Browse content similar to 28/09/2012. Check below for episodes and series from the same categories and more!
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Incredible isn't it? It is. What a story that is. Twock the Friday one | :00:22. | :00:28. | |
show with Chris Evans. And Alex Jones. A comedian who had his first | :00:28. | :00:33. | |
and only press scandal age five, which is here in this paper, Sunday | :00:33. | :00:41. | |
people, July 31st, 1977, a very young Lee McKillop who'd been | :00:41. | :00:46. | |
bitten by a German Shepherd dog and received compensation. He grew up | :00:46. | :00:56. | |
:00:56. | :00:57. | ||
to be Lee Mack! Thafrpblgts's the scar. I didn't get compensation | :00:57. | :01:02. | |
actually. It says in here you did. It's almost like the paper's made | :01:02. | :01:05. | |
stories up. What had you done to warrant the security dog coming | :01:05. | :01:12. | |
after you. Compensation in both cases and Mr Perry caims Securicor | :01:12. | :01:21. | |
employees have been attacked -- claims. Maybe you got it and your | :01:21. | :01:26. | |
mum and dad spent it. Why did he attack you? We were in a shopping | :01:26. | :01:31. | |
centre, me and my brother, sliding down the escalate oreor. They | :01:31. | :01:36. | |
hadn't figured out how to put those things on to stop you sliding down? | :01:36. | :01:40. | |
That's right. The dog decided to bite me. I said yeah whatever, I | :01:40. | :01:45. | |
was cool then, took me to hospital... I can't remember | :01:45. | :01:48. | |
security companies having guard dogs. Do you think it might have | :01:48. | :01:53. | |
been a man dressed as a dog? don't know what it was. Maybe night | :01:53. | :01:58. | |
watchman but in a shopping centre?! I think they stopped doing it | :01:58. | :02:08. | |
:02:08. | :02:10. | ||
because they kept biting children. I don't know if you read about it. | :02:10. | :02:15. | |
In Lee's new autobiography, there's more on that. Given the weather | :02:15. | :02:18. | |
this week, you would be forgiving for curse Agnew cloud on the | :02:18. | :02:23. | |
horizon, but for one man, it's great news. We have Gavin Pretor- | :02:23. | :02:28. | |
Pinney over here, he's a guy with his head in the clouds permanently, | :02:28. | :02:36. | |
but he needs your help. It's a big cloud deal. It's a bit cloudy. I | :02:36. | :02:45. | |
don't suppose I need these. Well, it is nearly October. | :02:45. | :02:54. | |
Clouds can reflect our mood, enhance the landscape juxta suppose | :02:54. | :02:58. | |
our mood or present a downpour. We are at the forefront of the | :02:58. | :03:08. | |
:03:08. | :03:14. | ||
research when there's a cloud on the block. Introducing undulatus | :03:14. | :03:20. | |
asperatus. Gavin Pretor-Pinney of the UK-based Cloud Appreciation | :03:20. | :03:27. | |
Society, a few years ago, looked at it. In 2006, we got some | :03:27. | :03:34. | |
photographs sent in from Cedar Rapids. People started sending in | :03:34. | :03:39. | |
more pictures, so we've got a lot of them but not enough. Who named | :03:39. | :03:44. | |
it, because it's an interesting name isn't it? A bit strange? | :03:44. | :03:54. | |
:03:54. | :03:56. | ||
I came up with it, a Latin name, asperatus means roughened. And und | :03:56. | :04:03. | |
lating for the other word -- undulating? Yes. Why does it | :04:03. | :04:06. | |
matter? One of the things, when you name something, you pay attention | :04:06. | :04:11. | |
to it so. To notice apay attention to it, to try and understand and | :04:11. | :04:15. | |
it's an ongoing process, understanding. Identifying and | :04:15. | :04:19. | |
naming is part of that process of understanding our environment. | :04:19. | :04:25. | |
It was British chemist Luke Howard later regarded as the father of | :04:25. | :04:31. | |
meteorology who first used Latin to name clouds, cumulus stratus and | :04:31. | :04:35. | |
cirrus. Gavin is working with Professor | :04:35. | :04:39. | |
Gyles Harrison here at the university of Reading's meteorology | :04:39. | :04:46. | |
