Browse content similar to 25/03/2016. Check below for episodes and series from the same categories and more!
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Richard, I get it, the Easter bunny. Hi, Alex, who is your friend? SHE | :00:35. | :00:48. | |
SCREAMS. Hello, welcome to The One Show with Alex Jones. And Richard | :00:49. | :00:53. | |
Osman. Has it been a good Good Friday so far? It's been great, what | :00:54. | :00:57. | |
more do you want? I got out of clearing out the shed, I'm happy. I | :00:58. | :01:03. | |
hope that's not a euphemism! Later on, we'll be hearing a new track | :01:04. | :01:06. | |
from these boys. Brilliant, I love that song. They of | :01:07. | :01:23. | |
course are Suede with lead singer Brett Anderson, and who is that on | :01:24. | :01:28. | |
bass? I believe his name is Mat Osman, him there. Any relation to | :01:29. | :01:33. | |
you, Richard? Here's my big brother. I say he's my big brother, he's my | :01:34. | :01:38. | |
older brother. If he was my big brother, you'd be able to see him | :01:39. | :01:42. | |
from space! Absolutely. Can you imagine two Morch different | :01:43. | :01:46. | |
brothers, one a call rock star, won a call rock star, one ATV brainbox, | :01:47. | :01:49. | |
like chalk and cheese. Nothing wrong with cheese. Later, we'll be meeting | :01:50. | :01:55. | |
and Osman super-fan who knows you very well. This person is such a | :01:56. | :02:00. | |
fund they are prepared to have a tattoo of your names on their arm. | :02:01. | :02:06. | |
Any guesses who it is? The only person who has a tattoo of my name | :02:07. | :02:10. | |
on her arm is Sue Barker. Not really. That in fact, Richard, is | :02:11. | :02:18. | |
your mum, Brenda. Brenda, hello. Are you enjoying The One Show so far | :02:19. | :02:26. | |
this evening? It's absolutely wonderful. Both my boys in the same | :02:27. | :02:33. | |
programme. What more could any man want? I tell you what, she kept this | :02:34. | :02:37. | |
quiet, I'll say that. Also, she doesn't really speak like that. | :02:38. | :02:41. | |
That's her telephone voice. And notably not drinking as well. I'm | :02:42. | :02:46. | |
not sure... I'm not sure what you've done to my mum! She's horrified. | :02:47. | :02:51. | |
Poor Brenda. We'll be hearing more from Brenda little later on. If you | :02:52. | :02:56. | |
were wondering who the bunny was on the back of the bike, it's tonight's | :02:57. | :03:00. | |
guest. Trust us, turning himself into a rabbit is one trick in his | :03:01. | :03:03. | |
very, very wide repertoire. # You know I said it's true #. | :03:04. | :03:29. | |
Please welcome the incredible Dynamo. | :03:30. | :03:31. | |
APPLAUSE Lovely to meet you. I haven't seen | :03:32. | :03:38. | |
you for a little while. It's been a little while, I've been touring | :03:39. | :03:41. | |
around but it could be back in London. You're doing over 100 dates. | :03:42. | :03:47. | |
Are you getting Easter off? No, I'm performing at the Birmingham Arena | :03:48. | :03:50. | |
before coming down to London to do the O2. Oh, gosh, no rest for the | :03:51. | :03:57. | |
wicked. No. Luckily for us, earlier this week he took time out of his | :03:58. | :04:01. | |
scheduled to show us the people and places who have made you who you are | :04:02. | :04:09. | |
today. This is Delph Hill estate in | :04:10. | :04:14. | |
Bradford. And the street where I grew up. Back then though, I wasn't | :04:15. | :04:19. | |
known as Dynamo. I was little old Stephen. This is the street I lived | :04:20. | :04:24. | |
on until I was about 12 years old, literally on that street here. It | :04:25. | :04:30. | |
was where I was beaten up when I stole some rollerblades. I had them | :04:31. | :04:34. | |
know we can then they were gone, disappeared like magic. It was a | :04:35. | :04:37. | |
pretty tough place to grow up. Especially when you are a small kid | :04:38. | :04:42. | |
with a young man -- Young mum, and you're that is not around, in and | :04:43. | :04:46. | |
out of jail. We didn't have much money. But I spent a lot of my time | :04:47. | :04:59. | |
at mind and and grandpa's flat in Wyke and it was here where I was | :05:00. | :05:03. | |
first introduced to magic by my grandpa. I hope she is in. Grand, | :05:04. | :05:12. | |
