Browse content similar to 30/06/2016. Check below for episodes and series from the same categories and more!
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Hello, and welcome to the One Show with Alex Jones. | :00:16. | :00:17. | |
After Monday's football result, I bet you thought it would be | :00:18. | :00:21. | |
a while before you'd hear the words Class and Rooney | :00:22. | :00:23. | |
Well, hang on, because our guests tonight are a musical | :00:24. | :00:28. | |
presenter who was once in a chart topping band, | :00:29. | :00:31. | |
and an actress who, well, loved that chart topping band. | :00:32. | :00:33. | |
Please welcome Myleene Klass and Sharon Rooney! | :00:34. | :00:41. | |
APPLAUSE Very good. See, it works. We will | :00:42. | :00:52. | |
pick up on that point of being a big fan of Hear'Say. I was a big fan. I | :00:53. | :00:59. | |
came to every single concert, every single thing that you played in | :01:00. | :01:05. | |
Glasgow. No way! ? I had every banner and poster. You only just | :01:06. | :01:11. | |
tell me this now. We heard while you were packing the other day you found | :01:12. | :01:18. | |
a Kym Marsh doll is that right? There it is. It is quite | :01:19. | :01:22. | |
unbelievable. Do you remember these Myleene? I can remember them, there | :01:23. | :01:28. | |
was three because we had one you could press the back and it would | :01:29. | :01:34. | |
sing. Not unlike the real Hear'Say. I love the bit on the back, is your | :01:35. | :01:43. | |
hero still Ariel from The Little Mermaid Sure. We will talk to | :01:44. | :01:48. | |
Myleene later on about her new BBC series which celebrates 70 years | :01:49. | :01:52. | |
since the foundation of the NHS and the wonderful people who have worked | :01:53. | :01:56. | |
within it. Some of which are with us tonight in the audience. Good | :01:57. | :01:59. | |
evening. It is lovely to you with us. If any of your family worked for | :02:00. | :02:04. | |
the NHS over the years we would like to celebrate them, so e-mail a photo | :02:05. | :02:08. | |
of them at work and we will show them later. It doesn't have to be a | :02:09. | :02:13. | |
recent one. This time last week the polling stations were still open. | :02:14. | :02:17. | |
Are we still talking about this? It is just a week and friends and | :02:18. | :02:21. | |
family were arguing among themselves about the benefits of staying in or | :02:22. | :02:25. | |
leaving. Believe it or not some families are still arguing as Kevin | :02:26. | :02:31. | |
has found out. The in or out campaign divided. Not | :02:32. | :02:34. | |
just the political parties but also families across the land. And for | :02:35. | :02:38. | |
many, feelings are still running high. I am off to meet the Traffords | :02:39. | :02:44. | |
who have agreed to not only share how they feel but share it in the | :02:45. | :02:49. | |
confines of my car, so if tempers fray, there is no getting away. | :02:50. | :02:54. | |
Meet head of the household dad Andy, a former teacher, he is now retired | :02:55. | :02:59. | |
and he backed the Leave campaign. Mum Pat also voted for Brexit, but | :03:00. | :03:05. | |
now has regrets. 31-year-old son Nick is a scientist, who works in | :03:06. | :03:10. | |
Bolt private and NHS hospitals, in London and voted to stay in Europe. | :03:11. | :03:14. | |
-- both. He despairs at his parents. I have got rid of the anger and the | :03:15. | :03:19. | |
disgust, you know, over the last five days it has been, they have | :03:20. | :03:24. | |
gone. A lot of your anger and disgust was aimed at me. I voted to | :03:25. | :03:32. | |
stop Britain being governed by the bureaucrats. If we have come to a | :03:33. | :03:36. | |
stage where we can't put our cross in a certain box, for fear of what | :03:37. | :03:41. | |
other people will think of us, then we have lost far more than we will | :03:42. | :03:47. | |
lose from coming out of the EU. Tell us your initial thoughts when | :03:48. | :03:52. | |
the result come in I got a text from Nick which what really upset me more | :03:53. | :03:55. | |
than anything, he said I am disgusted to be British. It was a | :03:56. | :04:01. | |