department to build a case for a new cloud. What are we looking at | :04:46. | :04:51. | |
here? A A computer simulation of what a cloud would look like. | :04:51. | :04:56. | |
is it then, job done, this is a cloud? We have got an artist's | :04:56. | :05:00. | |
impression, but to really nail it, we need detailed observations in | :05:00. | :05:04. | |
these clouds when we are sure that's the right type of cloud. | :05:04. | :05:12. | |
difficulties of gathering weather data isn't the only thing stopping | :05:12. | :05:20. | |
undulatus asperatus status. It could be down to you and your | :05:20. | :05:27. | |
camera now to get some photographs of clouds and to have them named. | :05:27. | :05:32. | |
Revie was not banned from football for racism, ban ford taking another | :05:32. | :05:40. | |
job. Not that much of a big deal. Cloud quickly! Gavin is here, | :05:40. | :05:44. | |
undulatus asperatus, we could claim it as the people's cloud? The first | :05:44. | :05:51. | |
example of cloud crowd sourcing, because what we really need is more | :05:51. | :05:56. | |
examples of this cloud. If with get enough of them, we get enough of a | :05:56. | :06:00. | |
body of evidence for this cloud, it could become official and could | :06:00. | :06:04. | |
become official by people sending in photos, people who enjoy looking | :06:05. | :06:09. | |
at the sky and appreciating the clouds. The One Show people are | :06:09. | :06:16. | |
very good at this. You will be deluged by half seven. If you think | :06:16. | :06:21. | |
you have a photo of this new cloud, send a photo of within and where it | :06:21. | :06:23. | |
was taken which is very important. You will gather that evidence and | :06:23. | :06:29. | |
who will you take it to, who ticks the new loud box? The people who | :06:29. | :06:33. | |
decide whether a cloud classification is official is the | :06:33. | :06:36. | |
World Meteorlogical Organisation, based in Geneva. Nothing happens in | :06:36. | :06:40. | |
a hurry there, but in order to be made official, it needs to get into | :06:40. | :06:46. | |
this, the International Cloud Atlas and it's a nerdy book, it's not a | :06:46. | :06:55. | |
page-Turner. How does it end?! a storm. Yay! And it's got all the | :06:55. | :07:00. | |
official classifications in there. So you have to get it in here. The | :07:00. | :07:04. | |
last time they did an edition of this was 1975. They are just | :07:04. | :07:09. | |
thinking of doing a new edition. Nebs month, they have their meeting | :07:09. | :07:14. | |
-- next month. There's a chance they'll do another one. Perfect | :07:14. | :07:20. | |
timinging and we need the help. Will you take The One Show viewers' | :07:20. | :07:24. | |
pictures for evidence? If there are some good pictures in there, yes. | :07:24. | :07:31. | |
Give us your clouds now! Next, as a doctor of mechanical | :07:31. | :07:38. | |
engineering, you would is thought that Maggie Aderin Pocock liked | :07:38. | :07:43. | |
watching things being built. But she's brought down a chimney, a | :07:43. | :07:50. | |
tower block. So what's next quaking in its boots on her hit-list? | :07:50. | :07:59. | |
motorway bridge, now you see it now you don't. This 1,500 Tonbridge | :07:59. | :08:03. | |
that spanned the M1 for 50 years really did disappear overnight. But | :08:03. | :08:10. | |
how do you pull off a trick like that? The story starts 15 hours | :08:10. | :08:13. | |
earlier. It's Saturday night on the M1 outside Toddington in | :08:13. | :08:18. | |
Bedfordshire. But it's not a typical Saturday night. | :08:18. | :08:23. | |
It feels really odd to be walking along an empty stretch of motorway. | :08:23. | :08:29. | |
Usually, 130,000 cars whizz down here every day. But tonight, it's | :08:29. | :08:36. | |
closed because the bridge behind me has come to the end of the road. | :08:36. | :08:40. | |
In 1959, drivers on the brand-new M1 marvelled at the space age | :08:40. | :08:45. | |
design of these modern bridges. But 50 years on, this particular bridge | :08:45. | :08:50. | |
