Browse content similar to 28/06/2017. Check below for episodes and series from the same categories and more!
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# Takes me up so high I can't come down | :00:16. | :00:30. | |
CHEERING Yes! | :00:31. | :00:45. | |
We were doing the dancing! Hello and welcome to the One Show with Matt | :00:46. | :00:51. | |
Baker... And Alex Jones. And what a start to the show, Olly Murs with | :00:52. | :00:56. | |
Wrapped Up! He will be back later performing his new single with | :00:57. | :01:00. | |
Louisa Johnson X Factor fame. And to prove what a lovely guy Olly is, he | :01:01. | :01:05. | |
has also laid on the refreshments. Last time it was hot chocolate, | :01:06. | :01:11. | |
tonight it was ice cream. We have a massive queue. They are all on Olly, | :01:12. | :01:16. | |
and Eddie Izzard is at the back of the queue for good reason. When I | :01:17. | :01:22. | |
ran the 43 marathons there was a very nice ice cream company that | :01:23. | :01:26. | |
gave ice creams, people should enjoy them but I can't because if I have | :01:27. | :01:32. | |
one I have two, if I have two I have ten. I am slightly obsessional, that | :01:33. | :01:36. | |
is why I get things done but I can't stop on the sugar and it is poison. | :01:37. | :01:42. | |
What treat could we get you? Sparkling water! We have loads of | :01:43. | :01:53. | |
that. Very nice advertising. We will leave you to it for now. It | :01:54. | :02:00. | |
is not sparkling! Sympathies, for goodness' sake! We had some Hairy | :02:01. | :02:06. | |
Bikers, we have set them up with a challenge to rustle up breakfast, | :02:07. | :02:11. | |
Morecambe and Wise style. And later, an exclusive interview with Der -- | :02:12. | :02:15. | |
exclusive interview with Gemma Dowler, the sister of Milly Dowler. | :02:16. | :02:19. | |
Her tragic story is well known that Gemma wants to rewrite the headlines | :02:20. | :02:24. | |
of Milly away from the scandal of police failings and phone hacking, | :02:25. | :02:28. | |
that is coming up at just after half past. Is a professional, Bernard | :02:29. | :02:33. | |
Gallacher set the record is the youngest man to represent Europe in | :02:34. | :02:36. | |
the Ryder Cup and captained the team an impressive three times. You may | :02:37. | :02:41. | |
not know that in 2013 he almost died from a massive cardiac arrest, a | :02:42. | :02:46. | |
terrifying moment. He and his daughter Kirsty are very keen to | :02:47. | :02:51. | |
talk about it. We are such a close family, growing | :02:52. | :02:57. | |
up it was an idyllic childhood. My dad was away a lot. But he was very | :02:58. | :03:04. | |
present in our lives. I had been a professional golfer my whole life, | :03:05. | :03:09. | |
played in the Ryder Cup, captained in Ryder Cup is Mac. My dad is never | :03:10. | :03:20. | |
ill. Never ill. I was coming back to do a charity golf day in Aberdeen | :03:21. | :03:27. | |
and that is when I collapsed. He got up to speak. Within three or four | :03:28. | :03:36. | |
macro minutes he collapsed. He had no pulse, he was not breathing. So | :03:37. | :03:42. | |
we started cardiac massage and mouth-to-mouth. I have known about | :03:43. | :03:49. | |
Bernard Gallacher all my life, really, because he was born and | :03:50. | :03:54. | |
raised in the same village as me. I don't remember any of this, I don't | :03:55. | :03:58. | |
remember anything until a week later. It was just an ordinary | :03:59. | :04:04. | |
evening, I had just come back from work, I was watching the US Open | :04:05. | :04:09. | |
tennis and the phone rang, and he just said Kirsty, you don't know me, | :04:10. | :04:17. | |
I am with your dad. But... But your dad has been taken into hospital | :04:18. | :04:23. | |
and... Sorry. And he is in intensive care. My mum was in Spain. My sister | :04:24. | :04:30. | |
was in London, so was my brother. We were all in different places and it | :04:31. | :04:34. | |
is like how are we going to get there as quickly as possible in case | :04:35. | :04:40. | |
he passes away? We had to prepare ourselves for dad 's dying. | :04:41. | :04:50. | |
We went to his bedside and dad was just obviously in a coma. He just... | :04:51. | :04:59. | |
I don't know. It makes me so sad, even though he is alive, because we | :05:00. | :05:05. | |
went to those places of he is not going to live, we were told he was | :05:06. | :05:09. | |
not going to live. I was just panicking about my mum not getting | :05:10. | :05:14. | |
there. I just thought, it is just not fair. | :05:15. | :05:30. | |
And... I think at that time you just want to tell them that they're going | :05:31. | :05:39. | |
to be OK, because I just thought how scary to wake up like that, just | :05:40. | :05:45. | |
awful. She is fighting back the tears, I can see she is fighting | :05:46. | :05:51. | |
back the tears. So, you know, I just had to be careful this doesn't | :05:52. | :06:00. | |
happen to me again any time soon. I think since all of this my dad is | :06:01. | :06:07. | |
much more relaxed as a person. A lovely, better than mine! I think he | :06:08. | :06:13. | |
has changed a lot for the better. Tell me about this putt? It is | :06:14. | :06:18. | |
downhill, quick. He sees me differently so I talked to him much | :06:19. | :06:22. | |
more about work, more private things as well, which I don't think I did | :06:23. | :06:31. | |
before, really. Europe have won! Well done! | :06:32. | :06:37. | |
Rose, my goodness. It is Kirsty. I never met you. Thank you so much. I | :06:38. | :06:49. | |
look back now with some pride Reavie and think, wow, that was a good | :06:50. | :06:55. | |
thing that we did that night. It was important, because I came from the | :06:56. | :06:59. | |
same village and I wouldn't have to go back and say Bernard Gallacher | :07:00. | :07:02. | |
died and I could do nothing about it. We are so lucky, we have been so | :07:03. | :07:09. | |
lucky, we are so lucky. The sad thing is a lot of people aren't | :07:10. | :07:17. | |
lucky. Kirsty joins us now. Your dad seems | :07:18. | :07:21. | |
to be very well looking at the film, how is the these days? He has a | :07:22. | :07:27. | |
little device fitted? Yes, he is doing brilliantly, really, really | :07:28. | :07:30. | |
