:53. | :14:57. | |
Are you faced with a situation with a 50-year-old or 80-year-old and | :14:57. | :15:02. | |
you have to give treatment to one and not the other? That used to be | :15:02. | :15:07. | |
a problem where the age was a factor. Now we look at frailty. | :15:07. | :15:12. | |
What is the Boyd like? Can it accept the treatment. There are | :15:12. | :15:18. | |
some 50-year-olds whose bodies are old as they have abused it and 80- | :15:18. | :15:22. | |
year-olds who are still playing golf and gardening. | :15:22. | :15:32. | |
If frail ti is a criteria, what is it and how do we test for it | :15:32. | :15:37. | |
(Professor Dosney is piloting a series it determine a person's | :15:37. | :15:42. | |
frail ti. So, how will this 55- year-old fare. | :15:42. | :15:49. | |
I will give you an address. I will then ask for the address back again. | :15:49. | :15:54. | |
The tests are fiscal, mental and social, to establish a picture of | :15:54. | :15:57. | |
the patient's welfare. Do you think that the tests will be | :15:57. | :16:01. | |
used to say you can have treatment and you cannot? That is not the | :16:01. | :16:07. | |
reason for doing the test. This is to optimise all individuals. It is | :16:07. | :16:12. | |
not a you scored 15, you can have treatment, you scored 14, you | :16:12. | :16:16. | |
cannot. In my experience of the NHS, people | :16:16. | :16:23. | |
judge on the base of age? It has to change. When 60% of the population | :16:23. | :16:30. | |
is over the age of 70, we have to stop looking at age and look at | :16:30. | :16:34. | |
functional status. In 25 years' time, there will be | :16:34. | :16:38. | |
more than 16 million people over the age of 65. The fitness and | :16:38. | :16:42. | |
state of health will be the deciding factor for receiving NHS | :16:42. | :16:48. | |
treatment, than the date on the birth certificate. | :16:48. | :16:52. | |
And Dr Sarah Jarvis is here. Do you agree that age as a factor | :16:52. | :16:59. | |
is a thing of the past? From my perspective it is. In terms of what | :16:59. | :17:03. | |
the birth certificate. There a are a lot of people younger than the | :17:03. | :17:07. | |
birth certificate, but there is discrimination. There was a report | :17:07. | :17:14. | |
called Access all Ages, they say that people are denied life-saving | :17:14. | :17:21. | |
cancer treatments and hip rations - - operations, that is not right. | :17:21. | :17:25. | |
Have you noticed a change? It is dramatic. When I was young you were | :17:25. | :17:31. | |
old when you were 70. Now it is different. There are so many more | :17:31. | :17:35. | |
healthy older people, it has stopped being an issue. We look at | :17:35. | :17:42. | |
how well you are, not your age. My dad is 87, but had heart problems | :17:42. | :17:50. | |
and had surgery. I said to the surgeon, he was 87, but he said he | :17:50. | :17:55. | |
was in great shape. Not to worry. If there are folk thinking that | :17:55. | :17:58. | |
they are being discriminated because of the age, what is the | :17:58. | :18:04. | |
best way for the voices to be heard? That is it, make the voice | :18:04. | :18:08. | |
heard. There is a service at the local hospital, the Department of | :18:08. | :18:12. | |
Health says that the hospital is the first port of call. They are | :18:12. | :18:17. | |
good to listen it is illegal to discriminate on the ground of age. | :18:17. | :18:22. | |
The next port of call is the Primary Care Trust. Then talk to | :18:22. | :18:27. | |
the GP. They know how well you are, they know if you are not fit or fit | :18:28. | :18:32. | |
for surgery. Then they can explain why the doctor has said "no". It | :18:33. | :18:35. | |
could be because it is too dangerous. | :18:35. | :18:40. | |
In the film we saw a little of the tests that they run to check how | :18:40. | :18:44. | |
fragile people are. If you were to go for the tests, what are the | :18:44. | :18:51. | |
procedures? Lots of things, your balance, strength, they are looking | :18:51. | :18:56. | |
at how healthy your heart is. Looking at your brain. I had a | :18:56. | :19:01. | |