bad day. It felt like a bad dream. My thoughts were of disgust, of | :04:02. | :04:08. | |
surprise, of animosity, as well. I was quite pleased. I wasn't jubilant | :04:09. | :04:13. | |
because I knew the future, there is going to be some problems. Nick | :04:14. | :04:16. | |
fears one of the problems will be the break up of the United Kingdom. | :04:17. | :04:22. | |
In Scotland, they will seek independence from the UK, and that | :04:23. | :04:26. | |
worries me. I think if they do they will struggle. But the Out vote has | :04:27. | :04:32. | |
dad Andy brimming with optimism for Britain's future. We can invest a | :04:33. | :04:37. | |
lot of money in our farmer, if we stop importing all this food from | :04:38. | :04:41. | |
abroad we don't need this extra runway at Heathrow. I do think that | :04:42. | :04:47. | |
that is ridiculous. Sorry mum, I don't mean to butt in but that | :04:48. | :04:51. | |
runway, do you know how many jobs that will create? Do you know how | :04:52. | :04:56. | |
many jobs? Don't sigh! There is going to be so many people who | :04:57. | :05:00. | |
benefit from it. There is clearly big differences. Big differences. We | :05:01. | :05:08. | |
need to knuckle down and work as a country, great, Great Britain. Has | :05:09. | :05:11. | |
it had any effect on your relationship as a family? That think | :05:12. | :05:16. | |
is what has been depressing me over the past few days. I hope I really | :05:17. | :05:22. | |
hope that we can move forward from this. The ones who won, in inverted | :05:23. | :05:28. | |
commas shouldn't be crowing about it, because there are going to be | :05:29. | :05:33. | |
difficulties ahead, and the ones who haven't won should not be targeting | :05:34. | :05:40. | |
us, and talking about us as if we are old, official, and uneducated. | :05:41. | :05:46. | |
And I want my, sorry I can't do this. Don't worry Pat. We have to | :05:47. | :05:51. | |
pout differences aside and unify and do what the rest of Europe has done | :05:52. | :05:55. | |
by coming together, that is what we need to do, but internally. I am | :05:56. | :06:00. | |
still pleased we are out of it and we have to work together, all the | :06:01. | :06:04. | |
country has got to work together, and families as got to get back | :06:05. | :06:09. | |
together. After an hour in the hotseats with agree this journey has | :06:10. | :06:14. | |
gone the distance and while the votes driven them in different | :06:15. | :06:17. | |
direction, in the end family is still family. | :06:18. | :06:20. | |
Well since filming, Nick has been in touch to tell us that he and his his | :06:21. | :06:25. | |
mum and dad, they found that car journey really really helpful, so | :06:26. | :06:29. | |
their advice to all the families that are Woolwiching who feel like | :06:30. | :06:33. | |
they are split down the middle. Get together, flash it out, do it at | :06:34. | :06:38. | |
home, have a designated driver if you are going to. It is One Show | :06:39. | :06:42. | |
therapy. Kevin is available to drive anybody who wants a go. All next | :06:43. | :06:47. | |
week five well-known faces will be going inside the NHS as it | :06:48. | :06:52. | |
celebrated 70 year, Myleene you were one of those people lucky enough to | :06:53. | :06:56. | |
be part of this. You really wanted to do it because you had a personal | :06:57. | :07:01. | |
connection, but how does the series reflect then the NHS, on 70 years? | :07:02. | :07:05. | |
They have a wide range of people from example there is myself and | :07:06. | :07:11. | |
Lucy Alexander and Miriam mar goals and all have different experiences | :07:12. | :07:14. | |
from carers through to my own experience of having a mum who was a | :07:15. | :07:21. | |
nurse, and as they say, once a nurse always a nurse. It never leaves you. | :07:22. | :07:26. | |
I hadn't thought about what the, the effects of my mum being a nurse | :07:27. | :07:30. | |
would directly have on me, until I think, you know when I became a mum | :07:31. | :07:34. | |
myself and I would be sending my schools to -- kids to school even if | :07:35. | :07:37. | |
they were saying my arm is falling off. It is a different attitude that | :07:38. | :07:43. | |
