Browse content similar to 30/09/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones and Matt Baker. Now, | :00:18. | :00:27. | |
meet ex-Royal Marine turned domestic God, then well. Evening! Very | :00:28. | :00:35. | |
authoritative! If you have ever wanted to know the best way to iron | :00:36. | :00:44. | |
a shirt, Ben is here to show us the Royal Marine way. We don't know if | :00:45. | :00:50. | |
tonight's guest can iron, but we do know that he looks very good in | :00:51. | :00:52. | |
leather. There we are, please welcomed John | :00:53. | :00:55. | |
Bishop! APPLAUSE That is so tragic, because that is | :00:56. | :01:26. | |
probably the last Take That tribute act where there were five. Now you | :01:27. | :01:32. | |
must be thinking, we will be going to gigs on bicycle soon, there will | :01:33. | :01:36. | |
just be two of us left. As Matt was saying, we have Ben into night to | :01:37. | :01:42. | |
show us ironing. It is you against me, how are your ironing skills? My | :01:43. | :01:49. | |
ironing skills are fantastic. Are you joking? No. When I got married | :01:50. | :01:53. | |
the first thing that surprised me about living with a woman is that | :01:54. | :02:00. | |
Melanie Irons and aware. My mum does that as well. That is amazing, isn't | :02:01. | :02:06. | |
it? It looks nice in the draw. LAUGHTER | :02:07. | :02:11. | |
That is a good point. The amount of times I have said to people, come | :02:12. | :02:16. | |
and see my underwear! Of all the jobs around the house, what is your | :02:17. | :02:23. | |
best domestic skill? Dog walking. That is not a domestic skill. If you | :02:24. | :02:28. | |
have a dog in the house and don't take it for a walk, you will wish | :02:29. | :02:34. | |
you had a good dog walker. Domestic material is or is coming up in your | :02:35. | :02:37. | |
tours and your shows, we don't know who is promoting this new tool you | :02:38. | :02:42. | |
have got but we are preshow you get paid for it, right? Sadly, that did | :02:43. | :02:49. | |
not happen to two brass bands who fell victim to a rogue promoter. Dan | :02:50. | :02:54. | |
Donnelly investigates why somebody who was a disgraced promoter | :02:55. | :03:01. | |
continued to operate. Brass bands are big business, whenever there is | :03:02. | :03:06. | |
money to be made you cant be sure there is a conman in the wings | :03:07. | :03:12. | |
waiting to cash in. That is what happened to Yorkshire's band. They | :03:13. | :03:16. | |
were fleeced by a promoter who made promises he never kept. The company | :03:17. | :03:23. | |
manager was Graeme White head. This is him, blowing his own trumpet, | :03:24. | :03:30. | |
well, cornet. How much money did you lose? We are still owed about | :03:31. | :03:35. | |
?21,000. That is a lot of money for you. Absolutely. The players have | :03:36. | :03:39. | |
not been plagued of those concerts they did. The Black Dyke band are | :03:40. | :03:44. | |
not the only ones to have lost out. The Grimethorpe Colliery Band | :03:45. | :03:47. | |
insisted on half the fee upfront but they are still owed ?3500. It might | :03:48. | :03:55. | |
not seem a lot of money, but to a band such as ourselves, that is a | :03:56. | :03:59. | |
big amount that which is kind of Ford to write off. Graham Whitehead | :04:00. | :04:05. | |
has left a trail of angry bands and the new owners. But he is much more | :04:06. | :04:11. | |
than just a bad businessmen. Graham Whitehead is a convicted fraudster, | :04:12. | :04:16. | |
banned from running any business. Jailed in 2010 for a ?12 million | :04:17. | :04:21. | |
investment fraud, Graham Whitehead is disqualified from being a | :04:22. | :04:25. | |
director for another ten years. Yet everyone we have spoken to agrees he | :04:26. | :04:31. | |
is the one running the show at Prestige Promotions. There is no | :04:32. | :04:34. | |
doubt in my mind that Graham was calling the shots on this one, all | :04:35. | :04:38. | |
the way through. But tracking down our rogue director is not easy. This | :04:39. | :04:44. | |
