Browse content similar to 24/04/2012. Check below for episodes and series from the same categories and more!
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Hello, welcome to The One Show with Matt Baker... And Alex Jones. After | :00:21. | :00:24. | |
winning Let's Dance in 2009 with his amazing version of Flashdance, | :00:25. | :00:29. | |
our guest tonight said, if I get run over by a bus and get on to the | :00:29. | :00:35. | |
Ten O'Clock News, we know which a video clip they will show off. | :00:35. | :00:45. | |
:00:45. | :00:53. | ||
are not sure, there are plenty to It is the persistently fruity | :00:53. | :01:03. | |
:01:03. | :01:06. | ||
All my finest work! The banana dance was like the prototype of | :01:06. | :01:11. | |
Flashdance. That was getting into gear. When you write a sketch show, | :01:11. | :01:16. | |
how does, I know, let's dress up and dance as a banana,, been | :01:16. | :01:20. | |
conversation? The rest of the sketch is me going up to David and | :01:20. | :01:24. | |
saying, look, can I jump up and down as a banana? He goes, that | :01:24. | :01:33. | |
would be awful. I ran it past the series producer. Then you get to do | :01:33. | :01:38. | |
the sketch. You are encased in this not very ironic ending, that it was | :01:38. | :01:43. | |
a conversation. Good training? that how Flashdance happened as | :01:43. | :01:50. | |
well? It was a little bit easier. I was less encumbered by the banana. | :01:50. | :01:58. | |
A little yellow bottom, sticking out from the back. Coming up we | :01:58. | :02:02. | |
have a world champion, here in the studio, who has a connection to | :02:02. | :02:08. | |
your new project. The stick might be a bit of a clue. We are going to | :02:08. | :02:11. | |
find out what he is the world champion of later when he comes out | :02:11. | :02:16. | |
from behind his mum and dad. Don't worry, Aiden. Screening for breast | :02:16. | :02:20. | |
cancer has been credited with saving countless lives. One of the | :02:20. | :02:23. | |
men behind its introduction now thinks it might be doing more harm | :02:23. | :02:26. | |
than good. Gloria Hannaford has been to see how that can possibly | :02:26. | :02:32. | |
be true. It has been 25 years since the NHS | :02:32. | :02:38. | |
introduced breast screening. Last year, more than 1.8 million women | :02:38. | :02:42. | |
between 50 and 70 were screened. My daughter, Karen, died eight years | :02:42. | :02:47. | |
ago from breast cancer. She was just 41. Technically, at that time, | :02:47. | :02:51. | |
she would have been outside the breast screening age group. Knowing | :02:51. | :02:55. | |
the devastation of losing someone to cancer, I have to admit that I | :02:55. | :02:59. | |
am the biggest advocate of early detection and, hopefully, saving | :02:59. | :03:05. | |
lives. It is a belief I share with many women. Women have been told | :03:05. | :03:09. | |
over and over again that screening is the answer, early detection is | :03:09. | :03:14. | |
the answer. Do you agree with that? Yes, I do. But you can check | :03:14. | :03:20. | |
yourself as well. But going for the mammogram is really helpful. | :03:20. | :03:24. | |
Whether it is a false alarm or not, it is better to have somebody say | :03:24. | :03:28. | |
that it might or might not be. recent studies have questioned | :03:28. | :03:32. | |
whether routine breast screening is as effective as we have long | :03:32. | :03:38. | |
believed. Professor Michael Bourne was one of the Killie founders of | :03:38. | :03:42. | |
the programme. Now he is turning his back on it. One problem is that | :03:42. | :03:49. | |
we are catching it too early. We are catching stuff that looks like | :03:49. | :03:52. | |
cancer under the microscope, but is not programmed to progress to | :03:52. | :03:57. | |
become cancer. The pre-cancerous cells might never become life- | :03:57. | :04:00. | |
threatening. But they are often treated in the same way as more | :04:00. | :04:06. | |
