Browse content similar to 23/04/2014. Check below for episodes and series from the same categories and more!
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Hello. Welcome to the programme. Tonight, on Shakespeare's 450th | :00:19. | :00:28. | |
birthday, we are hoping we will not have a comedy of errors, as Gyles is | :00:29. | :00:33. | |
live in Stratford. We are also hoping all is well that ends well, | :00:34. | :00:39. | |
as we reunite one of the stars of Chitty Chitty Bang Bang with one of | :00:40. | :00:43. | |
these three ingenious machines. Plus, speaking of gorgeous, | :00:44. | :00:49. | |
Christine will be announcing the winner of the winner will get their | :00:50. | :00:53. | |
design made at the Hampton Court Flower Show this year. But we hope | :00:54. | :00:57. | |
the decision is as you like it at home. How many references can we get | :00:58. | :01:03. | |
into this?! On the sofa, Two Gentlemen of Verona. Well, actually, | :01:04. | :01:12. | |
from London and ended brush Ashton -- London and Edinburgh! We are glad | :01:13. | :01:16. | |
to have you with us. I have just got to say this. You were so brilliant. | :01:17. | :01:25. | |
Oh, Nigel! I cannot believe you did that! You are the bravest girl I | :01:26. | :01:33. | |
have ever met. I was going to say exactly the same thing. They don't | :01:34. | :01:45. | |
come more brave than this girl. He was a bit of a charmer, wasn't he? | :01:46. | :01:56. | |
Shakespeare, 450! Somewhere in the world right now, people are doing | :01:57. | :02:00. | |
Shakespeare. Incredible, really. Have you played the Dame but Jim | :02:01. | :02:09. | |
Mark I haven't, you never know! My favourite of all probably is Richard | :02:10. | :02:13. | |
II. I did a production years ago, when I started off, with Ian | :02:14. | :02:18. | |
McKellen, so I heard it every night for years. It was just beautiful. | :02:19. | :02:24. | |
Have done a little bit, haven't you, Nicky? I used to do a little bit of | :02:25. | :02:28. | |
acting at university with my great friend Ian Glen, who is now an | :02:29. | :02:32. | |
incredibly successful film actor. He was better than me. I once had to | :02:33. | :02:39. | |
kiss him in a play, actually. How was it? It was fine, because he had | :02:40. | :02:48. | |
kissed Nicole Kidman, so I had this thing where I had keys to somebody | :02:49. | :02:51. | |
who had kissed... Degrees of separation! At home, we want you to | :02:52. | :02:58. | |
try and summarise your favourite Shakespeare play in just 25 words. | :02:59. | :03:05. | |
Here is an example. Actually, let's not say what it is. See if you can | :03:06. | :03:11. | |
work it out. Italian teenagers fall in love but their families cannot | :03:12. | :03:15. | |
stand each other, plan to hello, should have gone on Jeremy Kyle! | :03:16. | :03:21. | |
Yes, Jeremy Kyle would have sorted that out! Can you imagine?! Of | :03:22. | :03:27. | |
course, it is... Which one? Romeo And Juliet. Well done. The part to | :03:28. | :03:42. | |
play in that is Mercutio, that is to show off part. I have never played | :03:43. | :03:48. | |
it, but I have always wanted to. There is still time, Nigel! We would | :03:49. | :03:54. | |
love to be bombarded by your offerings tonight, so send in your | :03:55. | :03:57. | |
shortened Shakespeare plays to the usual address. The uprising in | :03:58. | :04:02. | |
Ukraine has highlighted for some the importance of a strong military. For | :04:03. | :04:09. | |
British forces, things are changing, with more reliance on reservists. | :04:10. | :04:13. | |
Unfortunately, people are not signing up like they used to. Before | :04:14. | :04:18. | |
we speak to the most senior serving reservist, Joe has been to see if a | :04:19. | :04:22. | |
new initiative targeting the unemployed is working. Matthew and | :04:23. | :04:27. | |
Simon are both out of work and claiming benefits, but the Army in | :04:28. | :04:30. | |
Stoke-on-Trent is hoping that they are the future. I just want to get a | :04:31. | :04:35. | |
job out of it, at the end of the day. There is nothing out there at | :04:36. | :04:39. | |
the minute. I am hoping to join the reserves after this. It is going to | :04:40. | :04:44. | |
be good experience. They are taking part in a trial, as the army tries | :04:45. | :04:47. | |
to boost the number of reserve troops. Unemployed people will get | :04:48. | :04:53. | |
one month's free training, they still get to claim their benefits, | :04:54. | :04:56. | |
there is no obligation to sign up, and they might even get a proper job | :04:57. | :05:02. | |
out of it. So what is not to like? But the course is not just for those | :05:03. | :05:06. | |
who are interested in the Army, it is also for those who want to make | :05:07. | :05:11. | |
themselves more employable. The four-week programme includes local | :05:12. | :05:16. | |
companies, in the hope that people will be helped to get employment. On | :05:17. | :05:24. | |
the first day they will be put through their paces, physically | :05:25. | :05:27. | |
shaken up, made to come out of their shells. The idea is to test their | :05:28. | :05:31. | |
commitment to the cause, but also their drive and determination to | :05:32. | :05:36. | |
find work. Lets see how they get on with this Army obstacle course. It | :05:37. | :05:42. | |
does not look that easy! Crawling in the mud, swinging on the ropes... | :05:43. | :05:49. | |
The Ministry of Defence has to recruit 10,000 extra reserves over | :05:50. | :05:52. | |
the next four years to cover the reduction in the size of the regular | :05:53. | :05:58. | |
army. It is not boot camp, it is not press gaining people to join the | :05:59. | :06:03. | |
army, it is about improving people's personal skills and motivating | :06:04. | :06:06. | |
them, with things like teamwork, discipline, self-confidence, | :06:07. | :06:11. | |
motivation. All the things which employers are crying out for, which | :06:12. | :06:16. | |
the Army has in spades. A lot more tiring than very hard! The tough | :06:17. | :06:25. | |
induction has already taken its toll. On the second day, three | :06:26. | :06:30. | |
people do not turn up, leaving just 13 still standing. For the next | :06:31. | :06:33. | |
couple of weeks they are taught teamwork and communications skills. | :06:34. | :06:37. | |
It is easy to be cynical about whether a short course like this can | :06:38. | :06:41. | |
really be life changing. But the confidence does seem to be growing, | :06:42. | :06:46. | |
and they can get some new : Editions. I was not expecting to get | :06:47. | :06:53. | |
qualifications in first aid, manual labour, I was not expecting to get | :06:54. | :06:57. | |
any of that. The main priority for this course may be to boost numbers, | :06:58. | :07:02. | |
but this is for the reserves, which means Matthew and Simon still need a | :07:03. | :07:06. | |
full-time job as well. They have been offered the chance to work for | :07:07. | :07:09. | |
one week at this local company, which makes doors. You might look at | :07:10. | :07:15. | |
this and say, it is just a week's work placement, can it make much of | :07:16. | :07:19. | |