it's me, let me in. -- grandma. AU OK, sweetie pie? This -- I'm good. | :05:13. | :05:19. | |
It was my Nana and grandpa who first got me into magic. My grandpa is no | :05:20. | :05:23. | |
longer with us but secretly I think my Nana is the real secret behind | :05:24. | :05:27. | |
all the magic. Do you agree? Yes, she agrees. Have you been cleaning, | :05:28. | :05:36. | |
Nana? Got your feather duster here. The tickling stick! There's an old | :05:37. | :05:40. | |
picture of me there, with Prince Charles. That was when I first got | :05:41. | :05:44. | |
my Prince's Trust business start-up loan. There's my grandpa on this | :05:45. | :05:49. | |
picture here. My grandpa passed away on the 29th of February, 2012. His | :05:50. | :05:57. | |
grandpa said you would be famous, you know, he did. He said one day, I | :05:58. | :06:02. | |
said I know. I'm glad he's done well. I am really pleased. So this | :06:03. | :06:11. | |
is my old bedroom. It's the same colour on the walls, this mirror is | :06:12. | :06:15. | |
my mirror, I used to stand in front of here. There are still some cards | :06:16. | :06:18. | |
here on the shelf. I would be in here, practising the card skills. In | :06:19. | :06:25. | |
the mirror, making sure it looks perfect. Watch this, this will look | :06:26. | :06:30. | |
really cool. All that sort of stuff, I was practising. Up here, these are | :06:31. | :06:35. | |
VHS tapes of all the famous magicians are like you've got this | :06:36. | :06:40. | |
one here, look, the intimate miracles the magic of Dean Dill, an | :06:41. | :06:44. | |
ageing magician from America. I used to watch these takes back with my | :06:45. | :06:47. | |
grandpa in the living room and I would watch them and try and | :06:48. | :06:51. | |
replicate what they were doing, try and learn from their performances. | :06:52. | :06:56. | |
The first piece of magic my grandpa is taught me was how to take away | :06:57. | :07:00. | |
someone's strings. My grandpa would pick me up from school one day and | :07:01. | :07:04. | |
he saw these guys throwing me into a wheelie bin. I tried to play at off | :07:05. | :07:08. | |
like it was a bit of fun, but he realised I was being bullied. When I | :07:09. | :07:12. | |
got home, he taught me my first ever piece of magic. It was a way of | :07:13. | :07:19. | |
stopping the guys from being able to pick me up and put me inside the | :07:20. | :07:22. | |
bin. I could make myself really heavy. When they tried to pick me up | :07:23. | :07:25. | |
or move me, push me around, they couldn't move me at all and it | :07:26. | :07:28. | |
opened up so many doors. It literally saved my school life. | :07:29. | :07:34. | |
# Dynamite # They can't control #. | :07:35. | :07:37. | |
But it was on my streets I would really find my destiny. Me and my | :07:38. | :07:40. | |
mates would get the bus from here into town, where we would perform | :07:41. | :07:44. | |
street magic. Often we'd been waiting ages for the bus, so we | :07:45. | :07:47. | |
would do magic to people here. We even used to do magic on the bus. We | :07:48. | :07:54. | |
would put them online and suddenly they got a huge audience. Dynamo was | :07:55. | :08:01. | |
born. From that point on, my career as a magician just exploded. I have | :08:02. | :08:06. | |
been all over the world and met some of the biggest celebrities. | :08:07. | :08:10. | |
Performed an incredible places. But nothing beats the feeling of coming | :08:11. | :08:14. | |
back home and putting on a show here is really special. Magical, in fact. | :08:15. | :08:19. | |
Dynamo. APPLAUSE | :08:20. | :08:28. | |
What's happening, Leeds? Lovely, thank you for making that | :08:29. | :08:33. | |
for us, that was really nice, a really nice insight. Is that a real | :08:34. | :08:37. | |
trick, not being able to be lifted up? Is it something you can do? Yes, | :08:38. | :08:42. | |
I haven't done in a long time. You are a lot bigger than the bullies... | :08:43. | :08:47. | |
So if you try to pick me up? You have to explain what it feels like | :08:48. | :08:51. | |
for you. Try this. Stand here, is that good for you? Put your hands... | :08:52. | :08:59. | |
If you lift me up, that's a magic trick. Lift me as high as you can. | :09:00. | :09:05. | |
You can put me down. What was it like being 6'7" just for a brief | :09:06. | :09:11. | |
