Browse content similar to 24/06/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Matt Baker and Alex Jones. | :00:18. | :00:24. | |
As it is such a pleasurable evening we thought we would start our show | :00:25. | :00:27. | |
outside. The other reason is we are a bit | :00:28. | :00:32. | |
worried about tonight's guests. These two are a pair of conmen. And | :00:33. | :00:38. | |
they are love rats. This duo are Dirty Rotten Scoundrels, and they | :00:39. | :00:41. | |
are not afraid to shout it from the rooftops or sing it from the pi as | :00:42. | :00:56. | |
exactly. Dirt Dirty rote guys, like us. | :00:57. | :01:06. | |
-- Dirty Rotten Guys, like us, yeah! Beautiful. There we are, my friends, | :01:07. | :01:12. | |
have a bit of that. That's from the musical Dirty Rotten | :01:13. | :01:18. | |
Scoundrels, Robert Lindsay and Rufus Hound are with with us tonight. The | :01:19. | :01:24. | |
good to see you. Also coming up we have a film where | :01:25. | :01:31. | |
we take 1966 World Cup's Bobby Charlton back to his old house. I | :01:32. | :01:38. | |
bet he is upset that the team are already queuing up for their bus to | :01:39. | :01:41. | |
the airport. A few miles up the road from Jack's | :01:42. | :01:46. | |
old house are some very disappointed people in the Robin Hood pub in | :01:47. | :01:52. | |
Jarrow. The landlord has taken down the flags, but I have to say, good | :01:53. | :01:57. | |
of the to all of the flag handlers. Now, today there was more worrying | :01:58. | :02:03. | |
news that the NHS is facing an acute shortage of GPs. Anita Rani has been | :02:04. | :02:11. | |
to visit two doctors surgeries with another problem, a future without | :02:12. | :02:16. | |
the funding they need to survive. It might look idyllic and relax | :02:17. | :02:21. | |
willing, but for rural GPs countryside holds more than its fair | :02:22. | :02:26. | |
share of challenges. It is only recently we had decent broadband | :02:27. | :02:31. | |
introduced the, but there's no gas. And if that isn't enough, many rural | :02:32. | :02:35. | |
doctors say their biggest challenge is maintaining patient services. And | :02:36. | :02:39. | |
even for some keeping their surgery doors open. This doctor covers two | :02:40. | :02:47. | |
surgeries in the Yorkshire Dales. He's worried as he says the | :02:48. | :02:51. | |
Government's withdrawal of the fund, the minimum practice income | :02:52. | :02:55. | |
guarantee, says his surgery stands to lose ?25,000 as it is phased out. | :02:56. | :03:00. | |
We are down to the bare bones of the service already. There isn't spare | :03:01. | :03:05. | |
money floating around in a practice income. Head west to Coniston in | :03:06. | :03:11. | |
Cumbria and Dr Fry says the situation is even worse for her | :03:12. | :03:16. | |
small practice in the Lake District. In about seven years we are about | :03:17. | :03:21. | |
?30,000 down annually and it gets to the stage where it is not viable. | :03:22. | :03:27. | |
Have to think, can the surgery stay open or can I continue doing this | :03:28. | :03:31. | |
job? The Prime Minister recently called for patients to see their GPs | :03:32. | :03:35. | |
seven days a week. With budgets squeezed it is a big ask. So how | :03:36. | :03:40. | |
realistic is David Cameron's plans, a particularly for smaller surgeries | :03:41. | :03:44. | |
like hearse, that they should now be open seven days a week? It is not | :03:45. | :03:49. | |
really a suitable option, because our workload is already pretty | :03:50. | :03:55. | |
intense. In 2013 we got some figures that just over 3,500 GPs get paid | :03:56. | :04:00. | |
over ?150,000 a year, which is more than the Prime Minister. That's when | :04:01. | :04:04. | |
you start questioning... I can tell you something, that would be | :04:05. | :04:09. | |
wonderful but I'm way below that. So maybe I should start playing the | :04:10. | :04:14. | |
lottery. For Jonathan the vast areas that rural GPs cover mean extra | :04:15. | :04:18. | |
expense. Their time and money is stretched. We cover about 500 square | :04:19. | :04:24. | |
miles here for our 4,500 patients. As is often the case in a rural | :04:25. | :04:28. | |
