Browse content similar to 25/10/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Ore Oduba. | 0:00:15 | 0:00:17 | |
And Alex Jones. | 0:00:17 | 0:00:19 | |
It's time to dust-off your
Raspberry Beret and make | 0:00:19 | 0:00:22 | |
sure you're dripping | 0:00:22 | 0:00:23 | |
in Diamonds and Pearls,
because tonight we're celebrating | 0:00:23 | 0:00:26 | |
the life of a true original. | 0:00:26 | 0:00:36 | |
# Purple rain, purple rain...
# She wore Arab Asbury array, the | 0:00:38 | 0:00:56 | |
kind you find in a second-hand
store... | 0:00:56 | 0:00:59 | |
We'll be looking at a new exhibition
celebrating Prince's music | 0:00:59 | 0:01:02 | |
with his sister Tyka. | 0:01:02 | 0:01:05 | |
And two radio DJs who are bringing
a brand new music show to BBC1 - | 0:01:05 | 0:01:08 | |
ten years after the end
of Top of the Pops. | 0:01:08 | 0:01:11 | |
It's Greg James and Dotty! | 0:01:11 | 0:01:21 | |
They love you already, that is a
good start. And they have got the | 0:01:23 | 0:01:28 | |
best people for the job. | 0:01:28 | 0:01:31 | |
Dotty, not only do you present
the Breakfast show on Radio 1Xtra, | 0:01:31 | 0:01:34 | |
but you're a recording artist too? | 0:01:34 | 0:01:39 | |
I started my career as a rapper.
That is me in Jamaica. | 0:01:39 | 0:01:51 | |
And you've worked with some big
names - Busta Rhymes, Emeli Sande? | 0:01:51 | 0:01:57 | |
Greg, who have you collaborated
with? Alex on the One Show! And we | 0:01:57 | 0:02:09 | |
have made pop stars do some slightly
strange things on the show. And you | 0:02:09 | 0:02:14 | |
have your own musical connection,
let's see it. I love that! I feel it | 0:02:14 | 0:02:26 | |
is an unfair comparison! It is a
brilliant combination. | 0:02:26 | 0:02:38 | |
If you were watching last night
you'll have seen the first | 0:02:38 | 0:02:41 | |
of Angellica's reports
from the Caribbean as she | 0:02:41 | 0:02:43 | |
experienced first-hand
the devastation left behind | 0:02:43 | 0:02:44 | |
by Hurricane Maria. | 0:02:44 | 0:02:45 | |
It was the most-powerful
hurricane the island | 0:02:45 | 0:02:47 | |
of Dominica has ever faced -
leaving 73,000 islanders | 0:02:47 | 0:02:49 | |
without shelter, water or power. | 0:02:49 | 0:02:51 | |
And Angellica had a personal reason
for wanting to visit. | 0:02:51 | 0:03:01 | |
Dominique is proudly independent
country but it needs its friends in | 0:03:02 | 0:03:05 | |
times like these. Although no longer
a British colony it has strong | 0:03:05 | 0:03:09 | |
connections to the UK and Dominique
and is living overseas have been | 0:03:09 | 0:03:16 | |
answering the call for help. Premy
it is personal because my late | 0:03:16 | 0:03:19 | |
grandfather grew here. In the
village someone knows someone who | 0:03:19 | 0:03:24 | |
knows someone. We can go from there.
I'm going to be crossing the island | 0:03:24 | 0:03:30 | |
to his village. During my stay I
have discovered just how slowly life | 0:03:30 | 0:03:35 | |
has been returning to normal. Hull
heart has it been to keep getting | 0:03:35 | 0:03:40 | |
the bread going since the hurricane?
Very difficult. You had to be | 0:03:40 | 0:03:46 | |
running about looking for flour but
now everything is getting back on | 0:03:46 | 0:03:52 | |
track. You have family in the in
England? Maybe they will see this. | 0:03:52 | 0:03:58 | |
You fed me! We have been on rations
for so many days. Brett has never | 0:03:58 | 0:04:05 | |
tasted so good. I'm loving this.
