Browse content similar to 23/02/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. | :00:14. | :00:16. | |
Tonight we're going on a bit of voyage of discovery. | :00:17. | :00:21. | |
We'll reveal what inspired these mysterious works of art. | :00:22. | :00:29. | |
Intriguing. We'll also have this. Dad had to climb over this offence | :00:30. | :00:37. | |
because the pigs had got into the middle of the garden into one of | :00:38. | :00:46. | |
Margot's Gazebos. That was Lucy Briers remembering the set of the | :00:47. | :00:54. | |
good life as she renders her dad Richard. Lovely film. And why is | :00:55. | :01:04. | |
Maureen Lipman doing this? I have always been a ham. This is the last | :01:05. | :01:12. | |
appalling pun I will make. It's Maureen! Wow! You will never forget | :01:13. | :01:22. | |
your first pork walk. We have some experience of pork walking. What | :01:23. | :01:29. | |
were you doing? Just walking a pig. Give us the context. I'm doing a | :01:30. | :01:36. | |
programme called Discovering Britain. Part of that was a farm | :01:37. | :01:42. | |
shows. I got to choose. Often Larry Lamb would say, I want to do that | :01:43. | :01:48. | |
and then swap. I haven't been near a pig. I got to oil its spots. Really | :01:49. | :01:56. | |
nice animal. Pigs are lovely animals. Very clean. You can't help | :01:57. | :02:02. | |
give them a little scratch. It is not briskly. It is appealing. | :02:03. | :02:10. | |
Smooth. Toiling a pig's spots. Just another day in Hollywood! We had | :02:11. | :02:17. | |
sheep on another programme. We will have a chat about what you've been | :02:18. | :02:25. | |
discovering later. May be we can while a pig if we go to the | :02:26. | :02:29. | |
Yorkshire show again. I have friends who can and so it -- friends who can | :02:30. | :02:34. | |
sort that out. Being a victim of theft | :02:35. | :02:38. | |
is unpleasant under any circumstances, but imagine how | :02:39. | :02:40. | |
you would feel if it wasn't a just a possession that was | :02:41. | :02:43. | |
taken - but your pet. And unfortunately it's on the rise, | :02:44. | :02:45. | |
with more than a hundred dogs Dan's been to meet some | :02:46. | :02:48. | |
of the owners trying to track Stealing a dog and selling it on is | :02:49. | :02:57. | |
seen as easy money for some criminals who care nothing for the | :02:58. | :03:01. | |
emotional cost to others. With dogs like this, you can see how they | :03:02. | :03:11. | |
become part of the family. Monty was devastated when her dog Gog was | :03:12. | :03:20. | |
stolen. She was a local celebrity in Leicester. She loved posing for | :03:21. | :03:27. | |
pictures. She was just such a gentle, caring character. Gog's | :03:28. | :03:36. | |
devotion helped Monty deal with cancer. She would raise the alarm if | :03:37. | :03:43. | |
I collapsed. She would bark at people going by until somebody | :03:44. | :03:50. | |
helped. Gog was in a buggy when she was stolen from outside a shopping | :03:51. | :03:57. | |
centre. Police released a CCTV image of a woman wheeling her away. | :03:58. | :04:02. | |
Volunteers handed out hundreds of leaflets across the city but there | :04:03. | :04:08. | |
is still no sign of Gog. According to the animal charity Blue Cross | :04:09. | :04:13. | |
there are around 1500 pet deaths every year and police say that | :04:14. | :04:18. | |
organised gangs are now getting in on the act, often holding pedigree | :04:19. | :04:24. | |
dogs to ransom. Many dogs are never returned but sold on to buyers, used | :04:25. | :04:30. | |
for breeding on puppy farms but if there is no take, ending up just | :04:31. | :04:34. | |
being abandoned in centres like this one. Ella works at this centre in | :04:35. | :04:42. | |
Loughborough says that micro-chipping pets is crucial. If | :04:43. | :04:49. | |
owners had the pet micro-chipped it would prevent the situation because | :04:50. | :04:53. | |
