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Hello and welcome to The One Show with Alex Jones. | :00:15. | :00:19. | |
And Matt Baker. Tonight we're joined by a man | :00:20. | :00:25. | |
who never lets on what he's thinking until he's given what's in front | :00:26. | :00:28. | |
of him a good poke and a prod. Hold out your arm, please. | :00:29. | :00:31. | |
It's firm, not too spongey. Yes, clean fingernails. | :00:32. | :00:36. | |
Textbook. It is the perfect Paul Hollywood! It | :00:37. | :00:47. | |
is the perfect Paul Hollywood. You can sit over there now, Paul. Cheers | :00:48. | :00:53. | |
for that. Always good to see you. We were talking before we came on air, | :00:54. | :00:58. | |
you are three from the end now. You can't say that! Too late! We are | :00:59. | :01:06. | |
doing well. We are over halfway, yes. Do you think you have uncovered | :01:07. | :01:13. | |
the new Nadiya? We have uncovered some great bakers, yes. You are | :01:14. | :01:20. | |
being very vague! 14 million viewers, your third Bafta. 15, | :01:21. | :01:26. | |
actually, but what's a million? When you got so many. Can you top it this | :01:27. | :01:34. | |
year? I don't know, every year, I was talking to Mary about the | :01:35. | :01:38. | |
figures, how they've grown over the years and maybe this is the year | :01:39. | :01:41. | |
where they have reached a plateau. Then there is the decline. What are | :01:42. | :01:48. | |
you saying? I don't know. You get a loyal audience and its bills. I | :01:49. | :01:54. | |
don't know, it would be nice but we love doing the programme. We don't | :01:55. | :01:57. | |
think of the numbers at all. We can't wait until it is back on our | :01:58. | :02:03. | |
screens. We have enjoyed it. Paul has been on his travels, collecting | :02:04. | :02:07. | |
the best bakes from around the world and we will find out what they are | :02:08. | :02:13. | |
later on. Here is a question for everybody, do you think the amount | :02:14. | :02:16. | |
of money you spend on somebody's funeral is an indication of how much | :02:17. | :02:21. | |
you love them? Joe has been meeting some people who think that the | :02:22. | :02:26. | |
answer is a definite no. With so much time and effort going into | :02:27. | :02:30. | |
making a living these days, facing up to the price of dying is often | :02:31. | :02:35. | |
the last thing on our minds. Unlike previous generations it seems we | :02:36. | :02:39. | |
have fallen out of the habit for saving for our funerals, leaving | :02:40. | :02:44. | |
family and friends to foot the bill. Experts say that the cost of dying | :02:45. | :02:47. | |
has risen seven times faster than the cost of living with the average | :02:48. | :02:53. | |
funeral coming in at ?4000. There is one of me and my dad, at a family | :02:54. | :03:01. | |
wedding. When Lauren's father died, as the eldest daughter she took on | :03:02. | :03:06. | |
the task of organising his funeral. He passed away very suddenly and I | :03:07. | :03:09. | |
felt it was my responsibility to take charge of the arrangements. I | :03:10. | :03:13. | |
went to the funeral directors, the bare minimum, half an hour service, | :03:14. | :03:19. | |
the cheapest coughing. The total cost was still over ?4500, even | :03:20. | :03:23. | |
though it was a basic no-frills funeral. The funeral director gave | :03:24. | :03:28. | |
me a box with my father's Ashes, with a sticker saying "The remains | :03:29. | :03:35. | |
of Michael O'Connor." Paying the bill left the family in debt. Some | :03:36. | :03:39. | |
experts are calling a funeral poverty. This lady hears similar | :03:40. | :03:43. | |
tales from across the country in her role as chair of the fair funerals | :03:44. | :03:49. | |
campaign. There are some brilliant directors who are responding to the | :03:50. | :03:52. | |
issue of poverty and trying to find more responsible options out there | :03:53. | :03:57. | |
are some funeral directors that are charging too much. Funeral directors | :03:58. | :04:00. | |