a difference? Yes, because I have been offered a full-time job out it, | :07:20. | :07:28. | |
at this place. Thank you. Could you see yourself following through and | :07:29. | :07:31. | |
signing up for the reserves? I have already sent off the application | :07:32. | :07:35. | |
form. For Matthew, it is not quite the same. He has also been offered a | :07:36. | :07:40. | |
full-time job, but he does not want it, even though he has been | :07:41. | :07:44. | |
unemployed for more than a year. If you do not feel comfortable in that | :07:45. | :07:49. | |
job, you do not take it. But when you have not got anything else, it | :07:50. | :07:54. | |
is just going back to the Jobcentre, does that not make you feel down? | :07:55. | :08:02. | |
No. And what about the Army? Are you interested in that? No, I only | :08:03. | :08:09. | |
joined the course to get first aid and manual qualifications. You do | :08:10. | :08:16. | |
not want it enough to work here? No. I am telling you the truth. It is | :08:17. | :08:21. | |
frustrating to hear Matthew say he does not want this job. Diane Keaton | :08:22. | :08:28. | |
to hear how the course leader feels about it. I am disappointed. We | :08:29. | :08:32. | |
cannot force a person to take the job. All I can do is give them the | :08:33. | :08:37. | |
motivation and the self-esteem. It is the last day, and 11 of the | :08:38. | :08:42. | |
original 16 have made it through to the end. Three of them have been | :08:43. | :08:46. | |
offered full-time jobs. What about the number of new army recruits? | :08:47. | :08:52. | |
Eight out of 11 have signed up for the military, four for the Army | :08:53. | :08:56. | |
reserves, three for the regulars and one as a potential reserve officer. | :08:57. | :09:00. | |
When it comes to the Government's target of boosting the reserves by | :09:01. | :09:04. | |
10,000, this is just a drop in the ocean, isn't it? Anybody we recruit | :09:05. | :09:10. | |
will help reduce that number, plus, they will tell their friends, they | :09:11. | :09:13. | |
may consider a career in the Army reserves, which hopefully will | :09:14. | :09:19. | |
help. Simon has since declined the job, but he is looking for another | :09:20. | :09:24. | |
job. He does still plan to join the reservists. We are joined now by one | :09:25. | :09:30. | |
busy man. Just explain what your role is in the Army. Also, your day | :09:31. | :09:39. | |
job. In the Army, I am a Major General, Deputy Commander Land | :09:40. | :09:42. | |
Forces, I am the most senior Army reservist. I am a reservist, which | :09:43. | :09:46. | |
means I have another job, I am a lawyer in the City, I am General | :09:47. | :09:52. | |
Counsel and Company Secretary for an American insurance company in the | :09:53. | :09:55. | |
City of London. How do you find the time to do both? There are | :09:56. | :10:01. | |
synergies. There are things which I take from one into the other. To | :10:02. | :10:05. | |
make it work, if you are passionate about anything, you will find a way. | :10:06. | :10:09. | |
On top of that, a very understanding and supportive employer, as well as | :10:10. | :10:15. | |
the Army, who are supportive, who will do things slightly differently | :10:16. | :10:17. | |
with me, arranging meetings to make it work, and a very understanding | :10:18. | :10:23. | |
family as well. So, there might be some people out there who fancy | :10:24. | :10:26. | |
being a reservist, but what obligations do you have, once you | :10:27. | :10:34. | |
have signed up? In terms of the basic liability, as we call it, what | :10:35. | :10:40. | |
we want from you, it is 35-40 days training, most of that at weekends, | :10:41. | :10:45. | |
with a two-week annual camp, training exercise, somewhere in the | :10:46. | :10:50. | |
world. So, 35-40 days, mostly at weekends. As you get more senior, of | :10:51. | :10:55. | |
course, more of that will spill into the weekdays, which is where you | :10:56. | :10:59. | |
need support. And you get paid for that? You do. It is an important | :11:00. | :11:05. | |
point. We get paid the same daily rate for your rank as a regular | :11:06. | :11:09. | |
soldier. How much action have you seen during your time as a | :11:10. | :11:15. | |
reservist? I was employed in 2005, I was deployed to Baghdad, with a | :11:16. | :11:19. | |
Parachute Regiment officer, I was serving with them for five months. | :11:20. | :11:26. | |
So what then happens to your lawyer Judy 's? Again, a supportive | :11:27. | :11:32. | |
employer, they was going. -- duties. If you went into Iraq in | :11:33. | :11:40. | |
2003, everybody goes, and you are off. Since then, it is at the | :11:41. | :11:44. | |
agreement of the individual and the employer. So you can make plans in | :11:45. | :11:51. | |
advance to cover your absence. And there is money available to find a | :11:52. | :11:54. | |
replacement to train other people and so on and so forth be great | :11:55. | :11:58. | |
opportunities, but why do you think new recruits have been slow to sign | :11:59. | :12:04. | |
up? I think clearly, what people need to understand is the context | :12:05. | :12:09. | |
against which we are recruiting. The message out there in the country is | :12:10. | :12:12. | |
that the Army is getting smaller, which it is, the regular component, | :12:13. | :12:17. | |
we are coming back from Afghanistan, coming back from Germany, we are not | :12:18. | :12:23. | |
recruiting. We most regulars and reserves. We are an organisation | :12:24. | :12:26. | |
which is fed from the bottom. People are leaving at the top end. We need | :12:27. | :12:32. | |
people coming in at the bottom end. Nicky, you must be one of the | :12:33. | :12:37. | |
busiest men in the media anyway, but would this be something which you | :12:38. | :12:41. | |
would have warmed to? How shall I put this? No. I have got every | :12:42. | :12:49. | |
respect, my dad was in the Indian Army during the war, and he never | :12:50. | :12:55. | |
spoke about what he did and what happened until I was lucky enough to | :12:56. | :13:03. | |
do Who Do You Think You Are? And I found out he was involved in a | :13:04. | :13:08. | |
battle in Birmingham, -- in Burma, a very bloody. I find it all very | :13:09. | :13:15. | |
deeply moving. With the reserves, if you are a student who wants to | :13:16. | :13:19. | |
enhance your CV, if you are unemployed and want to learn a | :13:20. | :13:22. | |
trade, or if you just want to do something different with your time | :13:23. | :13:25. | |
at weekends and to be part of a group of men and women who are | :13:26. | :13:29. | |
like-minded, who share the same values and standards, who are part | :13:30. | :13:37. | |
of an integrated Army to go on operations together, not just in | :13:38. | :13:40. | |
Afghanistan, but the UN mission in Cyprus as well, working together, | :13:41. | :13:44. | |
and you get paid. How good is that?! Thank you very much. Major | :13:45. | :13:48. | |
General Munro. Now it is time for Christine to | :13:49. | :14:05. | |
introduce the first of our finalists in The One Show Garden Designer of | :14:06. | :14:09. | |