has been replaced. I'm standing on the new bridge | :08:50. | :08:54. | |
which, awhrong the new slip roads, has been built to accommodate the | :08:54. | :09:02. | |
increasing amount of traffic coming coming on to the motorway. So that | :09:02. | :09:09. | |
bridge needs to disappear quickly. The quickest way to get rid of it | :09:09. | :09:14. | |
would be to blow it up. It was built by pouring cement around a | :09:14. | :09:22. | |
steel frame. Giant chunks could damage the road, even with the | :09:22. | :09:26. | |
floor laid to protect it. Demolition expert Noel McLean is in | :09:26. | :09:30. | |
charge of the operation. Bringing all that weight down at once is too | :09:30. | :09:33. | |
high risk to impact on the carriageway so we'll talk it apart | :09:33. | :09:40. | |
in small bits at a time. We need monster machines to break up | :09:40. | :09:45. | |
concrete and steel. These machines are known as hydraulic breakers. | :09:45. | :09:49. | |
They act like a pneumatic drill. Each one can exert 300 tonnes of | :09:50. | :09:54. | |
pressure on to the bridge. That smashes the concrete into | :09:54. | :10:00. | |
smithereens. Ten of these giants have just 15 hours to take 1,500 | :10:00. | :10:04. | |
tonnes of road bridge to pieces. It's 9 o'clock on Saturday night. | :10:04. | :10:07. | |
The road needs to be open by noon the next day. | :10:07. | :10:17. | |
:10:17. | :10:23. | ||
They've been at it for about 20 minutes now. You can see how | :10:23. | :10:29. | |
they're ripping through it. Those machines are incredibly powerful. | :10:29. | :10:34. | |
We are one hour in and the team is forming ahead. The men and machines | :10:35. | :10:39. | |
need to demolish over 100 tonnes of road bridge every hour to keep on | :10:39. | :10:44. | |
schedule. It may look as if this bridge has been torn apart totally | :10:44. | :10:50. | |
randomly but that's not the case. The machines on either side are | :10:50. | :10:57. | |
working their way inwards. As it's a single piece of concrete, if one | :10:57. | :11:02. | |
side becomes heavier than the other, it could tip over and collapse. | :11:02. | :11:07. | |
This will dislodge the large slabs of concrete they've been trying to | :11:07. | :11:13. | |
avoid. So all the machines are carefully coordinated by Noel. | :11:13. | :11:15. | |
That's a really difficult balancing act. They want to get the bridge | :11:15. | :11:21. | |
down as quickly as possible, at the same time the machines need to work | :11:21. | :11:26. | |
in Unison. After three hours, the main span of the bridge has gone. | :11:27. | :11:30. | |
Huge lights illuminate the site as the workers push on through the | :11:30. | :11:36. | |
night. By the morning, the bridge is | :11:36. | :11:41. | |
completely down. With two hours left to go, they are scraping up | :11:42. | :11:46. | |
the rubble And pushing it off to the side which they'll deal with | :11:46. | :11:49. | |
later. The focus now is to clear the motorway as soon as possible | :11:49. | :11:52. | |
and get that traffic flowing. The debris is cleared but there's still | :11:52. | :11:58. | |
a job to be done. The hard floor has to come up. The road needs to | :11:58. | :12:02. | |
be cleaned. The central reservation is replaced. Time to release the | :12:02. | :12:10. | |
traffic and let the cars through. They've finished the with just | :12:10. | :12:14. | |
under one hour to spare. Most motorists will be oblivious to | :12:14. | :12:18. | |
the work of the demolition team who've made an entire bridge | :12:18. | :12:27. | |
disappear overnight. Lee's here, Mack The Life. The new | :12:27. | :12:34. | |
book, what is it called, super Thursday? The phrase super Thursday, | :12:34. | :12:41. | |
yes. There was one book behind the counter on the floor, one of my | :12:42. | :12:45. | |
books. I said to the woman, I don't know anything about marketing or | :12:45. | :12:49. | |
selling, but that's not going to sell it. It has a style, a format, | :12:49. | :12:56. | |
we like it. Tell people who don't know? I decided at the end of the | :12:56. | :13:00. | |