are running a business, it isn't a charity, they must make money. | :04:01. | :04:06. | |
Absolutely bad we must make them go the extra mile to give people | :04:07. | :04:12. | |
transparent and clear information about what funerals cost. There are | :04:13. | :04:16. | |
alternatives when you are planning a funeral, you don't have to use a | :04:17. | :04:20. | |
director. You could do it yourself. For many of us the thought of | :04:21. | :04:25. | |
arranging a DIY funeral would be too daunting. Buying a coughing, sorting | :04:26. | :04:30. | |
transport for the mourners and of course the dear departed, a lots to | :04:31. | :04:40. | |
think about. -- a coughing Dot -- coffin. This lady is planning a | :04:41. | :04:45. | |
special funeral for her 97-year-old mother who has Alzheimer's and is | :04:46. | :04:49. | |
being cared for in a hospice. I want to do all of the practical things | :04:50. | :04:54. | |
which at the moment people handover to undertakers. I want to prepare | :04:55. | :05:02. | |
her body. What is the plan, when the day comes, how are you going to | :05:03. | :05:05. | |
practically do everything you need to do? We are going to carry out on | :05:06. | :05:15. | |
a coffin and we will put her in the family car, the seats are folded and | :05:16. | :05:19. | |
the coffin fits and we will drive her home. The junior's mother will | :05:20. | :05:24. | |
be buried at a local cemetery. While making plans, Virginia is taking | :05:25. | :05:27. | |
advice from Rosie Baxter who runs the consumer advice charity, the | :05:28. | :05:33. | |
death centre. People say that they don't want money wasted on a | :05:34. | :05:37. | |
funeral, they want to put the money behind the bar. The bottom line is | :05:38. | :05:43. | |
that they have to think ahead. You have hit the nail on the head, | :05:44. | :05:46. | |
families have to talk about the inevitable. You have almost got give | :05:47. | :05:50. | |
your family permission not to feel guilty that they are not spending a | :05:51. | :05:54. | |
lot of money. Spending a lot of money does not equate with a great | :05:55. | :05:59. | |
funeral. That's an opinion echoed by Virginia. We'll give her a | :06:00. | :06:06. | |
tailor-made funeral which will represent the person she has been | :06:07. | :06:12. | |
all her life and the person that we love. Virginia's mother 's funeral | :06:13. | :06:18. | |
isn't really about saving money, it's about making sure she has a | :06:19. | :06:21. | |
personal sendoff and what I have taken from today that is so | :06:22. | :06:24. | |
important is people having a conversation with their family so | :06:25. | :06:28. | |
they know not only what they want, but how they are going to pay for it | :06:29. | :06:35. | |
when the time comes. That film has had the desired effect for me. Ever | :06:36. | :06:40. | |
since I saw it I have been... Planning! Looking into it, these | :06:41. | :06:44. | |
things that you don't think about. I have a list now. I think it's | :06:45. | :06:50. | |
important to talk about it. Paul, your situation, if you are not | :06:51. | :06:52. | |
planning your own funeral, how much would you want others to spend on | :06:53. | :07:02. | |
it? Get a load of firewood from the garage. I want a big funeral fire. | :07:03. | :07:14. | |
-- -- pyre. You basically wants to be baked? It is important because it | :07:15. | :07:23. | |
affects everybody. The National Association of Funeral Directors | :07:24. | :07:25. | |
have told us that a good undertakers should help to keep you under budget | :07:26. | :07:29. | |
and it is worth bearing in mind that even in a DIY funeral there are a | :07:30. | :07:32. | |
number of elements that have fixed costs, like the burial plot and | :07:33. | :07:38. | |
cremation fees. This is a hot topic of conversation. Let's talk about | :07:39. | :07:46. | |
your book, Paul, and the TV series, The Weekend Baker. You have been | :07:47. | :07:49. | |
meeting bakers all over the world. Is the idea that you showcase what | :07:50. | :07:54. | |