aggressive cancers. You have to screen 2000 women for 10 years to | :04:06. | :04:12. | |
avoid worn breast cancer death. But something like five to 10 women | :04:12. | :04:19. | |
will be diagnosed as having cancer when they are never going to be | :04:19. | :04:23. | |
threatened by cancer. Some of them will be having unnecessary | :04:23. | :04:27. | |
mastectomies. He believes that instead of screening for something | :04:27. | :04:31. | |
that might not be cancer, we should simply treat the things that we | :04:31. | :04:36. | |
know to be cancer. I do not think screening is the answer. Treatment | :04:36. | :04:44. | |
is so good and will continue to improve. Rely on treatment, forget | :04:44. | :04:51. | |
screening. Marion believes a routine screening in 2007 led to | :04:51. | :04:54. | |
her being over diagnosed and treated for a cancer that may never | :04:54. | :04:59. | |
have threatened her life. On what basis did you say they needed to | :04:59. | :05:06. | |
give you treatment? They told me, pre-invasive cancer that may never | :05:06. | :05:11. | |
harm you. Or it may develop into invasive cancer. They wanted to | :05:11. | :05:14. | |
remove a quarter of my breast. I thought that was a very serious | :05:14. | :05:19. | |
matter. Faced with a chance that she might develop invasive cancer, | :05:19. | :05:25. | |
she eventually opted for surgery. Unfortunately, it did not cancer -- | :05:25. | :05:29. | |
capture all of the pre-cancerous cells and she then had to undergo a | :05:29. | :05:33. | |
vasectomy. As borers learned about how the cells behave, experts | :05:33. | :05:38. | |
increasingly believe they may never become life-threatening. I went in | :05:38. | :05:42. | |
healthy thinking I was fine. I ended up with a far more radical | :05:42. | :05:48. | |
situation. For something that may, I realised, may not be necessary. | :05:48. | :05:52. | |
Miriam says if she knew about the doubts surrounding over diagnosis | :05:52. | :05:56. | |
she would not have had the surgery, which she still does not know if | :05:56. | :06:02. | |
she needed. I had a right to know about this phenomenon so I could | :06:02. | :06:06. | |
protect myself from something that would be extremely distressing to | :06:06. | :06:12. | |
me. Last autumn, an independent review into the breast screening | :06:12. | :06:16. | |
programme was launched. When it is published, it will bring together | :06:16. | :06:20. | |
evidence about the benefits and down sides of screening and how | :06:20. | :06:26. | |
well they are communicated to women. Marilyn Morris has every reason to | :06:26. | :06:30. | |
be a firm supporter of breast screening. I was called for a | :06:30. | :06:34. | |
routine appointment, something was found. It was confirmed it was | :06:34. | :06:39. | |
cancerous. I would not be here today if it had not been for that | :06:40. | :06:44. | |
screening appointment. I would never have found it, because of | :06:44. | :06:49. | |
where it was, very deep within the chest wall. In terms of this review | :06:49. | :06:51. | |
that is going to be published, it would seem the medical profession | :06:52. | :06:56. | |
are beginning to change their minds in terms of may be over diagnosis, | :06:56. | :07:00. | |
overtreatment. How do you feel about that, being a cancer | :07:00. | :07:05. | |
survivor? I am not a medical expert. But I wholeheartedly believe that | :07:05. | :07:09. | |
breast screening saved my life. If you have got the opportunity to go | :07:09. | :07:14. | |
a long full screening, please go. The Department of Health say that | :07:14. | :07:18. | |
breasts screening saves many lives and the programme is regularly | :07:18. | :07:21. | |
scrutinised. Until the independent review was published, the medical | :07:21. | :07:25. | |
advice is for women to attend their screening appointments and raise | :07:25. | :07:34. | |
any further concerns with their Gloria is here, as is Dr Sarah | :07:34. | :07:37. | |