moment? It was good from up there. Get ready to lift me, but look at | :09:12. | :09:20. | |
me. Lift me again. Oh, man, that's really amazing. He's straining as | :09:21. | :09:28. | |
well. Come on, Rich. That's so cool. Don't worry, I'm going to give you | :09:29. | :09:33. | |
your strength back. As you were. Oh, man, that's very good! | :09:34. | :09:36. | |
APPLAUSE That's really good! Wow, Richard | :09:37. | :09:45. | |
mentioned your tour, 102 dates. I've done 102, last night was 102, I have | :09:46. | :09:51. | |
another nine to go. Nine to go, amazing. Your Nana, who we met in | :09:52. | :09:55. | |
Navidi, she makes an appearance, doesn't she? You saw her in she does | :09:56. | :10:02. | |
magic of her own, she amazes the whole audience at the exact same | :10:03. | :10:05. | |
time with her own card trick. She's really good. She often steals the | :10:06. | :10:10. | |
show from me, I'm not going to lie. 86 years old, still working her | :10:11. | :10:15. | |
magic. You started up with big close-up magic and street magic, now | :10:16. | :10:19. | |
an arena tour. How do you make the change? It was really difficult. I | :10:20. | :10:23. | |
wanted to keep the intimacy of what I do up close but the word intimacy | :10:24. | :10:28. | |
and arena don't go hand-in-hand, but you know, I kind of focus on making | :10:29. | :10:34. | |
the show as interactive as possible. There are parts where... With the | :10:35. | :10:39. | |
audience. Literally every single audience member is doing the magic | :10:40. | :10:43. | |
from their own seats in parts, I'm in the middle of the audience in the | :10:44. | :10:48. | |
thick of it, sometimes they are on stage with me. It's more than | :10:49. | :10:53. | |
watching passively. I'm still thinking about how I couldn't lift | :10:54. | :10:57. | |
you up, that was so weird. You went out to Vegas to see how some of | :10:58. | :11:00. | |
those people did it come did you pick up anything from that or was it | :11:01. | :11:05. | |
not your sort of thing? I got a lot of good advice from David | :11:06. | :11:11. | |
Copperfield, but in Vegas, it's very Vegas, for want of a better | :11:12. | :11:15. | |
expression. Jazzy. It's not really my style. I've kind of stripped | :11:16. | :11:22. | |
back, there's no boxes, there's no props or fancy showgirls other than | :11:23. | :11:27. | |
my Nana, obviously. Of course. It's just me and the audience and the | :11:28. | :11:31. | |
magic is created from decisions they audience make, as well as from | :11:32. | :11:36. | |
objects. You want to be careful bringing your mobile phone to my | :11:37. | :11:38. | |
show, you never know what will happen with that. There's a word of | :11:39. | :11:43. | |
warning. We looked at loads of clips and it was hard to chew Gerry Fitt | :11:44. | :11:47. | |
-- it was hard to choose a favourite, but this is what we | :11:48. | :11:49. | |
picked. Watch, guys. APPLAUSE | :11:50. | :12:29. | |
No way! I mean... There are no words. I mean, we've seen it many | :12:30. | :12:34. | |
times today. You would have loved to hear our theories about how it's | :12:35. | :12:39. | |
done. Did you through the fish back in? I didn't, I let them use it. It | :12:40. | :12:44. | |
was a South African barbecue. Amazing, one of your great | :12:45. | :12:47. | |
influences was Paul Daniels. He did an awful lot for magic in this | :12:48. | :12:53. | |
country. A phenomenal performer. He really introduced magic to so many | :12:54. | :12:58. | |
people. Everyone I know had a Paul Daniels magic kit as a kid. That's | :12:59. | :13:04. | |
right. He really was, for me he was the godfather of British magic. I | :13:05. | :13:07. | |
mean that in the nicest possible way. He inspired me so much because | :13:08. | :13:12. | |
he was also from a working-class background. Kind of a northern | :13:13. | :13:16. | |
cheeky chappie, like myself. He managed to break into the mainstream | :13:17. | :13:19. | |
and bring magic to a whole new generation. Sadly missed. A big | :13:20. | :13:24. | |
loss, wasn't it? We may have a magician in the studio but we've | :13:25. | :13:28. | |
also got a kitchen wizard on The One Show team. We have indeed. My answer | :13:29. | :13:36. | |
