Browse content similar to 29/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Alex Jones... | 0:00:16 | 0:00:18 | |
..And Matt Baker. | 0:00:18 | 0:00:20 | |
Tonight, we've got two
powerful voices on the sofa. | 0:00:20 | 0:00:27 | |
One is a classical baritone ex-choir
boy, the other is a soul singer | 0:00:27 | 0:00:31 | |
who won The X Factor. | 0:00:31 | 0:00:39 | |
And is now on Strictly hoping to do
the talent show double. | 0:00:39 | 0:00:41 | |
I tell you what, it's
going to be confusing | 0:00:41 | 0:00:43 | |
in here because there are three
Alex's - Alex Jones, | 0:00:43 | 0:00:46 | |
Alexander Armstrong
and Alexandra Burke! | 0:00:46 | 0:00:47 | |
APPLAUSE. | 0:00:47 | 0:00:51 | |
What shall we do. I can be Jonesy.
Did you have nicknames at school? | 0:00:51 | 0:01:01 | |
Mine was Paddy because I'm half
Irish. Mine was Tiger, I can't sit | 0:01:01 | 0:01:07 | |
still. It's ideal. | 0:01:07 | 0:01:11 | |
On the name theme. There has been
confusion and talk actually about | 0:01:14 | 0:01:19 | |
the weekend. Did you or did you not
call Shirley Arlene? Let's have a | 0:01:19 | 0:01:24 | |
look at it first. Here's the reply.
See what you think. You're a great | 0:01:24 | 0:01:29 | |
performer. You'll come back strong.
. Thank you, thank you very much. I | 0:01:29 | 0:01:39 | |
heard Shirley. We should slo-mo it
down. We did. It's Shirley. I don't | 0:01:39 | 0:01:47 | |
know where it game from. I did laugh
when I read it because I was like - | 0:01:47 | 0:01:52 | |
I would never call her Arlene! It's
career suicide to call someone else | 0:01:52 | 0:01:59 | |
a different name. I wouldn't do
that. Career suicide. That would | 0:01:59 | 0:02:03 | |
just be terrible. I mean it does
happen. Has it happened? Oh, no. Has | 0:02:03 | 0:02:08 | |
it happened? Many times. This is
what happened when Nick Robinson | 0:02:08 | 0:02:12 | |
came on. I nearly said it wrong
then. Thank you very much. Ric | 0:02:12 | 0:02:23 | |
Nobinson... What? ! It can cotton
on. How did you hold it together | 0:02:23 | 0:02:32 | |
after that? I didn't. It's a common
occurrence. You can cover it up. You | 0:02:32 | 0:02:44 | |
are a professional. | 0:02:44 | 0:02:44 | |
Lots of music and dancing news to
get through with Xander and | 0:02:46 | 0:02:52 | |
Alexandra later. Plus it's almost
December and that means it's almost | 0:02:52 | 0:02:55 | |
the panto season. Oh, no, it isn't! | 0:02:55 | 0:02:59 | |
Tonight we're celebrating
pantos big and small, | 0:03:01 | 0:03:03 | |
especially the keen amateurs
performing in village | 0:03:03 | 0:03:05 | |
halls and community
theatres all over the UK. | 0:03:05 | 0:03:10 | |
Very keen amateurs. They look great. | 0:03:10 | 0:03:17 | |
We'll be helping some amateur panto
newbies by putting them together | 0:03:17 | 0:03:20 | |
with the best in the business. | 0:03:20 | 0:03:21 | |
Here's our our panto correspondent,
Matt Allwright, to explain. | 0:03:21 | 0:03:24 | |
Yes I am all right. That has the
panto joke that has people coming | 0:03:24 | 0:03:28 | |
through the doors in their millions.
Three million saw pantos last year | 0:03:28 | 0:03:33 | |
spending £60 million. The top three
are Aladdin, Cinderella and Snow | 0:03:33 | 0:03:39 | |
White. Tonight we make sure those
pantos are top quality where ever | 0:03:39 | 0:03:43 | |
you see them. We are holding a Panto
Masterclass. Yes. We are introducing | 0:03:43 | 0:03:53 | |
first time Dames, villains and
livestock to the pros that knows how | 0:03:53 | 0:03:58 | |
it goes. Some really old hands.
Excuse me, love, you say I was an | 0:03:58 | 0:04:04 | |
old hand. You are not in the first
flush of youth, are you? I'm 22 | 0:04:04 | 0:04:08 | |
years of age. This could go on for
some time. How rude! | 0:04:08 | 0:04:16 | |
We also want to help pack as many
seats for you as possible. | 0:04:21 | 0:04:31 | |
These are rehearse al pictures, they
are practicing outside. | 0:04:32 | 0:04:39 | |
So if rehearsals are well under way,
send us a photo of the cast and let | 0:04:39 | 0:04:43 | |
the nation know about your show. | 0:04:43 | 0:04:44 | |
Thank you. | 0:04:44 | 0:04:46 | |
Let's park panto for the moment
and focus on the incredible | 0:04:46 | 0:04:48 | |
transformation of an old ship that's
been rescued from the scrap | 0:04:48 | 0:04:51 | |
yard to save lives. | 0:04:51 | 0:04:52 | |
Dr Sal went aboard before it set off
on its journey across the Atlantic. | 0:04:52 | 0:04:58 | |
The dense Amazon rainforest is home
to some of the world's most remote | 0:04:58 | 0:05:01 | |
communities. For some, getting to
see a doctor means travelling for an | 0:05:01 | 0:05:05 | |
entire day or more. Bihar
necessarying the river medics in the | 0:05:05 | 0:05:13 | |
UK are taking healthcare to them.
I've worked on many humanitarian | 0:05:13 | 0:05:16 | |
missions and delivered aid as an
emergency medicine doctor, but this, | 0:05:16 | 0:05:20 | |
as a venture, is truly
inspirational. This is the Forth | 0:05:20 | 0:05:26 | |
Hope, it's the latest edition to a
small fleet of floating hospitals | 0:05:26 | 0:05:29 | |
run by a charity in Scotland. Since
2001, they have been taking vital | 0:05:29 | 0:05:36 | |
healthcare into the jungle Bihar
necessarying local boat building | 0:05:36 | 0:05:40 | |
skills here in Britain. When it's
ready, it will make the perilous | 0:05:40 | 0:05:46 | |
5,000 mile journey across the
Atlantic Ocean to South America. By | 0:05:46 | 0:05:49 | |
the end of the year it will be sail
down the mighty Amazon River | 0:05:49 | 0:05:55 | |
delivering much needed medical aid
to 200 local villages in Peru. If it | 0:05:55 | 0:06:01 | |
being loos like an ordinary
passenger ferry, that's because it | 0:06:01 | 0:06:04 | |
was. Originally designed to serve
Portsmouth the ferry was cancelled | 0:06:04 | 0:06:09 | |
and never used and was bought by the
charity in 2015. Turning public | 0:06:09 | 0:06:16 | |
transport into a hospital meant an
entire refit. It started in Bristol. | 0:06:16 | 0:06:22 | |
The bough was cut away and replaced
with one able to journey across the | 0:06:22 | 0:06:27 | |
rough Atlantic Ocean. It was painted
before sailing over 400 miles to | 0:06:27 | 0:06:33 | |
Rosyth, were work began transforming
the interior into a medical ship. | 0:06:33 | 0:06:37 | |
It's the vision of naval architect,
Robert Marshal. Three doctors will | 0:06:37 | 0:06:42 | |
be working here with nurses at any
one time. Next door we have a dent | 0:06:42 | 0:06:48 | |
al surgery with two dentists and
forward of that there is an | 0:06:48 | 0:06:51 | |
operating theatre. The new
facilities will double the amount of | 0:06:51 | 0:06:55 | |
people medics can treat each year.
The other ships have been much | 0:06:55 | 0:06:59 | |
smaller and they were quite cramped.
