23/11/2016 The One Show


23/11/2016

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# Here I am # Running up the seventh floor

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# Knocking the 11th door # I'm sick of trying

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# Baby couldn't love it some more... #

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APPLAUS high pressure Well here he is, it's Matt Baker. There she is,

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Alex Jones. Just fresh from the office on the seventh floor. It's

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true. Can't make it up. He is the award-winning singer-songwriter who

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enthralled Elton and bewitched Billy Joel. The brilliant Tom Odell. We

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will have a performance from Tom later as well. Thank you. Lovely

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stuff. Also in true One Show style we will find out when two worlds

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collide. What do you get when the world of Gyles Brandreth collides

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with the high-octane world of 007. Or when the world of former Page 3

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girl, Samantha Fox, meets the world of fine art. If you ever wondered

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what the Shake and Vac jingle would sound like when played by a

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classical string quartet. Tonight could be your lucky night. On the

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face of it, our two guests tonight are from very different worlds, one

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is a visionary DY and producer who helped change the face of British

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music in the 80s with his group Soul II Soul. And the other is the

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comedian, actor and all-round entertainer who can turn his hand to

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anything from stand-up to soap o operas, crime dramas and quiz shows.

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We'll let you which it is. Please welcome Jazzie B and Bradley W. You

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were the first person to do the one letter for a surname thing. MattiB

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is on to it now. What does the "B" stand for? It's my first name. OK. I

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condensed it to the "B." We have had Warren G, Jay Z, Jessie J and X

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Factor's Honey G. We know Jazzie you weren't familiar with Honey G. We

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have showed you a few clips. First impressions? Be honest.

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Entertainment. It's all about entertainment. You have to take the

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rough with the smooth, ain't you? Music is really interesting because,

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you know, it's... You take it in different ways. But it's all

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entertainment. Of course. Very diplomatic. You should be a

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politician, you really should. She has a good tag line. I say Honey you

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say... G. It's all about timing! You do have something in common. We will

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talk about it later on. It's very interesting.

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Now, with more than two thirds of the UK's Health Trusts

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already in the red - and no promise of extra funding in

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the Chancellor's Autumn Statement - you'd think the NHS would welcome

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any savings that dn't impact on patient care.

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We think we may just have found one that we can all contribute to.

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I can feel a One Show campaign coming on!

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It's 8. 20am. ... Radio Bristol's breakfaster presenter has let me

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hijack her show. I'm on a mission to save the NHS some money. Every day

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hospitals across the country send patients home with crutches, zimmers

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and orbits of medical equipment. What happens to it all when we are

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up and about again? Chances are they in a cupboard in people's homes,

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never returned or reused. Such a waste. The costing the NHS millions.

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Our friends at the One Show are looking into this mountain of wasted

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medical equipment. Kevin, how big a problem is this It's massive, right

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across the nation. Let's get some of it back. I'm calling to all the

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lovely people of Bristol. Have a little think now - do you have

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anything that might be languishing in the under stairs cupboard, garage

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loft, in your home or someone else's home. I have the One Show car ready.

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I will come to your house this morning and collect them myself and

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take them back. There is an offer you can't refuse. Here's how you do

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it. Pick up the phone now... Currently, there's no national

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policy across the UK on returning medical equipment. Some hospitals

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are great at getting their stuff back, others, not so much. We think

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that needs to change. Today, I'm at South Mead Hospital in Bristol to

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get a handle on what they are losing. Their big problem here -

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crutches. They hand out around 25 pair as day. Maton Hughes says most

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are never seen again. How many people return them? Tiny numbers. We

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get less than one pair returned a day. How much money do we lose? They

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cost about ?10. Obviously if we are giving out 25 a day and one back we

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are losing ?240 a day worth of crutches. It's big numbers for us.

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In terms of making sure people bring them back, what incentives can we

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put out there for them? Assuring the public there is equipment when they

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need it and get access when they need it. Knowing you are doing the

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right thing for the NHS and we are all of us responsible for the way

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that we spend public money. Health Secretary Jeremy Hunt says he is

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determined to help hospitals clampdown on wasted resources and we

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thought we'd do our bit, too. Back at BBC Radio Bristol, and my

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shoutout has had a great reaction. Great response. This is brilliant.

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Zimmer, frame, wheelchairs, crutches. Here we go. When

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collecting them I want to know why people haven't taken them back.

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First person to call is Liz. She was given equipment when she fell. She

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is up and about get. It's clogging up her hall. You have a zimmer

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frame? Yes. Did they tell you when to bring it back or what to do with

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it? Nothing at all. It would have stayed here until I died. We are

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looking at ways to make them bring the crutches back? Only if they got

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paid for, it I expect! OK. Are you absolutely sure you don't need it?

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No, I'll give it to you with my love. I'll take it with your love.