nurses have, it is like that morgue humour and it is something I think | :07:44. | :07:47. | |
is, it becomes like your own backbone. And you took your mum | :07:48. | :07:53. | |
back. I took my mum back. What was her experience going back? Think it | :07:54. | :07:58. | |
was hugely emotional for her, she got the call in the 60s when they | :07:59. | :08:03. | |
were looking for people to come from the West Indies and typhoons when | :08:04. | :08:07. | |
they needed extra help, staff, it was a very brave move. She didn't | :08:08. | :08:11. | |
know she would be returning back to the country she came from, she knew | :08:12. | :08:15. | |
she wanted to help, when you here experiences now, you can't imagine | :08:16. | :08:18. | |
what it must have been like, but she said to be looking after patients | :08:19. | :08:21. | |
who weren't necessarily sure if she would be able to speak English, she | :08:22. | :08:25. | |
was an English teacher in the Philippines. It is think, you just | :08:26. | :08:29. | |
think of your mum, as your mum. But then when you think of her in her | :08:30. | :08:33. | |
own situation, and what challenges that she had to face, and I felt so | :08:34. | :08:38. | |
immensely proud. Well you also get your scrubs on. I did. To help out | :08:39. | :08:44. | |
on the wards of Belfast Royal Victoria Hospital. Let us have a | :08:45. | :08:51. | |
look. I mean, stuff of dreams. Stuff of dreams all right. Thank you | :08:52. | :08:55. | |
my darling. You are very welcome Sir. | :08:56. | :09:09. | |
I mean that looks amazing. Da-da-da. Stick to the piano. Did | :09:10. | :09:17. | |
you hear that? Stick to the piano. What did you learn, what did you | :09:18. | :09:20. | |
take away from your day at the Royal Victoria Hospital, because you saw | :09:21. | :09:24. | |
all sorts of department, met lots of different people. Vens It was a | :09:25. | :09:28. | |
sensory overload. You watch dramas and when we looking over the 70 | :09:29. | :09:32. | |
years celebrating the NHS, our closest reference is the Carry On | :09:33. | :09:36. | |
films you think of matron and the huge... When I think back to what | :09:37. | :09:41. | |
else it could be like, we don't necessarily no know and things have | :09:42. | :09:45. | |
really changed. It is fantastic to see, one thing that never changes I | :09:46. | :09:49. | |
think, is the humour the nurses have. It is definitely a case that | :09:50. | :09:54. | |
the doctors know the nurses run the school if you like, and that is | :09:55. | :09:59. | |
brilliant to see. There is a lot going on over there, nodding. You | :10:00. | :10:03. | |
run the school, I saw that. For me it is different senses I didn't | :10:04. | :10:08. | |
necessarily, didn't imagine, so I remember walking down into theatre, | :10:09. | :10:12. | |
stop eating your dinner, and there is this weird smell, it smelled like | :10:13. | :10:17. | |
feet, and they just told me they were suturing and lasering skin, I | :10:18. | :10:20. | |
think my gosh, you perks that all the way through the day, you are | :10:21. | :10:24. | |
looking after people at their best and worst, and then you go home, and | :10:25. | :10:28. | |
you have your normal day, you know, your family life, the way they flip | :10:29. | :10:31. | |
in between, flip-flop in between that, it is incredible. Also, all | :10:32. | :10:35. | |
the nurse, from my mum's time all the way through to now hate the | :10:36. | :10:41. | |
shoes they have to wear, but... Your mum... Again, look at the rubber | :10:42. | :10:46. | |
shoes that are out there now, the reason they wear them is so they can | :10:47. | :10:50. | |
wipe the blood, sweat and tears off them. They deal with humanity at its | :10:51. | :10:56. | |
best and worst. They are practical. Matron, Medicine And Me: 70 Years Of | :10:57. | :10:59. | |
The NHS begins on Monday morning, it is on at 9.15 on BBC One. As we | :11:00. | :11:04. | |
mentioned yesterday, remembrance vens for the centenary of the Battle | :11:05. | :11:08. | |
of the Somme start this evening. We will soon be talking to Dan Snow in | :11:09. | :11:12. | |