is the offices. Inside, it's empty, the landlord kicked them out. The | :04:45. | :04:50. | |
man himself has gone to ground. He has not answered our e-mails and is | :04:51. | :04:55. | |
no longer at his home address. But I have managed to get hold of his | :04:56. | :04:59. | |
personal mobile number, so let's CFE is taking calls. Hello? Is that | :05:00. | :05:11. | |
Graham Whitehead? Who is speaking? It is down from The One Show. I want | :05:12. | :05:16. | |
to talk about the money that you owe. Hello? Graham? It looks like he | :05:17. | :05:26. | |
wants to disappear without to much fanfare. We have discovered Prestige | :05:27. | :05:37. | |
Promotions owes a quarter of ?1 million, but Whitehead won't have to | :05:38. | :05:43. | |
deal with the charge because he was not bass, on paper at least. Critics | :05:44. | :05:50. | |
want the law on disqualifying directors toughened up, something | :05:51. | :05:54. | |
the Business Secretary, Vince Cable, has vowed to do. So is it too easy | :05:55. | :06:00. | |
for disqualified directors to carry on operating in this country? It has | :06:01. | :06:05. | |
been too easy and there are too many people getting away with practices | :06:06. | :06:09. | |
they shouldn't. We are toughening the criteria under which directors | :06:10. | :06:13. | |
can be banned. We have one case where a completely band director has | :06:14. | :06:18. | |
just carried on operating behind-the-scenes with someone asked | :06:19. | :06:20. | |
fronting the company. Would they be able to do that still? No, we are | :06:21. | :06:27. | |
going to stop the practice of people hiding behind France. Anybody who | :06:28. | :06:31. | |
owns a country will be identified, it will be more transparent than in | :06:32. | :06:35. | |
any other western country and it will stop a substantial amount of | :06:36. | :06:40. | |
that concealment. That may come too late for members of the Black Dyke | :06:41. | :06:47. | |
band. Obviously, I am very angry. It was a lot of money and we are still | :06:48. | :06:50. | |
fighting to get it back, we won't give up. Until the law catches up | :06:51. | :06:57. | |
with our rogue director, the band 's fleeced by him remain fleeced. -- | :06:58. | :07:03. | |
Brust. Have you experienced anything like that? One or two situation | :07:04. | :07:11. | |
starting off in the smaller clubs, saying, and not enough people came | :07:12. | :07:17. | |
we can't pay you. I tend to find if you are in the same room, you tend | :07:18. | :07:21. | |
to get your money off them. But when you are a band and you put your | :07:22. | :07:24. | |
faith in the hands of someone else, you can't do a lot about it, because | :07:25. | :07:29. | |
after the event they are off. You're not doing small venues any more, big | :07:30. | :07:33. | |
scale arena ones. Back on the road for the first time in two years. | :07:34. | :07:37. | |
Apparently, the most relieved people a family. The dog is not very happy! | :07:38. | :07:44. | |
Who is going to walking? We have a treadmill with the dog -- for the | :07:45. | :07:50. | |
dog with my face on it! The thing is, to be honest, with the stand-up, | :07:51. | :07:54. | |
I suppose like anything that you love doing, if you don't do it, I | :07:55. | :08:03. | |
get irritable. In the house, I am annoying everybody, so getting back | :08:04. | :08:08. | |
on the road will be hard. What has been happening over the last couple | :08:09. | :08:11. | |
of years? I went to Australia, travelling there. That process of | :08:12. | :08:19. | |
changing really, because I did that travel log which was something I was | :08:20. | :08:22. | |
wanted to do, the type of telly I aways wanted to see. Retracing the | :08:23. | :08:30. | |
steps you took in 1992. Yes, I wrote an autobiography, someone from the | :08:31. | :08:34. | |
BBC saw it, and in 1992I read from Sydney back to Liverpool so we just | :08:35. | :08:39. | |
retrace the Australia leg, which was really odd really, to go where you | :08:40. | :08:43. | |