you have baked to them, or getting tips from them? I met people from | :07:55. | :08:02. | |
all over the world, I went to Miami, New York, Copenhagen, Naples. I | :08:03. | :08:08. | |
don't know how you did it! Then Madrid, Paris, London, Warsaw and | :08:09. | :08:12. | |
Saint Petersburg. It was amazing because the people I met, very | :08:13. | :08:18. | |
similar to me, they had their own quirks and flavours that I was | :08:19. | :08:26. | |
fascinated with. Miami was great, property lines which are this big. | :08:27. | :08:29. | |
It is difficult to get the zest off it. -- K | :08:30. | :08:35. | |
. Do you ever cook, Alex? Not really! Where does the weekend side | :08:36. | :08:46. | |
of it coming? The programme is called City Bakes on the Food | :08:47. | :08:49. | |
Network and it is shown at the weekend. It is the idea of going | :08:50. | :08:55. | |
away for a break. So The Weekend Baker came from that. The book is | :08:56. | :09:00. | |
all of the recipes we got from around the world, things like | :09:01. | :09:06. | |
chocolate cheesecake. But there's a difference, there is a chocolate | :09:07. | :09:11. | |
brownie with New York cheesecake in it. It is stunning. We can treat our | :09:12. | :09:17. | |
viewers do that. You don't hold back on the portions, either. Have you | :09:18. | :09:21. | |
done this before, making a brownie with cheesecake? Maybe next week. | :09:22. | :09:26. | |
Call it the Hollywood cheesecake. You'd like that. Wonderful. A lovely | :09:27. | :09:34. | |
blend. It has the texture of a brownie. The cheesecake is on its | :09:35. | :09:40. | |
own. A brownie is supposed to be this size. The pie wages were | :09:41. | :09:52. | |
proper, loads of cream on. In Russia we had something like a sausage roll | :09:53. | :09:56. | |
but the decoration was amazing. We went to Copenhagen, this thing about | :09:57. | :10:02. | |
warmth and putting the fire on, that is the Danish, Scandinavian weight. | :10:03. | :10:09. | |
And we had a meal which is basically wry bread with herring and mackerel. | :10:10. | :10:16. | |
-- Scandinavian way. When I did the book I wanted to make sure that we | :10:17. | :10:20. | |
got everything, I got recipes from these people and put them in the | :10:21. | :10:25. | |
book. We saw other things, a proper Danish pastry, which is fantastic, | :10:26. | :10:30. | |
wholemeal flour as well. So you have the balance. The flavour was much | :10:31. | :10:34. | |
stronger. I can't believe that you hadn't been to Paris. Come on, Paul! | :10:35. | :10:41. | |
You don't get a body like this from being on a diet. I have been to | :10:42. | :10:46. | |
Versailles in which is three miles down the road and I have been to | :10:47. | :10:51. | |
France many times but I've never actually been to the middle of | :10:52. | :10:55. | |
Paris. When we filmed there, it is quite poignant, the bombings were | :10:56. | :10:59. | |
five days later and we were filming in the place when it happened, | :11:00. | :11:04. | |
around that area. It was quite eerie for the crew. Paris, I fell in love | :11:05. | :11:12. | |
with the people, amazing people. The food, the culture, sitting outside, | :11:13. | :11:15. | |
the mixing, I fell in love with it. Everywhere you went, was work -- was | :11:16. | :11:22. | |
there one item that you thought you had in making wrong the entire time? | :11:23. | :11:26. | |
Yes, pizza! The most basic one of all! Was the last one you made? | :11:27. | :11:35. | |
About six weeks ago. When you are making pizza, I always thought, and | :11:36. | :11:39. | |
I've written books about it, you put in the oven for five, ten minutes. | :11:40. | :11:44. | |
You know how long they go in for? 45 seconds! Is that all? I worked with | :11:45. | :11:51. | |
somebody called Enzo in Naples, one of the best in the world. A | :11:52. | :11:59. | |
woodfired oven. Yes, the pizzas are so thin, literally 45 seconds, done, | :12:00. | :12:02. | |
and they were the best I had ever had. He called me the name for a | :12:03. | :12:10. | |
starter pizza maker. We have to ask you, many people will be wondering | :12:11. | :12:14. | |