well. He has a little device fitted which basically kicks in if it | :07:31. | :07:37. | |
happens again. We are just so lucky he is here, to be honest. We had a | :07:38. | :07:43. | |
couple of instances after... Has it happened again? It did, he is on a | :07:44. | :07:48. | |
lot of medication and it was more getting the pills right as well. So | :07:49. | :07:54. | |
in that period of... It is so upsetting looking at the video | :07:55. | :07:59. | |
again. It is a hard watch for us, but for you... It is hard, we are so | :08:00. | :08:06. | |
lucky. So many people obviously do not survive, my of the lucky ones. | :08:07. | :08:14. | |
To give you some statistics and an idea of how important it is to get | :08:15. | :08:17. | |
more difficult it is out there and to try to use them, cardiac arrest | :08:18. | :08:21. | |
is when the heart stops all beats abnormally, it is estimated, which | :08:22. | :08:26. | |
is huge, 70,000 happen outside of hospital. That is astounding. It is | :08:27. | :08:34. | |
about time... 70,000 year? Yes. And survival chances drop by about 10% | :08:35. | :08:39. | |
every minute if you don't do anything. If you do not have a | :08:40. | :08:45. | |
defibrillator. When CPR and fibrillation are delivered quickly | :08:46. | :08:49. | |
then survival rates are reported as high as 50% to 70%. It is time and a | :08:50. | :08:56. | |
go. It is having a go, many people might feel nervous, they see the | :08:57. | :09:01. | |
kids and do not know... But we found out today it is very user-friendly. | :09:02. | :09:06. | |
This is what they look like and they often talk to you, which is great, | :09:07. | :09:11. | |
to tell you how they work, or they have instructions. I was so nervous | :09:12. | :09:21. | |
about the prospect... You follow the process, it does not move on until | :09:22. | :09:25. | |
you have done the next part of the process. And you can't get it wrong? | :09:26. | :09:33. | |
It will sense if the person needs... If the person needs the shock, it | :09:34. | :09:38. | |
will happen. So you can't really go wrong. Lots of people might think | :09:39. | :09:43. | |
they might do more damage by using it but they will not, that is the | :09:44. | :09:49. | |
thing. The key thing is if someone collapses of a suspected cardiac | :09:50. | :09:54. | |
arrest, the first thing to do is call 999, obviously, that is what we | :09:55. | :09:59. | |
would all expect. Then we talked to CPR by somebody on the phone, a | :10:00. | :10:03. | |
paramedic or whatever, while you are waiting you could be told that if | :10:04. | :10:06. | |
there is a different blades are located in the area you find it if | :10:07. | :10:12. | |
nobody has turned in by then and you just have a go -- if there is a | :10:13. | :10:20. | |
defibrillator in the area. It is following the instructions and | :10:21. | :10:23. | |
trying to see if you can save the life, why not? Your dad was lucky | :10:24. | :10:27. | |
because one was there but that is not always the case? My parents, | :10:28. | :10:33. | |
with a fantastic group of people but no far more than us about it, | :10:34. | :10:37. | |
campaigned for a year after his collapse and when he was better. | :10:38. | :10:43. | |
They just got more defibrillators out there, mainly on golf courses | :10:44. | :10:46. | |
because it happens a lot at golf clubs and golf courses, because of | :10:47. | :10:51. | |
exertion and when they are golfing and there is nothing nearby, the | :10:52. | :10:58. | |
clubhouse... It is a time thing to get back to the clubhouse and to | :10:59. | :11:02. | |
perform CPR, it is so difficult to get anybody to help. If they can get | :11:03. | :11:07. | |
them even in a halfway hut or something on a golf course or | :11:08. | :11:11. | |
whatever then you have more of a chance. Can I throw something in? In | :11:12. | :11:17. | |
New York City they have how to do the Heimlich manoeuvre printed is | :11:18. | :11:21. | |
compulsory in every restaurant, it does not cost, there is no kids. I | :11:22. | :11:29. | |
know how to do it because I read it. -- there is no cost because there is | :11:30. | :11:35. | |
no kit. It sounds crazy but if you are going down, get something in. | :11:36. | :11:41. | |
The pummel of a chair into their and out it comes. Why would you not put | :11:42. | :11:50. | |
that information? There should be a website with all the good ideas in | :11:51. | :11:54. | |
the world. That is what we need, and an apt to find out where your | :11:55. | :11:58. | |
nearest defibrillator is. The other thing we are trying to get people to | :11:59. | :12:04. | |
do is if you know of a defibrillator get it registered, when it is | :12:05. | :12:09. | |
registered you can be told by those on the phone, the paramedics that | :12:10. | :12:13. | |
there is one nearby, where to locate it. Got I said think we have got the | :12:14. | :12:20. | |
message out. Thank you for coming in. | :12:21. | :12:23. | |
We've set a few challenges on this show but when we decided to recreate | :12:24. | :12:26. | |
one of the best-loved comedy routines of all time | :12:27. | :12:28. | |
we needed to get exactly the right people for the job. | :12:29. | :12:31. | |
After all - who could possibly do justice to the genius | :12:32. | :12:34. | |
To be fair, this could be a bit hairy! | :12:35. | :12:41. | |
Now, food and comedy have always been inextricably linked. | :12:42. | :12:51. | |
Whether it be the banana skin on the floor or the cream pie in the | :12:52. | :12:54. | |
So when you combine arguably Britain's greatest comedy duo of all | :12:55. | :13:01. | |
With a meal that gets us going in the morning, breakfast, | :13:02. | :13:12. | |
then you have a recipe for comedy gold. | :13:13. | :13:13. | |
First aired in 1976 and often voted the nation's favourite | :13:14. | :13:22. | |
The breakfast sketch is a near perfect | :13:23. | :13:28. | |
example of comedy timing from two performers who knew each other | :13:29. | :13:31. | |
Dave and I have decided to take on a One Show challenge. | :13:32. | :13:42. | |
By trying to find out what makes this sketch so | :13:43. | :13:44. | |
The original set no longer exists, so the team is | :13:45. | :13:54. | |