the Year competition. First up is this one inspired by the | :14:10. | :14:14. | |
18th century silk weavers of Spitalfields in London. The | :14:15. | :14:19. | |
designers are Holly Crosbie and Helen Reid. We wanted to make an | :14:20. | :14:23. | |
exploded loom that you could walk through and you could see the | :14:24. | :14:28. | |
flowers leaping up from the threads. There they are. Holly, Helen, there | :14:29. | :14:35. | |
are two of you. Is that fair? Of course! Who saw this competition | :14:36. | :14:42. | |
first? I saw it and said we have to do this. What kind of work are you | :14:43. | :14:48. | |
in? We work together in architecture. Who came up with | :14:49. | :14:54. | |
what? We did loads of stuff, we met before work and did loads of drawing | :14:55. | :15:01. | |
and models. Let's have a look at the design itself. What is your | :15:02. | :15:05. | |
favourite bit? I think I love the side with the mulberry trees because | :15:06. | :15:10. | |
it is a subtle more delicate side to the planting. It is a lovely idea. | :15:11. | :15:17. | |
How about you? I love the poppies, the big red poppies. We wish you all | :15:18. | :15:22. | |
the very best. We will meet the other finalists later on. I love the | :15:23. | :15:30. | |
idea of the looms. Good luck, girls. 450 years ago today a baby boy was | :15:31. | :15:34. | |
born in Stratford-upon-Avon who would go on to become the world's | :15:35. | :15:38. | |
greatest ever playwrights. His words would remain timeless but for many, | :15:39. | :15:43. | |
this man is much more than just a writer. | :15:44. | :15:48. | |
My name is Laurie am and I have been involved with Shakespeare's work for | :15:49. | :15:55. | |
three or four years. I first became interested when I started working | :15:56. | :16:00. | |
with the Hip-hop Shakespeare Company. Before that I saw | :16:01. | :16:04. | |
Shakespeare as someone who was old school. I did not have a connection. | :16:05. | :16:13. | |
I am the continent. With each new breath melting within, you are | :16:14. | :16:17. | |
anchored spiritually because I am queen. | :16:18. | :16:21. | |
When acting, reading or watching Shakespeare, the main thing I feel | :16:22. | :16:27. | |
and come back to is how powerful his intent was to allow people to | :16:28. | :16:31. | |
understand what it is to be human being. His intent is to really allow | :16:32. | :16:38. | |
people to come out of themselves and look at the world from a different | :16:39. | :16:43. | |
point of view. My name is Alan Smith and I am the | :16:44. | :16:49. | |
head of costume, props and armoury at the Royal Shakespeare Company. My | :16:50. | :16:53. | |
exposure to Shakespeare, that English lesson, when the English | :16:54. | :16:58. | |
teacher brings out the Shakespeare text and you think, oh, God. When | :16:59. | :17:02. | |
kids are reading monotone from a book, you cannot understand what is | :17:03. | :17:08. | |
going on. With acting companies, especially the great ones, you can | :17:09. | :17:13. | |
understand. It is almost like watching a subtitled film. Halfway | :17:14. | :17:18. | |
through you do not realise they are speaking in the iambic pentameter, | :17:19. | :17:20. | |
it is as if they are talking normally. Two Shakespeare plays, I | :17:21. | :17:26. | |
have a comedy and a tragedy. The comedy would be a Midsummer Night's | :17:27. | :17:32. | |
Dream. The play at the end they do is hilarious. I suppose tragedy | :17:33. | :17:38. | |
would be Julius Caesar. The speech, friends, Romans, countrymen, lend me | :17:39. | :17:43. | |
your ears, it brings me out in goose bumps thinking about it. | :17:44. | :17:51. | |
I work at Shakespeare's Globe and I have done for several years. I have | :17:52. | :17:55. | |
been massively into Shakespeare for a long time. My parents read a lot. | :17:56. | :18:00. | |
When I first read Shakespeare it was in the lamb's version, really | :18:01. | :18:07. | |
interesting stories for a child to read. Why I adore Shakespeare is the | :18:08. | :18:16. | |
richness of the language. You cannot escape the fact that each sentence | :18:17. | :18:19. | |
is exquisitely poised. If this be error and upon my proved, | :18:20. | :18:36. | |
by never writ or any man ever loved. My all-time favourite line is from | :18:37. | :18:43. | |
Hamlet, I could be bounded by a nutshell and count myself king of | :18:44. | :18:47. | |
infinite space, if I did not have bad dreams. It is a treat to work | :18:48. | :18:52. | |
here. When I meet a blind patron who has never been to a Shakespeare play | :18:53. | :18:58. | |
and they come to one of our audio described performances, and they | :18:59. | :19:03. | |
understand how it works as a performance, not just as a text and | :19:04. | :19:07. | |
the understand it, it is incredibly rewarding. | :19:08. | :19:12. | |
There is of course, only one place to be today and that is in | :19:13. | :19:17. | |
Stratford-upon-Avon at Shakespeare's birthplace where they | :19:18. | :19:20. | |
are preparing for some pretty big celebrations. Let's say good evening | :19:21. | :19:24. | |
to Gyles. I think he is in the room where Shakespeare was born. I am in | :19:25. | :19:32. | |
that very room. Much ado about a great deal here. I am in the first | :19:33. | :19:37. | |
floor of the house in Henley Street where Shakespeare was born 450 years | :19:38. | :19:42. | |
ago, in the very room where he was born. Could it be more exciting? I | :19:43. | :19:47. | |
do not think so. Shakespeare was born here, one of eight children, | :19:48. | :19:54. | |
the first boy. His parents were John and Mary Shakespeare. It is quite a | :19:55. | :19:58. | |
substantial house. They are well to-do people. I will go down to the | :19:59. | :20:04. | |
kitchen to find Jonathan Drake from Holy Trinity Church was a | :20:05. | :20:11. | |
Shakespeare's collection? We know Shakespeare was baptised in the | :20:12. | :20:13. | |
church and the font that was used for the baton is -- baptism can | :20:14. | :20:21. | |
still be seen today. We also know he was buried in the church. We get | :20:22. | :20:25. | |
quarter of a million visitors coming to see his grave each year. How are | :20:26. | :20:32. | |
you celebrating? We have a full schedule including a full peal of | :20:33. | :20:39. | |
bells which was performed by bell-ringers from Westminster Abbey | :20:40. | :20:41. | |
earlier on today. Now I will go out into the garden. I | :20:42. | :20:46. | |
think in Shakespeare's day this would be where the family grew their | :20:47. | :20:51. | |
vegetables. Now I will find someone from the escape community group arts | :20:52. | :21:01. | |
group -- Escape Community Arts group. These are characters from a | :21:02. | :21:10. | |
Midsummer nights -- a Midsummer Night's Dream. We have been | :21:11. | :21:16. | |
commissioned to make a wonderful big birthday cake for the celebrations. | :21:17. | :21:21. | |
Happy birthday to William and congratulations to all of you. I am | :21:22. | :21:26. | |
going to trip across the gardens. This is where Shakespeare went to | :21:27. | :21:37. | |
