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Hello and welcome to the One Show with Alex Jones. And Chris Evans. | :00:22. | :00:28. | |
Tonight marks the end of Movember the annual moustache growing month. | :00:28. | :00:37. | |
To top it off this evening we have a studio full of mo bros Superb. | :00:37. | :00:43. | |
Well done. To show these moustachioed wonders off, we have | :00:43. | :00:46. | |
one of the most experienced cameramen in the business. Well, | :00:46. | :00:50. | |
actually it's Peter Kay. APPLAUSE | :00:50. | :01:00. | |
:01:00. | :01:11. | ||
Look at that. Where are you? Oh, where have they | :01:11. | :01:15. | |
gone? Hello everybody! CHEERING | :01:15. | :01:25. | |
:01:25. | :01:32. | ||
Shows over now, that's it. Half an hour of this. 3-D. Oh, bad! | :01:32. | :01:42. | |
:01:42. | :01:43. | ||
Hi Peter. Show's over now. Hello everybody. Oh, it's very male that. | :01:43. | :01:49. | |
What should I do now? Have a seat. People will think this is a bit | :01:49. | :01:52. | |
weird, but you do this at the beginning of your shows, don't you? | :01:52. | :02:00. | |
I did. Hiya, lovely to see you. Happy Christmas. Hello Britain. | :02:00. | :02:05. | |
Happy Christmas tomorrow. Nearly. Yeah, I did on my tour, I | :02:05. | :02:09. | |
used to come out with a camera and film the audience every night. | :02:09. | :02:16. | |
Thafrpblgts was in focus though, -- That was in focus though on the DVD. | :02:17. | :02:23. | |
Yeah, I did 140 nights, soy kind of mastered it. How many again? 140. | :02:23. | :02:29. | |
Biggest stand up comedy in the Guinness Book of World Records | :02:29. | :02:33. | |
Christopher. How many people? million. No PR. I do it myself. On | :02:34. | :02:40. | |
the train at 8 and back home. have a DVD out... Where is it? | :02:40. | :02:47. | |
There's a man on the floor there. Dave, forget. It Get up. He's | :02:47. | :02:54. | |
ruined your joke. Oh, sorry. Sorry Dave, I thought you wanted | :02:54. | :02:59. | |
help. People don't run on your show and say your punch lines before you | :02:59. | :03:04. | |
get to them. I thought, act fast. His great grandchildren were | :03:04. | :03:10. | |
looking forward to that. Bring him back. No, it's too late. It's done | :03:10. | :03:15. | |
now. You have cut a promo video for your new DVD, have you done that | :03:15. | :03:22. | |
yourself? Yes, I do my own PR. your own editing, is that at home? | :03:22. | :03:27. | |
A bit of this. Is that how do you it? Bit close together. Somebody | :03:27. | :03:32. | |
says you spend half your life in an edit suite. Who is this person you | :03:32. | :03:37. | |
were speaking to? The person you were speaking to earlier on. | :03:37. | :03:43. | |
yeah Danielle, YTS. That's our researcher. She's only been out a | :03:43. | :03:47. | |
week. I do edit all the time. Can we watch a VT about fishing. | :03:47. | :03:53. | |
yet. We only put those in the mid. Rolling Stones specials. I watched | :03:53. | :03:57. | |
that last week, it were very good. Cut up a lot. That's because you | :03:58. | :04:02. | |
didn't edit it. If you heard of animal photo bombing. No, but | :04:02. | :04:08. | |
you're going to show a VT on it, let's watch. No you're not. Dave | :04:08. | :04:12. | |
was going to do this and it was going to be hilarious. But it's too | :04:12. | :04:18. | |
late. Sorry Dave, bit of a cul-de- sac there. It's basically animals | :04:18. | :04:21. | |
getting into pictures when people don't realise they're there. | :04:21. | :04:27. | |
that cat wasn't meant to be in the photograph. See a pigeon. Oh, yeah. | :04:27. | :04:29. | |
photograph. See a pigeon. Oh, yeah. There's no need for. That This is a | :04:29. | :04:37. | |
good one. Where? It's coming. That's Danielle that. Here's one | :04:37. | :04:44. | |
that will look similar to the ones the viewers send in to us. There's | :04:44. | :04:54. | |
:04:54. | :04:57. | ||
spot the shih-tzu. This is a dog called whisper. If you have any | :04:57. | :05:01. | |
pictures of your animals bombing pictures of your animals bombing | :05:01. | :05:04. | |
photos, send them in. Please, because I've 18 minutes to kill. | :05:04. | :05:09. | |