building a replica of the Morecambe and Wise kitchen from scratch. | :13:55. | :14:01. | |
We've come to the Broadway Theatre in | :14:02. | :14:03. | |
south London where Eric and Ernie treaded these very boards to | :14:04. | :14:09. | |
multiple sold-out shows, to meet Victor Meredith, the set designer | :14:10. | :14:12. | |
Eric and Ernie rehearsed to such an extent that they would have aimed | :14:13. | :14:16. | |
to get it right first time, but knowing them it was quite | :14:17. | :14:22. | |
possible they were pushing the idea around | :14:23. | :14:24. | |
Were there any glitches or problems with the set? | :14:25. | :14:27. | |
Especially where they throw up the pancake and catch it on time. | :14:28. | :14:36. | |
What was the feedback that you got from Eric and | :14:37. | :14:48. | |
There is obviously a great satisfaction when you've recorded | :14:49. | :14:54. | |
the show, especially if it's gone well. | :14:55. | :14:58. | |
For me, the worst thing that happened, of course, was when they | :14:59. | :15:01. | |
The breakfast sketch was in the final episode of the final full | :15:02. | :15:05. | |
series Eric and Ernie would record for the BBC. | :15:06. | :15:08. | |
Though the original sketch may look like it was done in | :15:09. | :15:18. | |
one take, on closer inspection you can see it's not. | :15:19. | :15:20. | |
And that's going to throw up some logistical | :15:21. | :15:22. | |
For example, the counter next to the fridge is in one shot, | :15:23. | :15:27. | |
Doing this in a single run means we need to put our unit on wheels. | :15:28. | :15:41. | |
Next we need to get our toes popping. | :15:42. | :15:44. | |
We've enlisted our human toaster, but for her to stay hidden from | :15:45. | :15:48. | |
vision and pop the toast on time, it isn't as easy as it seems. | :15:49. | :15:55. | |
I wonder if Eric and Ernie had this trouble? | :15:56. | :15:59. | |
..Nick, the set builder, has attached two rulers | :16:00. | :16:01. | |
to slots in the counter to give us the best screen. | :16:02. | :16:04. | |
As we continue to rehearse the toast pop, Dave has | :16:05. | :16:06. | |
enlisted everyone else onset to get his pancake throwing | :16:07. | :16:09. | |
It's becoming apparent that with so many intricate parts of | :16:10. | :16:17. | |
this routine, there's no room for mistakes. | :16:18. | :16:19. | |
If one element fails, it means starting all over again. | :16:20. | :16:26. | |
Just the more you look at it, it wasn't | :16:27. | :16:28. | |
Our camera operators had to keep up and take their cues, too. | :16:29. | :16:35. | |
So that they can shot match the original sketch. | :16:36. | :16:39. | |
The first the Hairy Bikers, now we just need to do it. | :16:40. | :17:01. | |
To be continued. What do you think of it so far? Rubbish! Don't get | :17:02. | :17:07. | |
your hopes up too high. And keep an eye out | :17:08. | :17:09. | |
for their new series starting on Monday morning at 11 here on BBC1 | :17:10. | :17:12. | |
- that's "Kitchen Garden Live Morecambe and Wise, did they | :17:13. | :17:22. | |
influenced you? Hugely. In the 70s at Christmas, everything would stop, | :17:23. | :17:27. | |
I don't think any traffic was moving, it was that big. A lot of | :17:28. | :17:33. | |
pressure on Eric Morecambe, he had two heart attacks, it was just great | :17:34. | :17:39. | |
stuff. I was lucky enough to meet Eddie Braeburn, the writer. It was | :17:40. | :17:46. | |
nice to meet someone behind-the-scenes. It would just | :17:47. | :17:53. | |
stop the whole country. Eric Morecambe would watch at Christmas | :17:54. | :18:00. | |
and laugh at the good bits. It was that good. If you are into your own | :18:01. | :18:08. | |
stuff, you like to listen to it. If I'm doing good comedy I think, this | :18:09. | :18:13. | |
is funny. Where am I going now? Eric Morecambe would add live all over | :18:14. | :18:18. | |
the place. Do you watch yourself back? I don't, really. I do listen | :18:19. | :18:25. | |
back to check what it is. Sometimes I listen to stuff that I've not | :18:26. | :18:29. | |
heard from a long time and I go, that is quite good. I was really | :18:30. | :18:38. | |
good on Tuesday. We hope of getting stuff in your new book. It has come | :18:39. | :18:44. | |
sooner than you expected. I was going to do it when I was a hundred | :18:45. | :18:50. | |
and I am only 97. There was an offer came in and I had written it, there | :18:51. | :18:58. | |
was a documentary of it, an Emmy nominated documentary. This is my | :18:59. | :19:04. | |
version. Hopefully they cross over but it deals with everything. | :19:05. | :19:07. | |
first question, what on earth is a jazz chicken?! | :19:08. | :19:13. | |
It is only mentioned once and it is in the title. They said something | :19:14. | :19:20. | |
funny needs to be in the title. Five people worked out the title. Do you | :19:21. | :19:29. | |
mind if we play that little clip of that moment? Giraffes don't have a | :19:30. | :19:40. | |
safety noise. Chickens have a safety noise. You can train a chicken to do | :19:41. | :19:51. | |
jazz, which I would encourage. I'm going to go back to my farm and | :19:52. | :19:59. | |
train my chickens to do that. To make an on pitch you've got to wedge | :20:00. | :20:06. | |
angle in there. Chicken people would say, you cannot do that to chickens. | :20:07. | :20:16. | |
On a serious note there is a theme of self belief that punctuates it. | :20:17. | :20:25. | |
It starts with the straitjacket, is that fair to say? Now. A-to-Z if you | :20:26. | :20:36. | |
don't believe you can get out you will never get out. I was never | :20:37. | :20:44. | |
planning to go solo and when I went solo I did and eschatology act, | :20:45. | :20:51. | |
which was kind of fun. It was a weird knock-about thing. One day, | :20:52. | :21:00. | |
someone tied me in. Paul just said, if you don't believe you cannot get | :21:01. | :21:03. | |
out then you will not get out. You've got to believe it. The next | :21:04. | :21:07. | |
time, I did believe and it took me 40 minutes to get out and I realised | :21:08. | :21:12. | |
the belief applies to a lot of things. You've got to believe you | :21:13. | :21:17. | |
can be a stand-up before you can be a stand-up, music career, beyond | :21:18. | :21:24. | |