autobiography, Chris - good question, glad you asked it - that | :13:00. | :13:04. | |
it didn't dig deep enough so I took to it a psychiatrist and she could | :13:04. | :13:09. | |
analyse me after it. She diagnosed me with ADHD. Only went for a bit | :13:09. | :13:14. | |
of light fun, now I've come away with ADHD, means I can't focus or | :13:14. | :13:19. | |
concentrate. You go in with it though? What?! You didn't know | :13:19. | :13:23. | |
whether it was a good or bad thing? It givious a good excuse because | :13:23. | :13:28. | |
when your wife says what are you doing staring out the window | :13:28. | :13:33. | |
instead of feeding the kids, you go "I've got an illness, love" | :13:33. | :13:37. | |
have published the analysis in the book? It's the real recordings of | :13:37. | :13:41. | |
the conversations I had with her and I put it in script form. | :13:41. | :13:45. | |
say her even though you call her Brian? Give her a bit of anonymity. | :13:45. | :13:50. | |
I said do you want to be known or not and she said no, I want to be | :13:50. | :13:54. | |
anonymous, so I said I'll call you Brian. I mention in the book that | :13:54. | :13:59. | |
she's Jedward's cousin, which is true. That blows the anonymity a | :13:59. | :14:04. | |
little bit unless Jedwards have loads of cousin who is are | :14:04. | :14:10. | |
psychiatrists. How did that come out? In the chat I said tell me | :14:10. | :14:13. | |
about you and she said I'm Jedward's cousin. It's like | :14:13. | :14:17. | |
Hannibal electric for, tell me about you. It's strange isn't it? | :14:17. | :14:21. | |
Yes, but she was great. Anyway, but she had a problem with you didn't | :14:21. | :14:26. | |
show because you gave her the name Brian but she thought you were the | :14:26. | :14:32. | |
problem because you changed your name to Lee Mack. As you saw from | :14:32. | :14:36. | |
the newspaper article, when I was in the papers as Lee McKillop, it | :14:36. | :14:42. | |
resulted in dogs biting me. Since I've been Lee Mack, there's been no | :14:42. | :14:48. | |
assaults by Alsatians. The dog asked my name, didn't like me and | :14:48. | :14:52. | |
bit me. She can tease that theme throughout the book and she says | :14:52. | :14:56. | |
you are defensive? You have read into that too much. At least I've | :14:56. | :15:00. | |
read something. You have certainly read the notes the researcher gave | :15:00. | :15:07. | |
you. You are certainly listening in your ear piece, I'll give you that. | :15:07. | :15:13. | |
The golf actually. Yes, still two up! It's a defence mechanism to go | :15:13. | :15:18. | |
under a different name I thought. Chris Evans is not your real name, | :15:18. | :15:23. | |
is it, it's Mustafa Abdul? It's Christine. You are the one who | :15:23. | :15:31. | |
should be writing a book now. grandfather was Billy Mack without | :15:31. | :15:41. | |
:15:41. | :15:50. | ||
the K so why did you do it with the K? I didn't know he spelt it like | :15:50. | :15:58. | |
Mac, my grandad Jack told me that so I wrote him a letter and said | :15:58. | :16:02. | |
"grandad Jac". If you wanted to look like an up side down | :16:02. | :16:05. | |
triangle... You look like a Christopher Eccleston there. What | :16:05. | :16:10. | |
were you doing with your life at that point? At that point I was | :16:10. | :16:14. | |
genuinely hand on heart rehearsing for my standup gig and that bottle | :16:14. | :16:18. | |
is the microphone. I know how to impress the girls! My girlfriend | :16:19. | :16:25. | |
had to listen to my act as I spoke into a coke bottle. Not madness is | :16:25. | :16:35. | |
:16:35. | :16:36. | ||
it. There's pictures of your first settler list. -- set list. You have | :16:36. | :16:41. | |
got rid of the word "caution". you remember... The rude word? | :16:41. | :16:46. | |
The only joke I remember was the tramp one. It was my first gig so | :16:47. | :16:50. | |
give me some slack. The stkwrock was, a tramp came up to me in the | :16:50. | :16:54. | |
street and said have you got a cigarette, I said I don't smoke, he | :16:54. | :17:04. | |