Phone services still not great so | 0:04:05 | 0:04:11 | |
people stop asked to send messages
home. Tell the family. My friend | 0:04:11 | 0:04:18 | |
Sandra! You are from the UK? From
London. I used to live in the | 0:04:18 | 0:04:30 | |
Manchester area. I can hear the
accent! You still have family in | 0:04:30 | 0:04:38 | |
England? Yes, three sons. Where they
worried about you is not yet | 0:04:38 | 0:04:43 | |
especially after the hurricane. I'm
glad you did not experience it. Like | 0:04:43 | 0:04:49 | |
everyone on the island that day
Rudolph experienced it. All of a | 0:04:49 | 0:05:01 | |
sudden the sea was breaking through
the window. My daughter and her | 0:05:01 | 0:05:06 | |
boyfriend pulled me out under my
arms. When I woke up in the morning | 0:05:06 | 0:05:11 | |
that is what I found. Both houses
mashed up on me. This was the worst | 0:05:11 | 0:05:21 | |
hit village on the island, at least
14 people died here. Rudolph also | 0:05:21 | 0:05:26 | |
suffered a tragic loss. I lost two
of my granddaughters. It was between | 0:05:26 | 0:05:35 | |
the river and the sea. I buried one
and we have not seen the other one. | 0:05:35 | 0:05:49 | |
Back on my trek across the island we
are hit by a sudden downpour and we | 0:05:49 | 0:05:54 | |
get a lucky break. A local man
called expert worked with my great | 0:05:54 | 0:06:00 | |
uncle and showed us the way to where
he lived. He and I were very close. | 0:06:00 | 0:06:08 | |
That blue house is where he would
have been. As we arrive I'm soon | 0:06:08 | 0:06:15 | |
told that this is the place where my
grandfather also used to live. All | 0:06:15 | 0:06:20 | |
this property belonged to him. All
over their app to here. You can | 0:06:20 | 0:06:32 | |
visit, yes. I cannot believe it,
next to the land my grandfather | 0:06:32 | 0:06:36 | |
owned, is his brother, my great
uncle, aged 100 and still here. I'd | 0:06:36 | 0:06:42 | |
go to meet for the first time. It is
a private moment. I feel so | 0:06:42 | 0:06:48 | |
overwhelmed. I do. I feel really
overwhelmed. We came here and I | 0:06:48 | 0:06:56 | |
thought we probably would not find
any family and within the space of | 0:06:56 | 0:07:02 | |
20 minutes it snowballed and I met
my great uncle. I feel such a | 0:07:02 | 0:07:10 | |
connection, with everybody here. I
feel annoyed with myself that I did | 0:07:10 | 0:07:15 | |
not come sooner. Probably with my
grandad, actually. Although it is a | 0:07:15 | 0:07:22 | |
sad time for the people of Dominique
they're so resilient. And positive. | 0:07:22 | 0:07:28 | |
And I feel so blessed to be part of
it. She was so closely affected. I | 0:07:28 | 0:07:43 | |
cannot wait to see her to talk about
the experience. | 0:07:43 | 0:07:45 | |
Days after the hurricane the UK sent
one of its warships, HMS Ocean, | 0:07:45 | 0:07:49 | |
to the Caribbean to pick up British
nationals wanting to return home. | 0:07:49 | 0:07:51 | |
Anita Vidal and her two
children were among them. | 0:07:51 | 0:07:54 | |
Welcome, Anita. | 0:07:54 | 0:07:59 | |
It's not hard to see
why you chose to leave, | 0:07:59 | 0:08:02 | |
but it still must have been
a tough decision? | 0:08:02 | 0:08:09 | |
One of the hardest decisions I've