I've a DVD out. Which by the way isn't going to be that difficult | :05:09. | :05:12. | |
tonight, thank heaven. Whilst you're sorting that out, have you | :05:12. | :05:18. | |
heard the amazing story about the 63 -- �63 million unclaimed lottery | :05:18. | :05:22. | |
ticket. No but you're going to show a VT on it. Yes, we are Peter. By | :05:22. | :05:26. | |
the way, this lottery ticket expires next Wednesday, five days. | :05:26. | :05:31. | |
Let's watch. If you did the lottery and live in Stevenage or hitchin | :05:31. | :05:39. | |
about six months ago and bought a ticket. Hitchin? I've had one ball | :05:39. | :05:44. | |
for two weeks, me. Look, if you were there, check your pockets, | :05:44. | :05:51. | |
because it could be you. Check them now. | :05:51. | :05:56. | |
I've come to Hertfordshire in search of a lost golden ticket, a | :05:56. | :06:02. | |
ticket that if found could change the life of its lucky owner forever. | :06:02. | :06:06. | |
Friday, June 8 this year should have been the day dreams came tru | :06:06. | :06:11. | |
for one UK resident because single EuroMillions ticket bought | :06:11. | :06:15. | |
somewhere in the Stevenage and Hitchin area came up with all the | :06:15. | :06:25. | |
:06:25. | :06:25. | ||
winning numbers, entitling that person to an extraordinary �63, 8 | :06:26. | :06:32. | |
37,543.60. But in the 175 days since the draw the lucky winner | :06:32. | :06:36. | |
still hasn't come forward and the clock is now seriously ticking. If | :06:36. | :06:40. | |
they don't show up by next Wednesday at 11pm, they won't be | :06:40. | :06:45. | |
able to claim the prize at all. Patrick, how rare is it to have a | :06:45. | :06:49. | |
ticket that's unclaimed? I'm happy to say most people buy their | :06:49. | :06:53. | |
tickets and claim almost immediately. Every unclaimed prize | :06:53. | :06:56. | |
has 180 days from the day of the draw in question to be claimed. | :06:56. | :07:01. | |
days, that sounds like an arbitrary amount of time. We have a cut-off | :07:01. | :07:05. | |
point agreed with our regulator. If that money is not claimed then the | :07:06. | :07:09. | |
money plus the interest its earned goes to the National Lottery good | :07:09. | :07:12. | |
causes. How prepared are you for the winner to step forward now? | :07:12. | :07:19. | |
very prepared. Amazing. Imagine seing that figure come up when you | :07:19. | :07:23. | |
put your card into an ATM and your balance. While there is still time, | :07:23. | :07:27. | |
there is hope. In the last week, we're doing as much as we can to | :07:27. | :07:32. | |
raise awareness. I'm looking for the person with the numbers 5, 11, | :07:32. | :07:38. | |
22, 34, 40 and the lucky star numbers 9 and 11 on their early | :07:38. | :07:45. | |
June ticket. And I'm not the only one. Would you like to be the | :07:45. | :07:49. | |
person who made it happen to -- so somebody saw this sign, went back, | :07:49. | :07:54. | |
found the ticket. I wouldn't mind a tip - 10%! Have you checked your | :07:54. | :08:02. | |
lottery tickets? We are trying to find the owner of �64 million. Are | :08:02. | :08:05. | |
you aware that there's an outstanding lottery ticket in this | :08:05. | :08:11. | |
area? Yes, not mine though. It's not a million is it? It's not. It's | :08:11. | :08:17. | |
64 million. Too much. Do you want to check your pockets? I don't know | :08:17. | :08:22. | |
if I checked it properly and I threw it away. If you're saying it | :08:22. | :08:26. | |
it's -- it's in this area, it's worth checking the bins. I'd have | :08:26. | :08:31. | |
to give it all away. I'd buy a farm, do a football stadium. Retire in | :08:31. | :08:36. | |
this life and the next and the next. I checked down my socks, couldn't | :08:36. | :08:46. | |
find any. 5, 9, 11, 11, 22, 34 and 40. No only one number. I'm afraid | :08:46. | :08:50. | |
you haven't won �64 million. you won't get a cruise. It's been a | :08:50. | :08:53. | |
long day, but I think we've reached a lot of people and reminded them | :08:53. | :08:57. | |
to look for this ticket. I haven't given up hope. That ticket may be | :08:57. | :09:04. | |