wonderful experience. I did a mini mental state examination, at the | :19:01. | :19:06. | |
end of it, he reminded me that I had forgotten to ask him the | :19:06. | :19:13. | |
question at the end! Excellent work. There is more advice about what to | :19:13. | :19:16. | |
do about age discrimination in the NHS on our website. | :19:16. | :19:22. | |
Now, the wildlife man, Mike Dilger, is a man full of surprises. For | :19:22. | :19:31. | |
instance, he speaks fluent Spanish and can have a chat in Swahili. | :19:31. | :19:35. | |
We won't worry about the translations! Animals are full of | :19:35. | :19:40. | |
surprises. Mike has been to the Torbay coast to discover a secret | :19:40. | :19:47. | |
that is hid no-one plain sight. 1927, walking along the Torbay | :19:47. | :19:54. | |
shoreline, scientist Charles Philips noticed something strange. | :19:54. | :20:01. | |
Anem nis, when caught in a certain light, they seemed to become bright | :20:01. | :20:07. | |
green. Philips recorded fluorescence in marine animals. | :20:07. | :20:15. | |
Whilst other sea creatures are able to see the anemones, to maximise | :20:15. | :20:20. | |
the brightness, human eyes need special kits. Here I can explain | :20:20. | :20:28. | |
what I mean with these anemones. In normal light you can appreciate the | :20:28. | :20:32. | |
strawberry colours an the dotted appearance which make it is look | :20:32. | :20:36. | |
like the seeds of the fruit, but to fully appreciate the unique light | :20:37. | :20:41. | |
show through human eyes you need a blue light to bring out the colours | :20:41. | :20:47. | |
and a pair of yellow goggles or yellow film on the lens to act as a | :20:47. | :20:54. | |
filter. Then watch this. This anemone is straight out of Las | :20:54. | :21:03. | |
Vegas. To see them for myself. I have come to Plymouth. Was we wait | :21:03. | :21:07. | |
for the dark, the night closes in, but we have to take this rare | :21:07. | :21:11. | |
opportunity tonight. Keith it is midnight, most sane | :21:11. | :21:17. | |
people are in bed. What are we doing here? It is low spring tides, | :21:17. | :21:24. | |
some of the best of the year. We need that to find Devonshire cup | :21:24. | :21:28. | |
Corals. The chorals that we are looking for | :21:28. | :21:33. | |
are about a centimetre and the weather has churned up the seabeds, | :21:33. | :21:37. | |
but we are in luck. Here is one. | :21:37. | :21:44. | |
A Devonshire cup choral. That is lovely to see. It does not look | :21:44. | :21:48. | |
like much, but let's turn on this blue light and see the effect we | :21:48. | :21:56. | |
get... Look at that! The centre of a the choral is glowing in the most | :21:56. | :22:03. | |
gorgeous green. Amongst the other wildlife, nestled in a crevace | :22:03. | :22:10. | |
where these jewels, but there is still one anemone that I would like | :22:10. | :22:20. | |
:22:20. | :22:20. | ||
to see. Luckily, we found one. This is a snake lock anemone. If I put | :22:20. | :22:29. | |
on the special blue light... It is positively vibrant! But there is | :22:29. | :22:35. | |
more to the green glow than meets the eye and the scientist that | :22:35. | :22:40. | |
shared its secrets is along the coast in Southampton. | :22:40. | :22:48. | |
Why would the chorals fluoresce on the certain lights? The chorals use | :22:48. | :22:54. | |
the pigments to protect them from intensive sunlight. Others may use | :22:54. | :22:59. | |
it to attract prey. What is the difference between the | :22:59. | :23:04. | |
flowerences that you find in fire flies and glow worms and what we | :23:04. | :23:09. | |
see here in the choralals? These produce their own light. So you see | :23:09. | :23:13. | |
them when they spich on their -- switch on their light. For the | :23:13. | :23:23. | |
:23:23. | :23:25. | ||
flowerence es -- flowerences -- fluorescences, you have to switch | :23:25. | :23:31. | |
on the blue light to see them. We have taken the proteins from the | :23:31. | :23:37. | |
snake lock and similar processes have been used to help in science. | :23:37. | :23:41. | |
This is a power tool that we have with the potential to save | :23:41. | :23:48. | |