dogs can be traced back to the owner. Micro-chipping becomes | :04:54. | :05:02. | |
compulsory across the UK in April. A simple scan will reveal the owner of | :05:03. | :05:06. | |
any dog. Chipping is not the only technology being put to use. Some | :05:07. | :05:12. | |
dog owners have taken to the Internet to get the message out | :05:13. | :05:22. | |
about stolen pets. When Murphy went missing while being exercised, his | :05:23. | :05:27. | |
owner put messages out on social media. I had 15,000 people following | :05:28. | :05:38. | |
Murphy's story. It went mental. We have 60 odd thousand now in total. | :05:39. | :05:44. | |
It's nuts. Three months later, all that online publicity paid off when | :05:45. | :05:51. | |
Andy received a phone calls from an RSPCA officer who had seen the | :05:52. | :05:59. | |
publicity. It's definitely him? His partner caught the moment on film | :06:00. | :06:04. | |
and posted it online. Murphy's coming home. Safely back with the | :06:05. | :06:12. | |
family, the site set up to find him is now being used to track down | :06:13. | :06:19. | |
other stolen pets. If I've got 30,000, 40,000 people following my | :06:20. | :06:25. | |
page, why not help other people? We can go nationwide within seconds. | :06:26. | :06:31. | |
The police are very busy and dog that is not a massive priority so it | :06:32. | :06:39. | |
is down to is, really. This is one of many campaigns online aimed with | :06:40. | :06:47. | |
finding lost and stolen dogs. Gog now has her very own hashtag. Owner | :06:48. | :06:55. | |
Monty is pinning her hopes on finding her. What are your hopes? | :06:56. | :07:00. | |
Just to get her back. I'm just asking everybody to pray for us. | :07:01. | :07:08. | |
Thank you, Dan. Our heart goes out to Monty. If you know anything, do | :07:09. | :07:13. | |
the right thing and contact Leicestershire police. Were joined | :07:14. | :07:24. | |
by Dominic, Tamsin and Kali the dog. We heard in the film that | :07:25. | :07:29. | |
micro-chipping is becoming crumpled three in April. It's quite a simple | :07:30. | :07:37. | |
procedure. It is from the six of April. The chip is the size of a | :07:38. | :07:42. | |
grain of rice. You just stick a needle in, job done. If you have dog | :07:43. | :07:52. | |
and you haven't had it chipped after the 6th of April, you will be fined | :07:53. | :07:59. | |
?500. Over eight weeks, it should be chipped as well. You should chip | :08:00. | :08:07. | |
your monkey while you're at it. It's important to keep the information on | :08:08. | :08:13. | |
it updated. When you move house, you change loads of things. Utility | :08:14. | :08:19. | |
bills, everything. You need to change that. You can scan it and a | :08:20. | :08:26. | |
code comes up and tells you who owns it. There are loads of points when | :08:27. | :08:32. | |
it can happen. Take it to a vet, if the police are involved. If it is | :08:33. | :08:35. | |
straight and goes to a rescue centre. Can you chip it again when | :08:36. | :08:48. | |
you move? Decode is registered to the owner. If it changes, you can | :08:49. | :08:58. | |
change that data. Putting a collar on your dog is really handy if you | :08:59. | :09:07. | |
tell people it is neutered or spade. People are frightened that the dog | :09:08. | :09:12. | |
might be stolen for breeding. It is something they panic over. On my | :09:13. | :09:18. | |
collar, I show that the dog has been spade. The scars from surgery are so | :09:19. | :09:24. | |
tiny so it's not obvious that it has happened, especially to a girl dog. | :09:25. | :09:33. | |
Just be aware of strange conversation, as well. If something | :09:34. | :09:38. | |
comes up. We love to talk about our dogs. If you are out with one, | :09:39. | :09:45. | |
especially one as beautiful as Kali. If people ask questions that make | :09:46. | :09:48. | |
you feel uncomfortable, about the dog's history, be aware of that. | :09:49. | :09:54. | |