setting it is a predominantly elderly population. We are going to | :04:29. | :04:33. | |
see a chap in his 90s who depends on a range of different services to | :04:34. | :04:37. | |
keep him at home with his wife, who he cares for. Jonathan makes regular | :04:38. | :04:46. | |
visits on Mr Wood in Layburn. We are what we call a ripe old age, aren't | :04:47. | :04:51. | |
we? We've been with your practice all our lives. We've had the best of | :04:52. | :05:00. | |
service. I think the doctor, I think cutting the doctors would be the | :05:01. | :05:05. | |
worst. Very worrying indeed. Katrina is also seeing a patient. She fears | :05:06. | :05:09. | |
that costly home visits may become a thing of the past, hurting many | :05:10. | :05:12. | |
older patients, who would struggle to get to her surgery. Joan Wilson | :05:13. | :05:17. | |
is wheelchair bound and relies on Katrina's home visits. What would I | :05:18. | :05:22. | |
mean for you if Katrina wasn't able to visit you? I would probably have | :05:23. | :05:27. | |
no medical contact for months and months. I couldn't go on a bus, even | :05:28. | :05:33. | |
if there was one. But her patients are not taking the planned cuts | :05:34. | :05:38. | |
lying down. Setting is up a Save our Surgery campaign group. The | :05:39. | :05:42. | |
withdrawal of the finances is over seven years, so it is a slow doth, | :05:43. | :05:46. | |
and that's even worse really. The first year is probably not too much | :05:47. | :05:50. | |
at risk, but after that we are really worried. The next nearest | :05:51. | :05:55. | |
surgery we think we'll have to go to is over a very tort rows road and | :05:56. | :06:02. | |
quite a long road -- a tortuous road. In winter it is impossible. We | :06:03. | :06:08. | |
feel very bitter that the Minister of health has suggested that | :06:09. | :06:13. | |
practices who are making such a loss should really try and sort | :06:14. | :06:18. | |
themselves out. We do not want to consider making staff redundant. We | :06:19. | :06:23. | |
don't want to see people leaving our services sooner than they should be. | :06:24. | :06:29. | |
We don't want to close either of our two surgeries here. But ?25,000 is | :06:30. | :06:34. | |
going to have an effect down the line in terms of service provision. | :06:35. | :06:38. | |
NHS England say they are working together with the local NHS and want | :06:39. | :06:42. | |
to reassure patients that they will continue to have access to | :06:43. | :06:46. | |
high-quality primary care services in the future. Cuts to GP services | :06:47. | :06:51. | |
in places like this to our surgeries could have a huge impackage. Yes, it | :06:52. | :06:56. | |
is stunningly beautiful, but it is also very isolated and the community | :06:57. | :07:00. | |
here is elderly. So for them to not have a GP at the moment is | :07:01. | :07:07. | |
unthinkable. Thanks to Anita and everybody in that film. The whole | :07:08. | :07:11. | |
issue of GP funding is being discussed at the British Medical | :07:12. | :07:13. | |
Association's conference at this week's, so do expect more headlines | :07:14. | :07:16. | |
over the next few days. Now it is time to welcome the stars | :07:17. | :07:21. | |
of Dirty Rotten Scoundrels. The musical. Robert Lindsay, Samantha | :07:22. | :07:29. | |
Bond and Rufus Hound! APPLAUSE | :07:30. | :07:35. | |
How are you? Sit yourselves down. Lovely to see you. Love is in the | :07:36. | :07:44. | |
air. It is! You should, shortly you should be on stage. The performance | :07:45. | :07:49. | |
this evening has been held hasn't it? It has been specially delayed so | :07:50. | :07:57. | |
we can be on The One Show. One very drunk audience. Free champagne until | :07:58. | :08:02. | |
we arrive. Dirty Rotten Scoundrels, the film, is brilliant. The musial | :08:03. | :08:07. | |
brilliant as well, says the reviews. And Matt, who has seen it. The only | :08:08. | :08:14. | |
review we care about. This is all for you. Seriously I got tickets as | :08:15. | :08:19. | |
part of my Christmas box, because I was such a fan of the film. We were | :08:20. | :08:24. | |
at the Christmas box. We are hoping to be another Christmas box, because | :08:25. | :08:30. | |
