Browse content similar to 28/03/2014. Check below for episodes and series from the same categories and more!
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the stroke of midnight! Very exciting! | :00:15. | :00:16. | |
Plus a very, very funny guest, who we'll have longer to talk to about | :00:17. | :00:20. | |
his brand new stand-up tour the quicker he gets us to the studio! | :00:21. | :00:22. | |
Wagons roll, my friend! Come on! Hello and welcome to The One Show, | :00:23. | :00:37. | |
with Alex Jones. And Evans. | :00:38. | :00:46. | |
Plus our special guest, Alan Davies! How you feeling? You | :00:47. | :01:03. | |
fibber! So, if you are going to get married to a man? I can't have | :01:04. | :01:07. | |
someone tarring over me, so I would want someone small. Probably a | :01:08. | :01:12. | |
jockey. He is the third one. Motorcyclists. They are little. Dani | :01:13. | :01:20. | |
Pedrosa, Valentino Rossi. We getting names! And that bloke who placed | :01:21. | :01:32. | |
Thor. He's gorgeous. If I was going to have babies with them, it would | :01:33. | :01:37. | |
be Robert Downey Junior. For companionship, Jules Holland. I | :01:38. | :01:41. | |
wouldn't have babies with Robert Downey Junior. He seems flighty. As | :01:42. | :01:56. | |
reliable as your... ? Anyway! I can't believe that you scale that | :01:57. | :02:00. | |
rock for sport relief, I know it is old news, but it is the first time | :02:01. | :02:03. | |
we have seen each other. APPLAUSE | :02:04. | :02:08. | |
And millions of superwomen who you will have bought gifts for by now | :02:09. | :02:12. | |
ahead of Mothering Sunday. Yes. But first, lots of mums owe a | :02:13. | :02:24. | |
lot to Ada Maguire. I have come to Nottingham city Hospital to meet a | :02:25. | :02:28. | |
lady called Ada Maguire. She is a nurse with 40 years' service saving | :02:29. | :02:33. | |
lives in the neonatal unit. Tomorrow, she will work a shift for | :02:34. | :02:35. | |
the very last time. In 1974, she started on the low | :02:36. | :02:45. | |
dependency unit as a nursery nurse, caring for sickly newborns. When the | :02:46. | :02:49. | |
hospital phased out the nursery nurse position in 1988, she | :02:50. | :02:53. | |
successfully qualified as a registered general nurse in order to | :02:54. | :02:59. | |
carry on doing the job she loved. Tomorrow, you will work your final | :03:00. | :03:04. | |
shift here. Has it sunk in? It hasn't. It doesn't feel quite real. | :03:05. | :03:10. | |
But after 40 years, I am finishing. Mixed emotions? Absolutely. Did you | :03:11. | :03:16. | |
think you would end up staying for 40 years. I didn't think I would end | :03:17. | :03:20. | |
up managing the unit, because as a nursery nurse, that didn't seem | :03:21. | :03:25. | |
likely. What you love about it? The babies, the people. It looks very | :03:26. | :03:32. | |
snug in there, very cosy. Every year, the unit sees nearly 600 | :03:33. | :03:38. | |
babies pass through its wards, from full-term newborns with problems at | :03:39. | :03:44. | |
birth as well as premature babies. Being a reward system means Ada is | :03:45. | :03:49. | |
responsible for coordinating the entire operation. You save babies | :03:50. | :03:56. | |
lives. These babies wouldn't survive without us. Babies at 24 weeks | :03:57. | :04:02. | |
didn't even come here when I started, because there was nothing | :04:03. | :04:05. | |
we could offer them. The technology has changed hugely. | :04:06. | :04:13. | |
Nothing fazes her. I can think of the drama is that we have had here. | :04:14. | :04:21. | |
She knows everything will be all right. You have to want to do this. | :04:22. | :04:26. | |
You couldn't do this just because it is a job. She is a really good | :04:27. | :04:30. | |
manager and we will miss her a lot. You have to be compassionate and | :04:31. | :04:34. | |
caring and go the extra mile for these families, because they deserve | :04:35. | :04:39. | |
it. There is that in eight quality in some people. Started her nurse | :04:40. | :04:48. | |
training in 1989. She was lovely from the start. She will be missed | :04:49. | :04:54. | |
by a lot of people when she leaves. And what was that about? Just seeing | :04:55. | :05:03. | |
Ada interact with the mothers and the babies, she is a real natural. | :05:04. | :05:08. | |
She remembers us, and she remembers the children, remembers how they | :05:09. | :05:13. | |