Rawlings from Breakthrough Breast Cancer. After hearing what | :07:37. | :07:43. | |
Professor Michael Baum had to say, has your faith been shaken? Are you | :07:43. | :07:49. | |
confused? I felt confused at first. Its controversial, when you hear | :07:49. | :07:53. | |
somebody like that saying that screening is not the answer, | :07:53. | :07:57. | |
treatment is so good that it is the way forward, of course it is great | :07:57. | :08:00. | |
that it has become better, but at my stage in life I have been | :08:00. | :08:04. | |
programmed to have my screening. Until this review is published, | :08:04. | :08:07. | |
which I think we'll be in a couple of months' time, I still stand with | :08:07. | :08:11. | |
the fact that I think I would rather have the information, but at | :08:11. | :08:14. | |
the same time those leaflets that you saw on definitely out of date. | :08:14. | :08:18. | |
The best thing will be that the leaflets will be updated, the | :08:18. | :08:22. | |
information will be better. I, like a lot of other women, will be more | :08:22. | :08:26. | |
able to make an informed choice as to whether I have treatment or not. | :08:26. | :08:31. | |
I think that is the good thing to come out of the report. Doctor | :08:31. | :08:35. | |
Rawlings, say somebody has been screened and they are told they | :08:35. | :08:38. | |
have pre-cancerous cells. What questions can they asked to make | :08:38. | :08:41. | |
sure they get the right treatment for them? We know that breast | :08:41. | :08:45. | |
screening is really important because it can pick up some early | :08:45. | :08:48. | |
forms of breast cancer. The earlier it is detected, the better. But for | :08:48. | :08:52. | |
some of these really early forms, we cannot yet tell if they will | :08:52. | :08:55. | |
progress to become harmful or not. Most women will be offered | :08:55. | :08:59. | |
treatment. If you are diagnosed with breast cancer through | :08:59. | :09:03. | |
screening, it is really important that you answer questions -- ask | :09:03. | :09:05. | |
questions about what type of cancer you have been diagnosed with and | :09:05. | :09:09. | |
your treatment options. Your doctor will be more than happy to talk | :09:09. | :09:13. | |
this through with you. If you want more information, charities like | :09:13. | :09:17. | |
Breakthrough Breast Cancer can help you with that. You have invested | :09:17. | :09:21. | |
millions of pounds in treatment, I know that you are also involved in | :09:21. | :09:25. | |
the leaflets. Where is the treatment going? We know that early | :09:25. | :09:28. | |
detection is important. We have made fantastic strides in treatment | :09:28. | :09:32. | |
as well over the last 25 years. UK survival rates are better than I | :09:32. | :09:35. | |
have ever been. That is a combination of better awareness, | :09:35. | :09:40. | |
that a screening and a better awareness. If I had one big hope | :09:40. | :09:43. | |
for breast cancer, it is that we would use all of this information | :09:44. | :09:47. | |
coming through, that breast cancer is a complex disease and we can | :09:47. | :09:51. | |
categorise it into different types. A study last week talked about 10 | :09:51. | :09:53. | |
different types. If we know the different types we can tailor | :09:54. | :09:58. | |
treatment. By that I mean you will be confident you will receive a | :09:58. | :10:01. | |
treatment that will be tailored to your particular type of breast | :10:01. | :10:04. | |
cancer. You may have less side- effects and you will be confident | :10:04. | :10:08. | |
it will go away and stay away. bet we men are watching tonight and | :10:08. | :10:11. | |
saying that they are confused. This report and review has not been | :10:11. | :10:17. | |
published. It is a controversial status. In essence, you seem to | :10:17. | :10:20. | |
disagree with the professor. My advice would be to have your | :10:20. | :10:24. | |
