25/03/2016 The One Show


25/03/2016

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Richard, I get it, the Easter bunny. Hi, Alex, who is your friend? SHE

:00:35.:00:48.

SCREAMS. Hello, welcome to The One Show with Alex Jones. And Richard

:00:49.:00:53.

Osman. Has it been a good Good Friday so far? It's been great, what

:00:54.:00:57.

more do you want? I got out of clearing out the shed, I'm happy. I

:00:58.:01:03.

hope that's not a euphemism! Later on, we'll be hearing a new track

:01:04.:01:06.

from these boys. Brilliant, I love that song. They of

:01:07.:01:23.

course are Suede with lead singer Brett Anderson, and who is that on

:01:24.:01:28.

bass? I believe his name is Mat Osman, him there. Any relation to

:01:29.:01:33.

you, Richard? Here's my big brother. I say he's my big brother, he's my

:01:34.:01:38.

older brother. If he was my big brother, you'd be able to see him

:01:39.:01:42.

from space! Absolutely. Can you imagine two Morch different

:01:43.:01:46.

brothers, one a call rock star, won a call rock star, one ATV brainbox,

:01:47.:01:49.

like chalk and cheese. Nothing wrong with cheese. Later, we'll be meeting

:01:50.:01:55.

and Osman super-fan who knows you very well. This person is such a

:01:56.:02:00.

fund they are prepared to have a tattoo of your names on their arm.

:02:01.:02:06.

Any guesses who it is? The only person who has a tattoo of my name

:02:07.:02:10.

on her arm is Sue Barker. Not really. That in fact, Richard, is

:02:11.:02:18.

your mum, Brenda. Brenda, hello. Are you enjoying The One Show so far

:02:19.:02:26.

this evening? It's absolutely wonderful. Both my boys in the same

:02:27.:02:33.

programme. What more could any man want? I tell you what, she kept this

:02:34.:02:37.

quiet, I'll say that. Also, she doesn't really speak like that.

:02:38.:02:41.

That's her telephone voice. And notably not drinking as well. I'm

:02:42.:02:46.

not sure... I'm not sure what you've done to my mum! She's horrified.

:02:47.:02:51.

Poor Brenda. We'll be hearing more from Brenda little later on. If you

:02:52.:02:56.

were wondering who the bunny was on the back of the bike, it's tonight's

:02:57.:03:00.

guest. Trust us, turning himself into a rabbit is one trick in his

:03:01.:03:03.

very, very wide repertoire. # You know I said it's true #.

:03:04.:03:29.

Please welcome the incredible Dynamo.

:03:30.:03:31.

APPLAUSE Lovely to meet you. I haven't seen

:03:32.:03:38.

you for a little while. It's been a little while, I've been touring

:03:39.:03:41.

around but it could be back in London. You're doing over 100 dates.

:03:42.:03:47.

Are you getting Easter off? No, I'm performing at the Birmingham Arena

:03:48.:03:50.

before coming down to London to do the O2. Oh, gosh, no rest for the

:03:51.:03:57.

wicked. No. Luckily for us, earlier this week he took time out of his

:03:58.:04:01.

scheduled to show us the people and places who have made you who you are

:04:02.:04:09.

today. This is Delph Hill estate in

:04:10.:04:14.

Bradford. And the street where I grew up. Back then though, I wasn't

:04:15.:04:19.

known as Dynamo. I was little old Stephen. This is the street I lived

:04:20.:04:24.

on until I was about 12 years old, literally on that street here. It

:04:25.:04:30.

was where I was beaten up when I stole some rollerblades. I had them

:04:31.:04:34.

know we can then they were gone, disappeared like magic. It was a

:04:35.:04:37.

pretty tough place to grow up. Especially when you are a small kid

:04:38.:04:42.

with a young man -- Young mum, and you're that is not around, in and

:04:43.:04:46.

out of jail. We didn't have much money. But I spent a lot of my time

:04:47.:04:59.

at mind and and grandpa's flat in Wyke and it was here where I was

:05:00.:05:03.

first introduced to magic by my grandpa. I hope she is in. Grand,

:05:04.:05:12.

it's me, let me in. -- grandma. AU OK, sweetie pie? This -- I'm good.