ever made and my husband and I had | 0:08:09 | 0:08:13 | |
to think about it so much before
saying yes, it is just too | 0:08:13 | 0:08:19 | |
dangerous. There no or water. No
services available. The health and | 0:08:19 | 0:08:26 | |
safety of the kids and everybody
else was at risk and still is at | 0:08:26 | 0:08:29 | |
risk. But you had to make that
decision. So hard for a these two | 0:08:29 | 0:08:37 | |
especially leaving their dad at
home. Understand the gravity of the | 0:08:37 | 0:08:40 | |
situation? They do, the little one
not so much. Fifi-Grace is a bit | 0:08:40 | 0:08:49 | |
bigger but every day they ask for
daddy and they cry and we try to | 0:08:49 | 0:08:54 | |
call him as much as possible but
still communication is a bit | 0:08:54 | 0:08:58 | |
sketchy. So we try to get through
every two or three days. And call | 0:08:58 | 0:09:02 | |
him. What are your long-term plans,
is Chris Hoban to come over as you | 0:09:02 | 0:09:10 | |
might add know you had good news
today. We had trouble when we first | 0:09:10 | 0:09:14 | |
came back to England, I was not
completely a resident yet but now I | 0:09:14 | 0:09:19 | |
am. And we have been given a house
this morning so we hope the next | 0:09:19 | 0:09:25 | |
step is to look at getting Chris to
join us as a family and hopefully | 0:09:25 | 0:09:29 | |
before Christmas, that would be
nice. A lot of positives. And you | 0:09:29 | 0:09:35 | |
have a certain connection with Greg
James? Do not be worried! What is | 0:09:35 | 0:09:41 | |
the connection? He is your son! Not
quite! May be the next! Anita was | 0:09:41 | 0:10:01 | |
concerned her husband would be
watching! That went a different way | 0:10:01 | 0:10:07 | |
altogether. But she listen to your
show in Dominique. When I was | 0:10:07 | 0:10:12 | |
working at my office at home every
day I would switch onto Radio 1. | 0:10:12 | 0:10:18 | |
Good for me! Your show was too late!
And you are doing a new show. Thank | 0:10:18 | 0:10:32 | |
you so much, great news today, we're
so pleased with you and good luck | 0:10:32 | 0:10:36 | |
with everything. Thank you for
highlighting that Dominique needs | 0:10:36 | 0:10:43 | |
help. And being in the news. And
more from Angelica on Friday. | 0:10:43 | 0:10:50 | |
Later in the week, anybody who's
paid their TV licence can enjoy Greg | 0:10:50 | 0:10:58 | |
and Dotty's new show. | 0:10:58 | 0:11:01 | |
But we know that many
people download music | 0:11:01 | 0:11:03 | |
without paying for it,
much to the annoyance | 0:11:03 | 0:11:05 | |
of the record companies. | 0:11:05 | 0:11:06 | |
The same goes for
subscription TV of course. | 0:11:06 | 0:11:08 | |
Nick has the story of how
the law is closing in. | 0:11:08 | 0:11:14 | |
The shutters are coming down on
another day in Middlesbrough but for | 0:11:14 | 0:11:19 | |
Brian Thompson business is the last
thing on his mind. I think there is | 0:11:19 | 0:11:24 | |
every chance I would get a job.
Tomorrow he's been sentenced for | 0:11:24 | 0:11:36 | |
advertising and selling modified
set-top boxes. These boxes are | 0:11:36 | 0:11:40 | |
preloaded with software which allows
free access to pay-per-view TV. The | 0:11:40 | 0:11:45 | |
problem is that is against the law.
