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Tonight we are live from the biggest music festival of the year, and | :00:00. | :00:10. | |
everybody's on it. They keep asking us what the weather forecast is | :00:11. | :00:15. | |
going to be. I have the answer. A 100% chance of Coldplay, Adele. 100% | :00:16. | :00:21. | |
chance of ELA, and Earth, Wind and Fire. But 100% chance of rain. | :00:22. | :00:25. | |
BOOING.. Hello and welcome to The One Show at | :00:26. | :00:35. | |
Glastonbury 2016 with Alex Jones... Tonight we will bring you one | :00:36. | :00:38. | |
of the most unlikely as six-time snooker champion Steve | :00:39. | :00:45. | |
Davis is on the decks. We'll be with the legendary | :00:46. | :00:55. | |
bearded rockers, ZZ Top, as they prepare for their big | :00:56. | :00:59. | |
Glastonbury moment on the Pyramid Stage, and the incredible | :01:00. | :01:01. | |
Jake Bugg will be performing live right | :01:02. | :01:04. | |
here at the end of the show. And Matt Allwright are be bringing | :01:05. | :01:13. | |
this monster alive at the end of the show. Greg, this is The One Show's | :01:14. | :01:16. | |
fourth time at Glastonbury... Congratulations. Thank you. It's | :01:17. | :01:22. | |
amazing they've let us in! But our guests tonight have beaten us hands | :01:23. | :01:28. | |
down. Between them they've racked up about 22 visits Norman cook and Jess | :01:29. | :01:34. | |
Glynne, welcome to The One Show at Glastonbury! | :01:35. | :01:39. | |
CHEERING. 22 between you. What's the split here? How many have you had, | :01:40. | :01:49. | |
Norman? Let's say 22. Norman, let's talk you back to 1986, your first | :01:50. | :01:55. | |
Glastonbury. 30 years ago tomorrow. How different it was Glastonbury | :01:56. | :01:59. | |
then to the one we are experiencing tonight? The genre was the same. The | :02:00. | :02:07. | |
weather was equally changeable. The basics of it are the same. Is that | :02:08. | :02:14. | |
because you had such a good time 30 years ago you can't remember? I | :02:15. | :02:17. | |
remember the years in between. Fair enough. Jess, how is the Pyramid | :02:18. | :02:23. | |
Stage today? Like the most surreal experience I've had in my life. I | :02:24. | :02:28. | |
have never seen so many people. It must be for a musician the height of | :02:29. | :02:33. | |
your career. I swear to God I literally feel like that. It CEDCYAN | :02:34. | :02:36. | |
I swear to God I literally feel like that. It was one of those - I can't | :02:37. | :02:40. | |
even talk about it. I walked out on stage... Yeah. It will take a few | :02:41. | :02:47. | |
days to sink in. Florence said last year, I can't do interviews | :02:48. | :02:51. | |
afterwards. I don't know how to explain it. Before we went on, I was | :02:52. | :02:57. | |
genuinely going to throw it. That's the truth, and I didn't. And we got | :02:58. | :03:02. | |
to it and it was like, go, go, go. I walked out and stood on the stage | :03:03. | :03:07. | |
and opened my eyes. I couldn't open my eyes for a minute, because I was | :03:08. | :03:11. | |
scared. I was genuinely just like... This is happening. Honestly, do you | :03:12. | :03:16. | |
know, it's one of those feelings that you can never describe. And in | :03:17. | :03:20. | |
your career, I guess I've had a lot of amazing moments that I can't even | :03:21. | :03:27. | |
tell you how they feel, but standing on that stage, at Glastonbury, it's | :03:28. | :03:31. | |
the high point of anyone's life to even go to. But to be performing on | :03:32. | :03:35. | |
that stage... We watched you and we loved it. It was a shame you didn't | :03:36. | :03:41. | |
throw up, because it would have made a great clip. | :03:42. | :03:45. | |
LAUGHTER. Let's talk about Saturday night. The Pyramid Stage headliner | :03:46. | :03:51. | |
tomorrow night will be Adele. Everybody is supersited about her | :03:52. | :03:55. | |
set, and these three fans are particularly excited. We could have | :03:56. | :04:08. | |
had it all... Rolling In The Deep. You had my heart inside of your | :04:09. | :04:16. | |
head. And you played it to the beat. My name is Nigel and Adele used to | :04:17. | :04:22. | |
work for me. She was between recording her first and second | :04:23. | :04:27. | |