:05:13.:05:19.

It was my Nana and grandpa who first got me into magic. My grandpa is no

:05:20.:05:23.

longer with us but secretly I think my Nana is the real secret behind

:05:24.:05:27.

all the magic. Do you agree? Yes, she agrees. Have you been cleaning,

:05:28.:05:36.

Nana? Got your feather duster here. The tickling stick! There's an old

:05:37.:05:40.

picture of me there, with Prince Charles. That was when I first got

:05:41.:05:44.

my Prince's Trust business start-up loan. There's my grandpa on this

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picture here. My grandpa passed away on the 29th of February, 2012. His

:05:50.:05:57.

grandpa said you would be famous, you know, he did. He said one day, I

:05:58.:06:02.

said I know. I'm glad he's done well. I am really pleased. So this

:06:03.:06:11.

is my old bedroom. It's the same colour on the walls, this mirror is

:06:12.:06:15.

my mirror, I used to stand in front of here. There are still some cards

:06:16.:06:18.

here on the shelf. I would be in here, practising the card skills. In

:06:19.:06:25.

the mirror, making sure it looks perfect. Watch this, this will look

:06:26.:06:30.

really cool. All that sort of stuff, I was practising. Up here, these are

:06:31.:06:35.

VHS tapes of all the famous magicians are like you've got this

:06:36.:06:40.

one here, look, the intimate miracles the magic of Dean Dill, an

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ageing magician from America. I used to watch these takes back with my

:06:45.:06:47.

grandpa in the living room and I would watch them and try and

:06:48.:06:51.

replicate what they were doing, try and learn from their performances.

:06:52.:06:56.

The first piece of magic my grandpa is taught me was how to take away

:06:57.:07:00.

someone's strings. My grandpa would pick me up from school one day and

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he saw these guys throwing me into a wheelie bin. I tried to play at off

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like it was a bit of fun, but he realised I was being bullied. When I

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got home, he taught me my first ever piece of magic. It was a way of

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stopping the guys from being able to pick me up and put me inside the

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bin. I could make myself really heavy. When they tried to pick me up

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or move me, push me around, they couldn't move me at all and it

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opened up so many doors. It literally saved my school life.

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# Dynamite # They can't control #.

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But it was on my streets I would really find my destiny. Me and my

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mates would get the bus from here into town, where we would perform

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street magic. Often we'd been waiting ages for the bus, so we

:07:45.:07:47.

would do magic to people here. We even used to do magic on the bus. We

:07:48.:07:54.

would put them online and suddenly they got a huge audience. Dynamo was

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born. From that point on, my career as a magician just exploded. I have

:08:02.:08:06.

been all over the world and met some of the biggest celebrities.

:08:07.:08:10.

Performed an incredible places. But nothing beats the feeling of coming

:08:11.:08:14.

back home and putting on a show here is really special. Magical, in fact.

:08:15.:08:19.

Dynamo. APPLAUSE

:08:20.:08:28.

What's happening, Leeds? Lovely, thank you for making that

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for us, that was really nice, a really nice insight. Is that a real

:08:34.:08:37.

trick, not being able to be lifted up? Is it something you can do? Yes,

:08:38.:08:42.

I haven't done in a long time. You are a lot bigger than the bullies...

:08:43.:08:47.

So if you try to pick me up? You have to explain what it feels like

:08:48.:08:51.

for you. Try this. Stand here, is that good for you? Put your hands...

:08:52.:08:59.

If you lift me up, that's a magic trick. Lift me as high as you can.

:09:00.:09:05.

You can put me down. What was it like being 6'7" just for a brief

:09:06.:09:11.

moment? It was good from up there. Get ready to lift me, but look at

:09:12.:09:20.

me. Lift me again. Oh, man, that's really amazing. He's straining as

:09:21.:09:28.

well. Come on, Rich. That's so cool. Don't worry, I'm going to give you

:09:29.:09:33.

your strength back. As you were. Oh, man, that's very good!