television, so many people wanted to do these things and they did not do | :21:25. | :21:33. | |
them. You know what it's like to go out in front of a large audience, | :21:34. | :21:40. | |
but then to go and do it in French and Spanish, these languages you've | :21:41. | :21:44. | |
just learned, we spoke a bit about it the last time you were on. Where | :21:45. | :21:50. | |
are you with that? It's not actually that hard. I try to find audiences | :21:51. | :21:56. | |
that like surreal comedy so they are already into it. I'm seeing things, | :21:57. | :22:04. | |
for example, Caesar, did he ever think he would end up as a salad? | :22:05. | :22:17. | |
They laugh at the same point. They still laugh at the same point. I | :22:18. | :22:24. | |
have confidence in the comedy, I've just got to put different words into | :22:25. | :22:32. | |
it. In German I have to say things, like how in acting you would say | :22:33. | :22:40. | |
lying to the stage manager. If I fought get a word I just say, help | :22:41. | :22:50. | |
me. It is so impressive. Nobody is more proud of you than your dad. And | :22:51. | :22:55. | |
it turns out he is writing a memoir at the same time. He's written one | :22:56. | :23:03. | |
and it has already sold out. From Bexhill Museum. Two people in the | :23:04. | :23:11. | |
UK, write your memoirs, or your kids will have questions which they will | :23:12. | :23:18. | |
not have asked you. He said he never asked his parents questions so why | :23:19. | :23:28. | |
don't we ask him? We donated it to the museum. And you're doing the | :23:29. | :23:33. | |
audio book? Yes, and his is already sold out. I'm competing with my dad | :23:34. | :23:41. | |
on autobiography. It is available now. He's doing a series of tour | :23:42. | :23:46. | |
dates in July. From touring to moving and with | :23:47. | :23:54. | |
estate agents reporting a 30% drop in the number of us moving house, | :23:55. | :23:57. | |
it's a tough time for anybody looking to sell a property. It is | :23:58. | :24:05. | |
always great to find someone who has a clever way to drum up buyers. It | :24:06. | :24:11. | |
is well-known that trying to sell your home is one of life's more | :24:12. | :24:17. | |
stressful experiences. With reports that the housing market is slowing | :24:18. | :24:19. | |
down it seems it is getting even trickier. Shanti Helen has been | :24:20. | :24:32. | |
struggling to sell hers. I did have a few people who were interested but | :24:33. | :24:36. | |
nothing became of it. And you're about to try something that has | :24:37. | :24:40. | |
never been done before. Definitely. It's new for me. Today, Shanti is | :24:41. | :24:49. | |
taking a radical step. She is thought to be the first having a go | :24:50. | :24:56. | |
at selling live on Facebook. Other online streaming sites are | :24:57. | :25:05. | |
available. How are you feeling? Really nervous. Do you want the | :25:06. | :25:14. | |
offer to come in whilst you alive? You're hoping to get it out to a | :25:15. | :25:19. | |
broader audience. With ten minutes before we go live I catch up with an | :25:20. | :25:25. | |
online estate agent. 48,000 homes are sold online and the industry is | :25:26. | :25:30. | |
looking for new ways to close a deal. Do you really think someone is | :25:31. | :25:37. | |
going to buy a house on their lunch break? Anything is possible, we are | :25:38. | :25:44. | |
really excited, anything could happen. It could be a game changer | :25:45. | :25:53. | |
for the whole industry. No pressure at the moment of truth has arrived. | :25:54. | :26:01. | |
We are trying to stay out of shot. One of the agents is filming but I | :26:02. | :26:06. | |
will be keeping track online to see how Shanti is getting on. The | :26:07. | :26:11. | |
viewing will last 30 minutes and to make sure this is truly authentic | :26:12. | :26:14. | |
the virtual buyers will start off at the front door. The price of it is | :26:15. | :26:26. | |
?475,000. We will start off in the kitchen. That's a really good start. | :26:27. | :26:35. | |
She is on form. As you can see it's quite a big kitchen. We are one | :26:36. | :26:43. | |
minute in and we have 60 viewers. Next up, the living room. | :26:44. | :26:48. | |
Christmas-time is great. The kids at the table. She's selling the | :26:49. | :26:54. | |
aspiration and the dream of living in this house. The likes are | :26:55. | :27:01. | |
flooding in. No bids yet but plenty of comments. Someone says it is a | :27:02. | :27:08. | |
beautiful house. Somebody wants to know how the neighbours are? Good | :27:09. | :27:14. | |
neighbours are priceless and they are absolutely fantastic. Starting | :27:15. | :27:20. | |
to get some traction, this is really interesting. That's really great. | :27:21. | :27:33. | |
All the lights are on the top floor. With time running out on the live | :27:34. | :27:41. | |
feed, the seal is almost over. How did Shanti do? Well done! Well done. | :27:42. | :27:53. | |
How was that? I'm fine. All the nervousness I was feeling, once you | :27:54. | :28:04. | |
got into it, it was absolutely fine. No serious offers so far. Are you | :28:05. | :28:11. | |
disappointed? I'm not. It's such a short time to be going round, you | :28:12. | :28:21. | |
cannot make that decision. In total, 22,000 people have seen your house. | :28:22. | :28:27. | |
That with the purpose. I've got a good feeling. I came here as a cynic | :28:28. | :28:37. | |
and I'm still quite sceptical, however, the numbers you can get are | :28:38. | :28:43. | |
huge. 50,000 people have seen this live or in the hours since. The big | :28:44. | :28:48. | |
question is how many of these viewers are the real deal. I loved | :28:49. | :28:55. | |
the virtual tour. I'm not even looking for a house but I just love | :28:56. | :29:02. | |
it. Thank you for letting us into your home. I don't know why I would | :29:03. | :29:08. | |
go on it, it's just the thing I like to do. My sister does it. Is it a | :29:09. | :29:16. | |
girl thing? We've got some good news because the virtual tour has had | :29:17. | :29:20. | |
over 180,000 views online and this week, to prospective buyers have | :29:21. | :29:26. | |