France, at a place which is central to the commemorations. Before we do, | :11:13. | :11:16. | |
here is how a silent film of the battle, which became one of the most | :11:17. | :11:20. | |
watched films in British history has finally been given a fitting | :11:21. | :11:25. | |
soundtrack. At the Imperial War Museum North in | :11:26. | :11:29. | |
Salford, a school orchestra has arrived. | :11:30. | :11:33. | |
They have come to this ultra modern location to accompany a silent movie | :11:34. | :11:37. | |
shot 100 years ago. The film they are about to accompany | :11:38. | :11:42. | |
documents one of the bloodiest episodes of the 20th century. | :11:43. | :11:47. | |
Entitled the battle of the some, it was made in 1916, during World War | :11:48. | :11:52. | |
I, at the trenches where more than a million men were slaughtered. | :11:53. | :11:56. | |
The museum's historian Matt Lee has researched the film. This is one of | :11:57. | :12:01. | |
the most famous scenes in the film. This is where two soldiers bringing | :12:02. | :12:05. | |
a wounded comrade, brought in from no-man's land. In the next sequence | :12:06. | :12:10. | |
you see him being carried on a man's shoulder towards the camera. What is | :12:11. | :12:15. | |
powerful about this scene is the man himself died 30 minutes after being | :12:16. | :12:19. | |
brought into the trenches. It is very graphic. That is what I think | :12:20. | :12:23. | |
is special about the film. It was the first film to bring home, you | :12:24. | :12:28. | |
know, the barbarism and inhumanty of war. The British soldiers are trying | :12:29. | :12:33. | |
to give the dead, as dignified a burial as they can. As a parent, if | :12:34. | :12:37. | |
you are sitting there watching this, you are thinking, that could be my | :12:38. | :12:43. | |
son. That must be incredibly frightening and sobering for those | :12:44. | :12:45. | |
people watching It could have been. Some of the images you see in this | :12:46. | :12:49. | |
film you wouldn't see on news broadcasts today. When it was | :12:50. | :12:53. | |
released, half the population of Britain flocked to see what life on | :12:54. | :12:57. | |
the front line was like. Now, to commemorate the battle | :12:58. | :13:01. | |
centenary the film is being screened 100 times over the next year, but | :13:02. | :13:07. | |
this time, with a soundtrack by live orchestras. Mind-blowing that people | :13:08. | :13:11. | |
are fighting in the Battle of the Somme, I could have been there. The | :13:12. | :13:16. | |
score was written by film composer Laura Rossy. | :13:17. | :13:21. | |
I watched the film, and just realised what enormous | :13:22. | :13:24. | |
responsibility I had to write music for appropriately fits these image, | :13:25. | :13:30. | |
so I didn't want to overdo the emotion, I just wanted to write | :13:31. | :13:35. | |
something sensitive, really I wanted to let the images speak for | :13:36. | :13:38. | |
themselves. You visited the Somme. That is right migrate uncle was a | :13:39. | :13:42. | |
stretcher bearer in the First World War, and it turned out he was actual | :13:43. | :13:48. | |
a -- attached to the 29th division in 1916. It is possibly he could be | :13:49. | :13:52. | |
in the film. He survived the war so he died when I was about ten and | :13:53. | :13:57. | |
this is his diary. Colonel and captain wounded. Casualties the and | :13:58. | :14:05. | |
ambulance about 15. German machine guns waiting for them. Terrible | :14:06. | :14:09. | |
sights, dead and wounded galore. It says a lot but it hides an awful | :14:10. | :14:17. | |
lot. Yeah, it did. I wenter of the the battlefields, took his diaries | :14:18. | :14:21. | |
with me and tried to retrace his footsteps. It made the pictures | :14:22. | :14:26. | |
become very real. And here is Laura's soundtrack. Performed by the | :14:27. | :14:30. | |
orchestra from Cheetham School of Music in Manchester. | :14:31. | :14:48. | |
It is an incredibly powerful combination, the live nature of the | :14:49. | :14:56. | |
music, brings to life, doesn't it, those kind of ghostly | :14:57. | :14:59. | |
black-and-white images. Yes, that is right. This footage we with are | :15:00. | :15:03. | |