:09:34.:09:36.

APPLAUSE That's really good! Wow, Richard

:09:37.:09:45.

mentioned your tour, 102 dates. I've done 102, last night was 102, I have

:09:46.:09:51.

another nine to go. Nine to go, amazing. Your Nana, who we met in

:09:52.:09:55.

Navidi, she makes an appearance, doesn't she? You saw her in she does

:09:56.:10:02.

magic of her own, she amazes the whole audience at the exact same

:10:03.:10:05.

time with her own card trick. She's really good. She often steals the

:10:06.:10:10.

show from me, I'm not going to lie. 86 years old, still working her

:10:11.:10:15.

magic. You started up with big close-up magic and street magic, now

:10:16.:10:19.

an arena tour. How do you make the change? It was really difficult. I

:10:20.:10:23.

wanted to keep the intimacy of what I do up close but the word intimacy

:10:24.:10:28.

and arena don't go hand-in-hand, but you know, I kind of focus on making

:10:29.:10:34.

the show as interactive as possible. There are parts where... With the

:10:35.:10:39.

audience. Literally every single audience member is doing the magic

:10:40.:10:43.

from their own seats in parts, I'm in the middle of the audience in the

:10:44.:10:48.

thick of it, sometimes they are on stage with me. It's more than

:10:49.:10:53.

watching passively. I'm still thinking about how I couldn't lift

:10:54.:10:57.

you up, that was so weird. You went out to Vegas to see how some of

:10:58.:11:00.

those people did it come did you pick up anything from that or was it

:11:01.:11:05.

not your sort of thing? I got a lot of good advice from David

:11:06.:11:11.

Copperfield, but in Vegas, it's very Vegas, for want of a better

:11:12.:11:15.

expression. Jazzy. It's not really my style. I've kind of stripped

:11:16.:11:22.

back, there's no boxes, there's no props or fancy showgirls other than

:11:23.:11:27.

my Nana, obviously. Of course. It's just me and the audience and the

:11:28.:11:31.

magic is created from decisions they audience make, as well as from

:11:32.:11:36.

objects. You want to be careful bringing your mobile phone to my

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show, you never know what will happen with that. There's a word of

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warning. We looked at loads of clips and it was hard to chew Gerry Fitt

:11:44.:11:47.

-- it was hard to choose a favourite, but this is what we

:11:48.:11:49.

picked. Watch, guys. APPLAUSE

:11:50.:12:29.

No way! I mean... There are no words. I mean, we've seen it many

:12:30.:12:34.

times today. You would have loved to hear our theories about how it's

:12:35.:12:39.

done. Did you through the fish back in? I didn't, I let them use it. It

:12:40.:12:44.

was a South African barbecue. Amazing, one of your great

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influences was Paul Daniels. He did an awful lot for magic in this

:12:48.:12:53.

country. A phenomenal performer. He really introduced magic to so many

:12:54.:12:58.

people. Everyone I know had a Paul Daniels magic kit as a kid. That's

:12:59.:13:04.

right. He really was, for me he was the godfather of British magic. I

:13:05.:13:07.

mean that in the nicest possible way. He inspired me so much because

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he was also from a working-class background. Kind of a northern

:13:13.:13:16.

cheeky chappie, like myself. He managed to break into the mainstream

:13:17.:13:19.

and bring magic to a whole new generation. Sadly missed. A big

:13:20.:13:24.

loss, wasn't it? We may have a magician in the studio but we've

:13:25.:13:28.

also got a kitchen wizard on The One Show team. We have indeed. My answer

:13:29.:13:36.

to the question, what is your favourite type of dog, is also the

:13:37.:13:39.

same to the question where would you like to work? A chocolate lab.

:13:40.:13:45.