albums, 19 and 21, and she wanted somewhere cool to hang out. She had | :04:28. | :04:31. | |
no airs or graces. She had already sold at least 1 million records but | :04:32. | :04:36. | |
she was like anyone else. When Adele came in to discuss which days she | :04:37. | :04:44. | |
would do, she decided on Thursday. She said, I want start next week, | :04:45. | :04:50. | |
I'm playing the Hollywood Bowl. Our customers are so cool they didn't | :04:51. | :04:54. | |
say anything. Nobody said anything. They wanted to be treated like a | :04:55. | :04:58. | |
customer and she treated them like a customer. She loved listening to | :04:59. | :05:03. | |
anything new. New. She had an interest in new records but loved | :05:04. | :05:09. | |
listening to old soul records. She had to do some filing, and she was | :05:10. | :05:14. | |
very accurate. One week she won Employee of the Week she was that | :05:15. | :05:28. | |
good. My name is Noel and I'm Adele's driving instructor. Adele is | :05:29. | :05:34. | |
a fantastic driver, probably the best learner I have known for some | :05:35. | :05:38. | |
time. I only knew after she passed her test that she was famous. She | :05:39. | :05:43. | |
passed first time. Me and Adele would have a competition in the car. | :05:44. | :05:49. | |
She would sing and I would sing. She would sing these wonderful songs, I | :05:50. | :05:53. | |
had never heard of them before. I am more of a status quo fan myself. And | :05:54. | :05:59. | |
we are about to do a duet at Glastonbury! I could have had it | :06:00. | :06:06. | |
all, rolling in the deep. Eat your heart out, Adele! To get somebody at | :06:07. | :06:11. | |
such a high level, internationally known, coming to you to learn how to | :06:12. | :06:14. | |
drive because she believe you are the best at what you do, that's a | :06:15. | :06:20. | |
very humbling experience. Never mind I'll find someone like you... I wish | :06:21. | :06:32. | |
nothing but the best for you, too... Emily is on the autistic spectrum | :06:33. | :06:42. | |
and has ADHD. Emily is 13 and sings all day long. Emily heard Adele was | :06:43. | :06:48. | |
appearing at Manchester. I love Adele. I had a dream on stage and I | :06:49. | :06:55. | |
was singing. I love her so much. I went to her concert and I thought, I | :06:56. | :07:01. | |
would show her. Thought maybe if we are lucky Adele would see the song, | :07:02. | :07:07. | |
and as it turned out... She didn't just wave! There was a definite | :07:08. | :07:13. | |
hush, as people thought, what's going to happen now with this | :07:14. | :07:17. | |
literal girl. She started singing and within seconds the crowd went | :07:18. | :07:22. | |
crazy. I was so incredibly proud for her and incredibly pleased for her | :07:23. | :07:25. | |
to have that once in a lifetime moment. I don't think Adele really | :07:26. | :07:32. | |
knows what she has done. She's completely changed my life. | :07:33. | :07:37. | |
Incredible stuff. Jess, let's talk about Adele a little bit. She's the | :07:38. | :07:42. | |
headline tomorrow night. She's one of your peers right? It must be an | :07:43. | :07:48. | |
inspiring thing to see her bossing the Main Stage, the Pyramid Stage. | :07:49. | :07:54. | |
It's a really proud moment for any female from the UK to see Adele | :07:55. | :07:59. | |
bossing the stage at Glastonbury. I'm a massive fan. Do you know why | :08:00. | :08:04. | |
Adele is brilliant as a headliner? Because you know all the words. I | :08:05. | :08:08. | |
like going to see somebody I can sing along to. Do you share that, | :08:09. | :08:14. | |
Greg? You sing along, have a little cry with everyone. That's it. Like | :08:15. | :08:19. | |
Adele, you've had a huge 12 months, Jess. Five number one singles. | :08:20. | :08:27. | |
You've ss. Five number one singles. You've sold 1.7 million albums - | :08:28. | :08:29. | |
something ridiculous. This time last year Jess had to turn down | :08:30. | :08:35. | |
Glastonbury, because you didn't have a voice at all. I had to cancel | :08:36. | :08:40. | |
pretty much the whole summer. But it's all good. It was such a | :08:41. | :08:44. | |
horrible experience to go through. It was most scary thing. My album | :08:45. | :08:48. | |
hadn't even come out. I was like... Yeah. I had it and it actually | :08:49. | :08:54. | |