Here at Teesside Crown Court the | 0:11:45 | 0:11:50 | |
judge has said we will keep all
options open. And that could mean a | 0:11:50 | 0:11:54 | |
hefty fine or even jail. When Brian
was first charged in 2015 he pleaded | 0:11:54 | 0:12:00 | |
not guilty. Because he said he was
not the one who had preloaded the | 0:12:00 | 0:12:05 | |
boxes with streaming software. It
was touch and go whether it was | 0:12:05 | 0:12:10 | |
legal or illegal, they said it was a
great area and I went for the other | 0:12:10 | 0:12:14 | |
side and I was wrong. The media is
was quick to pick up on Brian and | 0:12:14 | 0:12:19 | |
his case with some suggested a not
guilty verdict would be a legal | 0:12:19 | 0:12:25 | |
landmark trial. For sellers facing
similar charges and people buying | 0:12:25 | 0:12:29 | |
the boxes. Online technology
journalist John Porter has been | 0:12:29 | 0:12:33 | |
following the case closely. There
was this hope that the case would | 0:12:33 | 0:12:37 | |
clarify the position of people
buying or selling these boxes to | 0:12:37 | 0:12:41 | |
have something set in stone that
this is legal. But as the case was | 0:12:41 | 0:12:47 | |
going to court, the wheels were
training at much higher level. In | 0:12:47 | 0:12:51 | |
April the top European judges ruled
if you buy or sell but set-top boxes | 0:12:51 | 0:12:54 | |
or watch pirated content on them
then you are fair game. And here in | 0:12:54 | 0:12:59 | |
the UK a new ten year jail sentence
was imposed for the very worst | 0:12:59 | 0:13:02 | |
offenders. Soon afterwards Brian
changed his plea. I had to plead | 0:13:02 | 0:13:09 | |
guilty because I never denied
selling the boxes, I always admitted | 0:13:09 | 0:13:13 | |
it. I just denied adapting them. Now
I have pleaded guilty. I will get | 0:13:13 | 0:13:21 | |
what is coming to me, simple as
that. For some the case is still a | 0:13:21 | 0:13:25 | |
turning point in the debate over
streaming. It is a chance for | 0:13:25 | 0:13:30 | |
copyright holders to hammer home the
point that illegal streaming can get | 0:13:30 | 0:13:35 | |
you into serious trouble. It is the
morning of sentencing. I'm meeting | 0:13:35 | 0:13:44 | |
up with Brian as he gets ready for
court. How are you feeling? Probably | 0:13:44 | 0:13:50 | |
a bit nervous. But it is what it is.
Do you think you have a | 0:13:50 | 0:13:57 | |
responsibility not to be selling
these boxes or at least find out | 0:13:57 | 0:14:00 | |
exactly more about them? I looked at
it just that I was selling the box | 0:14:00 | 0:14:07 | |
and it was up to the individual what
they watched and tuned in to. Do you | 0:14:07 | 0:14:12 | |
now regret all this? Of course I do
but you cannot turn back the clock. | 0:14:12 | 0:14:18 | |
As Brian arrives at Teesside Crown
Court the press are gathered outside | 0:14:18 | 0:14:21 | |
and for them the sentencing is big
news. But they're in for a long | 0:14:21 | 0:14:27 | |
wait. Six hours later it is all
over. Brian Thompson has just got | 0:14:27 | 0:14:33 | |
out of court, he has escaped jail,
the judge gave him an 18 month | 0:14:33 | 0:14:38 | |
suspended prison sentence and he
also faces paying tens of thousands | 0:14:38 | 0:14:42 | |
of pounds in compensation. The judge
made it clear that the next person | 0:14:42 | 0:14:46 | |
convicted of a similar offence may
not be so fortunate. I caught up | 0:14:46 | 0:14:50 | |
with Brian after the hearing to find
out what he thinks of the decision. | 0:14:50 | 0:14:56 | |
He is sending a strong message and I
do not know how much financially it | 0:14:56 | 0:15:01 | |
is going to cost me. Even though I'm
running a successful business now, I | 0:15:01 | 0:15:05 | |
still have the burden of that order.
So what does this mean? Well | 0:15:05 | 0:15:12 | |
Middlesbrough Council told us
wizened cases in European and UK | 0:15:12 | 0:15:16 | |
courts clearly show that there is no
grey area in the law when it comes | 0:15:16 | 0:15:21 | |
to illegal streaming. As for the
Federation against Copyright theft, | 0:15:21 | 0:15:24 | |
they said that the law is now black
and white and those who sell | 0:15:24 | 0:15:28 | |
preloaded boxes are not Robin Hood
characters but criminals. So what | 0:15:28 | 0:15:34 | |
now for the Teesside trader? I run a
successful business. No more dodgy | 0:15:34 | 0:15:41 | |
dealing? No more dodgy dealing, I
did not begin was dodgy at the time | 0:15:41 | 0:15:44 | |
but the judges ruled that it is. | 0:15:44 | 0:15:50 | |
STUDIO: The thing is, people have
always looked for ways to get around | 0:15:50 | 0:15:55 | |
paying for stuff. | 0:15:55 | 0:15:57 | |
Greg, people have always been
looking for ways to get around | 0:15:57 | 0:16:00 | |
paying for music too -
you must have made a fair few | 0:16:00 | 0:16:03 | |
mix tapes growing up? | 0:16:03 | 0:16:03 | |
Legally! Exactly, you would record
the top 40 on Sunday, wouldn't you? | 0:16:03 | 0:16:11 | |
Does that count is my nan, with her
videos, recording The One Show, you | 0:16:11 | 0:16:19 | |
know, she would get put in prison...