get to school. I am going to meet Marian Morgan from the Shakespeare | :21:38. | :21:41. | |
Birthplace Trust. We have more fairies. The celebrations go won | :21:42. | :21:50. | |
this weekend, what is happening? We have a big concert tomorrow and | :21:51. | :21:54. | |
Saturday sees our big celebrations. There will be ambassadors from all | :21:55. | :21:58. | |
over the world, because Shakespeare is not just for England... He is for | :21:59. | :22:07. | |
all the world. Here is the city of Coventry drum corps. | :22:08. | :22:19. | |
APPLAUSE We thoroughly enjoyed that. Gyles for flight Anneka Rice running | :22:20. | :22:39. | |
through Stratford. Early on we are still at home to summarise | :22:40. | :22:43. | |
Shakespeare's plays in 25 words. We have had the first one. Nigel, would | :22:44. | :22:48. | |
you read it? Yeller macro teenage prince is told by ghost of his dad | :22:49. | :22:52. | |
to kill his uncle. Spends the rest of the play confused about it. | :22:53. | :23:01. | |
Everyone dies. Everyone dies? That is not quite | :23:02. | :23:06. | |
true. Teenage prince, who can that be? You really do not know | :23:07. | :23:14. | |
Shakespeare! Teenage prince told by ghost... Mac Beth. She did say | :23:15. | :23:28. | |
Hamlet. Let's move on. Let's talk about the importance of | :23:29. | :23:34. | |
being earnest. Oscar Wilde is a sort of comedy. What happened was in | :23:35. | :23:43. | |
1982I did the importance of being earnest at the National Theatre with | :23:44. | :23:48. | |
Martin Jarvis. He said we must do this again. We are just getting the | :23:49. | :23:55. | |
hang of it. 32 and a bit years later, we are doing it again. We are | :23:56. | :24:12. | |
these people. We are members of a company of players and we are doing | :24:13. | :24:20. | |
our dress rehearsal at Lavinia's house, that is Lady Bracknell, | :24:21. | :24:24. | |
played by Sian Phillips. Love Sian Phillips. Simon Brett has written a | :24:25. | :24:36. | |
prologue to explain we do this play everyday and we are doing the dress | :24:37. | :24:40. | |
rehearsal and when you come to the second act it is all like Arcadia | :24:41. | :24:44. | |
and it is beautiful. I do not know if I explained it properly. I know | :24:45. | :24:50. | |
we are bit old for these parts but we have found a way around. You get | :24:51. | :24:55. | |
two plays, one is the setup and one is the play itself. Why did you | :24:56. | :25:03. | |
decide to do this play again? Because it is such fun to do. We | :25:04. | :25:08. | |
used to behave outrageously. In the first act, when Lady Bracknell | :25:09. | :25:14. | |
refuses him because he wants to marry his girlfriend, offstage I | :25:15. | :25:19. | |
play here comes the bride. He used to say, stop playing that ghastly | :25:20. | :25:24. | |
tune. I would dress in different costumes and make him laugh. Then | :25:25. | :25:28. | |
one night he said those costumes are getting a little dull. That night I | :25:29. | :25:36. | |
stood there completely naked! I had four people to dress me and I only | :25:37. | :25:40. | |
had a few seconds to get back into costume. Martin could not speak for | :25:41. | :25:47. | |
some time. He stopped the show. It looks like it was his fault because | :25:48. | :25:51. | |
he was the one not speaking. I was fine. I want to ask you, have you | :25:52. | :25:58. | |
heard about the controversy over Jamaica Inn and the mumbling? I | :25:59. | :26:07. | |
have. What is your take? I could not understand a word. I tried turning | :26:08. | :26:11. | |
up the volume. There was something wrong with the sound I think. As an | :26:12. | :26:17. | |
actor, that must be incredibly frustrating? Sometimes in drama | :26:18. | :26:21. | |
these days you do get a bit of mumbling and in films. I am more of | :26:22. | :26:27. | |
a Shakespearean. The sound guys spend so much time and effort | :26:28. | :26:31. | |
getting the sound right that it is a real shame. I know televisions have | :26:32. | :26:35. | |
got bigger but the speakers are still quite small. I do not | :26:36. | :26:40. | |
understand it. I think they have sorted it now. Thank you, Nigel. | :26:41. | :26:45. | |
The Easter weekend should have been a bumper time for businesses in the | :26:46. | :26:50. | |
south-west. But after some of the worst flooding in years, how did | :26:51. | :26:54. | |
they cope and how are things looking for the future? Lucy went to find | :26:55. | :26:58. | |
out. I am here in the south-west, my neck | :26:59. | :27:04. | |
of the woods. The times and villages here survived because of the tourism | :27:05. | :27:08. | |
industry which generates upwards ?10 billion a year for the region. Since | :27:09. | :27:15. | |
the winter storms which affected much of the UK and in particular, | :27:16. | :27:20. | |
the south-west, tourism has taken a big hit. When the railway line at | :27:21. | :27:25. | |
dawn dish was destroyed, it drastically disrupted businesses in | :27:26. | :27:30. | |
the region. -- the railway at Dawlish. We know you are resilient | :27:31. | :27:38. | |
types but it must have had a devastating effect on you? We are | :27:39. | :27:43. | |
used to being full, not just every weekend but in the weekday. Once the | :27:44. | :27:48. | |
storms came and the train line was disrupted, our business fell through | :27:49. | :27:52. | |
the floor. Our bookings were down by more than 30%. We were lying awake | :27:53. | :27:58. | |
at night thinking what are we going to do? That was very scary. How our | :27:59. | :28:07. | |
bookings looking forward? Virtually empty, still no bookings coming in. | :28:08. | :28:13. | |
A new summer show opening in the gallery, no guests. Would you expect | :28:14. | :28:20. | |
this to be full normally? Absolutely. People need to be | :28:21. | :28:23. | |
reassured that it is worth coming here. It is pretty, it is not | :28:24. | :28:29. | |
destroyed. Please come to Cornwall and discovered this wonderful area. | :28:30. | :28:35. | |
Some businesses were so badly damaged by the storm surges and | :28:36. | :28:40. | |
flooding that they have been unable to reopen so they have missed the | :28:41. | :28:43. | |
Easter Spike and are having to look ahead to the summer season. Nicky's | :28:44. | :28:50. | |
beach cafe in Cornwall is not yet open because of storm damage. How | :28:51. | :28:54. | |
would you describe the damage that has hit your business? Complete and | :28:55. | :29:00. | |
utter devastation. It was like a war zone. I did not know where to start. | :29:01. | :29:07. | |
But the positivity and determination of my staff and customers boys you | :29:08. | :29:10. | |
up. I thought I will not be defeated by this. How much trade have you | :29:11. | :29:19. | |
lost? We have regular customers come every day. At weekends we can serve | :29:20. | :29:25. | |
six 700 people a day so financially it has been crippling. Do you think | :29:26. | :29:30. | |
people will be enticed back to the region? I am sure they will. I am | :29:31. | :29:35. | |
not open for business yet but I will be. Sex and miles along the coast in | :29:36. | :29:45. | |