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That's brilliant. Thank you very much, Liz, I appreciate that. This

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is brilliant. Across town Gordon has a similar story. You don't know what

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to do to take them back? No. They don't tell you what department to

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take them. Some people simply can't return them, like Eric who says his

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old walking sticks have been in a cupboard for ages. I'm 92. I have no

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transport. It seems to me people would gladly return stuff if they

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knew how to go about it. So I'm back at the hospital to meet Juliet, I

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brought my crutches here, hopefully this is what she wants. Let's go and

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grab her. Hi. Are you all right? Good, thank you. Is this the kind of

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thing? This is what we wanted. Thank you so much. We have a car full of

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recycled stuff. We know you are interested in the crutches. What

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should people do to help them bring them back? We are open 24-hours a

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day. Bring them into the Emergency Department, the reception staff will

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be happiy to take them from you and we will get them reused. In one hour

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our One Show call-out managed to return a few pieces today. I plan to

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be back soon and next time I'll be after a lot more than that. Come on,

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Britain, let's get recycling and help our hospitals. Rallying stuff

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there. Thank you very much. When you start doing the maths, we were

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chatting there, ?10 a pair, 24 a day. One hospital. That is one

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hospital. It could go into millions. This is the issue we have. What is

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the reason then? Can you reiterate that for us, what is the reason why

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they are not accepting them? Let us look at it. Jeremy Hunt, our Health

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Secretary, wants to crackdown on NHS waste, it's brilliant. We found a

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small solution where we think we can make recoup money for the NHS. The

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problem, is is that there is no central agency policy. No Government

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policy that monitors the reusing of medical aids. Some Trusts say

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recycle, we want them. Other Hospital Trusts Havering they don't

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want the medical aids for reasons like infection or damaged goods or

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health and safety. We thought, in a small way if we can try and recoup

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the money, for example, we talked about figures. Bristol South Mead,

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if they let out 25 pairs of crutches at ?10 a day, and people brought

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them back and they recycled and reused them, they would save over

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?91,000. It's actually ?91,250 in one year, one hospital. Substantial.

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Amazing. Unbelievable. Who are the Trusts doing this? The NHS Trusts in

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the north in Scotland have a brilliant idea. They put barcodes on

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their medical aids so they can scan when people take them. They know

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where they live and ring them up and say - bring them back. People will

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bring them back which is great. So easy. Absolutely easy-peasy.

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Unbelievable. Brilliant news. In Barnsley, there is a service that

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runs the South West Yorkshire NHS Trust. Last year, 2015-2016, their

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recycle rate was 93%. In money terms, ?330,000 they saved in one

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one year. Just at that Trust. That is what we are asking people to do.

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Unbelievable. Liverpool have been busy in the last four weeks, haven't

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they Get in. The Liverpool Community Health Trust set up an amnesty. The

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great thing is that people can drop the stuff off. Nobody looks, no

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ticking off. They notice there was a decline in people bringing back

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their medical aids. They set up an amnesty and in four weeks they have

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seen an increase of 40% of people, patients, bringing back their stuff.

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Come on, Liverpool! Who wants a compare commode under the stairs? Is

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the amnesty for everyone? Who ever wants to do it. Liverpool did one.

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This is our mission. What are you hoping for, what do you want? I have

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an ambulance I can bring back! Bring your ambulance back we will put The

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One Show on the side we are good to could. I'm no expert. In a small way

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there is a situation. We don't know where it will go. We will be really,

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really excited. It's down to the One Show viewer to help us. Whitehall I

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will say, we want to contact, we want the NHS staff to contact us as

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well, give us tips about good practices, bad practices people

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coming with excuses. We want to hear from you and the One Show viewers.

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Are you finding it difficult to bring your crutches or your zimmer

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dprams back to the hospitals? We won't name and shame anybody, but

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it's down to you. One thing is for sure, right, the NHS is short of

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money. Come on, people, let's do the right thing. Let's get together, get

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involved, get in touch. I'm on a mission. You had better stop me or I

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will keep going. The One Show van is ready. Let's make a difference, save

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money and make it happen. Thank you, Kevin. Inspirational stuff. See you

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soon. Thank you. Now, we've asked Gyles Brandreth

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to do some pretty daring things during his time on the One Show,

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but we're about to Yes, tonight we're really

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testing his metal, asking him One man has embodied the ideals of

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the Alf alpha male time and time again. Women adore him, bad men fear

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him, he always looks immaculate. No, I'm not talking about me, Gyles

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Brandreth, it is of course... Bond, James Bond. The death deifying

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escapades of Britain's best-loved spy has captured the imagination of

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generation after generation. 007 is known for girls, gadgets and of

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course jaw dropping stunts. Well, anything Bond can do, Brandreth can

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do better. I'm ready to Jet Set off to whatever glamorous, exotic,

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far-flung location I'm bound to be filming in. Ah, not quite! Far-flung

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it may not be, it's here in Peterborough that one daredevil

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James Bond stunt was filmed more than 30 years ago. Our One Show

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stunt team will be attempting the nail-biting train sequence from

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Octopussy. Having been spotted for his work as

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a milk tray man, Martin Grace was tasked to double as Bond. Beginning

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in 1967, he took on the mantle seven times and was highly regarded his

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stunts in team and TV. He was Roger Moore's stunt double, when Sir Roger

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heard of our film he wanted to pay tribute to the man who made the

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stunts possible. I loved Martin. He was modest and terribly polite. He

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was very good-looking. I doubled him for my close-ups. No, also nerves of

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steel. He worked on Octopussy when he had a terrible accident. He was

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doubling me hanging over a side of a train, trying to miss being hit.