out there somewhere. Five days and counting. Look who's | :09:04. | :09:08. | |
here now. It's Peter Kay in a Peter Kay mask. | :09:08. | :09:18. | |
:09:18. | :09:20. | ||
Watch this... Yay! Yay! One more. Thank you. For this next bit we | :09:20. | :09:28. | |
thought you might like these. Movember. Exactly. Last day today. | :09:28. | :09:34. | |
You You shaved this off this morning. Is it Hayley Mills next? | :09:34. | :09:44. | |
:09:44. | :09:46. | ||
No Hywel Mills. Come on in. A handsome young man. He is, very | :09:46. | :09:53. | |
handsome. He's one of the kings of Movember. Nice to see you. Everyone | :09:53. | :09:57. | |
is a king. The moustache makes you feel like a hero. There's 360,000 | :09:57. | :10:02. | |
guys in the UK growing. They're all rock stars and kicks to us. -- | :10:03. | :10:09. | |
kings to us. Where.idea come from? That's going to look great. It | :10:09. | :10:14. | |
started in 2003... Got some slap on, haven't you? They went to town on | :10:14. | :10:20. | |
me. 30 guys in the pub in Melbourne wanted to bring back the mo, like | :10:20. | :10:23. | |
their dads had them and rock stars had them. Since then two million | :10:24. | :10:28. | |
people have followed us on that journey. Why? It's all about | :10:28. | :10:32. | |
sparking conversations, guys don't like talking about their health, | :10:32. | :10:36. | |
all those stereotypes are true. For 30 days we give them a platform to | :10:36. | :10:40. | |
have those conversations, like you've been having. Do you feel a | :10:40. | :10:45. | |
bit like when Emu used to be on Parkinson. You seem nervous sitting | :10:45. | :10:49. | |
next to Peter than you did in rehearse aling. I can't get in here. | :10:49. | :10:53. | |
Do you want me to peel the back off for you? Emmerdale. Peter, next | :10:53. | :11:01. | |
year you can grow a real one. got loads... That's the wall tons | :11:01. | :11:09. | |
you're humming. We have loads of men here that have done Movember | :11:09. | :11:17. | |
and tonight share shaving it off. We have Hayley there, who did Chris. | :11:17. | :11:21. | |
Hello! Do you want to get crack sning I'll get cracking. Off you go. | :11:21. | :11:29. | |
She's up and running. How much money has Movember raised? About | :11:29. | :11:38. | |
�16 million for prostate and Tess Tate -- testate cancer. Peter would | :11:38. | :11:42. | |
like to double that tonight. Thank you Peter. 32 million. That will | :11:42. | :11:47. | |
see you right. I can't get the back off Peter. Never mind. What must it | :11:47. | :11:50. | |
be like to grow up with a father as funny as Peter? The Kay kids are | :11:50. | :12:00. | |
too young to tell us. So we asked Frank Carson's kids, who aren't. | :12:00. | :12:06. | |
That's a cracker that one. We're in the home of comedy and | :12:06. | :12:11. | |
laughter, Blackpool. That's the reason why our dad Frank Carson | :12:11. | :12:16. | |
came to live here. We're on the comedy carpet where some of the | :12:17. | :12:24. | |
most famous comedians in the world have been remembered. Tommy Cooper. | :12:24. | :12:32. | |
Eric Morecambe. Ken Dodd over there. There he is! Look at that. It's the | :12:32. | :12:38. | |
way I tell them. Just a shame he never got to see it. It's the way I | :12:38. | :12:43. | |
tell them. It must be a gift. It's a gift. Thanks. Thanks. | :12:43. | :12:53. | |
:12:53. | :12:55. | ||
I'm the youngest of the three and we moved to Blackpool in 1970 where | :12:55. | :12:59. | |
dad had been appearing in a Cabaret show and he fell in love with the | :12:59. | :13:04. | |
place. We were brought up in our home town of Belfast. The Troubles | :13:04. | :13:09. | |
had just started then. IRA bombs were going off. With our Northern | :13:09. | :13:14. | |
Irish accents, found it very difficult. We got a lot of stick | :13:14. | :13:18. | |
for that, but my dad, his humour, transcended everything and nothing | :13:18. | :13:22. | |
was sacred to him. I think it's ridiculous that the Irish are over | :13:22. | :13:25. | |
here building your roads and you're over there blowing our up. | :13:25. | :13:30. | |
