Browse content similar to 30/08/2011. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. And Alex Jones. | :00:21. | :00:24. | |
Tonight's guest has a colourful past, following a stint as a | :00:24. | :00:29. | |
conniving catty wag this bad girl ended up in prison. She went on to | :00:29. | :00:38. | |
the dance floor to tango for a while before ending up in Albert | :00:38. | :00:48. | |
:00:48. | :00:55. | ||
Now, we have a very expensive coffee table, you leave that alone! | :00:55. | :01:00. | |
It's Zoe Lucker. You can throw anything you want but don't touch | :01:00. | :01:04. | |
the plasma. I won't. That's unbelievable the stay you get into | :01:04. | :01:07. | |
it was really good fun actually doing that. It was one of those | :01:08. | :01:11. | |
things I think as a person you always think it would be nice at | :01:11. | :01:15. | |
times to trash your room. That's exactly what you said. It's an | :01:15. | :01:23. | |
excuse to vent your anger, just go for it. Yeah and the director of | :01:23. | :01:26. | |
that episode just set the thing up for one take so he got all the | :01:26. | :01:30. | |
cameras in the positions, made sure everybody was sure that nothing was | :01:30. | :01:34. | |
going to go wrong and just said, right, in your own time, go for it. | :01:34. | :01:39. | |
It's a mammoth reset that one. would have been a nightmare, yeah. | :01:39. | :01:43. | |
We will chat about EastEnders more later. You at home always help us | :01:43. | :01:47. | |
when we ask for photos and stories, you are brilliant. Four years ago | :01:47. | :01:51. | |
we went one step further and asked you to move house to a remote | :01:51. | :01:55. | |
island in the Shetlands called Fetlar. There it is. The reason, it | :01:56. | :02:00. | |
was in the throes of a population crisis. What happened next, well | :02:00. | :02:05. | |
it's over to Dom Littlewood to discover whether island life is | :02:05. | :02:11. | |
flourishing or fading fast. This is a story about what's | :02:11. | :02:16. | |
important in life and what you want from it. A journey that begins with | :02:17. | :02:22. | |
a plane, another plane, a car journey, a ferry, another car | :02:22. | :02:28. | |
journey, and a final ferry to Fetlar. It's a little Shetland | :02:28. | :02:35. | |
island that's closer to Norway than Glasgow. In 2007 with the | :02:35. | :02:38. | |
population dwindling 18-year-old resident Rachel used The One Show | :02:38. | :02:43. | |
to appeal to viewers nationwide and four years later I am here to find | :02:43. | :02:46. | |
out what happened next. And perhaps to find out what we can learn from | :02:46. | :02:56. | |
:02:56. | :02:56. | ||
the small island with a very big heart. | :02:57. | :03:01. | |
How are you? You certainly can't complain about waking up to a view | :03:01. | :03:04. | |
lake that every day? No, we consider ourselves really lucky to | :03:04. | :03:09. | |
live somewhere that's so beautiful. When The One Show film went out, at | :03:09. | :03:12. | |
that point there was less than 50 people living here, how is it now? | :03:12. | :03:16. | |
Everything this island was, was under threat at that point. We had | :03:16. | :03:21. | |
a lot of people that showed interest and we are back up to 70 | :03:21. | :03:26. | |
now so things are promising for us. Why it was important? This place is | :03:26. | :03:31. | |
one of a kind and it's everything I want for my future. On a day like | :03:31. | :03:34. | |
today with the sun there's nowhere else I would rather be and to think | :03:34. | :03:38. | |
we were going to lose that through lack of people knowing about us was | :03:38. | :03:42. | |
terrible. But despite the increase to 70, the island's population is | :03:42. | :03:47. | |
less than a third of what it was 100 years ago and and it's a way of | :03:47. | :03:57. | |
life the islanders want to keep going, like Isla. That puts her to | :03:57. | :04:04. | |
her left. To her right. Give it a go. Just get it between your teeth | :04:05. | :04:12. | |
and just breathe. That way! It's not moving. No, she's very confused. | :04:12. | :04:17. | |
Right now I have no phone reception, my feet are freezing and I couldn't | :04:17. | :04:21. | |
get a station on the telly last night. What is it about Fetlar you | :04:21. | :04:27. | |
