Browse content similar to 27/11/2013. Check below for episodes and series from the same categories and more!
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I'm great, how are you? I am excited, who else is on? We have | :00:09. | :00:18. | |
Miranda Hart. She always tries to kiss me. | :00:19. | :00:22. | |
Don't worry, we have the situation under control. She can't come back | :00:23. | :00:29. | |
tomorrow? Let me out! He follows me everywhere! Backoff, Gary! | :00:30. | :00:41. | |
Hello and welcome to The One Show with Matt Baker and Alex Jones. We | :00:42. | :00:48. | |
are joined by two of the nicest people in showbiz. They are both | :00:49. | :00:53. | |
here tonight, Moran do Hart and Gary Barlow! | :00:54. | :00:56. | |
APPLAUSE -- Miranda Hart. | :00:57. | :01:04. | |
How are you? You are happy to be sitting closely? You have known each | :01:05. | :01:13. | |
other for ages. We love each other, we really do. There is a bit of | :01:14. | :01:19. | |
history, because you have been there, so to speak. Steady on. You | :01:20. | :01:28. | |
can't play that! This is when Miranda snogged Gary. Mr Gary | :01:29. | :01:31. | |
Barlow... I lingered! Were you expecting that? | :01:32. | :01:55. | |
You never mention the long bit. I said I would have to kiss you but I | :01:56. | :02:02. | |
didn't explain I needed to linger! What we would like you to do, in X | :02:03. | :02:06. | |
Factor style, is to judge Gary's snogged ability. I thought you gave | :02:07. | :02:15. | |
110%. And you can come to my snogged boot camp. | :02:16. | :02:24. | |
Gary, you are not here to just chat. You are going to be treated to a | :02:25. | :02:34. | |
beautiful performance of this man, Petr Spatina. | :02:35. | :02:47. | |
HE PLAYS The One Show THEME. He has got something very special. | :02:48. | :02:58. | |
That was incredible. I love that. Firstly, the Battle for Britain's | :02:59. | :03:03. | |
streets. The death of six cyclists in two weeks has raised the | :03:04. | :03:06. | |
question, how safe is it to pedal through our busy cities. Justin | :03:07. | :03:14. | |
Rowlatt has been to see what happens when lorry drivers and cyclists see | :03:15. | :03:19. | |
the road through each other's eyes. This is the subject of The One Show | :03:20. | :03:22. | |
vote tonight. Cycling can be a very quick way to | :03:23. | :03:26. | |
get around a city but it can also be dangerous. | :03:27. | :03:35. | |
14 cyclists have been killed in London this year. Six of the deaths | :03:36. | :03:41. | |
have been in the past few weeks. Many cyclists have taken to the | :03:42. | :03:44. | |
street, calling for the roads to be made safer. Earlier this month | :03:45. | :03:48. | |
Claire Pepper was cycling home when her bike was in a collision with a | :03:49. | :03:53. | |
car, which had to be lifted off her by passers-by. I don't fully | :03:54. | :03:58. | |
remember what happened. The CCTV apparently shows I went on of the | :03:59. | :04:06. | |
car and ended up underneath it. -- I went onto the bonnet of the car. I | :04:07. | :04:11. | |
have been told there was an off-duty trauma nurse who luckily happen to | :04:12. | :04:14. | |
be passing, and he said at that point I didn't have a pulse. Will | :04:15. | :04:21. | |
you get back on a bike? Yes, I will, in my high viz, I will definitely be | :04:22. | :04:27. | |
wearing a new helmet. Clare's collision was with a car but of the | :04:28. | :04:33. | |
14 deaths in London this year, nine involve HGVs, prompting calls for | :04:34. | :04:36. | |
law is to be banned in the city centre during rush hour, as they | :04:37. | :04:40. | |
already are in Paris. Lorries often hit bikes when they are turning | :04:41. | :04:44. | |
left. Drivers pulled to the right to give themselves room to turn, the | :04:45. | :04:49. | |
cyclist goes along the inside, and the turning lorry hits the cyclist | :04:50. | :04:52. | |
before the driver has even seen them. If you are a driver, you will | :04:53. | :04:57. | |
know how much you can miss even when you are looking carefully. It is | :04:58. | :05:01. | |
much worse for lorry drivers. The vehicle is bigger, and so is the | :05:02. | :05:06. | |
blind spot. How are you doing? It is nice and high rpm. | :05:07. | :05:13. | |
Andy has been driving HGVs for four years and says some cyclists have a | :05:14. | :05:18. | |
lot to answer for. I have seen some crazy cyclists on the road. Jumping | :05:19. | :05:24. | |
red lights, earphones in. Popping to music as they are riding along. The | :05:25. | :05:30. | |
Mayor of London, Boris Johnson, is trembling recycling budget over the | :05:31. | :05:36. | |
next three years, to ?400 million -- trebling the cycling budget. He told | :05:37. | :05:40. | |
one radio programme, if cyclists don't follow the rules then no | :05:41. | :05:43. | |
amount of traffic engineering can save lives. Cyclists argue that the | :05:44. | :05:48. | |
road network is badly designed and cycle lanes often run out without | :05:49. | :05:52. | |
warning, leaving them and their bikes amongst the rest of the | :05:53. | :05:55. | |
traffic. Julie is a regular London cyclist. EU have an issue with HGV | :05:56. | :06:03. | |
drivers? -- do you have an issue? They need to be aware that there | :06:04. | :06:06. | |
could be cyclists on the inside and look really carefully. Julie and | :06:07. | :06:12. | |
Andy are going to swap places, Julie is getting the lorry and Andy is | :06:13. | :06:17. | |
going on the bike. I have had times when I have caught cyclists holding | :06:18. | :06:21. | |
onto the back of the lorry. You are kidding. It is bonkers. Madness. Is | :06:22. | :06:29. | |
there any part of that side of the lorry that you consequence to -- | :06:30. | :06:37. | |
that you can't see? I can't see down here. It is often where cyclists | :06:38. | :06:43. | |
wait at traffic lights. What is he going to do? Where has he got to go? | :06:44. | :06:51. | |
What would you do in that situation? What do you do? There is a cycle | :06:52. | :06:55. | |
lane there, it seems to say, come up this side. He has now gone through | :06:56. | :07:00. | |
the red light. It is a lesson in what not to do as he and Julie get | :07:01. | :07:02. | |