were. The staff here do such an amazing job. She really is a very | :05:14. | :05:18. | |
nice lady, and a very good nurse. As a mother to two boys herself, and a | :05:19. | :05:23. | |
grandmother to eight, Ada will now finally have the time to devote to | :05:24. | :05:26. | |
them after 40 years of caring for other people's. What has the last 40 | :05:27. | :05:35. | |
years meant you? It has been a huge journey, and for my own career | :05:36. | :05:39. | |
development, it has been fabulous. It is moments like these that are | :05:40. | :05:43. | |
just memories. This is what it is about, letting them go home to their | :05:44. | :05:45. | |
families. From the short amount of time I have | :05:46. | :05:59. | |
spent with Ada, it is clear to see she is an amazing woman with such a | :06:00. | :06:03. | |
big heart. This time tomorrow, her work will be done. It will be a sad | :06:04. | :06:07. | |
day for Nottingham and also for nursing. But something tells me she | :06:08. | :06:11. | |
will find it very difficult to keep away from these gorgeous little | :06:12. | :06:12. | |
babies. And how emotional did she get during | :06:13. | :06:26. | |
the filming? They said, not at all, but looking at that back, it is a | :06:27. | :06:32. | |
lot to take. All babies are special, but there must have been some extra | :06:33. | :06:38. | |
special ones. The smallest one we had was 420 grams when she was | :06:39. | :06:45. | |
born, about 12 weeks early. She went home after about 12 weeks. She was | :06:46. | :06:52. | |
fit and well. That was in the early 1990s. The problems you have with | :06:53. | :06:57. | |
those early babies are there feeding, and breathing. As you can | :06:58. | :07:05. | |
see, Riley is next to me. I think he will be fine. And Kayleigh, Ada was | :07:06. | :07:14. | |
brilliant when you delivered Riley. He wasn't premature, he was term. He | :07:15. | :07:33. | |
weighed 12lbs. Ada went out of her way to make sure that he could get | :07:34. | :07:40. | |
home for Christmas. And you have a message to Ada from the people on | :07:41. | :07:44. | |
the ward. Everyone would like to say thank you so much for all the hard | :07:45. | :07:48. | |
work you have done over the years and saving our babies' lives. | :07:49. | :07:54. | |
APPLAUSE Obviously you will miss it like | :07:55. | :07:56. | |
nothing else. Was it a vocation? I did nursery | :07:57. | :08:02. | |
nurse training when I was 18, and then saw this advertised and went | :08:03. | :08:09. | |
for it. And what will you do now? I am going to make jam and chutney. | :08:10. | :08:14. | |
Then you can stay! We will have you next week. And I hope to join the | :08:15. | :08:22. | |
quality care commission. Well, on it is Mother's Day, and you are super | :08:23. | :08:29. | |
mother. Here you are. And they are not from a garage! | :08:30. | :08:34. | |
That was the best we could do in central London. | :08:35. | :08:35. | |
Reilly, give those to mummy. Thank you, Kayleigh, Riley and a | :08:36. | :08:50. | |
round of applause for Ada. And now to Alan. | :08:51. | :08:55. | |
So Alan hits the road on his new UK tour next month. And if you've never | :08:56. | :08:59. | |
seen him live, here's what you can expect. | :09:00. | :09:00. | |
Our primary school didn't have a uniform. But my father thought it | :09:01. | :09:08. | |
ought to. So he went and bought two school uniforms, completely | :09:09. | :09:14. | |
misunderstanding the concept of uniformity, in my view! | :09:15. | :09:20. | |
Dressed us up, little black shoes, black trousers, grey shirt, short | :09:21. | :09:27. | |
back and sides. We looked like rejects from Lord of the flies. And | :09:28. | :09:34. | |
he sent us into a 1970s playground with corduroy and big collars, | :09:35. | :09:43. | |
platforms. And there we are, waiting for the college to come round so we | :09:44. | :09:47. | |
can join in the conversation. APPLAUSE | :09:48. | :09:52. | |
So the new tour Little Victories starts in under a week. | :09:53. | :09:57. | |
That you have road-tested it in Australia. Yes, it has been good | :09:58. | :10:03. | |
fun. And now I am starting next Thursday in Reading and going up to | :10:04. | :10:06. | |
Scotland in April, doing some date in April, and then a full tour in | :10:07. | :10:12. | |
the autumn. What's the connection between the title and your dad's | :10:13. | :10:16. | |