Madeia has an Easter treat. Nothing quite beats chocolate at Easter time

:13:46.:13:49.

and this is a show stopper for The One Show. As a baker I have a love

:13:50.:13:54.

hate relationship with chocolate. It can be devilishly difficult to make

:13:55.:13:56.

this stuff look pretty. I'm delighted to have the chance to

:13:57.:14:01.

learn from a master chocolatey Massimo Bicester biscotti. Massimo

:14:02.:14:06.

doesn't just work with chocolate, he sculpted. What we are going to do is

:14:07.:14:13.

a bunny rabbit in an Easter egg. Seems easy enough? To do what we are

:14:14.:14:19.

doing today, we are probably looking at using about 20 kilos of chocolate

:14:20.:14:24.

in total. That's like a dream! 20 kilos of chocolate! The average

:14:25.:14:28.

Easter egg bunny is made by pouring molten chocolate into a mould but as

:14:29.:14:32.

Massimo will be creating a sculpture by hand, he simply fits his

:14:33.:14:36.

chocolate pieces together in a blender. Wow. My goodness. We work

:14:37.:14:42.

it and start making whatever we want. I didn't know chocolate could

:14:43.:14:50.

do this. Fascinating. Usually, modelling chocolate has glucose

:14:51.:14:53.

added to keep it pliable, but that, demise is the flavour, so hours will

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be all Belgian chocolate. This just feels like the clay that you would

:14:57.:15:02.

have at primary school, except it smells so much nicer. But it is much

:15:03.:15:07.

trickier to shape than I expected. You have to work with it a lot

:15:08.:15:12.

quicker. Yes, just leave it for a little bit too set in your hand.

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It's harder to work with than modelling chocolate, with glucose?

:15:18.:15:21.

Absolutely, yes, the glucose is in there to keep the chocolate soft.

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Made this way sculptures like ours can take days to complete. Today,

:15:26.:15:27.

we've only got six hours. This is like being in the tent

:15:28.:15:38.

today. And I have only got as far as the foot. Time to call in the

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cavalry, the patisserie students. One part and the rest of the body.

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Is this the biggest solid sculpture you have ever done? This is probably

:15:48.:15:51.

the biggest one I have ever done, yes. With the clock ticking, Massimo

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has eight of us hard at work and there is no time for small talk.

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Everybody enjoys this because everybody is quiet. It is so cool.

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Anastasia and me have one ear each. This might be wrong. But at least

:16:13.:16:18.

they are both wrong. Symmetrical, right? It is difficult to get the

:16:19.:16:23.

chocolate to do what you want. Sean has the tale sorted out, sort of.

:16:24.:16:32.

Supposed to be doing a tail, but it isn't quite right. One foot bigger

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than the other. We could shave it down. I wish I could do that with my

:16:39.:16:41.

belly. CHUCKLES

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After a frantic day of shaving and carving, our Easter Bunny is slowly

:16:46.:16:50.

taking on its unique shape. The mould will be the same over and

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over, but this, we will not produce something the same again. Each one

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is different. I am building my next house with chocolate now.

:17:01.:17:02.

CHUCKLES With all nine of us working to six

:17:03.:17:07.

hours, my show stopper is still a work in progress. But as my time is

:17:08.:17:13.

up, Massimo and a few features to what I hope will be its final glory.

:17:14.:17:17.

But it is made of chocolate, so I don't know if it will make it all

:17:18.:17:23.

the way until Easter. Dynamo, you are far too cool to pull

:17:24.:17:27.

rabbits out of hats, but we'll indulge us? We will do something

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fantastic. He is the first magician to play at the O2. He is going to do

:17:33.:17:36.

something unbelievable now. It will be one of the greatest tricks ever

:17:37.:17:41.

seen on British television. And I'm not over egging this, am I? I am not

:17:42.:17:45.

sure you are ready. Britain, sit down. From role, please...

:17:46.:17:56.