about the future of the Bake Off. As far as you are concerned, the BBC, | :12:15. | :12:20. | |
what are your thoughts? I said before, it's not my choice. Stay! | :12:21. | :12:27. | |
Stay! If it was my choice, Mary and myself would like to stay on the BBC | :12:28. | :12:31. | |
because that is where the fan base is Common People who have grown up | :12:32. | :12:35. | |
with it and we want to stay with the BBC. I would prefer to stay with the | :12:36. | :12:41. | |
BBC. Paul's. The Weekend Baker is out now and Hollywood City Bakes is | :12:42. | :12:48. | |
on the Food Network from Saturday. Smacking is in the news with another | :12:49. | :12:51. | |
attempt of getting it banned in the UK. We have been finding out what | :12:52. | :12:56. | |
you think. Smacking your children, is it justifiable or is it akin to | :12:57. | :13:02. | |
Corporal punishment? This week, the children's commissioners meet with | :13:03. | :13:06. | |
the United Nations to discuss banning parents from smacking their | :13:07. | :13:09. | |
children so I have come to Birmingham to find out what people | :13:10. | :13:13. | |
here think. A little bit of a smack on the bottom never hurt anybody, I | :13:14. | :13:18. | |
had it when I was a child. I think a lot of people did. As long as you | :13:19. | :13:24. | |
don't go overboard. How do you feel about smacking children? It's | :13:25. | :13:30. | |
disgusting. Are you to smack my own children, sometimes they need a | :13:31. | :13:34. | |
smack. You don't go to an extreme. I used to be a schoolteacher, a | :13:35. | :13:39. | |
headteacher and I never smacked one. The tone of voice was enough to calm | :13:40. | :13:45. | |
the riot. Excuse me, sir, you wouldn't advocate smacking? No. If | :13:46. | :13:50. | |
you smack them once, twice, they will get used to this and even if | :13:51. | :13:59. | |
you smack them again and again. OK if they have done wrong, but don't | :14:00. | :14:03. | |
overdo it because children have memories. I've never felt it | :14:04. | :14:08. | |
necessary to do that. It's a very outdated concept, I think society | :14:09. | :14:13. | |
has come a long way from those days in the 80s and 90s. Also I think | :14:14. | :14:18. | |
it's quite upsetting, seeing another person being actually hurt, | :14:19. | :14:24. | |
physically. It is like sport, isn't it, you wouldn't tolerate an adult | :14:25. | :14:28. | |
hitting another adult. How do you feel about the United Nations | :14:29. | :14:34. | |
telling us that you are not allowed to do it as a country? Keep out, | :14:35. | :14:39. | |
mind your own business. You don't need somebody else to tell you how | :14:40. | :14:43. | |
to bring up your child. You have to make your own way, don't you, as a | :14:44. | :14:48. | |
parent. Some people are doing things that but they do not think it is as | :14:49. | :14:52. | |
bad. I was smacked. If you put a ban on it there is no | :14:53. | :15:05. | |
grey area or cause for confusion. Paul | :15:06. | :15:05. | |
If you put a ban on it there is no grey area or cause for confusion. Go | :15:06. | :15:11. | |
to your room - that's enough in our house. Or the naughty step. Bake | :15:12. | :15:18. | |
bake isn't just Britain's programme. Many countries have their own | :15:19. | :15:23. | |
version. And they all have their own Paul Hollywood. This is German Bake | :15:24. | :15:30. | |
Off, Das Grosse Backen. You can see the set is almost identical. Paul | :15:31. | :15:35. | |
there is a bit thinner but he has a bit of a beard. Which one is Paul | :15:36. | :15:40. | |
there? On the right. We've got five judges from various television shows | :15:41. | :15:46. | |
around the world. Three of them are Paul counterparts, right? Yes. They | :15:47. | :15:51. | |
are Hollywood in everything but the name. Right. OK? He is called Tart, | :15:52. | :16:00. | |
the guy in the bottom right. The other two are from other shows. You | :16:01. | :16:05. | |
have to guess which three are your counterparts. Time to play Ites | :16:06. | :16:11. | |