Devon, this major tourist attraction ground to a halt during the storms. | :29:46. | :29:51. | |
There was no revenue as a result. We could not believe what had occurred. | :29:52. | :29:55. | |
The river had come over the track and washed everything away. The | :29:56. | :29:59. | |
rails were suspended midair. It was incredible. How have you managed to | :30:00. | :30:04. | |
get it up and running so that we can be on it now? There is a lot of | :30:05. | :30:09. | |
effort went in, long hours. We were getting people knocking on the door, | :30:10. | :30:15. | |
shovels in hand, can we help? It was amazing. The 20 years I have lived | :30:16. | :30:19. | |
in this area, it is one of the worst storms I have witnessed. It is how | :30:20. | :30:22. | |
you deal with it and get back on your feet which is the important | :30:23. | :30:31. | |
thing. Thank you. Easter may be over but the holiday season lies ahead. | :30:32. | :30:36. | |
Two thirds of us take a break in the UK each year. And businesses of the | :30:37. | :30:42. | |
south-west want to remind you that when you are booking that, the | :30:43. | :30:50. | |
region is very much back on track. Back in business, that is the | :30:51. | :30:54. | |
message. Nicky, tomorrow, nine o'clock, Wanted: A Family Of My Own, | :30:55. | :30:58. | |
give us a brief summary of the series? Well, what we wanted, it is | :30:59. | :31:03. | |
made by the same company which makes Long Lost Family On John But We | :31:04. | :31:08. | |
Wanted Everybody To See It At The Beginning, And to go through the | :31:09. | :31:14. | |
adoption process. It is a wonderful, magical, thing. When I was adopted, | :31:15. | :31:24. | |
it was very different. The vast majority of people adopted in those | :31:25. | :31:28. | |
days were illegitimate, and were infants as well. It is completely | :31:29. | :31:32. | |
different now. A lot of these children have been abused, a lot of | :31:33. | :31:37. | |
them have veto alcohol syndrome, or some do, or might be addicted to | :31:38. | :31:42. | |
drugs. Very often sibling groups, often older. The people who want to | :31:43. | :31:48. | |
adopt are so motivated, they make the most fantastic parents. When | :31:49. | :31:53. | |
people say to me, as an adopted person, sometimes they say, and I | :31:54. | :31:57. | |
want to reiterate this, they say, have you met your real mum or your | :31:58. | :32:02. | |
real dad? And I say, no, my mum and dad are the people who adopted me. | :32:03. | :32:08. | |
Because, again inside one thing but belonging is the thing. They are my | :32:09. | :32:12. | |
real mum and dad. A lot of adopted people feel like that. That is how | :32:13. | :32:18. | |
wonderful it is. Tomorrow night, you meet a lovely little boy. Here he | :32:19. | :32:25. | |
is. Joshua's birth mother has serious long-term mental health | :32:26. | :32:29. | |
issues. And after struggling to look after him, she agreed it was in his | :32:30. | :32:35. | |
best interests to have him adopted. There was no attachment with his | :32:36. | :32:38. | |
mother at birth at all, which is very sad. It is not her fault. He | :32:39. | :32:44. | |
was very quiet in those early days, and we were quite concerned. Have | :32:45. | :32:51. | |
you had enough? He did not cry. And that was awed. It was as if he had | :32:52. | :32:58. | |
switched off, and babies cry, they are supposed to. Well, of course, | :32:59. | :33:06. | |
Joshua was being looked after by two wonderful people. Also, something I | :33:07. | :33:14. | |
really want to say, because my mother was a social worker. She is | :33:15. | :33:18. | |
not any more, she is 90 years old and laying into the red wine. But | :33:19. | :33:22. | |
that apart! My sister is a social worker. In the course of this | :33:23. | :33:28. | |
series, I met some amazing social workers. They get bad headlines when | :33:29. | :33:32. | |
something goes wrong, but the vast majority of the time, it goes right, | :33:33. | :33:37. | |
and they do a amazing work. Hopefully it will be an enlightening | :33:38. | :33:41. | |
for people, and it will show people that you can be gay, single... Each | :33:42. | :33:49. | |
programme, you take two different sides of the story, don't you? As I | :33:50. | :33:53. | |
understand it, there has been a sharp increase in the number of | :33:54. | :33:56. | |
people put up for adoption in the last five years, but there does not | :33:57. | :33:59. | |
seem to be the number of people coming forward. No, that is what we | :34:00. | :34:05. | |
have to say, what a fantastic thing it is. If you are motivated as a | :34:06. | :34:10. | |
parent, to bring a child into your home is something magical. I think | :34:11. | :34:13. | |
people think it is quite restrictive, but it is quite the | :34:14. | :34:17. | |
opposite. You can live in rented accommodation, you can have | :34:18. | :34:21. | |
disability, right across the board. You can be older. They are looking | :34:22. | :34:30. | |
for people to adopt, and we need more. Sometimes, things which might | :34:31. | :34:36. | |
put people off can be the apparently lengthy process of going through | :34:37. | :34:38. | |
it, but the Government has now reduced the timescale, which must be | :34:39. | :34:44. | |
brilliant? Yes, there has to be a process, there has to be a little | :34:45. | :34:48. | |
bit of that, but nine months, pregnancy, is quite a lengthy | :34:49. | :34:53. | |
process in itself. We normally have bad news, don't we, but there are so | :34:54. | :34:59. | |
many good people. It is really good to embrace that. And you have to | :35:00. | :35:05. | |
watch, because it is quite a story, as it unfolds, with Joshua. Yes. | :35:06. | :35:14. | |
When you see people stream is fulfilled, -- dreams fulfilled, it | :35:15. | :35:20. | |
is the most fantastic thing, when they become parents. If you are | :35:21. | :35:26. | |
interested in adoption, please go to our website, where you can find | :35:27. | :35:30. | |
further information. It is now time to go back to Christine, for this | :35:31. | :35:37. | |
year's Garden Designer of the Year competition. Our next finalist, Jon | :35:38. | :35:44. | |
Kay, from Guildford, was influenced by a famous gardener. She wanted to | :35:45. | :35:49. | |
paint a beautiful pictures with plants. That is basically what she | :35:50. | :35:53. | |
did. That is what I want to do with my garden at Hampton Court. So, to | :35:54. | :35:59. | |
sum it up for us? I just want it to look really beautiful. It has got to | :36:00. | :36:04. | |
look really nice. Which element are you most proud of? I like the simple | :36:05. | :36:12. | |
things, Glenn, actually. It has just got silver birch, it is simple, cool | :36:13. | :36:17. | |
and calm. What does your garden looked like at home? Completely | :36:18. | :36:22. | |
different to this. It is not flowers, it is architectural, it has | :36:23. | :36:27. | |
got big palm trees and firms, very different to what Gertrude would | :36:28. | :36:30. | |
have done. If you do not win, are you still going to do a bit of | :36:31. | :36:36. | |
this? Absolutely, I have learned a lot with searching Gertrude and now | :36:37. | :36:39. | |