-- ours up. That's a cracker, isn't it? | :13:30. | :13:34. | |
Following on from the northern club scene he appeared on Tufpbt Knocks | :13:34. | :13:41. | |
and won it twice -- Opportunity Knocks. Dad married his childhood | :13:41. | :13:45. | |
sweet heart my mother Ruth. They were married for more than 62 years | :13:45. | :13:52. | |
before he passed away in February. Television was what made him, but | :13:52. | :13:56. | |
he loved the stage. He loved the theatre and especially this one, | :13:56. | :14:05. | |
the Grand. He really loved this place. Look at this. Beautiful | :14:05. | :14:10. | |
theatre. He just loved the audience, making people laugh. Panto was just | :14:10. | :14:16. | |
made for him, all the ad libing. The dressing up. Women's clothes. | :14:16. | :14:22. | |
Yeah! We couldn't afford a Turkey at Christmas. I had to buy the | :14:22. | :14:28. | |
budgie a pair of chest expanders. He tried all his jokes out on us. | :14:28. | :14:31. | |
We were the judge and jury. If he could make us laugh, he could make | :14:31. | :14:37. | |
anyone laugh. At the latter stages of his life, he had a crib sheet to | :14:37. | :14:43. | |
remind him of some of his jokes. My favourite is somewhere here. | :14:43. | :14:47. | |
Camouflage, we didn't see you at camouflage practice this morning. | :14:47. | :14:52. | |
Thank you very much Sir. Chap walked into a pet shop and | :14:52. | :14:57. | |
said, I'd like to buy a wasp. The chap said I'm sorry we don't sell | :14:57. | :15:02. | |
wasps. He said, that's funny, you have one in the window. Can you | :15:02. | :15:11. | |
He had an infectious laugh, and it was sometimes funnier than some of | :15:12. | :15:18. | |
his jokes, to be honest. amplified it so that it was bigger | :15:18. | :15:22. | |
than life, and people were falling over before they even heard the | :15:22. | :15:30. | |
joke. Sometimes they did not even Towards the end, the last few weeks | :15:30. | :15:36. | |
of his life, we looked after him here, the family, at home. His | :15:36. | :15:42. | |
lifelong friend rang up, my friend -- my dad was too weak to hold the | :15:42. | :15:46. | |
phone, and I held the phone to his ear, while the bishop gave him his | :15:46. | :15:54. | |
final blessing. That was very, very sad. He loved people, people loved | :15:54. | :16:01. | |
him back. And it was not just the family that knew that. Everybody | :16:01. | :16:08. | |
that ever came into contact with them felt the same way about him. | :16:08. | :16:12. | |
You never did not remember Frank Carson, you always remembered how | :16:12. | :16:22. | |
Lovely film, that, wasn't it? Thank you for doing that. Nice, sad. | :16:22. | :16:27. | |
Touching. All those things. If you want to cheer yourself up, my DVD | :16:27. | :16:33. | |
is out. We are going to talk about it now. You have cut a trailer | :16:33. | :16:43. | |
:16:43. | :17:21. | ||
Never heard of him! Peter, watching that back, doesn't seem like | :17:21. | :17:31. | |
yesterday, an age away? All right! He seems like not long, because I | :17:31. | :17:38. | |
spent eight months editing it. Really? Yes. I like editing. | :17:38. | :17:42. | |
months ago, the tour finishers, what have you been doing, writing a | :17:42. | :17:48. | |
film? Can we talk about it? that is on hold. Can you tell | :17:48. | :17:57. | |
anyone about it? No, you can't! would love a Peter Kay movie? | :17:57. | :18:03. | |
did you say, the DVD? It is out now! The thing about the DVD, | :18:03. | :18:11. | |
writes... That is it, love! We see you on stage doing what we know you | :18:11. | :18:17. | |
do, then you see the real Peter Kay. Which are you most, the real Peter | :18:17. | :18:22. | |
Kay or the Peter Kay on stage? the same, apart from when I am in | :18:22. | :18:27. | |
the bath, but I am the same. What are you like in the bath? A quieter. | :18:27. | :18:33. | |
Why is that? I have got a docking station. You say in the DVD that | :18:33. | :18:38. | |
you get nervous still. Yes, but what I love about this DVD, | :18:38. | :18:43. | |
bringing it back, all the shows were filmed, and then I thought I | :18:43. | :18:47. | |