been to visit. Fingers crossed for a sale. You never know, she might sell | :29:27. | :29:31. | |
it by the end of the show. It was said that someone could not | :29:32. | :29:42. | |
live with you because you're such a mess. I heard about that, he came to | :29:43. | :29:46. | |
my flat to do some filming and it wasn't really messy but I've been to | :29:47. | :29:53. | |
his and it was also really messy. But I don't live with my mum | :29:54. | :30:00. | |
anymore. Pick your pants up! I think it's a creative thing. It should be | :30:01. | :30:05. | |
a mess. I have a party and did not play the other six months. | :30:06. | :30:10. | |
I know where everything is... I agree, I am a seat because I move | :30:11. | :30:19. | |
onto the next thing... It is because you are men! For goodness' sake! | :30:20. | :30:30. | |
Your fourth success as far as number one albums are concerned... It is | :30:31. | :30:34. | |
amazing, it was crazy when it went to number one last year. Ever since | :30:35. | :30:39. | |
it came out I have been on tour, it has been phenomenal, really good | :30:40. | :30:44. | |
fun. The single is Unpredictable with Libby Louisa Johnson from the X | :30:45. | :30:49. | |
Factor. This is not your first duet? No, I have done several over the | :30:50. | :30:57. | |
years. Louisa is brilliant, she is great. I love her, she is young, she | :30:58. | :31:04. | |
is from Essex, we both did the X Factor, she did at the year | :31:05. | :31:07. | |
represented it. I really wanted her to tour with me, I had the song on | :31:08. | :31:11. | |
the album and I thought, why don't you do it with me? She loves it, she | :31:12. | :31:17. | |
is great, we really enjoyed it. The concept of singing solo or doing | :31:18. | :31:22. | |
duets, which do you prefer? It is nice with Louisa, because she is in | :31:23. | :31:34. | |
the UK. The other artists were American, whenever I did television | :31:35. | :31:37. | |
shows it was if they could make it or not. With Louisa we can hang out | :31:38. | :31:39. | |
on weekends doing the tour, she performs the shows with me like | :31:40. | :31:42. | |
tonight, it is nice to have her around. It is weird onstage, you are | :31:43. | :31:45. | |
having to share a little bit because I like being on stage on my own. It | :31:46. | :31:51. | |
is my show. It is all about ego. It is a problem with performers, you | :31:52. | :31:55. | |
need any goal as big as the planet because people would not watch, then | :31:56. | :31:58. | |
you have to come off stage and hopefully dial it down. Don't just | :31:59. | :32:06. | |
say buy me fish, quickly! That was not that any airline! Let's look at | :32:07. | :32:10. | |
the video, it is perfect for Wimbledon. | :32:11. | :32:19. | |
# Because that's when love is so phenomenal. | :32:20. | :32:25. | |
# It's better when there is no one in control. | :32:26. | :32:29. | |
# We don't know which way it's going to go. | :32:30. | :32:36. | |
There is the unpredictable bitte! That was all geared around | :32:37. | :32:40. | |
Wimbledon? The director had an amazing idea because it was coming | :32:41. | :32:44. | |
out in the summer, Wimbledon coming. We can't play tennis, that was the | :32:45. | :32:49. | |
only downside. A guy called Ricardo had two teachers in LA how to play. | :32:50. | :32:54. | |
Best Louisa, she struggled, to be fair. -- bless Louisa. Did you film | :32:55. | :33:03. | |
at Wimbledon? It was in palm springs in LA. You must have been boiling. | :33:04. | :33:09. | |
It was really hot, but the director was incredible, he made it look like | :33:10. | :33:14. | |
we was at Wimbledon. It looks fantastic. We wanted it to be firm | :33:15. | :33:19. | |
and show our personalities. It is a fun song and the video... We had a | :33:20. | :33:25. | |
John McEnroe impersonator at the start of the video which gives it | :33:26. | :33:30. | |
that Wimbledon feel. I am really happy with it. I think we reached a | :33:31. | :33:34. | |
million views today, amazing, thanks to everyone who has watched it. I am | :33:35. | :33:40. | |
sure you have heard the news about the charts and that artists are only | :33:41. | :33:42. | |
allowed three singles in the top 100. What were your thoughts? I | :33:43. | :33:50. | |
would love to have three in the top 100! I think it is great. Mostly the | :33:51. | :33:54. | |
new artists, people trying to establish themselves and get out | :33:55. | :33:58. | |
there, that is most important. Over the years with the way the charts | :33:59. | :34:02. | |
has been in the last four or five years it has not helped new bands | :34:03. | :34:06. | |
and new artists, and this equals it out a bit. If you have three really | :34:07. | :34:10. | |
good songs and they are in the top 100, you would be happy. Not great | :34:11. | :34:19. | |
news for Ed Sheeran. Longevity, he can drip feed them in. And when you | :34:20. | :34:22. | |
launch your catalogue of music you have to be very choosy with what you | :34:23. | :34:27. | |
put out. And you are touring for most of the summer? It has been | :34:28. | :34:31. | |
going great, we have been doing rates at Sand Cricket grounds, | :34:32. | :34:36. | |
festivals, brilliant. It has been great to go and see this beautiful | :34:37. | :34:41. | |
country. We always want to go on an aeroplane somewhere else but when | :34:42. | :34:43. | |
the sun is shining, even though today has been miserable, it is a | :34:44. | :34:47. | |
beautiful place and I am really enjoying being on the road. Do you | :34:48. | :34:51. | |
take the ice cream van everywhere you go? The group I am a bit like | :34:52. | :34:56. | |
Eddie, I don't like to eat too much sugar. So you are a feeder?! Ice | :34:57. | :35:06. | |
creams are beautiful, the 99 is such a beautiful thing and you need to | :35:07. | :35:11. | |
have a technique, which is to push the breakdown and then cover it and | :35:12. | :35:19. | |
many go, oh! No one taught as this, we were not taught it at school but | :35:20. | :35:23. | |
we knew we had to do it because that last bit... I understand, you eat | :35:24. | :35:28. | |
one and have another one and another one... I would eat the whole thing, | :35:29. | :35:33. | |
I have a problem with sugar. It is like crack cocaine. Can you say that | :35:34. | :35:39. | |