I am going to pick up some of her elements. So even as an experienced | :36:40. | :36:43. | |
gardener, you have learned some things? Absolutely. I will be | :36:44. | :36:47. | |
putting some of her plants into my garden. It is not long before we | :36:48. | :36:52. | |
find out. We do not know, Christine is the only one who knows. That is | :36:53. | :36:58. | |
it for now. I like John pass Mac as well. Anyway, every weekday, Nicky | :36:59. | :37:04. | |
broadcasts his radio show to the nation. Everybody can tune in, but | :37:05. | :37:15. | |
as Ruth Goodman discovers, not all radio broadcasts are as easy to | :37:16. | :37:22. | |
understand. If you tune in a short wave radio to the right frequency, | :37:23. | :37:32. | |
on a clear day, you might just stumble across something pretty | :37:33. | :37:36. | |
strange. They are known as number stations. There is no easy leaders | :37:37. | :37:41. | |
seller in message, just an automated voice reading out a string of | :37:42. | :37:45. | |
seemingly random numbers. So what are they? This man is a short wave | :37:46. | :37:57. | |
enthusiast, and has spent years searching for and lobbying these | :37:58. | :38:02. | |
curious broadcasts. They all start with some kind of tone, like this, | :38:03. | :38:06. | |
or some kind of music, which is the same every single time. In this | :38:07. | :38:12. | |
case, a Swedish Rhapsody. You know it is coming, and then you can sit | :38:13. | :38:20. | |
and wait... NUMBERS BROADCAST. | :38:21. | :38:28. | |
Who is in charge of it, nobody knows. Short wave radio is a low | :38:29. | :38:35. | |
quality radio format, but its main advantage is that it can travel huge | :38:36. | :38:39. | |
distances, bouncing off the earth's atmosphere. It has often been used | :38:40. | :38:43. | |
to avoid censorship, to broadcast propaganda, or to get messages to | :38:44. | :38:50. | |
hard to reach places. Amateur radio enthusiasts often send each other | :38:51. | :38:53. | |
messages over short wave radio. All you need is a transmitter like this | :38:54. | :38:57. | |
and an ordinary short wave radio. But you need a license to do that, | :38:58. | :39:04. | |
and the messages log by our enthusiast were all on frequencies | :39:05. | :39:08. | |
reserved for the military or police. More frequencies used by | :39:09. | :39:11. | |
governments. Is this a clue to the purpose of these stations? Peter | :39:12. | :39:15. | |
Matthews worked in British intelligence during the Cold War and | :39:16. | :39:20. | |
is an expert in codes and communications. Who is sending these | :39:21. | :39:25. | |
messages? Everybody who runs an intelligence service, which is | :39:26. | :39:28. | |
virtually every industrialised country in the world, has some kind | :39:29. | :39:32. | |
of coding to transmit their information. So, we are talking | :39:33. | :39:38. | |
intelligence agencies? Intelligence agencies across the world. But how | :39:39. | :39:43. | |
do seemingly random strings of numbers become meaningful messages? | :39:44. | :39:50. | |
The answer is a pad like this. Words are encrypted or turned into numbers | :39:51. | :39:54. | |
according to rules laid out in a key. The key is unique. It is used | :39:55. | :40:00. | |
only one time, and it is known only to the sender and to the recipient. | :40:01. | :40:04. | |
Without the key, the message is just a jumble of numbers. As long as the | :40:05. | :40:11. | |
key is never used twice, it is an unbreakable for encryption. In the | :40:12. | :40:16. | |
very early days of the Cold War, I was hearing these numbers as they | :40:17. | :40:25. | |
began. There are not so many now. But still, there is a considerable | :40:26. | :40:30. | |
number. The benefits of using short wave that unlike mobile phones or | :40:31. | :40:34. | |
electronic communication, which is much harder to trace the source of | :40:35. | :40:37. | |
messages or the location people sending or receiving them. Even | :40:38. | :40:42. | |
recently, short wave radios have been found on arrested spies. This | :40:43. | :40:48. | |
lady was found guilty of spying against America in the 1990s. Her | :40:49. | :40:54. | |
court papers showed she used number stations to receive messages. When | :40:55. | :40:58. | |
the FBI arrested a spy ring in 2010, they also found a short wave | :40:59. | :41:03. | |
radio and a code book. We may never know for certain exactly what these | :41:04. | :41:07. | |
number stations are for or who is sending them, or even who is | :41:08. | :41:11. | |
listening. But if you do come across one in the middle of the night, it | :41:12. | :41:16. | |
is both fascinating and rather terrifying to think who might be | :41:17. | :41:27. | |
listening along with you. This, don't you? I do. I cannot believe | :41:28. | :41:32. | |
you have never heard of it. Anyway, we have done a bit of number | :41:33. | :41:36. | |
crunching ourselves. If you go to our website, you might see if you | :41:37. | :41:42. | |
can crack our code. It is 20 years of 5 Live, and you have been doing | :41:43. | :41:47. | |
the breakfast show for 17 years. I have been on the station for 17 | :41:48. | :41:50. | |
years, I think I have been doing Breakfast for ten years. You have | :41:51. | :41:55. | |
heard some amazing stories in your time, on your show, lots of them | :41:56. | :42:01. | |
have got you quite choked up, but which one really stands out for you? | :42:02. | :42:06. | |
I did a phone in every day, and we had a caller on assisted dying, and | :42:07. | :42:11. | |
we had a string of amazing calls. When I tried to get the number out | :42:12. | :42:17. | |
at the end, I broke down in tears. Radio is a very intense medium. 5 | :42:18. | :42:21. | |
Live are picking out the stories that people are talking about. We | :42:22. | :42:26. | |
are doing this big outside broadcast next week. We are going to be in | :42:27. | :42:32. | |
Inverness talking about what life is like after the army. That is on | :42:33. | :42:36. | |
Monday. Rachel will be doing that. We will be talking about the floods | :42:37. | :42:40. | |
in Somerset throughout the week. We will be talking about the First | :42:41. | :42:45. | |
World War, so, an entire week of getting to the people, edging to the | :42:46. | :42:49. | |
stories which people have come to us about. Talking of people coming to | :42:50. | :42:56. | |
us, we have been inundated with some Shakespeare contributions. She could | :42:57. | :43:06. | |
not have loved him more... Hang on. But she lost her handkerchief. He | :43:07. | :43:12. | |
lost his mind. No more hanky-panky! Is it Othello? Yes. Do you like | :43:13. | :43:25. | |
playing nasty parts? I do. I prefer it to playing nice people. It is | :43:26. | :43:30. | |
more fun, and was playing the villain is great. I adore it. It is | :43:31. | :43:38. | |
true. It is easier as well. Well, she is not much of a villain, but | :43:39. | :43:42. | |
she is a hard judge, it is time to go to Christine, to introduce our | :43:43. | :43:47. | |
third finalist in this year's Garden Designer of the Year competition. | :43:48. | :43:52. | |