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They went on a little too long for Martin because they went past an

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extension by the side of the railroad that he had not gone past

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before. It hit him. It was so strong he broke his thigh broke, cracked

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his pelvis, broken arm. He wases in a most terrible state. I went to see

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him in hospital and he was determined he with a doing one arm

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pullups. Within six months was doing his normal 20-mile run. Martin Grace

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is probably the best stuntman I ever knew, best stuntman I ever had and

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one of the nicest men. He was a lovely, lovely man.

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So how will our stunt team pay homage and recreate this famous

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sequence? Stunt coordinator Jamie is responsible for working out the

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logistics before our stuntman, Gordon Alexander, can attempt it.

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This is what stunt work is about, the preparation. Any stunt has an

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inherent danger but we have covered the bases and rehearsed well and

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prepared and rigged it. We need to get out today and we will get on the

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roof and see how we feel. A little bit concerned. But what do the

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employees of Nene Valley Railway think? The idea of standing on the

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train going down the track is not something we would recommend! To be

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able to recreate something like that, especially now with health and

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safety... You have got to take into account that something could go

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wrong. You have step hazards, trip hazards, falling off. The fact that

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some old boy will be jumping between carriages, a braver man than me,

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much braver! And you can see how Giles and the

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team got on a bit later. Plenty of martinis coming up before that. I

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used to love Roger Moore! Genius. We will stick with movie stars. We

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mentioned that you have someone in common. And that is a certain movie

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star, we will play the clip. # And up popped an ugly duckling

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with feathers all fluffy and brown # And the other birds in so many

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words said, get out of town # Get out, get out, get out of town

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#. Here's been on the show, lovely

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gentleman. Jazzie B, how did that man play a part in your past? He was

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the gaffer. I worked as a tea boy at his studio is back in the early 80s.

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And was he a builders or did he like a lot of milk? He was in the middle.

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I make a mean cup of tea back in those days, before Yorkshire Gold

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came out. It is the brewing time which is important. How long would

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you leave it in for him? Tommy would usually get three minutes but you

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have to be careful with the pouring of the milk. That is important. That

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is always second. And Bradley, your connection? My mum took me to see

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him in that show at the London Palladium in 1974. She asked if I

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liked it and if I said that I said, if I don't make playing football for

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a living, I want to get into showbiz. And the irony is that the

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lad playing opposite, I loved what he was doing, and I said I want to

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do what he is doing. And 23 years later I married his sister!

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Goodness! We have had some weird stories! And the line operator in

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the theatre that light, it was not until I had done the lottery show on

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the BBC, I told that story round the table and he was Richard Valentine

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who is one of the directors whose dad was Dickie Valentine, and my

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wife's brother was on the road, and they hadn't seen each other for 30

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years. That was extraordinary. But we have another thing in common. We

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had played football together at Wembley! It was before the Chelsea

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Middlesbrough game. He scored a great goal. From Wembley we are

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going back to the Palladium. Obviously you are doing Tonight at

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the Palladium. And off the back and you singing, you have an album out.

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I sang a song called Almost Like Being In Love and I came off stage a

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couple of days later and apparently Sony music were in the audience and

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they said, we didn't know you could sing. I don't really tell anyone, is

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to sing with my jazz band. I asked if I wanted to make a swing album. I

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went into the studio with the producer, Steve Sidwell, who

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produces Michael Buble, did films with Baz Lerman, and I sang with 854

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piece orchestra. Was that overwhelming? The first three or

:21:03.:21:09.

four days, I was in trouble. I was like, this is too much. But

:21:10.:21:13.

everybody was so encouraging, the guys and the band and Steve himself.

:21:14.:21:20.

And my friend was piano as well. They were so encouraging. It was

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great. You have seen the album cover, is out on Friday. Shall we

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have a listen? # Fly me to the Moon

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# Let me play among the stars #. # That's life, that's what all the

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people say # You're riding high in April, shot

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down in May #. APPLAUSE

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You are a one-man rat Pack! It is a stocking filler for the Nannes and

:22:05.:22:13.

mums! There are some great tracks. And every song on the album has a

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meaning to it. There is one in Spanish, my grandad used to sing it

:22:21.:22:23.

to my mum when she was a little girl. There is an original song on

:22:24.:22:29.

there as well. Chasing Dreams. I love the title. Steve brings me from

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Mexico, he said, I've written this track, I hope you like it. He said,

:22:40.:22:44.

I got no words, will you write some words? We wrote the words in between

:22:45.:22:50.

the takes. And that's it, Chasing Dreams. It very uplifting song, a

:22:51.:22:57.

big swing number. I'm dues now -- I'm writing dues now! And now I'm

:22:58.:23:07.

going into wrapping! The album is out on Friday. Jazzie B has a new

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documentary about his rise to fame in the 1980s which we are going to

:23:14.:23:18.

talk about soon, but while he was treating the sound of the decade,

:23:19.:23:21.

the subject about next film was making headlines.

:23:22.:23:25.

Today we're asking Sam Fox to pose for a slightly

:23:26.:23:28.

Throughout history Art and photography have reflected the

:23:29.:23:39.

popular perceptions of beauty at the time. Samantha fox encapsulated a

:23:40.:23:46.

new era in the way a woman's a parent is judged, the glamour model.

:23:47.:23:51.