said have you got any change and I said I still don't smoke. | :17:04. | :17:08. | |
thirds of the book is your story, the third half is the analysis of | :17:08. | :17:14. | |
them. That to me I think also feels like you're trying to write less | :17:14. | :17:17. | |
about you, more about the psychiatry, more of a gimmick, | :17:17. | :17:23. | |
maybe there is more to hide? long as knob goes round Epping | :17:23. | :17:27. | |
Forest digging with a spade, I'm all right. They won't do that, | :17:27. | :17:32. | |
they'll bite you. Am I the only person who looks up and sees the | :17:32. | :17:36. | |
clouds looking exactly the same. They change all the time. When you | :17:36. | :17:41. | |
have ADHD, you don't have time to look at clouds, too much going on. | :17:41. | :17:44. | |
Strictly is back next week and the class of 2012 will be all over the | :17:44. | :17:52. | |
Internet looking for classic clips of inspiration such as Fred Astaire. | :17:52. | :17:58. | |
You would have looked at Ginger Rogers. Because I'm not a man. | :17:58. | :18:06. | |
know that! There was a chance encounter during a trip to the UK | :18:06. | :18:13. | |
many years ago... Fred Astaire, the Fleetwood's | :18:13. | :18:17. | |
Hollywood legend immortalised by dozens of musicals during the first | :18:17. | :18:23. | |
half of the 21st century. But what of his sister Adele whom Fred | :18:23. | :18:28. | |
called the real dancer in the family? | :18:28. | :18:34. | |
She was destine ford great things with critics saying that she was | :18:34. | :18:37. | |
the more talented and charismatic of the two. So why has history all | :18:37. | :18:44. | |
but forgotten her name? The answer lies here in Derbyshire, at | :18:44. | :18:51. | |
Chatsworth House. Here, the resident expert on the | :18:51. | :18:56. | |
Astaire's history is Hannah. Adele was born in 1896 in Nebraska. She | :18:56. | :19:00. | |
had a younger brother Fred, three years younger than her. They were | :19:00. | :19:04. | |
very good at dancing and at the age of eight and the age of five, they | :19:04. | :19:11. | |
were taken off to New York City and enrolled in stage school. In 1917, | :19:11. | :19:15. | |
they eventually made it on to Broadway where they became a huge | :19:15. | :19:19. | |
hit. They carried on their success by coming over to this side of the | :19:19. | :19:25. | |
Atlantic and starred in the West End as well. They were now a hugely | :19:25. | :19:29. | |
successful double act but it was Adele that the public adored. | :19:29. | :19:32. | |
newspaper columns are full of the fact that she's the best American | :19:32. | :19:36. | |
actress that ever landed in London and she's really taken to the | :19:36. | :19:40. | |
hearts of England at a time. Then it comes to an end. Why? What | :19:40. | :19:47. | |
happens? She falls in love. In 1926, she meets the son of the Knight of | :19:47. | :19:52. | |
the Duke of Devonshire who owns Chatsworth amongst many other | :19:52. | :19:56. | |
properties. Six years after meeting, they got married at Chatsworth | :19:56. | :20:00. | |
House and Adele gave up her life on the stage for good, becoming the | :20:00. | :20:05. | |
lady of the manor instead. Despite her fame before marriage, there is | :20:05. | :20:09. | |
no known footage of Fred and Adele performing together in public. And | :20:09. | :20:17. | |
we can only imagine the sight of the pair practising in private. So | :20:18. | :20:23. | |
having grown up together, danced together and tasted fame together, | :20:23. | :20:27. | |
the Astaire brother/sister partnership broke up. | :20:27. | :20:33. | |
Fred and Adele's lives were heading in very different directions. | :20:33. | :20:37. | |
Soon after the marriage, Adele, now lady Charles Cavendish, moved to | :20:37. | :20:43. | |
Ireland with her husband where they lived in a castle. | :20:43. | :20:47. | |
After the break-up of the dance partnership, Fred was devastated by | :20:47. | :20:52. | |
the thought of continuing on stage alone. He was pushing 34 and feared | :20:52. | :21:00. | |