APPLAUSE drum roll. How does he do it? We

:17:57.:18:04.

will never know. Which chocolate would you prefer, lemon? Lemon,

:18:05.:18:16.

please. Lemon, OK. Yeah. I would like some, but I'm afraid I'm going

:18:17.:18:22.

to have to earn mine. And as if by magic, somebody has joined Alex on

:18:23.:18:26.

the sofa. It appears to be somebody I recognise, Alex.

:18:27.:18:29.

I have been joined by your brother, Mat, and your mother, Brenda, is

:18:30.:18:38.

still live in Sussex. Brenda, we need your help. It is time to play

:18:39.:18:48.

Ask The Os-Mum. She has a theme tune!

:18:49.:18:50.

CHUCKLES It is amazing. She will be

:18:51.:18:53.

unbearable. CHUCKLES

:18:54.:18:58.

You are so down on your mum. We have asked lots of questions about you

:18:59.:19:01.

two growing up, and you have to guess what she gave as the answer.

:19:02.:19:06.

The winner will get a foot off the Easter Bunny. If you'd have said in

:19:07.:19:14.

1984 that he would be on TV, being quizzed by our mum, given chocolate

:19:15.:19:19.

as a prize, we would have said it is a bit surreal. We need to get on

:19:20.:19:25.

with it. First question, who was the naughtiest? What do you think your

:19:26.:19:32.

mum said? I think it is you. I think I was fairly good. The older one is

:19:33.:19:38.

normally better. If one of us is naughty it would be me. You are both

:19:39.:19:48.

saying you, Richard. It was Mat! I don't even know what I did.

:19:49.:19:51.

CHUCKLES You took a dead mouse to school,

:19:52.:19:58.

something like that. Did I? Did you? Bless her, she does not know what is

:19:59.:20:01.

happening. CHUCKLES

:20:02.:20:05.

Who was the bigger geek? Tough one. CHUCKLES

:20:06.:20:10.

Tough one, probably you. I had computers, but you had notebooks

:20:11.:20:16.

full of marble compounds. How dare you. For the sake of competition I

:20:17.:20:20.

will say him. Even I would guess Richard. And the answer... Yes,

:20:21.:20:25.

Richard. I am losing, I'm not going to get this foot. Who was better

:20:26.:20:33.

with the ladies? We were children! CHUCKLES

:20:34.:20:39.

In your teens. I would say him. It had better be me, otherwise, I will

:20:40.:20:47.

disown her. I will say me, then. The answer is indeed Mat. Thank

:20:48.:20:57.

goodness. You get a foot from the Bunny. Thank you, Brenda. Happy

:20:58.:21:03.

Easter. Suede will be performing later. As Britain gears up for

:21:04.:21:08.

Easter, we sent our resident hairdresser, Michael Douglas, to

:21:09.:21:12.

make sure the team that won Cathedral was really looking their

:21:13.:21:20.

Sunday best. -- at one. Salisbury Cathedral is a medieval

:21:21.:21:25.

marvel. No wonder over 250,000 people passed through its doors

:21:26.:21:30.

every year. Easter, however, is the most important time in the entire

:21:31.:21:35.

Christian calendar. So it is important that this magnificent

:21:36.:21:37.

building and the people who work in it look their best. I am more than

:21:38.:21:43.

happy to help out, although I cannot work miracles. Salisbury Cathedral

:21:44.:21:49.

is an amazing place where spirituality mixes with history.

:21:50.:21:53.

First up is a man with a job title dating all the way back to when it

:21:54.:21:59.

was built. This is Gary. He is clerk of the works. Clarke of the works is

:22:00.:22:06.

somebody who oversees the fabric of the building. We have been doing

:22:07.:22:10.

this major repair programme for nearly 30 years. -- clerk. 30!

:22:11.:22:21.

Started in 1986. We have cleaned and looked at every single stone and

:22:22.:22:25.

inspected it. Crikey. At over 400 feet, the spire is the tallest on

:22:26.:22:31.

any of our medieval Cathedral 's. You climb up the ten ladders to the

:22:32.:22:36.

door, which is 30 feet from the top. You open that. Because it is narrow,

:22:37.:22:43.

you need to put your foot out fast. And you are almost looking down. And

:22:44.:22:47.

then you reach up behind you and there are some bronze rams which

:22:48.:22:53.

were put there in the 1950s. -- bronze runs. Is it frightening?