I had no intention or dream of being a page three girl, it literally

:23:52.:23:55.

happened. She burst into the tablet at just 16 after winning a modelling

:23:56.:23:59.

competition and launched a love affair with the press, becoming one

:24:00.:24:02.

of the most photographed women of the 80s. The pictures appeared on

:24:03.:24:10.

the front page. It said Sam quits A-levels... I did go to a catholic

:24:11.:24:16.

school, I was taught by nuns. I guess it was a bit of a shock. I

:24:17.:24:22.

still dream of being an actress and singer, I never dream about being a

:24:23.:24:29.

Page three girl. Do you ever feel you have been exploited? No, I have

:24:30.:24:33.

always made my own positions, never exploited to do something that I've

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regretted. I'm not embarrassed about it. I look at them and I think, wow,

:24:38.:24:42.

they were classy, they looked great. It was a fabulous career. You would

:24:43.:24:48.

get people saying, don't you think it's degrading to women? My answer

:24:49.:24:52.

was, had you been to the Tate Gallery lately? It's full of nude

:24:53.:25:02.

paintings are beautiful women! And you go to art college. Make it! And

:25:03.:25:08.

for the first time I had to reconcile that this is art -- naked.

:25:09.:25:15.

There is a thin line with photography, it can be tacky or

:25:16.:25:18.

artistic. I never wanted to be tacky. Does it know you that you are

:25:19.:25:26.

known for modelling rather than your music? It's difficult for me in

:25:27.:25:30.

Britain to cross over. For some people, they got that if guys pinned

:25:31.:25:37.

you up on their wall, that was all you could do but I had to work

:25:38.:25:40.

doubly hard to show that I could sing both my first single went to

:25:41.:25:45.

number one in 17 countries where they never knew Sam Fox as a Page

:25:46.:25:49.

three girl. That made me really proud. Someone's perception of you

:25:50.:25:55.

does not have to be your story. How was it for you to come out publicly,

:25:56.:26:03.

being in a relationship with a woman? With a woman! Love it such a

:26:04.:26:11.

great thing, you can't mess with it. When it hits you, it is like a tonne

:26:12.:26:15.

of bricks. You think maybe you might lose all your fans because all of

:26:16.:26:20.

their fantasies have been squashed. Because they have grown up with me

:26:21.:26:25.

they feel they do know me as a person and a lot of them did want me

:26:26.:26:32.

to be happy. When I first met Myra, in that time many people would ask

:26:33.:26:35.

me if I was in a relationship and I would say no what I was thinking,

:26:36.:26:41.

I'm lying, I can't live lie. Unfortunately I my baby last year,

:26:42.:26:47.

she fought for two years with cancer. I think because she suffered

:26:48.:26:52.

for two years, that is when I lost a lot of might spark because it was

:26:53.:26:57.

awful seeing her suffer so much. I was her carer, so I lived with it

:26:58.:27:02.

24/7. It also made me grow up a hell of a lot. She was strong a very

:27:03.:27:07.

strong. And that strength was given to me in that time and even now.

:27:08.:27:14.

When you look at yourself in the mirror, what do you see? There has

:27:15.:27:22.

been some sadness but, as a whole, I look at myself as a survivor, a

:27:23.:27:26.

strong woman and a person who has lived her dream, you know. Content,

:27:27.:27:34.

I feel very content. Using the time that Sam had spent sitting for me I

:27:35.:27:39.

am painting a portrait of the way I see her. Three weeks later it is

:27:40.:27:42.

complete and she returns to my studio. It's great! I think you are

:27:43.:27:51.

emerging, that's the thing I have captured, the spotlight, the Globe.

:27:52.:27:59.

It's great -- the glow. The timing is right? The timing is perfect!

:28:00.:28:07.

It's great, isn't it? It's a great Strand, it should be a regular

:28:08.:28:15.

thing. We have done quite a few of them. Let's talk about image because

:28:16.:28:22.

back in the 80s, your logo, which we can see here, this is defined what

:28:23.:28:27.

you were all about. You have that Funki Dred hairdo, that come from?

:28:28.:28:35.

You were a trailblazer. That would is easy. Because my mum is a

:28:36.:28:42.

Christian, she wouldn't be having any raster is living in the house so

:28:43.:28:49.

that's why I always wore a hat, to cover the sides. She was oblivious

:28:50.:28:54.

to it until I took my hat off! Perfect. And when it kicked off!

:28:55.:29:01.

There is a picture of you back in the 80s. We thought it was only fair

:29:02.:29:05.

to show a picture of Bradley as well. There he is! Dear oh dear!

:29:06.:29:17.

That is scary, isn't it? I was about four! Where did you find that? The

:29:18.:29:29.

archives! You got this great document the outcome I watched it

:29:30.:29:32.

this afternoon, you have not even seen it yet. It is called from temp

:29:33.:29:39.

to -- it is called From Dole to Soul. For you it started in the late

:29:40.:29:42.

70s with your first gig just outside your house. That's right, the Queen

:29:43.:29:50.

's Silver Jubilee. That was my first shot at being a DJ and getting into

:29:51.:29:57.

the music business, from a sound system point of view. Watching all

:29:58.:30:03.

my older brothers every weekend getting their sound systems ready to

:30:04.:30:06.

play out, it was something I yearned to do. This was a key concept, the

:30:07.:30:11.

sound system. There is a lot of furniture! It is a huge thing. And

:30:12.:30:18.

you were loading this around but you didn't have a fan. -- van. We used

:30:19.:30:27.

the results that were around us, the number 14 bus from Hornsey to Putney

:30:28.:30:34.

was my transport at the time! Alongside a shopping trolley from

:30:35.:30:42.