love? You don't need a TV when you can look at this lovely scenery. | :04:27. | :04:36. | |
Where do I get a latte? I will drop a teabag in a cup in the house. You | :04:36. | :04:41. | |
feel safe here, it's a good place to bring up children. The postman | :04:41. | :04:51. | |
:04:51. | :04:51. | ||
has been delivering letters on the island for over 30 years. You go | :04:51. | :04:58. | |
into houses? There's no crime here. Everybody would see you. How do you | :04:58. | :05:02. | |
feel about the fact the population has increased? That's really what | :05:02. | :05:09. | |
we need. We are desperately in feed of young -- in need of young folk | :05:09. | :05:19. | |
to come back here. I will be doing this for another month or so, I am | :05:19. | :05:23. | |
due to retire. Oh, no! It will be the next guy that comes along will | :05:23. | :05:28. | |
have to think about that. The new postman is James, who moved | :05:28. | :05:32. | |
his family up to Fetlar from the Cotswolds two years ago. What made | :05:32. | :05:36. | |
you want to suddenly change your lifestyle? I used to work in the | :05:36. | :05:40. | |
construction industry and I had made redundant twice in one year. I | :05:40. | :05:43. | |
know there's a shortage of families on remote islands so I got a map | :05:43. | :05:48. | |
out and a pin, closed my eyes and Fetlar came up. We were just in the | :05:48. | :05:51. | |
rat race and wanted a change of life and I would have been forever | :05:51. | :05:56. | |
thinking what if, what if, if we hadn't made the move. Can I ask you | :05:56. | :06:00. | |
what do you think? I love it here, it's great everyone's friendly and | :06:00. | :06:03. | |
you don't feel like an outsider as you move in, everybody welcomes you. | :06:03. | :06:10. | |
You don't have a single regret? not at all. I miss my family. But | :06:10. | :06:18. | |
still I wouldn't go and live back down south. Now more families may | :06:18. | :06:21. | |
be attracted to boost the Shetland population as a multimillion pound | :06:21. | :06:26. | |
British movie is going to be filming on Fetlar. It's already | :06:26. | :06:30. | |
sparked so much interest. People who live just two ferry rides away | :06:30. | :06:34. | |
on the mainland have never been here and they're turning up here. | :06:34. | :06:37. | |
The film's director wants as many of Fetlar's residents to be in the | :06:38. | :06:41. | |
movie as possible, so next time I will be sitting in on a few | :06:41. | :06:45. | |
familiar faces auditioning for what could be their chance of a lifetime. | :06:45. | :06:52. | |
Next! Why am I the only person that's | :06:53. | :07:02. | |
:07:03. | :07:04. | ||
been asked to come in fancy dress? You looked quite cute. Cute! With a | :07:04. | :07:09. | |
battle axe? It was the furry thing. The rabbit. Incredible place. | :07:09. | :07:13. | |
not going to spoil the plot of the film, it's a cast and crew of about | :07:13. | :07:19. | |
80 and it's a nice Feel-Good movie and there's a lot of people get | :07:19. | :07:23. | |
trapped on the island and I am not going to tell you what happens | :07:23. | :07:31. | |
other than that. A few people in it though, Sharleen from Texas, the | :07:31. | :07:37. | |
guy you saw there laughing was the director, big names, the guy from | :07:37. | :07:41. | |
Taggart is there as well. We are going to see part two of your | :07:41. | :07:45. | |
adventure on Friday. What can we look forward to? Well, there's 1300 | :07:45. | :07:48. | |
people auditioned for parts in this film and I was one of them. It's | :07:48. | :07:53. | |
the first time I have gone for an acting role. Is that costume a | :07:53. | :07:58. | |
clue? I didn't know what the part was. It's what put me off, I am | :07:58. | :08:03. | |
more used to cameras than anyone else, I don't know if I got the | :08:03. | :08:12. | |
part. I might be a this is a thespian. You are used to camera. | :08:12. | :08:17. | |
Maybe I am too confident, some people overact. You were amazed | :08:17. | :08:24. | |
hearing some of the facts. Is island life for you? Absolutely | :08:24. | :08:28. | |
beautiful, but I wouldn't be comfortable with my postman just | :08:28. | :08:31. | |
knocking on the door and coming in for tea first thing in the morning | :08:31. | :08:39. | |