we run at the Savoy for how long? March 15th. A long run. For those | :08:31. | :08:35. | |
who have not seen the musical or the film, what's the story? It is two | :08:36. | :08:41. | |
conmen, guys getting a bit bored with life, and the young man on the | :08:42. | :08:45. | |
block here, him, and I take him under my wing and we decide to con | :08:46. | :08:51. | |
everyone. We are kind of Robin Hoods really, rob from the rich and give | :08:52. | :08:55. | |
to the poor - us being the poor. And that's where Samantha comes in. I'm | :08:56. | :09:00. | |
a recently divorced woman who has gone to the south of France looking | :09:01. | :09:04. | |
for love and believers she has found it when she meets the man she | :09:05. | :09:09. | |
believes is the Prince. Ah, but not so much. I am pretending to be a | :09:10. | :09:15. | |
Prince. Quite a lot of my diamonds are involved in that plot. A wealthy | :09:16. | :09:20. | |
woman. For you, Rufus, how was the transition from comedian to West End | :09:21. | :09:25. | |
star. Absolutely immediate and smooth... | :09:26. | :09:28. | |
LAUGHTER And that is true! One morning I went, I can do it. That's | :09:29. | :09:34. | |
largely what happened. I believe that in life what you get is | :09:35. | :09:38. | |
opportunities. Once you've got an opportunity it is about graft. We | :09:39. | :09:44. | |
know that you can dance. We've seen you. But have you ever done this | :09:45. | :09:50. | |
sort of thing before? You must have done theatre productions at school. | :09:51. | :09:57. | |
Yes at school, if you like showing off, the school play is what you do. | :09:58. | :10:01. | |
There isn't the school comedy club or the school performance art | :10:02. | :10:05. | |
installation. So I grew up thinking this is what I would do. Being a | :10:06. | :10:12. | |
grown-up there are so many unemployed act actors I'm too | :10:13. | :10:17. | |
scared, so I started telling jokes to drunks in pubs. And now I do it | :10:18. | :10:24. | |
in the dressing room. Samantha, with Downton you are doing everything at | :10:25. | :10:30. | |
once. I've been doing a lot of juggling. It is well organised. A | :10:31. | :10:34. | |
car arrives at the end of the show and I get in and have a glass of | :10:35. | :10:41. | |
wine. And then I arrive at my dark hotel and have a sleep and another | :10:42. | :10:46. | |
car picks me up in the morning. She's like a swan. From the top it | :10:47. | :10:52. | |
is just effortless. She is a stalwart of the boards. Is it true, | :10:53. | :10:56. | |
Robert, you have never seen the #23i78? I was working - never seen | :10:57. | :11:02. | |
the film? I was working in the south of France. I met them and I met | :11:03. | :11:06. | |
Steve Martin, who I had already met in America. I asked him what he was | :11:07. | :11:11. | |
doing and he said, this film, Dirty Rotten Scoundrels. He said it is OK | :11:12. | :11:15. | |
but we need to do our own thing, meaning put their own stuff in. My | :11:16. | :11:20. | |
film disappeared, like most of my films did, a long story. Actually it | :11:21. | :11:27. | |
wasn't such a major hit. It was alright. It's become a classic | :11:28. | :11:32. | |
since. Steve Martin films are brilliant. I think it is one of | :11:33. | :11:36. | |
those movies that once it was on TV and it was shown again and again, it | :11:37. | :11:42. | |
grew and grew. That's why it has a place in people's hearts. A lot of | :11:43. | :11:48. | |
people my age bring their dads, because they sat down and watched. I | :11:49. | :11:52. | |
mentioned a character of the film and #24r's no reaction at all. Last | :11:53. | :11:59. | |
time I mentioned him and there was a round of applause. I've never seen | :12:00. | :12:05. | |
the movie and I can't begin to imagine this story about the songs | :12:06. | :12:10. | |
and the dances. It works so seamlessly. Anybody can site, at the | :12:11. | :12:14. | |
Savoy in London, until March. I would highly recommend it. Thank | :12:15. | :12:19. | |
you. And there is no better recommendation. And you are going to | :12:20. | :12:24. | |
sing some hits later on, on the pi at exactly. | :12:25. | :12:29. | |