into the saddle. And even when their ardour dictated | :07:03. | :07:12. | |
cycle lanes, it doesn't always make life easier. -- when there are | :07:13. | :07:19. | |
dedicated cycle lanes. The problem is parking in the cycle lanes. There | :07:20. | :07:25. | |
is a bus coming behind. It is just crazy. He is pulling right back into | :07:26. | :07:32. | |
the cycle lane. Have they learned anything? We can all be more patient | :07:33. | :07:39. | |
with cyclists, there are a lot of factors. The wind was pretty strong, | :07:40. | :07:47. | |
for example. What about the HGVs? They are big, the buses are big. I | :07:48. | :07:52. | |
will definitely move further forward at traffic lights. Get out of the | :07:53. | :07:57. | |
blind spot, absolutely. I will never go up on the inside of an HGV, even | :07:58. | :08:01. | |
if there is a cycle lane there that makes it look safe. Will it change | :08:02. | :08:09. | |
your behaviour? I think it will. We can learn to be more patient. The | :08:10. | :08:14. | |
road is for all users and we want to keep it safe for everybody. | :08:15. | :08:20. | |
Thanks to both for taking part. We are going to talk about this in a | :08:21. | :08:24. | |
bit of detail tonight. Is it more dangerous these days to cycle on the | :08:25. | :08:29. | |
roads than it used to be? There have been a spate of deaths in London but | :08:30. | :08:32. | |
the number of deaths has not risen that much, and a number of people | :08:33. | :08:36. | |
cycling has risen enormously. If you look at the averages, it has | :08:37. | :08:42. | |
actually got a lot safer. In 2002 one cyclist was killed for every 19 | :08:43. | :08:46. | |
million miles ridden. In 2012, one cyclist for every 12 million miles. | :08:47. | :08:57. | |
Car passengers, deaths have fallen 47%, pedestrians have also fallen | :08:58. | :09:02. | |
47%. One would have hoped that cycle accident would have fallen in the | :09:03. | :09:07. | |
same proportion. Safety for cyclists is a hot topic. What measures are | :09:08. | :09:13. | |
being proposed? All sorts of things. Training for motorists and cyclists. | :09:14. | :09:20. | |
You used to BMX? In my heyday! Miranda, you cycle in London? I | :09:21. | :09:25. | |
understand occasionally you jump the odd red light. We do our research! I | :09:26. | :09:33. | |
am a bit of a London cyclist sometimes. You realise now that you | :09:34. | :09:40. | |
have got to respect the road. One of the things is education, it might | :09:41. | :09:46. | |
address some of your issues. The problem is, how do you for cyclists | :09:47. | :09:51. | |
to do it? They are saying maybe cyclists should have a number plate | :09:52. | :09:55. | |
and that you have to do a bit of cycle training. Cyclists say, we | :09:56. | :09:59. | |
should not be blamed for these accidents, they are the fault of the | :10:00. | :10:04. | |
HGVs. Boris says you should not have headphones in. There is a lot of | :10:05. | :10:09. | |
talk about improving cycle lanes. What ideas have been proposed on the | :10:10. | :10:15. | |
HGV side? There was a safety summit in London with Chris Boardman, the | :10:16. | :10:21. | |
Olympic gold medal winning cyclist. For example, blind spot mirrors can | :10:22. | :10:25. | |
be installed to stop the problem with cyclist being on the left when | :10:26. | :10:30. | |
you turn, audible warnings for cyclists can be brought in. If you | :10:31. | :10:34. | |
look at this Thames water vehicle, there are these bars that stop | :10:35. | :10:40. | |
cyclists going under the wheels. It is quite a simple thing that you can | :10:41. | :10:46. | |
do to HGVs to make them safer for the Chris Boardman says, why don't | :10:47. | :10:50. | |
we ban HGVs from city centres at peak times. Stop them going into | :10:51. | :10:56. | |
cities at peak times, it would solve the problem. But you end up with | :10:57. | :11:03. | |
more smaller vehicles that still have blind spots. The HGVs have | :11:04. | :11:07. | |
particulars problems with blind spots. They are bigger and heavier. | :11:08. | :11:12. | |
The haulage companies say, not a good idea. It is an important | :11:13. | :11:19. | |
service for Britain. The vessels of the British economy. Let's ask the | :11:20. | :11:25. | |
viewers. Should heavy goods viewers be banned from British city centres | :11:26. | :11:27. | |
during rush hour? All will be revealed at 7:40pm when | :11:28. | :11:54. | |
the vote closes. The viewers will speak and it will be right. Whenever | :11:55. | :11:59. | |
the viewer speaks, it is always right. Someone, somewhere, is over | :12:00. | :12:07. | |
the moon at being the new owner of this. It is a complete, 55 foot long | :12:08. | :12:13. | |
dinosaur skeleton, the first one ever sold in the UK, which was | :12:14. | :12:20. | |
auctioned a few hours ago. I love an auction. Do you like an auction? I | :12:21. | :12:25. | |
don't trust myself, I would just get excited and do that! We sent the not | :12:26. | :12:34. | |
so fearsome Tuffersaurus to find out how you buy a dinosaur. | :12:35. | :12:39. | |
150 million years old, rebuilt by hand, one previous owner. For the | :12:40. | :12:44. | |
first time ever, here in the UK, a large dinosaur will be going under | :12:45. | :12:48. | |
the hammer. It goes by the name of Misty. At 17 metres long, five | :12:49. | :12:56. | |
metres tall and containing almost 100 fossils, Misty is a truly | :12:57. | :13:02. | |
spectacular diplodocus. She was excavated from a quarry in the USA | :13:03. | :13:11. | |
by German palaeontologist in 2009. Amazingly it was his children who | :13:12. | :13:16. | |
found it, while he was digging in a well-known boneyard, they went off | :13:17. | :13:19. | |
to play nearby. Later that day, they announced they had found a huge | :13:20. | :13:25. | |
bone. Errol Fuller is curator of the auction that are putting these bones | :13:26. | :13:29. | |
under the hammer. The man that dug it up is a friend of mine. I rang | :13:30. | :13:34. | |
him up and said, have you got anything that would be suitable for | :13:35. | :13:37. | |
the sale for the P said, I have got it diplodocus, do you fancy that? We | :13:38. | :13:43. | |
spent a whole day putting it back together into the form you see it | :13:44. | :13:48. | |