would cut all the bits, and put in the bits that people never say. | :18:47. | :18:51. | |
Like yourself, you are fascinated with stand-up, and I thought I | :18:51. | :18:55. | |
would show people the process, from the warm-up... I will give you a | :18:55. | :19:01. | |
copy, I have got one in my rucksack. I will watch its tonight after my | :19:01. | :19:05. | |
recording of Emmerdale has finished. It is just showing all the bits, | :19:05. | :19:10. | |
the heckles, the cock ups, the bits people do not see, from Dublin and | :19:10. | :19:15. | |
Glasgow and Newcastle. Was it ever supposed to be serious documentary | :19:15. | :19:19. | |
before you thought, there is so much stuff to put in? A proper | :19:19. | :19:23. | |
company did the documentary bid. I did the stand-up that is on it, | :19:23. | :19:29. | |
that is my staff. You do actually get nervous on the stage. I got | :19:29. | :19:36. | |
nervous before this! You didn't! did, because it is live. You do not | :19:36. | :19:40. | |
know what films you are going to show, that is what kills it stone | :19:40. | :19:45. | |
dead. Nor do we! If you want us to move on what the programme, you | :19:45. | :19:54. | |
have to help us with that. Show some clips, yeah! This is me... | :19:54. | :20:02. | |
Thank you, Peter Kay! BT BT is out now! -- the DVD. If Peter considers | :20:02. | :20:07. | |
doing another tour, this might help him save some time, it shows how | :20:07. | :20:16. | |
I am on my way to me to one of the world's top music stars, a busy | :20:16. | :20:20. | |
chap, but he has promised to perform live just for me. Let me | :20:20. | :20:30. | |
:20:30. | :20:34. | ||
introduce you to my new friend, OK, OK, so will.i.am is not one of | :20:34. | :20:39. | |
my celebrity friends. In fact, he is not on stage with me at all, | :20:39. | :20:43. | |
this is just a clever illusion, designed to trick you into thinking | :20:43. | :20:53. | |
:20:53. | :20:54. | ||
And it is a type of illusion that has been amazing audiences around | :20:54. | :21:01. | |
the world. For instance, Madonna did not really appear on stage with | :21:01. | :21:05. | |
the animated band, and the rapper Tupac clearly did not appear at a | :21:05. | :21:09. | |
music festival early this year, because he has been dead for 16 | :21:09. | :21:18. | |
James is a director at the British company behind this technology that | :21:18. | :21:22. | |
creates a 3D illusion from eight to the image. How come they look so | :21:23. | :21:28. | |
very real? Well, we are taking high-definition video, we are | :21:28. | :21:33. | |
playing it through a very bright video projector, and the magic is | :21:33. | :21:37. | |
in the projection system. Taking projects in the ceiling shines | :21:38. | :21:42. | |
footage onto a screen on the floor. This is then reflected up on to a | :21:42. | :21:46. | |
transparent surface which is stretched across the stage. When | :21:46. | :21:52. | |
the lights are dimmed, this disappears, but the image remains | :21:52. | :21:55. | |
and appears three-dimensional. What about if the person you're filming | :21:55. | :22:01. | |
is no longer with us, deceased? Most of what you see in the | :22:01. | :22:04. | |
deceased moving image is a high- definition body double. We take the | :22:04. | :22:10. | |
old footage and, frame-by-frame, we cut out the bits that we want, the | :22:10. | :22:16. | |
head basically, and restated on to the virtual body. -- we stitch. | :22:16. | :22:21. | |
This visual trickery is not new. In 1862, Professor John Pepe used a | :22:21. | :22:26. | |
similar technique to make ghostly objects and people appear in the | :22:26. | :22:31. | |
theatre by projecting images onto a sheet of glass from of stage. Let | :22:31. | :22:37. | |
me show you the principle behind . What I have got here is a candle | :22:37. | :22:43. | |
inside a fish tank, half-full of water. Behold now the immortal | :22:43. | :22:53. | |
:22:53. | :22:56. | ||
But it is just an illusion. There is not really a lit candle inside | :22:56. | :23:02. | |
the tank of water, but it is a candle just here, and this sheet of | :23:02. | :23:05. | |