when I haven't got my face on. said that's rude putting it through | :08:39. | :08:46. | |
the letterbox. He is lovely my postman but... The population isn't | :08:46. | :08:55. | |
the only thing dwindling on Fetlar. There's wildlife, there's a couple | :08:55. | :09:00. | |
of birds, apparently they're down to 36 breeding pairs in the UK. | :09:00. | :09:04. | |
It's quite important these animals hopefully get to survive. Scottish | :09:04. | :09:09. | |
wild cats, they reckon are going to be extinct by 2050. At the moment | :09:09. | :09:13. | |
that's where most of them are. There's an issue with connection | :09:13. | :09:17. | |
and broadband. That's one of the reasons the population dwindles. | :09:17. | :09:20. | |
People need it for businesses, broadband. The Government are | :09:20. | :09:25. | |
making an announcement this week, they're investing half a billion in | :09:25. | :09:28. | |
fibre optic trying to get it to rural areas. They haven't said | :09:28. | :09:31. | |
where it's going but Fetlar is one of the areas which we think is | :09:31. | :09:35. | |
going to benefit and hopefully that will help increase the population. | :09:35. | :09:42. | |
Good luck with hearing about that film. | :09:42. | :09:45. | |
Infertility is heartbreaking for anybody but if you are a couple in | :09:45. | :09:52. | |
need of an egg donor then you face an uphill struggle. Dr Mark Porter | :09:52. | :09:56. | |
is here to explain why there's a shortage of women willing to donate | :09:57. | :10:03. | |
eggs, first Anita has one couple's story. Ever since Sarah and Vincent | :10:03. | :10:07. | |
met they've dreamed of starting a family together but a rare | :10:07. | :10:11. | |
condition left Sarah unable to produce her own eggs so the couple | :10:11. | :10:14. | |
can't conceive naturally. Although they enjoy spending time with their | :10:14. | :10:20. | |
niece and nephew, they long to have a child of their own. For the last | :10:20. | :10:23. | |
send years they've been searching for a suitable egg donor. How | :10:23. | :10:29. | |
important is it for you to have your own child? All the love I give | :10:29. | :10:34. | |
to my nieces and nephews, I would like to give that to my child as | :10:34. | :10:40. | |
well. We love children. It would be nice to have our own child now. | :10:40. | :10:45. | |
There isn't any egg donors at all, that's what we got told. So to have | :10:45. | :10:49. | |
an egg donor you have to find one for yourself. Sarah and Vincent's | :10:49. | :10:52. | |
treatment is being funded by the NHS and they've only got one chance | :10:52. | :10:56. | |
left to get the eggs they need. In a final desperate bid to find their | :10:56. | :11:01. | |
donor they've put up posters and made appeals online. It's not just | :11:01. | :11:05. | |
a question of finding a willing volunteer, any potential donor will | :11:05. | :11:08. | |
have to undergo a series of tests and counselling before any | :11:08. | :11:13. | |
treatment can go ahead. There simply aren't enough donors in the | :11:13. | :11:17. | |
UK. Statistics show around 1,000 women donate eggs each year. But to | :11:17. | :11:22. | |
meet demand that number would need to double. Why does demand outstrip | :11:22. | :11:26. | |
supply? Women are waiting longer before they have children. As you | :11:26. | :11:29. | |
become older it's more likely you run out of eggs and the only | :11:29. | :11:32. | |
fertility treatment you will be able to have is with the use of | :11:32. | :11:36. | |
donor eggs. We are having more patients surviving cancers at a | :11:36. | :11:43. | |
young age so we have a lot of women now who have had radiotherapy or | :11:43. | :11:48. | |
chemotherapy so a large group need donor eggs. Becoming an egg donor | :11:48. | :11:53. | |
can be a complex process involving procedures and the potential of | :11:53. | :11:57. | |
side-effects. Donor numbers in this country have been low so many | :11:57. | :12:00. | |
couples go abroad where eggs are more readily available. Is it time | :12:00. | :12:03. | |
to relax regulations here to encourage more women to come | :12:03. | :12:08. | |
forward? Certainly I think if you paid egg donors undoubtedly you | :12:08. | :12:12. | |
would get more donors but that does carry significant risk, | :12:12. | :12:15. | |