Sad Sadly very few Englishmen have managed to get their hands on the | :12:30. | :12:33. | |
World Cup, but Jack Charlton and his brother, Bobby, did it in 1966. We | :12:34. | :12:38. | |
asked them to take us back to the place where their passion for | :12:39. | :12:42. | |
football began. I was born here in Ashington | :12:43. | :12:48. | |
Northumberland in 1935. At that time it was the biggest mining village in | :12:49. | :12:54. | |
the world. This is the street where we move moved. My mother had four | :12:55. | :13:01. | |
boys. I'm the old east. Bobby was second. Gordon was third and our Tom | :13:02. | :13:08. | |
was fourth. This is our old house, where we lived in. I wasn't born | :13:09. | :13:14. | |
here but I was brought up in it. It was nowhere near like this. There | :13:15. | :13:28. | |
used to be a door here: What a beautiful room. Fantastic. We've got | :13:29. | :13:36. | |
a staircase which used to go the other way. We've got all of this | :13:37. | :13:45. | |
door here. Was only one little narrow door. They never dreamt of | :13:46. | :13:50. | |
anything like this when I was a kid at off. All you had was that with | :13:51. | :13:58. | |
running water. Me mother was yeah, she was a hard worker. If there was | :13:59. | :14:03. | |
a meeting here for this and a meeting there for that, she would | :14:04. | :14:08. | |
go. The how the hell she didn't get on the council is amazing to | :14:09. | :14:11. | |
everybody, because she had words to say and she was the best one. Me | :14:12. | :14:18. | |
father was a very quiet man. We had a guardton. He had petition and | :14:19. | :14:25. | |
horses, all sorts of things -- he had posing. We had no -- he had pigs | :14:26. | :14:32. | |
and horses, all sorts of things. My mother put the bath out. My father | :14:33. | :14:38. | |
was get in the bath and sit there and wash himself. My mother would | :14:39. | :14:42. | |
come and wash his back and everything that he couldn't reach. I | :14:43. | :14:52. | |
miss my mother and my father. All four children shared this bed be, | :14:53. | :14:57. | |
me, Gordon, Tommy and our Bob. The boys could be squashed in there when | :14:58. | :15:01. | |
there was four no problem. In fact my mother used to put one of us on | :15:02. | :15:06. | |
the floor. This is where me and our kid played football. We never won a | :15:07. | :15:10. | |
game. I can jump and head something but our kid couldn't, because he | :15:11. | :15:16. | |
wasn't big enough. I can jump and get to there. But our Bob couldn't, | :15:17. | :15:26. | |
because he was only that big. I used to win all the time. We used to | :15:27. | :15:33. | |
spend hours and hours heading balls and kicking balls and all sorts of | :15:34. | :15:36. | |
things. never allowed to play football. We | :15:37. | :16:02. | |
were banned from this one. Whenever you played, you played hard, you | :16:03. | :16:05. | |
wanted to be one of the better players who was playing. I got an | :16:06. | :16:17. | |
invitation to go to Leeds. After playing in a game against Newcastle | :16:18. | :16:21. | |
I was asked to stay on and be a professional footballer. Jackie | :16:22. | :16:30. | |
Charlton, bringing up the rear. Martin Peters, Jackie Charlton, Ray | :16:31. | :16:46. | |
Wilson... All of the street was blocked with people standing to | :16:47. | :16:51. | |
waiting -- standing and waiting to see you. It was nice. I smiled more | :16:52. | :16:55. | |
than my brother, though! Cheers, Jackie, that was champion. | :16:56. | :17:18. | |
And how beautifully colour-coordinated hue after dinner | :17:19. | :17:29. | |
at Jack Charlton's old house. Bobby's Heights did not affect his | :17:30. | :17:33. | |
grey cells because he was one of the people who came up with the concept | :17:34. | :17:36. | |
of the vanishing spray that has become the start of the World Cup. | :17:37. | :17:44. | |
It is absolutely incredible. You cannot come into the shots like | :17:45. | :17:51. | |
that. Let's have discipline. Get the lying down with the vanishing spray. | :17:52. | :17:55. | |
Michael Douglas has been testing it to see if it keeps the fans in line. | :17:56. | :18:01. | |
England are out of the World Cup will stop their campaign ended in | :18:02. | :18:06. | |