were when you are 25 and a little different. There is a funny clip | :08:44. | :08:48. | |
from it where you find your own island. Have a look at this. There | :08:49. | :08:54. | |
is a lack of facilities at the moment, we have no infrastructure, | :08:55. | :08:59. | |
hotel, car park, landing strip, or an island for most of the day. But | :09:00. | :09:05. | |
for six hours of the day, what a perfect place to come to on holiday. | :09:06. | :09:12. | |
APPLAUSE That was great, that was on the | :09:13. | :09:16. | |
Great Barrier Reef, and we got these marine biologists who said we will | :09:17. | :09:19. | |
take you somewhere that is spectacular, and we got there and | :09:20. | :09:22. | |
there was no island, and I thought we have got this right pair of | :09:23. | :09:26. | |
rogues. When you meet them, like most Aussies, they just don't look | :09:27. | :09:29. | |
like professors, they look like they fell right out of the pub and I | :09:30. | :09:33. | |
thought we had been stitched up. Then the water fed away and the | :09:34. | :09:37. | |
island emerged. It was superb for six hours and then it went again. | :09:38. | :09:42. | |
You call it Supersonic, this tour, is that a reference to how fast your | :09:43. | :09:47. | |
children have grown up? We were just saying they are off to university. | :09:48. | :09:51. | |
Yes, they are off. I didn't realise the significance, I just came up | :09:52. | :09:58. | |
with the title because I wanted one word that sounded good. We used to | :09:59. | :10:04. | |
use that word in my house, do it quick, do it supersonic. In many | :10:05. | :10:08. | |
respects, they have grown up that fast, and they have gone. They are | :10:09. | :10:11. | |
not kids any more, in fact one of them is not even a teenager, he is | :10:12. | :10:17. | |
20. I have got to teenagers and a bloke. LAUGHTER | :10:18. | :10:22. | |
It is really odd. I have reached the point in my life where I actually | :10:23. | :10:25. | |
own a man. I never thought that would happen. And are they going to | :10:26. | :10:34. | |
come and see you do the arena gigs? Probably the two who are going to | :10:35. | :10:39. | |
university, because they will get fed! LAUGHTER | :10:40. | :10:42. | |
They will probably come asking for a feud with and a pizza. You are doing | :10:43. | :10:47. | |
these warm up gigs up and down the country, so we thought as a warm up | :10:48. | :10:50. | |
now, because there are about 4 million people watching, if there is | :10:51. | :10:55. | |
a gag that you think will it work or not, you can have a go now, if you | :10:56. | :11:00. | |
fancy it? You have seen my material, it wouldn't make The One Show at | :11:01. | :11:09. | |
seven o'clock! Keep it clean! There are two nuns walking out you asked | :11:10. | :11:18. | |
him! John's Supersonic tour starts on October 22 in Plymouth. Earlier | :11:19. | :11:24. | |
on we introduced you to exploit oil marine, Ben, the domestic God who | :11:25. | :11:29. | |
has a challenge for the two of you. Hopefully, this will help me look | :11:30. | :11:33. | |
smart on the telly to the next two days, because you have got three | :11:34. | :11:37. | |
minutes, when you settle in, three minutes to iron my shirts for | :11:38. | :11:42. | |
Wednesday and Thursday's shows. They should be pretty creased. Were you | :11:43. | :11:48. | |
really in the Royal Marines? This is our elite fighting force, right, | :11:49. | :11:54. | |
lads, before you get out, let's get ironing. These are super creased as | :11:55. | :11:59. | |
well. Whatever you come up with, I will wear on Wednesday and Thursday | :12:00. | :12:02. | |
so I am keeping everything crossed. Your three minutes begin right now. | :12:03. | :12:07. | |
While you concentrate, this is what happened when we sent Ben off with | :12:08. | :12:14. | |
Carrie to a place where his skills are in pressing demand. University | :12:15. | :12:20. | |
Freshers' Week. Would you say you are pretty useless? Guess. Are you | :12:21. | :12:26. | |