Change your route. Never leave them outside of the shops or in back | :09:55. | :10:00. | |
gardens. Dom, you have got some active cases. | :10:01. | :10:06. | |
Sky is a female rottweiler who was stolen from the rear | :10:07. | :10:08. | |
of the Smawthorne Hotel, Smawthorne Lane, Castleford, | :10:09. | :10:13. | |
on 2nd December in the early hours of the morning. | :10:14. | :10:19. | |
Whoever stole her, broke in and had to break a padlock. It was not an | :10:20. | :10:30. | |
opportunist. A word about Max the springer spaniel. He disappeared on | :10:31. | :10:36. | |
Christmas Day. It was being looked after by relatives who must feel | :10:37. | :10:39. | |
pretty bad. He's wearing a chain collar | :10:40. | :10:46. | |
and is micro-chipped. Important to take photos of your | :10:47. | :11:01. | |
dogs from different angles, if they have got interesting markings that | :11:02. | :11:04. | |
can help identify. Not just one of the face. Peter -- beautifully | :11:05. | :11:12. | |
behaved Kali there. Thanks very much. | :11:13. | :11:17. | |
First came the Loch Ness Monster. Then there was the Beast of Bodmin. | :11:18. | :11:21. | |
And now there's a new menace stalking the streets of Britain. | :11:22. | :11:23. | |
It's the rise of the smartphone zombie or "smombie". | :11:24. | :11:26. | |
And no matter where you go - you cannot escape them. | :11:27. | :11:34. | |
The smombies are here. They are everywhere. They won't stop for | :11:35. | :11:45. | |
anything. Smombies are people who are totally focused on their mobile | :11:46. | :11:50. | |
devices. Dangerously oblivious to the world around them. In | :11:51. | :11:56. | |
Birmingham, this woman was lucky to escape unscathed after walking into | :11:57. | :11:59. | |
trouble while sending a text message. This statue had to be moved | :12:00. | :12:08. | |
after entrance to smombies kept walking into it. What was happening? | :12:09. | :12:15. | |
People were walking straight into it while they were texting looking down | :12:16. | :12:19. | |
at the ground. The entrance to it is six foot five. Do you think people | :12:20. | :12:27. | |
are becoming smartphone zombies? You see whole families in restaurants | :12:28. | :12:30. | |
all on their phones. They don't speak to each other. Two years ago, | :12:31. | :12:36. | |
this artist predicted that we were all working in -- walking into | :12:37. | :12:46. | |
trouble. He is fascinated by the curse of the smombie. People are | :12:47. | :12:54. | |
used to having information when they want it instantly. It is an | :12:55. | :12:58. | |
addiction. You feel compelled to look at your phone. You want to see | :12:59. | :13:05. | |
what it is. You need to look up. There is a whole world that we are | :13:06. | :13:12. | |
not appreciating. Time for direct action. I am going to lift the | :13:13. | :13:20. | |
smombies out of their trans. I noticed that you were walking and | :13:21. | :13:26. | |
looking at your smartphone. I wasn't looking at you. Luckily, I dived out | :13:27. | :13:31. | |
of the way and there could have been a collision. I was walking down | :13:32. | :13:36. | |
Clapham high street and I was doing this, I banged into somebody and I | :13:37. | :13:44. | |
looked up and it was Mick Hucknall. Have you had any mishaps? I was on | :13:45. | :13:50. | |
my phone, she was on hers. She didn't see me coming and collided | :13:51. | :14:01. | |
into me. Higher. All right? You were walking, looking down. How do you | :14:02. | :14:08. | |
avoid this saps? Peripheral vision, avoid mishaps. Do the odd look up. | :14:09. | :14:13. | |
You don't want to miss the love of your life. LAUGHTER | :14:14. | :14:27. | |
I'm on The One Show, actually. Theron! Maureen! Are you one of | :14:28. | :14:37. | |
these smombies. Do you walk down the road oblivious? I'm appalling. I am | :14:38. | :14:48. | |
addicted. It is terrible. Our eyes. Function in. I have pictures of my | :14:49. | :14:53. | |