now. How does this specimen compare with others, say the one in the | :13:49. | :13:53. | |
Natural History Museum? The famous one in the Natural History Museum is | :13:54. | :13:57. | |
a cast, made out of plaster foot of it is not real, a plaster cast of | :13:58. | :14:01. | |
two different animals. Much of this is original. Not everyone thinks | :14:02. | :14:07. | |
prehistoric fossils should be sold at auction. When a fossil get sold | :14:08. | :14:11. | |
at auction, there is the possible to you could end up in a row that | :14:12. | :14:16. | |
collection. As a scientist, it is quite frustrating. The bones of | :14:17. | :14:20. | |
diplodocus are quite rare. In this case, 40% of the skeleton has been | :14:21. | :14:25. | |
excavated, and that makes this a rather important find. In an ideal | :14:26. | :14:29. | |
world, all of these fossils would be accessible for people to see. For | :14:30. | :14:33. | |
most auctions, prospective buyers get a chance to look around and see | :14:34. | :14:37. | |
what they would be bidding on. But who wants to buy this 17 metre | :14:38. | :14:48. | |
sauropod? What is a sauropod? James Rylands will be the auctioneer. | :14:49. | :14:57. | |
Every home needs a dip in the course -- a diplodocus but I am prepared to | :14:58. | :15:00. | |
admit that she won't fit into most laces. What kind of person will buy | :15:01. | :15:07. | |
this? It will probably go to an institution, or possibly a nice, big | :15:08. | :15:11. | |
public space like a shopping mall. I would like it to go somewhere where | :15:12. | :15:15. | |
she will be seen by members of the public, and appreciated. How do you | :15:16. | :15:20. | |
put a price on a dinosaur? In Europe, no other dinosaur like this | :15:21. | :15:25. | |
has been sold before. Quite a few years ago there was a Tyrannosaurus | :15:26. | :15:30. | |
rex, which is the iconic dinosaur that everybody knows. One of those | :15:31. | :15:34. | |
fetched over $8 million. We are thinking ours is a bit more gentle, | :15:35. | :15:39. | |
a lot bigger. Give us a number, how much do you reckon she will go for? | :15:40. | :15:46. | |
Anything over ?400,000. She is 150 million years old, and you think | :15:47. | :15:49. | |
what is that, 1p a year, that would be nice as well. And, sold! How much | :15:50. | :16:01. | |
did it sell for? Lets go and see what happened a few | :16:02. | :16:08. | |
hours ago. Bidders on my left, it is a standing bid at ?400,000. ?400,000 | :16:09. | :16:15. | |
and sold for ?400,000. This thank you. ?400,000? ! It went to an | :16:16. | :16:25. | |
unnamed public dilution, apparently. Where would you put one? I'm sure | :16:26. | :16:30. | |
they can spend that on a dinosaur they will have somewhere. | :16:31. | :16:36. | |
Ridiculous, I say! It is known as a diplodocus. That is the | :16:37. | :16:47. | |
pronunciation. It it is good to know because I say it all the time! Gary, | :16:48. | :16:55. | |
Since I Saw You Last, your new album was out on Monday. Is this all new | :16:56. | :17:06. | |
material? I started the record in January this year. It is all music I | :17:07. | :17:13. | |
started this year. I am very excited. It has been 14 years since | :17:14. | :17:19. | |
your last solo album. What went wrong then? It was a funny time for | :17:20. | :17:24. | |
me. I had all the success with Take That. I had quite a successful solo | :17:25. | :17:28. | |
record, the second one was not as successful. It sold about in total | :17:29. | :17:34. | |
nine copies. It was extremely good at that time but nowadays people | :17:35. | :17:38. | |
look back on it and it is not such a celebration. Eight of them were mine | :17:39. | :17:43. | |
will stop the other one was my mother. Time is not so good, lost a | :17:44. | :17:49. | |
lot of confidence, but coming back this time, I have had six years with | :17:50. | :17:53. | |
Take That and it has helped you get to a place where I feel like I can | :17:54. | :18:00. | |
write music by myself. Was that the turning point? Definitely was. We | :18:01. | :18:05. | |
had not been on stage for eight or nine years and to get back on stage | :18:06. | :18:09. | |
in front of the big crowd, it was incredible. I think I can speak for | :18:10. | :18:14. | |
Miranda and I that we were delighted when you got back together. Where | :18:15. | :18:18. | |
were you, Miranda, when they first split up in 1996? There was a melt | :18:19. | :18:23. | |
down across the country. I would have been... Ten. I was at | :18:24. | :18:28. | |
university. I think we are the same age. I was quite fanatical about | :18:29. | :18:36. | |
Take That. It is weird meeting someone and you think you should be | :18:37. | :18:42. | |
60, that is acceptable for my fanaticism. I was at university and | :18:43. | :18:47. | |
there was all the hype. Is the title a nod back to all the things which | :18:48. | :18:52. | |
have happened to you. It is such a story. From beginning to an end, I | :18:53. | :18:58. | |
thoroughly enjoyed listening to it. I was on tears on the way in | :18:59. | :19:02. | |
listening to it. Always, as a songwriter I think what you are | :19:03. | :19:06. | |
trying to do is write what is in your heart and what is in your head. | :19:07. | :19:10. | |
Trying to write other people's lives as well. If it has happened to me | :19:11. | :19:14. | |
and I feel it, surely it has happened to someone else out there. | :19:15. | :19:19. | |
Those connections are Lee important. And you have got a thank you for | :19:20. | :19:23. | |
Elton as well for sticking by you with Face To Face. He's one of those | :19:24. | :19:30. | |
people will look up to all stop he has been through the highs and the | :19:31. | :19:34. | |
lows. He always takes a massive interest in people who are on a bit | :19:35. | :19:38. | |
of a downturn. He has been a great friend of mine. Luckily for me, | :19:39. | :19:42. | |
after all these years, we have recorded a duet. It was brilliant. | :19:43. | :19:47. | |
The day I had with him was incredible. It is one of those days | :19:48. | :19:51. | |
when you get home you think, did that happen to me? It is the second | :19:52. | :19:55. | |
single which will be released from the album. This is Face To Face. | :19:56. | :20:08. | |