refusal to eat jam? He wouldn't eat blackcurrant jam, but he would eat | :10:17. | :10:21. | |
all the others. Strawbridge am is the king. Raspberry jam is the | :10:22. | :10:30. | |
back-up. And then you have some novelty jam, apricots. But he won't | :10:31. | :10:37. | |
eat blackcurrant. I agree with him. It's got bits in it. I like the | :10:38. | :10:46. | |
bits. I had to lay an elaborate trap to force him to eat it and admit he | :10:47. | :10:49. | |
liked it. And that was the little victory? You tap away at the little | :10:50. | :10:54. | |
ones, and one day you get a big one! They are tumour litigious. | :10:55. | :11:08. | |
We hear about you writing observations down on your phone. | :11:09. | :11:15. | |
Most of my notes are things like this. No, I can't say that. | :11:16. | :11:32. | |
My little girl had learned how to pray at nursery school, and she was | :11:33. | :11:45. | |
like this at the bed. And she said, why can you not understand that I | :11:46. | :11:58. | |
need to tap shoes? Amen! So how has being older and a parent nfluenced | :11:59. | :12:05. | |
your stand-up? When you get a bit older, you need to have a point of | :12:06. | :12:09. | |
view. My dad is not that well at the moment, I lost my mum when I was a | :12:10. | :12:14. | |
kid. There are things that I might have found tricky to talk about when | :12:15. | :12:16. | |
I was younger, but now I find it easier to touch on those things, and | :12:17. | :12:20. | |
they resonate a bit more with the audience. I have children. But there | :12:21. | :12:25. | |
is still a fair amount of scatological nonsense. You may well | :12:26. | :12:31. | |
have age chronologically, but not as far as looks are concerned. Look at | :12:32. | :12:41. | |
that. That is 20 years ago. The differences now I can't actually see | :12:42. | :12:45. | |
that picture. Let's have another look at it. What is going on? That | :12:46. | :12:56. | |
was a Radio 1 publicity shot. It was probably taken in this building. You | :12:57. | :13:03. | |
look a little bit pale birth. Radio, you see. | :13:04. | :13:08. | |
You put your passion for being on stage to having a big ego. It is | :13:09. | :13:17. | |
more that you talk about yourself a lot, or I do. My stand-up is quite | :13:18. | :13:24. | |
autobiographical. And to get the material, you have to think about | :13:25. | :13:27. | |
yourself for months. So it is quite narcissistic. But you are trying to | :13:28. | :13:33. | |
find stories that resonate with an audience, so you are not entirely | :13:34. | :13:41. | |
self obsessed. But it is a good job to choose if you are. Can you do | :13:42. | :13:54. | |
impressions? Alex can do an amazing impression, and it only involves one | :13:55. | :13:58. | |
word, but see if you can guess. Millionaire! It's Sandi Toksvig. Is | :13:59. | :14:11. | |
it? LAUGHTER | :14:12. | :14:21. | |
We want the country's most talented amateur impressionists to come to | :14:22. | :14:24. | |
our studios next Tuesday to be judged by Rob Brydon. | :14:25. | :14:27. | |
E-mail your clips to the usual address. My grandmother can do a | :14:28. | :14:34. | |
goat. But can she do an impression? Now, it's not often in life things | :14:35. | :14:38. | |
start to get cheaper. But can they get too cheap? Here's Jay with what | :14:39. | :14:42. | |
could be the beginnings of a very dangerous price war. | :14:43. | :14:48. | |
We all know that food prices have gone up over the years, but by how | :14:49. | :14:54. | |
much? I have been taking a little trip down memory lane to 1987. Back | :14:55. | :15:01. | |
then, a Mars bar was 20p. Today it is 60p. A pint of beer to wash them | :15:02. | :15:14. | |
down was 80p, and now it is ?3. But a pint of milk currently costs | :15:15. | :15:19. | |
25p, the same as it did in 1980 Evan, almost 30 years ago. | :15:20. | :15:24. | |
This is the result of a war on the price of milk, with the supermarkets | :15:25. | :15:29. | |
selling four pints of milk for a pound. We all love a bargain, but | :15:30. | :15:32. | |
can this really be a good Farmers probably don't like it but I | :15:33. | :15:43. | |
am sure people who are buying it do. I just pay what it is. I don't think | :15:44. | :15:48. | |
about it, to be honest. I know they are trying to get people into shops | :15:49. | :15:53. | |
buying it but I worry about the farmers, and do they get the money | :15:54. | :15:57. | |