It was difficult to shoehorn | 0:06:59 | 0:07:05 | |
facilities into those ships. This
was a complete change for us. I'm | 0:07:05 | 0:07:11 | |
really impressed by what I've seen
here. They have managed to fit in so | 0:07:11 | 0:07:14 | |
much into a small space. It's like a
medical tardis. Using the facilities | 0:07:14 | 0:07:18 | |
will be a team of 18 doctors,
dentists and nurses, including dent | 0:07:18 | 0:07:24 | |
al nurse Shona Mayson. This is going
to be my workplace. To have a | 0:07:24 | 0:07:31 | |
purposefully designed interior of a
ship. It's brand new equipment that | 0:07:31 | 0:07:34 | |
has been donated. It will be amazing
to work on. What complaints do the | 0:07:34 | 0:07:38 | |
healthcare teams see? Skin and
respiratory problems. Lots of | 0:07:38 | 0:07:43 | |
parasite incompetent festations.
That is common. What are you seeing? | 0:07:43 | 0:07:47 | |
The elderly population their dent al
health isn't too bad because the | 0:07:47 | 0:07:58 | |
diet was good. They don't have
access to what we have. They can't | 0:07:58 | 0:08:02 | |
get a tooth brush or toothpaste.
This is her 15 trip and she has seen | 0:08:02 | 0:08:08 | |
from the very first what a
difference it can make. I first went | 0:08:08 | 0:08:13 | |
out in 2006. I turned up op that
first ship and the dent al surgery | 0:08:13 | 0:08:17 | |
on that ship was quite basic. I
worked in the dent al school in | 0:08:17 | 0:08:22 | |
Dundee were everything is fantastic.
I looked at the surgeon and thought | 0:08:22 | 0:08:25 | |
- what have I done. What will I do
here? You get on with the work. A | 0:08:25 | 0:08:29 | |
few days into the trip I had been
taking teeth out and I saw the girl | 0:08:29 | 0:08:35 | |
in a canoe who turned and smiled and
wave. I thought if a 10-year-old | 0:08:35 | 0:08:41 | |
girl can wave when you have taken
out two of her teeth, then it's a | 0:08:41 | 0:08:45 | |
worthwhile project. At the Helm of
this entire venture is Reverend | 0:08:45 | 0:08:50 | |
McPherson. It isn't about people
from overseas going to Peru to tell | 0:08:50 | 0:08:56 | |
them how to do it. Our volunteers
work under their authority to make | 0:08:56 | 0:09:00 | |
it a reality. These are journeys of
a lifetime that the people who go on | 0:09:00 | 0:09:05 | |
them never forget about. I had a
doctor who came back, maybe 18 | 0:09:05 | 0:09:09 | |
months ago, sent me a letter saying
- I've been a GP for 23 years, | 0:09:09 | 0:09:13 | |
somewhere along the line I lost my
heart, thanks for reminding me why | 0:09:13 | 0:09:18 | |
I'm a doctor. | 0:09:18 | 0:09:19 | |
The most wonderful sentiment to
finish on. The best line any of our | 0:09:23 | 0:09:27 | |
films have finished on, I think. Dr
Sal you can relate to that? I saw | 0:09:27 | 0:09:32 | |
that and my heart went - yes, I get
that. I so get that. I loved making | 0:09:32 | 0:09:37 | |
that film. You filmed it a while
ago. Yeah. There has been progress | 0:09:37 | 0:09:42 | |
since. Bring us up-to-date? So. That
ship, since I last saw it in July, | 0:09:42 | 0:09:48 | |
it's travelled 5,000 miles from
Rosyth to South America. It went | 0:09:48 | 0:09:53 | |
along the Amazon River for another
2,000 miles. It got to Iquitos. Its | 0:09:53 | 0:10:00 | |
fine al destination. It's taken 43
days. Good stats. It was 6793 days. | 0:10:00 | 0:10:15 | |
Straight to work on the 15th,
wasting no time whatsoever. It | 0:10:15 | 0:10:21 | |
treated 15,000 patients? Yes since
mid-September. Wasting no time | 0:10:21 | 0:10:26 | |
whatsoever. 15,000 consultations.
It's set to reach 25,000 by the end | 0:10:26 | 0:10:32 | |
of the year. That's 25,000 people
that wouldn't have had access to the | 0:10:32 | 0:10:36 | |
kind of healthcare this ship is
providing. It's not just beneficial | 0:10:36 | 0:10:41 | |
for the patients, is it, for you as
volunteers you gain a lot from going | 0:10:41 | 0:10:44 | |
out and helping? Absolutely. I have
been a doctor now for 11 years and | 0:10:44 | 0:10:50 | |
my whole career has been split up
into humanitarian work. I've worked | 0:10:50 | 0:10:54 | |
in Palestine, Libya and Syria. Every
time I go, I feel I gain so much | 0:10:54 | 0:11:00 | |
more than I'm actually physically
able to give. Again, like Willie | 0:11:00 | 0:11:04 | |
said, it reminds us why we became
doctors in the first place. You do | 0:11:04 | 0:11:07 | |
need that. We work in the NHS avend
all the challenges we are facing. | 0:11:07 | 0:11:12 | |
You go away to somewhere like
Iquitos or wherever and you are | 0:11:12 | 0:11:20 | |
reminded of the amazing place we
work within the NHS. It makes me | 0:11:20 | 0:11:24 | |
feel even more passionate about
really advocating what we have here, | 0:11:24 | 0:11:29 | |
this absolute precious can mod di,
the NHS, that not everyone has | 0:11:29 | 0:11:32 | |
access to. I feel ever so proud of.
It I really, really do. It just | 0:11:32 | 0:11:37 | |
makes me more determined to fight to
protect. The practical benefits as | 0:11:37 | 0:11:41 | |
well of what you are learning from
the kind of treatments that are in | 0:11:41 | 0:11:48 | |
these remote place are beneficial. I
have to mention some of the amazing | 0:11:48 | 0:11:56 | |
and practical stuff that people are
bringing back. There is a surgeon | 0:11:56 | 0:12:02 | |
from Northumbria, Mr Liam Horgan. He
goes to Tanzania every year. He has | 0:12:02 | 0:12:08 | |
been doing it for 14 years. Let me
add, many people are self-funding or | 0:12:08 | 0:12:14 | |
giving up their holidays to do it
within the NHS. He discovered this | 0:12:14 | 0:12:19 | |
cheap way of repairing hernias. When
you have a hernia operation, you | 0:12:19 | 0:12:24 | |
need mesh to fix it. It costs £100.
He has found a way that is inspired | 0:12:24 | 0:12:31 | |
by malaria nets that have been
modified to be able to be used as | 0:12:31 | 0:12:37 | |
mesh repairs for hernias which cost
one cent. That is pennies. Less than | 0:12:37 | 0:12:41 | |
pennies. Wow. He is, woing to bring
to the NHS eventually, if he can get | 0:12:41 | 0:12:47 | |
approve al. Not only is he helping
others, he is finding cheaper ways | 0:12:47 | 0:12:51 | |
to bring something back that we can
use in the NHS. Brilliant. Thank you | 0:12:51 | 0:12:56 | |
Dr Sal. Thank you. | 0:12:56 | 0:12:59 | |
Time to get an early start
on the festive spirit because Xander | 0:12:59 | 0:13:02 | |
has a new Christmas album,
and you've never seen a man so happy | 0:13:02 | 0:13:05 | |
to be in a winter wonderland. | 0:13:05 | 0:13:15 | |
# Here to stay is the new bird
# He sings a love song | 0:13:17 | 0:13:22 | |
# As we go along
# Walking in a Winter Wonder land... | 0:13:22 | 0:13:27 | |
#.
APPLAUSE | 0:13:27 | 0:13:32 | |
You have the decorations up at home
then! We are enjoying the stubble | 0:13:32 | 0:13:40 | |
there. I can't have that on
Pointless. In A Winter Light is the | 0:13:40 | 0:13:47 | |
name of a of the album. Beautiful.