particularly about exploitation of donors and donors donating for the | :12:15. | :12:19. | |
wrong reason. In Manchester Sarah and Vincent have had an amazing | :12:19. | :12:23. | |
stroke of luck, they may have found a suitable donor close to home. | :12:23. | :12:26. | |
Julie, a mother of one, works in the same building as Vincent and | :12:26. | :12:30. | |
came forward after seeing an appeal he posted online. Why did you | :12:30. | :12:35. | |
decide to become an egg donor? think if you can help, you should. | :12:35. | :12:39. | |
I work with Vincent, he was promoting advertising looking for | :12:39. | :12:44. | |
an egg donor and I realised that donating eggs is a huge thing. But | :12:44. | :12:48. | |
because I know that there's a wonderful couple who need some help | :12:48. | :12:52. | |
to start a family I would do it without blinking. What about the | :12:52. | :12:57. | |
idea there's a person out there that shares your DNA? I don't see | :12:57. | :13:02. | |
it as my baby at all. I see it as something somebody else needs to | :13:02. | :13:06. | |
start a family of their own. Since 2005 children born from egg | :13:06. | :13:10. | |
donation have had the right to track down their biological parents | :13:10. | :13:14. | |
once they turn 18. Julie has discussed this with Sarah and | :13:14. | :13:18. | |
Vincent and the two families are already thinking ahead. The basic | :13:18. | :13:23. | |
conversation we have had is we would like, more for our children's | :13:23. | :13:28. | |
sake, to have some form of relationship going forward so that | :13:28. | :13:33. | |
they don't get a bombshell but it's their baby and I am happy to step | :13:33. | :13:36. | |
back and leave them to it and they'll get in touch in their own | :13:36. | :13:39. | |
time. Before she can donate her eggs Julie has had to undergo a | :13:39. | :13:44. | |
series of tests. Today she will get the results and find out if she's a | :13:44. | :13:50. | |
suitable donor for the Johnsons. Her partner has come along for | :13:50. | :13:54. | |
moral support. That's everything done. We are | :13:54. | :13:57. | |
happy all the tests are fine and I am pleased to tell you that | :13:57. | :14:03. | |
everything is good news. We have measured hormones in your blood to | :14:03. | :14:09. | |
give you an idea of the number of eggs and that's good news too. | :14:09. | :14:14. | |
the appointment over Julie is off to call Sarah and Vincent who have | :14:14. | :14:18. | |
been waiting for the news that could change their lives forever. | :14:18. | :14:23. | |
Hello. I thought I would let you know how it's gone. Everything is | :14:23. | :14:29. | |
OK. All the blood, everything, they're happy to go ahead. | :14:29. | :14:34. | |
Brilliant. Christmas baby! Well, pregnant by Christmas. That's good | :14:34. | :14:39. | |
news. After seven years, the Johnsons' wait may finally be over. | :14:39. | :14:45. | |
It's really positive, really good. Hopefully on the way to having our | :14:45. | :14:49. | |
own little bundle of joy. I have a good feeling about this. I just | :14:49. | :14:58. | |
hope it works this time. It's an incredible thing Julie is | :14:58. | :15:03. | |
to do. Is there an update on the case. You heard Sarah talking about | :15:03. | :15:07. | |
hoping to be pregnant by Christmas and that looks possible. Both | :15:07. | :15:12. | |
couples will be counselled, then if all goes well, the women's cycling | :15:12. | :15:20. | |
will be put in sy, this y and then the harvesting occurs, of Julie's | :15:20. | :15:25. | |
eggs mixing with Steven's sperm and off we go, this all sounds simple | :15:25. | :15:35. | |
:15:35. | :15:36. | ||
There are two areas we should talk about, should we be paying people | :15:36. | :15:40. | |
to be sperm and egg donors that. Tends to encourage the wrong people | :15:40. | :15:43. | |
to come forward for the wrong reasons. Most people wouldn't want | :15:43. | :15:49. | |
to see a change. And there's anonymity. Until 2005 you could | :15:49. | :15:52. | |
donate and nobody could find out who the parent was. That changed in | :15:52. | :15:57. | |
2005. I was one of a group of doctors worried that our small pool | :15:57. | :15:59. | |
of donors would vanish if they're identified. That's not been the | :15:59. | :16:04. | |