they deserve for producing this note? Indeed many of the dairy | :15:58. | :16:01. | |
farmers are seriously worried their product is being sold too cheaply. | :16:02. | :16:07. | |
Derek has a herd of 300 milking cattle in Berkshire. So, have a look | :16:08. | :16:12. | |
at this. What you make of that ad? Yes, it is not something you would | :16:13. | :16:16. | |
want to see, the price of milk coming down, over your breakfast. | :16:17. | :16:20. | |
Historically it does come back to the farm gate and it does have an | :16:21. | :16:24. | |
affect on the farm gate price. This is the average price farmers get for | :16:25. | :16:30. | |
their milk regardless of where it ends up. It is currently just under | :16:31. | :16:36. | |
34p per litre but according to the National Farmers' Union, the cost of | :16:37. | :16:39. | |
producing a litre of milk is at least 30p, leaving a very tight | :16:40. | :16:44. | |
profit margin. The price of milk comes down, it has a huge affect on | :16:45. | :16:49. | |
our business. A penny on a litre of milk costs us a lot of money in a | :16:50. | :16:52. | |
year. My son has joined the business and I would like to think that he | :16:53. | :17:01. | |
will be here for a long, long time. However, if the price of milk | :17:02. | :17:03. | |
crashes, agriculture, as a business, if it doesn't pay, it will go. If | :17:04. | :17:06. | |
the supermarkets are willing to pay fair, where is the problem? Well, | :17:07. | :17:10. | |
the National Farmers' Union says it is unsustainable and devalues a very | :17:11. | :17:16. | |
important product, risking the industry as a whole. Smaller | :17:17. | :17:21. | |
retailers are all -- also feeling the pressure. Peter works in this | :17:22. | :17:25. | |
village shop with two of the major supermarkets within a drive. Let's | :17:26. | :17:30. | |
have a look. This is a two litre bottle. The equivalent of four | :17:31. | :17:35. | |
points. How much does it cost you to buy this? That costs us ?1.79. So | :17:36. | :17:42. | |
there is no way you could sell this for a quid? No way. Because we need | :17:43. | :17:50. | |
a margin to pay our expenses. 70% of all the milk produced in the UK is | :17:51. | :17:54. | |
sold in the supermarkets. Sainsbury's has joined the price war | :17:55. | :17:58. | |
and is also selling four points for a pound. Our job is mainly to be | :17:59. | :18:04. | |
competitive for our customers. So the key items in their baskets, the | :18:05. | :18:09. | |
staples, bread, eggs, milk, are very, very important and it is | :18:10. | :18:13. | |
important we remain competitive on those products. But is ?1 for four | :18:14. | :18:21. | |
points sustainable in the long-term? I cannot answer that question but I | :18:22. | :18:24. | |
know that our farmers, they are still getting paid what they have | :18:25. | :18:28. | |
always been paid so for them it is sustainable. You think others in the | :18:29. | :18:32. | |
wider dairy industry are being alarmist when they say this price | :18:33. | :18:36. | |
war is potentially damaging going forwards? Those Derry farmers who | :18:37. | :18:41. | |
aren't in long-term contracts and are not protected by the cost of | :18:42. | :18:47. | |
production model, then clearly that market for them in the price of milk | :18:48. | :18:53. | |
is more volatile. -- dairy farmers. Well the supermarkets are adamant | :18:54. | :18:59. | |
the price cut won't affect farmers, many are uncertain about the times | :19:00. | :19:02. | |
ahead. The question is, how much do we value our milk? | :19:03. | :19:08. | |
It is all about the milk. What is the breaking news? The price war is | :19:09. | :19:17. | |
getting more intense. Aldi has cut to 79p. And you can get 24 pint | :19:18. | :19:26. | |
bottles for ?1 something. Marks Spencer is not doing it, Waitrose | :19:27. | :19:31. | |
are not doing it but they for their loyalty cardholders. A small | :19:32. | :19:36. | |
supermarket chain, Booth, in the north-west, is not getting involved | :19:37. | :19:41. | |
in the price war. Lots of viewers will want to be on the side of the | :19:42. | :19:44. | |
farmers because this is a really difficult time for them, so what can | :19:45. | :19:50. | |
we do if we do value our milk? It is about consumer power. If you think | :19:51. | :19:54. | |
?1 is too cheap for milk, don't buy it. You will find other brands which | :19:55. | :19:59. | |