watching now, this is probably for me the most emotional part. I want | :15:04. | :15:07. | |
the music to draw you into this where we see the men smile and wave | :15:08. | :15:12. | |
at the cameras you look into their face, and just see them as normal. | :15:13. | :15:18. | |
Normal men. Because we know what lies ahead for them, and in a sense | :15:19. | :15:21. | |
they don't, do they. It was really moving to see those | :15:22. | :15:39. | |
Young's kids playing how they play. It really brings out about the war. | :15:40. | :15:44. | |
It felt quite solemn and quite steep. Watching this film, you | :15:45. | :15:51. | |
realise what a tragedy the battle of the Somme was, for both sides. | :15:52. | :15:57. | |
Finding a way to commemorate loss of life on this scale isn't easy. But I | :15:58. | :16:05. | |
cannot think of a better way than with such powerful music. | :16:06. | :16:07. | |
APPLAUSE And you can see live performances | :16:08. | :16:09. | |
of Somme 100 for yourself. There's more information | :16:10. | :16:11. | |
on our website. Well Dan Snow is live in France | :16:12. | :16:15. | |
at a place that holds a very important role in remembering those | :16:16. | :16:19. | |
who didn't come home. Dan - you're in a very | :16:20. | :16:23. | |
personal place aren't you? Probably the most important place in | :16:24. | :16:36. | |
the world for remembering the fallen from Britain's history. This is the | :16:37. | :16:42. | |
Thiepval monument to the fallen. It is the biggest Commonwealth War | :16:43. | :16:48. | |
Memorial in the world. On it are tens of thousands of names of the | :16:49. | :16:53. | |
young men. They died in this region during World War I. The vast | :16:54. | :16:57. | |
majority of them died during the Battle of this on which started 100 | :16:58. | :17:04. | |
years ago tomorrow. If I had been standing here 100 years ago, I am in | :17:05. | :17:10. | |
where the German positions where, machine guns and trenches beneath my | :17:11. | :17:16. | |
feet now. It was 10:30am and this was a wasteland. The British had | :17:17. | :17:21. | |
tacked up this hill, they were the Salford pals, friends who had joined | :17:22. | :17:28. | |
up from Salford in Lancashire. There was a battalion from Newcastle and | :17:29. | :17:34. | |
among them, Newcastle football players. They were torn to shreds | :17:35. | :17:39. | |
right here 100 years ago tomorrow morning bison machine guns who have | :17:40. | :17:43. | |
survived the British bombardment. As a result of slaughter like this up | :17:44. | :17:49. | |
and down the front line, it was the single, bloodiest day in British | :17:50. | :17:57. | |
history. In the whole of the battle, over 1 million British Commonwealth | :17:58. | :18:01. | |
and French soldiers, killed, wounded and captured. There will be a vigil | :18:02. | :18:11. | |
here tonight. In the UK, the Queen and Prince Philip will be at a vigil | :18:12. | :18:17. | |
in Westminster Abbey around the grave of the unknown soldier. Those | :18:18. | :18:22. | |
will be mirrored across the UK, Edinburgh Castle, Cardiff, lots of | :18:23. | :18:26. | |
ranches from the Royal British Legion are encouraging people to | :18:27. | :18:28. | |
mark this important occasion. The vigil will end up 7:28am with a | :18:29. | :18:38. | |
two-minute silence. When the guns stopped firing, the whistles were | :18:39. | :18:42. | |
blown and the British infantry attack. There is a concert in Heaton | :18:43. | :18:48. | |
Park. International leaders gathering here, up and down the | :18:49. | :18:56. | |
United Kingdom to mark was the biggest and bloodiest battle in | :18:57. | :18:57. | |
British history. And you can see the commemorations | :18:58. | :19:16. | |
tonight on BBC Two This is Alice's mum in the top | :19:17. | :19:37. | |
right. Her and her colleagues are working hard on Christmas Day. Now, | :19:38. | :19:43. | |
Sharon lets get on to your new comedy drama. Set in Sheffield in | :19:44. | :19:49. | |
the 80s. In a nutshell it is about women deciding to spice up their | :19:50. | :19:56. | |
lives. Let's have a look. This is my residence. Is there a problem? We | :19:57. | :20:02. | |