screening, have the information and then seek further information from | :10:24. | :10:28. | |
the doctor or cancer specialist if you can. | :10:28. | :10:32. | |
Well, big stars like David Beckham, Katherine Jenkins and Cheryl Cole | :10:33. | :10:37. | |
have all visited our troops in Afghanistan. But they are not the | :10:37. | :10:41. | |
first entertainers to go to the front line. Larry Lamb has been to | :10:41. | :10:44. | |
meet one lady who did her bit to boost morale way before that lot | :10:44. | :10:48. | |
were even born. During the Second World War, some | :10:48. | :10:53. | |
of the biggest names in show business try and be Entertainments | :10:53. | :10:57. | |
National Service Association, or ENSA, to do their bit, home and | :10:57. | :11:01. | |
abroad. I am on my way to Hurst Castle. It is home to one of the | :11:01. | :11:06. | |
few surviving garrison theatres, where performers trod the boards. | :11:06. | :11:11. | |
It might be hard to believe that a group of theatre luvvies had a | :11:11. | :11:15. | |
crucial part to play in wartime. But on stage is like this, | :11:15. | :11:22. | |
performers from ENSA did their bit for the war effort. So, Sean, can | :11:22. | :11:26. | |
you tell me why it is that there is a theatre out here in the middle of | :11:27. | :11:32. | |
the silent? During the Second World War we had a garrison of 160 troops. | :11:32. | :11:36. | |
Being very isolated, they needed to make their own entertainment. From | :11:36. | :11:40. | |
a couple of gun days they made the theatre we can see now. There were | :11:40. | :11:45. | |
singers, acrobats. They used to like the dancers, especially the | :11:45. | :11:51. | |
pretty ones. It must have been a tremendous atmosphere. ENSA was the | :11:51. | :11:54. | |
brainchild of theatre impresario Basil Dean, he wanted to establish | :11:54. | :12:01. | |
a network of entertainers. What was Basil Dean's vision? His vision was | :12:01. | :12:04. | |
based on what had happened at the First World War, where there was a | :12:04. | :12:08. | |
definite need for some sort of morale-boosting entertainment. He | :12:08. | :12:13. | |
kept that belief going for the whole of the Second World War. | :12:13. | :12:17. | |
year-old dancer Audrey Landreth joined ENSA as an entertainer. How | :12:17. | :12:24. | |
can you decided to join? Strangely enough, I got my call-up papers. I | :12:24. | :12:30. | |
appealed against it on the grounds that I had been a dancer. They said, | :12:30. | :12:35. | |
OK, as long as you joined ENSA. travelled to military bases all | :12:35. | :12:42. | |
over Britain with a group of five performers called Magic Moments. | :12:42. | :12:47. | |
Short skirts. That was daring in those days, don't forget. A bit of | :12:47. | :12:53. | |
showing your bust. Blonde, as I was in those days. You brought the | :12:53. | :12:58. | |
house down. I bet you did! didn't have to be a good dancer. | :12:58. | :13:02. | |
The theatre's further afield were much more makeshift. They worked | :13:02. | :13:10. | |
from the back of a lorry, from tents, in Italy they worked in | :13:11. | :13:15. | |
conditions where rats were, running across the stage. Despite the | :13:15. | :13:19. | |
efforts of the performers, some said that it stood for every night, | :13:19. | :13:25. | |
something awful. He had to fulfil the demands on him to produce | :13:25. | :13:28. | |
shores. He couldn't always have George Formby. He had to make do | :13:28. | :13:35. | |
with other people. Some were good and some were not. After D-Day and | :13:35. | :13:39. | |
the Normandy landings, Basil Dean wanted his performers to follow our | :13:39. | :13:43. | |
troops as they pushed through Europe. Which meant real risks to | :13:43. | :13:49. | |
their safety. Audrey's best friend, Vyvyan, had also joined ENSA. She | :13:49. | :13:54. | |
was travelling with a different trip. She was what I would call | :13:54. | :14:00. | |
bubbly, happy-go-lucky. I don't know, she was full of life. | :14:00. | :14:05. | |