taught me a lot about myself and about how to go forward in my | :08:55. | :08:59. | |
career. I'm sitting here now and I've just played the Pyramid Stage. | :09:00. | :09:03. | |
I'm more grateful. Everything happens for a reason in my life. Of | :09:04. | :09:10. | |
course. Norman, under Fatboy Slim you played Glastonbury many times. | :09:11. | :09:14. | |
But the first time was with the The Housemartins. When was that? 1986.. | :09:15. | :09:21. | |
What did you enjoy most, Fatboy Slim or being in The Housemartins? I | :09:22. | :09:26. | |
started on the Pyramid Stage and worked my way down. | :09:27. | :09:30. | |
LAUGHTER It is really nerve-racking being on the Pyramid Stage. I like | :09:31. | :09:34. | |
being embedded for three or four days. At Glastonbury Tor I did six | :09:35. | :09:39. | |
shows over four days. That's really good fun, because you get to see all | :09:40. | :09:45. | |
the other little places. I like having to get embedded and embrace | :09:46. | :09:50. | |
the whole Glastonbury experience. And you are such a veteran now that | :09:51. | :09:54. | |
you can ask, can I play on so and so stage and they give in apparently? I | :09:55. | :10:01. | |
have played every single stage over the years except for the John Peel | :10:02. | :10:04. | |
stage. It is not the right stage for me to do, but I said, please, just | :10:05. | :10:11. | |
let me play so I can play the whole of Glastonbury. So thank you Emily, | :10:12. | :10:19. | |
Nick and Michael Eavis for indulging me. Norman you are pioneers of big | :10:20. | :10:25. | |
dance acts playing to 200,000 people. Why do you think dance music | :10:26. | :10:31. | |
works so well on that scale? And in a sweaty club as well. Why does your | :10:32. | :10:36. | |
music particularly work? It is kind of a similar nonsense that we are | :10:37. | :10:40. | |
trying to create. It is just that feeling of collective euphoria, | :10:41. | :10:44. | |
whether it is everyone singing Adele's words and the flags on the | :10:45. | :10:48. | |
Main Stage, or the collective euphoria with the DJ and everyone | :10:49. | :10:52. | |
dancing to the same rhythm. It is intoxicating. And to be somewhere | :10:53. | :10:57. | |
beautiful and surreal and weird, possibly muddy, that intensifies the | :10:58. | :11:02. | |
experience. We all become as one. It has become the norm that DJs will | :11:03. | :11:10. | |
headline festivals, the likes of Calvin Harris and Swedish House | :11:11. | :11:16. | |
Mafia. Do they say thank you, because without you they wouldn't be | :11:17. | :11:20. | |
doing this stuff? A lot of people make me proud for the role I've | :11:21. | :11:24. | |
played of taking DJ culture out of the side tent and on to the Main | :11:25. | :11:29. | |
Stages. When I first started here there wasn't a dance tent. And then | :11:30. | :11:33. | |
there was a bigger dance tents, and now a whole field. It's been | :11:34. | :11:40. | |
wonderful to watch the scene grow and for DJs to be welcome here. | :11:41. | :11:48. | |
What's the song that you put on that encouraged a massive crowd to come | :11:49. | :11:54. | |
out and you thought, I didn't see that coming. I had a real moment | :11:55. | :12:01. | |
with Love Is In The Air. There is something about the atmosphere here, | :12:02. | :12:06. | |
you can play tunes that you wouldn't normally play, and everybody gets | :12:07. | :12:10. | |
involved. Every DJ has the emergency song they put on when it has all | :12:11. | :12:16. | |
gone wrong. What is yours? Come on, Eileen? Born Slippy. Not one of your | :12:17. | :12:27. | |
own? Modesty forbids me. There might be some pro fanty in the records I | :12:28. | :12:33. | |
made. One of the things we always talk about is when the legends are | :12:34. | :12:38. | |
added to the line-up. These may be a clue as to some of the legends | :12:39. | :12:43. | |
playing this year. Get it? It is a look. But only ZZ Top can really | :12:44. | :12:50. | |
pull it off. Matt Allwright went to meet his heroes. | :12:51. | :12:55. | |
In 1969 the world was a very different place. Of course, we still | :12:56. | :13:01. | |
had The Beatles. Adele was a mere twinkle in her mother's eye, and if | :13:02. | :13:05. | |
you said you like Coldplay, it meant going outside without your tank top | :13:06. | :13:10. | |