Standing side-by-side, but the past behind us, I can't take your place | :20:09. | :20:15. | |
when we are face-to-face... APPLAUSE That was a real video. Nowadays | :20:16. | :20:29. | |
people record duets and they do not even meet. But we were recording the | :20:30. | :20:33. | |
video and doing the vocals at the same time. Another great friend of | :20:34. | :20:40. | |
yours, Robbie, is releasing his album. He said he hates you sell a | :20:41. | :20:44. | |
million but he would like to sell a million and one. It is good to have | :20:45. | :20:48. | |
that rivalry but you play each other's albums to each other? | :20:49. | :20:52. | |
Definitely, we are always sending each other our music. You wrote a | :20:53. | :20:57. | |
track on my record and I wrote a track on his. We are still very | :20:58. | :21:02. | |
competitive, let me set that straight. It comes from a place of | :21:03. | :21:07. | |
love. But it is healthy. And there are plans for 2014 for Take That? | :21:08. | :21:13. | |
Definitely, we will get back into the studio next year and hopefully | :21:14. | :21:17. | |
an album for next Christmas. Hurry up! Will Robbie be part of the | :21:18. | :21:25. | |
line-up? I hope so. We will sit down in January and see how we feel. I | :21:26. | :21:32. | |
really enjoyed the album. There are hundreds of selfless | :21:33. | :21:35. | |
animal lovers working in wildlife sanctuaries and visitor centres | :21:36. | :21:40. | |
across the UK. But as a shocking case recently proved, one charlatan | :21:41. | :21:44. | |
can destroy decades of hard work. Here is our Miranda with the story. | :21:45. | :21:50. | |
The International Cente for Birds of Prey in Neuadd, Gloucestershire, | :21:51. | :21:52. | |
houses some of Europe's rarest and most exotic birds in captivity. This | :21:53. | :21:58. | |
is the epicentre of conservation for birds of prey in Britain. 65 species | :21:59. | :22:04. | |
from all over the world have been successfully bred here. Five years | :22:05. | :22:08. | |
ago, things changed dramatically for the birds which were housed here. | :22:09. | :22:16. | |
Jemima Parry Jones runs the centre like her father did. He and my | :22:17. | :22:22. | |
mother said let's start a place where we can teach people about | :22:23. | :22:26. | |
birds of prey and learn about them and also learn how to do falconry | :22:27. | :22:29. | |
without doing birds any sort of damage. Falconry here at Newent is | :22:30. | :22:35. | |
in Jemima's blood. In 2004 when she was asked to run a birds of prey | :22:36. | :22:42. | |
Centre in the US, it was a difficult decision for her to sell up. But she | :22:43. | :22:46. | |
took a leap and sold the family business. She sold it to successful | :22:47. | :22:50. | |
businessman Keith Bevan. What did it feel like to hand it over to someone | :22:51. | :22:57. | |
else? It was huge. It was an enormous decision to take. I had | :22:58. | :23:03. | |
lived in the house since I was 17. But for years later, homesick she | :23:04. | :23:08. | |
returned to the UK and found the centre up for sale. She bought it | :23:09. | :23:13. | |
back from Bevan but what she discovered shocked. To be honest, I | :23:14. | :23:17. | |
had not really looked around when I bought it back. Then I started to | :23:18. | :23:21. | |
look around the following day. I heart sank and I thought, good lord, | :23:22. | :23:27. | |
there is so much work to do here. Bevan had let the centre go to ruin | :23:28. | :23:33. | |
with the aviaries in Delap rated condition dashmack dilapidated | :23:34. | :23:36. | |
condition. He had put the name of the Centre at risk by trading | :23:37. | :23:40. | |
illegally in birds of prey. Andy McWilliam from the National wildlife | :23:41. | :23:47. | |
crime unit first came whereof Bevan in 2010. We were alerted to some | :23:48. | :23:53. | |
black kites up in Durham. The paperwork was issued to Keith Bevan. | :23:54. | :23:57. | |
The discovery was enough to prompt an investigation. The black kites | :23:58. | :24:03. | |
were the first birds Bevan had sold illegally with the centre's | :24:04. | :24:07. | |
paperwork. For decades, the centre had been loaned birds on trust from | :24:08. | :24:11. | |
zoos all over the world for conservation and education. Devon | :24:12. | :24:15. | |
realised these birds were a commodity he could sell. -- Bevan | :24:16. | :24:25. | |
realised. He realised he could sell. Fire macro they are working | :24:26. | :24:29. | |
towards conservation of the species and all of a sudden, Keith Bevan was | :24:30. | :24:33. | |
in the middle of this community. Making a quick buck? Absolutely, | :24:34. | :24:42. | |
total betrayal of their trust. Over the course of the next two years the | :24:43. | :24:46. | |
investigation into Keith Bevan stretched across eight countries and | :24:47. | :24:49. | |
involved a paper trail from dozens of zoos right across the world, | :24:50. | :24:53. | |
ultimately leading to the uncovering of one of the most serious cases in | :24:54. | :25:00. | |
the UK of trade of birds of prey. Not only was he illegally selling | :25:01. | :25:03. | |
birds of prey when he owned the centre, he continued the activity | :25:04. | :25:07. | |
even after Jemima had bought the centre back. Two hawk owls came from | :25:08. | :25:13. | |
the Czech Republic on loan. Those birds arrived in the UK. He | :25:14. | :25:18. | |
collected them from Heathrow. The following day he sold them. A couple | :25:19. | :25:22. | |
of days later he e-mailed and said how well the birds have settled down | :25:23. | :25:29. | |
here at you went. In June 2011, Gloucestershire Police executed a | :25:30. | :25:32. | |
search warrant at Bevan's address where e-mails and paperwork were | :25:33. | :25:36. | |
retrieved. He was arrested on suspicion of prohibited sale of red | :25:37. | :25:43. | |
birds and fraud. -- their birds. He was given an 18 month sentence and | :25:44. | :25:49. | |
?60,000 fine. To work in a place like this, you have got to have | :25:50. | :25:53. | |
passion. You have to really love it. I do not think Keith Bevan ever had | :25:54. | :25:59. | |
that passion. By choosing to be used the trust of the bird of prey | :26:00. | :26:05. | |