case. Since then the number of donors has gone up. It appears that | :16:04. | :16:08. | |
the dropping p anonymity hasn't affected things. I think a lot of | :16:08. | :16:13. | |
women don't even know what the process vofls -- involves. Lots of | :16:13. | :16:17. | |
people on Facebook have been asking, is it painful, what happens? First | :16:17. | :16:20. | |
of all, we don't need to change the rules. We need better awareness. | :16:20. | :16:23. | |
People know there's a big need out there, that there are people who | :16:23. | :16:28. | |
need help. The second thing is that giving sperm is very easy. It takes | :16:28. | :16:32. | |
five, ten minutes. Being an egg donor it's very different. It's | :16:32. | :16:36. | |
weeks of hormone therapy, a minor operation, very minor operation, to | :16:36. | :16:40. | |
harvest the eggs. Sometimes very rarely, it can go wrong. It's not | :16:40. | :16:44. | |
something to be taken lightly. Fpblgt it's a tricky one wha. Do | :16:44. | :16:48. | |
you think? For all those women who do, considering the things they | :16:48. | :16:53. | |
have to go to, it's an amazing thing these women are doing. Gosh. | :16:53. | :17:01. | |
Thanks Mark. OK. Now, Zoe, obviously EastEnders, very well | :17:01. | :17:07. | |
known for playing Vanessa. Tonight your ex-husband returns, giving you | :17:08. | :17:12. | |
a bit of an ultimatum. Really surprised me tonight. I did? Yeah, | :17:12. | :17:21. | |
the way you were with Jodie. This means more to her. It means a lot | :17:21. | :17:26. | |
to me too. Shame you won't be there to see it. | :17:26. | :17:33. | |
What? Didn't I mention? Well, I'll do all the stuff I promised on one | :17:33. | :17:37. | |
condition, you're not at the wedding. | :17:37. | :17:44. | |
APPLAUSE You didn't even rip off the blind | :17:44. | :17:51. | |
or throw the glass of wine. We have seen photos of you snoging Eddie | :17:51. | :17:58. | |
Moon, played by David Essex. Sure. What was that like? You said "sure". | :17:58. | :18:02. | |
Very diplomatic. Normally where you do these scenes, when you're | :18:02. | :18:07. | |
kissing or more, I approach it in the same way as getting into | :18:07. | :18:10. | |
something emotional, getting into the zone in character. Weirdly, | :18:10. | :18:17. | |
with David, as I was about to go on into the scene I entered into a | :18:17. | :18:22. | |
room and a voice went to me "You're just about to make out with | :18:22. | :18:29. | |
Davidess E -- David Essex." It really threw me. The director had | :18:29. | :18:33. | |
to come out and say, just relax. He's a great actor, lovely bloke | :18:33. | :18:38. | |
and it was a pleasure. Good. You're leaving EastEnders then. My wife | :18:38. | :18:42. | |
doesn't think the door will be left open for you. She doesn't? Can you | :18:42. | :18:48. | |
shed any light on that? Well, yes I can. Yes, the door has been left | :18:48. | :18:54. | |
open. That's all good. Because I did absolutely loved my time there. | :18:54. | :18:58. | |
I finished two weeks ago. I was really sad to say bye to everybody, | :18:58. | :19:01. | |
sad to say bye to that character. I've had a lovely run offer the | :19:01. | :19:06. | |
past couple of months. I've spent a year not doing that much, great to | :19:06. | :19:11. | |
work with Jake, who plays Max, but in the past few months I've been | :19:11. | :19:14. | |
getting really good story lines and getting to spread my wings, work | :19:14. | :19:21. | |
with lots of different actors who I think are brilliant. Vanessa Gold | :19:21. | :19:25. | |
and Tanya, in Footballers' Wives and Bad Girls, they're full on | :19:25. | :19:29. | |
characters, do you think you'll play somebody more sedate? I did, I | :19:29. | :19:32. | |
made a conscious decision when I left Footballers' Wives to play a | :19:32. | :19:37. | |
character that was contrasting to that. I toured New Zealand for | :19:37. | :19:41. | |
three months with a two-hander. That was a very different character. | :19:41. | :19:48. | |
Then I came back and did hole by Holby Blue. I was more subdued. I | :19:48. | :19:52. | |
seem to be drawn to these kind of women. I love them. Is it right you | :19:52. | :19:56. | |
had such a tough time when you were younger, you were going to retrain | :19:56. | :20:01. | |