on. Some things don't change though, because there's a band which over | :13:11. | :13:15. | |
the last 47 years has had exactly the same line-up... Exactly the same | :13:16. | :13:21. | |
approach to its music... And the same awesome way of expressing | :13:22. | :13:25. | |
itself through facial hair. Give me all your lovin', all your hugs and | :13:26. | :13:32. | |
kisses too. Z top have sold over 50 million albums worldwide but it | :13:33. | :13:36. | |
wasn't until 1984 that they first performed live here in the UK. I | :13:37. | :13:44. | |
like Z St Top that much I've broken me foot. Now one of the greatest | :13:45. | :13:51. | |
rock bands is going to play the greatest festival. Billy, it is | :13:52. | :13:55. | |
amazing to have you here. Glastonbury, how does it feel, are | :13:56. | :13:59. | |
you ready? I'm way into meeting with you. The guy was commenting on | :14:00. | :14:05. | |
perennially it is known for being the rainiest week. Yep. In | :14:06. | :14:09. | |
preparation I went and got a proper set of wellies. Correct, they are | :14:10. | :14:20. | |
wellies, not gumboots. I have to look back 47 years. How do you keep | :14:21. | :14:27. | |
that thing going? We finally figured out how to read each other's minds. | :14:28. | :14:32. | |
But the real secret is, we are never quite sure. Do you think there's a | :14:33. | :14:37. | |
degree of telepathy between you? Yes, it has become that. Does that | :14:38. | :14:42. | |
extends outside of performing? Yes, but the fact that we are so simple | :14:43. | :14:47. | |
minded, it is not a big deal. You step out on to the stage at | :14:48. | :14:52. | |
Glastonbury, for you is it another gig, or is it special? Special? | :14:53. | :14:56. | |
Maybe you don't see it as something special. We've known about | :14:57. | :15:00. | |
Glastonbury for some time. When we drove, in you could see the | :15:01. | :15:03. | |
campfires on the hillside. As far as you could see, in every direction, | :15:04. | :15:09. | |
there were tents, caravans. We knew we had arrived. | :15:10. | :15:13. | |
I have to talk about beards. When did the beard start? Was that '69 or | :15:14. | :15:21. | |
was that some time after? Well, there was a bit of scruffiness along | :15:22. | :15:29. | |
the way, but it didn't get serious until '76, when we closed the book | :15:30. | :15:34. | |
on touring and recording. There is a whole generation of young British | :15:35. | :15:38. | |
men now who have grown beards not unlike yours. Can you give them any | :15:39. | :15:42. | |
tips or advice to keep them looking as magnificent as yours? Well, be | :15:43. | :15:47. | |
mindful that a beard goes where you go. Don't get too close to the fan. | :15:48. | :15:53. | |
And mind the doors. Don't let it get caught! It's been an honour meeting | :15:54. | :15:56. | |
you. As he said, a massive honour. It was | :15:57. | :16:04. | |
the best day of Matt Allwright's life! The boys have finished playing | :16:05. | :16:09. | |
on the Pyramid Stage. Let's do a little tour of the stages. You are | :16:10. | :16:15. | |
the expert! No pressure! That is the Pyramid Stage. That is the Main | :16:16. | :16:22. | |
Stage, the headliners will be there, Muse tonight, Adele tomorrow. If we | :16:23. | :16:28. | |
move to Other Stage, that is the headlines of the future. Disclosure | :16:29. | :16:35. | |
are on later. That is where your future headliners will be. Now we | :16:36. | :16:39. | |
will go inside. We heard Norman talking about the John Peel Tent. | :16:40. | :16:50. | |
Jack Garratt is there. Then the BBC Introducing Stage, that is where the | :16:51. | :16:55. | |
brand-new artists are. They are the headliners... That is where Jake | :16:56. | :17:08. | |
Bugg started? Yes. Then we have the West Holt Stage and the Park Stage, | :17:09. | :17:17. | |
which is behind us over here. A more alternative stage. A warning for | :17:18. | :17:20. | |
anybody coming up here - sit very slippery. We had such a laugh | :17:21. | :17:24. | |
watching people fall down the bank earlier on - we shouldn't say that! | :17:25. | :17:31. | |
I had a moment before we went on air because Daughter were playing. All | :17:32. | :17:36. | |
good. We need your help. We have been doing this for four years. We | :17:37. | :17:47. | |
ask our guests to help us create a fantasy festival line up. Mark | :17:48. | :17:52. | |