that the riggours of being on stage would be too much for him. But then, | :21:00. | :21:05. | |
movie producers suggested he try Hollywood. There's a story about | :21:05. | :21:13. | |
his first screen test. Can't sing, can't act, Balding, dances a little. | :21:13. | :21:17. | |
That's gone down in Hollywood folklore. Then the studios found | :21:17. | :21:22. | |
him a new dance partner, Ginger Rogers and it's this couple that | :21:22. | :21:24. | |
history remembers, not Fred and Adele. | :21:24. | :21:29. | |
We have 31 musicals in which to apraeshiate the genius of Fred | :21:29. | :21:36. | |
Astaire. We don't have a single movie to remember Adele -- | :21:36. | :21:40. | |
appreciate. Despite her fame wrbgs no films to remember her by, Adele | :21:40. | :21:44. | |
faded from the public memory. But friends of the siblings say she was | :21:44. | :21:48. | |
proud of her brother and never regretted leaving the bright lights | :21:48. | :21:52. | |
behind. Had Adele not married and joined her brother in the movies, | :21:52. | :21:57. | |
there's every chance she would have ended up as big a star as Fred. One | :21:57. | :22:01. | |
critic once wrote, there is an element of daredevil spontaneity in | :22:01. | :22:05. | |
her performance, the sense that with Adele on stage, anything is | :22:05. | :22:09. | |
possible. What a beautiful dancer. Just as | :22:09. | :22:15. | |
with you last year on Strictly. Exactly the same, Chris. Do you | :22:15. | :22:19. | |
miss it? Of course I do. Are you the funniest one in your family? | :22:19. | :22:23. | |
Definitely not. That's my son. He's funny. Kids, then again, they're | :22:23. | :22:27. | |
great because they pass wind and then laugh for about 20 minutes and | :22:27. | :22:30. | |
it doesn't get any funnier than that, does it, everyone knows that. | :22:30. | :22:35. | |
They are in the book? Well, I've talked about them but not mentioned | :22:35. | :22:38. | |
them too much because I didn't want to do too much family stuff because | :22:38. | :22:42. | |
people don't want to hear about their families in autobiographys, | :22:42. | :22:48. | |
do they? Of course they do. You came across this psychiatrist who | :22:48. | :22:52. | |
psychoanalyses every chapter. Did you know this lady? Did a random | :22:52. | :22:56. | |
search on Google and said, I'll ga go to that person, I won't shop | :22:56. | :23:00. | |
around, I'll read the book and you can analyse me and I think she | :23:00. | :23:03. | |
thought it was a wind-up. Did you tell her at the beginning you are | :23:03. | :23:07. | |
going to be published? I might not have mentioned that bit. If the | :23:07. | :23:13. | |
book is a hit, have you signed her up for the second? I'm trying to | :23:13. | :23:18. | |
sign her up for the sitcom. I said to her, I'm doing it because I want | :23:18. | :23:24. | |
it to be like the sopranos. I got paranoid and thought, actually, he | :23:24. | :23:29. | |
ends up trying to have sex with his psychiatrist. Let's see a picture | :23:29. | :23:35. | |
of Billy Mack. Looks like Fred Astaire. A cross between Fred | :23:35. | :23:43. | |
Astaire and James Cagney. The British boxer -face, brutish. Is | :23:43. | :23:48. | |
that where you get the performing gene? I don't know. I don't know | :23:48. | :23:53. | |
what Cabbages, Cabeans and Carrots means. What are cabeans? We were | :23:53. | :23:57. | |
told it was a song you sing at every family gathering. I don't | :23:57. | :24:01. | |
know the song. I would get on the sofa and sing it if I knew it. | :24:01. | :24:05. | |
is heading south so go north quickly. To Scotland where Mike has | :24:05. | :24:09. | |
been seeing how one of our most beautiful birds is coming back from | :24:09. | :24:16. | |
the brink of extinction. Go, Mike! Loch Garry in western Scotland. | :24:16. | :24:24. | |
Framed by the rugged mountains behind. And where over the o they | :24:24. | :24:31. | |
are side - other side, a tiny island, the perfect place for a | :24:31. | :24:36. | |
black diver. These spectacular Art Deco patterned birds are one of tf | :24:36. | :24:42. | |