on the BBC? You just did. Olly, we are looking forward to the fact you | :35:40. | :35:43. | |
will be performing live with Louisa just outside the studio. That is | :35:44. | :35:54. | |
Unpredictable. We asked herself that, whether Watchdog team are | :35:55. | :35:56. | |
standing by to answer your consumer gripes and grumbles. Find out the | :35:57. | :35:57. | |
numbers to call later. First though, to a woman whose | :35:58. | :35:58. | |
sister was at the centre of one of the most-shocking and tragic news | :35:59. | :36:01. | |
stories of 2002 - a case that's become synonymous | :36:02. | :36:04. | |
with accusations of police failings, Tonight, in an exclusive interview, | :36:05. | :36:06. | |
Gemma Dowler wants to reclaim her sister Millie's memory - | :36:07. | :36:10. | |
and tell her side of the story. First, here's a reminder | :36:11. | :36:13. | |
of what her family's been through... On the 21st of March 2002, | :36:14. | :36:29. | |
13-year-old Amanda Dowler went missing. Police and Cerri say they | :36:30. | :36:34. | |
are going increasingly concerned about the safety of the 13-year-old | :36:35. | :36:39. | |
girl who has not been seen since Thursday afternoon -- police in | :36:40. | :36:41. | |
Cerri say they are growing really concerned. Milly, as she was better | :36:42. | :36:48. | |
known to friends, had made the short train journey to Walton on Thames, | :36:49. | :36:53. | |
one stop from where she lived. After stopping for chips and a chat with a | :36:54. | :36:56. | |
friend at the station cafe after school, she said goodbye and began | :36:57. | :37:01. | |
her walk. A friend at a bus stop saw her walk past just as her bus | :37:02. | :37:07. | |
arrived. It was bright daylight in commuter belt Cerri, but Milly never | :37:08. | :37:11. | |
made it home. A police investigation and | :37:12. | :37:15. | |
nationwide surge began. Milly's parents Sally and Bob made desperate | :37:16. | :37:21. | |
appeals for her safe return. Someone somewhere must know something. Any | :37:22. | :37:25. | |
information, however small and insignificant it may seem, must be | :37:26. | :37:30. | |
vital. We desperately need your help. Eventually, just for knowledge | :37:31. | :37:36. | |
of her fate. Can you give some sort of signal what has happened so know | :37:37. | :37:45. | |
and can get on, basically? Move on. Nearly six months after she went | :37:46. | :37:50. | |
missing, Milly's body was found in woodland in Hampshire, 20 miles from | :37:51. | :37:56. | |
where she was last seen. It was a further eight years and | :37:57. | :38:00. | |
after a widely criticised investigation that Milly's killer | :38:01. | :38:06. | |
was identified. A man is charged with the murder of | :38:07. | :38:09. | |
the schoolgirl Milly Dowler eight years after she was killed. Former | :38:10. | :38:14. | |
nightclub doormen Levi Bellfield is accused of her kidnap and murder. | :38:15. | :38:19. | |
This man was already behind bars having been convicted of two murders | :38:20. | :38:24. | |
and one attempted murder. The link is finally made between these crimes | :38:25. | :38:30. | |
and Milly. On the 23rd of June 2011, and after casting suspicion on the | :38:31. | :38:37. | |
Dowler family as part of his defence, Bellfield was convicted of | :38:38. | :38:41. | |
the murder and abduction of Milly Dowler. Trial has been a truly | :38:42. | :38:45. | |
horrifying ordeal for my family. During questioning my wife and I | :38:46. | :38:50. | |
felt we were on trial. For a mother to bury her child in any | :38:51. | :38:53. | |
circumstances is truly agonising, but to bury your child when you know | :38:54. | :38:58. | |
she died in such an appallingly awful way is terrible. Milly's | :38:59. | :39:04. | |
killer will never be from prison. This should have been an end to this | :39:05. | :39:10. | |
tragic story, but only weeks later Milly's face was back in the news. | :39:11. | :39:14. | |
It was revealed that whilst Milly was missing, her mobile phone was | :39:15. | :39:20. | |
hacked by a journalist. This is the most humble day of my life. | :39:21. | :39:24. | |
Ultimately it led to the closure of the News of the World and national | :39:25. | :39:28. | |
outrage at the treatment of a family who had suffered so much. | :39:29. | :39:36. | |
Gemma, thank you so much for joining us this evening. We know it is your | :39:37. | :39:39. | |
first interview about the book. Your new book "My Sister | :39:40. | :39:41. | |
Milly" is out tomorrow - after all the press attention your | :39:42. | :39:43. | |
family has had over the years, And, in a way, extend the process? I | :39:44. | :39:56. | |
felt that I was never really heard and my voice was never allowed to be | :39:57. | :40:00. | |
heard by the police, it was always children are seen and not heard and | :40:01. | :40:05. | |
they would keep me out of certain things, and so I was like I can't | :40:06. | :40:09. | |
give up on my sister, I can't give up on the family that we were, and | :40:10. | :40:13. | |
that is why I wanted so desperately to write this book because our life | :40:14. | :40:18. | |
before was so lovely and unfortunately you don't realise that | :40:19. | :40:23. | |
until it is too later. But it meant I had a fighting spirit to carry on | :40:24. | :40:27. | |
and make myself better. Here we are on the eve of the book being | :40:28. | :40:31. | |
released, an enormous amount has gone into what you have written. How | :40:32. | :40:36. | |
are you feeling now it is fair, it is out, you are talking now want | :40:37. | :40:41. | |
your voice is being heard? I feel so proud and like I have done | :40:42. | :40:45. | |
everything I need to four Milly, I have told everyone that I need to do | :40:46. | :40:50. | |
and hopefully in my future I will have some children and it was really | :40:51. | :40:53. | |
important that every single word they read about Milly was done. In | :40:54. | :41:04. | |
this book, this is the only book I want them to read, I don't want them | :41:05. | :41:09. | |
to read the newspapers. In the first chapter you paint a very vivid | :41:10. | :41:13. | |
picture of your sister, her being quite cheeky, loving music, being | :41:14. | :41:19. | |