:22:54.:23:03.

Guess, but the view is amazing. I am very pleased with that. You look

:23:04.:23:09.

younger. Next is a man with a central role in worship at the

:23:10.:23:11.

Cathedral. It Easter that means he is working overtime. This is the

:23:12.:23:14.

Reverend Tom clamour. Basically it is his job to direct

:23:15.:23:25.

the whopping 1500 services which take place here every year. He

:23:26.:23:30.

chooses hymns, readings, music, lighting, and even the gowns which

:23:31.:23:33.

are worn. Particularly important at Easter. During holy week and we

:23:34.:23:39.

where a simple dark red robe with black on it. And then we change that

:23:40.:23:43.

Easter morning to a bright, dazzling, shimmering gold. The

:23:44.:23:48.

message of Easter is that in the end death does not win. It is a huge

:23:49.:23:54.

privilege to be able to lead people into a meeting with God. Cathedral

:23:55.:23:58.

stew that in a special way. I knew I was being called to be a priest from

:23:59.:24:03.

a young age, in my mid teens. Really? Yeah, which freaked out the

:24:04.:24:09.

careers adviser at school slightly. CHUCKLES

:24:10.:24:13.

What did they say? They said we haven't got a form for that.

:24:14.:24:15.

CHUCKLES They said the same to me when I said

:24:16.:24:20.

I wanted to be a hairdresser. Did they? We are finished. A great

:24:21.:24:28.

weight has been lifted. Fantastic. All right? Much better. Bit shorter.

:24:29.:24:36.

In 1991 Salisbury became the first English Cathedral to perform a

:24:37.:24:40.

separate foundation for female choristers. It isn't an easy gig for

:24:41.:24:49.

this nine-year-old. You practice from eight until nine every day. In

:24:50.:24:59.

the morning? Villa yes. They have a unique ceremony. After the service

:25:00.:25:02.

you go into the channel and you get bumped on the head with a Bible.

:25:03.:25:10.

Outside the quiet, her taste in music is not so different other

:25:11.:25:16.

nine-year-old girls. -- outside the choir. Who was your favourite

:25:17.:25:24.

singer? Probably Taylor Swift. There you are, how is that? Really good.

:25:25.:25:33.

Thanks. You like it. Guess. It is nearly showtime. For me, however, it

:25:34.:25:39.

has been a Good Friday's work. It was indeed, thanks so much to

:25:40.:25:49.

Michael and all of the people at Salisbury Cathedral. Thank you to

:25:50.:25:52.

Dynamo. You can see the tour continue in Birmingham and

:25:53.:25:56.

Manchester. You can still get tickets. And thanks to Brenda. We

:25:57.:26:03.

loved your mum. Thanks, ma'am. Matt Baker is the way next week lambing,

:26:04.:26:14.

but I will be here with Michael Ball and Chris Hollins. -- thanks, mum.

:26:15.:26:22.

To play us out, my brother's band, Suede!

:26:23.:26:23.

CHEERING # And I don't have the

:26:24.:26:26.

means of expression # All I'm trying to tell

:26:27.:26:54.

you is this is enough # And yes, I have

:26:55.:27:13.

the scars of ambition # And I don't know

:27:14.:27:32.

the price of stuff # All I'm trying to tell

:27:33.:27:40.

you is this is enough # There's no room in the world

:27:41.:28:06.

for your kind of beauty # Yours are the names

:28:07.:28:16.

on tomorrows' newspapers # Yours is the face of the desperate

:28:17.:28:20.

edge of now # When, like the snows of yesteryear

:28:21.:28:24.

I'll be gone from this earth # All I'm trying to tell

:28:25.:28:29.

you is this enough? # All I'm trying to tell

:28:30.:28:45.

you is this is enough

:28:46.:29:03.

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