thousands of lives. It can be used to label nerve cells, you can track | :23:49. | :23:54. | |
proteins in a living cell and it can be used to label cancer cells | :23:54. | :23:59. | |
to see which genes are active when a cell undergoes its transformation | :23:59. | :24:04. | |
to a cancer cell. Here is footage of the proteins | :24:04. | :24:13. | |
used to highlight cell division. With the age of bacteria, we have | :24:13. | :24:22. | |
also prepared a glowing example. I'm looking at a green, fluorescent, | :24:22. | :24:25. | |
The One Show logo. How clever is that. | :24:25. | :24:31. | |
Well, I am going rockpooling with some yellow goggles and a torch. | :24:31. | :24:40. | |
Of course you are! Now, last night was a brilliant night for the Team | :24:40. | :24:44. | |
Rickshaw group and the Rickshaw Challenge. They have had a great | :24:44. | :24:48. | |
week, they met Fearne Cotton and Sir Terry Wogan! What a week. | :24:48. | :24:58. | |
:24:58. | :24:59. | ||
Yes, what a week, please, welcome back, James, Ciaran, Darren, jam | :24:59. | :25:06. | |
jam -- Jamila and Jack. Welcome back. It is lovely to have you here. | :25:06. | :25:11. | |
Earlier, we were saying that we were gutted to see that Ella was | :25:11. | :25:17. | |
out of the X Factor. What was your spin on it? So disappointed. | :25:17. | :25:22. | |
So, let's find out what a week you have had. Lauren? You have been | :25:22. | :25:31. | |
busy, what is it about this furniture store? Yes, I am meant to | :25:31. | :25:41. | |
:25:41. | :25:46. | ||
be opening DFS... Other furniture stores are available! Sorry! DFS | :25:46. | :25:52. | |
and one other... And what about zumba? I had that on Thursday. I | :25:52. | :26:01. | |
had a good laugh with my mum's friend who is a zumba instructor. | :26:01. | :26:11. | |
:26:11. | :26:15. | ||
We raised about �500. That is brilliant! APPLAUSE | :26:15. | :26:20. | |
And Tulisa, James did the challenge as he wanted to raise awareness for | :26:20. | :26:24. | |
young carers. Tulisa you have experience of being a young carer, | :26:24. | :26:30. | |
as it happens? Definitely, it is an amazing course. I did a documentary | :26:30. | :26:35. | |
a while ago. It is good to now that there are people like yourself out | :26:35. | :26:39. | |
there. It is so important to take time out | :26:39. | :26:43. | |
for yourself. What you all achieved is really something special. Of | :26:43. | :26:47. | |
course, we gave you a photo album. I am sure you have been through | :26:48. | :26:52. | |
them. There are a few more photos to add to that. Including this one, | :26:52. | :26:59. | |
that is the whole teamed packed together on the One Show sofa. It | :26:59. | :27:04. | |
goes to show how many people were involved in ensuring that the Team | :27:04. | :27:08. | |
Rickshaw got to London. Thank you very much to all of you. | :27:08. | :27:13. | |
And, Ciaran we said there was a surprise for you. This is | :27:13. | :27:21. | |
especially for you. Look at this. know, Ciaran you are a big Swansea | :27:21. | :27:26. | |
City fan, so I would like to invite you to our game on Wednesday as our | :27:26. | :27:31. | |
special guest. We want you to go on the pitch before the kick-off, so | :27:31. | :27:36. | |
all of the supporters can show their appreciation! Well done, | :27:36. | :27:43. | |
Ciaran. Wow! APPLAUSE | :27:43. | :27:53. | |
:27:53. | :27:56. | ||
Now, that is an invitation, Ciaran? That is fantastic! I'm speechless. | :27:56. | :28:04. | |
I met Michael the day before yesterday when I went training in | :28:04. | :28:10. | |
the same place. He congratulated me on my achievement. I had my photo | :28:10. | :28:15. | |
taken with him. It was great. Well, you are going on the pitch, | :28:15. | :28:18. | |
mate. You are going on the pitch. It will be brilliant. | :28:19. | :28:23. | |
We are so pleased for you. I tell you what, shall we see what | :28:23. | :28:33. | |
:28:33. | :28:44. | ||
the total is by now? Here we go... Over �1.5 millionment goodness me. | :28:44. | :28:52. | |
Guys, what do you want it say to everyone? Thank you! Thank you very | :28:52. | :28:57. |