failure, but one success story is the foam spray. Somebody is calling | :18:07. | :18:10. | |
for English football to incorporate the spray. Are we ready? Wait. You | :18:11. | :18:20. | |
are free to go. Well done. Wait there while I ask some questions. | :18:21. | :18:23. | |
Have you been watching the World Cup? England could have been better. | :18:24. | :18:30. | |
I will. You there, if you can wait there a second. Great. OK. You are | :18:31. | :18:40. | |
free to go. What about the new technology? The spray can has worked | :18:41. | :18:49. | |
well. I like the white line. I like it because the players almost crowd | :18:50. | :18:57. | |
over it, don't they? It is like hair gel. You put it in and it dissolves. | :18:58. | :19:03. | |
Who else will you support now that England is out? I will support | :19:04. | :19:11. | |
Argentina. Costa Rica is doing well. I fancy them, I have always liked | :19:12. | :19:19. | |
Brazil. Germany. I want to see England in the final and it is not | :19:20. | :19:23. | |
happening. To me, it is not worth watching the TV. But happily | :19:24. | :19:29. | |
learned? England are not very good, goal-line technology seems to work | :19:30. | :19:35. | |
and the referees, they like this foam spray, don't they? | :19:36. | :19:42. | |
It is such a great addition to the game. Do you use it in your hair? Do | :19:43. | :19:51. | |
not smell it. It is very strong. Now you are going to smell it. Do not | :19:52. | :20:07. | |
put it on the sofa. As a representation of pubs all over the | :20:08. | :20:11. | |
country, Norman at the Robin Hood in Jarrow has taken down his flags. We | :20:12. | :20:17. | |
can find a photograph. This was it before the England game. He is doing | :20:18. | :20:23. | |
a good job. That is Norman, in the moment. He is halfway there. On | :20:24. | :20:33. | |
Friday night, we will be at Glastonbury for an hour-long special | :20:34. | :20:36. | |
with Blondie, Ricky from the Kaiser Chiefs and Ed Sheeran. 20 years ago, | :20:37. | :20:44. | |
a new type of music had an impact on the festival crowd and TV audiences | :20:45. | :20:49. | |
watching around the country. In 1994, the dance act Orbital made | :20:50. | :20:57. | |
their debut at Glastonbury and it became part of musical folklore. It | :20:58. | :21:03. | |
was the first time last B was broadcast live on the TV and this | :21:04. | :21:07. | |
unique sound was heard in living rooms all over the country. It was | :21:08. | :21:13. | |
house music. A few years earlier, it started a revolution to rival the | :21:14. | :21:21. | |
60s. Acid house exploded in 1987, changing the music scene for ever. | :21:22. | :21:26. | |
It was often accompanied by ecstasy, and the rave was born. Sometimes you | :21:27. | :21:32. | |
could not get a licence for an all-night event and organisers went | :21:33. | :21:35. | |
underground. Organisers looked outside London, where people could | :21:36. | :21:42. | |
dance away from the authorities. We live in an age where social media | :21:43. | :21:48. | |
dominates any kind of party. But then, how did they do it? Every | :21:49. | :21:54. | |
weekend people set off on a magical mystery tour in search of the | :21:55. | :21:58. | |
party. And following their lead, I am heading off on my own journey of | :21:59. | :22:05. | |
discovery. I have come to a service station. Hopefully this is the guy I | :22:06. | :22:11. | |
need to speak to. Scott Manson has written the dance magazines. When | :22:12. | :22:19. | |
acid house came, it felt like a revolution. It was egalitarian. You | :22:20. | :22:24. | |
had gay and straight and black and white. It was open-minded and | :22:25. | :22:29. | |
fabulous. How would people find these places? It was an adventure | :22:30. | :22:35. | |
and sometimes tricky to get there. You would often travel in a convoy | :22:36. | :22:38. | |
but the problem with me if you followed the wrong car. Service | :22:39. | :22:44. | |
stations were the beginning of the party and central to the party was | :22:45. | :22:49. | |
the London orbital motorway, the M25 motorway, opened in 1986. The dance | :22:50. | :23:00. | |
act Orbital was named after the M25 motorway parties and was created by | :23:01. | :23:07. | |