Hollywood or Bust. Take your pick really. I will go for Tjaart. Yes, | :16:12. | :16:23. | |
Tjaart is from the great South African Bake Off. He worked as a | :16:24. | :16:29. | |
personal chef to celebrities. He has a strong command in show-stopper | :16:30. | :16:34. | |
desserts. He is... Mary. LAUGHTER. Yes, he is from the Bake | :16:35. | :16:42. | |
Off. Pick another one. Benefit. Pick another one. Benefit. Eto - he is | :16:43. | :16:57. | |
clean-shaven. He is Beto Perez. He is Colombia's answer to Strictly | :16:58. | :17:01. | |
Come Dancing. The most amazing fact is he is best known for creating the | :17:02. | :17:06. | |
fitness programme zumba, in the 1990s. Beto was teaching an aerobics | :17:07. | :17:24. | |
class and zumba was born. Fabrizio. He is a bit of a unit. Bake Off | :17:25. | :17:34. | |
Brazil, it means Hands On. Are we in Brazil? You were everywhere. As | :17:35. | :17:41. | |
we've heard, for Paul's new book, he has travelled the world, brought | :17:42. | :17:47. | |
back recipes for us all to bring home. Emma Dabiri's food proved a | :17:48. | :17:58. | |
hit with the pie and marsh-loving clientele. In the 1960s London was | :17:59. | :18:05. | |
grinding to a halt. Mainly labour shortages meant there was no-one to | :18:06. | :18:09. | |
drive the buses and trains. Over 9,000 workers came from the west | :18:10. | :18:12. | |
endies to help get London moving again. But London Transport didn't | :18:13. | :18:17. | |
just hire drivers. Drivers. They also hired 2,000 people to feed | :18:18. | :18:22. | |
them. And many of these were women. Rose Morgan, one of the original | :18:23. | :18:27. | |
canteen Queens, came to Britain from Jamaica in the mid 1950s. She's | :18:28. | :18:33. | |
since been awarded an OBE for her work in the kitchens. Some things | :18:34. | :18:38. | |
were very different from home. When the cold weather comes in, you say, | :18:39. | :18:45. | |
God, I wish I was home. But afterwards, with a layer of warm | :18:46. | :18:49. | |
clothes and you drink as much hot stuff as you can to keep you warm. | :18:50. | :18:57. | |
Writer and broadcast andser Mike Macmillan thinks the experiences for | :18:58. | :19:00. | |
women were very different from the men. Of course, coming into a | :19:01. | :19:05. | |
strange place as a young woman, probably a teenage young girl, it | :19:06. | :19:09. | |
was really a struggle for them. Often you wouldn't see any women, | :19:10. | :19:15. | |
much less Caribbean women, associatising or being independent. | :19:16. | :19:18. | |
Rose, from what Michael has been saying, it sounds like it was tough | :19:19. | :19:23. | |
for the women. Sometimes it could be a bit shaky, when you had to do | :19:24. | :19:29. | |
shift jobs. But on the same hand it teaches you a bit of trade. London | :19:30. | :19:36. | |
Transport realised that social events might help their newcomers | :19:37. | :19:40. | |
settle in, so they organised day trips to the seaside, boxing matches | :19:41. | :19:47. | |
and beauty contests. A little birdie tells me you won one of the beauty | :19:48. | :19:51. | |
contests, is this true? Can you remember what you wore? A nice long | :19:52. | :19:56. | |
green dress, with everybody there. It was nice. And were you surprised | :19:57. | :20:03. | |
when you won, how did you feel? I was flabbergasted. I could not | :20:04. | :20:09. | |
believe. It was a way of bringing people together. We have to remember | :20:10. | :20:13. | |
there was a hostile environment people were working in. These | :20:14. | :20:17. | |
workers had been recruited from the Caribbean, so London Transport | :20:18. | :20:20. | |
weren't keen to lose them. They were a valuable asset to the company. And | :20:21. | :20:26. | |
back in the canteens these new West Indian cooks wanted to spice things | :20:27. | :20:31. | |
up, introducing an authentic taste of the Caribbean to the food. Dave | :20:32. | :20:36. | |
worked for London Transport in the late 1960s. I was a conductor in | :20:37. | :20:41. | |