to the question, what is your favourite type of dog, is also the | :13:37. | :13:39. | |
same to the question where would you like to work? A chocolate lab. | :13:40. | :13:45. | |
Madeia has an Easter treat. Nothing quite beats chocolate at Easter time | :13:46. | :13:49. | |
and this is a show stopper for The One Show. As a baker I have a love | :13:50. | :13:54. | |
hate relationship with chocolate. It can be devilishly difficult to make | :13:55. | :13:56. | |
this stuff look pretty. I'm delighted to have the chance to | :13:57. | :14:01. | |
learn from a master chocolatey Massimo Bicester biscotti. Massimo | :14:02. | :14:06. | |
doesn't just work with chocolate, he sculpted. What we are going to do is | :14:07. | :14:13. | |
a bunny rabbit in an Easter egg. Seems easy enough? To do what we are | :14:14. | :14:19. | |
doing today, we are probably looking at using about 20 kilos of chocolate | :14:20. | :14:24. | |
in total. That's like a dream! 20 kilos of chocolate! The average | :14:25. | :14:28. | |
Easter egg bunny is made by pouring molten chocolate into a mould but as | :14:29. | :14:32. | |
Massimo will be creating a sculpture by hand, he simply fits his | :14:33. | :14:36. | |
chocolate pieces together in a blender. Wow. My goodness. We work | :14:37. | :14:42. | |
it and start making whatever we want. I didn't know chocolate could | :14:43. | :14:50. | |
do this. Fascinating. Usually, modelling chocolate has glucose | :14:51. | :14:53. | |
added to keep it pliable, but that, demise is the flavour, so hours will | :14:54. | :14:56. | |
be all Belgian chocolate. This just feels like the clay that you would | :14:57. | :15:02. | |
have at primary school, except it smells so much nicer. But it is much | :15:03. | :15:07. | |
trickier to shape than I expected. You have to work with it a lot | :15:08. | :15:12. | |
quicker. Yes, just leave it for a little bit too set in your hand. | :15:13. | :15:17. | |
It's harder to work with than modelling chocolate, with glucose? | :15:18. | :15:21. | |
Absolutely, yes, the glucose is in there to keep the chocolate soft. | :15:22. | :15:25. | |
Made this way sculptures like ours can take days to complete. Today, | :15:26. | :15:27. | |
we've only got six hours. This is like being in the tent | :15:28. | :15:38. | |
today. And I have only got as far as the foot. Time to call in the | :15:39. | :15:43. | |
cavalry, the patisserie students. One part and the rest of the body. | :15:44. | :15:47. | |
Is this the biggest solid sculpture you have ever done? This is probably | :15:48. | :15:51. | |
the biggest one I have ever done, yes. With the clock ticking, Massimo | :15:52. | :15:58. | |
has eight of us hard at work and there is no time for small talk. | :15:59. | :16:03. | |
Everybody enjoys this because everybody is quiet. It is so cool. | :16:04. | :16:12. | |
Anastasia and me have one ear each. This might be wrong. But at least | :16:13. | :16:18. | |
they are both wrong. Symmetrical, right? It is difficult to get the | :16:19. | :16:23. | |
chocolate to do what you want. Sean has the tale sorted out, sort of. | :16:24. | :16:32. | |
Supposed to be doing a tail, but it isn't quite right. One foot bigger | :16:33. | :16:38. | |
than the other. We could shave it down. I wish I could do that with my | :16:39. | :16:41. | |
belly. CHUCKLES | :16:42. | :16:45. | |
After a frantic day of shaving and carving, our Easter Bunny is slowly | :16:46. | :16:50. | |
taking on its unique shape. The mould will be the same over and | :16:51. | :16:56. | |
over, but this, we will not produce something the same again. Each one | :16:57. | :17:00. | |
is different. I am building my next house with chocolate now. | :17:01. | :17:02. | |
CHUCKLES With all nine of us working to six | :17:03. | :17:07. | |
hours, my show stopper is still a work in progress. But as my time is | :17:08. | :17:13. | |
up, Massimo and a few features to what I hope will be its final glory. | :17:14. | :17:17. | |
But it is made of chocolate, so I don't know if it will make it all | :17:18. | :17:23. | |
the way until Easter. Dynamo, you are far too cool to pull | :17:24. | :17:27. | |
rabbits out of hats, but we'll indulge us? We will do something | :17:28. | :17:32. | |
fantastic. He is the first magician to play at the O2. He is going to do | :17:33. | :17:36. | |