You have a couple of originals on it | 0:13:47 | 0:13:52 | |
and classics. How did you choose
them? There is massive of choice | 0:13:52 | 0:13:57 | |
isn't there? How did you think,
these are the ones I want to | 0:13:57 | 0:14:00 | |
include? I felt strongly we had to
have my favourite music in it. There | 0:14:00 | 0:14:05 | |
were so many different things we
love about Christmas. We love | 0:14:05 | 0:14:10 | |
ancient music and carols. We lied
old medieval characters and high | 0:14:10 | 0:14:16 | |
Victorian Carrolls and the Binge
element of Christmas. I wanted to | 0:14:16 | 0:14:21 | |
have an album that had everything I
loved. I listened and listened. My | 0:14:21 | 0:14:26 | |
playlist got shorter and shorter
when I thought - we will keep this | 0:14:26 | 0:14:29 | |
in. It's hard to decide what should
stay. What time of year were you | 0:14:29 | 0:14:33 | |
doing the listening, was that weird?
I started Christmas time last year. | 0:14:33 | 0:14:37 | |
Last year we started. Inevitably we
recorded... When we film Pointless | 0:14:37 | 0:14:44 | |
specials we film on the hottest day
of the year. It's how it is. In your | 0:14:44 | 0:14:48 | |
Christmas jumper? If you are lucky.
I was five tonnes of wool and a big | 0:14:48 | 0:14:53 | |
beard. We recorded through the
summer. I think there is something | 0:14:53 | 0:14:57 | |
particular about Christmas music. We
take it to our hearts more than any | 0:14:57 | 0:15:03 | |
other kind, I think. | 0:15:03 | 0:15:09 | |
We love them because they are
Christmas songs. ? You have had a go | 0:15:09 | 0:15:13 | |
at writing? I have. There are a
couple of my own songs. Is this | 0:15:13 | 0:15:19 | |
something you have have written
since the album came out or | 0:15:19 | 0:15:23 | |
something you have always done? I
have written them since I was about | 0:15:23 | 0:15:27 | |
11. When I did Armstrong and Miller
I wrote loads of comedy song, we | 0:15:27 | 0:15:34 | |
used to do a couple of characters
who were like Flanders and Swan. | 0:15:34 | 0:15:40 | |
That was an outlet for me to chuck
some music down. I have always | 0:15:40 | 0:15:44 | |
written. With the perfect Christmas
song in your eyes then, because you | 0:15:44 | 0:15:50 | |
have, you haven't gone down the
route of the bells. I haven't. I | 0:15:50 | 0:15:54 | |
should have been thinking what about
the perfect ingredients are, the | 0:15:54 | 0:15:57 | |
chief one is you have to go a bit
that goes... And then you have a key | 0:15:57 | 0:16:04 | |
change. So that is not on it. Did I
do any of that? No. A massive | 0:16:04 | 0:16:13 | |
oversight there. I wonder if we
co-go back and amend them. There | 0:16:13 | 0:16:18 | |
will be a second album next
Christmas, surely. We are talking | 0:16:18 | 0:16:22 | |
Christmas number ones here. That was
a special moment in my life, to be | 0:16:22 | 0:16:27 | |
fair. I was there when you won. Were
you there? Oh my gosh. That whole | 0:16:27 | 0:16:33 | |
night it is nine years and I feel,
it feels like, it was nine year, it | 0:16:33 | 0:16:41 | |
feels like it was yesterday, I don't
know where nine years have gone. I | 0:16:41 | 0:16:48 | |
still love performing hallelujah, I
say please can I sing that song | 0:16:48 | 0:16:51 | |
because I love it so much. And you
two are performing at the Royal | 0:16:51 | 0:16:56 | |
Albert Hall? Yes. You have to pick
your favourite festive song I would | 0:16:56 | 0:17:06 | |
go for Last Christmas or Driving
Home For Christmas I don't think I | 0:17:06 | 0:17:11 | |
can sing it but I love listening to
that song. But simply because it was | 0:17:11 | 0:17:16 | |
always the song, when we were
working round Christmas, my mum | 0:17:16 | 0:17:19 | |
worked round Christmas, that is the
song we played going home and it | 0:17:19 | 0:17:23 | |
remind me of a kid driving home with
my mum and my family. Getting ready | 0:17:23 | 0:17:29 | |
to eat loads of food. There are
sleigh bells in that one. You like | 0:17:29 | 0:17:37 | |
your Chris Rea. What are you going
dob doing? Winter Wonderland. I am | 0:17:37 | 0:17:47 | |
performing with a phenomenal band.
Probably our best big band. They are | 0:17:47 | 0:17:50 | |
great. Big production then. I know.
Huge. Very special. I can't wait. It | 0:17:50 | 0:17:56 | |
is going to be such fun. | 0:17:56 | 0:18:05 | |
Now, Alexandra we'll be
talking Strictly shortly, | 0:18:05 | 0:18:06 | |
but our next film has
all the ingredients | 0:18:06 | 0:18:08 | |
you'll recognise. | 0:18:08 | 0:18:09 | |
A line of contestants,
a panel of judges and | 0:18:09 | 0:18:12 | |
a rock hard competition. | 0:18:12 | 0:18:13 | |
We'll let Iwan fill you in. | 0:18:13 | 0:18:16 | |
Pothole, they are uncomfortable,
annoying and a bit dangerous. But | 0:18:23 | 0:18:26 | |
they are also big business for the
people that fill them in. With | 0:18:26 | 0:18:32 | |
council spending millions every
year. Different filling machines | 0:18:32 | 0:18:34 | |
must battle it out for a slice of
the action. So today, we are going | 0:18:34 | 0:18:38 | |
to put three of them to the test. We
have created an asphalt assault | 0:18:38 | 0:18:44 | |
course. A trial of the tarmac.
To see who can beat the bitumen and | 0:18:44 | 0:18:50 | |
rescue our roads. We are testing
these machines on speed, cost and | 0:18:50 | 0:18:55 | |
effectiveness. Welcome to The One
Show's Pothole Wars. | 0:18:55 | 0:19:03 | |
First up, multi-hog. Built in
Ireland this zippy piste can grit | 0:19:03 | 0:19:09 | |
roads, plough snow and help fix
potholes. Next from Warwickshire, | 0:19:09 | 0:19:13 | |
this van contained the fire
breathing thermal repair machine | 0:19:13 | 0:19:21 | |
called New Fault and velocity patch
e manufactured in Sunderland it has | 0:19:21 | 0:19:24 | |
been round for 20 year, how will the
new machines stand up to the | 0:19:24 | 0:19:29 | |
grandfather of pothole repairs? To
judge them, we have assembled a | 0:19:29 | 0:19:33 | |
panel of three pothole experts.
Vince Crane. We are looking for a | 0:19:33 | 0:19:39 | |
durable repair that is quick and
easy. Victoria Hazel from cycle UK. | 0:19:39 | 0:19:45 | |
If you are in a car you might have
an expensive trip to the garage. If | 0:19:45 | 0:19:49 | |
you are on a bike that will be a
trip to the hospital if you come | 0:19:49 | 0:19:53 | |
off. And Keith Jones the director of
civil engineers in Wales. It is | 0:19:53 | 0:20:01 | |
efficient, reliable, is it
sustainable, long last something | 0:20:01 | 0:20:04 | |
Three panel members. Three machines.