had a report this house was being used as a house of... Disrepute. I | :20:03. | :20:09. | |
beg your pardon. This is ridiculous. Probably my mother. All above board, | :20:10. | :20:15. | |
officer, I am the sales wrap. What are you selling? Something a bit | :20:16. | :20:21. | |
together and your truncheon. I am selling nightwear, marital aids. | :20:22. | :20:31. | |
Which as I understand it, isn't against the law. No, but maybe it | :20:32. | :20:38. | |
should be. You played Dawn who is one of these four women who are | :20:39. | :20:44. | |
spicing up their lives. How do they interact with each other, they are | :20:45. | :20:49. | |
racy underwear parties? Four women who would never normally socialise | :20:50. | :20:52. | |
together. They would never normally be in each other's lives. I played | :20:53. | :20:57. | |
the hairdresser of Penelope's character. And Stephanie, played by | :20:58. | :21:03. | |
Sophie is hosting one of these parties and I get invited. That is | :21:04. | :21:10. | |
how it begins. Your character, Dawn, she seems quite grassy because the | :21:11. | :21:16. | |
first scene she is kissing the butcher's assistant. But as the | :21:17. | :21:23. | |
series develops, you learn there is more to her character. When I get | :21:24. | :21:29. | |
the first episode I thought, she is loud and she is in your face. I | :21:30. | :21:36. | |
thought I know who you are and what you like. Basically just fun. When | :21:37. | :21:43. | |
you dig a little deeper, she has a difficult and upsetting home life. | :21:44. | :21:48. | |
So much going on, that she keeps totally separate from the person she | :21:49. | :21:51. | |
lets everybody see. It was an interesting character to play. This | :21:52. | :21:56. | |
is a family show, let's talk about the research you did. You did meet | :21:57. | :22:04. | |
quite a lot of people, Jacqueline Gold, who really is the founder of | :22:05. | :22:09. | |
these parties? It was interesting to meet her anti-meat two women who | :22:10. | :22:14. | |
were doing these parties in the 80s. I learned so much from them because | :22:15. | :22:19. | |
I thought, I know what they are, everyone knows what they are. But | :22:20. | :22:24. | |
for these women at that time they were like changing. They were | :22:25. | :22:29. | |
empowering, they had their own business, in charge of their own | :22:30. | :22:33. | |
finances, making money. Sometimes bringing in more money than their | :22:34. | :22:38. | |
partners and they could afford to do things they couldn't do before. It | :22:39. | :22:43. | |
was huge. I guess I was a little bit, kind of... Where they are big | :22:44. | :22:50. | |
deal, but they were. The 80s doesn't seem that long ago, but it was like | :22:51. | :22:56. | |
a different world. When you are on set and you have these props, shall | :22:57. | :23:02. | |
we say. Do you get to take them home? It is a bit of an icebreaker. | :23:03. | :23:12. | |
I don't think I have laughed as much or misbehaved as much onset. When | :23:13. | :23:18. | |
you get all of these women together, you have these things. You are | :23:19. | :23:23. | |
having fun, having a laugh. It made me want to go to one of these | :23:24. | :23:29. | |
parties and have fun. You should go. How many in our audience have been | :23:30. | :23:35. | |
to one of these parties? There is a few! It is called Brief Encounters. | :23:36. | :23:40. | |
It starts on ITV on Monday night at nine o'clock. If you are lucky to go | :23:41. | :23:46. | |
on safari in Africa, you will know about the Big Five, the lion, the | :23:47. | :23:54. | |
African elephant, the Leopard, the rhinoceros. The new Scotland had its | :23:55. | :24:05. | |
own Big Five. It is just after 6am on the Midsummer's day and I am in | :24:06. | :24:10. | |
this stunning location of the Nevis on the West Coast of Scotland. I | :24:11. | :24:16. | |
have been set a challenge to see all of Scotland's Big Five. The red | :24:17. | :24:22. | |
spiral, the seal, after, read here and golden eagle, in just 16 hours. | :24:23. | :24:28. | |
It really is a race against the clock. I will need some help, so I | :24:29. | :24:35. | |