something unbelievable now. It will be one of the greatest tricks ever | :17:37. | :17:41. | |
seen on British television. And I'm not over egging this, am I? I am not | :17:42. | :17:45. | |
sure you are ready. Britain, sit down. From role, please... | :17:46. | :17:56. | |
APPLAUSE drum roll. How does he do it? We | :17:57. | :18:04. | |
will never know. Which chocolate would you prefer, lemon? Lemon, | :18:05. | :18:16. | |
please. Lemon, OK. Yeah. I would like some, but I'm afraid I'm going | :18:17. | :18:22. | |
to have to earn mine. And as if by magic, somebody has joined Alex on | :18:23. | :18:26. | |
the sofa. It appears to be somebody I recognise, Alex. | :18:27. | :18:29. | |
I have been joined by your brother, Mat, and your mother, Brenda, is | :18:30. | :18:38. | |
still live in Sussex. Brenda, we need your help. It is time to play | :18:39. | :18:48. | |
Ask The Os-Mum. She has a theme tune! | :18:49. | :18:50. | |
CHUCKLES It is amazing. She will be | :18:51. | :18:53. | |
unbearable. CHUCKLES | :18:54. | :18:58. | |
You are so down on your mum. We have asked lots of questions about you | :18:59. | :19:01. | |
two growing up, and you have to guess what she gave as the answer. | :19:02. | :19:06. | |
The winner will get a foot off the Easter Bunny. If you'd have said in | :19:07. | :19:14. | |
1984 that he would be on TV, being quizzed by our mum, given chocolate | :19:15. | :19:19. | |
as a prize, we would have said it is a bit surreal. We need to get on | :19:20. | :19:25. | |
with it. First question, who was the naughtiest? What do you think your | :19:26. | :19:32. | |
mum said? I think it is you. I think I was fairly good. The older one is | :19:33. | :19:38. | |
normally better. If one of us is naughty it would be me. You are both | :19:39. | :19:48. | |
saying you, Richard. It was Mat! I don't even know what I did. | :19:49. | :19:51. | |
CHUCKLES You took a dead mouse to school, | :19:52. | :19:58. | |
something like that. Did I? Did you? Bless her, she does not know what is | :19:59. | :20:01. | |
happening. CHUCKLES | :20:02. | :20:05. | |
Who was the bigger geek? Tough one. CHUCKLES | :20:06. | :20:10. | |
Tough one, probably you. I had computers, but you had notebooks | :20:11. | :20:16. | |
full of marble compounds. How dare you. For the sake of competition I | :20:17. | :20:20. | |
will say him. Even I would guess Richard. And the answer... Yes, | :20:21. | :20:25. | |
Richard. I am losing, I'm not going to get this foot. Who was better | :20:26. | :20:33. | |
with the ladies? We were children! CHUCKLES | :20:34. | :20:39. | |
In your teens. I would say him. It had better be me, otherwise, I will | :20:40. | :20:47. | |
disown her. I will say me, then. The answer is indeed Mat. Thank | :20:48. | :20:57. | |
goodness. You get a foot from the Bunny. Thank you, Brenda. Happy | :20:58. | :21:03. | |
Easter. Suede will be performing later. As Britain gears up for | :21:04. | :21:08. | |
Easter, we sent our resident hairdresser, Michael Douglas, to | :21:09. | :21:12. | |
make sure the team that won Cathedral was really looking their | :21:13. | :21:20. | |
Sunday best. -- at one. Salisbury Cathedral is a medieval | :21:21. | :21:25. | |
marvel. No wonder over 250,000 people passed through its doors | :21:26. | :21:30. | |
every year. Easter, however, is the most important time in the entire | :21:31. | :21:35. | |
Christian calendar. So it is important that this magnificent | :21:36. | :21:37. | |
building and the people who work in it look their best. I am more than | :21:38. | :21:43. | |
happy to help out, although I cannot work miracles. Salisbury Cathedral | :21:44. | :21:49. | |
is an amazing place where spirituality mixes with history. | :21:50. | :21:53. | |
First up is a man with a job title dating all the way back to when it | :21:54. | :21:59. | |
was built. This is Gary. He is clerk of the works. Clarke of the works is | :22:00. | :22:06. | |
somebody who oversees the fabric of the building. We have been doing | :22:07. | :22:10. | |
this major repair programme for nearly 30 years. -- clerk. 30! | :22:11. | :22:21. | |
Started in 1986. We have cleaned and looked at every single stone and | :22:22. | :22:25. | |
inspected it. Crikey. At over 400 feet, the spire is the tallest on | :22:26. | :22:31. | |