You didn't mean it, but she has been | 0:16:19 | 0:16:25 | |
highlighted! They will be coming for
her now! | 0:16:25 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:28 | |
Just two days until the launch
of your brand new live music show | 0:16:28 | 0:16:31 | |
Sounds Like Friday Night -
how are the nerves? | 0:16:31 | 0:16:35 | |
It is hotly anticipated. Nervous,
sums it up, but very excited. It is | 0:16:35 | 0:16:40 | |
live TV which I think is the best
kind of TV. It feels like a great | 0:16:40 | 0:16:46 | |
opportunity. It is a massive
privilege, isn't it, the first live | 0:16:46 | 0:16:50 | |
music show, for Ageas? And music is
such a big part of everyone's lives | 0:16:50 | 0:16:56 | |
and is not really represented in
that mainstream way. I think it is | 0:16:56 | 0:16:59 | |
good for the BBC to say, let's put
some really big names on BBC One but | 0:16:59 | 0:17:04 | |
also introduce the audience to some
new artists, that we can champion on | 0:17:04 | 0:17:08 | |
Radio 1Xtra. | 0:17:08 | 0:17:09 | |
There have been lots of comparisons
with Top of the Pops, | 0:17:09 | 0:17:12 | |
but this isn't just a rehash
of an old format? | 0:17:12 | 0:17:15 | |
It is completely different... It is
not a rehash. The obvious comparison | 0:17:15 | 0:17:20 | |
is it as a BBC show and music show,
and we will have live performances, | 0:17:20 | 0:17:25 | |
but there are so many other elements
to this show, which excite me. | 0:17:25 | 0:17:30 | |
Videos, little sketches, things like
that, so it will not just be a | 0:17:30 | 0:17:33 | |
rundown of the chart.
You can do a show like that in 2017, | 0:17:33 | 0:17:40 | |
you can't just do something on the
telly, you need to grab people's | 0:17:40 | 0:17:43 | |
attention. We will have co-hosts
every week. Liam Gallagher is on one | 0:17:43 | 0:17:49 | |
of them, Liam Payne, so we will
hopefully show you a different side | 0:17:49 | 0:17:52 | |
of pop stars and artists as well,
and do sketches, but Top of the Pops | 0:17:52 | 0:17:58 | |
was an incredible show watched by
millions of people, but it was a | 0:17:58 | 0:18:01 | |
great event. If you can bring that
event TV thing back... Exactly. It | 0:18:01 | 0:18:07 | |
was iconic and it made the hosts
household names. We already know | 0:18:07 | 0:18:12 | |
about Greg James and Dotty
individually, but now we have this | 0:18:12 | 0:18:16 | |
new showbiz double act. | 0:18:16 | 0:18:27 | |
The new Morecambe and Wise! How did
you guys get set up as a pair? | 0:18:28 | 0:18:32 | |
How did your partnership come
about - have you guys | 0:18:32 | 0:18:35 | |
worked together before? | 0:18:35 | 0:18:36 | |
We both swiped! Dotty has been on
the short for couple of years now | 0:18:36 | 0:18:44 | |
and I thought, well, she is
brilliant, quick, sharp, and I | 0:18:44 | 0:18:49 | |
thought, well, I'm not those things,
so we need someone like that on the | 0:18:49 | 0:18:52 | |
show.