UK's rarest species.. They can barely walk on land so have to nest | :24:42. | :24:48. | |
on the very edge of the lochs and that's been their downfall. | :24:48. | :24:55. | |
In the 1950s and 1960s, many Scottish lochs had hydroelectric | :24:55. | :25:01. | |
power. That resulted in water levels regularly rising and falling. | :25:01. | :25:06. | |
A disaster for the diver's lochside nests which were left high and dry | :25:06. | :25:12. | |
or come plaitly swamped usually. Numbers plummeted. Until in the | :25:12. | :25:18. | |
1980s, someone hit on a buoyant brain wave. That's no ordinary | :25:18. | :25:24. | |
landmass, it's a man-made floating island created especially for the | :25:24. | :25:28. | |
black-throated divers. It's John Foster's job to make sure it stays | :25:28. | :25:31. | |
in good condition. This one's not been nested on this year so we can | :25:31. | :25:37. | |
take a closer look. It's stable. It's like a piece of floating | :25:37. | :25:43. | |
meadow. I can feel it wobbling. hope it gives the bird a nice home, | :25:43. | :25:50. | |
I suppose. How have you created it? There's lots of turf and birch | :25:50. | :25:56. | |
trees, it's remarkable? Fundamentally, it's basically three | :25:56. | :26:00. | |
polystyrene blocks sandwiched between wood and then we turf it. | :26:00. | :26:05. | |
There are 40 of these artificial islands dotted amongst Scotland's | :26:05. | :26:08. | |
Highland lochs. The principal is the same as the nest box in your | :26:08. | :26:13. | |
garden, they provide a safe and stable home for these rare birds. | :26:14. | :26:18. | |
That's the raft but what about the divers? This is a great time of | :26:18. | :26:22. | |
year because elsewhere, the birds that have been nesting on other | :26:22. | :26:27. | |
rafts will have hatched their chicks. I'm off to another loch to | :26:27. | :26:33. | |
see a floating family. Using a boat to get close would | :26:33. | :26:37. | |
disturb this breeding pair. I'm going to observe from a safe | :26:37. | :26:42. | |
distance with RSPB conservation manager Stuart Ben. They are too | :26:42. | :26:52. | |
:26:52. | :26:52. | ||
good to be true. That's them. It carries across the water and we are | :26:52. | :26:58. | |
lucky to hear that. That's brilliant. Doesn't get more | :26:58. | :27:06. | |
exciting than that. The birds calling on the loch. This is one of | :27:06. | :27:11. | |
230 breeding pairs in the UK. But what they lack in numbers, they | :27:11. | :27:18. | |
certainly make up for in style. It's amazing. You would think | :27:18. | :27:24. | |
that's a recipe for dullness, but it's absolutely the opposite. | :27:24. | :27:29. | |
ImMack rat, stunning, like a Hollywood star that's all perfectly | :27:29. | :27:35. | |
groomed. And they are. As if to demonstrate the success of the | :27:35. | :27:42. | |
project... Oh, yes! Can you see it? I can, the little chicks? A little | :27:42. | :27:49. | |
ball of fluff almost. It was reared on the island? It was. | :27:49. | :27:55. | |
You can see the water levels have gone up and down here. This | :27:55. | :28:01. | |
floating element is the key isn't it? It really is. If that nest | :28:01. | :28:04. | |
would have been on the mainland, the bird would have had no chance. | :28:04. | :28:08. | |
So reasons to be optimistic about these birds? If you asked me that | :28:08. | :28:13. | |
question 20 years ago, I would have been more cautious. The rafts, like | :28:13. | :28:18. | |
a lot of the best ideas, are incredibly simple. Not complicated, | :28:18. | :28:23. | |
expensive or difficult, but it works and that's the main thing. | :28:23. | :28:29. | |
Thanks for all your cloud photos, we have had hundreds in, Gavin. Any | :28:29. | :28:35. | |
good sightings? Some great general clouds, cirrus there, we have got | :28:35. | :28:41. | |
this rare wave cloud. We have had three of the ones we are talking | :28:41. | :28:51. | |
:28:51. | :28:52. | ||
about. What's the name again? Undulatuss a pray it is a. Ian from | :28:52. | :28:58. |