community, he not only cheated people who care about conservation | :26:06. | :26:08. | |
but he put the future of these beautiful birds in peril. Thank you, | :26:09. | :26:14. | |
Miranda and we wish Jemima all the luck in the world with the newly | :26:15. | :26:19. | |
restored national centre birds of prey. | :26:20. | :26:22. | |
Our jaws dropped when we heard you are releasing a fitness video of all | :26:23. | :26:26. | |
things. Where did this idea come from? Came from series three of my | :26:27. | :26:33. | |
sitcom when the Miranda character decided that if she was going to do | :26:34. | :26:38. | |
fitness it would be maracas. And then we thought, seriously, this is | :26:39. | :26:44. | |
quite a fun idea. I hate the notion that we all feel like we have to go | :26:45. | :26:49. | |
to the gym or go jogging and look a certain way. It is best to move | :26:50. | :26:54. | |
about so why not have fun. Look at me, I could not be happier. It is | :26:55. | :27:02. | |
called Maracattack, which is a brilliant title and you have devised | :27:03. | :27:05. | |
signature moves to go on your first work-out DVD. Let's have a look at | :27:06. | :27:15. | |
the crazy crap. That is a classic. There we go. -- crazy crap but. | :27:16. | :27:32. | |
We will ease into the Hawaiian. I did this this morning but I did the | :27:33. | :27:39. | |
high impact version and I am feeling it. This is the beginning of the | :27:40. | :27:52. | |
cardio. And then we move on. This is another classic. | :27:53. | :28:04. | |
In all seriousness, because you are using the maracas, it does raise | :28:05. | :28:11. | |
your heart rate so it is a proper work-out. Had you got maracas in | :28:12. | :28:19. | |
your house? Yes. I had to use a tin of beans. Eight years on Blue Petr | :28:20. | :28:24. | |
you have all sorts of things. You can do the high impact or the low | :28:25. | :28:30. | |
impact. Do you do it every morning? Not every morning. After I filmed it | :28:31. | :28:36. | |
I thought I would not do it again. I got fed up with it. But then I came | :28:37. | :28:43. | |
back in and I started doing it. 20 minutes goes really quickly and you | :28:44. | :28:46. | |
have done a work-out and had some fun. Gary, Maracattack, yes or no? I | :28:47. | :28:56. | |
am into it. You have got a whole repertoire there. Actually, that | :28:57. | :29:01. | |
Face To Face would be good with maracas. Two double product. You may | :29:02. | :29:11. | |
have heard the kerfuffle downstairs because we have decided that your | :29:12. | :29:15. | |
DVD to the test and we have gathered a motley crew of maraca maniacs and | :29:16. | :29:25. | |
Lucy is doing it right now. We are going great guns down here. We have | :29:26. | :29:30. | |
the DVD on screen. We have every type of fitness fanatic you could | :29:31. | :29:34. | |
want. We had cheerleaders, wrestlers, hockey players and | :29:35. | :29:40. | |
footballers. Who are you? I am if Louise will stop would you'd | :29:41. | :29:46. | |
normally do this exercise? This morning I was at the gym working | :29:47. | :29:58. | |
out. Who are you? I am a professional wrestler. Is this | :29:59. | :30:03. | |
helping you? When I am in the ring I will shake someone's throat like | :30:04. | :30:10. | |
frackers. That is scary! Do you have to be physically fit if you are a | :30:11. | :30:18. | |
bar work her? Yes. Carry on because Gary and Miranda will judge the best | :30:19. | :30:22. | |
in show and when we come back later they will be presenting the Golden | :30:23. | :30:31. | |
Maracas! Good effort, Lucy, we look forward to seeing more Barack is | :30:32. | :30:37. | |
-- look forward to seeing more maracas action later. We will see | :30:38. | :30:44. | |
quite a lot on television and Christmas over the New Year. There | :30:45. | :30:52. | |
is a live concert on New Year's Eve. Absolutely, on BBC One, right across | :30:53. | :30:57. | |
midnight. You are playing until midnight and a bit afterwards to | :30:58. | :31:01. | |
ease us into 2014. It actually reminds me of my social club days. I | :31:02. | :31:06. | |
used to work on Christmas Eve, New Year's Eve, they were opportunities | :31:07. | :31:10. | |
for shows. When I was asked to get involved in something over the New | :31:11. | :31:15. | |
Year, I thought, this is great. An hour of live music across New Year's | :31:16. | :31:20. | |
Eve. Sadness that there is no Miranda Christmas special. Not this | :31:21. | :31:29. | |
year. But good news, there is a programmatic special. And Chummy is | :31:30. | :31:37. | |
a new mummy. How is that going? It is good, she is a sweet mum. It is | :31:38. | :31:44. | |
hard acting with the babies. Is it right that you filmed this Christmas | :31:45. | :31:49. | |
stuff during the summer? During one of our hottest summers. Tweeds and | :31:50. | :31:58. | |
tights. Perfect! You are doing the David Walliams Christmas special, | :31:59. | :32:05. | |
Gangsta Granny. I play Linda and I am wife to David, who plays Mike. | :32:06. | :32:13. | |
That is our mother-in-law, Julie McKenzie, and our son. She sort of | :32:14. | :32:18. | |
henpecked Staveley. Why we haven't played husband and wife yet, I will | :32:19. | :32:23. | |
never know -- sort of Pentax David. -- | :32:24. | :32:30. | |
this is then settling down to a night in front of Strictly. | :32:31. | :32:40. | |
Please rip the cellophane off. With pleasure. Saturday night has begun! | :32:41. | :32:51. | |
Mum. Sheesh, it has started. It is only the titles. Well, there is a | :32:52. | :33:07. | |
teaser. Isn't it wonderful? Not only have you had a little kiss with Gary | :33:08. | :33:12. | |
but you get used Robbie Williams in this one. What is going on? -- he | :33:13. | :33:23. | |
gets to snog. I don't know if I can say what he is playing. I can? He is | :33:24. | :33:32. | |
playing Flavia, one of the Strictly presenters who I am slightly | :33:33. | :33:38. | |
obsessed with. I hope you are not upset. I was just the rehearsal, | :33:39. | :33:48. | |
clearly. We will change the subject. There is still a few minutes left to | :33:49. | :33:51. | |
take part in our vote on cycling safety. | :33:52. | :34:13. | |
How easy is it to make music with just a wine glass? We have two | :34:14. | :34:21. | |