as a teacher? Yeah, I had months and months where I was going for | :20:01. | :20:04. | |
auditions getting nothing back that. Rejection is horrible. I was sit | :20:04. | :20:08. | |
being with my father one day and I said "I don't want to feel like | :20:08. | :20:12. | |
this forever. This is depressing." We sat down and discussed and said | :20:13. | :20:16. | |
I should maybe do something else. I had always wanted to be a teacher. | :20:16. | :20:21. | |
My parents were both teachers. Any way, we were just literally about | :20:21. | :20:26. | |
to write off to teacher training courses and Footballers' Wives came | :20:26. | :20:31. | |
up. It was obviously meant to be. What is lovely, we often ask you to | :20:31. | :20:36. | |
bring photos in and you have brought this in in a frame. That's | :20:36. | :20:41. | |
lovely. That's really embarrassing. I said to them, I took it out of a | :20:41. | :20:45. | |
different frame and put it into that dodgy frame and it's cut out | :20:45. | :20:51. | |
really badly. It doesn't matter. Your dad looks a bit like Alan | :20:51. | :20:54. | |
Titchmarsh. He does a bit. Were your parents strict then because | :20:54. | :20:58. | |
they were teach snerz Yeah, they were. My father was strict. My | :20:58. | :21:02. | |
mother used to try and get around and you know, used to try and get | :21:02. | :21:06. | |
things out of her and say to dad, mum said we could have it. But she | :21:06. | :21:10. | |
could see through it really. know you went to Sunday school as a | :21:10. | :21:15. | |
chieltd. -- child. That will serve you well. Gyles Brandreth with the | :21:15. | :21:19. | |
help of the London Community Gospel Choir will host a quiz for us | :21:19. | :21:27. | |
shortly, it's called name that hymn. We will need your help. Do you | :21:27. | :21:37. | |
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Yes Jerusalem is just one of the famous hymns written by Hubert | :21:51. | :21:56. | |
Parry. He was a man who struggled with his own faith. | :21:56. | :22:00. | |
Sir Hubert Parry composed some of the most inspirational muse nick | :22:00. | :22:03. | |
British history. His work has been performed at royal weddings, party | :22:03. | :22:10. | |
conferences, the women's ipbs oo tuet and the Proms. One of his most | :22:10. | :22:14. | |
loved tunes reveals a passionate man who struggled with his own | :22:14. | :22:21. | |
faith. Parry's music provides the melody | :22:21. | :22:28. | |
for one of the nation's most uplifting hymns, dear Lord andkind. | :22:28. | :22:33. | |
While he remained a spiritual man, he lost his faith in the trappings | :22:33. | :22:39. | |
of the Anglican Church. Born in 1848, Parry showed a gift | :22:39. | :22:42. | |
for music from an early age. His father wanted him to have a | :22:42. | :22:46. | |
conventional career. He took a job in insurance with Lloyds. After | :22:46. | :22:50. | |
seven years, he gave it up to concentrate on his beloved music. | :22:51. | :22:57. | |
Hubert Parry's father a wealthy land owner -- and artist, | :22:58. | :23:01. | |
commissioned this church in Gloucester, as a memorial to his | :23:01. | :23:05. | |
late wife and three of their children who died in infancy. The | :23:05. | :23:10. | |
grandeur, scale, ambition of the church reflect his deep faith. This | :23:10. | :23:15. | |
is stunning, isn't it? It's absolutely extraordinary. This is | :23:15. | :23:18. | |
all Thomas Parry's work. Parry's father did this himself. He spent | :23:18. | :23:24. | |
ten years on it. It's wonderfully exuberant. But he himself was a | :23:24. | :23:33. | |
straight laced conventional man. Yes he was. When his eldest brother | :23:33. | :23:36. | |
was disinherited he became heir to the family estate. He was | :23:36. | :23:40. | |
influenced by Darwin and humanism and told his father so. It was a | :23:40. | :23:44. | |
kind of crisis of faith for him? Very much so. A huge personal | :23:44. | :23:48. | |
crisis and his father was devastated. It wasn't a furious | :23:48. | :23:52. | |
denunciation on his part, but he wrote to him saying you know, | :23:52. | :23:57. | |
you've become an infidel. His own son was in peril of the dam nation, | :23:57. | :24:01. | |
this is how he would have Dean it. In 1883, six years after committing | :24:01. | :24:05. | |