Three potholes of equal size and | 0:20:04 | 0:20:09 | |
depth. A level playing field if you
will. Panel, are you ready? Yes. | 0:20:09 | 0:20:16 | |
Machines are you ready? Let the poll
hole wars commence. | 0:20:16 | 0:20:22 | |
First Up Multi-hog a good pothole
repair should be quick, cost | 0:20:22 | 0:20:26 | |
effective and comprehensive, no
cracks and a smooth surface left | 0:20:26 | 0:20:29 | |
behind. The Multi-hog digs up the
road first to remove underlying | 0:20:29 | 0:20:34 | |
problems and then three other
machines arrive to complete a better | 0:20:34 | 0:20:43 | |
repair. Pothole one complete pleat,
13 minute, rough cost £16. Not bad. | 0:20:43 | 0:20:58 | |
New Fault turns up the heat. They
just made it hot. | 0:20:58 | 0:21:03 | |
The road surface is melted before
adding a new material to help create | 0:21:03 | 0:21:08 | |
a seamless repair. I am impressed
there is only two guys. This took 24 | 0:21:08 | 0:21:15 | |
minutes and cost £27. Finally
velocity, water proof layer is laid | 0:21:15 | 0:21:22 | |
down first then a new mixture is
fired on top at high speed. You | 0:21:22 | 0:21:26 | |
wouldn't be keen on that if your car
was parked along. They have good | 0:21:26 | 0:21:31 | |
afternoon going for less than a
minute and that is nearly half done. | 0:21:31 | 0:21:34 | |
Unbelievable. It doesn't mean it is
doing a good job even though it is | 0:21:34 | 0:21:39 | |
quick. They could have done this in
the time they did that. We do 200 a | 0:21:39 | 0:21:47 | |
day. It takes eight minutes to fill
this and the cost £12. | 0:21:47 | 0:21:55 | |
I think we know why they have chosen
the name. The judges must pick a | 0:21:55 | 0:21:59 | |
winner. But here at Nottingham
University this man thinks he has | 0:21:59 | 0:22:04 | |
got way of making potholes fix
themselves, inspired by some | 0:22:04 | 0:22:09 | |
chemistry. One day we were looking
at MasterChef, they were using this | 0:22:09 | 0:22:16 | |
technique, I thought it may work for
the asphalt. It releases oil when | 0:22:16 | 0:22:21 | |
the surface breaks from weathering
or traffic. The oil softens the road | 0:22:21 | 0:22:25 | |
surface and the road smooths itself
out before resetting. Every cack | 0:22:25 | 0:22:31 | |
that happens, it heals so the road
will repair by itself. Time for a | 0:22:31 | 0:22:35 | |
test. Let us see this broken high
way will heal itself. Put it back | 0:22:35 | 0:22:40 | |
together. Over 24 hours you can
start to see the oil dissolving the | 0:22:40 | 0:22:44 | |
material. That is the future, but
what is the best option for now? I | 0:22:44 | 0:22:49 | |
would love to hear your vies on who
you thought did the best job. In | 0:22:49 | 0:22:55 | |
terms of the efficient sustainable
way, the winner for me is velocity. | 0:22:55 | 0:23:00 | |
The you can find the chippest
quicker way for me velocity is the | 0:23:00 | 0:23:07 | |
one. It was a good battle but there
can only be one winner Velocity. | 0:23:07 | 0:23:19 | |
Huge congratulations to the winner
there. | 0:23:19 | 0:23:20 | |
Indeed. It is like Sunday night. The
pressure was on there. But, | 0:23:20 | 0:23:26 | |
Alexandra, you are saying your car
is damaged. I had really bad | 0:23:26 | 0:23:31 | |
accident with one of nose little
pothole things and it wasn't great | 0:23:31 | 0:23:34 | |
at all. Really bad. They are quite
dangerous and I am thankful. Said to | 0:23:34 | 0:23:45 | |
my dad, I was upset, I said maybe it
was a blessing I went in first to | 0:23:45 | 0:23:48 | |
make sure I could take the hit
because I saw it last minute and | 0:23:48 | 0:23:52 | |
just swerved but my car was gone,
because of it. Absolutely gone. | 0:23:52 | 0:23:57 | |
Really bad and I am grateful that
nothing bad happened to anybody | 0:23:57 | 0:24:00 | |
else.
We are going to segway from potholes | 0:24:00 | 0:24:07 | |
to Strictly next. | 0:24:07 | 0:24:16 | |
You were second on the leader board,
what happened? I don't know know, I | 0:24:16 | 0:24:21 | |
don't really know, I know I felt in
my gut we were going to be in the | 0:24:21 | 0:24:25 | |
bottom two, I said it from the
morning. Why? Because the hum bah is | 0:24:25 | 0:24:29 | |
such a slow dance, -- rumba, I am
not sure it connected well with the | 0:24:29 | 0:24:33 | |
public, who knows? I was so nervous,
maybe I showed them too much, I | 0:24:33 | 0:24:38 | |
think I did. I showed it to the
judges too much. It is notoriously | 0:24:38 | 0:24:43 | |
known to be a hard dance for the
female celebs and I know that for a | 0:24:43 | 0:24:48 | |
fact now. So what is next?
Charleston. Charleston is next. | 0:24:48 | 0:24:55 | |
Musical week. Musicals week. I am so
excited. A love a musical. It is out | 0:24:55 | 0:25:00 | |
there isn't it what you are doing.
You can say of course. Mary Poppins, | 0:25:00 | 0:25:05 | |
I can't wait. I have a hat and
everything. So I am really excited. | 0:25:05 | 0:25:11 | |
You have got Gorka to thank for your
progress so far. Yes. Where is he? | 0:25:11 | 0:25:18 | |
APPLAUSE
He is so cute. Let us have a look at | 0:25:18 | 0:25:22 | |
some of your best dances so far.
Thank you. | 0:25:22 | 0:25:30 | |
It is the sensuality, it was so
passionate. | 0:25:30 | 0:25:36 | |
Just thinking is there nothing you
can't do. I had the honour to work | 0:25:36 | 0:25:44 | |
with Tina Turner, tonight you
captured the quality and I am sure | 0:25:44 | 0:25:49 | |
she would have loved to watch that.
Thank you. | 0:25:49 | 0:25:57 | |
To hear Bruno talking, the level you
are at is absolutely, I mean it is | 0:25:57 | 0:26:03 | |
superb, Gorka, where does Alexandra
go from here? I don't know, what | 0:26:03 | 0:26:08 | |
else can she do to impress the
judges, myself, because from day one | 0:26:08 | 0:26:13 | |
she has been like 100% commitment
with the dance and the couple. I am | 0:26:13 | 0:26:17 | |
so proud. It makes me job so easy.
She gets better and better. He is an | 0:26:17 | 0:26:23 | |
amazing teacher. But you have to
work hard. We do ten hours a day and | 0:26:23 | 0:26:28 | |
try our best to stay dedicated to
it, because you can get tired | 0:26:28 | 0:26:31 | |
quickly, we are both exhausted but
we have the best time and the fun | 0:26:31 | 0:26:36 | |
part, completely takes the
exhaustion out of the way, you don't | 0:26:36 | 0:26:39 | |
think about how tired because you
are having fun. I look forward to | 0:26:39 | 0:26:42 | |
being with him every day and
learning something new. It is great. | 0:26:42 | 0:26:45 | |
Really good fun. There is a bit of
controversy on Strictly about well, | 0:26:45 | 0:26:51 | |
so-and-so they are performer, I am
sure you have had a bit of that. I | 0:26:51 | 0:26:55 | |
have had a lot of that. Does it put,
you know, how do you feel, is it | 0:26:55 | 0:27:01 | |
extra pressure, is it a good
pressure, do you feel more | 0:27:01 | 0:27:05 | |
comfortable, I am sure you do but
maybe extra nerves. It brings extra | 0:27:05 | 0:27:10 | |
nerves for sure, talking about it
now I have sweaty pan, it is | 0:27:10 | 0:27:15 | |
ridiculous, people think because I
is have done a musical they think I | 0:27:15 | 0:27:19 | |
am trained. I have never done any
training in my life. This is all new | 0:27:19 | 0:27:23 | |
to me, I won't lie, I'm a quick
learner, I pick up things quickly, | 0:27:23 | 0:27:27 | |
do they stay in the brain? Sometimes
not so much. That is a problem. What | 0:27:27 | 0:27:33 | |
I often think gets missed is the
difficulty level of the routine. It | 0:27:33 | 0:27:36 | |
is fair enough to say you know, yeah
you have danced before, but the | 0:27:36 | 0:27:40 | |
level of the routine you are doing
is in a different league. She | 0:27:40 | 0:27:45 | |
doesn't have a lot of time. It is
only three day, Monday is half day | 0:27:45 | 0:27:48 | |
and then we have Tuesday, Wednesday,
Thursday, just to practise, so it is | 0:27:48 | 0:27:53 | |
intense. You been working on your
Cockney accent for this? There is | 0:27:53 | 0:28:02 | |
one question I wanted to ask you,
what, what song are you dancing to? | 0:28:02 | 0:28:07 | |
Only you are allowed to answer this?
In Spanish or English? Both... | 0:28:07 | 0:28:26 | |
Superical fragile less tick. You can
see how they do it on Saturday, good | 0:28:26 | 0:28:31 | |
luck both. It is funny because I saw
Anton and Brendan driving round the | 0:28:31 | 0:28:36 | |
studio, they wanted to come and see
you, but, the sign outside says | 0:28:36 | 0:28:42 | |
Strictly no parking! On that note,
we are celebrating pantoes across | 0:28:42 | 0:28:49 | |
the country.