very vibrant. The cover, in a way, reflects that. This is the picture | :41:20. | :41:25. | |
we all came to know is the wanted poster, really, when Milly went | :41:26. | :41:29. | |
missing. And then when you open the cover... It's got the picture that | :41:30. | :41:38. | |
you love of Milly. This is the picture that Milly would definitely | :41:39. | :41:42. | |
have approved of. And I think when you see the book, it definitely | :41:43. | :41:46. | |
looks like her eyes are full of sparkle and she looks like... We | :41:47. | :41:49. | |
kind of hoped we would be able to bring her back to life in the book | :41:50. | :41:55. | |
and bring our family into a kind of three-dimensional... Is if you are | :41:56. | :41:58. | |
in our house with us, which I think we have achieved. I feel so proud, I | :41:59. | :42:04. | |
feel like she is almost standing here and saying thank you so much | :42:05. | :42:09. | |
for doing this. I feel like it is my chance now to have a life and I have | :42:10. | :42:19. | |
done the best I can for my sister. You have brought some of the iconic | :42:20. | :42:23. | |
news footage, the police did not release this with any sound. And yet | :42:24. | :42:28. | |
this really tells the picture, as far as you are concerned, of her | :42:29. | :42:34. | |
love of music and her vibrancy? This is just before we lost her, she is | :42:35. | :42:40. | |
ironing these really scruffy jeans that you definitely would not | :42:41. | :42:43. | |
normally iron. They are supposed to look baggy for that reason. She | :42:44. | :42:48. | |
looks so beautiful and happy and full of life and in the background I | :42:49. | :42:53. | |
am chopping onions with goggles on because I don't want to cry and then | :42:54. | :42:57. | |
Milly looks so beautiful and I just look like a grumpy teenager, then my | :42:58. | :43:04. | |
granny is there, my mum is singing and everyone in the house is | :43:05. | :43:08. | |
involved, it is such an important soundtrack to our whole lives until | :43:09. | :43:12. | |
that point, it was filled with music and drama and giggling. We were the | :43:13. | :43:18. | |
kind of family that didn't mind taking the Mickey out of each other. | :43:19. | :43:24. | |
Most of it was for my dad, towards my dad, but it was done in a good | :43:25. | :43:28. | |
jest and I think that is so route to have. Sadly, as you mentioned, after | :43:29. | :43:36. | |
that footage was recorded, Milly went missing, very shortly after | :43:37. | :43:41. | |
that, about a week. And you felt even as a teenager, a young | :43:42. | :43:44. | |
teenager, straightaway that police really were not doing enough to help | :43:45. | :43:51. | |
your plate? Yes, I think I had no idea, as none of us do until we | :43:52. | :43:57. | |
cross into that line of inquiry, that investigation, as soon as the | :43:58. | :44:01. | |
police came into our house it was like, my gosh, now I feel really | :44:02. | :44:07. | |
judged and really unprotected. They wanted to Milly's bedroom and looked | :44:08. | :44:10. | |
at her stuff than I was like, when she comes back she will be crossed | :44:11. | :44:13. | |
you have done that, I could not stop them because they were like, well, | :44:14. | :44:19. | |
we need to do this. It was becoming apparent as the days when time that | :44:20. | :44:23. | |
they were going down the route of her running away, and I just used to | :44:24. | :44:28. | |
be... We all would just be like please, please go and look somewhere | :44:29. | :44:33. | |
else, she has not run away. I am her sister... You would have known. I | :44:34. | :44:37. | |
definitely would have, at seven o'clock as soon as dad called the | :44:38. | :44:43. | |
police it was like, oh, my God, I knew I was never going to see her | :44:44. | :44:48. | |
again. It was like, you are not listening to me. I have learned now | :44:49. | :44:52. | |
through coming through all of this a child that is not listen to finds it | :44:53. | :44:58. | |
really hard to get back to a normal life. Dealing with an enormous | :44:59. | :45:02. | |
amount of frustration. We heard your dad talking in the film, he became a | :45:03. | :45:08. | |
suspect. From the 15-year-old's perspective, what was that like to | :45:09. | :45:12. | |
live through and how did it compared to what you would have expected from | :45:13. | :45:20. | |
police? There were goodies and baddies, good people were the police | :45:21. | :45:24. | |
comment by people did bad stuff, unfortunately it did not pan out | :45:25. | :45:28. | |
that way. We were so desperate to do what they said because we thought it | :45:29. | :45:31. | |
would help fight Milly, we just wanted them to find Milly and nobody | :45:32. | :45:37. | |
else could help. -- we thought it would help find Milly. We thought we | :45:38. | :45:40. | |
had to cooperate because otherwise I don't go if she would ever have been | :45:41. | :45:46. | |
found. But on the night that Milly went missing, the next morning I | :45:47. | :45:51. | |
lost my childhood, I lost my mum and I lost my dad and family and friends | :45:52. | :45:57. | |
and everyone went into trauma at different times and nobody knew how | :45:58. | :46:02. | |
to talk to each other and it was so hard, it was horrendous because | :46:03. | :46:06. | |
nobody wanted to upset me because I was a child, I felt so shut away | :46:07. | :46:09. | |
when all of my friends were trying to contact me but you just feel so | :46:10. | :46:14. | |
desperate and is the only thing I wanted to do was find Milly so I | :46:15. | :46:18. | |
would just do anything I could to keep fighting. Then it took six | :46:19. | :46:23. | |
months before they found Milly's body, and then it was nine years | :46:24. | :46:29. | |
before Levi Bellfield was committed. You say in the book that the day | :46:30. | :46:34. | |
that he went to court was your worst date out of the entire thing? Why? | :46:35. | :46:47. | |
My mum had just been given evidence, I was outside, opened the door and | :46:48. | :46:54. | |
there was a bloodcurdling scream. It sounded like an animal being hurt. | :46:55. | :47:06. | |
It was horrendous and I obviously heard it. She was being restrained | :47:07. | :47:12. | |
by my family liaison officer. She was inconsolable. She was like, why | :47:13. | :47:18. | |