LAUGHTER | 0:18:52 | 0:18:53 | |
But we have been on each other's
show and thought it was really fun | 0:18:53 | 0:18:57 | |
and that we could do something
together. So when it came about | 0:18:57 | 0:19:00 | |
Dotty was absolutely the person I
wanted to work with. He got me the | 0:19:00 | 0:19:04 | |
job. He has invoiced me already. The
management fee. | 0:19:04 | 0:19:08 | |
LAUGHTER
What Dotty has done with Ellen | 0:19:08 | 0:19:15 | |
DeGeneres, ask a really brilliant
question, it is on you Tube, so I | 0:19:15 | 0:19:19 | |
think she is an absolute gem for the
sure... The truth is, Dotty, your | 0:19:19 | 0:19:25 | |
mum is only proud of you for being
on this show? | 0:19:25 | 0:19:27 | |
LAUGHTER
I have done music videos, a radio | 0:19:27 | 0:19:31 | |
show, I have got my own TV show
starting, and it was not until today | 0:19:31 | 0:19:37 | |
and I was on The One Show that
finally she is proud. What is her | 0:19:37 | 0:19:41 | |
name? Julie. Hiya, Julie. She is
doing really well. Really well, | 0:19:41 | 0:19:50 | |
Julie! | 0:19:50 | 0:19:54 | |
Well, week one sees the Foo
Fighter's Dave Grohl try his hand | 0:19:54 | 0:19:57 | |
at being a BBC Continuity
Announcer... | 0:19:57 | 0:19:58 | |
Assisted by your good self, Greg. | 0:19:58 | 0:20:00 | |
The first one coming up next on BBC
One, Homes under the Armour. Coming | 0:20:00 | 0:20:07 | |
up next on BBC One, Homes... Under
the... Hammer. OK, next one. They | 0:20:07 | 0:20:17 | |
have a big cliffhanger, you are not
my mother, and then... Yes, I am! | 0:20:17 | 0:20:25 | |
And then the drum roll, East Enders.
OK, coming up next on BBC One... | 0:20:25 | 0:20:31 | |
What was it again?
LAUGHTER | 0:20:31 | 0:20:32 | |
APPLAUSE
He was good, to be fair, a funny | 0:20:32 | 0:20:38 | |
man.