Ronson picked The White Stripes. Ed Sheeran picked Joni Mitchell. We | :17:53. | :17:56. | |
want you to pick anybody, dead or alive. If they are dead, they will | :17:57. | :18:05. | |
come back to life! I will pick Amy Winehouse. We have Amy. They will | :18:06. | :18:14. | |
redo this. That is neat. Go on? I'll have Prince in. I want Prince! It is | :18:15. | :18:27. | |
lucky I'm not a school teacher! Most of my school teachers, it's fine. Is | :18:28. | :18:32. | |
that alright? Yes. Very good additions. There is no question that | :18:33. | :18:38. | |
we have the number one DJ with us, Norman. However... However, there is | :18:39. | :18:45. | |
a challenger in town and things are about to get interesting. Very | :18:46. | :18:51. | |
interesting. Steve Davis is regarded as one of the greatest snooker | :18:52. | :18:54. | |
players of all time, winning the World Championship on six occasions. | :18:55. | :18:59. | |
What's more interesting than that was his revelation on The One Show | :19:00. | :19:06. | |
sofa. What is your big announcement? Well, Glastonbury. Steve's gone from | :19:07. | :19:12. | |
cueing balls on the table to cueing records on the turntables. Watch out | :19:13. | :19:21. | |
Glastonbury. Here it is, the venue where Steve will be DJing. I have | :19:22. | :19:26. | |
been doing a local radio show for some ten years. All of a sudden, we | :19:27. | :19:30. | |
have been hired for different festivals around the world - well, | :19:31. | :19:38. | |
Glastonbury. In the set today we are playing stuff that most people have | :19:39. | :19:44. | |
never heard of. A lot of people DJing have been mixing records one | :19:45. | :19:50. | |
into the other, a bit of scratching and things we don't understand. We | :19:51. | :19:54. | |
will pick a record and we will press "play". My interaction with the | :19:55. | :20:01. | |
audience is the same way as I interacted with my snooker audience. | :20:02. | :20:13. | |
The programme said the music was avant garde - they are not wrong. He | :20:14. | :20:21. | |
is so good. I always preferred Dennis Taylor to be honest with you! | :20:22. | :20:25. | |
Is there anything this man can't do? That was surreal. People came for | :20:26. | :20:29. | |
the novelty aspect. People were bumping along. They enjoyed it. We | :20:30. | :20:34. | |
enjoyed it as well. You know there is a World DJing Championships? It | :20:35. | :20:40. | |
is time to enter, perhaps. It's nailed on I will be zero times World | :20:41. | :20:48. | |
DJ Champion. He is having the time of his life. Unbelievable. What did | :20:49. | :20:54. | |
you make of it? I think he's better at DJing than I am at snooker. Do | :20:55. | :20:59. | |
you not think you should take up snooker now? Anyone can be a DJ. I | :21:00. | :21:05. | |
respect him for the fact that he loves his music. He is not jumping | :21:06. | :21:11. | |
on any bandwagons. He is a real music lover. Fair enough. Steve is | :21:12. | :21:17. | |
not the only unusual Glastonbury booking. We will ask you to cast | :21:18. | :21:22. | |
your minds back, true or false, did these people play at Glastonbury? | :21:23. | :21:30. | |
First. Sir Bruce Forsyth? The Price Is Right. False. But he should. | :21:31. | :21:38. | |
False. It is true. He played in 2013. Told a few gags. My parents | :21:39. | :21:45. | |
love him. Next one. David Hasselhoff? No way. Not yet. Not | :21:46. | :21:54. | |
yet. Correct, he has not played. Next one. The Wombles? Yes. You | :21:55. | :22:05. | |
saying yes? Yes. They were the first gig I went to. Why isn't there a | :22:06. | :22:10. | |
band out at the moment that dress like that? Why? That is a good | :22:11. | :22:22. | |
question. The booking was a mistake in 2011. They did. What about these? | :22:23. | :22:29. | |
Jedward. We would have remembered it if they had. No. False. Correct, it | :22:30. | :22:34. | |
is false. They have never played. While we have two minutes, remind us | :22:35. | :22:40. | |
of your tour. Oh my God. I'm doing a big tour in the autumn, the arenas. | :22:41. | :22:45. | |
Dates? I can't remember the exact dates! I will say November 18th, | :22:46. | :22:50. | |
there is October - it starts in November through to December. Can | :22:51. | :22:54. | |