Clarissa is directing a panto, it is | 0:28:49 | 0:28:59 | |
beauty and the beast. We have gone
all royal with this one. Look at | 0:28:59 | 0:29:03 | |
this. Prince Charles. And Camilla,
they were in Stoke putting on, this | 0:29:03 | 0:29:10 | |
has come from Amy. Thank you. Keep
them coming, The One Show. We will | 0:29:10 | 0:29:16 | |
show some more a bit | 0:29:16 | 0:29:18 | |
We will show some | 0:29:18 | 0:29:19 | |
We're also helping out some nervous
panto first timers by getting them | 0:29:19 | 0:29:22 | |
some advice from the pros. | 0:29:22 | 0:29:23 | |
First up, Dame Academy,
where Matt Allwright is right now. | 0:29:23 | 0:29:28 | |
later. Welcome to Dame Academy.
There is nothing like a Dame. That | 0:29:28 | 0:29:35 | |
is correct. Thank you very much.
Correct because of course, the Dame | 0:29:35 | 0:29:39 | |
is the heart of a panto, not to
mention the cleavage and the frilly | 0:29:39 | 0:29:44 | |
nicker and we have a Dame of 19
years standing Michael Bachelor, you | 0:29:44 | 0:29:49 | |
are Molly Mop. Yes this year I am
Molly Mop in Snow White where I am | 0:29:49 | 0:29:57 | |
resident. You are a year round Dame
I work for Butlins and I write and | 0:29:57 | 0:30:04 | |
help produce their pantomime that
runs all year, so I am a | 0:30:04 | 0:30:07 | |
professional fat bloke in a dress.
You certainly are. We have a few | 0:30:07 | 0:30:12 | |
amateur fat gentlemen in dresses who
would love to get your advice. We | 0:30:12 | 0:30:15 | |
are going to start with Wally.
Balotelli, you are at new Elton in | 0:30:15 | 0:30:24 | |
the Loch Ness panto king Duncan, you
are not from Scotland I am thinking, | 0:30:24 | 0:30:28 | |
what is your character? I am lady
Natalie West Banco. What can Michael | 0:30:28 | 0:30:38 | |
help with you? An accept and the
voice. So Scottish, only the Dame | 0:30:38 | 0:30:43 | |
needs to have a Scottish accent. We
will bank that. Shane, you look | 0:30:43 | 0:30:49 | |
absolutely resplendent. You in
theionibly sowion byness. Shane | 0:30:49 | 0:30:59 | |
stepped in for somebody else who
couldn't do it. He is directing as | 0:30:59 | 0:31:01 | |
well. He is a cabinet maker, Jane,
what is your concern with the panto? | 0:31:01 | 0:31:07 | |
My concern is body language and how
to come across the audience. Body | 0:31:07 | 0:31:13 | |
language, how to come across to the
audience. We will hear from Michael | 0:31:13 | 0:31:17 | |
in a second. How you Thomas. Very
well. You are in the Pretoriaer | 0:31:17 | 0:31:27 | |
field panto, in Cinderella. What is
your concern? That is my biggest | 0:31:27 | 0:31:31 | |
concern, to shave or not to shave,
that is the question. Are we ready. | 0:31:31 | 0:31:36 | |
Deliver your Dame top tips. | 0:31:36 | 0:31:41 | |
No expense spent! My first Dame
Don't. The first is worrying about | 0:31:41 | 0:31:47 | |
your voice. Don't be a good woman.
Make sure you have to remember the | 0:31:47 | 0:31:51 | |
comedy is the fact you are a man in
a dress. One of the best people to | 0:31:51 | 0:31:55 | |
watch if you are a Scottish Dame is
on YouTube is Stanley Baxter. That | 0:31:55 | 0:32:02 | |
is my tip for you. Tip number two.
Sorry. I will try not to break the | 0:32:02 | 0:32:08 | |
G- String. I think already have. You
are worried about body language. You | 0:32:08 | 0:32:14 | |
can never be too big when it comes
to a Dame. Be big, command the | 0:32:14 | 0:32:19 | |
stage. Make sure you are warm, make
sure the humour you have is clean. | 0:32:19 | 0:32:26 | |
Obviously, innuendo. You can't cross
the line. Did you find a gypsy can? | 0:32:26 | 0:32:32 | |
No, dear I thought he was quite
butch! Tip number three. Sorry. | 0:32:32 | 0:32:41 | |
There we are. Sound effects are
amazing. A Dame Don't. With makeup | 0:32:41 | 0:32:49 | |
it's nice and big, don't cover your
features. Make sure the audience can | 0:32:49 | 0:32:54 | |
see when your eyebrows are raised,
open and closing your mouth. You are | 0:32:54 | 0:32:58 | |
playing an Ugly Sister, stick
glitter in your beard. Those are our | 0:32:58 | 0:33:06 | |
Dames Dos and Don'ts. Next it's
villainsans we will practice our | 0:33:06 | 0:33:11 | |
Dame faces. Happy, lustful, angry,
disgusted. Happy. That's all from | 0:33:11 | 0:33:21 | |
Dame Academy for now. You have done
panto? I did the ITV Christmas | 0:33:21 | 0:33:26 | |
panto. I don't know when, back in
the | 0:33:26 | 0:33:39 | |
last... Those are high wasted
trousers, aren't they, my goodness | 0:33:47 | 0:33:52 | |
me. | 0:33:52 | 0:33:54 | |
We've got some more great advice
now from a man who's | 0:33:54 | 0:33:57 | |
spent decades in showbiz,
here's Barry Cryer with some life | 0:33:57 | 0:33:59 | |
lessons for his grandson. | 0:33:59 | 0:34:03 | |
I'm Barry Cryer I'm 82 and a
grandfather. Today, I want to talk | 0:34:03 | 0:34:09 | |
to Archie, our grandson, about life.
I'm Archie, I'm 15. My grandad has | 0:34:09 | 0:34:16 | |
asked to see me today. I'm not quite
sure what I'm in for. I remember the | 0:34:16 | 0:34:22 | |
day he was born. But now he's on the
verge of becoming a man, I want to | 0:34:22 | 0:34:26 | |
pass on some tips from my own box of
life tricks that might help him | 0:34:26 | 0:34:31 | |
along the way. Look at this. That is
me and grandma. 55 years, Archie. | 0:34:31 | 0:34:42 | |
That's long. Yeah. Lesson one - find
love. So what's the secret to a long | 0:34:42 | 0:34:51 | |
marriage and long relationships? The
secret is to remember to keep saying | 0:34:51 | 0:34:55 | |
- yes, dear. How did you know
grandma was the one then? Vibration | 0:34:55 | 0:35:05 | |
or something. Have you a are poor
with someone. It's marvellous. How | 0:35:05 | 0:35:10 | |
is your romantic life. What would
you say it is at the moment? Quite | 0:35:10 | 0:35:13 | |
quiet at the moment. Quite quiet?
Yeah. A lot of school at the moment. | 0:35:13 | 0:35:18 | |
Yes. A bit busy. I was in a lot of
relationships when I was younger. I | 0:35:18 | 0:35:24 | |
think we'll leave it there! Two -
keep laughing. Ha-ha-ha. Laughter, a | 0:35:24 | 0:35:34 | |
lovely noise. I've never had a
proper job. It's like having a | 0:35:34 | 0:35:38 | |
lovely hobby. That is what I want to
do, loosen people up. You meet a lot | 0:35:38 | 0:35:44 | |
of people through comedy, friends?
Yes, I'm a peopleoholic. One of the | 0:35:44 | 0:35:54 | |
grade frentship bonds is that you
laugh at the same things. Three - | 0:35:54 | 0:35:57 | |
remember your roots. Windmill. First
place I worked in London. Proper | 0:35:57 | 0:36:03 | |
job. I'm going to take you there.