January 23rd, 1949, while travelling to a show in Holland, | :14:05. | :14:10. | |
the truck she was in hit a landmine and she died. I was absolutely | :14:10. | :14:14. | |
devastated. It really was a terrible tragedy. I could not | :14:14. | :14:19. | |
believe it. She was the only ENSA performer killed during the war, | :14:19. | :14:23. | |
but the dangers were real. They knew there were dangers, but they | :14:23. | :14:32. | |
felt the troops needed entertaining and they took the risk. So, Audrey, | :14:32. | :14:35. | |
if you do not mind, I would like to take you over there and we are | :14:35. | :14:45. | |
:14:45. | :14:49. | ||
going to recreate a bit of that To get us into the mood, local | :14:49. | :14:56. | |
performers the Windmill swing band. During the war, ENSA staged over | :14:56. | :15:00. | |
2.5 million performances. Talented ladies like Audrey helped raise the | :15:00. | :15:04. | |
spirits of our troops during those troubled times. For that, we should | :15:04. | :15:14. | |
:15:14. | :15:26. | ||
He hears it, isn't it great? would you ever go out and a form on | :15:26. | :15:31. | |
the front line? Absolutely not, no. Physical education was a | :15:31. | :15:35. | |
paramilitary activity. I have to pretend to my daughter that it is | :15:35. | :15:39. | |
fine when a wasp comes near. No serious army would have me anywhere | :15:39. | :15:46. | |
near it, even in PR. Mind you, your new job is quite full-on. This is | :15:46. | :15:51. | |
it, away from the front line, what is going on here? That is how a | :15:51. | :15:57. | |
real man spends his... That is how you earn a living. Here are | :15:57. | :16:01. | |
narrating the new stories of Winnie The Pooh. Yes, there are some new | :16:01. | :16:06. | |
stories based on the original Winnie The Pooh, and Disney have | :16:06. | :16:13. | |
made 18, I think, new ten-minute television stories, and I am the | :16:13. | :16:16. | |
storyteller, wandering around that beautiful green screen set, which | :16:16. | :16:21. | |
is about to get coloured in with magical computer pencils to be made | :16:21. | :16:25. | |
to look like the hundred Acre Wood. So you will actually be in the | :16:25. | :16:30. | |
cartoon. It is weird, really. The lock that I sit on his real, or at | :16:30. | :16:36. | |
least plastic, but the people I am talking to, Christopher Robin here, | :16:36. | :16:42. | |
A good, they are made up. When they answer back, I am doing the voices, | :16:42. | :16:49. | |
so I am telling the story, like when you read to your children, you | :16:49. | :16:52. | |
sort of to the voices a bit, but let's not get carried away. It is | :16:52. | :16:57. | |
not like proper acting. You often hear from actors that it is hard | :16:57. | :17:02. | |
work on green screen, have you done anything like it before? | :17:03. | :17:07. | |
Mitchell and Webb, there were, as the technology got cheaper, we | :17:07. | :17:11. | |
started to do things like that, but nothing so prolonged. This was | :17:11. | :17:16. | |
eight days of green screen, a cast of one, I have got no-one to moan | :17:16. | :17:19. | |
too, to moan about the catering or the weather. So what was pretty | :17:19. | :17:25. | |
lonely, it was all made in Wales, so I say that I made it for my | :17:25. | :17:30. | |
daughter, but I did not see her for a week and a half. Most of us are | :17:30. | :17:33. | |
used to the American Winnie The Pooh, but this is the all new | :17:33. | :17:39. | |
British one. Well, the original books are English... This is the | :17:39. | :17:45. | |
first televised... The inspiration was a wood in Sussex, so the | :17:45. | :17:50. | |
original books were all British, and then the rights went to Disney, | :17:50. | :17:55. | |
and they made the animated films, and very charming they were, to. | :17:55. | :17:59. | |
have, Robert, a world champion in the studio, a very important part | :17:59. | :18:05. | |
of the stories, can you guess what he is a world champion of? Dowsing | :18:05. | :18:11. | |