Safeways over I think it was in Holloway Road. You should have rung

:30:43.:30:43.

me, I would have bought my amulet! I didn't have a spare 2p to ring

:30:44.:30:53.

you. We were at school. It was my school days. Going from Hornsey to

:30:54.:31:00.

the Calle, I spent a lot of time in the Caledonian Road area that is

:31:01.:31:05.

where we would frequent. The Number 14 bus was my easy drive, as it

:31:06.:31:11.

were. The Sound System became notorious and the parties you put on

:31:12.:31:17.

became absolutely huge. This is you in the documentary talking about one

:31:18.:31:23.

of those big underground parties. Imagine an H and the two arches and

:31:24.:31:27.

the tunnel going through the two things. Soul II Soul Sound System

:31:28.:31:34.

and family functions in the other. The queue of people down the street.

:31:35.:31:38.

Looking at the size of the place, we must have had at least 5,000 people

:31:39.:31:46.

partying. It would have been an illegal party. A very illegal party.

:31:47.:31:53.

APPLAUSE. Straightaway, Bradley, as soon as you heard that music, you

:31:54.:31:57.

reacted in a way that was the sound for you? I wasn't a fan of 80s

:31:58.:32:09.

music. No Tiffany. No Soul II Soul my kind of thing. Really great. You

:32:10.:32:15.

chart the fact that Thatcher's Britain split communities, really.

:32:16.:32:19.

You capitalised on this quite a lot. You became very commercial with the

:32:20.:32:24.

sound really, with shops... What it helped us to do was give us the

:32:25.:32:30.

opportunity to, "legitimatise" what we were doing at the time. She was,

:32:31.:32:36.

I guess, we were going through change. Yes. And it was very

:32:37.:32:43.

difficult and this was during the time when we were used to having a

:32:44.:32:47.

class system. It was interesting for people like myself because it felt

:32:48.:32:51.

there wasn't a barrier, no glass wall or glass ceiling, as it were.

:32:52.:32:56.

Her coming along and changing things that really did disrupt the whole

:32:57.:33:02.

country. I guess we just found a void somewhere and filled the void,

:33:03.:33:06.

which is what we did with the music and the fashion and the sound system

:33:07.:33:14.

at the time. You moved from the Sound System into making songs Back

:33:15.:33:17.

to Life, your massive hit. How did ha come about? Making

:33:18.:33:22.

records is something I did from the early days of working for Tommy. I

:33:23.:33:27.

had access to studios and stuff like that. Every sound system cuts their

:33:28.:33:33.

own dub plays. It was something that we always did. What was different

:33:34.:33:37.

was when the record company came along and said - this is

:33:38.:33:40.

interesting, how about us distributing your music? At the time

:33:41.:33:46.

all I wanted to do was be the biggest sound system in the world.

:33:47.:33:50.

This is what gave me the opportunity to do what we did, and here we are

:33:51.:33:55.

on the One Show today. Still a massive song today, isn't it? It's

:33:56.:34:00.

not bad! It is great. You haven't seen it. You can see Jazzie B's from

:34:01.:34:08.

Dole To Soul on BBC Two on Saturday night at 10.30pm or 11.00pm in Wales

:34:09.:34:11.

or Northern Ireland. Now, it's time to find out

:34:12.:34:15.

if you believe the hype over the most overrated day of the year -

:34:16.:34:18.

Black Friday. It is like panto. Do you believe

:34:19.:34:23.

the? This lot don't. Yes, if you believe the headlines,

:34:24.:34:29.

there are bargains galore to be had, but we're more than a little

:34:30.:34:32.

sceptical and surely you guys are way too savvy to get duped

:34:33.:34:35.

by a few dubious discounts?! Just two-days left until Black

:34:36.:34:40.

Friday. Are you excited? I'm so excited. Look at all the money we

:34:41.:34:44.

can save. There are deals to be had. I'm not convinced. 49% of these

:34:45.:34:48.

deals are cheaper on different days in the year a survey has shown. You

:34:49.:34:54.

are not shopping smart. You can save money on toys, gadgets, I'm looking

:34:55.:34:59.

for a shed. We can put you in that. Let's see what the public think.

:35:00.:35:06.

Black Friday, are you excited? If I get a bargain, yes. Will you go

:35:07.:35:12.

online or hit the shops. Both. Hardcore, you double up. I'm

:35:13.:35:17.

retired. Auto have the I hate it time. . Nothing fun about going

:35:18.:35:21.

around the shops on Black Friday you buy stuff you don't want. I checked

:35:22.:35:27.

my emails and I was like - what are the emails for? Email after email?

:35:28.:35:31.

Yeah. Stereo Always the stuff that no-one wants. The stuff they are

:35:32.:35:34.

usually not selling is the stuff they put on for offers. Do you think

:35:35.:35:39.

it's a good thing? Depends what you are buying. If it's not what you

:35:40.:35:43.

need and if you are just going because it's Black Friday... If it's

:35:44.:35:48.

reduced you can find a need for it. Yeah. Why are you shopping today,

:35:49.:35:52.

save it for Black Friday? No. The the whole idea is appalling. Why?