to a musical career, he was appointed professor at the Royal | :24:05. | :24:11. | |
College of Music in London. In 1888 he created his oratorio Judith, | :24:11. | :24:17. | |
which included the aria which later become the tune we know as Repton. | :24:17. | :24:24. | |
The music room still exists in his family home. It's not like a | :24:24. | :24:28. | |
typical Victorian Anglican hymn. They tend to be stirring, but very | :24:28. | :24:37. | |
four square. If you think of oh, God our help in ages past. Plonk, | :24:37. | :24:41. | |
plonk, plonk, plonk and a chord underneath each note and one | :24:41. | :24:51. | |
:24:51. | :24:52. | ||
syllable per note, very clear. This starts off in a flowing way. You | :24:52. | :24:57. | |
really sense this is an emotional man here. It's contained but | :24:57. | :25:01. | |
impassioned. It wasn't until 1924 after Parry's death that the words | :25:01. | :25:06. | |
of a quaker poem uals set to this evocative tune by the music | :25:06. | :25:10. | |
director at Repton school. What does the music tell us about the | :25:10. | :25:14. | |
man? We can sense what an impassioned ar dents man he is. | :25:14. | :25:18. | |
This is almost like a romantic movement compressed into a minute | :25:18. | :25:26. | |
of hymn tune, a great sweeping tune conceived in a single arch. These | :25:26. | :25:36. | |
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are the gardens, at Hubert Parry's family home. Could there be a | :25:37. | :25:47. | |
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better setting for the performance What do you think Parry would have | :26:05. | :26:09. | |
made of this? He died in 1918, in the middle of a terrible flu | :26:09. | :26:12. | |
epidemic at the end of the First World War. He never saw this hymn | :26:12. | :26:17. | |
become the loved institution that it is. Despite his own struggle | :26:17. | :26:21. | |
with his faith? He never lost the belief in the divine spark, still | :26:21. | :26:31. | |
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the small voice of calm. That was Now, Matt, Alex Zoe, I invite you | :26:46. | :26:48. | |
to play... # Name that hymn # | :26:48. | :26:52. | |
APPLAUSE Yes it's time for name that hymn. I | :26:52. | :26:58. | |
am looking for a hymn written by one Scot Henry Francis Light in | :26:58. | :27:03. | |
1847 as the poor man lay dying from TB. Any idea? I'll tell you | :27:03. | :27:08. | |
something more. Since 1927 the first and last verses of this hymn | :27:08. | :27:11. | |
have been sung at the FA Cup final before the kickoff? Any idea? You | :27:11. | :27:21. | |
think you know? I'll give you a line. I fear no foe with thee at | :27:21. | :27:28. | |
hand to bless. What's the hymn? Lord is my shepherd. You know | :27:28. | :27:38. | |
:27:38. | :27:44. | ||
absolutely nothing! It's Abide With APPLAUSE | :27:44. | :27:48. | |
Very nice. OK the next hymn I want you to name is a Victorian hymn, | :27:48. | :27:54. | |
one of the most popular Victorian hipldz by Mrs Alexander. This was | :27:54. | :27:59. | |
paradeed by the Godies on their 1978 goodies beastly record I'm a | :27:59. | :28:02. | |
carnivore. That's a clue for you. All things bright and beautiful. | :28:03. | :28:12. | |
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# All things bright and beautiful # All creatures great and small | :28:14. | :28:24. | |
:28:24. | :28:25. | ||
# All things wise and wonderful # The Lord God made them all # | :28:26. | :28:30. | |
APPLAUSE Eat your heart out Aled! The next | :28:30. | :28:37. | |
one? The last one is a, written by a poet John Newton. It's been | :28:38. | :28:42. | |
adopted by the Americans as part of their culture much it's a spiritual | :28:42. | :28:47. | |
National Anthem for them, in times of tragedy. When this flesh and | :28:47. | :28:51. | |
heart shall fail and mortal heart shall cease I shall possess within | :28:51. | :28:57. | |
the veil joy and peace. Joy to the world? No, it is... | :28:57. | :29:05. | |
# Amazing grace, how sweet the sound | :29:05. | :29:15. | |
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# That saved a wretch like me # Very nice indeed. | :29:16. | :29:20. | |
That's all for tonight. Thanks Gyles and the London Community | :29:20. | :29:23. |