1962. And then I became a driver. You had things like sausages and | :20:42. | :20:49. | |
pies. Chips with everything. Then these ladies arrived and brightened | :20:50. | :20:53. | |
life up for us. What kind of changes did you start to notice? The women | :20:54. | :20:58. | |
were a bit shy of introducing their own stuff, but gratefully they did. | :20:59. | :21:03. | |
Many of the drivers and conductors loved it, enjoyed it. The pies were | :21:04. | :21:08. | |
getting dumped because people were eating curries and stews and all | :21:09. | :21:13. | |
sorts of interesting Caribbean food. Taste buds were set alight with | :21:14. | :21:22. | |
Rose's mix of meats like goat, and spices turmeric, cumin and chilli. | :21:23. | :21:29. | |
We followed one of Rose's most popular recipes, Jamaican chicken | :21:30. | :21:33. | |
curry. Will Rose approve? That looks nice. Yummy yummy. Would you mind | :21:34. | :21:42. | |
telling us the recipe? A bit of sweet pepper, onion, garly. And then | :21:43. | :21:46. | |
you curry. And now for the ultimate test we are going to serve this to | :21:47. | :21:51. | |
the punters to see how this goes down. Are you ready? I'm ready. | :21:52. | :21:59. | |
Who's next? Are you having a finger licking? Yes! Our stomachs are full | :22:00. | :22:11. | |
now. That's right. It is like mama's cooking. Oh! How does ma make you | :22:12. | :22:19. | |
feel to see that your dishes are popular as ever? There's no place | :22:20. | :22:25. | |
like home. That looks like my type of curry. It is curry Wednesday | :22:26. | :22:32. | |
tomorrow in the BBC canteen. Now we've had the main course we can | :22:33. | :22:36. | |
move on to dessert. Do you recognise this canteen? No. Well, that is | :22:37. | :22:41. | |
Mosslands School, where you went. Is it?! Can I see it again? Is your | :22:42. | :22:47. | |
memory failing you? It's changed. That used too be the hall. Anyway, | :22:48. | :22:53. | |
we set the caterers at RCEDWHITE Anyway, we set the caterers at | :22:54. | :22:55. | |
Mosslands School a challenge - to bake two puddings. The first was | :22:56. | :22:59. | |
your apricot and fig tart, which looks delicious. The other was Mary | :23:00. | :23:09. | |
Berry's plum and marzipan tarte tatin. They went out on the piazza | :23:10. | :23:18. | |
and handed them out. They are getting reactions from people, to | :23:19. | :23:23. | |
see which one people in general preferred. Which one do eral | :23:24. | :23:28. | |
preferred. Which one do you think people preferred - your tart or | :23:29. | :23:32. | |
Mary's tarte tatin? My tart. It's creamier. Cocky! Let's find out. Oh! | :23:33. | :23:47. | |
It was Mary's. That's rigged. I will tell you why, it was quite simply | :23:48. | :23:53. | |
because Mary's was easier to Eton street. Is that all it is? If you | :23:54. | :23:59. | |
had a spoon and a bowl, you would go for that any day. We'll have a go | :24:00. | :24:03. | |
now. Before I watched this next film I had no idea if you stuck an | :24:04. | :24:09. | |
ordinary household fluorescent tube in the ground underneath an | :24:10. | :24:13. | |
electricity pylon, white light up. Nobody could think of doing that. | :24:14. | :24:23. | |
More than 4,400 miles of overhead power lines crisscross the British | :24:24. | :24:27. | |
countryside. There's little evidence to suggest that power lines like | :24:28. | :24:32. | |
these deter our native wildlife. We've all seen birds happily taking | :24:33. | :24:37. | |
a breather and not getting harm. But recent reports suggests that one | :24:38. | :24:41. | |
animal who used to live here until a few hundred years ago does go out of | :24:42. | :24:45. | |
its way to avoid power lines. The reasons why could teach us a lot | :24:46. | :24:49. | |
about the sensory world in which they live. Reindeer went extinct 600 | :24:50. | :24:56. | |
years ago in Britain. The reintroduced Netherlands the | :24:57. | :24:59. | |
Scottish mountains are on private estates, where their movement is | :25:00. | :25:07. | |
restricted. But recent research from Norway suggests that reindeer there | :25:08. | :25:10. | |