:35:53.:35:59.

It's just hype. Did I hear the word "hype" there? I was hoping you

:36:00.:36:03.

didn't. You get advantages buying on Black Friday. I looked online and

:36:04.:36:08.

compare when I go in the the shop. Amazing. You are ready for Black

:36:09.:36:13.

Friday. Are you from the States. A few days after the price is the

:36:14.:36:20.

same. Black Friday, are you going to get a bargain. Online. Online. He is

:36:21.:36:25.

going online. That guy is smart. We think we have a bargain and we

:36:26.:36:28.

haven't really. I reckon they put the price up and then the price will

:36:29.:36:33.

come down a fraction. You are are probably playing more. The shops do

:36:34.:36:37.

good out of it. It's not good for us. The public have seen through

:36:38.:36:41.

Black Friday. The people that are here are shopping naively because

:36:42.:36:44.

all the smart ones are at home, poise and ready to hit, buy,

:36:45.:36:48.

purchase, on Friday. Hopefully, those people will be watching this

:36:49.:36:52.

and know it may not be the deal they thought they were going to get. If

:36:53.:36:55.

you are comparing prices and come across a good shed, let me know.

:36:56.:37:01.

Look me up, please! You can't knock a bargain, can you? Jazzie said -

:37:02.:37:07.

it's a con, it is's a con as soon as the film started. It's tempting.

:37:08.:37:11.

Look who joined us on the sofa, it's Tom Odell. Lovely start, really

:37:12.:37:18.

nice. It's not the first time you and Jazzie B have met? No. My first

:37:19.:37:25.

TV show Jools Holland. There is the footage to prove it. You must have

:37:26.:37:30.

been nervous with your first aperance? More terrifying than

:37:31.:37:36.

anything. I downed a pint -- appearance. How old were you there?

:37:37.:37:43.

22. Great. Do you always have a whisky on the piano? I did form a

:37:44.:37:47.

habit. I had to cut back the other day. It was getting more and more.

:37:48.:37:52.

Is OK. Is a little one. It's the only thing I can drink because

:37:53.:37:56.

anything fizzy is weird to sing with. Sure. It's going so well for

:37:57.:38:02.

you since then. Just incredible success all over the world. Thanks.

:38:03.:38:06.

What is remarkable, I read that actually back in the day you didn't

:38:07.:38:09.

start out as a singer. You didn't want... It was about songwriting for

:38:10.:38:15.

you Yeah. It was only really started singing because I couldn't find

:38:16.:38:20.

anyone to sing the songs and... I still don't think of myself as a

:38:21.:38:24.

singer. Oh, you should. Your' excellent. Really? You were my

:38:25.:38:30.

wedding song. Really the Penguin song. It was lovely. You told me it

:38:31.:38:41.

was me. Next wedding! You are back with a second album. You roped in

:38:42.:38:46.

top names for the videos. Have a look at this. Kevin Spacey you have

:38:47.:38:55.

here. How did this come about? One of those weirdly sort of things

:38:56.:38:58.

where I was looking for an actor to be in the video. We were staying in

:38:59.:39:02.

a hotel in New York and he happened to be staying there. We... He was a

:39:03.:39:09.

fan of mine. I was a massive, massive fan of his. I was obsessed

:39:10.:39:13.

can With house of Cards. Wow. A few

:39:14.:39:24.

weeks I e-mailed him and asked him if he wanted to be in the video. I

:39:25.:39:27.

don't think he has already done a music video. I'm in touch with the

:39:28.:39:32.

Queen. Tom, as a songwriter, the production side of things, that is

:39:33.:39:36.

adding more layers to what you create? All the videos on this

:39:37.:39:43.

album, we have done four, and they have sort of told a story. We are

:39:44.:39:47.

about to put another one out on Friday, which sort of fine allis the

:39:48.:39:51.

story. Is this the one you brought with you tonight? This is the one.

:39:52.:39:55.

We have an exclusive. Let's see it. This is Silhouette. It's just a

:39:56.:40:02.

silhouette # It's a mind trick

:40:03.:40:06.

# I don't know why # But it reminds me

:40:07.:40:10.

# Of someone that I used to know... #

:40:11.:40:14.

APPLAUSE. Thank you for bringing that. The Kevin Spacey, Elaine Paige

:40:15.:40:27.

and the story about Cats, that was another example. The John Lewis

:40:28.:40:33.

advert. That came about by pure chance, didn't it? That was even

:40:34.:40:38.

weirder because I lived near Victoria Park in London and I was on

:40:39.:40:45.

a jog around in the summer and they were filming the advert. I asked,

:40:46.:40:50.

what are you filming this for. They were like, the John Lewis advert. It

:40:51.:40:54.

looks like a great advert. Four months later they asked me to do it.

:40:55.:40:59.

I was like... I know the story. I have seen it being filmed. Sceptical

:41:00.:41:09.

Bradley. That's unbelievable. My sister Kerry works at John Lewis in

:41:10.:41:18.

Watford! Well! Have you been in John Lewis. It's coincidence al, I can't

:41:19.:41:22.

believe it. This show is unbelievable! Other stores are

:41:23.:41:27.

available to work in and sing about. Really? Tom will be perform

:41:28.:41:33.