Hero of many people for a long time | 0:20:38 | 0:20:40 | |
but I remember a song he did in the
main diplomatic when he dressed up | 0:20:40 | 0:20:44 | |
as an air stewardess and it was one
of the funny things, funniest | 0:20:44 | 0:20:49 | |
things. The pop song approach has
been great. Give it a go. We do fun | 0:20:49 | 0:20:57 | |
stuff on the radio, so to do it on
the telly will be a dream. Looking | 0:20:57 | 0:21:01 | |
forward to it. Staying with music... | 0:21:01 | 0:21:06 | |
We teased you with this earlier -
but just a few feet away from us | 0:21:06 | 0:21:09 | |
right now is the actual purple coat
worn by Prince in | 0:21:09 | 0:21:12 | |
the film Purple Rain. | 0:21:12 | 0:21:13 | |
That would suit you, Ore! Do you
think? A little tighter on the | 0:21:13 | 0:21:17 | |
waistline. We have to wear gloves
and not go anywhere near it, to be | 0:21:17 | 0:21:22 | |
honest. | 0:21:22 | 0:21:23 | |
It's one of hundreds of outfits,
instruments and artefacts | 0:21:23 | 0:21:25 | |
celebrating Prince's life in music,
that will go on show | 0:21:25 | 0:21:27 | |
in London this week. | 0:21:27 | 0:21:28 | |
And Greg's Radio 1 colleague
Clara Amfo has muscled her | 0:21:28 | 0:21:31 | |
way in for a preview. | 0:21:31 | 0:21:35 | |
# Dearly beloved... #.
This is the place that a decade ago | 0:21:35 | 0:21:43 | |
Prince played 21 sold-out nights and
broke the world like that no one has | 0:21:43 | 0:21:46 | |
topped since. So it seems like the
way back here today, we are having a | 0:21:46 | 0:21:53 | |
sneak look at the new My Name Is
Prince exhibition, chronicling | 0:21:53 | 0:21:58 | |
Prince through the ages, and some
agency will be seen for the very | 0:21:58 | 0:22:00 | |
first time outside of his very
famous home at Paisley Park. I | 0:22:00 | 0:22:06 | |
remember him wearing this, right
here in the O2, and all the tickets | 0:22:06 | 0:22:13 | |
cost £31. This was the very first
time I saw him, and such an amazing | 0:22:13 | 0:22:17 | |
gig. It was around this time that
Prince first started working with | 0:22:17 | 0:22:29 | |
Alan Evans... In actual fact it was
probably 50-16 eights because he | 0:22:29 | 0:22:34 | |
used to do 2-3 gigs per day. --
50-60 gigs. And it wasn't just some | 0:22:34 | 0:22:45 | |
pop band knocking at the head. He
didn't care if there was ten people, | 0:22:45 | 0:22:48 | |
a million people, he was just a
performer. Prince's final jewel, saw | 0:22:48 | 0:22:57 | |
him work with For Di Girl. -- third
eye. He had several back-up bands, | 0:22:57 | 0:23:10 | |
starting with the Revolution, and
then moving on to the one a lot of | 0:23:10 | 0:23:15 | |
younger fans will connect with. His
style changed, his appearance, the | 0:23:15 | 0:23:19 | |
clothes he was wearing onstage. He
had special sunglasses created, and | 0:23:19 | 0:23:24 | |
we feel this exhibit represent
everything Prince is musically. And | 0:23:24 | 0:23:30 | |
Prince did love his guitars. There
are plenty here and he would have | 0:23:30 | 0:23:34 | |
had many of them especially made.
Simon Farmer is the man who made | 0:23:34 | 0:23:40 | |
Prince's last guitar. I built it
with the intention for him, but it | 0:23:40 | 0:23:45 | |
was never an order, just me doing it
off my own back, thinking I would | 0:23:45 | 0:23:49 | |
like to get it to Prince so I got
this e-mail to nine years later, and | 0:23:49 | 0:23:54 | |
I had kind of given up on it by
then. I just couldn't believe it | 0:23:54 | 0:23:59 | |
would be real. I still had the
guitar. He obviously seemed to like | 0:23:59 | 0:24:02 | |
it to order a bass off me as well,
and that is what I was working on | 0:24:02 | 0:24:12 | |
when he died. In a career that
spanned almost 40 years... It is so | 0:24:12 | 0:24:21 | |
surreal, the Prince sit! His
dimensions were tiny, right? This is | 0:24:21 | 0:24:27 | |
a guy who was an enigma onstage,
ridiculously flamboyant and | 0:24:27 | 0:24:32 | |
completely and fiercely private, so
to have access to him in this really | 0:24:32 | 0:24:37 | |
spatial way is incredible. Thank you
so much! | 0:24:37 | 0:24:42 | |
STUDIO: | 0:24:42 | 0:24:42 | |
Please welcome Prince's
sister, Tyka Nelson. | 0:24:42 | 0:24:47 | |
APPLAUSE
Great to have you, and surrounded by | 0:24:47 | 0:24:52 | |
all these memories here. | 0:24:52 | 0:24:54 | |
It's only been 18 months
since your brother died - | 0:24:54 | 0:24:59 | |
it feels like yesterday that we lost
the legend. | 0:24:59 | 0:25:02 | |
It must have been tough to go
through his things and decide | 0:25:02 | 0:25:05 | |
what to put in the exhibition? | 0:25:05 | 0:25:09 | |
Yes, he had so many things, what I
was the most shocked about. I knew | 0:25:09 | 0:25:13 | |
about him wanting to have a museum
but in my mind didn't think, you | 0:25:13 | 0:25:17 | |
have to keep all your stuff, from
this point, to there. I didn't think | 0:25:17 | 0:25:27 | |
that way, but all of a sudden things
started to come out, and I was | 0:25:27 | 0:25:32 | |
looking for Angie, one of the people
helping to get all the stuff | 0:25:32 | 0:25:35 | |
together. We referenced that
earlier, this incredible cloud | 0:25:35 | 0:25:42 | |
guitar. | 0:25:42 | 0:25:44 | |
He was obviously a bit of a hoarder
- the hundreds of items | 0:25:44 | 0:25:47 | |
going on display are just a small
fraction of the things he kept | 0:25:47 | 0:25:50 | |
in storage at his home -
which items really sum | 0:25:50 | 0:25:52 | |
up your brother for you? | 0:25:52 | 0:25:53 | |
Which makes you feel closest to him?