himself in honey. He is the world Pooh sticks champion! Can you | :18:11. | :18:17. | |
believe it, come On Over! His dad is with us as well. What 18 they | :18:17. | :18:24. | |
are. Come on in, now, we were having a good chat earlier, I am | :18:24. | :18:28. | |
well on the world of Pooh sticks. Can you let everybody else in on | :18:28. | :18:32. | |
the secret? How did you hold the stick when you drop it into the | :18:32. | :18:40. | |
river? Oh, like that? Give us the winning drop. For just like that! | :18:40. | :18:45. | |
It is as simple as that. Textbook. There is no luck involved at all in | :18:45. | :18:49. | |
this, it is pure skill. Will he be going back next year to try to | :18:49. | :18:54. | |
retain his title? No-one has actually retained it before, so | :18:54. | :19:00. | |
fingers crossed. We have got used some tickets for the championships. | :19:00. | :19:05. | |
Well, or round one, anyway. Out of all of those sticks, which one | :19:05. | :19:12. | |
would you choose as a winner? It is that one there! Well, that is going | :19:12. | :19:16. | |
to be up for auction after the programme. You can take that one | :19:16. | :19:21. | |
away with you, good lad. Thank you very much. Well, Tales Of | :19:21. | :19:26. | |
Friendship With Winnie The Pooh is on Disney Junior UK later this year. | :19:26. | :19:30. | |
This is the trophy, it is from the shelf in his bedroom. Now then, the | :19:30. | :19:33. | |
police are always looking for better ways to gather evidence at | :19:34. | :19:37. | |
crime scenes. Scientists in Sheffield think they have found a | :19:37. | :19:41. | |
new way to use one of the oldest tools of the trade. Michael Mosley | :19:41. | :19:50. | |
The fingerprint has been used in crime fighting for of all 100 years, | :19:50. | :19:55. | |
and now scientists are about to give it a high-tech makeover. | :19:55. | :20:00. | |
Fingerprinting may no longer be seen as cutting edge in the | :20:00. | :20:03. | |
glamorous world of crime scene investigations, but there are | :20:03. | :20:09. | |
developments which I think we'll push it back into the limelight. Up | :20:10. | :20:14. | |
classic fingerprinting is tried and tested and has its limitations. | :20:14. | :20:20. | |
John O'Gara runs to a fingerprint laboratory at West Yorkshire Police. | :20:20. | :20:23. | |
At this training facility, he is going to show me how to dust for | :20:23. | :20:27. | |
fingerprints, a technique which has not changed much in a century. | :20:28. | :20:33. | |
is simply a matter of putting dust onto the surface. You can see there. | :20:33. | :20:37. | |
The fingerprint has come out, clear Rage detail. He is using aluminium | :20:37. | :20:41. | |
powder, because it sticks well to the print and can be lifted with | :20:41. | :20:47. | |
take. Everybody's fingerprint has a unique pattern of riches allowing | :20:47. | :20:52. | |
investigators to link a suspect to a crime scene. Even identical twins | :20:52. | :20:57. | |
have different fingerprints. There and there you have the print. | :20:57. | :20:59. | |
Throughout the history of fingerprinting, they are the many | :20:59. | :21:04. | |
exciting developments. A major breakthrough came in 1997 when | :21:04. | :21:08. | |
scientists work out how to extract DNA from them. But investigators | :21:09. | :21:14. | |
are still left with a problem. Crime scenes often contain hundreds | :21:14. | :21:17. | |
of fingerprints. The new technology could provide more information from | :21:18. | :21:23. | |
a print to help eliminate all convict a suspect. Extraordinary | :21:23. | :21:28. | |
though it may sound, from a single fingerprint left at the scene of a | :21:28. | :21:31. | |
crime, it is now possible to tell not just who was there but what | :21:31. | :21:39. | |
they were doing. Dr Simona Francese or at Sheffield Hallam University | :21:39. | :21:43. | |
is developing ways to identify substances someone has come into | :21:43. | :21:48. | |