grandchildren. I have so many pictures I have stopped looking. | :14:54. | :14:57. | |
They can get on with it, I will just look at pictures. You've been | :14:58. | :15:02. | |
looking at all this beautiful scenery of Britain. | :15:03. | :15:11. | |
It is about the eccentricities of the British Isles and things you do | :15:12. | :15:17. | |
not know are going on, discovering things. It is my education. Me and | :15:18. | :15:23. | |
Larry Lamb, an old friend. We roused about together. We get on well, we | :15:24. | :15:36. | |
joke. Going to see artists studios and work in a pottery gallery, I am | :15:37. | :15:43. | |
not much of a traveller. To be on Crosby Beach, ten minutes outside | :15:44. | :15:48. | |
Liverpool and see the tide go out and all of the statues of Antony | :15:49. | :15:54. | |
Gormley was just amazing. They all have literature and on different | :15:55. | :15:57. | |
parts of the body. It is tough at the bottom really. I drank rum with | :15:58. | :16:08. | |
people in a Guildhall in Warwickshire and Castle Howard, I | :16:09. | :16:11. | |
actually persuaded George Howard to talk to me about keeping a stately | :16:12. | :16:17. | |
home when it costs an Armani and a leg. They were the first home to | :16:18. | :16:26. | |
open to the public, won't they? Famous set of Brideshead Revisited. | :16:27. | :16:34. | |
A very popular spot. Very popular. You queue for everything in the | :16:35. | :16:40. | |
world. To see Castle Howard, can there be anywhere more beautiful | :16:41. | :16:45. | |
than that place? It really is breathtaking. | :16:46. | :16:48. | |
Well, let's see you and Larry turning on the castle's rather | :16:49. | :16:51. | |
Shall I start it? It is tough. Catch hold. It is. We did that. We did | :16:52. | :17:14. | |
that. This is a first. I have never turned on a fountain before. Have | :17:15. | :17:20. | |
you turned on anything else? I'd turned on a sixpence. I did when | :17:21. | :17:27. | |
they told me I would work with you. It is a lovely relationship. He is | :17:28. | :17:34. | |
little, playful. He is playful, a bit of a whinger. He is a really | :17:35. | :17:41. | |
attractive man. He is. This is the way it is going. It is unusual to | :17:42. | :17:48. | |
get an actor in this country who is a big bruiser and very sensitive as | :17:49. | :17:53. | |
well. He loves it. He cannot get out there quick enough. What we going to | :17:54. | :17:58. | |
see today? That is great. I am cynical and ballroom dancing with | :17:59. | :18:04. | |
elderly... Actually people my age in Scarborough. He is the perfect | :18:05. | :18:07. | |
travelling companion them. -- Ben. Discovering Britain continues | :18:08. | :18:12. | |
tomorrow night at 9 o'clock Viruses usually mean staying under | :18:13. | :18:14. | |
the duvet and hot drinks in bed. But artist Luke Jerram believes | :18:15. | :18:18. | |
they can also be things of beauty and has created a series of glass | :18:19. | :18:21. | |
sculptures to challenge the way People respond to the work in all | :18:22. | :18:36. | |
sorts of different ways. Most people are really drawn to it because the | :18:37. | :18:40. | |
objects are incredibly beautiful. When they realise what it is they | :18:41. | :18:44. | |
are slightly repelled by it. The number of people who are HIV | :18:45. | :18:53. | |
positive... The ebola epidemic threatens society. This is how they | :18:54. | :19:00. | |
look. I am being truthful to nature. The idea came from looking in | :19:01. | :19:05. | |
newspapers actually of images of viruses. I found out quite quickly | :19:06. | :19:13. | |
that viruses do not have any colour. Scientists often add colours to the | :19:14. | :19:18. | |
imagery to highlight particular areas but also to add emotional | :19:19. | :19:25. | |
impact. I started creating this body of work to reflect my understanding | :19:26. | :19:29. | |
of viruses, as these invisible and colourless objects. The artwork ends | :19:30. | :19:39. | |