Our last finalist, Alexandra Noble, was inspired by the hot springs in | :43:53. | :43:58. | |
the city of Bath. I really wanted to capture the vitality of the water | :43:59. | :44:01. | |
and get that sense of life in my garden. I really like this one, it | :44:02. | :44:10. | |
is one of my favourites. Similarly, you are an architecture student, had | :44:11. | :44:13. | |
you designed gardens before? Never. I have transferred my knowledge of | :44:14. | :44:20. | |
dimensions and materiality. Do you think it might be a new avenue for | :44:21. | :44:26. | |
you? Definitely. I am at University in Bath, I have been there for six | :44:27. | :44:30. | |
years. It has had a big influence on my life. What about the garden that | :44:31. | :44:35. | |
you grew up with? We have got a back garden, it is not that big. It is | :44:36. | :44:42. | |
quite plain, with a lawn. Used up to your guns with your design. I know | :44:43. | :44:47. | |
that Christine was not so sure about one particular section, but you had | :44:48. | :44:50. | |
a bit of an argument with her? Yes, it was a little bit controversial. | :44:51. | :44:57. | |
That is good! Good luck. We are moments away from discovering which | :44:58. | :45:02. | |
of these green-fingered amateurs will be discovering at this year's | :45:03. | :45:05. | |
Hampton Court Flower Show. The tension in here, I tell you what! | :45:06. | :45:10. | |
Anyway, before we find out, let's see how our trio of finalists but on | :45:11. | :45:18. | |
in impressing the judges. We have not to choose one finalist to be at | :45:19. | :45:25. | |
Hampton Court. Before we choose a winner, we want to interrogate our | :45:26. | :45:26. | |
finalists about their designs. My fellow judges and I have brought | :45:27. | :45:39. | |
them to the Cardiff flower show. First is Helen and Holly. All the | :45:40. | :45:46. | |
planting is taken from 18th-century silk designs. I am worried about the | :45:47. | :45:51. | |
amount of concrete. Do you attend it as a walk-through garden or just | :45:52. | :45:57. | |
beautiful from the outside? I thought it would be viewed from the | :45:58. | :46:02. | |
outside and the concrete would allow the eye to go through. As you look | :46:03. | :46:06. | |
through you have got the wow factor of the planting and we wanted this | :46:07. | :46:14. | |
contrast. I hope they realised we wanted to take on board what we work | :46:15. | :46:18. | |
all stop and their experience because we have never done this | :46:19. | :46:22. | |
before. Next, John Kane and his idea | :46:23. | :46:34. | |
inspired by Gertrude Chico. Jekyll is one of the most famous plants | :46:35. | :46:38. | |
women this country has ever produced. It is a challenge and I am | :46:39. | :46:46. | |
flexible. The garden is packed full of plants and they will all be | :46:47. | :46:49. | |
flowering at different times. Are you confident? We do not this is a | :46:50. | :46:55. | |
really have to go with this exact planting. With your knowledge we | :46:56. | :46:59. | |
could produce something similar and bring it up to date. It is not a | :47:00. | :47:05. | |
museum piece, we are not trying to replicate what Gertrude Jekyll did. | :47:06. | :47:13. | |
Well done. Thank you. I think they liked the design. I can understand | :47:14. | :47:19. | |
their concerns. Last but not least, Alexander and | :47:20. | :47:24. | |
her Roman bath design. I think it is inspirational but do you think the | :47:25. | :47:28. | |
person walking up to it will instantly identify it as Bath? I | :47:29. | :47:36. | |
think so, it is a romantic garden. There is the wafting movement and | :47:37. | :47:41. | |
since you are at a but I think a couple of Roman columns would stamp | :47:42. | :47:46. | |
half. I am not convinced! The garden is meant to be a lot more abstract | :47:47. | :47:52. | |
than that. What I thought was the energy would be the plants in the | :47:53. | :47:56. | |
form and texture and scale. It is that energy that I want to bring to | :47:57. | :48:01. | |
Hampton Court, the energy and vitality. Thank you very much. | :48:02. | :48:06. | |
I disagreed with Christine in particular. Not so much the two guys | :48:07. | :48:12. | |
but definitely Christine. I do not think a column would be appropriate. | :48:13. | :48:19. | |
OK, fair enough. But before we choose the winner, last challenge to | :48:20. | :48:23. | |
test their horticultural knowledge. They have to do the right label on | :48:24. | :48:28. | |
these ten plants. I am delighted to say you have got nine right. Well | :48:29. | :48:34. | |
done. Do you want to know your score? Six, well done. 3) you had | :48:35. | :48:47. | |
six right at one stage. So, John is top but Alexandra is last. I do not | :48:48. | :48:58. | |
know how we will decide. With the stakes so high, this is a decision | :48:59. | :49:02. | |
we have got to get right. So we left the judges deliberating | :49:03. | :49:08. | |
but they are all with us now. Christine, was it hard to break it | :49:09. | :49:16. | |
down to the final three? It was because the standard this year was | :49:17. | :49:21. | |
exceptional. Everybody who entered needs to be congratulated but the | :49:22. | :49:26. | |
finalists, we had some spanking designs. | :49:27. | :49:33. | |
Was the decision unanimous? Not quite! How did you then decide? It | :49:34. | :49:42. | |
was probably to do with this banking, wasn't it? ! Quite a lot of | :49:43. | :49:48. | |
discussion, forceful discussion, very little debate. We are still | :49:49. | :49:58. | |
friends. You had the last vote because you are the head judge. I | :49:59. | :50:06. | |
had casting vote. Well, the finalists are before us. Shall we | :50:07. | :50:11. | |
find out, who is the winner? Excitement brewing! Is it the drum | :50:12. | :50:17. | |
roll or a wheelbarrow full of bricks? Good luck. And the winner | :50:18. | :50:34. | |
is... Alexandra! A bunch of flowers is appropriate. There we are, my | :50:35. | :50:40. | |
dear, congratulations. The design will be on display at the Hampton | :50:41. | :50:46. | |
Court Flower Show. You did not expect it but how are you feeling? I | :50:47. | :50:53. | |
cannot believe it. Because my design was so controversial and Christine | :50:54. | :50:57. | |
was not a fan and the three out of ten, it was not looking good for me. | :50:58. | :51:06. | |
You fought for it. Well done. Once again, congratulations. Well done to | :51:07. | :51:14. | |
the other three. Your standard of work was outstanding. Last night we | :51:15. | :51:21. | |
thought we had some pretty big public art on display when we showed | :51:22. | :51:24. | |
you the kelpies on the banks of the Forth and Clyde Canal. Tonight, Lucy | :51:25. | :51:32. | |
has taken a trip to Heathrow Airport with another beast of giant art. | :51:33. | :51:39. | |
Last year, I went to Hull to report on the making of an ambitious new | :51:40. | :51:45. | |
artwork which is called slipstream. Slipstream has been commissioned to | :51:46. | :51:50. | |
form the centrepiece of this, Heathrow's new terminal two which | :51:51. | :51:53. | |
opened to the public in June. You need a big piece to fill a site this | :51:54. | :51:59. | |