Magnetised from his later album Wrong Crowd at the end of the show.

:41:34.:41:37.

Tom recorded a special live performance for Radio 2 in Concert

:41:38.:41:40.

which you can find on the BBC iPlayer. What a great show we are

:41:41.:41:46.

having tonight. Tom, from adverts we don't need you to to tell us how

:41:47.:41:52.

important it is to have a catchy song to sell a product.

:41:53.:41:58.

This is where we apologise to all those viewers who've tuned

:41:59.:42:00.

in thinking that we never show adverts on the BBC.

:42:01.:42:03.

The next four and a half minutes are going to make up for that.

:42:04.:42:06.

# If you like a lot of chocolate on your biscuit joint our club... #

:42:07.:42:11.

They are catchy. # Fairy liquid... #

:42:12.:42:15.

They can lodge in our brains for decades

:42:16.:42:20.

# Do the shake and vac and put the freshness back... #

:42:21.:42:24.

Jingles simply make us smile. Armed with a violin on the streets of

:42:25.:42:28.

Cardiff I'm hoping to see how much affection we have for advertising

:42:29.:42:29.

classics. How about this one. # I'm loving it... #

:42:30.:42:44.

Which is? McDonalds. # Shake and vac and put the

:42:45.:42:51.

freshness back... # # With mild green, Fairy Liquid... #

:42:52.:42:56.

People clear clearly have a soft spot for them. They can recall them

:42:57.:43:01.

instantly. Even the old tunes stick in their mind. It's given me an

:43:02.:43:06.

idea. Can I turn these little songs into something greater than the sum

:43:07.:43:11.

of their parts? Is the jingle started on American radio in the 192

:43:12.:43:19.

20s. In the 1950s they sold products to useses Brits. I'm meeting Rod

:43:20.:43:27.

goer Greenway who has written the most well-knownle ginning 8,

:43:28.:43:31.

including this one for Coca-Cola are.

:43:32.:43:35.

# And keep it company... #

:43:36.:43:38.

For people to remember something and be able to sing-a-long it has to be

:43:39.:43:46.

short, sweet, succinct, memorable very quickly. Something like the

:43:47.:43:59.

Asda commercial. 30 seconds. It was only supposed to be on air for a

:44:00.:44:03.

short while. It was on air for 25 years. One of your famous

:44:04.:44:10.

commercials was the Jacobs Club. # If you like a lot of chocolate on

:44:11.:44:17.

your biscuit, join our club... # It's child like, that is

:44:18.:44:21.

sophisticated? Absolutely. Keep the chords simple and let the melody run

:44:22.:44:25.

through the chords. That is what I did. It's so short. That That is

:44:26.:44:29.

brilliant. As soon as you hear, it you know what it is. Most people

:44:30.:44:33.

would say - I could write that. But they didn't! After my masterclass

:44:34.:44:39.

I'm feeling inspired to compose my own medley of 19 different jingles.

:44:40.:44:44.

I soon realise so many of the classics are made up just a few

:44:45.:44:48.

chords. # For mash get Smash... #

:44:49.:44:54.

Then something clicks. It's complete. Will an audience expecting

:44:55.:45:02.

a classical performance recognise these well-known jingles? Ladies and

:45:03.:45:06.

gentlemen, thank you very much for coming. We have a treat for you. A

:45:07.:45:10.

One Show especially arranged piece of music. See how much of it you

:45:11.:45:16.

recognise. If you want to play along at home, look away now.

:45:17.:46:05.

APPLAUSE Did you recognise what was contained

:46:06.:46:13.

in the music? TV jingles. McDonald's. T-Mobile. It was

:46:14.:46:23.

different but recognisable. I think it becomes more classical because

:46:24.:46:26.

you lose the context of the melodies make them memorable. I hope we have

:46:27.:46:30.

showed that those classic deserve a place not only in our hearts but

:46:31.:46:34.

also as a stand-alone John Wright of music in its own right. We were

:46:35.:46:42.

trying to guess but it did not go too well!

:46:43.:46:43.

Well, in Bradley's honour, we've given Richard's jingle

:46:44.:46:45.

Join us as we play, What's The Name of the Game Show?

:46:46.:46:54.

Where we are! Richard has composed a piece of music with ten theme tunes

:46:55.:47:07.

of game shows. Thomas Dekker men to play this. -- tom has come. We are

:47:08.:47:15.

going to play and were going to see how many we get. Whenever you're

:47:16.:47:17.

ready. I've lost it! CHEERING

:47:18.:48:36.

It was going all right! You were dancing! The first one? Blankety

:48:37.:48:51.

Blank! The second one, mastermind. Blockbusters. Question Of Sport.

:48:52.:49:15.

This is my favourite. Bullseye! Millionaire! Countdown.

:49:16.:49:23.

That is a modern one. Pointless. I know that but I don't know what it

:49:24.:49:45.

is! Say what you see. Catchphrase! And the last one, I haven't seen it,

:49:46.:49:50.

apparently it's got Bradley Wiggins! The Chase! I didn't even know it!

:49:51.:49:58.

Alex Scott it. We put the krypton factor! We got five. Five each!

:49:59.:50:09.