are altering their movements to avoid power lines will. Scientists | :25:11. | :25:16. | |
think that they can sense something that humans and other animals can't, | :25:17. | :25:21. | |
perhaps electricity itself. High-voltage power lines are | :25:22. | :25:24. | |
surrounded by an electrical field. We can show that it is there with | :25:25. | :25:30. | |
the help of some of these. We are planting an array of everyday | :25:31. | :25:34. | |
fluorescent tubes. We've worked closely with the local electricity | :25:35. | :25:38. | |
company to ensure that this is safe to do. But we don't recommend that | :25:39. | :25:44. | |
you try this yourself. All we need to do is wait for night-fall to see | :25:45. | :25:50. | |
the effect. There's electricity in the air. Enough to turn the lights | :25:51. | :25:57. | |
on. I wasn't sure this was going to work, but it has. The electrical | :25:58. | :26:01. | |
field created by the overhead power lines carries enough charge through | :26:02. | :26:06. | |
the air to light up these tubes. If I touch it, it goes on and off. Air | :26:07. | :26:12. | |
is a poor conductor, so the current reaching us is very low. About the | :26:13. | :26:16. | |
equivalent to standing next to a fridge. Just enough to create this | :26:17. | :26:22. | |
unusual sight. So can reindeer detect the electrical field? We know | :26:23. | :26:26. | |
that some animals have this ability, but there is no evidence to suggest | :26:27. | :26:30. | |
that reindeer have a strong electrical sense. So what else could | :26:31. | :26:35. | |
be going on? Take a look at this footage. It is from an electrical | :26:36. | :26:42. | |
survey company. It is filmed with a camera that's sensitive to | :26:43. | :26:46. | |
ultraviolet light. These are tiny bursts of electricity emitted from a | :26:47. | :26:50. | |
line when it's in need of repair or when it's hit by rain or snow. These | :26:51. | :26:56. | |
flashes are invisible to the human eye but should be visible to | :26:57. | :27:02. | |
reindeer. I met up with Professor Glenn Geoffrey. Their visual range | :27:03. | :27:09. | |
is extended. We don't see ultraviolet UV. Why do they Y have | :27:10. | :27:15. | |
this ability in the first place? It buys them great advantages. It lives | :27:16. | :27:18. | |
in a dark environment in winter, so any extra light you can light you | :27:19. | :27:24. | |
can get into your eye - bonus. The lichens they live off in winter | :27:25. | :27:30. | |
absorb UV, so things are thrown into much more contrast. We see a little | :27:31. | :27:34. | |
bit of grey coming through the snow, but they see a very dark patch. So | :27:35. | :27:40. | |
it stands out? It really stands out. It's main predator is the wolf. Long | :27:41. | :27:46. | |
white fur will absorb UV. The reindeer will see that in much | :27:47. | :27:51. | |
higher contrast. It will give a few extra seconds to run before the wolf | :27:52. | :27:56. | |
is likely to attack it. Experts believe that reindeer might be | :27:57. | :28:00. | |
avoiding power lines because their UV vision means they see them as | :28:01. | :28:06. | |
lines of sparkling lights, possibly even a constant glow. It is another | :28:07. | :28:11. | |
example of how animals' sensory powers enable them to see the world | :28:12. | :28:15. | |
in a way that we can only imagine. Fascinating. I will tell you an | :28:16. | :28:22. | |
animal you can spot that pot that does see in UV - a kestrel. These | :28:23. | :28:36. | |
bakes are lovely. I like this. Yeah, I want to question the custard, but | :28:37. | :28:42. | |
this one here... That might be Calum's fault from Mosslands. That | :28:43. | :28:47. | |
one is slightly raw. Oh Paul, you're such a bad loser. We have to say | :28:48. | :28:55. | |
thank you to Calum. Paul's The Weekend Baker is out now and his | :28:56. | :29:01. | |
series City Bakes is on the Food Network. Mary won. Goodnight. | :29:02. | :29:13. | |
at the most famous flower show in the world. | :29:14. | :29:17. |