you believe that? Sorry. You need to be more clued up! I know when my | :22:55. | :22:59. | |
tour is. I can't believe it is happening. Let's go to another part | :23:00. | :23:05. | |
of the Festival. Arcadia. Norman, you have played this. This is a big | :23:06. | :23:13. | |
structure and Matt got to know it very well. I'm in the belly of the | :23:14. | :23:18. | |
beast. A giant mechanical spider, which I have found out is, in fact, | :23:19. | :23:23. | |
female and I'm here with one of the directors, Bert Cole. Tell us the | :23:24. | :23:27. | |
story of the show that people will see tonight. The show is | :23:28. | :23:39. | |
Metamorphosis. The spider abducts some humans and finds out a bit | :23:40. | :23:44. | |
about them and it goes through a programme of change and some evolve | :23:45. | :23:50. | |
into great jellyfish creatures with light coming out of them and the | :23:51. | :23:54. | |
thing culminates in a celebratory finale. People are here to dance? | :23:55. | :24:01. | |
Absolutely. We have a line-up of DJs ready for the weekend. How do you | :24:02. | :24:05. | |
start to put something like this together? What is it made of? It is | :24:06. | :24:10. | |
made from over 90% recycled materials. We are standing on a jet | :24:11. | :24:15. | |
engine turbine, which is the DJ booth, the eyes are reverse thrust | :24:16. | :24:20. | |
units from jet engines, there's old helicopters, the main legs are | :24:21. | :24:24. | |
Customs and Excise scanning machines. It looks like it is thrown | :24:25. | :24:31. | |
together. To be successful and safe, that can't be the case? Absolutely. | :24:32. | :24:35. | |
Safety is the paramount thing with us. We have to work with structural | :24:36. | :24:40. | |
engineers, gas experts, all these different people come to make sure | :24:41. | :24:46. | |
that it works and it is safe. What happens when it finishes here? That | :24:47. | :24:50. | |
is a good question. This goes into containers. It will go on an | :24:51. | :24:57. | |
international tour so we are going to Korea, Taiwan, Australia, amongst | :24:58. | :25:01. | |
other places. It will probably come back next year. Anything new for | :25:02. | :25:04. | |
this year? Yes, there's something new. There is a big red button over | :25:05. | :25:09. | |
there. No-one has pushed it yet? Not yet. Can I? How dangerous can it be? | :25:10. | :25:16. | |
I don't think I will do that again! Back to the studio. You were saying | :25:17. | :25:26. | |
that is really wobbly? It is terrifying. It is like being a | :25:27. | :25:33. | |
rickety tin can. It is scary. Yes. Definitely. We are about to hear the | :25:34. | :25:38. | |
first live performance on BBC Two from Glastonbury. Who better to kick | :25:39. | :25:42. | |
us off than Jake Bugg. Welcome. How are you? I'm OK. How are you? Good. | :25:43. | :25:51. | |
You had a big night last night. How was the gig in Nottingham? Nice to | :25:52. | :25:57. | |
go back. Heavy night. You are happy about today and everything and you | :25:58. | :26:01. | |
will play for us shortly? I am looking forward to - I will try and | :26:02. | :26:05. | |
play for you! It is cool to be here. You love performing. That is part of | :26:06. | :26:09. | |
your thing. Festivals aren't your favourite thing. That is what people | :26:10. | :26:19. | |
are saying... You enjoyingit? It is alright. The sun has come out now. | :26:20. | :26:25. | |
Thank you very much. Off you pop. We should say a quick thank you to our | :26:26. | :26:35. | |
guests, Jess Glynne, Norman Cook and Greg. Thank you. Now, with his new | :26:36. | :26:43. | |
single, Livin' Up Country, it is Jake Bugg. Enjoy the weekend. See | :26:44. | :26:44. | |
you later. # For now we're | :26:45. | :26:57. | |
living in the country # I only went down, | :26:58. | :27:00. | |
my ship had already sailed # It was going well | :27:01. | :27:11. | |
I thought at first # Found my lucky pardon, | :27:12. | :27:26. | |
I was saved # Couldn't get out, | :27:27. | :28:01. | |
I found no check in the mail # It was going well | :28:02. | :28:07. | |
but then went stale # I couldn't get by, | :28:08. | :28:15. | |
lucky to live to tell the tale # I'd probably get | :28:16. | :28:22. | |
some rest at least # Never have to look | :28:23. | :28:35. | |
out for the man. # | :28:36. | :28:58. |