Thank you very much. Thank you both. Now, it's the moment

:50:10.:50:18.

we've been waiting for, can Gyles and the One Show stunt

:50:19.:50:21.

team recreate one of OO7's In 1983 this bearing Bond stunt

:50:22.:50:38.

sequence enthralled audiences. Yes, Moneypenny, the question is, 30

:50:39.:50:42.

years on, can the One Show stunt team retreat this incredible James

:50:43.:50:45.

Bond stunt without breaking any bones? Nearly three miles of railway

:50:46.:50:52.

track has been cleared and safety check for dangerous obstructions and

:50:53.:50:55.

our One Show stunt man Gordon Alexander has been fitted into his

:50:56.:50:59.

harness ready for the first shot. In the 80s, the stuntman might have

:51:00.:51:06.

been harnessed but it would have been by a very thin cable that you

:51:07.:51:10.

couldn't see while filming. For us we can use a thick rope. It goes up

:51:11.:51:17.

and over the carriage and Gordon is connected to the other side. With

:51:18.:51:24.

today's modern technology we will be able to digitally erase the

:51:25.:51:29.

harnesses. When he is on the roof of the train he will actually be free,

:51:30.:51:34.

he will be running up and down the carriage with no safety line. You

:51:35.:51:41.

want me to do another one? One more. For the finale, he will duck

:51:42.:51:45.

underneath the bridge, the timing will be essential to avoid a

:51:46.:51:50.

dangerous collision. And to capture the aerial shots, and that the

:51:51.:51:53.

helicopter we will be using a drone. The real risk the performer is the

:51:54.:52:00.

risk of falling off the roof. He is 15 foot high on a moving platform,

:52:01.:52:05.

you would not want to fall off a train at speed. Rehearsals are over,

:52:06.:52:12.

the time has come. This seems to be a lot of fuss over nothing. That

:52:13.:52:17.

after this, Moneypenny, I have got to go and change -- look after this.

:52:18.:52:31.

They broke the double as mould long ago, maybe it is time for an old

:52:32.:52:38.

hand to show these new boys how it's done -- 007 Mould. That is our

:52:39.:52:46.

tribute. Everything you see now has been especially shot for The One

:52:47.:52:47.

Show. Well, I think the next Bond is a

:52:48.:53:58.

racing cert. Where were we? I thought you were extremely brave and

:53:59.:54:05.

you can double me any time. Brilliant! Super job. It goes

:54:06.:54:13.

without saying, please do not play with railway carriages or recreate

:54:14.:54:19.

any James Bond stunts. Especially at home because the likelihood of

:54:20.:54:21.

having a full-size train at home is a moat. On a train on the roof, but

:54:22.:54:29.

he said, on the roof of a drink and be careful, you might fall off.

:54:30.:54:36.

Hello! Exactly! Now had he ever imagined yourself as James Bond?

:54:37.:54:43.

Yes. -- have you. We have treated ourselves to a little picture. This

:54:44.:54:49.

is another one. Look at the budgie smugglers! They are all right! We

:54:50.:54:56.

found quite an impressive stunt of yours on a game show. Look at this

:54:57.:55:05.

for an entrance. Your host, Mr Bradley Walsh!

:55:06.:55:17.

Total wipe-out! Did it ever work? We never made the series, the director

:55:18.:55:27.

was a guy could Rupert from Hollywood. He got in some of

:55:28.:55:34.

Hollywood and he said, you got to come down there and we'll catch you

:55:35.:55:38.

at the bottom and nobody caught me and I went straight through!

:55:39.:55:43.

Frightening! Just as well you didn't need crutches. Kevin was on earlier,

:55:44.:55:49.

we have had 450 e-mails about people who tried to take their crutches

:55:50.:55:53.

back to hospital but the hospital did not want them. He's trying to

:55:54.:55:57.

start a campaign to see if we can save the NHS some money. Thank you

:55:58.:56:00.

for your feedback and keep it coming to the usual addresses.

:56:01.:56:02.

Thanks to our guests, Bradley Walsh and Jazzie B!

:56:03.:56:09.

Bradley's album is out on Friday and you can see Jazzie B's

:56:10.:56:12.

documentary on the 80s on Saturday night.

:56:13.:56:17.

Coming up next on Watchdog, could you be paying for takeaways

:56:18.:56:20.

And a fly tipper and some puppy farmers get their just desserts.

:56:21.:56:27.

But now, playing us out with Magnetised from his latest

:56:28.:56:30.

# See those birds going across the sky

:56:31.:56:42.

# They say there's mother nature in everything we see

:56:43.:57:00.

# Wish I had a little mother nature in me

:57:01.:57:08.

# I'm magnetised to somebody that don't feel it

:57:09.:57:22.

# But as sure as the world keeps the moon in the sky

:57:23.:57:38.

# I wish I had a chance to let them know

:57:39.:58:11.

# Their love is like a flower in the snow

:58:12.:58:17.

# If it's just pheromones then that may be

:58:18.:58:21.

# I wish you had a little pheromones for me

:58:22.:58:27.

# I'm magnetised to somebody that don't feel it

:58:28.:58:42.

# As sure as the world keeps the moon in the sky

:58:43.:59:32.

Hello, I'm Elaine Dunkley, with your 90 second update.

:59:33.:59:35.

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