will cost more you go to small local shops or the supermarkets not | :20:00. | :20:02. | |
selling at that price. At the moment, the supermarkets are not | :20:03. | :20:05. | |
passing on the price cut to the farmers. But we are undermining the | :20:06. | :20:11. | |
sense of value of milk in the consumer's mind and they will get | :20:12. | :20:13. | |
used to the idea it should be that cheap, and then eventually, price | :20:14. | :20:19. | |
cuts will be forced on them. And we should all look out for the Red | :20:20. | :20:27. | |
Tractor logo? Yes. It indicates it is from assured farms. They tend to | :20:28. | :20:34. | |
be British. One dairy farmer is going out of business a day. That is | :20:35. | :20:38. | |
why it matters. If we carry on paying too little for our milk, all | :20:39. | :20:42. | |
of our food, then the agricultural base in this country will be | :20:43. | :20:46. | |
undermined. So if you don't want to see that happen, you have to be | :20:47. | :20:49. | |
prepared to pay a bit more for your food. And we did a survey down on | :20:50. | :20:55. | |
the Piazza... It was very scientific! I asked them. Look, | :20:56. | :21:02. | |
there they are. What was the outcome? The outcome was that nobody | :21:03. | :21:10. | |
knew. Two people thought it was 24, 20 5p a point. It went up to ?1.10. | :21:11. | :21:23. | |
-- 25p per pint. But outside here, outside the BBC, probably full of | :21:24. | :21:29. | |
newsreaders. Tonight we are celebrating without same-sex couples | :21:30. | :21:32. | |
who are about to get married, as they can from midnight to night for | :21:33. | :21:35. | |
the first time ever in the UK. So, Alan, and Jamie, you have your | :21:36. | :21:46. | |
names. Let's sing. # Love and marriage | :21:47. | :21:53. | |
# Go together like a horse and carriage. Keep on singing! Here is | :21:54. | :22:05. | |
Gyles. Frank Sinatra began his career with | :22:06. | :22:11. | |
an orchestra but in 1942, his decision to go solo made him a star | :22:12. | :22:16. | |
and within a year his unrivalled popularity in performances one -- | :22:17. | :22:22. | |
won him a movie deal and he was one of the biggest stars in Hollywood by | :22:23. | :22:32. | |
1955. My name is Frank Sinatra. What?! Oh! So, why was it that he | :22:33. | :22:41. | |
played to theatres when he came to Britain that were all but empty? One | :22:42. | :22:45. | |
was here in Birmingham, the Hippodrome. Roy Edwards, who was | :22:46. | :22:52. | |
just 20 at the time, was here to see his idol perform. I bought a | :22:53. | :22:56. | |
ticket, which was unusual. But I thought, I had better get a ticket | :22:57. | :23:00. | |
because Frank Sinatra, such a big star. Came into the theatre and I | :23:01. | :23:04. | |
couldn't believe how few people were here! Down in the front stalls, | :23:05. | :23:11. | |
there was nobody sitting there at all. So what happened when the great | :23:12. | :23:16. | |
man came on? He looked across the auditorium and put his hand to his | :23:17. | :23:19. | |
forehead, and said, is anybody out there? We gathered at the front | :23:20. | :23:29. | |
rows, the front of the stage. I think you sign Whole Man River. It | :23:30. | :23:38. | |
was a big thing to see Frank. It is hard to describe what it was like to | :23:39. | :23:40. | |
see somebody like that. So what had gone so terribly wrong? | :23:41. | :24:00. | |
The answer may lie in Frank Sinatra's personal life. Just two | :24:01. | :24:04. | |
years previously, you divorced his first wife for more than ten years | :24:05. | :24:08. | |
to marry his second, Ava Gardner, one of the biggest stars in | :24:09. | :24:12. | |
Hollywood. She herself was twice divorced. Their marriage caused | :24:13. | :24:17. | |
headlines around the world but in the moderately -- morally rigid 50s, | :24:18. | :24:22. | |
Frank Sinatra became a pariah. Attitudes towards divorce were very | :24:23. | :24:26. | |
negative to say the least. And people who are divorced were | :24:27. | :24:29. | |
therefore seen as different, as deviant in lots of ways. And there | :24:30. | :24:33. | |
was a lot of stigma attached to divorce as well. Because of course, | :24:34. | :24:37. | |
divorce is seen as something about unthreatening to the family, and yet | :24:38. | :24:42. | |
there was a sense that it was becoming a bit fashionable. So a big | :24:43. | :24:47. | |