You will see the actual place and | 0:36:03 | 0:36:09 | |
I'll be drinking in the atmosphere
again. Soho was smart and sleazy, | 0:36:09 | 0:36:16 | |
and I loved it! This is it, The
Windmill. I'm taking you in. When | 0:36:16 | 0:36:27 | |
did you start working here? Only 60
years ago. I can't believe it | 0:36:27 | 0:36:33 | |
myself. Look at it. 1957, the lovely
guy called Bruce Forsyth. When you | 0:36:33 | 0:36:49 | |
look back you think, how did I do
that? But you did because you were | 0:36:49 | 0:36:54 | |
learning, learning a trade and the
old man ran it like a rod of iron. | 0:36:54 | 0:37:00 | |
If you were found near the girls'
dressing rooms up there, you were | 0:37:00 | 0:37:05 | |
sacked. The people met you met
working at the Windmill I will never | 0:37:05 | 0:37:12 | |
forget. Life never goes according to
plan. What are your plans? Have you | 0:37:12 | 0:37:17 | |
got a big vision of what you are
going to do with your life? The main | 0:37:17 | 0:37:21 | |
idea would be to open my own
business and garage and stuff. | 0:37:21 | 0:37:26 | |
Really? You are talking to your
non-driving grandfather! I would be | 0:37:26 | 0:37:32 | |
a helpless customer. Yeah. We'll
have to get grandma. My plan was | 0:37:32 | 0:37:38 | |
university, but I was kicked out,
only to be awarded two honorary | 0:37:38 | 0:37:43 | |
degrees over 60 years later. There's
a lesson in here somewhere! Keep | 0:37:43 | 0:37:49 | |
going and failing as well. A little
bit of success might come along if | 0:37:49 | 0:37:53 | |
you do enough failure. I'm not
recommending failure, but it happens | 0:37:53 | 0:37:57 | |
to everybody. Yeah. I just hope Arch
has the same scrambled, up-and-down | 0:37:57 | 0:38:07 | |
life I've had because it's never
boring and there's never been a dull | 0:38:07 | 0:38:10 | |
moment and I wish that on him with
great love. | 0:38:10 | 0:38:18 | |
APPLAUSE. That was lovely, wasn't
it? Thank you to Barry and Archie | 0:38:18 | 0:38:25 | |
there. Yes. Best piece of advice
from your grandfather. My grandpa is | 0:38:25 | 0:38:32 | |
fastly experienced. He's 96. He gave
the confidence and magic words to | 0:38:32 | 0:38:37 | |
say hello to the girl who became my
wife. Ah! I will keep those secret | 0:38:37 | 0:38:43 | |
words to myself. Well done grandad.
He's great. What about you? Well, my | 0:38:43 | 0:38:50 | |
grandma was a saver. I don't have
many memories of her, the memory | 0:38:50 | 0:38:53 | |
that my mum gave me and told me, I
always save. I have a thing about | 0:38:53 | 0:38:58 | |
saving. Save and spend your money
well. My grand da was about being | 0:38:58 | 0:39:03 | |
strong, having thick skin. There
they are, bless them. My grandad was | 0:39:03 | 0:39:08 | |
my backbone and dad to my family. He
talked about making sure you are | 0:39:08 | 0:39:12 | |
respected as a woman and look for
the right man in life etc, etc. Good | 0:39:12 | 0:39:16 | |
advice. Yeah. Good message. Xander?
After that. I was told lots of | 0:39:16 | 0:39:23 | |
lovely things. Taught wonderful
things by my grandparents. What is | 0:39:23 | 0:39:27 | |
ringing in my ears at the moment.
When I went to university my grandma | 0:39:27 | 0:39:43 | |
sent me Ovilletin and he said,
"never use a damp spoon." There we | 0:39:43 | 0:39:47 | |
are. Gorka. They always said to me
to do what I loved most and always | 0:39:47 | 0:39:56 | |
follow my dreams and do what I want
to do. People say - follow what you | 0:39:56 | 0:40:00 | |
want to do. My grandmother, 1,000
milligrams of cod liver oil on a | 0:40:00 | 0:40:09 | |
daily basis. | 0:40:09 | 0:40:14 | |
There's only one day left before
you can open the first window | 0:40:14 | 0:40:19 | |
on something that has become big
business for retailers - | 0:40:19 | 0:40:21 | |
the Christmas advent calendar. | 0:40:21 | 0:40:24 | |
Alex, Alex and Alex,
here's Alex with more. | 0:40:24 | 0:40:28 | |
The countdown to Christmas is almost
upon us that means advent calendars. | 0:40:28 | 0:40:33 | |
There is something rather special
and exciting about opening a window | 0:40:33 | 0:40:37 | |
or door every morning and wondering
what will find inside. We're not | 0:40:37 | 0:40:44 | |
just you can talking a number of
things, we are going crazy. What is | 0:40:44 | 0:40:54 | |
on offer and what do we make of it
all. Let us a play Advent calendar | 0:40:54 | 0:41:00 | |
Bingo. We have divided the calendars
priced between £9.99 andor £100 | 0:41:00 | 0:41:10 | |
intoics categories. Toys. Food.
Don't start eating them yet. Beauty. | 0:41:10 | 0:41:16 | |
There you go. And drink. I think
you've hit the jackpot. As you know, | 0:41:16 | 0:41:25 | |
we are only supposed to open one
window a day starting from the 1st | 0:41:25 | 0:41:29 | |
December. If nobody tells the kids
what we're doing, we should get | 0:41:29 | 0:41:32 | |
awhich it. Over to you, Dan. On its
own, number nine. Number nine. | 0:41:32 | 0:41:37 | |
Number nine. There we go. It's a
traffic cone. For each category we | 0:41:37 | 0:41:45 | |
have chosen a high end, mid range
and budget calendar. Is Number Ten. | 0:41:45 | 0:41:51 | |
Number Ten, come on, quick. Number
Ten. Two traffic cones. Twins. How | 0:41:51 | 0:41:57 | |
exciting. One and five. 15. Why does
it have to become an expensive thing | 0:41:57 | 0:42:08 | |
with gifts in it? Is it better to
give them something with a toy in or | 0:42:08 | 0:42:12 | |
something with just chocolate or
something with just a picture? It | 0:42:12 | 0:42:16 | |
would be better to give a toy than
chocolate. From toy calendars to | 0:42:16 | 0:42:22 | |
food. Chilli, pork scratchings and
sweets. Countdown to Christmas with | 0:42:22 | 0:42:27 | |
a different chilli every day there
is a booklet. What does it say? | 0:42:27 | 0:42:36 | |
Unsmoked, paprika powder. It's quite
cool. How much do you think that | 0:42:36 | 0:42:40 | |
costs? £9.99. I'm buying one. The
bells are ringing out. Deck the | 0:42:40 | 0:42:52 | |
halls with bags of crackling. What
is number 22 Chilli powder. Now | 0:42:52 | 0:43:07 | |
Molton Brown. Amazon Buton. Lovely.
What is this. . This is the cheapest | 0:43:07 | 0:43:15 | |
one. Look at that. Lovely, saint it?