wineglasses here. Miranda, Wood July to give it a go? -- would you like | :34:22. | :34:33. | |
to give it a go? Nothing. Gary has gone for different water, that could | :34:34. | :34:43. | |
be it. Oh! Gary! That is incredible, and coincidently, we are going to be | :34:44. | :34:49. | |
hearing from glass maestro Petr Spatina. He is playing at the same | :34:50. | :34:54. | |
time, remarkable. Before that, composer Richard Mainwaring trying | :34:55. | :34:58. | |
to create his own glassical Orchestra. | :34:59. | :35:03. | |
If you have ever run your fingers around the edge of a glass to | :35:04. | :35:07. | |
produce a musical note, you are not alone. You will know it is not as | :35:08. | :35:10. | |
easy as it looks, but one man has made a living out of it. | :35:11. | :35:17. | |
World-renowned glass played Jamie Turner. In the 1980s this was | :35:18. | :35:21. | |
prime-time entertainment. 20 years later, can I revive a dying art? | :35:22. | :35:30. | |
There is something appealing from making music from everyday objects | :35:31. | :35:33. | |
and glass has the ability to produce a sound which is almost celestial. I | :35:34. | :35:36. | |
want to turn this into something grander, I want to create a piece of | :35:37. | :35:42. | |
glassical music. I want to understand the instrument which | :35:43. | :35:44. | |
means meeting a scientist in a bathroom with my violin. As I move | :35:45. | :35:49. | |
my finger around the rim of the glass, it is alternately slipping | :35:50. | :35:53. | |
and sticking. It is creating vibrations. If you create a note on | :35:54. | :35:58. | |
your violin, it is acting the same principle. It is alternately | :35:59. | :36:05. | |
sticking and slip to the string. How do I get that sound out of a glass? | :36:06. | :36:10. | |
The vibrations created by your finger vibrate the glass and they | :36:11. | :36:16. | |
build up to create the tone which creates sound waves that travel to | :36:17. | :36:21. | |
your ear. Time do have a go. What about heart of Glass by Blondie? | :36:22. | :36:32. | |
That is a bit fast. Let's try water music by Handel. | :36:33. | :36:43. | |
No, it's too compensated. How about something more dramatic like the | :36:44. | :36:53. | |
theme from Jaws -- a bit too complicated. | :36:54. | :36:58. | |
Not quite. I think I have found the perfect piece and the perfect venue | :36:59. | :37:06. | |
in which to play glassical music. A wine merchants. Home to not just | :37:07. | :37:11. | |
wine bottles but glasses, and a group of wine enthusiasts. This | :37:12. | :37:15. | |
seller will provide the perfect acoustic. My volunteers are more | :37:16. | :37:19. | |
used to drinking out of glasses but do they have the skills to play | :37:20. | :37:25. | |
them? Are you musical? I am not very musical. You will be fine, you only | :37:26. | :37:30. | |
need to play one note. You are almost there. Someone is getting it. | :37:31. | :37:37. | |
I have just three hours to whip them into shape. The whining easy acids | :37:38. | :37:43. | |
are arranged into three tables and each has a note to perfect -- the | :37:44. | :37:51. | |
wine infused the assets -- enthusiasts are arranged. | :37:52. | :38:26. | |
Fantastic! A very good effort. A very good | :38:27. | :38:35. | |
effort from the wine bar Orchestra. My jaw feels a bit weird! We saw | :38:36. | :38:39. | |
Jamie Turner in the film but it is time to meet another class act, this | :38:40. | :38:42. | |
is Petr Spatina. I can't shake his hand. Peter has | :38:43. | :40:47. | |
flown in from Vienna for tonight's performance and you have prepared | :40:48. | :40:51. | |
something very special for Gary Barlow. I will give you some room. | :40:52. | :40:54. | |
Gary, come and have a look at this. HE PLAYS "RULE THE WORLD" BY TAKE | :40:55. | :41:31. | |
THAT. APPLAUSE | :41:32. | :42:04. | |
A room full of sadness. Wow, amazing. You must be a musician | :42:05. | :42:22. | |
to be able to play this. Yes, he definitely is a musician. He plays | :42:23. | :42:27. | |
piano and accordion. He said to me earlier, if there was ever a song | :42:28. | :42:32. | |
written for this, it was that. I was thinking about it as we wrote that | :42:33. | :42:39. | |
song! You may be interested to know that Petr has recorded an album, | :42:40. | :42:43. | |
Goodwater Classics, which is out now. Thank you so much. How good was | :42:44. | :42:51. | |
that? Just to let you know, the vote is now closed, don't text because | :42:52. | :42:58. | |
you may be charged. This is Dan Snow with a story of a submarine disaster | :42:59. | :43:01. | |
which took place just weeks before the start of the Second World War. | :43:02. | :43:06. | |
This is Birkenhead, the proud centre of a long shipbuilding tradition. In | :43:07. | :43:12. | |
1939, a submarine left the shipyards for a series of tests. But the sea | :43:13. | :43:17. | |
trials ended in tragedy and it became the worst submarine disaster | :43:18. | :43:22. | |
in the history of the Royal Navy. Professor Eric Grove is a naval | :43:23. | :43:28. | |
historian. This was a big occasion. There were senior officers from the | :43:29. | :43:36. | |
submarine service, there were even two caterers who had come to do the | :43:37. | :43:39. | |
celebratory buffalo. There were 103 men on board. -- but -- buffet. A | :43:40. | :43:51. | |
standard method for submarines to do this was to let water into the | :43:52. | :43:55. | |
torpedo tubes. What went wrong? When they tried to dive the submarine she | :43:56. | :44:00. | |
would not go down and attention was placed on the forward torpedo tubes. | :44:01. | :44:04. | |
Lieutenant Woods went to investigate. The usual way of doing | :44:05. | :44:09. | |
this was to open up a pipe connected to the torpedo tube. If water ran | :44:10. | :44:15. | |
out, the tube was flooded. He opens the little pipe, nothing comes out. | :44:16. | :44:20. | |
The tube must be empty. He should have double checked, used something | :44:21. | :44:26. | |
like this to push it through, to see if the pipe was blocked. In the | :44:27. | :44:32. | |
event, it was blocked. They painted it and part of it had covered the | :44:33. | :44:37. | |
other end of the pipe. This is a flooding torpedo tube at the torpedo | :44:38. | :44:41. | |