Paul Hartnoll and his brother. We grew up listening to expensive | :23:08. | :23:11. | |
electronic music. Suddenly, technology was cheaper and you could | :23:12. | :23:14. | |
make respectable recordings in a bedroom. Orbital burst onto the | :23:15. | :23:22. | |
scene in 1989. By the early 90s, the parties started to change. We are | :23:23. | :23:28. | |
dealing with a lack of respect for the law. By 1984 -- 1994, the | :23:29. | :23:38. | |
government had had enough. There are couple is caused by New Age | :23:39. | :23:46. | |
travellers and raiders. It outlawed parties including any sound, | :23:47. | :23:52. | |
predominately characterised by the succession of repetitive beats. In | :23:53. | :24:00. | |
the same year, orbital -- Orbital played at Glastonbury. I used to go | :24:01. | :24:05. | |
to Glastonbury every year and asked why there was no dance music on the | :24:06. | :24:11. | |
stages will stop this was 1994. It was brilliant. My brother and I had | :24:12. | :24:19. | |
a dance wheeze to do as children. Michael Eavis enjoyed it so much, he | :24:20. | :24:24. | |
had a dance tent the next year and that area of Glastonbury has grown. | :24:25. | :24:29. | |
We ended up on the main stage the year after that. Following the | :24:30. | :24:35. | |
introduction of the criminal Justice act, ravers went back to the city, | :24:36. | :24:41. | |
giving rise to the super club. Orbital's legendary performance | :24:42. | :24:44. | |
paved the way for the opening of the dance Village. It confirmed the | :24:45. | :24:50. | |
crossover of electronic music into the mainstream. Very excited for | :24:51. | :25:05. | |
Friday. We have to talk to you about Downton. When is the new series? I | :25:06. | :25:12. | |
think in September. Certainly in the autumn leading up to the special at | :25:13. | :25:16. | |
Christmas. It will be stunning. Can you give any clues? I am sworn to | :25:17. | :25:23. | |
secrecy. You sign a separate contract saying you must not say a | :25:24. | :25:31. | |
word. That is it. Robert Lindsay and Rufus Hound are about to perform a | :25:32. | :25:35. | |
couple of numbers from the musical Dirty Rotten Scoundrels. The show is | :25:36. | :25:40. | |
on at the Savoy Theatre in London until next March. To be a successful | :25:41. | :25:51. | |
con artist one should look into the shadows of their dreams and desires | :25:52. | :25:55. | |
and reflect back only what is in their heart. Why can't the young | :25:56. | :26:02. | |
pretenders see that? There are only a few like you. What do you mean? Do | :26:03. | :26:06. | |
not flatter me. # Left hand, side pocket | :26:07. | :26:10. | |
Right arm akimbo and relaxed # All I'm doing is | :26:11. | :26:13. | |
I'm giving them what they want # Smooth and breezy | :26:14. | :26:22. | |
Exactly what they want # An escape from the ennui | :26:23. | :26:24. | |
Give them what they want # Nothing cheap or cheesy | :26:25. | :26:28. | |
Remember what they really want is # For fantasy | :26:29. | :26:46. | |
The man to see is you # And so in conclusion | :26:47. | :26:54. | |
All you're doing is you're # Some sugar in their tea | :26:55. | :27:07. | |
Give them what they want # Teach me, mould me | :27:08. | :27:19. | |
Make me your clay # I thought I'd seen it all | :27:20. | :27:38. | |
I thought I knew the score # But coming here I found a world | :27:39. | :27:41. | |
I never knew before # I want a mansion with a moat | :27:42. | :27:46. | |
Around which I can float # With some glass-bottomed ladies | :27:47. | :28:09. | |
In my glass-bottomed boat # A house in the Bahamas | :28:10. | :28:14. | |
With paisley print pyjamas # Lunch at the Obamas' | :28:15. | :28:16. | |
Dinner at the Dalai Lama's # Great big stuff | :28:17. | :28:21. | |
I really do deserve it # Great big stuff | :28:22. | :28:23. | |
With servants who will serve it # Great big stuff | :28:24. | :28:26. | |
I don't give a damn what it is # Every day is my birthday | :28:27. | :28:31. | |
Every night is my Bah Mitzvah # Great big stuff | :28:32. | :28:35. | |
Great big, great big stuff # I just want someone to love me | :28:36. | :28:45. | |
For my money! | :28:46. | :28:59. |