pretty useless? I am going to go with the S. I would say pretty | :12:27. | :12:31. | |
useless is about right. Pretty useless. That is how students have | :12:32. | :12:36. | |
been described in a new DVD, which sets out to teach them the basic | :12:37. | :12:39. | |
skills in preparation for leaving home. Emily, do the plates next. | :12:40. | :12:45. | |
Give them a good clean. Now put the genes over the ironing board. The | :12:46. | :12:49. | |
DVD is the work of former Marine, Ben Gwillim, who said he was totally | :12:50. | :12:52. | |
frustrated with just how useless teenagers can be. I had to iron a | :12:53. | :12:58. | |
shirt the other day, it didn't go well. I don't think I will be using | :12:59. | :13:07. | |
an iron. Are teenagers pretty useless? I think teenagers today | :13:08. | :13:12. | |
need to be shown what to do. There is a method to doing your ironing or | :13:13. | :13:16. | |
to do the washing up and get it done properly. I thought we would start | :13:17. | :13:19. | |
with some ironing and I just happen to have a shirt in my pocket that I | :13:20. | :13:26. | |
thought you could show me how... Fresh from the washing machine. | :13:27. | :13:30. | |
There is a symbol on the shirt and you match it to the symbol on the | :13:31. | :13:34. | |
iron. So that is the first bit, behind the collar. Yes, they call it | :13:35. | :13:42. | |
the yolk. Then the sleeves, then the back. You see, I wouldn't do it that | :13:43. | :13:47. | |
way, I would have it laid the other way. Who taught you? My mum. I | :13:48. | :13:54. | |
learned to do my ironing when I joined the Royal Marines. The last | :13:55. | :13:57. | |
thing we do are the front parts and the collar. Have you done any | :13:58. | :14:03. | |
ironing since you have been here? I didn't bring one. This shirt is not | :14:04. | :14:13. | |
iron. Why is that? Because I am too lazy to iron it. | :14:14. | :14:16. | |
POP MUSIC Now, it's a very intriguing order, | :14:17. | :14:25. | |
why do you do it in that order? The way I was taught, if you do | :14:26. | :14:28. | |
different pieces and the collar as the last bit, those are the bit | :14:29. | :14:33. | |
which are at the front. It gives you a smile to finish, you cannot get it | :14:34. | :14:39. | |
creased. John, when you are on tour, in hotel rooms and stuff like that, | :14:40. | :14:42. | |
would you opt to wear a creased shirt or would you go for the | :14:43. | :14:46. | |
trouser press option, shoving it in there and hoping for the best? If it | :14:47. | :14:52. | |
matters, you put a coat on. Of course. A couple of creases in the | :14:53. | :15:00. | |
middle. Have you heard the tip, if you put it on a hanger in the shower | :15:01. | :15:06. | |
and turn it on, it helps. It does work. It's good. Is that the three | :15:07. | :15:12. | |
minutes up? I don't know what you are worried about, I'm going to have | :15:13. | :15:16. | |
to wear this! LAUGHTER So, let's have a look at John's | :15:17. | :15:22. | |
shirt, what's your instant reaction? Well, it looks like he could have | :15:23. | :15:26. | |
used a corrugated iron. It's pretty good. CHUCKLES | :15:27. | :15:32. | |
The collar and sleeves are good, but the front piece is a little bit | :15:33. | :15:37. | |
creased but I could wear that. Yours is OK. Is looking pretty good. Look | :15:38. | :15:42. | |
at these leaves, look at those sleeves. You just rocked onto one | :15:43. | :15:47. | |
flood, like a catalogue model. CHUCKLES | :15:48. | :15:53. | |
This is what they need, instead of those recruitment videos with the | :15:54. | :15:56. | |
Marines walking around in the murder, learn to iron. | :15:57. | :16:00. | |
Walking around in muddy conditions. Johns is pretty good, but I know | :16:01. | :16:08. | |
he's a gentleman so Alex is the winner. CHEERING | :16:09. | :16:15. | |
You can find more about Ben on our Facebook page and he has a DVD out | :16:16. | :16:21. | |
and everything. Thanks so much. You cannot beat a good singalong | :16:22. | :16:24. | |
especially when there are 13,000 people involved. The One Show has | :16:25. | :16:30. | |