did you do this to me? I saw her and I started crying. And I was like, | :47:19. | :47:24. | |
what has happened, are you OK? The press are running into and out of | :47:25. | :47:30. | |
the room to talk to each other, then my dad is being protected and my mum | :47:31. | :47:35. | |
is being protected and he obviously went to me because I'm his daughter. | :47:36. | :47:40. | |
He heard me having a massive panic attack. In that moment, the | :47:41. | :47:52. | |
barrister took it upon himself to say that the reason my mum had | :47:53. | :47:55. | |
behaved that way is because she'd seen me as she opened the door. Part | :47:56. | :48:03. | |
of me thinks it was a good thing I was not there for the questioning. | :48:04. | :48:09. | |
I've heard a few bits but it was just absolutely horrendous. We just | :48:10. | :48:17. | |
needed some help then and my dad could not come to me and it was so | :48:18. | :48:23. | |
hard. He was so split between the three. | :48:24. | :48:34. | |
The book hit the headlines because of the hacking crisis. Then you met | :48:35. | :48:48. | |
David Cameron and Rupert Murdoch. This was in the space of a week. At | :48:49. | :48:54. | |
that point my mum had said if he was not found guilty, she wanted a joint | :48:55. | :49:06. | |
suicide pact. I did not know whether mum could ever find help. We had no | :49:07. | :49:15. | |
help. We went into autopilot and I went like, I don't care, I've got | :49:16. | :49:20. | |
nothing to lose, I've lost my mum and my dad and my sister. I thought, | :49:21. | :49:33. | |
if I ever have a chance to change and help, by telling them what they | :49:34. | :49:37. | |
did, hopefully they can learn from this and they can make a change. | :49:38. | :49:45. | |
David Cameron, they listened, the party leaders did listen at the | :49:46. | :49:51. | |
time. That is what I needed. I am really grateful to them. It was a | :49:52. | :49:57. | |
crazy tight in my life. I remember snippets. A lot of people will learn | :49:58. | :50:07. | |
some very hard lessons by reading this book. It will be released | :50:08. | :50:16. | |
tomorrow. Thank you so much. Stay tuned to BBC One because of watchdog | :50:17. | :50:26. | |
is back. Thank you. We are still in the midst of preparations for a | :50:27. | :50:30. | |
brand-new series from her studio in Salford. The paint is dry and the | :50:31. | :50:36. | |
furniture is in. Have a look outside. We are definitely not being | :50:37. | :50:44. | |
shy. There is nothing subtle about that but then we're here to make a | :50:45. | :50:48. | |
big noise about consumer troubles. Over here we have people who have | :50:49. | :50:57. | |
told us about their experiences. Some of them have problems with | :50:58. | :51:01. | |
their smart meter. Others are trying to find out if Ryanair is trying to | :51:02. | :51:11. | |
do something sneaky. I will be grilling one of Ryanair's bosses on | :51:12. | :51:18. | |
that one. The team is here. Thank you. I'm sure you will have plenty | :51:19. | :51:25. | |
to say about one of her stories. We've been testing high Street | :51:26. | :51:35. | |
coffee chain hygiene standards. Should other people be concerned? | :51:36. | :51:41. | |
Absolutely. The expectation is that we go in and we are safe. We will | :51:42. | :51:47. | |
have the whole story later on but I would advise you to finish your | :51:48. | :51:55. | |
teeth. I am skipping mine. We've been investigating rogue traders and | :51:56. | :51:58. | |
we've captured some of the worst behaviour we've ever seen. One | :51:59. | :52:04. | |
company were completely upfront, that is the best I can say. | :52:05. | :52:14. | |
Believe me, there is a lot more where that came from. The team are | :52:15. | :52:24. | |
waiting to hear from you. You can e-mail us right now. We are on | :52:25. | :52:32. | |
Twitter as well. There are many ways to get in touch. We will see you | :52:33. | :52:40. | |
right back here. It's the moment we've all been waiting for. Has Si | :52:41. | :52:51. | |
scrambled those eggs? The Morecambe and Wise breakfast sketch is one of | :52:52. | :52:55. | |
the most enduring routines in comic history. Can we recapture a little | :52:56. | :53:02. | |
of their genius? We are trying to recapture it in a single take. We've | :53:03. | :53:10. | |
been building a replica set but not everything has gone to plan. Time is | :53:11. | :53:17. | |
running away. We need to mail are one take wonder. Will this tribute | :53:18. | :53:32. | |
fall flat as a pancake? All this talk of breakfast is making me | :53:33. | :53:40. | |
hungry. Me to. Pancakes, toast, freshly squeezed grapefruit juice. | :53:41. | :53:42. | |
Sounds good to me. Let's go with a good effort. We are | :53:43. | :56:09. | |
live at Buckingham Palace tomorrow with Prince Harry. Performing their | :56:10. | :56:14. | |
new single is Olly Murs and Louisa Johnson. | :56:15. | :56:20. | |
# Cos that's when love is so phenomenal | :56:21. | :56:55. | |
# It's better when there's no one in control | :56:56. | :56:59. | |
# And we don't know which way it's gonna go | :57:00. | :57:06. | |
# It's enough for us to make it through | :57:07. | :57:30. | |
# Cos that's when love is so phenomenal | :57:31. | :57:42. | |
# It's hotter when there's no one in control | :57:43. | :57:46. | |
# We don't know which way it's gonna go | :57:47. | :57:53. | |
# I know you like it, I'm seeing that expression | :57:54. | :58:06. | |
# I know you really love us when we're | :58:07. | :58:15. | |
# Cos that's when love is so phenomenal | :58:16. | :58:21. | |
# It's better when there's no one in control | :58:22. | :58:24. | |
# And we don't know which way it's gonna go | :58:25. | :58:31. | |
# Cos that's when love is so phenomenal | :58:32. | :58:41. | |
# It's better when there's no one in control | :58:42. | :58:43. | |
# We don't know which was it's gonna go | :58:44. | :58:50. | |
# It's better when we're unpredictable | :58:51. | :58:51. | |
# Cos that's when love is so phenomenal | :58:52. | :59:02. | |
# It's hotter when there's no one in control | :59:03. | :59:04. | |
# No. way it's gonna go | :59:05. | :59:27. | |
Hello, I'm Asad Ahmad with your 90 second update. | :59:28. | :59:31. |