Amazing. This one. Is how much do | 0:43:15 | 0:43:21 | |
think that is? More expensive, I'd
say. It's candles and everything in | 0:43:21 | 0:43:26 | |
there. £70, £80. £165. No way. It
can stay. How many of these would | 0:43:26 | 0:43:35 | |
you buy this Christmas? None. One
and six, 16. Let's have a sniff. | 0:43:35 | 0:43:44 | |
Smells like £50 that. Finally, what
about the drinks? Wine from the Pip | 0:43:44 | 0:43:51 | |
Stop. Craft beer from Iceland and
tea from Fortnum and Mason. Every | 0:43:51 | 0:44:01 | |
day another bottle of beer. Let's
have a sniff. Smell that. That is | 0:44:01 | 0:44:08 | |
the smell of Christmas. It's like
mulled wine, isn't it? 1 and 8. That | 0:44:08 | 0:44:15 | |
will be nice. What do our bingo
players think overall? Sweets, who | 0:44:15 | 0:44:22 | |
doesn't like sweets. Good value for
what it is. I would never give £35 | 0:44:22 | 0:44:28 | |
for any calendar. That is £12. I
would buy it. What is wrong with | 0:44:28 | 0:44:36 | |
traditional with a picture of a
Christmas pudding or Carroll | 0:44:36 | 0:44:40 | |
singers. It's not based around
family time it's self indulgence. | 0:44:40 | 0:44:49 | |
I'm not sure they capture the spirit
of Christmas. By Christmas Eve you | 0:44:49 | 0:44:54 | |
have all the ingredients for a good
old fashioned Christmas knees up. | 0:44:54 | 0:45:00 | |
Who fancies a pork scratching? | 0:45:00 | 0:45:01 | |
You are still working your way
through a whisky calendar from last | 0:45:06 | 0:45:14 | |
year Alexander. Yes, I haven't got
that far through, what do they think | 0:45:14 | 0:45:20 | |
I am? Glugging every morning. I am
old fashioned. I like the idea of, | 0:45:20 | 0:45:26 | |
our kids get old fashioned German
one, lots of glitter and a nice | 0:45:26 | 0:45:32 | |
picture of a pudding. It is the
picture that counts. | 0:45:32 | 0:45:37 | |
It is the picture that counts. | 0:45:37 | 0:45:39 | |
Now, we've seen our amateur dames
being put through their paces | 0:45:39 | 0:45:41 | |
and Matt has arrived at another
class full of some | 0:45:41 | 0:45:44 | |
shadier characters. | 0:45:44 | 0:45:45 | |
Counts. Boo. His. This is villain
school. Or cackle college, it may | 0:45:45 | 0:45:52 | |
look scary but it has been Baros car
live-sted inspected. This is our | 0:45:52 | 0:46:04 | |
teacher Natasha, tells about your
credentials I have been a panto | 0:46:04 | 0:46:09 | |
villain for six years. Where you
performing? At the Princes theatre | 0:46:09 | 0:46:14 | |
in Clacton in beauty on the beast.
Is that on the end of the pier. We | 0:46:14 | 0:46:22 | |
have first time baddies here, and
they have some concern, we will | 0:46:22 | 0:46:25 | |
start over here, Natalie, you are
playing Mr Wolf at the Ardennes | 0:46:25 | 0:46:30 | |
theatre in Faversham. I presume that
is red riding hood. What is your | 0:46:30 | 0:46:34 | |
concern? Every baddy needs a good
cackle. Or in my case a howl. Help | 0:46:34 | 0:46:42 | |
me. Then Kerr city, you are playing
Morgan Les if FAY. What is your | 0:46:42 | 0:46:50 | |
panto? It is Camelot the panto. What
do you do when you are not being | 0:46:50 | 0:46:59 | |
Morgan. Bringing up my baby which is
more scary. I want to know how to | 0:46:59 | 0:47:06 | |
deliver the insults well. So
insults, and finally, we have you | 0:47:06 | 0:47:13 | |
Robin playing Brian May in which
panto. Captain hook in Peter Pan | 0:47:13 | 0:47:16 | |
toe. Fantastic, That is in Kent at
the Queens Hall. Tell me, what are | 0:47:16 | 0:47:23 | |
you worried about? I am worried I
will be too evil. I need to balance, | 0:47:23 | 0:47:29 | |
a bit of sympathy from the audience
when I get eat beenty crocodile at | 0:47:29 | 0:47:32 | |
the end. You want to show he has a
heart. We can help you with that | 0:47:32 | 0:47:39 | |
right now. Take us through your top
tips. Number one. EVIL LAUGH | 0:47:39 | 0:47:46 | |
Tip number one. You need to know
your cackles so Natalie, three stock | 0:47:46 | 0:47:54 | |
examples, for your entrance you want
to make it a nice big crescendo | 0:47:54 | 0:48:03 | |
so... Likewise with your exit you
want to just make sure that everyone | 0:48:03 | 0:48:06 | |
knows you are leaving the building,
to give that cue to give them a boo. | 0:48:06 | 0:48:12 | |
You might do a little something like
this... Number two tip. Know your | 0:48:12 | 0:48:21 | |
insults, it is common for panto
people to get an audience to get | 0:48:21 | 0:48:26 | |
really involved so it is important
you have some insults just to pop | 0:48:26 | 0:48:30 | |
out when you are ready. Alliteration
is key, so if we are talking to our | 0:48:30 | 0:48:35 | |
audience you might say look at all
these one show wannabes. What a | 0:48:35 | 0:48:42 | |
bunch of losers.
And tip three. Tip three, so your | 0:48:42 | 0:48:52 | |
come uppence, every villain has to
lose at the end so the heros can win | 0:48:52 | 0:48:56 | |
the day, it is important you have ta
last final moment, if you are being | 0:48:56 | 0:49:00 | |
turned good at the end or get eaten
by a crocodile, so you want to grab | 0:49:00 | 0:49:05 | |
your chest and do a wannabes. What a
bunch of losers. | 0:49:05 | 0:49:09 | |
And tip three. Tip three, so your
come uppence, every villain has to | 0:49:09 | 0:49:12 | |
lose at the end so the heros can win
the day, it is important you have ta | 0:49:12 | 0:49:15 | |
last final moment, if you are being
turned good at the end or get eaten | 0:49:15 | 0:49:18 | |
by a crocodile, so you want to grab
your chest and do a bit no, like | 0:49:18 | 0:49:22 | |
this. Wannabes. What a bunch of
losers. | 0:49:22 | 0:49:23 | |
And tip three. Tip three, so your
come uppence, every villain has to | 0:49:23 | 0:49:26 | |
lose at the end so the heros can win
the day, it is important you have ta | 0:49:26 | 0:49:29 | |
last final moment, if you are being
turned good at the end or get eaten | 0:49:29 | 0:49:32 | |
by a crocodile, so you want to grab
your chest and do a bit no, like | 0:49:32 | 0:49:35 | |
this. "No". Panto people, here we
go, away you go. Take it away. | 0:49:35 | 0:49:38 | |
ALL: No!
Well... | 0:49:38 | 0:49:38 | |
APPLAUSE
That was very good. | 0:49:38 | 0:49:39 | |
Shall we do some pictures. Do you
want to do one? This is a picture | 0:49:39 | 0:49:42 | |
from Eleanor, the green hills panto
club, who are putting on their 27th | 0:49:42 | 0:49:45 | |
panto, the Pied Piper. This is
brilliant. Scott is currently | 0:49:45 | 0:49:48 | |
playing Dandini in the panto. It is
run by volunteers. Good costume | 0:49:48 | 0:49:52 | |
effort. Look at this for a full on
rehearsal picture. In the sports | 0:49:52 | 0:49:58 | |
hall. Brilliant. Tess is a sent this
in. They are doing a Bollywood | 0:49:58 | 0:50:06 | |
beauty and the beast. Look, good
luck. | 0:50:06 | 0:50:09 | |
Look, good luck. | 0:50:09 | 0:50:10 | |
Well, Gorka, being a panto animal
is all about movement and grace, | 0:50:10 | 0:50:13 | |
so we've got you a costume
waiting for you. | 0:50:13 | 0:50:15 | |
Off you go and get into character. | 0:50:15 | 0:50:23 | |
Before we meet our fake animals how
about real wildlife from my neck of | 0:50:23 | 0:50:27 | |
the woods. Here is Miranda with a
story older than any fairy tale. | 0:50:27 | 0:50:35 | |
The Cheviot hills in Northumberland,
were formed millions of years ago, | 0:50:35 | 0:50:41 | |
by volcanic lava flows. As time
past, they have become home to a | 0:50:41 | 0:50:45 | |
diverse array of wildlife.
All of the domesticated animals that | 0:50:45 | 0:50:50 | |
live on the hills have changed over
time through breeding, except one | 0:50:50 | 0:50:54 | |
that managed to free itself from
human interference almost as soon as | 0:50:54 | 0:50:58 | |
it arrived here over 7,000 years
ago. | 0:50:58 | 0:51:01 | |
The Cheviot goat. Even the place
names near by are testament to how | 0:51:01 | 0:51:07 | |
long these animals have been here.
Names such as Goat Stones or a place | 0:51:07 | 0:51:14 | |
of the hill of the goat. In this
small set of valleys they have | 0:51:14 | 0:51:19 | |
remained unchanged for millennia.