glass is reflecting the light from this candle to the audience so that | :23:05. | :23:11. | |
it appears as if the candle in the water is a light. It is just a | :23:11. | :23:17. | |
trick. So why do we CVs two dimensional reflections as three- | :23:17. | :23:24. | |
dimensional? -- why do we see. Dr Gustav is a psychologist at | :23:24. | :23:29. | |
Goldsmiths University. Our eyes capture a flat two dimensional | :23:29. | :23:33. | |
image of the world, but seeing really happens inside the brain, | :23:33. | :23:38. | |
because the brain uses these snapshots of the world and turns | :23:38. | :23:42. | |
them into meaningful three- dimensional representations. He has | :23:42. | :23:46. | |
brought along an optical illusion to demonstrate how the brain can | :23:46. | :23:51. | |
interpret the two dimensional information it receives. This is | :23:51. | :23:56. | |
one of my favourite illusions. is brilliant. I know, because I saw | :23:56. | :24:06. | |
:24:06. | :24:08. | ||
But it looks like it is sticking out towards me. Your brain is | :24:08. | :24:12. | |
overriding the information provided by the eyes, that these should be a | :24:12. | :24:18. | |
hollow face, to make you see the phase has been solid. All these | :24:18. | :24:21. | |
tricks take advantage of the fact that the brain fills in the gaps to | :24:21. | :24:26. | |
create the image it thinks should be there. It may all be an illusion, | :24:27. | :24:32. | |
but we could be seen a lot more of this kind of trickery in the future. | :24:32. | :24:42. | |
:24:42. | :24:42. | ||
How our eyes will continue to be Thank you very much, that was | :24:42. | :24:51. | |
amazing. Now then... Very sincere! Because we have got so many mo bros | :24:51. | :24:59. | |
in our studio, Peter has offered to help us out by shaving Jamie here. | :24:59. | :25:08. | |
Gone, let's have a look now! Hold that there! Have you got any tips | :25:08. | :25:14. | |
for in there? As long as you do not mind being disfigured, son! Look at | :25:14. | :25:24. | |
:25:24. | :25:24. | ||
that! This takes me back. Hold that up. Are you nervous, Jamie? Bring | :25:24. | :25:34. | |
:25:34. | :25:34. | ||
that up! It is out now! We have got to move this now. You can watch it | :25:34. | :25:38. | |
with the kids! We are going to show you some of the before and after | :25:38. | :25:48. | |
photos. Bless you, Alex, a round of applause for Alex. Our mo bros are | :25:48. | :25:58. | |
:25:58. | :26:01. | ||
all being shaved now, we are going What is the name of your wife? Will | :26:01. | :26:08. | |
she approve? So there are, much better now it is off. Mo bro number | :26:08. | :26:18. | |
two, Clarke Williams, he looked New line a postman, married with | :26:18. | :26:28. | |
children. Married to Kelly, the kids loved it, but she is keener on | :26:28. | :26:38. | |
:26:38. | :26:44. | ||
me now. Kevin Collins looked like That has taken years off you! Did | :26:44. | :26:48. | |
you enjoy your moustache experience? I absolutely loved it. | :26:48. | :26:56. | |
I will do its next year. I am single with five children. | :26:56. | :27:01. | |
finally, who are you? Matthew Ross, he looked like this, wow, that is | :27:01. | :27:11. | |
:27:11. | :27:15. | ||
I thought that really suited you. How did you decide to go for that? | :27:15. | :27:18. | |
I just thought I wanted something spectacular by the end of the month, | :27:19. | :27:24. | |
but I cheated a little bit. cheated, everybody! The off with | :27:24. | :27:32. | |
you! What are they doing? Back to Alex. I liked him with the tache, | :27:32. | :27:42. | |
:27:42. | :27:44. | ||
it looked good, didn't it? Jamie is Very good. Earlier, we asked for | :27:45. | :27:50. | |
pictures are pure animals, the photobombs. That is from Lynsey in | :27:50. | :27:59. | |
Norfolk. Just killing time now, folk! Winding up now! These are and | :27:59. | :28:09. | |
:28:09. | :28:10. | ||
This is a shot of the Scott Monument. Never before has one DVD | :28:10. | :28:14. | |
had so much BBC airtime. It is completely against compliance, we | :28:14. | :28:19. | |
will be hauled over the carpet, we can only apologise! That is all we | :28:20. | :28:25. |