up in museums around the world. This is a glass sculpture of HIV. This is | :19:40. | :19:51. | |
papilloma. This is avian flu. I was suffering from swine flu whilst | :19:52. | :19:57. | |
doing this, it was very strange. suffering from swine flu whilst | :19:58. | :20:04. | |
Right now I am going to make a diagram to illustrate the HIV | :20:05. | :20:08. | |
sculpture we are going to make. This is not the first time I have created | :20:09. | :20:12. | |
this sculpture. Gradually I am having to adapt and change the model | :20:13. | :20:19. | |
to keep up with scientific understanding. Now I can go and see | :20:20. | :20:22. | |
Brian and Norman to make the artwork with them. Now we are off to | :20:23. | :20:28. | |
Sunderland. Brian and Norman have been making this work and working | :20:29. | :20:32. | |
with me for ten years. They have a whole lifetime of experience. I | :20:33. | :20:38. | |
think we are in safe hands. Out of the blue he asked us if we would | :20:39. | :20:43. | |
make some glass virus sculptures. What is that? The first thing we | :20:44. | :20:49. | |
make some glass virus sculptures. need to do is pull a point on the | :20:50. | :20:56. | |
edge of this achieving. There is some magic with glass. We create all | :20:57. | :21:04. | |
the interior DNA that is going inside the virus. All of that will | :21:05. | :21:13. | |
be made first. Then, I will put some of these little spots on free hand. | :21:14. | :21:23. | |
Then we sandblasted it. This is the crucial part. If it is not done | :21:24. | :21:28. | |
right, it will fall to bits and you have to start again. You have to be | :21:29. | :21:33. | |
as though the inner glass is floating to the outer. There you | :21:34. | :21:41. | |
are! That is the finished object to the next stage. For me, this is the | :21:42. | :21:48. | |
most exciting part of the process. We are going to get the DNA of the | :21:49. | :21:54. | |
artwork which will be sealed in to the glass sphere. A bit more. That | :21:55. | :21:57. | |
is enough. That's fine. That is it. We are now at the end of | :21:58. | :22:13. | |
the process, which involves fixing the glass proteins on to the final | :22:14. | :22:23. | |
sculpture. Using special glass blue which fuels with ultraviolet light. | :22:24. | :22:26. | |
sculpture. Using special glass blue Look at that! There we go. -- blue. | :22:27. | :22:35. | |
This is the final, completed artwork. It looks brilliant. It will | :22:36. | :22:40. | |
fit in a glass collection or museum somewhere in the world for the next | :22:41. | :22:44. | |
years. It is a thing of beauty and quality which we can all be proud | :22:45. | :22:52. | |
of. Brilliant! Wonderful craftsmanship from Brian and Norman. | :22:53. | :22:59. | |
A big shout out to them. I would love one of those! I would love one | :23:00. | :23:04. | |
of those! The exploration of the body inside is the next great | :23:05. | :23:10. | |
continent, isn't it? The brain and cells. Discovering the body, that is | :23:11. | :23:17. | |
the new series. I do not have to go inside Larry's body! Shall we have a | :23:18. | :23:30. | |
quick look at some of your artwork? This is more head in. Angelemur | :23:31. | :23:40. | |
Jolie. Brad Pitt Bull. Benedict Humperbact. We just need to have a | :23:41. | :23:55. | |
look at Matt. Bat maker, I love that! Salamandra Jones, I love it! | :23:56. | :24:09. | |
It is like seeing double. Many of us will remember | :24:10. | :24:14. | |
Richard Briers as Tom in the Good Life - | :24:15. | :24:17. | |
not least for his tatty jumpers Here's his daughter Lucy | :24:18. | :24:20. | |
and her personal memories When my father died, the news made | :24:21. | :24:34. | |
the front page that he would have been taken aback by that. | :24:35. | :25:18. | |
I remember the one where the chicken escapes and manages to leap onto a | :25:19. | :25:26. | |
bus. The funny thing is that my father was really not keen on | :25:27. | :25:31. | |