set me what could be my biggest challenge yet. They wanted me to | :16:31. | :16:35. | |
come up with a brand-new football chant and somehow get an | :16:36. | :16:38. | |
unsuspecting crowd of 13,000 fans to spontaneously start singing it with | :16:39. | :16:43. | |
me. Today it's commonly believed that our instinct to sing is as | :16:44. | :16:47. | |
powerful as the instinct to speak, perhaps even come to a just. Nowhere | :16:48. | :16:51. | |
cannot be found more than here, on the terraces of a football stadium. | :16:52. | :16:56. | |
Singing at football matches is nearly as old as the game acts did | :16:57. | :17:01. | |
-- itself, when many clubs in the 19th century were started by | :17:02. | :17:07. | |
churches. Doctor Martyn Jones is a historian who is researched the | :17:08. | :17:12. | |
development of the football chant. And football develop, crowds were | :17:13. | :17:16. | |
not charged in in the modern sense but they were singing popular songs, | :17:17. | :17:19. | |
sometimes musical songs, sometimes they were religious hymns. In the | :17:20. | :17:27. | |
50s and 60s, it was more like pop music. Do the chants give a | :17:28. | :17:35. | |
collective identity to the fans? It is about saying I'm part of the | :17:36. | :17:39. | |
crowd, a way of declaring your identity and your allegiance to a | :17:40. | :17:44. | |
particular club. This identity was the subject of a report on the BBC | :17:45. | :17:49. | |
programme Panorama who visited Liverpool in 1964. Anthropologists | :17:50. | :17:57. | |
would be introduced into as rich and mystifying a culture as in any South | :17:58. | :18:02. | |
Sea island. The 28,000 people in the Kop begin singing together. They | :18:03. | :18:06. | |
seem to know intuitively when to begin. So how does it work, and can | :18:07. | :18:13. | |
I get a crowd to follow my lead? Steve Jones is somebody who does | :18:14. | :18:17. | |
just this come every week for Swansea City football club. Hello | :18:18. | :18:22. | |
Steve. Tell me about your role. I attempt to get the song is going and | :18:23. | :18:29. | |
the crowd going. I banged this drum. And they tend to join in. What are | :18:30. | :18:35. | |
the ingredients for a good chant? Something catchy and easy to learn, | :18:36. | :18:38. | |
something which goes with a song that everybody knows. Everson idea | :18:39. | :18:53. | |
of your best chants. SINGING # I cannot get enough... | :18:54. | :18:59. | |
# I cannot get enough. And they join in? Yes. If not? You could be on | :19:00. | :19:10. | |
your own! I've been invited along to the Swansea Stadium, it's my home | :19:11. | :19:14. | |
town and my home team, what better place to try out my challenge. I'm | :19:15. | :19:19. | |
going to need some support to get my voice heard in the stands, so when | :19:20. | :19:23. | |
in Wales who better to help them Swansea's very own Male voice choir, | :19:24. | :19:32. | |
come on boys. SINGING # Swansea until I die! Time to head | :19:33. | :19:37. | |
to the stadium and we've come up with the perfect lyrics. It may be a | :19:38. | :19:42. | |
friendly, but I'm still very nervous. There's 13,000 people here, | :19:43. | :19:47. | |
but at least I have my choir to back me up. DRAMATIC MUSIC | :19:48. | :19:53. | |
Steve Strohm is already making a racket. -- his drum. | :19:54. | :20:02. | |
# I just can't get enough! The game is not going to plan with Swansea | :20:03. | :20:08. | |
already one goal down, but I cannot put this off any longer. Time to | :20:09. | :20:12. | |
unleash our unique take on the him, he's got the whole world in his | :20:13. | :20:17. | |
hands, about the Swansea goalkeeper Lukasz Fabianski, but we will we be | :20:18. | :20:24. | |
singing on our own? # We've got Lukas Fabianski in our | :20:25. | :20:28. | |
goal! We've got Lukasz Fabianski in our goal | :20:29. | :20:32. | |
# We got Lukasz Fabianski in our goal! CHEERING | :20:33. | :20:36. | |
SINGING We did it! With the help of Stephen | :20:37. | :20:42. | |