officer does not know it. He opens the torpedo tube and in Rush is a | :44:42. | :44:47. | |
mass of water. Part of the submarine fills up and the submarine dies to | :44:48. | :45:02. | |
the bottom, uncontrollably. Rescue by the Navy was only a final resort. | :45:03. | :45:08. | |
Among the men faced with this prospect was Stoker Walter Arnold. | :45:09. | :45:14. | |
They were so deep that they could not get out of the depth. They had | :45:15. | :45:18. | |
to spend the night trying to get some rest and trying to conserve the | :45:19. | :45:22. | |
limited oxygen they had left. By the morning, part of the submarine had | :45:23. | :45:26. | |
risen to the surface, because the men had worked overnight and managed | :45:27. | :45:29. | |
to pump fuel out, making the stern lighter. Rescue boats and newsreel | :45:30. | :45:37. | |
crews conveyed on the scene. Boats hope to pick up survivors as they | :45:38. | :45:47. | |
rise through the water. On board, the crews' condition was | :45:48. | :45:53. | |
deteriorating. The carbon dioxide made them sleepy, lethargic, ill. | :45:54. | :46:02. | |
Two men managed to escape but four died. Walter Arnold was next in line | :46:03. | :46:06. | |
together with one of the civilians on board. He was facing a dilemma, | :46:07. | :46:11. | |
either stay and be dead in the next hour or try and go and be dead in | :46:12. | :46:15. | |
the next five minutes. If he was going to die he wanted to die | :46:16. | :46:19. | |
fighting it. They made an escape. They were the last ones to come out. | :46:20. | :46:25. | |
The Navy had already alerted the families of the crew. They could not | :46:26. | :46:28. | |
understand why the rescuers did not cut the men free from the submarine. | :46:29. | :46:34. | |
Do you boreholes is that there has been some controversy. Some people | :46:35. | :46:38. | |
said they should have done that immediately but we know from | :46:39. | :46:42. | |
documents that was a last resort. After all, it is 1939, there is a | :46:43. | :46:47. | |
crisis with Germany, do you want to ruin one of your newest submarines? | :46:48. | :46:54. | |
Perhaps not. As the tide rose, the submarine sank again. 99 men | :46:55. | :47:00. | |
perished. The decision not to send for cutting gear is being questioned | :47:01. | :47:05. | |
still today. But the enquiry cleared the rescue mission of any blame. If | :47:06. | :47:12. | |
they had been the normal ship 's company on board there would have | :47:13. | :47:15. | |
been sufficient time for a decision to be taken to do with oxyacetylene | :47:16. | :47:21. | |
cutters or something. It looks bad in retrospect but it was | :47:22. | :47:26. | |
understandable at the time. Because the disaster happened just before | :47:27. | :47:29. | |
the outbreak of the Second World War, the British public soon forgot | :47:30. | :47:36. | |
about the loss of the Thetis. But for the people around here, the | :47:37. | :47:40. | |
family and friends, they never forgot the series of errors which | :47:41. | :47:46. | |
led to the death of the 99 men will stop. | :47:47. | :47:51. | |
I cannot imagine what it would have been like to be down there. | :47:52. | :47:56. | |
Miranda, your dad was a commanding officer in the Royal Navy. He was | :47:57. | :48:00. | |
the captain of a ship which went down in the Falklands. You were only | :48:01. | :48:05. | |
about ten. What are you remember about that time? Not very much. My | :48:06. | :48:15. | |
mum shielded most of it from us. Look, there is a picture. A 70s | :48:16. | :48:25. | |
haircut there. And Gary, speaking of military stuff, you have spent some | :48:26. | :48:29. | |
time in Afghanistan at Camp Bastion. That is for a new | :48:30. | :48:35. | |
documentary, is it? Yes, it is on the 14th. I went out there for a few | :48:36. | :48:40. | |
days. The idea of the show was to give them an hour off to enjoy | :48:41. | :48:43. | |
themselves, sing some songs and I make a band. I made a band out of | :48:44. | :48:50. | |
the soldiers. How was it? They were amazing! We featured each of the | :48:51. | :48:56. | |
people throughout the show. We were there for about an hour. We had a | :48:57. | :49:01. | |
ball. We read you were really nervous but what was it like when | :49:02. | :49:07. | |
you were there? Was it a safer environment? I felt very safe. | :49:08. | :49:12. | |
Everyone could not do enough for us. Like I say, the show itself, it was | :49:13. | :49:20. | |
well worth the wait. We tried to do it over two nights but it kept | :49:21. | :49:24. | |
getting cancelled. We had a sandstorm one night, then a security | :49:25. | :49:28. | |
alert. It felt like it would never happen but on the final night we got | :49:29. | :49:33. | |
on stage and it all worked. There are some real moments in the | :49:34. | :49:36. | |
documentary. You are chatting and then an emergency alarm goes off. | :49:37. | :49:47. | |
Are gradually moving that wasteful stop -- we are gradually moving that | :49:48. | :49:49. | |
way. There is an emergency somewhere out | :49:50. | :50:06. | |
on the field. Clearly, someone needs help somewhere. We are at war. It is | :50:07. | :50:12. | |
that moment when obviously you are therefore music and creating this | :50:13. | :50:18. | |
band but at the drop of a hat the lads are there for a reason. And | :50:19. | :50:22. | |
there were little reminders like that throughout the trip. We were | :50:23. | :50:27. | |
taking a bit of fun there but they are working and obviously doing a | :50:28. | :50:32. | |
very serious job. It was an amazing experience. There are some | :50:33. | :50:35. | |
incredible people out there who will stay with me for life. We can see | :50:36. | :50:42. | |
that on the 14th of December. We are nudging towards the X factor final. | :50:43. | :50:48. | |
Quite a few strong singers this year like Sam Bailey. Everyone is talking | :50:49. | :50:52. | |
about Sam. Rough Copy is a strong contender. How much chance do you | :50:53. | :50:58. | |
think there is for them to get to the final? At this stage of the | :50:59. | :51:02. | |
competition anyone could get to the final. It changes week on week. We | :51:03. | :51:07. | |