Richard has been studying them for | 0:51:19 | 0:51:23 | |
the past ten years and he is going
to help me get up close to them. | 0:51:23 | 0:51:31 | |
The country's entire population of
Cheviot goats can be found across | 0:51:31 | 0:51:36 | |
these hill tops, and there aren't
that many. How many? This population | 0:51:36 | 0:51:43 | |
is about 150. But if something were
to happen to this particular | 0:51:43 | 0:51:48 | |
population it could be wiped out?
Yes, very easily, it is a small | 0:51:48 | 0:51:53 | |
population, it doesn't take much. We
have been given special permission | 0:51:53 | 0:51:57 | |
from Northumberland National Park to
drive up through these hills, but we | 0:51:57 | 0:52:00 | |
can only get so far by car. | 0:52:00 | 0:52:06 | |
There is some down there. I think it
looks like four or five of them. | 0:52:09 | 0:52:19 | |
Oh Oh they are amazing and the coat
is so Shaggy. | 0:52:19 | 0:52:25 | |
They have this outer o coat that
almost drags on the ground. | 0:52:25 | 0:52:31 | |
And an inner coat that keeps them
dry and warm. | 0:52:31 | 0:52:38 | |
I want to get closer, but we have to
tread lightly. | 0:52:38 | 0:52:42 | |
It is coming to the end of the
rutting season, and the males have | 0:52:42 | 0:52:47 | |
been using their prim sieve horns to
see off competition and affirm their | 0:52:47 | 0:52:52 | |
mating rights -- rites. | 0:52:52 | 0:52:56 | |
Cutting through the abundant bracken
on the hills might be easy for the | 0:53:03 | 0:53:06 | |
goat bus it is not so easy for us.
This is why the goats disappear. | 0:53:06 | 0:53:16 | |
They do. Certainly as tall as me.
Super close. | 0:53:16 | 0:53:25 | |
Wow. | 0:53:25 | 0:53:30 | |
You can see the beard. They look
very wise, like we have been flee | 0:53:32 | 0:53:36 | |
over, we know exactly what we are
doing. They look like they belong in | 0:53:36 | 0:53:41 | |
their surroundings. Unusually both
male and female Cheviot goats | 0:53:41 | 0:53:46 | |
possess horns but it is in the males
they can become truly impressive. | 0:53:46 | 0:53:53 | |
They are useful indicator of age
which each ringed section | 0:53:53 | 0:53:57 | |
representing a year of growth.
Making this pair of males about | 0:53:57 | 0:54:00 | |
eight years old.
Awesome. I love them. I think they | 0:54:00 | 0:54:06 | |
are really really beautiful.
It is Aston Northern Irishing to | 0:54:06 | 0:54:10 | |
think that this population of goats
arrived in this secluded valley | 0:54:10 | 0:54:14 | |
about the same time that the wheel
was being invented. | 0:54:14 | 0:54:18 | |
They have avoided being cross bred
to improve meat or milk yields, and | 0:54:18 | 0:54:23 | |
are now a walking connection to our
Stone Age ancestors. Hopefully the | 0:54:23 | 0:54:31 | |
small shall -- Shaggy coated
creatures will remind us of our own | 0:54:31 | 0:54:35 | |
primitive beginnings for many
millennia to come. | 0:54:35 | 0:54:43 | |
Let's get some panto animal
advice now, because Matt | 0:54:43 | 0:54:45 | |
is in our Panto School Stables. | 0:54:45 | 0:54:48 | |
We have maimed for these purposes
strong hands stables. Some people | 0:54:48 | 0:54:56 | |
say it's the bum job of the panto to
be the horse or cow, but no, not our | 0:54:56 | 0:55:03 | |
animals here, at least half is not
the bum job, we have Mel, and Lizzy, | 0:55:03 | 0:55:10 | |
you are professional pantomime co-s
is that correct -- cows. We are in | 0:55:10 | 0:55:16 | |
Talbot this year. How long you been
pant mile animals. Since 2014. What | 0:55:16 | 0:55:25 | |
is the traction, you don't get to is
say any lines, you are looking at | 0:55:25 | 0:55:30 | |
the behind, that is the best part.
Best part. You have to be very | 0:55:30 | 0:55:34 | |
strong. Yes and the kids love it. We
are the favourite character, the | 0:55:34 | 0:55:38 | |
biggest cheer. We just get to milk
it. I love it. I am working on the | 0:55:38 | 0:55:44 | |
basis that everyone is a cow and in
Jack this in the bean stalk, is that | 0:55:44 | 0:55:48 | |
correct? I will come to you first
Neil. | 0:55:48 | 0:55:58 | |
You are a worried cow? Being able to
see out of the mass, the head of the | 0:55:58 | 0:56:03 | |
cow. I and falling off the end of
testify stage. That is a valid | 0:56:03 | 0:56:07 | |
concern, you can't see anything in
that thing. I have seen. We will | 0:56:07 | 0:56:11 | |
move down the line. Amy you just get
a head. That is unfortunate. Mia and | 0:56:11 | 0:56:17 | |
Victoria, and you are performing in
Fleet in Jack and the bean stalk, | 0:56:17 | 0:56:21 | |
which theatre? The Harling on the.
What is your concern? Probably the | 0:56:21 | 0:56:27 | |
co-ordination between the front and
the back. You have to act as a | 0:56:27 | 0:56:31 | |
single animal rather than two
separate halve, a very valid | 0:56:31 | 0:56:35 | |
concern. Concern. Mel and Lizzy,
your top tips for the animals. Tip | 0:56:35 | 0:56:41 | |
one don't take big step, you don't
know where you are, you don't want | 0:56:41 | 0:56:45 | |
to take a big step and fall off.
Your second tip. Tip two the three | 0:56:45 | 0:56:51 | |
second rule. Make sure your
character is animated to move every | 0:56:51 | 0:56:56 | |
three second. A wiggle of the bum.
You keep moo-ving. Work together, | 0:56:56 | 0:57:07 | |
team work, co-ordination, work with
your back end. It takes team work to | 0:57:07 | 0:57:11 | |
make the cream work. Literally just
thought of that. Suit up, let us see | 0:57:11 | 0:57:16 | |
it happen. I honestly have just
thought of that. We will see if they | 0:57:16 | 0:57:21 | |
still have the moose like Jagger,
have they got them? Lead the way | 0:57:21 | 0:57:25 | |
Mel, away you go. That's it, follow
on Neil, this is part of the problem | 0:57:25 | 0:57:30 | |
here. Keep going. Keep going.
Fantastic, keep moving, a bit | 0:57:30 | 0:57:37 | |
quicker, three second rule.
Fantastic, now we have I think we | 0:57:37 | 0:57:42 | |
have one more panto cow coming in.
Here it comes. Wow, look at the way | 0:57:42 | 0:57:45 | |
the legs move. In perfect harm any,
in perfect... It is almost like they | 0:57:45 | 0:57:52 | |
know what they are doing here. What
do you think of that? Who do you | 0:57:52 | 0:57:58 | |
think that could possibly be? I have
no end which end is which. The shoes | 0:57:58 | 0:58:03 | |
may be a give away. The heels are a
big clue. Go on, Gorka, which ever | 0:58:03 | 0:58:10 | |
end you are at show your face.
APPLAUSE | 0:58:10 | 0:58:20 | |
A few pictures before we go. Ian
sent this picture of the ugly | 0:58:20 | 0:58:28 | |
sisters getting ready in Blackburn.
Sarah's company have two sold ole | 0:58:28 | 0:58:33 | |
out performances of Cinderella in
County Down. I can't speak highly | 0:58:33 | 0:58:38 | |
enough of the one at Durham in the
Gala theatre. Sherlock homes in West | 0:58:38 | 0:58:47 | |
Sussex. Thanks to all the panto
characters who have dropped in. This | 0:58:47 | 0:58:54 | |
is Salisbury, John. That is it for
tonight. | 0:58:54 | 0:58:58 | |
ALL: Oh no it isn't.
A big thank you to Alexander, the | 0:58:58 | 0:59:04 | |
album is out now. Make sure you see
Alexandra and Gorka's Charleston. Do | 0:59:04 | 0:59:10 | |
the feet. Do the feet. Tomorrow
Lesley Sharp. Good night. | 0:59:10 | 0:59:15 |