All of them do in their own | 0:25:53 | 0:25:56 | |
different ways. I think the one that
most does is the hat. OK. It must | 0:25:56 | 0:25:59 | |
have been really painful to wear a?
I don't know if it was. I just knew | 0:25:59 | 0:26:02 | |
when I saw the video, I love the
video, so the next time I saw him I | 0:26:02 | 0:26:06 | |
said, I want a hat like that, and I
picked it out. And then I said, | 0:26:06 | 0:26:12 | |
no... To heavy! And we will not go
anywhere near it to touch it, we | 0:26:12 | 0:26:20 | |
will take it from your experience!
Can you tell us about growing up, | 0:26:20 | 0:26:24 | |
you must have some amazing childhood
memories? He was funny, he always | 0:26:24 | 0:26:29 | |
had ideas, let's do this, do that,
he was never boring, and I loved him | 0:26:29 | 0:26:33 | |
so much for that. Everyone mentioned
the fact he told lots of stories... | 0:26:33 | 0:26:40 | |
He never shut up ever! You wouldn't
imagine that, would you? On the | 0:26:40 | 0:26:48 | |
phone, you couldn't get a word and
edgeways. I really felt like I | 0:26:48 | 0:26:52 | |
wanted to tell him, shut up, I have
a story as well, you know! That | 0:26:52 | 0:26:56 | |
sounds like family. I would have to
say, someone is here, yeah, and | 0:26:56 | 0:27:06 | |
there was no one in the house, but,
you know, I have to go! | 0:27:06 | 0:27:10 | |
LAUGHTER
Were you always a musical family, or | 0:27:10 | 0:27:13 | |
where there are times you thought,
he is really musical and he will go | 0:27:13 | 0:27:16 | |
off and do that? We were always a
musical family. Daddy played piano | 0:27:16 | 0:27:20 | |
since I was born, and then when
daddy finally got the piano into the | 0:27:20 | 0:27:26 | |
house, he would play something,
because he had to rehearse every | 0:27:26 | 0:27:29 | |
night, so he would play something,
and then my mum would be in the | 0:27:29 | 0:27:35 | |
kitchen cooking, and because her
name was -- his name was Prince, she | 0:27:35 | 0:27:41 | |
would yell, Prince! That's not
right, and he would ask her to come | 0:27:41 | 0:27:46 | |
in and sing it for him, and she
would come in Witherspoon, and go | 0:27:46 | 0:27:50 | |
like this, so we had all that... It
was said that you had an inkling | 0:27:50 | 0:27:54 | |
that he would pass away before he
did. Is that true? I didn't have an | 0:27:54 | 0:28:00 | |
inkling. He told me! You told you?
Me and my husband were at | 0:28:00 | 0:28:05 | |
McDonald's, and he called, and I
said, hi, told my husband I would go | 0:28:05 | 0:28:11 | |
out, and he thought, this must be
important, and it was Prince. I | 0:28:11 | 0:28:15 | |
started walking, he told me, and I
didn't think anything of it. Two | 0:28:15 | 0:28:20 | |
weeks later he sent a picture and I
was working for him at the time, I | 0:28:20 | 0:28:25 | |
worked for him for about four years,
and he sent a picture and a song, | 0:28:25 | 0:28:28 | |
told me to e-mail it to a couple of
people, and I did. Then I put that | 0:28:28 | 0:28:33 | |
picture up on my computer screen,
because it was a pretty picture, and | 0:28:33 | 0:28:37 | |
a week I looked up and said, snap, I
put together his words with that | 0:28:37 | 0:28:43 | |
picture and said, he's dying.
Sister's inkling, isn't it? Yes. | 0:28:43 | 0:28:51 | |
Thank you all so much. | 0:28:51 | 0:28:56 | |
That's it for tonight's show -
thanks to our guests, | 0:28:56 | 0:28:58 | |
Greg, Dotty and Tyka. | 0:28:58 | 0:28:59 | |
You can see Sounds Like Friday Night
straight after us on BBC1 | 0:28:59 | 0:29:02 | |
at 7.30 on Friday night. | 0:29:02 | 0:29:03 |