star like Frank Sinatra leaving his wife and children and marrying | :24:48. | :24:54. | |
somebody who was a double divorcee, my! There would have been very mixed | :24:55. | :24:56. | |
feelings about stars who were getting divorced and remarried and | :24:57. | :24:58. | |
apparently so easily because of the fear that could spread to ordinary | :24:59. | :25:04. | |
people. In fact, 1953 marked the lowest point in Frank Sinatra's | :25:05. | :25:08. | |
career. His records when selling, his TV show had been cancelled and | :25:09. | :25:12. | |
he made his first suicide attempt. His UK tour was supposed to put him | :25:13. | :25:15. | |
back on his feet but it did nothing of the sort. After playing to a half | :25:16. | :25:20. | |
empty house at the Hippodrome, Sinatra could be forgiven for | :25:21. | :25:23. | |
seeking the solace of a quiet drink in the pub. But for at least one | :25:24. | :25:29. | |
fan, his private life didn't matter. A friend of mine, we went down for a | :25:30. | :25:34. | |
drink in the pub. And somebody said, Frank Sinatra has just come in. We | :25:35. | :25:39. | |
were totally amazed that he was in the same pub as we were! It is not | :25:40. | :25:44. | |
what one expects in a Birmingham pub? No, to see Frank Sinatra, and | :25:45. | :25:51. | |
in the same establishment, to be in the same one as Mr Sinatra. And | :25:52. | :25:56. | |
having spent that money on the seats, you didn't have the money to | :25:57. | :26:00. | |
buy him a drink, did you? But there was to be a dramatic turnaround in | :26:01. | :26:05. | |
sonata's fortunes. Earlier that year he had played a supporting role in | :26:06. | :26:11. | |
From Here To Eternity. Attitudes to divorce softened later and his star | :26:12. | :26:16. | |
never waned again. Sinatra, we all thought we knew him. He was the | :26:17. | :26:20. | |
voice, the chairman, and old blue eyes all rolled into one. But a few | :26:21. | :26:24. | |
months back in the early 1950s in Britain, he was just a man putting | :26:25. | :26:28. | |
on a brave face as he sang this song. | :26:29. | :26:32. | |
# When you are smiling # Keep on smiling | :26:33. | :26:34. | |
# The whole world smiles with you. Thank you, Gyles! And nothing wrong | :26:35. | :26:51. | |
with a healthy divorce! Or two! So a view of Frank's marriages ended in | :26:52. | :26:54. | |
divorce but tonight we are celebrating couples getting married | :26:55. | :26:59. | |
very shortly. First, how about Mrs and Mrs Smith? Good evening, ladies. | :27:00. | :27:05. | |
All very exciting. You didn't like each other at first, did you? No, I | :27:06. | :27:11. | |
thought she was very quiet and never responded me -- to me time to get to | :27:12. | :27:16. | |
know her. And I was rather brash! But she loves that about me now! So | :27:17. | :27:20. | |
it is all going to kick off properly? Yes, for 15 PM at the | :27:21. | :27:30. | |
library. Now, due to believe you were the first to register married | :27:31. | :27:37. | |
in the UK. -- you two believe. Why was it so important? Well, first it | :27:38. | :27:41. | |
was important they got my name right. James! Did I say Sian?! | :27:42. | :27:59. | |
Sorry! Well, it was the fact that marriage was being put into place | :28:00. | :28:02. | |
and the meaning behind the word means a lot more than partnership. | :28:03. | :28:13. | |
Hello. How are you doing? It was going to be a civil partnership but | :28:14. | :28:18. | |
that has changed. Yes, we decided as soon as we could get married we | :28:19. | :28:24. | |
strip -- we changed it straightaway. Who will be walking down the aisle? | :28:25. | :28:33. | |
With you? I have my son. You are going to get married at midnight | :28:34. | :28:37. | |
tonight. They are in their outfits already. What is going to happen | :28:38. | :28:42. | |
between now and midnight, Sinclair? We are going to go back home, get a | :28:43. | :28:47. | |
drink, throw out clothes back on and head straight to the venue. Best of | :28:48. | :28:52. | |
luck! What a night! Congratulations! That is it for tonight. Alan Maclean | :28:53. | :28:58. | |
is in the rickshaw. -- Alan is in the rickshaw. You can see him in his | :28:59. | :29:05. | |
Little Victories tour from May. We have a ending chorus with Get Me To | :29:06. | :29:12. | |
The Church On Time. # I'm Getting Married In The Morning | :29:13. | :29:16. | |
# Ding-dong, The Bells Are Going To Chime | :29:17. | :29:22. |