size. At over 70 metres in length, Slipstream will be the longest | :52:00. | :52:04. | |
permanent sculpture in Europe. When I last spoke to Richard, the 23 | :52:05. | :52:10. | |
sections were being transported one by one from Hull to Heathrow, to be | :52:11. | :52:16. | |
installed above the airport's central concourse. This has to be | :52:17. | :52:20. | |
the most ambitious piece I have ever made. We have probably had up to 80 | :52:21. | :52:27. | |
people working on this. Richard's sculpture sets out to recreate the | :52:28. | :52:32. | |
slipstream created by a stunt plane in the sky. He is an artist who does | :52:33. | :52:40. | |
not do things on a small scale. He has rotated chunks of Liverpool | :52:41. | :52:44. | |
building and recreated the final scene of the Italian Job. Oh, my | :52:45. | :52:50. | |
goodness, it is huge! That is amazing. Are you pleased with it? | :52:51. | :52:58. | |
Yes, I am. It brings a smile to me every time I come here. I am | :52:59. | :53:01. | |
watching other people. They are intrigued by it. It is something you | :53:02. | :53:08. | |
cannot ignore. It is 78 metres long, 77 tonnes, there are over 3000 | :53:09. | :53:14. | |
rivets. If I had to do that in several bags I could not do it. | :53:15. | :53:20. | |
Slipstream has been designed to be seen from every area and level of | :53:21. | :53:26. | |
the terminal. This is our through the clouds moment. It looks | :53:27. | :53:31. | |
completely different from up here. You can see this is a plane. Yes, as | :53:32. | :53:36. | |
the piece until eight through the space, it is quite abstract. But you | :53:37. | :53:43. | |
can understand what it is. One of the beautiful things is you can see | :53:44. | :53:49. | |
it is handmade. It has not been painted, it does not need to be | :53:50. | :53:55. | |
painted. It takes the 1960s Douglas aircraft, that polished surface. We | :53:56. | :54:02. | |
have hinted at the nostalgia, speed and endeavour. The man in charge of | :54:03. | :54:13. | |
turning Richard 's idea into reality is Ian Webber. We had to connect the | :54:14. | :54:20. | |
chains, rotated and get it millimetre perfect into position | :54:21. | :54:23. | |
before we lifted it into the air and bolted it to the next piece. You | :54:24. | :54:27. | |
cannot now see that it is 23 different places. It is estimated | :54:28. | :54:36. | |
that nearly four times the number of visitors to the Tate modern will see | :54:37. | :54:40. | |
this every year. Today, the first people have been invited in for a | :54:41. | :54:48. | |
sneak preview. What is the verdict? I like it but what is it meant to | :54:49. | :54:56. | |
be, plain? It is a fish. It is the waves. It looks like an aeroplane. I | :54:57. | :55:04. | |
think it is beautiful. You can make your own mind up when Terminal two | :55:05. | :55:08. | |
opens to the public on the 4th of June. | :55:09. | :55:11. | |
Thank you, I'm sure it will take off. An exhibition celebrating | :55:12. | :55:16. | |
Rowland Emit opens next month at the Birmingham Museum and Art Gallery. | :55:17. | :55:21. | |
Rowland was the real-life Caractacus Potts who supplied and created the | :55:22. | :55:27. | |
contraptions in the children's film Chitty Chitty Bang Bang. They are | :55:28. | :55:33. | |
beatable. Tim, you are organising this exhibition. Why now? Despite | :55:34. | :55:40. | |
the fact that Emit was famous in the Second World War period, he has been | :55:41. | :55:44. | |
forgotten for the last 25 years so we decided it was time to get the | :55:45. | :55:51. | |
machines out of storage. Where were they hiding? These were hiding in | :55:52. | :56:00. | |
Leeds. There are other ones from the Victoria Centre in Nottingham. I | :56:01. | :56:04. | |
played Caractacus Potts in the musical and had a joy of the time | :56:05. | :56:10. | |
playing with these wonderful things. What is this one that we are looking | :56:11. | :56:17. | |
at here? This is the feather stain kite mark two gentleman's flying | :56:18. | :56:25. | |
machine. Alex is with someone who knows why he was such a genius. | :56:26. | :56:31. | |
Yes, I am with Clare, the daughter of the man behind the machines. What | :56:32. | :56:39. | |
was it like growing up? Was your house full of bits and bobs? He | :56:40. | :56:45. | |
certainly went around the antiques shops and pinched things from the | :56:46. | :56:49. | |
house. There is a door knob which was on the cupboards. The teacup | :56:50. | :56:55. | |
that he would have taken and mirrors than tables and lampshades, always | :56:56. | :57:01. | |
taking lampshades! What was it like when the call came from Chitty | :57:02. | :57:06. | |
Chitty Bang Bang to asking to make these machines? I think he would | :57:07. | :57:10. | |
have felt very daunted but very excited. It was an enormous project. | :57:11. | :57:15. | |
He made about eight inventions as well as the breakfast machine for | :57:16. | :57:21. | |
the film. The only other film he was involved with was Admiral Crichton. | :57:22. | :57:24. | |
Very exciting for him and he loved it. Apart from the three machines, | :57:25. | :57:30. | |
we have got another find from the original film. | :57:31. | :57:39. | |
This is Adrian Hall. You may not recognise him. This was little | :57:40. | :57:44. | |
Jeremy. How old were you here? Eight. What memories do you have? It | :57:45. | :57:53. | |
was fabulous walking up to the set every day and seeing toys like this. | :57:54. | :57:59. | |
There was a little props guy who did the props for the Bond films. He | :58:00. | :58:04. | |
used DJ around and stop us grabbing hold of stuff and taking it home. I | :58:05. | :58:11. | |
bet you thought this was all real? I genuinely believed it all worked. | :58:12. | :58:17. | |
They all have this mesmerising quality. It is the sound and | :58:18. | :58:24. | |
everything. Thank you very much, Adrian. Early on we were talking | :58:25. | :58:26. | |
about summarising Shakespeare into 25 words. Another one says royal | :58:27. | :58:34. | |
uncle killed of a brother and two nephews, offers his kingdom for a | :58:35. | :58:40. | |
horse before being dumped in a Midlands car park. Of course, that | :58:41. | :58:45. | |
is Richard III. Nicky's new series Wanted: A Family Of My Own starts | :58:46. | :58:52. | |
tomorrow on ITV. And The Importance of Being Earnest will be at the | :58:53. | :58:56. | |
Harold Pinter Theatre. Tomorrow we will be joined by the one and only | :58:57. | :59:00. | |
Hello, I'm Ellie Crisell with your 90-second update. | :59:01. | :59:09. | |
The brother of the Duchess of Cornwall has died after a fall in | :59:10. | :59:13. | |
New York. Conservationist Mark Shand suffered head injuries. A statement | :59:14. | :59:16. | |
from Camilla and Prince Charles says they're devastated. | :59:17. | :59:19. | |
Three children under five have been found dead at a house in south | :59:20. | :59:23. | |
London. A girl and twin boys were discovered last night. Their | :59:24. | :59:26. | |
42-year-old mother has been arrested on suspicion of murder. | :59:27. | :59:27. | |
The number | :59:28. | :59:28. |