have got to get it right every weekend but fingers crossed for the | :51:08. | :51:11. | |
boys. They are lovely guys and we hope they will do well. And with you | :51:12. | :51:18. | |
mentoring them you cannot go wrong. On Saturday morning it must be like, | :51:19. | :51:25. | |
here we go everyone! I always say we get a Saturday night out every week | :51:26. | :51:28. | |
and I am in the chair that everyone wants to sit in. But for the last | :51:29. | :51:33. | |
year because you have said you are moving on after this year. Three | :51:34. | :51:39. | |
years is plenty! Who would you like to sit in your seat after you? I | :51:40. | :51:44. | |
don't know. Everyone is guessing that Simon is coming back. I think | :51:45. | :51:50. | |
it would be great for the show full lock we have got Mrs Owen on Friday. | :51:51. | :51:58. | |
You will have a ball. Time to host our own talent competition | :51:59. | :52:04. | |
downstairs with our maraca fanatics. We will change the music. | :52:05. | :52:10. | |
Miranda, if you reach behind the sofa, you will see some headphones. | :52:11. | :52:15. | |
Put them on and you are in control of the One Show cameras. I cannot | :52:16. | :52:21. | |
hear anything! We need you to pick a winner. Go searching with the | :52:22. | :52:28. | |
camera. Just shout the best when you see it. Lucy, if you are ready, it | :52:29. | :52:42. | |
get her attacking. We are calling this the maraca factor. | :52:43. | :52:52. | |
OK, Miranda, where do you want to go? I like her. And pink wig. Very | :52:53. | :53:05. | |
good. I like it. I need more movement. Keep going, round YouGov. | :53:06. | :53:15. | |
Where is the rest lead, he is good. That is brilliant. Mr Orange | :53:16. | :53:28. | |
maracas, go! I like his maracas, if you will pardon the expression. Mr | :53:29. | :53:38. | |
Orange maracas is the winner. There is your sash, it has been emotional, | :53:39. | :53:45. | |
back to you. Thank you to Lucy and Mr maracas | :53:46. | :53:52. | |
2013. That is good. Now, Gary, you will be singing for us at the end of | :53:53. | :53:56. | |
the shows so you go and get ready. That is nearly it for this evening. | :53:57. | :54:03. | |
Earlier, we were talking about cycling safety and asked you to vote | :54:04. | :54:06. | |
on whether heavy goods vehicles should be banned from city centres | :54:07. | :54:11. | |
during rush hour. Justin is here with the results will stop what have | :54:12. | :54:20. | |
they said, yes or no? Very close. 49% yes and 51% said no. So leave | :54:21. | :54:28. | |
them as they are, just. We have got some e-mails. We will just read some | :54:29. | :54:36. | |
e-mails and be right with you! One man says I cycle with a high | :54:37. | :54:41. | |
visibility jacket and lights but I have still been hit. Everyone says | :54:42. | :54:46. | |
cyclists are to blame but there are bad drivers. Dan says I'm a cyclist | :54:47. | :54:53. | |
but learning my Job -- HGV test at the moment. One thing that is | :54:54. | :54:59. | |
drummed into us is cyclists, cyclists, cyclists. Before we go, we | :55:00. | :55:05. | |
would like to talk to you about your tour, Miranda. You announced you | :55:06. | :55:11. | |
would be touring in 2014. I am doing some secret warm up gigs at the | :55:12. | :55:17. | |
moment. Tickets are still available for next spring. The tour starts at | :55:18. | :55:22. | |
the end of February. What is the feel of it. It is hilarious! Are you | :55:23. | :55:30. | |
taking your maracas with you. I might do. It is stand-up. There | :55:31. | :55:34. | |
might be some dancing, who knows? It will be a camp riot. Do you think | :55:35. | :55:41. | |
you will be more nervous than doing the sitcom or Call The Midwife? We | :55:42. | :55:46. | |
do the sitcom in front of an audience so there is less pressure | :55:47. | :55:52. | |
because you are not doing a TV show. And people pay to see you! Gary, are | :55:53. | :55:59. | |
you ready? Stand-by. Miranda, good luck. Tomorrow we will be joined by | :56:00. | :56:04. | |
the fastest hamster on for years, Richard Hammond from Top Gear. But | :56:05. | :56:09. | |
now here is Gary singing an acoustic version of Let Me Go. | :56:10. | :56:15. | |
# A room full of sadness. # A broken heart. | :56:16. | :56:25. | |
# And only me to blame. # For every single part. | :56:26. | :56:32. | |
# No Science or Religion. # Could make this whole. | :56:33. | :56:40. | |
# To be loved, but never loved. # To have, but never hold. | :56:41. | :56:46. | |
# It's a life alone, and a desperate need. | :56:47. | :56:55. | |
# To be held to be loved so. # This is gonna take a bit of getting used | :56:56. | :57:03. | |
to, but I know what's right for you. # Fly high and Let Me Go. # That sky | :57:04. | :57:17. | |
will save your soul. # When you pass by then you'll know. | :57:18. | :57:27. | |
# That this gonna take a bit of getting used to but I know what's | :57:28. | :57:32. | |
right for you. # Let Me Go. | :57:33. | :57:40. | |
# A head full of madness. # And no where safe. | :57:41. | :57:45. | |
# When tears aren't big enough, and love turns into hate. | :57:46. | :57:53. | |
# It's a life alone, and a desperate need. | :57:54. | :58:02. | |
# To be held to be loved so. # That this gonna take a bit of | :58:03. | :58:06. | |
getting used to but I know what's right for you. # Fly high and Let Me | :58:07. | :58:16. | |
Go. # That sky will save your soul. # | :58:17. | :58:30. | |
When you pass by then you'll know. # That this is gonna take a bit of | :58:31. | :58:35. | |
getting used to, but I know what's right for you. | :58:36. | :58:43. | |
# So Let Me Go, life will get better. | :58:44. | :58:47. | |
# Find the love I never gave ya. # I know you lie there waiting all night | :58:48. | :58:51. | |
long, so find where you belong. # Fly high and Let Me Go. | :58:52. | :59:06. | |
# That sky will save your soul. # Fly high and Let Me Go. # That sky | :59:07. | :59:14. | |
will save your soul. # But this is gonna take a bit of | :59:15. | :59:18. | |
getting used to but I know what's right for you Let Me Go. | :59:19. | :59:29. | |
Hello, I'm Ellie Crisell with your 90-second update. It's going to get | :59:30. | :59:47. | |
harder for new EU migrants to get | :59:48. | :59:48. |