chickens. I think because they were just a bit thick. And this is where, | :25:32. | :25:40. | |
posher than posh, Margot Leadbetter lived. She was outraged that her | :25:41. | :25:44. | |
next door neighbours have made their garden into a farmyard. I remember a | :25:45. | :25:55. | |
pig escaped through this bit of friends and dad | :25:56. | :25:57. | |
pig escaped through this bit of the fence because the pigs had got | :25:58. | :26:03. | |
into the middle of the garden to one of Margot's gazebos. He realised | :26:04. | :26:13. | |
Margot was looking straight at him. Morning, Tom! The Tom Good jumpers, | :26:14. | :26:21. | |
most of them were my dad's that my dad was not a big Gardner, he would | :26:22. | :26:25. | |
mow the lawn and that was it. My sister and I used to see where all | :26:26. | :26:30. | |
the interior shots were filmed and there was a particularly exciting | :26:31. | :26:34. | |
time when the Queen was watching. My father would be so nervous before a | :26:35. | :26:37. | |
live recording that he would often be sick before it started. I'm just | :26:38. | :26:43. | |
going to pop back there and have a quick shake. He was always worried | :26:44. | :26:50. | |
that success would not last and we would be left with nothing. I was | :26:51. | :26:53. | |
nine when I decided I wanted to be an actress. My father would come to | :26:54. | :26:58. | |
watch school plays and say, I do not think you are good enough. I tried | :26:59. | :27:02. | |
to stick to drama like pride and prejudice. I never wanted to be seen | :27:03. | :27:07. | |
as a less funny version of my dad. He was incredibly supportive. I was | :27:08. | :27:12. | |
lucky enough to do a play with my dad and my mum, the actress, and | :27:13. | :27:17. | |
Davis. What I loved was his sharpness of wit. He never liked to | :27:18. | :27:21. | |
be away from the family for longer than six months. When my father | :27:22. | :27:25. | |
asked the monarch of the Glen writers to Gil him off, they found a | :27:26. | :27:30. | |
rather cruel way of doing this he put explosives on a model boat and | :27:31. | :27:36. | |
his rather uses dog thought he wanted it brought back to him and, | :27:37. | :27:44. | |
bang! In his 50s, my dad got really tired of being then principally as a | :27:45. | :27:49. | |
TV actor and he returned to the stage with big, classical roles. He | :27:50. | :27:52. | |
was really nervous about it but he should not have been. I always | :27:53. | :28:01. | |
thought your dad was the perfect casting for Uncle Vanya. He made me | :28:02. | :28:09. | |
laugh every day I worked with him. I would bite my lip and try not to | :28:10. | :28:14. | |
courts will stop he was like a humorous hand grenade and explode | :28:15. | :28:18. | |
with humour in every direction. You never knew it was coming. Losing him | :28:19. | :28:24. | |
was terrible. My mum and dad were married for 57 years. We were a very | :28:25. | :28:28. | |
tight unit and we had to work hard about what we do as a three. I | :28:29. | :28:33. | |
remember a really wonderful supper we had after he had seen me in a | :28:34. | :28:38. | |
play. He said to me, I'm going to pass the Batten on. You are doing | :28:39. | :28:45. | |
things on stage I could never do. It was a very lovely and beautiful | :28:46. | :28:48. | |
thing for a father to say to a daughter. | :28:49. | :28:51. | |
That's all we've got time for tonight. | :28:52. | :28:55. | |
Maureen's programme, Discovering Britain, | :28:56. | :28:56. | |
continues tomorrow night at 9pm on More 4. | :28:57. | :28:58. | |
We'll be back tomorrow with some of the stars of Let's Play Darts | :28:59. | :29:01. | |
And shadow theatre group Attraction, former winners | :29:02. | :29:04. | |
of Britain's Got Talent, will be performing. | :29:05. | :29:07. | |
So here we are at the starting line of this year's Sport Relief games. | :29:08. | :29:33. | |
# All my friends know the low rider. # | :29:34. | :29:37. |