any of our medieval Cathedral 's. You climb up the ten ladders to the | :22:32. | :22:36. | |
door, which is 30 feet from the top. You open that. Because it is narrow, | :22:37. | :22:43. | |
you need to put your foot out fast. And you are almost looking down. And | :22:44. | :22:47. | |
then you reach up behind you and there are some bronze rams which | :22:48. | :22:53. | |
were put there in the 1950s. -- bronze runs. Is it frightening? | :22:54. | :23:03. | |
Guess, but the view is amazing. I am very pleased with that. You look | :23:04. | :23:09. | |
younger. Next is a man with a central role in worship at the | :23:10. | :23:11. | |
Cathedral. It Easter that means he is working overtime. This is the | :23:12. | :23:14. | |
Reverend Tom clamour. Basically it is his job to direct | :23:15. | :23:25. | |
the whopping 1500 services which take place here every year. He | :23:26. | :23:30. | |
chooses hymns, readings, music, lighting, and even the gowns which | :23:31. | :23:33. | |
are worn. Particularly important at Easter. During holy week and we | :23:34. | :23:39. | |
where a simple dark red robe with black on it. And then we change that | :23:40. | :23:43. | |
Easter morning to a bright, dazzling, shimmering gold. The | :23:44. | :23:48. | |
message of Easter is that in the end death does not win. It is a huge | :23:49. | :23:54. | |
privilege to be able to lead people into a meeting with God. Cathedral | :23:55. | :23:58. | |
stew that in a special way. I knew I was being called to be a priest from | :23:59. | :24:03. | |
a young age, in my mid teens. Really? Yeah, which freaked out the | :24:04. | :24:09. | |
careers adviser at school slightly. CHUCKLES | :24:10. | :24:13. | |
What did they say? They said we haven't got a form for that. | :24:14. | :24:15. | |
CHUCKLES They said the same to me when I said | :24:16. | :24:20. | |
I wanted to be a hairdresser. Did they? We are finished. A great | :24:21. | :24:28. | |
weight has been lifted. Fantastic. All right? Much better. Bit shorter. | :24:29. | :24:36. | |
In 1991 Salisbury became the first English Cathedral to perform a | :24:37. | :24:40. | |
separate foundation for female choristers. It isn't an easy gig for | :24:41. | :24:49. | |
this nine-year-old. You practice from eight until nine every day. In | :24:50. | :24:59. | |
the morning? Villa yes. They have a unique ceremony. After the service | :25:00. | :25:02. | |
you go into the channel and you get bumped on the head with a Bible. | :25:03. | :25:10. | |
Outside the quiet, her taste in music is not so different other | :25:11. | :25:16. | |
nine-year-old girls. -- outside the choir. Who was your favourite | :25:17. | :25:24. | |
singer? Probably Taylor Swift. There you are, how is that? Really good. | :25:25. | :25:33. | |
Thanks. You like it. Guess. It is nearly showtime. For me, however, it | :25:34. | :25:39. | |
has been a Good Friday's work. It was indeed, thanks so much to | :25:40. | :25:49. | |
Michael and all of the people at Salisbury Cathedral. Thank you to | :25:50. | :25:52. | |
Dynamo. You can see the tour continue in Birmingham and | :25:53. | :25:56. | |
Manchester. You can still get tickets. And thanks to Brenda. We | :25:57. | :26:03. | |
loved your mum. Thanks, ma'am. Matt Baker is the way next week lambing, | :26:04. | :26:14. | |
but I will be here with Michael Ball and Chris Hollins. -- thanks, mum. | :26:15. | :26:22. | |
To play us out, my brother's band, Suede! | :26:23. | :26:23. | |
CHEERING # And I don't have the | :26:24. | :26:26. | |
means of expression # All I'm trying to tell | :26:27. | :26:54. | |
you is this is enough # And yes, I have | :26:55. | :27:13. | |
the scars of ambition # And I don't know | :27:14. | :27:32. | |
the price of stuff # All I'm trying to tell | :27:33. | :27:40. | |
you is this is enough # There's no room in the world | :27:41. | :28:06. | |
for your kind of beauty # Yours are the names | :28:07. | :28:16. | |
on tomorrows' newspapers # Yours is the face of the desperate | :28:17. | :28:20. | |
edge of now # When, like the snows of yesteryear | :28:21. | :28:24. | |
I'll be gone from this earth # All I'm trying to tell | :28:25. | :28:29. | |
you is this enough? # All I'm trying to tell | :28:30. | :28:45. | |
you is this is enough | :28:46. | :29:03. |