contact with simply from their fingerprint. What is interesting in | :21:48. | :21:53. | |
analysing these fingerprints is that whatever you have touched can | :21:53. | :21:58. | |
potentially be detected. And not only can she tell what someone has | :21:58. | :22:02. | |
touched, she can even reveal what they have consumed. It sounds | :22:02. | :22:06. | |
incredible, and so I am going to put it to the test. I have | :22:06. | :22:10. | |
deliberately exposed myself to a number of substances that she is | :22:10. | :22:15. | |
able to identify. But she does not know which ones. How much will she | :22:16. | :22:22. | |
be able to tell from my fingerprints? Just like the | :22:22. | :22:28. | |
traditional method, she dusts the can and lift the print with take. - | :22:28. | :22:33. | |
- Take. But what is different is that she is extracting chemicals | :22:33. | :22:38. | |
contained in the print. A mass spectrometer identifies the | :22:38. | :22:44. | |
chemicals. After a couple of hours, the results are ready. It looks | :22:44. | :22:49. | |
like you have been quite generous with some sort of hair wax products. | :22:49. | :22:54. | |
Yes! And I wonder whether or not you have been drinking coffee, | :22:54. | :22:58. | |
because there is evidence that caffeine has been excreted through | :22:58. | :23:02. | |
your fingerprints. It is such a strange thought that you can detect | :23:02. | :23:05. | |
that I have drunk a cup of coffee simply from looking at my | :23:05. | :23:11. | |
fingerprint. Yes. I am very impressed. She did not detect the | :23:11. | :23:15. | |
de-icer I had used, but two out of three is good going for a technique | :23:15. | :23:20. | |
still in its infancy. So how will this help police? If we can | :23:20. | :23:25. | |
restrict the amount of fingerprints that we have to check by finding | :23:25. | :23:28. | |
out what is actually in them and the likelihood of them being the | :23:28. | :23:31. | |
offenders, it will cut down the amount of time we spent working on | :23:32. | :23:36. | |
the case. They hope to use this to detect illegal substances, like | :23:36. | :23:40. | |
drugs and explosives, in fingerprints. This could provide | :23:40. | :23:45. | |
powerful new evidence linking a suspect to a crime. I have been | :23:45. | :23:48. | |
working in the fingerprint bureau for 32 years, and this is one of | :23:48. | :23:52. | |
the most significant breakthroughs that I have known. The work is | :23:52. | :23:56. | |
being funded by the Home Office and should be ready for the police to | :23:56. | :24:01. | |
use in about three years. It may well be the next big thing in | :24:01. | :24:07. | |
forensics. The moral of that story is, if you | :24:07. | :24:11. | |
do not want to know what people are put in your hair, used de-icer. | :24:11. | :24:15. | |
Anyway, it is 30 years since a trim of's diaries were published, and | :24:15. | :24:19. | |
although teenagers are very different today, Alex Riley thinks | :24:19. | :24:29. | |
:24:29. | :24:29. | ||
there are plenty of Adrian Moles in Thursday 24th July 1986, got some | :24:29. | :24:34. | |
spurts. The girl in the grocer's was even nicer looking and served | :24:34. | :24:39. | |
me with a twinkle in her eye. I suddenly desire to buy groceries. | :24:39. | :24:42. | |
Anyone who has kept a teenage diary would probably care to forget the | :24:42. | :24:48. | |
growing pains of puberty with its pent-up frustrations, acne and | :24:48. | :24:55. | |
unrequited love. Or is that just me? What is in yours? Warts-and-all, | :24:55. | :24:59. | |
really, very kind of Adrian Mole. My daughters do. Have you read | :24:59. | :25:09. | |
them? That is a yes, then! How long have you kept it for? Since I was | :25:09. | :25:13. | |
11, and I am now 74. I know I am an intellectual, I saw Malcolm | :25:13. | :25:17. | |
Muggeridge on television last night, and I understood nearly every word. | :25:17. | :25:21. | |