have drafted in Iain Macleod, who has 27 years experience watching | :24:36. | :24:40. | |
wildlife. You take tourists out on a regular basis, how often do you | :24:41. | :24:46. | |
manage to see all of them in one day? It is very rare. Probably about | :24:47. | :24:52. | |
5% maximum. So the odds are against us. First on our list is the golden | :24:53. | :24:58. | |
eagle. Only one word for this scenery and it is majestic. Classic, | :24:59. | :25:07. | |
Eagle country. We are looking for the huge plank with essentially, | :25:08. | :25:13. | |
fingers on the end. By nine o'clock, there was no sign of the golden | :25:14. | :25:22. | |
eagle, so we put it on hold to try again later. Next is the less | :25:23. | :25:28. | |
elusive, and we are heading to a popular feeding station in the | :25:29. | :25:35. | |
forest. I can see a tail. We have one. They are such beautiful, | :25:36. | :25:41. | |
engaging creatures. There is a single tooth in the top jaw and they | :25:42. | :25:52. | |
used to spin the nuts. Soon after, we spot the next animal on our list. | :25:53. | :25:59. | |
We have another of the Big Five. Don't get too excited, it is the | :26:00. | :26:09. | |
deer up the top. I can see five or six. They look like stags. They lose | :26:10. | :26:16. | |
their antlers in April and they regrow for the rotting in October. | :26:17. | :26:20. | |
At the moment they are called Velvet. As we crossed on the ferry, | :26:21. | :26:27. | |
Ian is optimistic we will see harbour seals at the next location. | :26:28. | :26:35. | |
The good news is, we have got a harbour seal. They look like King | :26:36. | :26:40. | |
Charles spaniel faces. A lot of folk compare them to Labradors. It is the | :26:41. | :26:47. | |
third of our Big Five. Things are looking up. Animal number four is | :26:48. | :26:54. | |
the otter. About 25% of our trips, we find otters. As we spend the next | :26:55. | :27:01. | |
three hours looking for them to no avail, those odds diminish. We had | :27:02. | :27:06. | |
to hide for one large dished attempt. It is not. On the end of | :27:07. | :27:17. | |
the island. Yes! You have done it. It is distant, but great behaviour. | :27:18. | :27:26. | |
Almost diving through the air. Four out of five. With only two hours | :27:27. | :27:33. | |
left, we still have defined the golden eagle. I had offshore in the | :27:34. | :27:39. | |
hope of a sighting. What are our chances? Conditions are not | :27:40. | :27:45. | |
brilliant, but you never know when an eagle will just pop up. No golden | :27:46. | :27:51. | |
eagle is, but as the weather closes in, there is a surprise sighting. He | :27:52. | :27:59. | |
has just pointed out a white tailed eagle, sitting in the tree over | :28:00. | :28:07. | |
there. OK, I know it is not a golden eagle, not one of the Big Five, but | :28:08. | :28:15. | |
it should be. We are rewarded with one final wildlife spectacle. That | :28:16. | :28:19. | |
young stag has just crossed about 600, 700 metres of open water. On | :28:20. | :28:25. | |
his time on the loch, Jim has only ever seen this behaviour once | :28:26. | :28:29. | |
before. Every time I come to Scotland, I am not just blown away | :28:30. | :28:36. | |
by the variety of the species, but also the amazing scenery. Look at | :28:37. | :28:39. | |
that. We want to say a big thank you to | :28:40. | :28:45. | |
all of the people who have been sending in your NHS hero photos. I | :28:46. | :28:49. | |
will start with this, Maureen and her friend Eleanor in 1975 working | :28:50. | :28:53. | |
on the children's award at Blackpool hospital. Mori wants to meet up with | :28:54. | :28:59. | |
Eleanor if possible. Linda, who has been a midwife in Bath. This photo | :29:00. | :29:07. | |
sums up how wonderful job. Look at the baby. This is Hannah's granny | :29:08. | :29:15. | |
Maureen, aged 18 as a student nurse in 1914. She worked there for over | :29:16. | :29:21. | |
30 years. This is Andy's mum Pat in 1953. | :29:22. | :29:29. | |
'Brief Encounters' is on Monday night at 9:00pm on ITV, and 'Matron, | :29:30. | :29:31. | |
Medicine And Me:70 Years Of The NHS' starts on Monday morning at 9.15pm | :29:32. | :29:35. |