Maguire, showing that with the right ingredients you can get even the | :20:43. | :20:48. | |
toughest crowd to join in. It is about the culture, isn't it? | :20:49. | :20:53. | |
DRAMATIC MUSIC Brilliant, remarkably contagious, | :20:54. | :21:01. | |
isn't it? They got it going. He's not even Polish, it just rhymes. Now | :21:02. | :21:06. | |
we are going to put your chant knowledge to the test. Over there we | :21:07. | :21:10. | |
have a lovely a cappella group, they are going to sing three football | :21:11. | :21:15. | |
chants, all you got to do is tell us what the original song is and who | :21:16. | :21:21. | |
sang it. That will be dead easy. If you get two of them right, they will | :21:22. | :21:26. | |
sing your team Liverpool's anthem, You'll Never Walk Alone. But if not, | :21:27. | :21:31. | |
they will perform Everton's song, It's A Grand Old Team. There's | :21:32. | :21:37. | |
incentive now. That start. This was sung by Crystal Palace fans when | :21:38. | :21:39. | |
they played Brighton. Here we go. # We had Brighton on the run | :21:40. | :21:43. | |
# But the fun didn't last # Because the blighters ran too | :21:44. | :21:48. | |
fast! Seasons of the sun... Do you know | :21:49. | :22:01. | |
who that was? I don't know, come from above. It is tell. Terry Jacks. | :22:02. | :22:16. | |
-- it is tough. Here you go. # Seasons in the Sun. What I like | :22:17. | :22:21. | |
about Terry, you have the football hairstyle of the 70s. Let's go to | :22:22. | :22:27. | |
the next one, this is a favourite. Do I get a point? You get a half. We | :22:28. | :22:34. | |
didn't expect this, but let's crack on. This is a favourite from | :22:35. | :22:35. | |
Watford. # Hoist up the Watford flag | :22:36. | :22:39. | |
# Hear how the Hornets sing # If you don't join in | :22:40. | :22:42. | |
# I'll sing on my own # Don't wanna go home | :22:43. | :22:45. | |
# Don't wanna go home # This is the best trip I've ever | :22:46. | :22:49. | |
been on Beautifully sung. APPLAUSE | :22:50. | :23:07. | |
You know the song, but what is it called? What about the artist? I | :23:08. | :23:16. | |
didn't know I was doing this. When you on the island you could have | :23:17. | :23:23. | |
been a... Beach... Oh, the Beach Boys APPLAUSE | :23:24. | :23:33. | |
Now we're talking! Come on! # I want to go home-the Beach Boys. | :23:34. | :23:39. | |
You have got one point now, you need this. Let's go for the last one. | :23:40. | :23:48. | |
# You fill up my senses # Like a gallon of Magnet | :23:49. | :23:51. | |
# Like a packet of Woodbines # Like a good pinch of snuff | :23:52. | :23:56. | |
# Like a night out in Sheffield # Like a greasy chip butty | :23:57. | :24:01. | |
APPLAUSE I tell you what you've got an | :24:02. | :24:18. | |
expression on your face I'd never seen before. Just worrying, when | :24:19. | :24:28. | |
they started singing. SINGING It is a girls name, this song. | :24:29. | :24:36. | |
Beginning with a. It is the name of Matt's dog, does that help? LAUGHTER | :24:37. | :24:41. | |
I am not that into dogs. Annie's Song. John Denver! | :24:42. | :24:48. | |
# Annie's Song. You can have it. Congratulations, at the end of the | :24:49. | :25:02. | |
show we will do the liver. , You'll Never Walk Alone. Thank you to our a | :25:03. | :25:09. | |
cappella group and thank you to John,... You look like average | :25:10. | :25:17. | |
football supporters. John 's tour starts in Plymouth. Tomorrow, we | :25:18. | :25:22. | |
will have Judy Murray, David Baddiel and Anton du Beke. On Thursday that | :25:23. | :25:26. | |
this year Dean will be here, her character Sharon married Phil | :25:27. | :25:30. | |
Mitchell last night. If you are a real-life Sharon Phil and you once | :25:31. | :25:35. | |
beyond the One Show get in touch. Here we go John, with your beautiful | :25:36. | :25:37. | |
anthem, take it away, boys. # Walk on, walk on | :25:38. | :26:03. | |
# With hope in your heart # And You'll Never Walk Alone | :26:04. | :26:14. | |
# You'll Never Walk Alone # APPLAUSE | :26:15. | :26:15. |