The most famous teenage diary in Britain is probably that written by | :25:21. | :25:25. | |
Adrian Mole, first published 30 years ago, and the creation | :25:25. | :25:29. | |
reflected the inner thoughts and secrets of a generation. Did you | :25:29. | :25:34. | |
ever keep a diary yourself? No, I didn't. I started, like everybody | :25:34. | :25:38. | |
else started. I wish I had kept a diary or my life. Do you think | :25:38. | :25:42. | |
Adrian Mole would be on social networking now, rather than keeping | :25:42. | :25:47. | |
a diary? The important thing about the title of that book is secret | :25:47. | :25:52. | |
diary, and I think he might still prefer, you know, the actual diary | :25:52. | :25:56. | |
form, the tangible, the book, the thing you can open and make marks | :25:56. | :26:01. | |
in. What advice you think he would give to a teenager starting a diary | :26:01. | :26:06. | |
today? A be absolutely honest, as honest as you can be, because there | :26:06. | :26:15. | |
is no point in writing your life if it is not honest. But there are | :26:15. | :26:19. | |
teenage diaries just cringe worthy self-indulgence or genuine | :26:19. | :26:23. | |
historical documents? Dr Finkel is a creator at the British Museum and | :26:23. | :26:27. | |
the founder of a new project created to save the diaries are | :26:27. | :26:31. | |
ordinary people. I think diaries are about the most important of | :26:31. | :26:35. | |
human documents, and the point is that we want to rescue diaries of | :26:35. | :26:40. | |
all kinds, on the assumption that in 150 years' time such documents | :26:40. | :26:44. | |
will be crisis because they talk about daily life in people's own | :26:44. | :26:50. | |
words in a way that nothing else does. So his diary writing in | :26:50. | :26:55. | |
danger of dying out, and to the kids of today appreciate what they | :26:55. | :27:00. | |
have to offer? Hello, everyone! I am Alex. We set to the exercise of | :27:00. | :27:06. | |
keeping a diary over the weekend. How did you find it? It was OK. | :27:06. | :27:12. | |
was boring. I am not trying to be rude or anything, but people who | :27:12. | :27:16. | |
have no friends talk to their Tiree. Were do you mind reading a bit of | :27:16. | :27:20. | |
that? On Saturday, I went to the Royal Infirmary to help out in the | :27:20. | :27:25. | |
children's ward, and they all had a form of cancer, so I felt sorry for | :27:25. | :27:32. | |
them. After that, we went upstairs and played zombies for two hours | :27:32. | :27:37. | |
and 30 minutes. I am going to be on the One Show. I am so excited and | :27:37. | :27:43. | |
nervous. Apart from that, nothing much happened. That is it. All this | :27:43. | :27:45. | |
technology, something new in five years' time, it will be lost | :27:45. | :27:50. | |
forever. Get a diary, write it now, this will last forever, it will | :27:50. | :27:55. | |
always be work, it will always be compatible! Unless it falls in a | :27:55. | :28:01. | |
pond. Unless it falls in a pond... Their is information about Dr | :28:02. | :28:07. | |
Finkel's Great Diary Project on our website, and Sue Townsend's new | :28:07. | :28:11. | |
book, The Woman Who Went To Bed For A Year, is out now. Robert, one | :28:11. | :28:15. | |
date for your diary is you're going to be David Mitchell's best man. | :28:15. | :28:20. | |
is a popular guy, and there are lots of very strong candidates, but | :28:20. | :28:25. | |
I ran a strong campaign, a lot of e-mails, text messages, a mock | :28:25. | :28:29. | |
wedding cake made out of cardboard with, I am warning you, written in | :28:30. | :28:34. | |
lipstick. He got the message. you started the speech was marked | :28:34. | :28:38. | |
that was the beginning, but now I have blown it on TV, so I'll have | :28:38. | :28:43. | |
to think of a new start. Thank-you to Robert, his new series starts | :28:43. | :28:47. | |
this autumn on Disney Junior UK. Tomorrow will we be joined by two | :28:47. | :28:51. |